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WOMAN CHUCKLES | 0:00:15 | 0:00:18 | |
-ON TV: -Look, I don't want to make this a big deal... | 0:00:18 | 0:00:22 | |
You all ready for your big day tomorrow? | 0:00:22 | 0:00:25 | |
It's only a trial. | 0:00:25 | 0:00:26 | |
Right. So, you won't be needing these then? | 0:00:26 | 0:00:30 | |
This farce has gone on quite long enough. | 0:00:33 | 0:00:36 | |
I need those bloody people out and I mean now! | 0:00:36 | 0:00:39 | |
Listen to me. Have you any idea | 0:00:39 | 0:00:41 | |
how much it's going to cost to have the contractors stand down again? | 0:00:41 | 0:00:44 | |
If we go to another appeal, we're screwed. | 0:00:44 | 0:00:47 | |
I have investors, for Christ's sake! | 0:00:47 | 0:00:50 | |
No! | 0:00:50 | 0:00:51 | |
I'll deal with it. | 0:00:51 | 0:00:53 | |
GLASS SHATTERS, FIRE ROARS | 0:01:31 | 0:01:36 | |
SHOUTING IN THE DISTANCE, SCREAMS | 0:01:36 | 0:01:39 | |
FIRE ROARS | 0:01:39 | 0:01:42 | |
SIREN WAILS | 0:02:12 | 0:02:16 | |
CLASSICAL MUSIC PLAYS | 0:02:31 | 0:02:34 | |
HE SWITCHS MUSIC OFF | 0:02:38 | 0:02:40 | |
MOBILE PHONE BEEPS | 0:02:55 | 0:02:59 | |
-ON RADIO: -'..reports of a large fire in a tower block in East London. | 0:02:59 | 0:03:02 | |
'Emergency services are on the scene...' | 0:03:02 | 0:03:04 | |
PHONE RINGS | 0:03:04 | 0:03:06 | |
'..causing severe traffic delays...' | 0:03:06 | 0:03:09 | |
-PHONE RINGS -Hello. | 0:03:09 | 0:03:11 | |
A warrant? What for? | 0:03:11 | 0:03:13 | |
TYRES SCREECH TO A HALT | 0:03:18 | 0:03:20 | |
Um... | 0:03:20 | 0:03:22 | |
TWO SEPARATE PHONES RING | 0:03:30 | 0:03:33 | |
LIFT BELL DINGS | 0:03:42 | 0:03:45 | |
PHONE RINGS | 0:03:53 | 0:03:55 | |
STOP! | 0:04:05 | 0:04:07 | |
Oi! Police! Stop! | 0:04:12 | 0:04:14 | |
Granger, stop! | 0:04:27 | 0:04:28 | |
Get out of the way! | 0:04:31 | 0:04:33 | |
Move! | 0:04:33 | 0:04:35 | |
I'm Phillip Granger, get me Luis Velasquez now! Get him now! | 0:04:35 | 0:04:39 | |
Phillip Granger, | 0:04:39 | 0:04:40 | |
-I'm arresting you on suspicion of conspiracy to commit murder. -Luis! | 0:04:40 | 0:04:43 | |
-Phillip! -You do not have to say anything... -Luis! I am claiming political asylum. | 0:04:43 | 0:04:48 | |
..but it may harm your defence if you do not mention when questioned | 0:04:48 | 0:04:51 | |
-something which you later rely on in court. -Luis! | 0:04:51 | 0:04:54 | |
This man is now under the protection of the Colombian government. | 0:04:54 | 0:04:57 | |
I am the Colombian ambassador and you are now on Colombian soil. | 0:04:57 | 0:05:00 | |
So, unless you want to spark a major diplomatic incident | 0:05:00 | 0:05:03 | |
between our respective governments, | 0:05:03 | 0:05:05 | |
I suggest you remove those handcuffs and leave. Immediately. | 0:05:05 | 0:05:09 | |
Thank you. | 0:05:16 | 0:05:18 | |
Go on. | 0:05:19 | 0:05:21 | |
Turned out nice again. | 0:05:48 | 0:05:51 | |
No time for sunbathing. You're going to have your work cut out. | 0:05:51 | 0:05:54 | |
Phillip Granger - Eton and Oxford educated, | 0:05:54 | 0:05:58 | |
property tycoon, extremely well connected. | 0:05:58 | 0:06:01 | |
Recently, he was appointed as a government housing adviser. | 0:06:01 | 0:06:06 | |
He's been very vocal on his vision for quality, | 0:06:06 | 0:06:08 | |
affordable housing for all. | 0:06:08 | 0:06:10 | |
But away from the glare of the cameras, | 0:06:10 | 0:06:12 | |
it appears he adopts a more elitist approach. | 0:06:12 | 0:06:15 | |
He bought this place on the cheap | 0:06:17 | 0:06:19 | |
to make way for one of his luxury developments. | 0:06:19 | 0:06:21 | |
Served eviction notices on all of the tenants. | 0:06:21 | 0:06:24 | |
They wouldn't budge and lodged a series of appeals. | 0:06:24 | 0:06:28 | |
What, so he did this? | 0:06:28 | 0:06:30 | |
-18 people died. -And how sure are you that he was behind it? | 0:06:30 | 0:06:34 | |
No doubt. We've got full confessions from all those involved. | 0:06:34 | 0:06:38 | |
It didn't take the police long to pull everyone in. | 0:06:38 | 0:06:41 | |
They established a trail | 0:06:41 | 0:06:42 | |
that led all the way to the kid who started the blaze. | 0:06:42 | 0:06:45 | |
That trail leads all the way up to Granger. | 0:06:49 | 0:06:53 | |
So, why hasn't he been arrested? | 0:06:53 | 0:06:55 | |
Political asylum? | 0:06:56 | 0:06:58 | |
Old boys' network - he and the ambassador went to school together. | 0:06:58 | 0:07:02 | |
Oh, pass me the sick bag. | 0:07:02 | 0:07:04 | |
It's a government thing though, isn't it? | 0:07:04 | 0:07:06 | |
Diplomatic channels, our man in Colombia, all that jazz. | 0:07:06 | 0:07:09 | |
-Well, they're backing their ambassador. -And our lot are just accepting that, are they? | 0:07:09 | 0:07:13 | |
-They don't have any choice. -If we go in there all guns blazing, that opens up every | 0:07:13 | 0:07:16 | |
British Embassy around the world to the same treatment. | 0:07:16 | 0:07:18 | |
-So, the police can't touch him? -No-one can. | 0:07:18 | 0:07:21 | |
As long as he's inside that embassy building, he's on foreign soil, no-one can go near him. | 0:07:21 | 0:07:25 | |
Officially. | 0:07:25 | 0:07:26 | |
First things first, we need to know what's going on in there. | 0:07:26 | 0:07:29 | |
We need surveillance - eyes and ears inside the embassy. | 0:07:29 | 0:07:32 | |
On it. | 0:07:32 | 0:07:34 | |
TomTom, find out what's on either side of the embassy building, | 0:07:37 | 0:07:41 | |
and if there's any way we can gain access. | 0:07:41 | 0:07:43 | |
OK, so, looking at the buildings around the embassy, | 0:07:43 | 0:07:46 | |
we have the Iranian Embassy behind. | 0:07:46 | 0:07:49 | |
Hmm, not sure how co-operative they'll be. | 0:07:53 | 0:07:55 | |
There's a bank to the right. | 0:07:55 | 0:07:56 | |
Here we go, there's a residential address next door to the left. | 0:07:56 | 0:08:01 | |
-And it's registered to a Mrs Celia Butler. -DOOR BELL RINGS | 0:08:01 | 0:08:06 | |
-Mrs Butler? -Yes. | 0:08:11 | 0:08:14 | |
-Jack Reed, Environmental Health. -Oh? | 0:08:14 | 0:08:16 | |
We've had reports of rats in the adjoining buildings | 0:08:16 | 0:08:19 | |
-and we're trying to find the source. -Ooh, I hate rats. Dirty creatures. | 0:08:19 | 0:08:22 | |
The thing is we need to check your property. | 0:08:22 | 0:08:24 | |
I have an old rifle up in the attic, I'd be happy to help. | 0:08:24 | 0:08:29 | |
Well, actually we tend to use more humane methods these days. | 0:08:29 | 0:08:33 | |
Political correctness gone mad - spoils all the fun. | 0:08:33 | 0:08:37 | |
-Shoot the little buggers, I say. -I couldn't agree more. | 0:08:37 | 0:08:41 | |
If it was up to me, I'd shoot the lot of them | 0:08:41 | 0:08:43 | |
but this one's a stickler for procedure. | 0:08:43 | 0:08:45 | |
-One of those? -HE MOUTHS | 0:08:45 | 0:08:47 | |
Thought so. | 0:08:47 | 0:08:49 | |
Right, well, I'll put the kettle on. Where do you want to start? | 0:08:49 | 0:08:54 | |
Uh, well, we think they might be in the cavity walls. | 0:08:54 | 0:08:56 | |
So, what's upstairs on this side of the house? | 0:08:56 | 0:09:00 | |
-Spare room. -Good, we'll start there. | 0:09:00 | 0:09:03 | |
So, the ambassador's office should be directly behind that wall. | 0:09:07 | 0:09:11 | |
Oh!? | 0:09:39 | 0:09:40 | |
Nice one, genius. | 0:09:40 | 0:09:42 | |
Yeah, my bad. | 0:09:42 | 0:09:44 | |
-Looks like it's going to be next door. -Next door. -Sorry. | 0:09:46 | 0:09:50 | |
-Wrong room. -What! | 0:09:54 | 0:09:57 | |
Earl Grey or builder's tea? | 0:10:19 | 0:10:22 | |
Oh, builder's, please, strong as you like. | 0:10:22 | 0:10:25 | |
Dope, right? The boy's on fire. | 0:10:31 | 0:10:34 | |
-There's Granger. -That looks like the ambassador. | 0:10:34 | 0:10:37 | |
-Hola! -Who's the girl? | 0:10:40 | 0:10:43 | |
That must be Vanessa Velasquez. She's the ambassador's daughter. | 0:10:43 | 0:10:46 | |
-I'm calling shotgun. -No, you can't call shotgun on a girl. | 0:10:46 | 0:10:49 | |
I saw her first. | 0:10:49 | 0:10:50 | |
Hello? Shall I bring your tea in? > | 0:10:50 | 0:10:54 | |
Just a minute, Mrs Butler. | 0:10:54 | 0:10:56 | |
What the... Where did you get that? | 0:10:58 | 0:11:00 | |
I have my sources. | 0:11:00 | 0:11:02 | |
That's just weird. | 0:11:02 | 0:11:04 | |
Infested, I'm afraid. We're going to have to fumigate. | 0:11:09 | 0:11:13 | |
We've got a direct feed into the ambassador's study, | 0:11:13 | 0:11:15 | |
but I've hacked into the CCTV DVR | 0:11:15 | 0:11:17 | |
so we can pretty much see anything they can. | 0:11:17 | 0:11:20 | |
I understand, but there are extenuating circumstances. | 0:11:20 | 0:11:24 | |
Yes, Mr President, I take full responsibility for the situation. | 0:11:24 | 0:11:28 | |
Thank you, sir. | 0:11:28 | 0:11:30 | |
Luis, I'm not causing you any trouble, am I? | 0:11:32 | 0:11:35 | |
-Whatever gave you that idea? -I'll only be here a few days. | 0:11:35 | 0:11:39 | |
Well, I think it's great you're here, Uncle Phillip. | 0:11:39 | 0:11:41 | |
You see, someone's pleased to see me. | 0:11:41 | 0:11:43 | |
The British Government is asking that you surrender yourself. | 0:11:43 | 0:11:47 | |
You can't stay here indefinitely. | 0:11:47 | 0:11:49 | |
Luis, this is all going to blow over. | 0:11:49 | 0:11:51 | |
I've had friends in very high places. | 0:11:51 | 0:11:53 | |
You know what it's like, it's just wheels within wheels. | 0:11:53 | 0:11:56 | |
And seeing as you're here, you can stay for the party. | 0:11:56 | 0:11:59 | |
Ooh, hello, what party? | 0:11:59 | 0:12:00 | |
It looks like every year, they invite the great and the good | 0:12:07 | 0:12:10 | |
for an informal lunch to mark the President's birthday. | 0:12:10 | 0:12:12 | |
Lucky for us, it happens to be this week. | 0:12:12 | 0:12:14 | |
Now, the guest list is pretty exclusive, | 0:12:14 | 0:12:16 | |
but it might be our best chance to get inside. | 0:12:16 | 0:12:18 | |
OK. So, we get inside, then what? | 0:12:18 | 0:12:21 | |
There's only two ways we're going to Granger out of there - | 0:12:21 | 0:12:24 | |
either he leaves of his own accord or we drag him out. | 0:12:24 | 0:12:27 | |
Hmm, past all that security. | 0:12:27 | 0:12:29 | |
Well, this lunch sounds like a pretty big deal, so there will be | 0:12:29 | 0:12:31 | |
outside contractors, things we can use as a distraction. | 0:12:31 | 0:12:34 | |
Deliveries going in and out. | 0:12:34 | 0:12:35 | |
Flowers, extra food, wine merchants. | 0:12:35 | 0:12:38 | |
Maybe we could get him into one of those vans. | 0:12:38 | 0:12:40 | |
We'll need all these details. | 0:12:40 | 0:12:41 | |
TomTom will get what he can on surveillance. | 0:12:41 | 0:12:44 | |
-What we really need is someone on the inside. -Hmm. | 0:12:44 | 0:12:46 | |
Yeah? How are we going to do that? | 0:12:46 | 0:12:48 | |
Target in sight. Moving in. | 0:13:01 | 0:13:04 | |
Where are you going?! Ow! | 0:13:08 | 0:13:11 | |
-Where are you going?! Give her back! -Stop kicking me! | 0:13:13 | 0:13:17 | |
Give her back! | 0:13:17 | 0:13:20 | |
Help! Somebody! | 0:13:20 | 0:13:22 | |
Somebody help! | 0:13:22 | 0:13:23 | |
She's a tough one. Right, your turn. | 0:13:23 | 0:13:25 | |
Coming your way in three, two, one! | 0:13:25 | 0:13:29 | |
Getting beaten up by a girl. Loving your work. | 0:13:34 | 0:13:38 | |
Try and make this look convincing. All right? Yeah? | 0:13:38 | 0:13:42 | |
Yeah. Good enough? | 0:13:42 | 0:13:44 | |
Oh, thank you! Are you OK? | 0:13:47 | 0:13:48 | |
Yeah, sorry, lucky punch, he got away. There you go. | 0:13:48 | 0:13:51 | |
Oh, I got my Lucy back, that's all that matters. | 0:13:51 | 0:13:54 | |
Oh, my God, your lip, you're bleeding. | 0:13:55 | 0:13:57 | |
Really? No, it's fine. | 0:13:57 | 0:13:59 | |
Really. | 0:13:59 | 0:14:01 | |
-So, uh, must have been pretty scary? Are you all right? -I'm fine. | 0:14:01 | 0:14:05 | |
You do look a bit shaken up, though. I mean, anything I can do? | 0:14:05 | 0:14:09 | |
Can I, uh, walk you home? I can walk you home. | 0:14:09 | 0:14:12 | |
There's really no need. | 0:14:13 | 0:14:14 | |
No, please, I insist. It's in the superhero's job description. | 0:14:14 | 0:14:18 | |
I have to make sure that the damsel in distress gets home safely. | 0:14:18 | 0:14:21 | |
Please. If you wouldn't mind? | 0:14:23 | 0:14:24 | |
-This way. -OK. | 0:14:26 | 0:14:27 | |
-TomTom, how are we doing? -Cupid has landed. | 0:14:29 | 0:14:33 | |
Good. | 0:14:33 | 0:14:34 | |
Jess has done her bit, so it's up to you to get Charlie into the embassy. | 0:14:34 | 0:14:37 | |
On it. | 0:14:37 | 0:14:39 | |
-I'll meet you back at Celia's when you're done. -Right, soon as. | 0:14:39 | 0:14:42 | |
So, I jacked in my job and just went travelling around South America. | 0:14:51 | 0:14:56 | |
I never made it as far as Colombia. | 0:14:57 | 0:15:00 | |
But, uh, I did trek Macchu Picchu, so... | 0:15:00 | 0:15:03 | |
No! That is my favourite place on earth. | 0:15:03 | 0:15:06 | |
-Really? -That's so amazing. I can't believe you've been there, too. | 0:15:06 | 0:15:09 | |
Ah, the power of social networks and very predictable passwords. | 0:15:09 | 0:15:13 | |
It's so peaceful there, like nothing in the world can touch you. | 0:15:15 | 0:15:18 | |
You know, you're on top of the world | 0:15:18 | 0:15:20 | |
and you could just hold out your arms and fly. | 0:15:20 | 0:15:23 | |
Did you feel that? | 0:15:23 | 0:15:24 | |
Did you feel it, Charlie? 'Spiritual, yeah?' | 0:15:24 | 0:15:27 | |
Yeah. Yeah, I, uh, thought it was just me. | 0:15:29 | 0:15:32 | |
I loved it. | 0:15:32 | 0:15:33 | |
I used to just sit there for hours and read poetry. | 0:15:33 | 0:15:36 | |
OK, this is getting really weird. | 0:15:36 | 0:15:39 | |
-You like poetry, too? -Love it, absolutely love it. | 0:15:39 | 0:15:42 | |
Who is your favourite poet? | 0:15:42 | 0:15:44 | |
Yeah, Charlie, who is your favourite poet? | 0:15:44 | 0:15:47 | |
My favourite poet? | 0:15:48 | 0:15:50 | |
-Mm-hm. -Oh, wow, uh, that's a... | 0:15:50 | 0:15:52 | |
-'Yes?' -..that's a tough one. | 0:15:52 | 0:15:55 | |
Yeah, but she's still waiting for an answer. | 0:15:55 | 0:15:58 | |
You see, this is why Jack should have sent me instead of you. | 0:15:58 | 0:16:01 | |
Uh, so many to choose from, you know, so many poets. | 0:16:01 | 0:16:07 | |
-WHISPERS: TomTom?! -No? Drawing a blank? | 0:16:07 | 0:16:10 | |
-T.S. Eliot. -T.S. Eliot. | 0:16:13 | 0:16:15 | |
-Really? -Yeah. Why do you... Do you like him too? | 0:16:16 | 0:16:21 | |
He's the best! | 0:16:21 | 0:16:23 | |
Well, this is me. | 0:16:23 | 0:16:26 | |
Wow. Uh, you live here? | 0:16:26 | 0:16:31 | |
-Yes. My father is the ambassador. -Oh, right. | 0:16:31 | 0:16:36 | |
Does that bother you? | 0:16:36 | 0:16:37 | |
It's just a different world to what I'm used to, that's all. | 0:16:37 | 0:16:40 | |
And what kind of world are you used to? | 0:16:40 | 0:16:43 | |
Dirty kitchens, mostly. | 0:16:43 | 0:16:46 | |
I'm a sous chef. Well, no, actually scratch that. | 0:16:46 | 0:16:50 | |
I'm, I'm an unemployed, well, I'm a broke, unemployed sous chef. | 0:16:50 | 0:16:54 | |
-Well, then, today might just be your lucky day. -Why? | 0:16:54 | 0:16:58 | |
We need someone in the kitchen, one of our chefs has food poisoning. | 0:16:58 | 0:17:02 | |
Not a great advertisement for his cooking but... | 0:17:02 | 0:17:04 | |
It was a local restaurant. | 0:17:04 | 0:17:06 | |
RETCHING | 0:17:08 | 0:17:11 | |
I could ask, if you're interested? | 0:17:12 | 0:17:14 | |
But you don't know anything about him. | 0:17:17 | 0:17:20 | |
You're embarrassing me! | 0:17:20 | 0:17:22 | |
HE SIGHS | 0:17:22 | 0:17:24 | |
We'll need references. | 0:17:24 | 0:17:26 | |
-When can you start? -KNOCK AT THE DOOR | 0:17:27 | 0:17:30 | |
Come. | 0:17:30 | 0:17:32 | |
I can come back later. | 0:17:34 | 0:17:36 | |
No, no, we have a meeting. Security for the President's lunch. | 0:17:36 | 0:17:39 | |
Yes, sir. | 0:17:39 | 0:17:41 | |
Oh, and I'll need you to do a security check on Mr Rollins here. | 0:17:41 | 0:17:45 | |
He'll be working in our kitchens. | 0:17:45 | 0:17:47 | |
Yes, sir. | 0:17:47 | 0:17:49 | |
Nice to meet you. | 0:17:55 | 0:17:56 | |
Thanks. | 0:17:56 | 0:17:58 | |
He's a bit scary, isn't he? Who is he? | 0:18:03 | 0:18:06 | |
Head of embassy security and very boring. | 0:18:06 | 0:18:09 | |
Come on, I'll show you the kitchens. | 0:18:09 | 0:18:12 | |
Hello, would you like some more tea? | 0:18:26 | 0:18:29 | |
Celia, sorry, you can't go in there. | 0:18:29 | 0:18:31 | |
I thought the weird one might like a cup of tea. | 0:18:31 | 0:18:35 | |
Oh, I'll take it in. It's too dangerous. | 0:18:35 | 0:18:37 | |
-Fumes? -Yeah, exactly. | 0:18:37 | 0:18:39 | |
Charlie's in. | 0:18:45 | 0:18:48 | |
Great. | 0:18:48 | 0:18:49 | |
-That for me? -No. | 0:18:49 | 0:18:52 | |
The guy on the left could be a problem. | 0:18:52 | 0:18:55 | |
-See what you can find out about him. -OK. Right. | 0:18:55 | 0:18:58 | |
-Uh, can I ask you a question? -Yeah? | 0:18:58 | 0:19:03 | |
Why does Charlie get to seduce a girl and not me? | 0:19:03 | 0:19:05 | |
What, just cos he's got the square jaw and possibly got a six pack - | 0:19:07 | 0:19:10 | |
that makes him instant candidate for Lothario duty, does it? | 0:19:10 | 0:19:13 | |
-Kind of, yeah. -Never heard of Geek chic? | 0:19:13 | 0:19:16 | |
-Well, I'll bear that in mind next time. -Yes. Very good. | 0:19:16 | 0:19:20 | |
Right, I should get back to base, | 0:19:20 | 0:19:22 | |
set up his profile before they do security checks. | 0:19:22 | 0:19:25 | |
OK, it's probably time we got out of here anyway, the old girl's getting a bit nosey. | 0:19:25 | 0:19:29 | |
-Jack, I was going to say... -Hang on a second, what's this? | 0:19:29 | 0:19:32 | |
-What were you expecting? A knighthood? -It's my reputation! | 0:19:38 | 0:19:41 | |
How the hell can I make this damn thing go away if the bloody press are saying I'm already guilty? | 0:19:41 | 0:19:46 | |
You made yourself a target as soon as you came in here. | 0:19:46 | 0:19:48 | |
So you'd rather I just let them arrest me, would you? Would you!? | 0:19:48 | 0:19:51 | |
'Your Government is trying to swing public opinion against you, | 0:19:51 | 0:19:54 | |
-'this is all getting very messy!' -They might be old school friends, | 0:19:54 | 0:19:57 | |
but it doesn't look like the Ambassador wants him there any more than we do. | 0:19:57 | 0:20:00 | |
Yes, well, two can play at that game. | 0:20:00 | 0:20:03 | |
Phillip. | 0:20:03 | 0:20:04 | |
-Michael. Yes... -Phillip! | 0:20:04 | 0:20:07 | |
He's clearly got one hell of an ego, could be useful. | 0:20:07 | 0:20:10 | |
Sorry, you were going to say something? | 0:20:10 | 0:20:13 | |
Oh...doesn't matter. | 0:20:13 | 0:20:16 | |
Right, we good to go then? | 0:20:16 | 0:20:18 | |
Yeah. I can set up a remote feed for all this stuff. | 0:20:18 | 0:20:21 | |
We're all done, so we'll leave you in peace. | 0:20:23 | 0:20:26 | |
Rats all gone, have they? | 0:20:26 | 0:20:28 | |
-Absolutely. -I hope you get your man. | 0:20:28 | 0:20:30 | |
I worked with the codebreakers at Bletchley during the war. | 0:20:30 | 0:20:34 | |
And if you're a rat catcher, I'm Mata Hari. | 0:20:34 | 0:20:38 | |
This all to do with that little bugger holed up next door? | 0:20:38 | 0:20:42 | |
Well, I couldn't possibly say. | 0:20:42 | 0:20:44 | |
-Of course not. -Sorry... | 0:20:44 | 0:20:46 | |
What? For deceiving me? | 0:20:46 | 0:20:48 | |
For drilling lots of bloody little holes in my wall? | 0:20:48 | 0:20:52 | |
I haven't had so much fun in years. | 0:20:52 | 0:20:55 | |
Give the little blighter a kick or two from me, will you? | 0:20:55 | 0:20:59 | |
-When you get him. -Will do. Goodbye, Mrs Butler. | 0:20:59 | 0:21:02 | |
Goodbye, Jack. | 0:21:02 | 0:21:04 | |
Charlie boy! | 0:21:09 | 0:21:10 | |
References. | 0:21:12 | 0:21:14 | |
You know, er, you didn't have to hit me quite so hard. | 0:21:14 | 0:21:18 | |
Make it realistic, that's what you said. | 0:21:19 | 0:21:21 | |
Hey, you can swap, if you want. | 0:21:21 | 0:21:24 | |
You can sit here all day tapping away at a keyboard | 0:21:24 | 0:21:26 | |
and I'll go and seduce the fit South American girl. | 0:21:26 | 0:21:28 | |
-Fair point. -Yeah. | 0:21:28 | 0:21:30 | |
This is your identity, so try and remember it. | 0:21:32 | 0:21:35 | |
Oh, nice(!) What are we going to do without you, eh? | 0:21:35 | 0:21:39 | |
You're going to find out soon. Crash and burn, that's my guess. | 0:21:39 | 0:21:43 | |
Has Jack still not said anything about what happens | 0:21:43 | 0:21:46 | |
when your community service finishes? | 0:21:46 | 0:21:48 | |
No. I was going to talk to him, but he's kinda got a lot on his hands. | 0:21:48 | 0:21:52 | |
How many hours have you got left? | 0:21:52 | 0:21:54 | |
14...and counting. | 0:21:54 | 0:21:55 | |
Then I'm a free man. | 0:21:57 | 0:21:59 | |
Well, you should ask him if you can stay. | 0:21:59 | 0:22:01 | |
Are you kidding? Like I want to work with you guys! | 0:22:01 | 0:22:04 | |
All right, let's go over this one more time. | 0:22:04 | 0:22:07 | |
So, we've got Charlie in the embassy, TomTom's in their CCTV | 0:22:08 | 0:22:13 | |
and we've got a camera in the ambassador's study. | 0:22:13 | 0:22:16 | |
Pretty good start. | 0:22:16 | 0:22:17 | |
The plan is to use the president's lunch as cover. Once we're in, | 0:22:17 | 0:22:20 | |
we grab Phillip Granger and drag him out | 0:22:20 | 0:22:22 | |
and into a catering truck. | 0:22:22 | 0:22:24 | |
Sounds easy when you say it quickly. | 0:22:24 | 0:22:25 | |
TomTom, security. | 0:22:25 | 0:22:27 | |
Security is headed up by a David Ortega. | 0:22:27 | 0:22:29 | |
I've looked into him. Ex-Colombian Special Forces. | 0:22:29 | 0:22:32 | |
Very dangerous dude. | 0:22:32 | 0:22:33 | |
David Ortega. | 0:22:33 | 0:22:34 | |
I met him. | 0:22:34 | 0:22:36 | |
Any psychological profiling on him? | 0:22:36 | 0:22:39 | |
Yeah. He's a big bastard with a gun. | 0:22:39 | 0:22:41 | |
-Enlightening. -Anything else? | 0:22:42 | 0:22:44 | |
Yeah, he's got a team of 12 embassy guards. | 0:22:44 | 0:22:46 | |
And they are all armed. | 0:22:46 | 0:22:47 | |
One thing to remember, we're going to be on foreign soil, so, if we get caught | 0:22:47 | 0:22:51 | |
there's no back up, we're on our own. | 0:22:51 | 0:22:53 | |
Now, there's a guard on every exit at all times. | 0:22:55 | 0:22:57 | |
And judging by the surveillance, they do a full sweep of the building on the hour, every hour. | 0:22:57 | 0:23:01 | |
Added to that, there's panic buttons on all floors. | 0:23:01 | 0:23:04 | |
CCTV in all the corridors, | 0:23:04 | 0:23:06 | |
all the rooms, apart from the private living quarters. | 0:23:06 | 0:23:08 | |
Place is like Fort Knox. | 0:23:08 | 0:23:10 | |
What about the outside? | 0:23:10 | 0:23:12 | |
There's vehicle access at the side of the building. | 0:23:12 | 0:23:14 | |
That's where they get their deliveries. | 0:23:14 | 0:23:16 | |
And all vehicles are checked coming in and going out, | 0:23:16 | 0:23:18 | |
except the ambassador's car. | 0:23:18 | 0:23:20 | |
But there's going to be loads more traffic through the gate on the day of the party. | 0:23:20 | 0:23:24 | |
So hiding him in a catering truck is still our best bet. | 0:23:24 | 0:23:26 | |
Getting Granger from the party can be relatively straightforward. | 0:23:26 | 0:23:29 | |
If the guards ain't doing their sweep, I can disable the CCTV. | 0:23:29 | 0:23:33 | |
Getting him from the lifts down to the kitchen, that's doable. | 0:23:33 | 0:23:36 | |
You might even get him to the truck. But getting him out? It's a whole different ball game. | 0:23:36 | 0:23:41 | |
I'll think of something. How are we getting on with the invites? | 0:23:41 | 0:23:45 | |
We're still trying to locate the guest list. | 0:23:45 | 0:23:47 | |
Yeah, it's not on any of the embassy databases. | 0:23:47 | 0:23:49 | |
-Guys, come on, the clock is ticking. -We'll find it. | 0:23:49 | 0:23:51 | |
We'd better had, or we won't even get past the front door. | 0:23:51 | 0:23:54 | |
You ready? | 0:23:56 | 0:23:57 | |
Right, come on, let's do this. | 0:23:57 | 0:23:59 | |
Honestly, Miles, it's so stupid. | 0:24:02 | 0:24:04 | |
No... | 0:24:06 | 0:24:07 | |
It turns out none of the smoke alarms actually worked. | 0:24:07 | 0:24:11 | |
Well, it's not that difficult to change a battery, is it? | 0:24:11 | 0:24:15 | |
Even for the great unwashed. | 0:24:15 | 0:24:16 | |
No, you know what the press are like, they're just looking for a scapegoat. | 0:24:18 | 0:24:22 | |
Well, I haven't got where I am today by being a soft touch! | 0:24:24 | 0:24:27 | |
Goodbye. | 0:24:27 | 0:24:28 | |
-Here you are. -Cheers, mate. | 0:24:29 | 0:24:32 | |
-Charlie's got his security pass, he's in. -Great. | 0:24:32 | 0:24:35 | |
You still don't know how to get the truck out, do you? | 0:24:39 | 0:24:42 | |
We'll only get one shot at this, if we screw up, it's over. | 0:24:43 | 0:24:46 | |
TomTom's right - the plan is still not watertight. | 0:24:46 | 0:24:49 | |
Can't let the arrogant piece of shit get away with it though, can we? | 0:24:49 | 0:24:53 | |
I grew up on an estate like the one he torched. | 0:24:53 | 0:24:55 | |
Landlords like him making a killing while their tenants | 0:24:55 | 0:24:59 | |
live in squalor and everyone's too scared to complain. | 0:24:59 | 0:25:01 | |
Except for my mum. | 0:25:03 | 0:25:04 | |
She told the landlord EXACTLY what she thought of him. | 0:25:06 | 0:25:09 | |
I was so proud of her. | 0:25:09 | 0:25:10 | |
Phillip Granger. | 0:25:13 | 0:25:15 | |
He uses normal, hard-working people as cannon fodder to help him get what he wants. | 0:25:15 | 0:25:21 | |
You don't have to tell me, kid. There's loads of them out there, | 0:25:21 | 0:25:25 | |
scratching each other's backs, greasing the wheels, | 0:25:25 | 0:25:28 | |
looking the other way, playing the system. | 0:25:28 | 0:25:30 | |
It's the old boy's network - look after their own. | 0:25:30 | 0:25:33 | |
-Yeah, well...we look after our own, too, right? -Yes, we do. | 0:25:33 | 0:25:38 | |
Jack, I read every police report on everyone who died in that fire. | 0:25:38 | 0:25:42 | |
There was a kid, he had trials for West Ham the next day. | 0:25:43 | 0:25:46 | |
His whole life, just starting to take shape. | 0:25:46 | 0:25:49 | |
Granger needs to know what he's done. He needs to pay for it. | 0:25:49 | 0:25:52 | |
He will. | 0:25:52 | 0:25:53 | |
Hey! | 0:26:24 | 0:26:26 | |
-What's wrong? -No, nothing, nothing. Um... | 0:26:28 | 0:26:32 | |
should you really be down here, now? | 0:26:32 | 0:26:34 | |
Oh, right. Well, um, that's easily resolved. | 0:26:34 | 0:26:38 | |
I would like dinner served in my room, please, Chef. | 0:26:40 | 0:26:44 | |
Oh, and I would like my favourite, please. | 0:26:47 | 0:26:51 | |
Bouillabaisse. | 0:26:52 | 0:26:54 | |
What the hell is a bouillabaisse? | 0:27:01 | 0:27:02 | |
Um... | 0:27:02 | 0:27:03 | |
A bouillabaisse is a type of French toilet. | 0:27:05 | 0:27:09 | |
TomTom! | 0:27:09 | 0:27:11 | |
Relax, Heston. | 0:27:11 | 0:27:14 | |
A bouillabaisse is a type of French fish stew. | 0:27:14 | 0:27:16 | |
Widely regarded as one of the most technically difficult dishes to make, | 0:27:16 | 0:27:21 | |
-says "taking hours in preparation" here. -Hmm, fantastic. | 0:27:21 | 0:27:25 | |
Sure you'll manage. | 0:27:25 | 0:27:27 | |
Oh, whilst you're getting cosy with Vanessa, try and find out | 0:27:27 | 0:27:29 | |
some info about the guest list. We're still drawing a blank. | 0:27:29 | 0:27:32 | |
All right, I'll do my best. | 0:27:32 | 0:27:34 | |
Oh, yeah! | 0:27:43 | 0:27:44 | |
What is this? | 0:27:44 | 0:27:46 | |
It's baked beans on toast. | 0:27:46 | 0:27:48 | |
And what happened to the bouillabaisse? | 0:27:48 | 0:27:50 | |
Look, any idiot can make a bouillabaisse, | 0:27:50 | 0:27:53 | |
but it takes too long. | 0:27:53 | 0:27:54 | |
All that fish and stuff. | 0:27:54 | 0:27:55 | |
And the whole French stew thing, you don't want that. | 0:27:55 | 0:27:59 | |
And, to be honest, I didn't want to wait that long to see you. | 0:27:59 | 0:28:03 | |
So I've made you my speciality instead. | 0:28:04 | 0:28:08 | |
Beans on toast? | 0:28:08 | 0:28:10 | |
Yeah, baked beans on toast. | 0:28:10 | 0:28:12 | |
What, is that not good enough for an ambassador's daughter, or...? | 0:28:12 | 0:28:15 | |
More than good enough. | 0:28:17 | 0:28:18 | |
If you like it that much, | 0:28:30 | 0:28:32 | |
why don't we put it on the menu for the president's lunch? | 0:28:32 | 0:28:37 | |
My dad would have a heart attack. | 0:28:37 | 0:28:39 | |
Come on, he'd love it. | 0:28:39 | 0:28:40 | |
I doubt it. | 0:28:40 | 0:28:42 | |
Why, who's coming to this thing? | 0:28:42 | 0:28:44 | |
Oh, just some people my dad thinks are important. | 0:28:44 | 0:28:48 | |
-And are they? -Some. It starts off slow, | 0:28:48 | 0:28:52 | |
but usually it's fun by the time the tequila starts flowing. | 0:28:52 | 0:28:55 | |
Oh, tequila, sounds awesome. So, um, how do I get an invite? | 0:28:55 | 0:29:00 | |
My dad does them personally. | 0:29:00 | 0:29:02 | |
What, he's got some kind of secret list somewhere? | 0:29:02 | 0:29:06 | |
Kind of. He does it all on his laptop. | 0:29:06 | 0:29:08 | |
-Right. -Anyway, you'll be working! | 0:29:08 | 0:29:11 | |
I could sneak up. Be fine. | 0:29:11 | 0:29:14 | |
I wish you would. | 0:29:14 | 0:29:16 | |
Just so I don't have to talk to those ridiculous people who | 0:29:16 | 0:29:19 | |
think they can please my dad by being nice to me. | 0:29:19 | 0:29:21 | |
Oh, being nice to you! That is a killer. | 0:29:21 | 0:29:23 | |
Yes, it is! You know, even with boyfriends, | 0:29:23 | 0:29:28 | |
I just get the feeling that they were put up to it by their parents. | 0:29:28 | 0:29:31 | |
You know, people can be so...crap. | 0:29:33 | 0:29:35 | |
Yeah, they can. | 0:29:35 | 0:29:37 | |
That's why you are special. | 0:29:38 | 0:29:40 | |
What, that I'm not nice to you? | 0:29:40 | 0:29:42 | |
No. That you're just being yourself. | 0:29:42 | 0:29:45 | |
I mean, when we first met, you didn't know who I was. | 0:29:45 | 0:29:48 | |
Just a girl with a dog. | 0:29:48 | 0:29:50 | |
-Well, without a dog, actually. -I'm being serious. | 0:29:50 | 0:29:52 | |
It means a lot to me. You know, to be with someone who doesn't | 0:29:54 | 0:29:59 | |
have to lie to me. | 0:29:59 | 0:30:01 | |
For someone to just like me, for me. | 0:30:01 | 0:30:05 | |
-CAMERAS CLICK -And so I am forced to stand here, | 0:30:18 | 0:30:21 | |
under the protection of the Colombian government, | 0:30:21 | 0:30:24 | |
denied the freedom to step back down there onto British soil | 0:30:24 | 0:30:28 | |
for fear of being arrested for a crime I did not commit. | 0:30:28 | 0:30:31 | |
Bastard. He's lying through his teeth. | 0:30:31 | 0:30:34 | |
'A freedom denied by prejudicial press reporting...' | 0:30:34 | 0:30:36 | |
-He's unbelievable. -'..that has rendered the possibility...' | 0:30:36 | 0:30:39 | |
-You were right about the ego. He's loving the attention. -'..of a fair trial completely impossible. | 0:30:39 | 0:30:43 | |
'I shall stay here for as long as it takes to clear my good name.' | 0:30:43 | 0:30:47 | |
'No, Mr President, I did not sanction it.' | 0:30:50 | 0:30:53 | |
-Yes, sir, as quickly as I ca... -LINE GOES DEAD | 0:30:53 | 0:30:57 | |
Well, that went rather well. Ought to ruffle a few feathers. | 0:30:57 | 0:31:01 | |
Have you lost your mind? | 0:31:01 | 0:31:02 | |
Oh, don't get your knickers in a twist, Luis. | 0:31:02 | 0:31:05 | |
It's the first step on the long road back. | 0:31:05 | 0:31:06 | |
This is an embassy! | 0:31:06 | 0:31:08 | |
-That is rather the point, isn't it? -You cannot stay here. | 0:31:08 | 0:31:11 | |
What, just cos I gave one stupid press conference? | 0:31:11 | 0:31:15 | |
No, because you are embarrassing me and my president. | 0:31:15 | 0:31:18 | |
Luis. | 0:31:20 | 0:31:21 | |
"Qui tacet consentit." | 0:31:22 | 0:31:26 | |
Remember? | 0:31:30 | 0:31:32 | |
I was silent and so were you. | 0:31:33 | 0:31:37 | |
Our oath. | 0:31:37 | 0:31:39 | |
We were students. | 0:31:40 | 0:31:42 | |
So it meant nothing, what I did for you back then? Is that it? | 0:31:42 | 0:31:45 | |
-No! -What then? | 0:31:45 | 0:31:47 | |
-'I...' -'What?!' | 0:31:47 | 0:31:50 | |
You bullied me then. | 0:31:50 | 0:31:52 | |
And you're bullying me now! | 0:31:52 | 0:31:54 | |
So, what, you're just going to feed me to the wolves | 0:31:54 | 0:31:56 | |
with no chance of a fair trial? | 0:31:56 | 0:31:58 | |
If you are innocent, as you say you are, | 0:31:58 | 0:32:01 | |
then you've got nothing to fear. | 0:32:01 | 0:32:02 | |
You are innocent, aren't you, Phillip? | 0:32:04 | 0:32:07 | |
Answer me! | 0:32:10 | 0:32:12 | |
No-one was supposed to... | 0:32:17 | 0:32:19 | |
..die. | 0:32:20 | 0:32:22 | |
What kind of a defence is that? | 0:32:22 | 0:32:24 | |
That's it, we've got to get him. | 0:32:24 | 0:32:25 | |
'Luis? Luis!' | 0:32:27 | 0:32:30 | |
Qui tacet consentit. | 0:32:30 | 0:32:34 | |
What if I could get you out of the country? To Colombia? | 0:32:36 | 0:32:39 | |
How? | 0:32:40 | 0:32:42 | |
There is a diplomatic plane leaving at four o'clock tomorrow, | 0:32:42 | 0:32:45 | |
during the president's lunch. I can get you to the airfield in my car. | 0:32:45 | 0:32:50 | |
And...they wouldn't be able to touch me? | 0:32:50 | 0:32:53 | |
No. It's classified as diplomatic territory. | 0:32:53 | 0:32:57 | |
It would be just the same as if you were still here. | 0:32:57 | 0:32:59 | |
No, no, this isn't part of the plan. | 0:32:59 | 0:33:01 | |
No. | 0:33:07 | 0:33:09 | |
'No. I was thinking I could turn this round.' | 0:33:10 | 0:33:13 | |
Relax, we're back on track. | 0:33:13 | 0:33:15 | |
'Buy me some more time.' | 0:33:15 | 0:33:17 | |
If he was on the road, it would be easier. | 0:33:17 | 0:33:19 | |
Are we ready? | 0:33:20 | 0:33:22 | |
As we'll ever be. | 0:33:22 | 0:33:24 | |
OK, Charlie, they've left the room. | 0:33:25 | 0:33:27 | |
CCTV is disabled...three, two... | 0:33:27 | 0:33:32 | |
..one. | 0:33:33 | 0:33:34 | |
Find out what's going on, I'll do a sweep. | 0:33:41 | 0:33:43 | |
'You need to get on that guest list, Charlie.' | 0:33:54 | 0:33:57 | |
DOOR CREAKS | 0:34:09 | 0:34:11 | |
DOOR CLOSES | 0:34:27 | 0:34:29 | |
Charlie! | 0:35:05 | 0:35:07 | |
What are you doing up here? | 0:35:07 | 0:35:08 | |
Oh... | 0:35:10 | 0:35:11 | |
..I was looking for you. | 0:35:13 | 0:35:14 | |
-Aren't you supposed to be working? -No, no, I've got a break. | 0:35:16 | 0:35:19 | |
Come on. | 0:35:21 | 0:35:22 | |
OK, the van will be in the service area. | 0:35:34 | 0:35:37 | |
Charlie gets the trolley to the library, brings Granger to the van. | 0:35:37 | 0:35:41 | |
Still worried? | 0:35:45 | 0:35:46 | |
It's this catering truck, we're leaving too much to chance. | 0:35:48 | 0:35:51 | |
We're counting on them not opening all the catering trollies, | 0:35:51 | 0:35:54 | |
yet no two vehicle searches have been the same. | 0:35:54 | 0:35:56 | |
They've opened the back doors, but only to look inside. Why do it any different? | 0:35:56 | 0:35:59 | |
I'm not saying the odds aren't in our favour I'm just saying... | 0:35:59 | 0:36:02 | |
-there's no guarantee. -It's all we've got. | 0:36:02 | 0:36:04 | |
Like you said, we've got two choices, | 0:36:04 | 0:36:07 | |
either he leaves of his own free will or we drag him out. | 0:36:07 | 0:36:09 | |
I say we go. | 0:36:09 | 0:36:11 | |
You shall go to the ball, Cinderella. | 0:36:16 | 0:36:18 | |
-Very good. -Lovely work, Buttons. | 0:36:18 | 0:36:21 | |
One, two. | 0:36:23 | 0:36:25 | |
There. You'll do. Good! | 0:36:43 | 0:36:44 | |
Right, let's run it again. Jess? | 0:36:44 | 0:36:47 | |
I shall use my amazing powers of seduction | 0:36:47 | 0:36:50 | |
to lure Granger into the library. | 0:36:50 | 0:36:52 | |
Where I'll be waiting with something to put him to sleep. | 0:36:52 | 0:36:54 | |
-Charlie. -I'm going to grab an empty catering trolley from the kitchen, | 0:36:54 | 0:36:57 | |
head upstairs through the ballroom and take it to the library. | 0:36:57 | 0:37:00 | |
You need to be there by 2.45, | 0:37:00 | 0:37:02 | |
before the guards do their scheduled sweep at three. | 0:37:02 | 0:37:04 | |
-We bundle Granger into the catering trolley. -I wheel him out, | 0:37:04 | 0:37:07 | |
head to the lifts, get back down to the kitchen. | 0:37:07 | 0:37:09 | |
Good, let's do it. | 0:37:09 | 0:37:11 | |
Right. | 0:37:11 | 0:37:13 | |
Er, I've got my tux on stand-by, so? | 0:37:13 | 0:37:17 | |
Sorry, Cinders, you're staying here. | 0:37:17 | 0:37:19 | |
We're going to need that CCTV out again | 0:37:19 | 0:37:21 | |
-otherwise security will rumble us. -Fine. | 0:37:21 | 0:37:23 | |
-You'll miss me. -Let's go. | 0:37:25 | 0:37:27 | |
You know his time's nearly up? | 0:37:29 | 0:37:31 | |
This is going to be his last job. | 0:37:31 | 0:37:33 | |
Oh, we should do something. I'll bake a cake. | 0:37:33 | 0:37:36 | |
-Really? -All right, I'll buy a cake. | 0:37:36 | 0:37:38 | |
Let's just concentrate on what we're doing. We can worry about TomTom later. | 0:37:38 | 0:37:42 | |
-You set? -Yeah, yeah. | 0:37:42 | 0:37:44 | |
Problem? | 0:37:44 | 0:37:46 | |
It's just Vanessa. | 0:37:46 | 0:37:48 | |
She's a nice girl, you know. | 0:37:48 | 0:37:50 | |
Uh-oh. Bambi's in love. | 0:37:50 | 0:37:52 | |
No. I... I just don't think I should be lying to her, that's all. | 0:37:52 | 0:37:55 | |
Force yourself. | 0:37:55 | 0:37:56 | |
Can I have your invites, please? | 0:38:12 | 0:38:14 | |
And your ID? | 0:38:14 | 0:38:17 | |
Can I have everyone here together? | 0:38:27 | 0:38:29 | |
Sir, where is Phillip Granger? | 0:38:29 | 0:38:32 | |
Thanks very much. Thank you. | 0:38:40 | 0:38:42 | |
Can I see your invites, please? Thank you. | 0:38:42 | 0:38:44 | |
Some ID, please? | 0:38:44 | 0:38:47 | |
Thank you. | 0:38:47 | 0:38:49 | |
-Thank you very much. Thank you. -Gracias. | 0:38:54 | 0:38:57 | |
DETECTOR BEEPS | 0:38:58 | 0:39:00 | |
Yes, thank you. | 0:39:06 | 0:39:08 | |
Round that way. | 0:39:12 | 0:39:13 | |
-OK, you are allowed to go through. -Thank you. | 0:39:18 | 0:39:20 | |
Enjoy your evening. | 0:39:20 | 0:39:22 | |
SHE SINGS IN SPANISH | 0:39:23 | 0:39:26 | |
Hello. Hello, nice to meet you. | 0:39:50 | 0:39:53 | |
Hello, nice to see you. | 0:39:53 | 0:39:55 | |
Hello, how are you? | 0:39:55 | 0:39:58 | |
Hello. | 0:39:59 | 0:40:00 | |
Ah, look at that. | 0:40:00 | 0:40:02 | |
Mmm, very good champagne. | 0:40:05 | 0:40:06 | |
Perhaps it would have better for you to stay in your quarters. | 0:40:06 | 0:40:10 | |
Oh, will you stop whinging. | 0:40:10 | 0:40:11 | |
Hello. | 0:40:11 | 0:40:13 | |
I'm Phillip Granger. But I think you know that already, eh? | 0:40:13 | 0:40:16 | |
Look at him, the smug bastard. | 0:40:17 | 0:40:19 | |
At least he's here, that's something. | 0:40:19 | 0:40:21 | |
There's police outside, maybe we should grab him by the scruff of the neck, | 0:40:23 | 0:40:26 | |
drop him off the balcony and let them arrest what's left. | 0:40:26 | 0:40:29 | |
Hmm, yeah. | 0:40:29 | 0:40:30 | |
Or we could just stick to the plan. | 0:40:30 | 0:40:32 | |
Oh, you're up. | 0:40:35 | 0:40:37 | |
Champagne, please. | 0:40:56 | 0:40:58 | |
Thank you. | 0:41:01 | 0:41:03 | |
You have to hand it to Luis, | 0:41:07 | 0:41:09 | |
he certainly knows how to throw a party. | 0:41:09 | 0:41:12 | |
-You're a regular at these things, are you? -Oh, yes. | 0:41:13 | 0:41:16 | |
Jessica Smythe. | 0:41:17 | 0:41:19 | |
Phillip... | 0:41:19 | 0:41:20 | |
Granger. | 0:41:20 | 0:41:22 | |
Of course. You're the talk of the town. | 0:41:22 | 0:41:24 | |
I think it's disgraceful... | 0:41:25 | 0:41:28 | |
the way the press have treated you. | 0:41:28 | 0:41:30 | |
What happened to "innocent till proven guilty"? | 0:41:31 | 0:41:33 | |
JACK: 'That's Jess on target. Charlie, It's trolley time.' | 0:41:39 | 0:41:43 | |
Wow. You look amazing. | 0:42:06 | 0:42:08 | |
Why thank you, sweet prince. | 0:42:08 | 0:42:10 | |
But shouldn't you be upstairs though? | 0:42:10 | 0:42:12 | |
No, I'd rather be down here with you. | 0:42:12 | 0:42:15 | |
Well, actually, that's not strictly true. | 0:42:19 | 0:42:22 | |
I'd rather be in my room with you. | 0:42:23 | 0:42:25 | |
Hmm, no, I have to take this trolley upstairs. | 0:42:26 | 0:42:30 | |
OK. | 0:42:30 | 0:42:32 | |
Meet me in my room in ten minutes. | 0:42:32 | 0:42:34 | |
No, no, I can't. | 0:42:34 | 0:42:35 | |
The trolley, sorry. | 0:42:35 | 0:42:37 | |
Don't be such a baby, just dump it somewhere, no-one will know. | 0:42:37 | 0:42:41 | |
You won't regret it. | 0:42:42 | 0:42:44 | |
Vanessa, I... | 0:42:46 | 0:42:48 | |
-Ten minutes! -OK. | 0:42:48 | 0:42:49 | |
JACK: 'Charlie, you've got to get that trolley upstairs by 2.45. | 0:42:49 | 0:42:53 | |
'You need to move.' | 0:42:53 | 0:42:54 | |
It's so typical of this country | 0:43:11 | 0:43:13 | |
to try and knock those in power off their perches. | 0:43:13 | 0:43:17 | |
You know it's terribly refreshing to find someone so open minded. | 0:43:17 | 0:43:21 | |
Well, I find if one opens one's mind, | 0:43:22 | 0:43:26 | |
the rest follows. | 0:43:26 | 0:43:27 | |
Hmm. | 0:43:29 | 0:43:30 | |
How we getting on with that CCTV, TomTom? | 0:43:30 | 0:43:32 | |
-Er, yeah, slight problem. -What kind of problem? | 0:43:32 | 0:43:36 | |
Looks like they've ramped up their security protocols | 0:43:36 | 0:43:38 | |
since my last little intervention. | 0:43:38 | 0:43:41 | |
-I'm having trouble getting in. -Can you do it or not? | 0:43:41 | 0:43:43 | |
Yeah, of course I can do it! | 0:43:43 | 0:43:45 | |
I'm just going to need a bit more time. | 0:43:45 | 0:43:47 | |
'How much time?' | 0:43:47 | 0:43:49 | |
10...15 minutes? | 0:43:49 | 0:43:51 | |
Why don't we take this somewhere more private? | 0:43:53 | 0:43:56 | |
That'll be too late. | 0:43:56 | 0:43:58 | |
I'll have to try and do something this end. | 0:43:58 | 0:44:00 | |
Come on. | 0:44:00 | 0:44:02 | |
You know Luis keeps an excellent brandy in the library. | 0:44:02 | 0:44:05 | |
So I've heard. | 0:44:07 | 0:44:08 | |
HE MOUTHS | 0:44:15 | 0:44:17 | |
BAND STARTS TO PLAY | 0:44:18 | 0:44:20 | |
But I thought we were going to go to the um... | 0:44:22 | 0:44:26 | |
I don't dance. | 0:44:26 | 0:44:27 | |
..with you tonight. | 0:44:27 | 0:44:29 | |
-TOMTOM: -'OK, the guards' room is the third door on your right. | 0:44:45 | 0:44:48 | |
'There's one guard in there.' | 0:44:48 | 0:44:50 | |
Er, TV Licensing. We've come to disconnect you. | 0:45:08 | 0:45:11 | |
Right, we've got about ten minutes before he wakes up, | 0:45:22 | 0:45:25 | |
-how are we getting on? -'Guards do their rounds in seven minutes.' | 0:45:25 | 0:45:28 | |
Come on, let's go and get that drink. | 0:46:03 | 0:46:05 | |
-Luis, Luis! -Yes? -How nice to see you. | 0:46:07 | 0:46:08 | |
-It's lovely to see you. -Long time no see. | 0:46:08 | 0:46:10 | |
I assume things are all well at the office, yes? | 0:46:10 | 0:46:13 | |
-This brandy had better be worth it. -Oh, it is. | 0:46:20 | 0:46:23 | |
Make mine a double. | 0:46:23 | 0:46:24 | |
I'm terribly sorry old chap, could you may yourself scarce? | 0:46:28 | 0:46:31 | |
I'm on a bit of a promise. | 0:46:32 | 0:46:34 | |
That's funny, so am I. | 0:46:34 | 0:46:36 | |
You see, I promised somebody that I'd get you | 0:46:36 | 0:46:39 | |
out of here and banged up where you belong. | 0:46:39 | 0:46:41 | |
Who the hell are you? | 0:46:44 | 0:46:45 | |
We're your ticket out of here. | 0:46:45 | 0:46:48 | |
Your carriage awaits. | 0:46:56 | 0:46:57 | |
Whoever you are, you can't be here. This is foreign soil. | 0:47:00 | 0:47:04 | |
There are ramifications. Serious ramifications. | 0:47:04 | 0:47:07 | |
This is a violation of diplomatic territory. | 0:47:09 | 0:47:11 | |
Ah, you can write a letter of complaint from prison then. | 0:47:11 | 0:47:14 | |
You're not going to get away with this. | 0:47:14 | 0:47:15 | |
I have friends in very high places. | 0:47:15 | 0:47:18 | |
People who can make your life very uncomfortable. | 0:47:18 | 0:47:20 | |
And I know some horrible bastards I might just send to visit you | 0:47:20 | 0:47:23 | |
in the nick and trust me, they'll really spoil your day. | 0:47:23 | 0:47:25 | |
Get out of my way. | 0:47:27 | 0:47:28 | |
Jess. | 0:47:28 | 0:47:30 | |
Let's go! | 0:47:35 | 0:47:36 | |
Venga, venga, venga, amigos, amigos. | 0:47:47 | 0:47:49 | |
Una copa, por favor... | 0:47:49 | 0:47:51 | |
Wait. | 0:47:59 | 0:48:00 | |
-What are you doing up here? -Delivering food, sir. | 0:48:02 | 0:48:04 | |
You should not be here at this time. | 0:48:04 | 0:48:06 | |
All the food should have been served by now. | 0:48:06 | 0:48:08 | |
No, I know but it's, er, total chaos downstairs. | 0:48:08 | 0:48:11 | |
-Don't worry, we're back on track now. -Charlie! | 0:48:11 | 0:48:14 | |
-Where have you been? -Sorry, I got held up. | 0:48:14 | 0:48:16 | |
Thank you, David. | 0:48:16 | 0:48:18 | |
Yes, Miss Velasquez. | 0:48:18 | 0:48:20 | |
Look, I really need to get this food downstairs. | 0:48:24 | 0:48:27 | |
OK, I'll come with you. | 0:48:27 | 0:48:29 | |
Then maybe we can go in my room. | 0:48:29 | 0:48:32 | |
No. I've really got to get on, Vanessa. | 0:48:32 | 0:48:35 | |
-What's wrong? -Look I've got to get this trolley downstairs, now! | 0:48:35 | 0:48:39 | |
-Charlie, I... -Vanessa, you need to go! | 0:48:39 | 0:48:41 | |
Now. | 0:48:41 | 0:48:42 | |
Not till you tell me what's going on. | 0:48:42 | 0:48:45 | |
SIRENS BLARE | 0:48:45 | 0:48:47 | |
They're on to us. Time to go, Charlie. | 0:48:48 | 0:48:50 | |
-But... -Let's go. | 0:48:50 | 0:48:52 | |
-Leave Granger! -I'm sorry. I'm really, really sorry. | 0:48:52 | 0:48:56 | |
David! Over here! | 0:48:58 | 0:49:01 | |
This way. | 0:49:06 | 0:49:08 | |
Come on, Charlie! | 0:49:08 | 0:49:10 | |
They must have been special forces, MI5. | 0:49:18 | 0:49:21 | |
How the hell did they get in? You were supposed to protect me! | 0:49:22 | 0:49:24 | |
You need to calm down, Phillip. You're safe now. | 0:49:24 | 0:49:27 | |
Safe? I'm not safe, you moron! | 0:49:27 | 0:49:29 | |
They got in here once, they can get in again! | 0:49:29 | 0:49:31 | |
-What time is it? -Just after three. | 0:49:31 | 0:49:33 | |
-Well, can I still catch your plane? -If you hurry. | 0:49:33 | 0:49:36 | |
-You're sure? -Of course I'm bloody well sure! | 0:49:36 | 0:49:39 | |
Have my car ready. | 0:49:39 | 0:49:40 | |
They didn't use the front entrance, | 0:49:44 | 0:49:45 | |
they must be heading for the kitchen. | 0:49:45 | 0:49:47 | |
Shut the gates! | 0:50:09 | 0:50:10 | |
Excuse me? | 0:50:49 | 0:50:51 | |
Excuse me!? | 0:50:53 | 0:50:55 | |
Airporto! | 0:50:55 | 0:50:57 | |
The airport! | 0:50:57 | 0:50:58 | |
Excuse... | 0:51:00 | 0:51:01 | |
Excuse me, the airport's that way. | 0:51:03 | 0:51:05 | |
Por favor! | 0:51:05 | 0:51:07 | |
Airporto! | 0:51:12 | 0:51:13 | |
Muppet! | 0:51:13 | 0:51:15 | |
-Oh, dear, he doesn't look very happy. -No. | 0:51:22 | 0:51:24 | |
You can't do this! | 0:51:28 | 0:51:29 | |
I can do whatever I want, "old chap". | 0:51:29 | 0:51:31 | |
We only get one shot at this. | 0:51:36 | 0:51:38 | |
You'll think of something. | 0:51:38 | 0:51:39 | |
All vehicles are checked coming in and going out, | 0:51:39 | 0:51:42 | |
except the Ambassador's car. | 0:51:42 | 0:51:43 | |
There is a diplomatic plane leaving at four o'clock tomorrow, | 0:51:43 | 0:51:46 | |
during the President's lunch. | 0:51:46 | 0:51:48 | |
If he was on the road, it might be easier. | 0:51:48 | 0:51:50 | |
Added to that, there are panic buttons on every floor. | 0:51:50 | 0:51:53 | |
I'm not saying the odds aren't in our favour I'm just, | 0:51:53 | 0:51:56 | |
there's no guarantees. | 0:51:56 | 0:51:58 | |
Well, it's all we've got. Like you said we've got two choices, | 0:51:58 | 0:52:01 | |
either he leaves of his own free will or we drag him out. | 0:52:01 | 0:52:04 | |
Wait. | 0:52:04 | 0:52:05 | |
That's it! | 0:52:05 | 0:52:06 | |
What is? | 0:52:06 | 0:52:08 | |
We had it all along. | 0:52:08 | 0:52:09 | |
The only way to guarantee he leaves that Embassy | 0:52:09 | 0:52:12 | |
is if he does it of his own free will. | 0:52:12 | 0:52:14 | |
-And how do we do that? -By scaring the living daylights out of him. | 0:52:15 | 0:52:18 | |
-Same question. How? -By getting caught. | 0:52:18 | 0:52:21 | |
-What's wrong? -Nothing's wrong. | 0:52:21 | 0:52:22 | |
I've really got to get this trolley... | 0:52:22 | 0:52:24 | |
We do everything we're planning, right up to the last minute when we get in the lift. | 0:52:24 | 0:52:28 | |
How much did you give him? | 0:52:28 | 0:52:29 | |
Don't worry, he'll have come round by now. | 0:52:29 | 0:52:31 | |
SIRENS BLARE | 0:52:31 | 0:52:33 | |
They're on to us. Time to go, Charlie. | 0:52:38 | 0:52:41 | |
-But... -Right now. Let's go. | 0:52:41 | 0:52:42 | |
Can I still get your plane? | 0:52:42 | 0:52:45 | |
If you hurry. | 0:52:45 | 0:52:46 | |
You're sure? | 0:52:47 | 0:52:48 | |
Of course I'm bloody well sure! | 0:52:48 | 0:52:50 | |
Yes! | 0:52:50 | 0:52:52 | |
OK, he went for it. | 0:52:52 | 0:52:55 | |
Bloody genius! | 0:52:55 | 0:52:56 | |
Hello, mate. | 0:53:00 | 0:53:02 | |
Don't suppose I could borrow your car? | 0:53:02 | 0:53:04 | |
Shut the gate! | 0:53:14 | 0:53:15 | |
GUNSHOT | 0:53:18 | 0:53:20 | |
Get out of the car. | 0:53:26 | 0:53:28 | |
I don't think so, actually. | 0:53:28 | 0:53:29 | |
This car is still classed as diplomatic territory. | 0:53:29 | 0:53:32 | |
And whilst I'm in it, you can't touch me. | 0:53:32 | 0:53:35 | |
Do you know what, he's got a point. | 0:53:35 | 0:53:36 | |
Could cause a diplomatic incident. | 0:53:36 | 0:53:38 | |
Questions could be asked in the House. | 0:53:39 | 0:53:41 | |
Hmm, I'll take the risk. | 0:53:41 | 0:53:42 | |
Ah! Ah! Ah! | 0:53:44 | 0:53:46 | |
Oh, it's not nice that, is it? | 0:53:46 | 0:53:48 | |
All right! All right! | 0:53:48 | 0:53:51 | |
Welcome back to Great Britain, Mr Granger. | 0:53:51 | 0:53:53 | |
We trust you'll have a pleasant stay | 0:53:53 | 0:53:55 | |
at Her Majesty's pleasure. | 0:53:55 | 0:53:56 | |
Have you any idea who I am, you cretin? | 0:53:58 | 0:54:00 | |
Jack, we've called upstairs. | 0:54:00 | 0:54:02 | |
We need to go. | 0:54:02 | 0:54:03 | |
Do you want to talk about who people are? | 0:54:03 | 0:54:05 | |
I tell you what, I'll do you a deal. | 0:54:05 | 0:54:07 | |
You tell me the name of just one of the people | 0:54:07 | 0:54:09 | |
who died in that fire and I'll let you go. | 0:54:09 | 0:54:12 | |
Hmm? | 0:54:14 | 0:54:15 | |
Now we both know who you are. | 0:54:17 | 0:54:20 | |
Ha! | 0:54:51 | 0:54:53 | |
Of course the official line is that he gave in to public pressure | 0:55:01 | 0:55:04 | |
and surrendered himself to the police. | 0:55:04 | 0:55:06 | |
It does seem to save face on all sides. | 0:55:06 | 0:55:08 | |
Yes, yes, it does. | 0:55:08 | 0:55:12 | |
Thank you very much. | 0:55:13 | 0:55:14 | |
All good? | 0:55:21 | 0:55:22 | |
It seems Mr Granger is haemorrhaging friends by the second. | 0:55:22 | 0:55:25 | |
Good work, Jack. | 0:55:25 | 0:55:27 | |
Ah, it was a team effort. | 0:55:27 | 0:55:29 | |
As always. | 0:55:29 | 0:55:30 | |
They're a good bunch, aren't they? | 0:55:30 | 0:55:32 | |
Yeah, they're all right. | 0:55:32 | 0:55:34 | |
How's the new lad working out? | 0:55:34 | 0:55:35 | |
-Charlie? Yeah, he's getting there. -That's good. | 0:55:35 | 0:55:38 | |
So that just leaves the small matter of Mr Tomkins' | 0:55:38 | 0:55:41 | |
continued employment with you. | 0:55:41 | 0:55:43 | |
TomTom, yeah? | 0:55:43 | 0:55:44 | |
Well, he's served his dues. He's free to go. | 0:55:44 | 0:55:46 | |
-Of course. -Unless you want to keep him? | 0:55:46 | 0:55:48 | |
On what grounds? | 0:55:48 | 0:55:50 | |
I'm sure you'll think of something. | 0:55:52 | 0:55:54 | |
-Everything all right? -All good. | 0:56:04 | 0:56:06 | |
-You want to go and talk to her? -No. | 0:56:10 | 0:56:13 | |
Right, who's for pizza? | 0:56:15 | 0:56:18 | |
Actually, TomTom, I could do with a word. | 0:56:18 | 0:56:20 | |
So you know that your community service is finished? | 0:56:29 | 0:56:32 | |
MUSIC DROWNS SPEECH | 0:56:32 | 0:56:34 | |
It's up to you. | 0:56:37 | 0:56:39 | |
What? | 0:56:45 | 0:56:47 | |
Jack? | 0:56:47 | 0:56:49 | |
-BOTH: -Oi! | 0:56:55 | 0:56:57 | |
We find the case proven. | 0:57:07 | 0:57:09 | |
We do, of course, offer our full and unreserved apologies. | 0:57:09 | 0:57:12 | |
So, unless any new information comes to light, | 0:57:12 | 0:57:14 | |
the investigation into Mr and Mrs Walker should now be closed. | 0:57:14 | 0:57:17 | |
To the justice system. | 0:57:17 | 0:57:19 | |
The justice system. | 0:57:19 | 0:57:22 | |
Honest, hardworking people donated their money and you stole it. | 0:57:22 | 0:57:25 | |
So you want us to find this new evidence. How? | 0:57:25 | 0:57:27 | |
Find the money. | 0:57:27 | 0:57:29 | |
If he says it's extreme, it's extreme. | 0:57:29 | 0:57:31 | |
-Is it extreme? -It's extreme. | 0:57:31 | 0:57:34 | |
Wait, please, just tell me what you want to do. | 0:57:34 | 0:57:37 | |
You're going to talk to her wife. | 0:57:37 | 0:57:38 | |
You're going to tell her you don't want to die. | 0:57:38 | 0:57:40 | |
I think we've underestimated her. | 0:57:40 | 0:57:42 | |
They haven't got you beat, have they, Jack? | 0:57:42 | 0:57:44 | |
You won't get away with this! | 0:57:44 | 0:57:46 | |
I fought against a lot of people to set up your team - | 0:57:46 | 0:57:48 | |
very important people who weren't convinced | 0:57:48 | 0:57:51 | |
it was possible to run an operation like this. | 0:57:51 | 0:57:53 | |
Well, congratulations, Jack... | 0:57:53 | 0:57:54 | |
..you've just proved them right. | 0:57:58 | 0:58:00 | |
Subtitles by Red Bee Media Ltd | 0:58:12 | 0:58:16 |