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INAUDIBLE SPEECH | 0:00:06 | 0:00:08 | |
We find the case proven. | 0:00:11 | 0:00:13 | |
Based on the testimonies heard in this room, | 0:00:13 | 0:00:15 | |
it seems clear to us that Detective Inspector Harris and | 0:00:15 | 0:00:19 | |
Detective Sergeant Taylor's investigation into this case | 0:00:19 | 0:00:22 | |
was conducted with such fervour, with such unwavering conviction | 0:00:22 | 0:00:27 | |
of the plaintiff's guilt, | 0:00:27 | 0:00:29 | |
that their conduct did indeed amount to harassment. | 0:00:29 | 0:00:32 | |
We do of course offer our full and unreserved apologies to | 0:00:32 | 0:00:35 | |
Mr and Mrs Walker. | 0:00:35 | 0:00:36 | |
A date will be set to hear any claim for compensation. | 0:00:36 | 0:00:39 | |
Could we please now show Mr and Mrs Walker out, | 0:00:39 | 0:00:41 | |
so the board can make its disciplinary recommendations? | 0:00:41 | 0:00:45 | |
Due to the nature of the law and the recommendations held within, | 0:00:53 | 0:00:58 | |
it leaves me with little choice but to herewith relieve DI Harris | 0:00:58 | 0:01:03 | |
and DS Taylor of their duties as police officers. | 0:01:03 | 0:01:06 | |
Further, it is our recommendation that unless any new evidence comes | 0:01:06 | 0:01:09 | |
to light, the investigation into Mr and Mrs Walker should now be closed. | 0:01:09 | 0:01:14 | |
INAUDIBLE | 0:01:22 | 0:01:24 | |
PRESS CLAMOUR | 0:01:29 | 0:01:31 | |
We're just glad it's all over, that everyone now knows there was | 0:01:33 | 0:01:37 | |
no truth at all in any of these accusations. Now we'd like to | 0:01:37 | 0:01:41 | |
be left alone, please, so that we can get on with our lives. | 0:01:41 | 0:01:44 | |
Thank you very much. | 0:01:44 | 0:01:47 | |
PRESS CLAMOUR | 0:01:47 | 0:01:49 | |
Holly Goodridge. | 0:01:50 | 0:01:52 | |
Can I ask if you have anything to say to the | 0:01:52 | 0:01:54 | |
organisations inside Syria that were promised financial help? | 0:01:54 | 0:01:57 | |
No comment. Were you aware that one of the orphanages that you | 0:01:57 | 0:01:59 | |
used in your campaign has now been closed? | 0:01:59 | 0:02:01 | |
Look, we've said all we intend to say. | 0:02:01 | 0:02:03 | |
Here's an easier one. Where'd you hide the money? | 0:02:03 | 0:02:05 | |
Thank you very much, we are exonerated. | 0:02:05 | 0:02:07 | |
Please leave us to live our lives in peace, thank you. | 0:02:07 | 0:02:10 | |
PEOPLE CHATTER | 0:02:19 | 0:02:21 | |
We have the finest police force in the world, now no-one can | 0:02:23 | 0:02:25 | |
deny that but, I just wish that sometimes | 0:02:25 | 0:02:28 | |
they would think about what their priorities ought to be. | 0:02:28 | 0:02:31 | |
Getting off their arses, | 0:02:31 | 0:02:32 | |
catching real criminals, not harassing law abiding citizens. | 0:02:32 | 0:02:36 | |
Well said, Laurence. They should be out chasing these benefit cheats. | 0:02:36 | 0:02:40 | |
Absolutely, absolutely, but to be fair, in the end, the right decision | 0:02:40 | 0:02:44 | |
was made, and do you know, the IPCC did a bloody marvellous job. | 0:02:44 | 0:02:50 | |
So I would like to raise a toast. | 0:02:50 | 0:02:54 | |
To the justice system. | 0:02:54 | 0:02:56 | |
GUESTS: The justice system. | 0:02:56 | 0:02:58 | |
GRUNTING, RATTLING | 0:03:32 | 0:03:35 | |
PUNCHBAG RATTLES | 0:03:37 | 0:03:39 | |
PHONE RINGS | 0:03:57 | 0:03:59 | |
My gran had one of those. | 0:03:59 | 0:04:01 | |
Your gran? | 0:04:01 | 0:04:03 | |
Yeah, knitting wasn't really her thing. | 0:04:03 | 0:04:05 | |
'Hello?' | 0:04:07 | 0:04:09 | |
HELEN: 'It's me. Meet me in Hyde Park in an hour.' | 0:04:09 | 0:04:12 | |
Your marriage ended before you had children, didn't it, Jack? | 0:04:14 | 0:04:17 | |
Yeah, thanks for reminding me. | 0:04:17 | 0:04:19 | |
It's just that there's a protective instinct built into most of us | 0:04:19 | 0:04:23 | |
where children are concerned. It's quite extraordinary. | 0:04:23 | 0:04:27 | |
Laurence and Sally Walker. Ex-MP and former bank finance director. | 0:04:27 | 0:04:33 | |
They preyed on that very instinct by setting up a charity for children | 0:04:33 | 0:04:37 | |
affected by the unrest in Syria. They raised just over £3 million. | 0:04:37 | 0:04:41 | |
One day the money simply disappeared from their account. | 0:04:41 | 0:04:44 | |
They said they were the victims of a terrible cyber crime. | 0:04:44 | 0:04:47 | |
But you think the Walkers stole it. Of course they did! | 0:04:47 | 0:04:50 | |
Sally Walker's area of expertise | 0:04:52 | 0:04:54 | |
was online banking fraud, it's so brazen it beggars belief. | 0:04:54 | 0:04:58 | |
They knew full well the police couldn't prove anything. | 0:04:58 | 0:05:01 | |
Scotland Yard's IT specialist unit couldn't trace the money either. | 0:05:01 | 0:05:05 | |
Right, so, they're a couple of con artists, why do you need me? | 0:05:05 | 0:05:08 | |
Because two very good police officers lost their jobs this morning. | 0:05:08 | 0:05:11 | |
DI Peter Harris and DS Yvonne Taylor knew the Walkers were guilty | 0:05:11 | 0:05:15 | |
and kept pursuing them, waiting for them to slip up. | 0:05:15 | 0:05:18 | |
The Walkers complained to the IPCC. | 0:05:18 | 0:05:21 | |
Taylor and Harris were found guilty of police harassment. | 0:05:21 | 0:05:24 | |
Nasty. It leaves the Walkers virtually untouchable, | 0:05:24 | 0:05:27 | |
the police can't go anywhere near them. | 0:05:27 | 0:05:29 | |
And the IPCC have said the case should be closed | 0:05:29 | 0:05:31 | |
unless any new evidence can be found. | 0:05:31 | 0:05:33 | |
So you want us to find this "new" evidence? Yes. How? | 0:05:33 | 0:05:37 | |
By doing the thing no-one else has managed to do - find the money. | 0:05:37 | 0:05:40 | |
He's a retired MP? | 0:05:48 | 0:05:49 | |
Yeah, retired being a euphemism for losing his seat in the election. | 0:05:49 | 0:05:53 | |
She was a finance director for one of the major banks, | 0:05:53 | 0:05:56 | |
a high-end accountant specialising in banking fraud. | 0:05:56 | 0:05:59 | |
Which comes in handy when you're planning to steal | 0:05:59 | 0:06:01 | |
and hide £3 million worth of charity donations. | 0:06:01 | 0:06:04 | |
You know, I think I gave 'em 20 quid. | 0:06:04 | 0:06:06 | |
Wow, well that makes it personal. | 0:06:06 | 0:06:08 | |
Their story goes that your 20 quid along with the rest | 0:06:08 | 0:06:10 | |
of the 3 million was in their bank one minute and gone the next. | 0:06:10 | 0:06:14 | |
Allegedly stolen by mystery hackers | 0:06:14 | 0:06:17 | |
that the police never managed to trace. | 0:06:17 | 0:06:19 | |
Right, so they've moved it, but nobody knows where? | 0:06:19 | 0:06:21 | |
Exactly. And because of them, | 0:06:21 | 0:06:23 | |
two good coppers lost their jobs this morning. | 0:06:23 | 0:06:25 | |
Do you think they'll get their jobs back then, | 0:06:25 | 0:06:27 | |
if we can prove the Walkers are guilty? We're their only chance. | 0:06:27 | 0:06:31 | |
And we do that by finding the money? Yeah. Simple. | 0:06:31 | 0:06:33 | |
Really? | 0:06:33 | 0:06:35 | |
Cos if Scotland Yard's finest IT unit couldn't find this money, | 0:06:35 | 0:06:38 | |
then how can we? | 0:06:38 | 0:06:40 | |
Well, that's easy. We've got something they haven't. | 0:06:40 | 0:06:42 | |
Which is? | 0:06:42 | 0:06:44 | |
TomTom. | 0:06:44 | 0:06:45 | |
We need someone who thinks like a criminal. | 0:06:45 | 0:06:47 | |
I find that very offensive. Oh, poor baby. | 0:06:47 | 0:06:50 | |
Have you got any idea how hard it is to hack into a bank, | 0:06:50 | 0:06:53 | |
let alone tracking financial transactions through cyberspace? | 0:06:53 | 0:06:56 | |
So you can't do it? | 0:06:56 | 0:06:57 | |
I never said that, I was just bigging up my part. | 0:06:57 | 0:07:00 | |
Come on then. | 0:07:00 | 0:07:03 | |
Step aside, this is man's work. | 0:07:03 | 0:07:07 | |
Oh, here. | 0:07:13 | 0:07:14 | |
Just have a coffee and a cake. We have to be careful, remember. | 0:07:19 | 0:07:23 | |
Right. | 0:07:23 | 0:07:24 | |
We have to behave as normal, as agreed. | 0:07:24 | 0:07:27 | |
Normal, got it. Right, right. As in...? | 0:07:27 | 0:07:29 | |
You write your autobiography, I play the little woman at home, | 0:07:29 | 0:07:33 | |
very patient. | 0:07:33 | 0:07:35 | |
And then, when we're absolutely sure we've been completely forgotten, | 0:07:35 | 0:07:38 | |
we take a trip and we never come back! | 0:07:38 | 0:07:41 | |
Excellent. | 0:07:42 | 0:07:44 | |
THEY LAUGH | 0:07:44 | 0:07:46 | |
Syria was a masterstroke. | 0:07:46 | 0:07:49 | |
This is crazy. It left their account and went to Madrid, | 0:07:54 | 0:07:56 | |
then to Barcelona, from there to Lisbon | 0:07:56 | 0:07:59 | |
then on to the Cayman Islands, which is where the police lost it. But I | 0:07:59 | 0:08:02 | |
think I know why. I mean, they were searching for large amounts, right? | 0:08:02 | 0:08:06 | |
Yeah, but if you were a crook, you'd know that, so you'd break it up. | 0:08:06 | 0:08:09 | |
So three days after arriving in Cayman Islands, | 0:08:09 | 0:08:12 | |
there were 38 smaller transfers all under £100,000. | 0:08:12 | 0:08:16 | |
And that's easy to miss. I mean, 38 transactions amongst thousands, | 0:08:16 | 0:08:19 | |
it wouldn't register. He's enjoying this, ain't he? | 0:08:19 | 0:08:22 | |
But, and here's the clever bit, all 38, totalling 3 million sterling | 0:08:22 | 0:08:28 | |
were all transferred to the same account. | 0:08:28 | 0:08:31 | |
Now that's genius. | 0:08:31 | 0:08:32 | |
So where's the bank? | 0:08:32 | 0:08:34 | |
Barbados. But, before you rush off and pack your budgie smugglers, | 0:08:34 | 0:08:38 | |
it was only there four hours. | 0:08:38 | 0:08:39 | |
So where's it now? | 0:08:39 | 0:08:41 | |
No idea. | 0:08:44 | 0:08:45 | |
Why do I feel strangely empty? | 0:08:45 | 0:08:47 | |
Hey look, this is pretty time consuming stuff, guys. | 0:08:47 | 0:08:50 | |
I mean, as soon as I break one bank's encryption, I find that the | 0:08:50 | 0:08:53 | |
money has moved again and I have to start cracking another one. | 0:08:53 | 0:08:56 | |
So how long's it going to take, TomTom? | 0:08:56 | 0:08:57 | |
It's been through six different banks in five countries already. | 0:08:57 | 0:09:00 | |
For all I know, it could be what, 100 banks in 50 countries. | 0:09:00 | 0:09:04 | |
I think I'll get there, but I'd hate it to be your only plan. | 0:09:04 | 0:09:07 | |
It might help if you can narrow it down for me, say, to a continent. | 0:09:07 | 0:09:11 | |
JACK SIGHS | 0:09:11 | 0:09:13 | |
Right, so let's come at this a different way. | 0:09:15 | 0:09:17 | |
The Walkers must be feeling pretty safe, right? | 0:09:21 | 0:09:23 | |
Especially if they think they're untouchable. | 0:09:23 | 0:09:26 | |
They'll be relaxed, off-guard. | 0:09:26 | 0:09:27 | |
They've won their harassment case, the investigation has been | 0:09:27 | 0:09:30 | |
closed, so they must feel like they're home free. | 0:09:30 | 0:09:33 | |
Battle won. Maybe it's time to start making plans. | 0:09:33 | 0:09:36 | |
DOOR BELL RINGS | 0:09:36 | 0:09:38 | |
Yeah, no-one's looking at them any more | 0:09:38 | 0:09:40 | |
so they can start talking about spending all this lovely money. | 0:09:40 | 0:09:43 | |
Maybe even where it is. | 0:09:43 | 0:09:44 | |
Them talking about it is one thing, us hearing it, that's another. | 0:09:44 | 0:09:48 | |
Yeah, and especially as we're not allowed to go anywhere near 'em. | 0:09:48 | 0:09:51 | |
We need full surveillance in that house. | 0:09:51 | 0:09:53 | |
So we need them out of it. | 0:09:53 | 0:09:55 | |
We need to come up with something they won't be able to resist. | 0:09:55 | 0:09:59 | |
Sal? | 0:09:59 | 0:10:00 | |
Mm-hmm? | 0:10:00 | 0:10:02 | |
Sally? | 0:10:02 | 0:10:03 | |
What? | 0:10:03 | 0:10:06 | |
We've been invited to a lunch. | 0:10:06 | 0:10:08 | |
Remembering Margaret. They're even sending a car for us. | 0:10:08 | 0:10:12 | |
Why would they invite you? | 0:10:12 | 0:10:15 | |
I mean, you're not even one of them any more. | 0:10:15 | 0:10:18 | |
They clearly think I am, erm... | 0:10:18 | 0:10:20 | |
Right, well I'd better get a new suit. | 0:10:20 | 0:10:22 | |
You've got plenty of suits. | 0:10:22 | 0:10:23 | |
Oh, come on, Sally, it's not as if we can't afford it. | 0:10:23 | 0:10:25 | |
We agreed we'd be careful didn't we, Laurence?! | 0:10:25 | 0:10:27 | |
This, this is only a suit! Yes, and you can wear your blue one. | 0:10:27 | 0:10:30 | |
The one you bought for Esme's Christening. | 0:10:30 | 0:10:32 | |
Sally, no, I... | 0:10:32 | 0:10:34 | |
INDISTINCT CHATTER | 0:10:38 | 0:10:41 | |
CAMERA SHUTTERS CLICK | 0:10:44 | 0:10:46 | |
Good to see you all. | 0:10:49 | 0:10:50 | |
We do not expect to be late. | 0:10:58 | 0:10:59 | |
Sir. | 0:10:59 | 0:11:00 | |
JACK: 'This operation is to go like clockwork. You've got two hours.' | 0:11:06 | 0:11:10 | |
How did Jack wangle the invites? | 0:11:12 | 0:11:13 | |
Friends in high places. | 0:11:13 | 0:11:15 | |
You know, old stick, I've been thinking, maybe they want me back. | 0:11:48 | 0:11:52 | |
Who? The party. | 0:11:52 | 0:11:54 | |
Whatever for? | 0:11:54 | 0:11:56 | |
To contest a seat. | 0:11:56 | 0:11:58 | |
SHE LAUGHS | 0:11:58 | 0:12:00 | |
Don't be ridiculous. | 0:12:00 | 0:12:02 | |
SHE CONTINUES LAUGHING | 0:12:05 | 0:12:07 | |
Right, I've photographed all her ornaments in their position | 0:12:07 | 0:12:10 | |
because she's really house proud. Borderline OCD. | 0:12:10 | 0:12:14 | |
OK, so make sure we put everything back exactly as it was. | 0:12:14 | 0:12:19 | |
Jessica, please, I'm like a cat. Huh. | 0:12:19 | 0:12:22 | |
Real slick. | 0:12:28 | 0:12:29 | |
I'm going to take this off. | 0:12:29 | 0:12:31 | |
CHARLIE: 'Heads up, we're here.' | 0:12:35 | 0:12:37 | |
JACK: 'OK, Charlie, I'm in position.' | 0:12:37 | 0:12:39 | |
I'll be parked around the corner. Thank you. | 0:12:47 | 0:12:49 | |
INDISTINCT CHATTER | 0:12:49 | 0:12:51 | |
Hello, nice to see you. And you. | 0:13:10 | 0:13:13 | |
You should have splashed out, old love, got yourself a new dress. | 0:13:16 | 0:13:19 | |
'How we doing, Jess?' | 0:13:24 | 0:13:26 | |
It's a big house, Jack, need every second. | 0:13:26 | 0:13:28 | |
So up there and there, I'll do the bathroom. | 0:13:33 | 0:13:38 | |
INDISTINCT CHATTER | 0:13:42 | 0:13:44 | |
You look bored, Maggie. | 0:13:47 | 0:13:49 | |
The people you pledged money to are still waiting, | 0:13:49 | 0:13:51 | |
aren't they, Mrs Walker? We have nothing to say to you. | 0:13:51 | 0:13:53 | |
I was out there, sending reports back from Damascus, | 0:13:53 | 0:13:56 | |
you never even visited the orphanages, did you? | 0:13:56 | 0:13:58 | |
We're the victims in all this, you know. | 0:13:58 | 0:14:00 | |
The victims are the people you cheated. If you don't mind, thank you. | 0:14:00 | 0:14:03 | |
I found the little boy whose photo you used in your campaign. | 0:14:03 | 0:14:06 | |
His carers said he'd stopped crying | 0:14:06 | 0:14:07 | |
because he didn't think anyone was coming to save him. | 0:14:07 | 0:14:10 | |
We were completely exonerated. He died in my arms. | 0:14:10 | 0:14:12 | |
Honest hard-working people donated their money | 0:14:12 | 0:14:14 | |
and you stole it, didn't you, Mrs Walker? | 0:14:14 | 0:14:16 | |
I think you'll find that's slander. | 0:14:16 | 0:14:18 | |
Well then sue me and let's have this discussion in court. | 0:14:18 | 0:14:21 | |
Careful, you'll put them off their lunch. | 0:14:22 | 0:14:25 | |
I'd prefer if they choked on it. | 0:14:25 | 0:14:28 | |
Get me out of here. I want to go home. | 0:14:28 | 0:14:29 | |
Just ignore them, Sally. The lunch... | 0:14:29 | 0:14:31 | |
Oh, sod the bloody lunch. Everybody's staring at us! | 0:14:31 | 0:14:33 | |
Would you take me home? Sally... Now! Sally! Sa... | 0:14:33 | 0:14:36 | |
Charlie, get back here, they're leaving. | 0:14:38 | 0:14:40 | |
Taxi! | 0:14:43 | 0:14:44 | |
Jack? What's going on? | 0:14:52 | 0:14:53 | |
Jumped in a cab, they're heading back to you. | 0:14:53 | 0:14:56 | |
What? We haven't finished yet, we need...at least another hour. | 0:14:56 | 0:14:59 | |
You've got about 20 minutes. | 0:14:59 | 0:15:01 | |
You need to get those pictures live as quickly as possible. | 0:15:03 | 0:15:06 | |
I didn't know she'd be there. | 0:15:11 | 0:15:13 | |
All right, TomTom, we need to check the photos. | 0:15:16 | 0:15:18 | |
Everything needs to be just right. | 0:15:18 | 0:15:21 | |
BEEPING | 0:15:21 | 0:15:22 | |
BEEPING | 0:15:25 | 0:15:26 | |
OK. | 0:15:28 | 0:15:30 | |
We could go to the Press Complaints Committee. | 0:15:36 | 0:15:39 | |
We could sue her, we could, they've got, | 0:15:39 | 0:15:41 | |
they've got different guidelines now. We could get her sacked. | 0:15:41 | 0:15:43 | |
Come on. | 0:15:47 | 0:15:49 | |
Come on, come on, come on. | 0:16:08 | 0:16:10 | |
They need to get out of there. | 0:16:12 | 0:16:15 | |
Time's up. OK. | 0:16:25 | 0:16:28 | |
Jess! | 0:16:36 | 0:16:37 | |
Yep. Something is still out of place here. | 0:16:38 | 0:16:42 | |
Seriously, we've got to go. Yeah. | 0:16:42 | 0:16:45 | |
Move it. Hurry up, guys! | 0:16:45 | 0:16:48 | |
Jess! Come on. | 0:16:51 | 0:16:53 | |
Here you go. | 0:16:57 | 0:16:59 | |
Come on! | 0:17:01 | 0:17:03 | |
Wait! | 0:17:04 | 0:17:05 | |
Jessica... | 0:17:05 | 0:17:07 | |
Go! | 0:17:07 | 0:17:08 | |
Go, go, go, go, go! | 0:17:10 | 0:17:12 | |
Nice work. | 0:17:20 | 0:17:21 | |
Laurence, what is this? | 0:17:23 | 0:17:26 | |
Did you move this vase? | 0:17:26 | 0:17:28 | |
What do you mean? Did you? | 0:17:30 | 0:17:33 | |
Well, I didn't touch it. Why would I? | 0:17:34 | 0:17:37 | |
Sal? What's the matter? | 0:17:40 | 0:17:43 | |
Oh... | 0:17:43 | 0:17:45 | |
'I think this vase has been moved. It's not where I put it. | 0:17:50 | 0:17:55 | |
'It wasn't me. You must be imagining it.' | 0:17:55 | 0:17:59 | |
Sal? | 0:17:59 | 0:18:00 | |
I've got...I've got one of my headaches coming on, I'm going to, | 0:18:04 | 0:18:08 | |
I'm going to lie down. | 0:18:08 | 0:18:10 | |
ENGINE STARTS | 0:18:10 | 0:18:12 | |
JACK SIGHS | 0:18:14 | 0:18:16 | |
Tea for TomTom. Oh, thanks. | 0:18:26 | 0:18:29 | |
Anything, mate. Any investments, anything they've moved around. | 0:18:29 | 0:18:32 | |
We just...we just need er... Tea. Oh, cheers. | 0:18:32 | 0:18:34 | |
Erm, we just need a bit of help. | 0:18:34 | 0:18:36 | |
Do you really think they'll talk about where the money is? | 0:18:36 | 0:18:39 | |
Eventually. Here we go. | 0:18:39 | 0:18:41 | |
Take your seats, for day one in the Big Brother house. | 0:18:41 | 0:18:44 | |
'No. I was reading that. | 0:18:44 | 0:18:45 | |
'I know what you were really doing. | 0:18:45 | 0:18:48 | |
'I was just window shopping, dear heart. | 0:18:48 | 0:18:50 | |
'All in good time.' | 0:18:50 | 0:18:51 | |
LAURENCE SIGHS | 0:18:53 | 0:18:54 | |
'What's the point of having all this?' | 0:18:54 | 0:18:57 | |
Thomas, tell me we're recording this. | 0:18:57 | 0:18:59 | |
Every word. | 0:18:59 | 0:19:01 | |
'Just keep asking, don't you?! Patience.' | 0:19:02 | 0:19:06 | |
Never mind patience, push it. | 0:19:06 | 0:19:08 | |
'We're sitting on a fortune.' | 0:19:09 | 0:19:11 | |
That's my boy. | 0:19:11 | 0:19:13 | |
'Yes, we are.' | 0:19:13 | 0:19:15 | |
Was that a confession? | 0:19:15 | 0:19:16 | |
'And that's the way it's going to stay, just for some time.' | 0:19:16 | 0:19:19 | |
Don't let her boss you around, get in there and be a man. | 0:19:19 | 0:19:23 | |
'You ready for your soup? Please.' | 0:19:23 | 0:19:26 | |
Wimp! | 0:19:26 | 0:19:27 | |
TomTom, where's the money now? | 0:19:28 | 0:19:30 | |
It was in Bolivia but it's been moved again. | 0:19:30 | 0:19:33 | |
CHARLIE: I don't know - travel, holidays, cars. Holidays, OK. | 0:19:33 | 0:19:37 | |
TV PLAYS | 0:19:40 | 0:19:41 | |
'What is this? I don't know, I can't follow it. | 0:19:41 | 0:19:44 | |
'Oh, come on, Laurence!' | 0:19:44 | 0:19:46 | |
'Yeah, who's good or who's bad or...?' | 0:19:46 | 0:19:48 | |
LOUD SLURPING | 0:19:50 | 0:19:51 | |
'Oh. What?' | 0:19:51 | 0:19:53 | |
Cos that's not annoying. | 0:19:53 | 0:19:54 | |
'Is it hot? Yes, it is quite hot actually.' | 0:19:54 | 0:19:57 | |
Come on, give it up. Come on. | 0:19:57 | 0:20:00 | |
All right, cheers, mate, bye. | 0:20:00 | 0:20:03 | |
OK, so, no unusual expenses, no rash purchases. I mean, if anything, | 0:20:03 | 0:20:09 | |
they're spending less than they did last year. The only extravagant | 0:20:09 | 0:20:14 | |
thing that they have done in the last 12 months is take holidays. | 0:20:14 | 0:20:17 | |
Four of them. To Portugal. Switzerland. | 0:20:17 | 0:20:21 | |
Portugal again and Italy. | 0:20:21 | 0:20:23 | |
Four holidays? | 0:20:23 | 0:20:25 | |
No wonder he lost his seat, he was never in his constituency. | 0:20:25 | 0:20:28 | |
SLURPING CONTINUES | 0:20:34 | 0:20:36 | |
This is the most boring soap opera in the history of television. | 0:20:38 | 0:20:43 | |
They've got to crack sooner or later. | 0:20:43 | 0:20:45 | |
They'll say or do something that will tell us where that money is. | 0:20:47 | 0:20:50 | |
'You're going to wipe round the basin, aren't you, please? | 0:20:50 | 0:20:53 | |
'Wipe round the basin!' | 0:20:53 | 0:20:55 | |
INDISTINCT SPEECH | 0:21:04 | 0:21:06 | |
'I think that's my main problem, | 0:21:09 | 0:21:12 | |
'most of it's fallen out as a result.' | 0:21:12 | 0:21:14 | |
Thank you, Charlie. | 0:21:14 | 0:21:18 | |
'Don't pretend you ever tried. | 0:21:18 | 0:21:21 | |
'If you brushed it, probably would fall out. Yes. | 0:21:21 | 0:21:26 | |
'You don't want me to carry on reading, | 0:21:26 | 0:21:29 | |
'well, just say what you mean. | 0:21:29 | 0:21:31 | |
'Have you taken your pills?' | 0:21:31 | 0:21:33 | |
INDISTINCT SPEECH, LAUGHTER | 0:21:35 | 0:21:39 | |
'You must remember her, she was at our wedding. | 0:21:39 | 0:21:43 | |
'She was one of our bridesmaids. No, haven't a clue, sorry. | 0:21:43 | 0:21:47 | |
'Sit up straight on the sofa.' | 0:21:47 | 0:21:49 | |
THEY LAUGH | 0:21:49 | 0:21:51 | |
'This bloody oven timer, it makes absolutely no sense to me! | 0:21:51 | 0:21:53 | |
'I don't even know what was wrong with the gas one...' | 0:21:53 | 0:21:56 | |
THEY SNIGGER | 0:21:56 | 0:21:58 | |
'All right then. Nighty-night. | 0:21:58 | 0:22:01 | |
'Turn out your light, I might read a second longer, | 0:22:01 | 0:22:05 | |
'just want to finish this bit. | 0:22:05 | 0:22:07 | |
'Did you turn the kitchen light out? Ah...yes. | 0:22:07 | 0:22:13 | |
'Oh your feet are cold!' | 0:22:16 | 0:22:18 | |
I'm so sorry. | 0:22:18 | 0:22:20 | |
CHIPS RATTLE | 0:22:26 | 0:22:28 | |
'No, don't put it on the floor!' | 0:22:32 | 0:22:34 | |
THEY MURMUR MOCKINGLY | 0:22:34 | 0:22:36 | |
KEYS CLICK | 0:22:38 | 0:22:40 | |
MOANING AND PANTING | 0:22:42 | 0:22:46 | |
Oh. | 0:22:46 | 0:22:47 | |
No, no, no, no, no, can we turn it off? | 0:22:50 | 0:22:52 | |
Please say we can turn it off. Don't look. | 0:22:55 | 0:22:59 | |
'It's because I lost my seat, isn't it? It makes you think less of me. | 0:23:04 | 0:23:08 | |
'Oh come on, don't be silly. | 0:23:08 | 0:23:10 | |
'Don't worry, I think less of me too. I understand. | 0:23:10 | 0:23:13 | |
'You are amazing. | 0:23:13 | 0:23:15 | |
'This idiot government have missed out on a point-politician.' | 0:23:15 | 0:23:19 | |
Oh, please! | 0:23:19 | 0:23:22 | |
Sao Tome and Principe? Is that even a country? | 0:23:22 | 0:23:27 | |
'What do you think I married you for?' | 0:23:27 | 0:23:29 | |
INDISTINCT ARGUMENT | 0:23:29 | 0:23:31 | |
'What I'm saying is not...' | 0:23:31 | 0:23:34 | |
Jack! Here we go. | 0:23:34 | 0:23:36 | |
'Oh, will you stop going on and on! | 0:23:36 | 0:23:39 | |
'Look, all I'm saying is I want a new car. | 0:23:39 | 0:23:42 | |
'That is not unusual, people do it all the time. | 0:23:42 | 0:23:44 | |
'But it won't just be a new car, will it? | 0:23:44 | 0:23:47 | |
'You'll go and buy something extravagantly... | 0:23:47 | 0:23:50 | |
'No, I am not an idiot!' | 0:23:50 | 0:23:52 | |
You tell her, Tiger! | 0:23:52 | 0:23:54 | |
'I don't want to have this conversation again. | 0:23:54 | 0:23:56 | |
'I want a new car.' | 0:23:56 | 0:23:57 | |
That's it. | 0:23:57 | 0:23:59 | |
'And I said no.' | 0:23:59 | 0:24:00 | |
Go on, Laurence! | 0:24:00 | 0:24:02 | |
'I insist. Excuse me? I said. I insist.' | 0:24:02 | 0:24:06 | |
Yes, here we go. | 0:24:06 | 0:24:08 | |
'All right, go ahead and get one. | 0:24:08 | 0:24:10 | |
'You know, risk everything we've worked for. Carry on, be an idiot!' | 0:24:10 | 0:24:14 | |
Yes, go on, be an idiot. | 0:24:14 | 0:24:15 | |
'Do you really want that?' | 0:24:15 | 0:24:17 | |
'Sorry. Come on, darling.' | 0:24:20 | 0:24:22 | |
Oh, no! | 0:24:22 | 0:24:24 | |
SHE GRUNTS | 0:24:24 | 0:24:25 | |
PHONE RINGS | 0:24:25 | 0:24:27 | |
Hello. | 0:24:28 | 0:24:30 | |
I haven't heard from you so I was wondering how you're getting on? | 0:24:30 | 0:24:33 | |
Oh, you know, we're still working on a few things. | 0:24:33 | 0:24:35 | |
They haven't got you beat, have they, Jack? | 0:24:35 | 0:24:38 | |
What? As if. Two no-hopers like that, no. | 0:24:38 | 0:24:41 | |
A quick result would be good, so I won't keep you. | 0:24:41 | 0:24:44 | |
'What joys are we to unfold today? | 0:24:46 | 0:24:50 | |
'I mean, why do you think, | 0:24:50 | 0:24:52 | |
'why do you think I married you for heaven's sakes?!' | 0:24:52 | 0:24:55 | |
TomTom, can you get me an address? | 0:24:58 | 0:25:04 | |
Where you going? | 0:25:06 | 0:25:08 | |
This is driving me stir crazy, I'm going to try something different. | 0:25:08 | 0:25:11 | |
OK, do you want me to come with? | 0:25:11 | 0:25:13 | |
No, no, keep watching, I won't be long. | 0:25:13 | 0:25:15 | |
Cheers. | 0:25:18 | 0:25:19 | |
Hello again. | 0:25:34 | 0:25:36 | |
Sorry, do I know you? | 0:25:36 | 0:25:37 | |
Er, we met briefly, at the hotel. | 0:25:37 | 0:25:39 | |
You made Sally Walker look a little bit embarrassed. | 0:25:39 | 0:25:42 | |
One of my many talents. | 0:25:42 | 0:25:43 | |
Charity Regulation Office? | 0:25:46 | 0:25:47 | |
We want the Walkers just as much as you do. | 0:25:47 | 0:25:50 | |
Thanks. | 0:25:50 | 0:25:52 | |
I thought the investigation had been shelved. | 0:25:54 | 0:25:57 | |
By the police, maybe. | 0:25:57 | 0:25:58 | |
So how can I help? | 0:25:58 | 0:26:00 | |
Just wanted to get a bit of background on the Walkers, | 0:26:00 | 0:26:02 | |
anything you might know. | 0:26:02 | 0:26:05 | |
Where do you want me to start? They're callous, they're greedy | 0:26:05 | 0:26:08 | |
and they think they're better than everyone else. | 0:26:08 | 0:26:10 | |
And what about your unbiased take on them? | 0:26:10 | 0:26:13 | |
I spent time out there. | 0:26:14 | 0:26:15 | |
They made promises to people, gave them hope. | 0:26:15 | 0:26:18 | |
You know, kids who thought they'd find their parents again, | 0:26:18 | 0:26:20 | |
shelters waiting for food and clothing. | 0:26:20 | 0:26:23 | |
They took the money for themselves and they'll get away with it. | 0:26:23 | 0:26:26 | |
Not if we can help it. | 0:26:26 | 0:26:27 | |
I think they've got everything worked out to the last detail. | 0:26:27 | 0:26:30 | |
They do seem pretty tight. | 0:26:30 | 0:26:31 | |
Well, he's a dick, harmless, stupid, but a dick. | 0:26:31 | 0:26:36 | |
But her, she's Cruella de Vil, she's smart as smart gets. | 0:26:37 | 0:26:42 | |
You really think she's that clever? | 0:26:42 | 0:26:44 | |
She made £3 million disappear into thin air, didn't she? | 0:26:44 | 0:26:47 | |
Hang on. You said "didn't she". Sorry? | 0:26:47 | 0:26:50 | |
It's OK, thanks very much for your help. You've given me an idea. | 0:26:50 | 0:26:54 | |
Are you going? But I didn't tell you anything, did I? | 0:26:54 | 0:26:57 | |
More than you know. I'll call you. | 0:26:57 | 0:27:01 | |
Right. Change of plan. | 0:27:01 | 0:27:03 | |
Jack, no, you need to see this! Play it, Charlie? Yeah. | 0:27:03 | 0:27:06 | |
'Let's just go away and never come back. | 0:27:06 | 0:27:09 | |
'It's too soon. People would notice. | 0:27:09 | 0:27:11 | |
'I don't know. I thought we'd agreed all this. | 0:27:11 | 0:27:14 | |
'No, Sal, we're not getting on any more, and that worries me. | 0:27:14 | 0:27:17 | |
'I want us to be happy. | 0:27:17 | 0:27:18 | |
'You know we're in, we're in a limbo. The longer we stay here, | 0:27:18 | 0:27:22 | |
'the more we'll squabble and things will fall apart. | 0:27:22 | 0:27:24 | |
'This is just killing us as a couple. | 0:27:24 | 0:27:26 | |
'Come on, Sal, what about it? Let's go. | 0:27:26 | 0:27:29 | |
'And never come back? | 0:27:29 | 0:27:32 | |
'Never, never!' | 0:27:32 | 0:27:33 | |
TomTom's drawing a blank and there's nothing recorded we can use. | 0:27:35 | 0:27:38 | |
If they leave the country, we're screwed. | 0:27:38 | 0:27:40 | |
And we'll never find out where the money is. | 0:27:40 | 0:27:43 | |
So what was this change of plan you were talking about? | 0:27:43 | 0:27:45 | |
Oh, it's just a hunch. | 0:27:45 | 0:27:47 | |
Hunch is good. | 0:27:47 | 0:27:50 | |
Sally Walker is doing all the running, yeah? Mm-hmm. | 0:27:50 | 0:27:53 | |
Laurence needs something, he asks her permission, | 0:27:53 | 0:27:56 | |
he wants to buy a new car he needs to convince her. Even this! | 0:27:56 | 0:27:59 | |
He wants to go away, he's got to convince her first. | 0:27:59 | 0:28:01 | |
So he needs to grow a pair, we already knew that. | 0:28:01 | 0:28:03 | |
No, it's more than that. | 0:28:03 | 0:28:05 | |
I don't think she's told him where the money is! | 0:28:05 | 0:28:07 | |
No, no way. That's like her wearing all the trousers at once. | 0:28:07 | 0:28:10 | |
We can sit here for weeks, they're never going to talk about the money, | 0:28:10 | 0:28:14 | |
because she hasn't told him where it is! | 0:28:14 | 0:28:16 | |
That's why he has to ask her permission for everything, | 0:28:16 | 0:28:18 | |
because he hasn't got a clue. | 0:28:18 | 0:28:20 | |
Yeah. So it's not them we need to crack. It's her. | 0:28:20 | 0:28:24 | |
And that's going to help us how? | 0:28:28 | 0:28:31 | |
Well, that's the hunch I'm talking about. | 0:28:31 | 0:28:34 | |
It came to me on the way back. | 0:28:34 | 0:28:35 | |
POP MUSIC PLAYS | 0:28:37 | 0:28:39 | |
You've got that look in your eye. | 0:28:41 | 0:28:43 | |
I'm not sure you're going to like it. It's a little bit extreme. | 0:28:43 | 0:28:47 | |
That's never bothered us before. | 0:28:47 | 0:28:49 | |
No, no, if he says it's extreme, it's extreme. Is it extreme? | 0:28:49 | 0:28:54 | |
It's extreme. | 0:28:54 | 0:28:55 | |
LOUD CRASH | 0:28:57 | 0:28:58 | |
Stupid, blind... | 0:28:58 | 0:28:59 | |
I am so sorry, my foot must have slipped off the brake, | 0:29:00 | 0:29:04 | |
are you...are you OK? | 0:29:04 | 0:29:07 | |
Oh, nothing broken, I don't think so anyway. | 0:29:07 | 0:29:09 | |
What, what about you, er...erm? | 0:29:09 | 0:29:11 | |
Oh, thank you, yeah. I-I think I'm all right. | 0:29:11 | 0:29:13 | |
I just, I hope I haven't done too much damage to your car. | 0:29:13 | 0:29:16 | |
Oh, no, I'm sure it'll be all right, it was just a little bump. | 0:29:16 | 0:29:19 | |
That's all that's happened. Shocking. | 0:29:19 | 0:29:21 | |
'Hello, this is Laurence Walker. Please leave a message.' | 0:30:08 | 0:30:11 | |
Laurence, where are you, darling? Can you call me? | 0:30:11 | 0:30:14 | |
LAURENCE WHIMPERS | 0:30:21 | 0:30:23 | |
Just so I know, how long do you get for kidnapping? | 0:30:47 | 0:30:50 | |
I was just wondering if...if you've got Laurence there with you, | 0:31:12 | 0:31:15 | |
by any chance. Because he hasn't... | 0:31:15 | 0:31:16 | |
PHONE BEEPS | 0:31:16 | 0:31:18 | |
Just a minute, someone's beeping, might be him. Hang on. | 0:31:18 | 0:31:22 | |
Laurence, where on earth have you been? | 0:31:22 | 0:31:25 | |
'We have your husband.' | 0:31:25 | 0:31:26 | |
Excuse me? | 0:31:28 | 0:31:30 | |
We have your husband. We know you stole that money. | 0:31:30 | 0:31:33 | |
And we know you've still got it. | 0:31:33 | 0:31:35 | |
You've just been sent a text message with an IBAN number | 0:31:35 | 0:31:38 | |
for an overseas account. | 0:31:38 | 0:31:40 | |
MOBILE PHONE BEEPS | 0:31:40 | 0:31:41 | |
You've got one hour to put £1 million in that account. | 0:31:43 | 0:31:46 | |
I haven't got that sort of money. | 0:31:46 | 0:31:49 | |
You pay the ransom or he's dead. | 0:31:49 | 0:31:52 | |
No more discussion. And no police. | 0:31:52 | 0:31:55 | |
It's impressive. Done it before? | 0:31:58 | 0:32:01 | |
She's bricking it. | 0:32:14 | 0:32:16 | |
Good. | 0:32:16 | 0:32:18 | |
What if she has a heart attack and just dies? | 0:32:18 | 0:32:21 | |
Yeah, that's a fair point. | 0:32:21 | 0:32:23 | |
Seriously though, I never checked her medical records. | 0:32:23 | 0:32:26 | |
She might have a weak ticker and keel over from the stress. | 0:32:26 | 0:32:29 | |
She'll be fine, I doubt she's even got a heart. | 0:32:29 | 0:32:34 | |
So let me get this straight, she pays in the million | 0:32:34 | 0:32:37 | |
and the second she does, TomTom gets access to her secret account. | 0:32:37 | 0:32:41 | |
Yeah, that's all the proof we need. | 0:32:41 | 0:32:43 | |
Nice. | 0:32:43 | 0:32:44 | |
She's got one hour. | 0:32:44 | 0:32:46 | |
TomTom, not much point, is there? We'll know where it is soon. | 0:33:03 | 0:33:08 | |
It's not the same. No? Uh-uh. | 0:33:08 | 0:33:11 | |
Because her giving it to us is not the same as me finding it. | 0:33:11 | 0:33:15 | |
And I hate being beaten. Especially by an old bird. | 0:33:15 | 0:33:18 | |
Wow, double whammy. Sexist and ageist, all in a single sentence. | 0:33:18 | 0:33:23 | |
It's a gift. Huh? All right then. | 0:33:23 | 0:33:27 | |
LAURENCE MOANS | 0:33:38 | 0:33:40 | |
HE PANTS | 0:33:41 | 0:33:43 | |
Drink up. | 0:33:43 | 0:33:46 | |
How long do you intend keeping me here? | 0:33:48 | 0:33:50 | |
Just until your wife pays us the money. | 0:33:50 | 0:33:52 | |
Proud of yourself, are you? | 0:33:57 | 0:33:59 | |
Stealing money from honest, hard-working people? | 0:33:59 | 0:34:02 | |
That's rich coming from you. You won't get away with this... | 0:34:02 | 0:34:05 | |
Do you think she's going to do it? | 0:34:15 | 0:34:18 | |
As long as she thinks that we're real kidnappers, | 0:34:18 | 0:34:20 | |
she'll think she can pay us off without anyone finding out it | 0:34:20 | 0:34:23 | |
was her that stole it in the first place. | 0:34:23 | 0:34:25 | |
Is that a yes or a no? | 0:34:25 | 0:34:27 | |
Both. | 0:34:27 | 0:34:28 | |
All right, so what's plan B? | 0:34:31 | 0:34:33 | |
Two minutes, guys. It's nearly time. | 0:34:34 | 0:34:37 | |
Anything? | 0:34:44 | 0:34:45 | |
Nothing yet. | 0:34:45 | 0:34:48 | |
If she was going to do it at all, she'd have done it by now. | 0:34:48 | 0:34:50 | |
Charlie's right. | 0:34:50 | 0:34:52 | |
Refresh the page. | 0:34:56 | 0:34:57 | |
What, you think I haven't? | 0:34:57 | 0:34:59 | |
Well, try it again. | 0:34:59 | 0:35:01 | |
OK. | 0:35:01 | 0:35:03 | |
Still nothing. | 0:35:03 | 0:35:05 | |
Could it have got held up in the system? | 0:35:08 | 0:35:10 | |
Maybe. | 0:35:10 | 0:35:12 | |
Time's up. | 0:35:13 | 0:35:15 | |
PHONE RINGS | 0:35:17 | 0:35:19 | |
Hello? | 0:35:19 | 0:35:21 | |
'Where's the money?' | 0:35:21 | 0:35:23 | |
Uh, listen, it's not easy. I would if I could. | 0:35:23 | 0:35:27 | |
It's difficult to get hold of that sort of money. | 0:35:27 | 0:35:30 | |
Can I speak to Laurence please, | 0:35:30 | 0:35:32 | |
because how do I even know he's alive? | 0:35:32 | 0:35:34 | |
How do I know you've even got him there? | 0:35:34 | 0:35:36 | |
You can speak to him when you've transferred the money. | 0:35:36 | 0:35:38 | |
No. I want to speak to him now, please! | 0:35:38 | 0:35:40 | |
Get her up on the screen. | 0:35:43 | 0:35:44 | |
Holy shit! What? | 0:35:47 | 0:35:49 | |
She's called the police! | 0:35:49 | 0:35:51 | |
All they care about is the money, so sit tight, | 0:35:54 | 0:35:57 | |
because they will call back. | 0:35:57 | 0:35:59 | |
They're going to kill him. They said they would. | 0:35:59 | 0:36:01 | |
Mrs Walker, let us do what we know we're good at. | 0:36:01 | 0:36:04 | |
Listen, we have done this before and you hold a lot more cards | 0:36:04 | 0:36:09 | |
than you realise. | 0:36:09 | 0:36:10 | |
I'm guessing this wasn't part of the plan? | 0:36:14 | 0:36:16 | |
Plans change all the time. This... | 0:36:19 | 0:36:21 | |
This doesn't have to be a bad thing. | 0:36:21 | 0:36:23 | |
We've kidnapped someone, Jack. | 0:36:23 | 0:36:25 | |
Yeah, and we can use it to our advantage. | 0:36:25 | 0:36:27 | |
She can't transfer the money with the police there. | 0:36:27 | 0:36:29 | |
No. She will if she thinks she's got no choice. | 0:36:29 | 0:36:32 | |
We'll call her back and let her talk to him. | 0:36:41 | 0:36:43 | |
Do you think she'll pay? She'd better. And if she doesn't? | 0:36:43 | 0:36:45 | |
Then we make it the last time they ever speak to each other. | 0:36:45 | 0:36:48 | |
Either she pays up, or we kill him. | 0:36:48 | 0:36:51 | |
And dump the body. | 0:36:51 | 0:36:53 | |
I know a great place. No-one'll ever find him. | 0:36:53 | 0:36:56 | |
Wait, please, please. We'll pay you the money. | 0:37:00 | 0:37:02 | |
Just tell me what you want to do. | 0:37:02 | 0:37:03 | |
You're going to talk to your wife | 0:37:03 | 0:37:05 | |
and you're going to tell her you don't want to die. | 0:37:05 | 0:37:08 | |
PHONE RINGS | 0:37:11 | 0:37:13 | |
Hello? | 0:37:13 | 0:37:15 | |
'Darling...' | 0:37:15 | 0:37:17 | |
Oh, Laurence! Are you all right? Have they...have they hurt you? | 0:37:17 | 0:37:20 | |
Listen to me, Sally. Please, just listen to me. | 0:37:20 | 0:37:24 | |
Erm, you have to pay them the money! | 0:37:24 | 0:37:26 | |
You need to keep calm. | 0:37:26 | 0:37:28 | |
Listen to me, please. Just... You have to do it now | 0:37:28 | 0:37:31 | |
or they are going to kill me. | 0:37:31 | 0:37:33 | |
But...but you know we haven't got that sort of money! | 0:37:35 | 0:37:38 | |
But if we did... But we haven't! Please! Stop pissing about! | 0:37:38 | 0:37:42 | |
Just pay them the bloody money! METALLIC SCREECH AND ECHO | 0:37:42 | 0:37:45 | |
'Hello, Sally? Are you still there?' | 0:37:45 | 0:37:48 | |
Yes, yes I'm still here. Um, I suppose we could perhaps... | 0:37:48 | 0:37:54 | |
You've got one hour. | 0:37:55 | 0:37:57 | |
But if I... | 0:37:57 | 0:37:59 | |
Please... | 0:37:59 | 0:38:01 | |
Oh, they've gone. They've gone. | 0:38:01 | 0:38:03 | |
Sorry, Guv. No trace. | 0:38:03 | 0:38:05 | |
'No trace at all?' | 0:38:05 | 0:38:07 | |
Do not take your eyes off her. Right. | 0:38:07 | 0:38:10 | |
Oh, where are you going, my friend? | 0:38:11 | 0:38:14 | |
Good boy. | 0:38:18 | 0:38:20 | |
I'm going outside. | 0:38:23 | 0:38:24 | |
Right, listen to this, Guv. | 0:38:39 | 0:38:41 | |
'Sally, stop pissing about, just pay them the bloody money! | 0:38:41 | 0:38:44 | |
METALLIC SCREECH | 0:38:44 | 0:38:45 | |
That feedback - I think they bugged the house. | 0:38:45 | 0:38:49 | |
They know we're here? Oh, Christ. | 0:38:49 | 0:38:52 | |
I've run a trace. They're logged on to the home broadband. | 0:38:52 | 0:38:55 | |
I think they've got cameras too. They're running on the 4G network. | 0:38:55 | 0:38:58 | |
Look, just plain English, Flint. | 0:38:58 | 0:39:01 | |
They're sending sound and possibly pictures over a 4G wi-fi frequency, | 0:39:01 | 0:39:05 | |
to a computer, a tablet, maybe even a smartphone. | 0:39:05 | 0:39:09 | |
Either way, they'll need a SIM card. | 0:39:09 | 0:39:11 | |
But can you trace that? | 0:39:11 | 0:39:13 | |
What are you looking for? | 0:39:20 | 0:39:21 | |
The big cheese in charge cop, and the one with the er...slick hair. | 0:39:21 | 0:39:25 | |
I don't know where they are, I can't see them. | 0:39:25 | 0:39:28 | |
Is that a problem? | 0:39:28 | 0:39:30 | |
Dunno yet. I like to know where all the players are. | 0:39:30 | 0:39:34 | |
That them? | 0:39:37 | 0:39:38 | |
Yeah, that's them. | 0:39:38 | 0:39:40 | |
WHIMPERING | 0:39:43 | 0:39:45 | |
Ten minutes. She's not going to pay, Jack. | 0:39:48 | 0:39:51 | |
I think she will. I think we've underestimated her. | 0:39:51 | 0:39:55 | |
She's going online. | 0:40:06 | 0:40:08 | |
It's not here yet. | 0:40:19 | 0:40:21 | |
Well, how long's it take? | 0:40:21 | 0:40:22 | |
Should be pretty instant. | 0:40:22 | 0:40:25 | |
What's that? | 0:40:37 | 0:40:39 | |
COMPUTER BEEPING | 0:40:39 | 0:40:41 | |
I've been hacked! What?! | 0:40:41 | 0:40:44 | |
That is really not a good thing. | 0:40:44 | 0:40:46 | |
BANGING | 0:40:46 | 0:40:47 | |
Police! | 0:40:47 | 0:40:50 | |
EXPLOSION | 0:40:50 | 0:40:52 | |
SCREECHING AND COUGHING | 0:40:52 | 0:40:54 | |
Move, move! | 0:40:56 | 0:40:58 | |
INDISTINCT SHOUTS | 0:41:01 | 0:41:03 | |
POLICEMAN: Lie still. Lie still. | 0:41:08 | 0:41:11 | |
Stay where you are! | 0:41:13 | 0:41:15 | |
Jack?! | 0:41:15 | 0:41:17 | |
Hands on your head! | 0:41:18 | 0:41:20 | |
Stay down. Hands on your head! | 0:41:22 | 0:41:25 | |
Let's start with your name. | 0:41:31 | 0:41:33 | |
We'll find out who you are sooner or later. | 0:41:38 | 0:41:40 | |
If you tell us your name and the name of the others, | 0:41:45 | 0:41:48 | |
it could make things a lot easier for you down the line. | 0:41:48 | 0:41:51 | |
Let's start with an easy one. Who are you? | 0:42:05 | 0:42:08 | |
I want to call my brief. | 0:42:08 | 0:42:10 | |
Name first. | 0:42:10 | 0:42:13 | |
Brief first or you get nothing. | 0:42:13 | 0:42:16 | |
I'd like five minutes with my client. | 0:42:31 | 0:42:33 | |
Alone. | 0:42:35 | 0:42:37 | |
So the IPCC rule that the Walker investigation is closed, two police | 0:42:41 | 0:42:46 | |
officers are dismissed for harassing them, the rest of the force are | 0:42:46 | 0:42:50 | |
walking around on eggshells and what do you do? You kidnap one of them. | 0:42:50 | 0:42:54 | |
It was the only way. | 0:42:54 | 0:42:56 | |
I fought against a lot of people to set up your team. | 0:42:56 | 0:42:58 | |
Very important people who weren't convinced it was possible to | 0:42:58 | 0:43:02 | |
run an operation like this. | 0:43:02 | 0:43:03 | |
Well, congratulations, Jack. You've just proved them right | 0:43:03 | 0:43:06 | |
and made me look like an idiot in the process. | 0:43:06 | 0:43:09 | |
My brief is, "by any means," remember. Don't be a smart arse! | 0:43:09 | 0:43:13 | |
I'm sorry. OK? | 0:43:13 | 0:43:15 | |
Sorry doesn't quite cut it. | 0:43:15 | 0:43:18 | |
Can you square this or not? | 0:43:18 | 0:43:19 | |
Of course I can't! | 0:43:19 | 0:43:22 | |
You've been caught in the act of carrying out a criminal offence. | 0:43:22 | 0:43:25 | |
Kidnapping and demanding a ransom. So that's it? | 0:43:25 | 0:43:28 | |
HE TUTS | 0:43:31 | 0:43:33 | |
Then you get the others out. You get them out or I'll go public. | 0:43:43 | 0:43:47 | |
I mean it. I'll keep my mouth shut and I'll do the time, | 0:43:47 | 0:43:52 | |
but only if you get them to let them go. This was my plan, they were | 0:43:52 | 0:43:57 | |
only following me. Do what you want with me, Helen, but they walk. | 0:43:57 | 0:44:02 | |
DOORS BANGING, SHOUTING | 0:44:05 | 0:44:08 | |
MAN: I'm not going in there! | 0:44:08 | 0:44:10 | |
SHOUTING CONTINUES | 0:44:16 | 0:44:18 | |
DOOR OPENS AND CLOSES | 0:44:20 | 0:44:23 | |
KEYS RATTLE | 0:44:31 | 0:44:33 | |
DOOR OPENS | 0:44:33 | 0:44:34 | |
This confirms they've been released into your custody. | 0:44:59 | 0:45:02 | |
If you'd just like to initial by the side of the names, | 0:45:02 | 0:45:05 | |
all four prisoners. | 0:45:05 | 0:45:08 | |
Thank you. | 0:45:08 | 0:45:10 | |
Here's your key. | 0:45:28 | 0:45:29 | |
Give us a second. | 0:45:35 | 0:45:37 | |
Helen. | 0:45:39 | 0:45:41 | |
Thank you. That was a one-time only deal, Jack. | 0:45:42 | 0:45:45 | |
Your last get out of jail free card, I mean it. | 0:45:45 | 0:45:47 | |
What did you tell them? | 0:45:47 | 0:45:48 | |
I didn't tell them anything. But I convinced my boss to call | 0:45:48 | 0:45:51 | |
the Commissioner and tell him you were MI5. | 0:45:51 | 0:45:54 | |
There's a lot of work to be done and a lot to cover up, | 0:45:54 | 0:45:56 | |
so excuse me if I don't hang around. What about the Walkers? | 0:45:56 | 0:45:59 | |
We retrieved all the surveillance equipment from their house | 0:45:59 | 0:46:02 | |
and the matter is closed. | 0:46:02 | 0:46:05 | |
I can't begin to tell you how embarrassing this was for me | 0:46:05 | 0:46:08 | |
or how long it will take me to repay the favour. | 0:46:08 | 0:46:10 | |
I was all for holding you to your word | 0:46:10 | 0:46:12 | |
and just letting the other three go, but he said it would be too messy. | 0:46:12 | 0:46:15 | |
Now the favour comes with a 24-carat condition. What? | 0:46:15 | 0:46:19 | |
You stay away from the Walkers. You... | 0:46:19 | 0:46:21 | |
It's non-negotiable. After the trauma they've suffered... | 0:46:21 | 0:46:25 | |
What? They're planning a trip abroad. | 0:46:25 | 0:46:28 | |
Oh! They leave the day after tomorrow. Brilliant. | 0:46:28 | 0:46:30 | |
Well, that's it. You know they won't come back, don't you? | 0:46:30 | 0:46:34 | |
We'll live with that. You mean, you'll have to live with it... | 0:46:34 | 0:46:36 | |
Listen, Jack! You are not to contact them. | 0:46:36 | 0:46:39 | |
You are not to step foot inside their house. | 0:46:39 | 0:46:42 | |
You are not to carry out any kind of surveillance or hinder them | 0:46:42 | 0:46:45 | |
in any way. | 0:46:45 | 0:46:47 | |
I want your word. | 0:46:48 | 0:46:50 | |
Fine. | 0:46:52 | 0:46:53 | |
Good. Every time you screw up, it's a black mark. It all counts. | 0:46:53 | 0:46:57 | |
How did they do it? How did they beat us? | 0:47:10 | 0:47:13 | |
A pair like that. Mr and Mrs Vile. | 0:47:13 | 0:47:16 | |
Fancy a drink? | 0:47:21 | 0:47:22 | |
I'd be shit company. | 0:47:22 | 0:47:24 | |
Can't win 'em all. Even you. | 0:47:27 | 0:47:31 | |
Sal, you would've paid, wouldn't you? Of course. | 0:47:42 | 0:47:45 | |
Only it didn't seem that way. | 0:47:45 | 0:47:47 | |
You know, you seemed pretty, well, you were pretty adamant. | 0:47:47 | 0:47:50 | |
Darling, I was following police instructions. | 0:47:50 | 0:47:53 | |
Yes, I'm...I'm sure that's the best way. | 0:47:54 | 0:47:57 | |
I'd have quite happily given the entire three million to have | 0:47:57 | 0:48:00 | |
you back here, my darling, without a second thought. | 0:48:00 | 0:48:03 | |
You promise? | 0:48:03 | 0:48:05 | |
Cross my heart. | 0:48:05 | 0:48:06 | |
I-I-I was thinking... Yes? | 0:48:19 | 0:48:22 | |
Well, perhaps I should know where the money is too. Just in case | 0:48:22 | 0:48:25 | |
something happens to you. And I could pay up like you would have. | 0:48:25 | 0:48:28 | |
SHE CHUCKLES | 0:48:28 | 0:48:29 | |
All will be revealed tomorrow. | 0:48:31 | 0:48:34 | |
Really? Absolutely. | 0:48:34 | 0:48:37 | |
Start as you mean to go on. G&T? | 0:48:37 | 0:48:40 | |
Please. | 0:48:40 | 0:48:41 | |
On its way... | 0:48:45 | 0:48:47 | |
RECORDING REWINDING | 0:48:49 | 0:48:52 | |
WALKERS' SPEECH DISTORTED | 0:48:52 | 0:48:54 | |
'We're sitting on a fortune. | 0:49:06 | 0:49:08 | |
'Yes, we are.' | 0:49:08 | 0:49:10 | |
DOOR OPENS | 0:49:18 | 0:49:20 | |
I can't do it. | 0:49:27 | 0:49:29 | |
Can't do what? | 0:49:29 | 0:49:30 | |
Sleep. Not when I know that money's still out there. | 0:49:30 | 0:49:34 | |
It doesn't matter now, mate. | 0:49:34 | 0:49:37 | |
Well, it matters to me. | 0:49:37 | 0:49:39 | |
I have to know that she's not smarter than me, right. | 0:49:39 | 0:49:43 | |
DOOR CLOSES | 0:49:44 | 0:49:46 | |
All right? | 0:49:48 | 0:49:50 | |
What are you doing here? | 0:49:50 | 0:49:51 | |
Couldn't sleep. | 0:49:51 | 0:49:53 | |
He phoned me. He was worried about you. | 0:50:00 | 0:50:03 | |
No, I wasn't. | 0:50:03 | 0:50:05 | |
I said you'd be fine. He thought you'd be drunk, morose | 0:50:05 | 0:50:07 | |
and all on your own. | 0:50:07 | 0:50:09 | |
Two out of three. | 0:50:09 | 0:50:11 | |
Boom! | 0:50:29 | 0:50:30 | |
Whoa, dude! I just crashed. | 0:50:30 | 0:50:33 | |
Sorry, mate. I found it. Found what? | 0:50:33 | 0:50:36 | |
I found the money. Where? | 0:50:36 | 0:50:38 | |
63 banks, four continents, 18 countries, | 0:50:38 | 0:50:41 | |
400 'you think you're so clever you're going to split it into smaller amounts' transactions | 0:50:41 | 0:50:45 | |
and it reached its final destination, in euros, | 0:50:45 | 0:50:49 | |
in Switzerland on Friday the 24th August. | 0:50:49 | 0:50:53 | |
Where it was withdrawn by special arrangement. In cash! | 0:50:53 | 0:50:58 | |
Switzerland. Hang on! | 0:50:58 | 0:51:00 | |
Here we go, here we go, here we go. | 0:51:07 | 0:51:09 | |
Er, yes! Switzerland! 21st August until the 28th. | 0:51:09 | 0:51:14 | |
So we've got them. | 0:51:14 | 0:51:15 | |
Not really. You know, the cash was collected by a courier. | 0:51:15 | 0:51:19 | |
So it's a start, it's more than we had before, but that's all. | 0:51:19 | 0:51:22 | |
TomTom's right, we still don't know where it is. | 0:51:25 | 0:51:28 | |
It could be in a safety deposit box anywhere in Europe, | 0:51:28 | 0:51:30 | |
they could have bought diamonds with it. | 0:51:30 | 0:51:32 | |
Or they could have brought it back to the UK. | 0:51:32 | 0:51:35 | |
I mean, how much would something like that weigh? | 0:51:35 | 0:51:38 | |
Three-mil sterling? Yeah. | 0:51:38 | 0:51:39 | |
In 500 euro notes? Two, maybe three bags of sugar. | 0:51:39 | 0:51:43 | |
It really could be anywhere. | 0:51:43 | 0:51:45 | |
Only we're not allowed anywhere near them to follow it up. | 0:51:45 | 0:51:48 | |
That sucks. | 0:51:49 | 0:51:50 | |
RECORDING REWINDS | 0:51:52 | 0:51:54 | |
'We're sitting on a fortune. Yes. We are.' | 0:51:54 | 0:51:58 | |
RECORDING REWINDS | 0:51:58 | 0:52:00 | |
'We're sitting on a fortune. Yes. We are.' | 0:52:00 | 0:52:05 | |
RECORDING REWINDS | 0:52:05 | 0:52:08 | |
'We're sitting on a fortune. Yes. We are.' | 0:52:08 | 0:52:13 | |
RECORDING REWINDS | 0:52:14 | 0:52:15 | |
'We're sitting on a fortune. Yes. We are.' | 0:52:15 | 0:52:20 | |
She's laughing at us. At him. | 0:52:22 | 0:52:24 | |
Hello, someone's got another hunch. | 0:52:24 | 0:52:27 | |
The last one got us arrested. Just saying. | 0:52:27 | 0:52:30 | |
'We're sitting on a fortune. Yes, we are.' | 0:52:31 | 0:52:35 | |
'We're sitting on a fortune. Yes, we are.' | 0:52:36 | 0:52:40 | |
The money. It's in the house. Exactly. | 0:52:40 | 0:52:44 | |
Look. Look at her face. In that second there, she can't resist it. | 0:52:44 | 0:52:48 | |
A private joke...with herself. | 0:52:48 | 0:52:50 | |
You know, we finally crack it, we hunt down the money | 0:52:50 | 0:52:53 | |
and the minute we do, we have to just walk away. | 0:52:53 | 0:52:55 | |
That is perfect. That's...that's brilliant. | 0:52:55 | 0:52:58 | |
Well, no, no, hang on. Why don't we just bowl in there, | 0:52:58 | 0:53:00 | |
rip up some floorboards, find the money, done? | 0:53:00 | 0:53:02 | |
We can't. They're untouchable. | 0:53:02 | 0:53:05 | |
You said that with a serious face. | 0:53:05 | 0:53:07 | |
Sorry, guys. | 0:53:07 | 0:53:08 | |
FIRE ALARM BEEPS | 0:53:32 | 0:53:35 | |
Sal. Hmm? | 0:53:35 | 0:53:36 | |
Sal? Hmm? | 0:53:36 | 0:53:37 | |
HE COUGHS | 0:53:43 | 0:53:45 | |
Fire! Oh, help me! | 0:53:45 | 0:53:48 | |
OK, Sal, don't worry. Don't worry. Do something! | 0:53:48 | 0:53:51 | |
HE CONTINUES COUGHING | 0:53:51 | 0:53:54 | |
Got to get out of here! | 0:53:54 | 0:53:55 | |
Put this on your head now. For the smoke. | 0:53:57 | 0:54:01 | |
Give me your hand. Give me your hand. Now don't let go. | 0:54:01 | 0:54:04 | |
OK, come on! | 0:54:04 | 0:54:07 | |
It's coming from downstairs. I can't see a thing. | 0:54:07 | 0:54:11 | |
Keep your head down. Don't let go of me, please. | 0:54:11 | 0:54:13 | |
The whole place has gone up. God, it's everywhere. | 0:54:13 | 0:54:16 | |
Everywhere. | 0:54:16 | 0:54:19 | |
Please, let's get out. Out. Out. | 0:54:19 | 0:54:21 | |
SIRENS BLARE | 0:54:21 | 0:54:23 | |
HE PANTS AND WRETCHES | 0:54:25 | 0:54:27 | |
No! | 0:54:33 | 0:54:35 | |
Sally, what? | 0:54:35 | 0:54:37 | |
The sodding money! | 0:54:37 | 0:54:38 | |
Sally, no! No! No, Sally! | 0:54:38 | 0:54:41 | |
ALARM CONTINUES BEEPING | 0:54:41 | 0:54:44 | |
Help! Help me! My wife! She's inside! | 0:54:46 | 0:54:48 | |
Whereabouts? I don't know. She just went inside. | 0:54:48 | 0:54:50 | |
Stay there. Please help... | 0:54:50 | 0:54:52 | |
ORNAMENT SHATTERS | 0:54:52 | 0:54:55 | |
SHE COUGHS | 0:54:58 | 0:55:00 | |
SHE GASPS | 0:55:07 | 0:55:09 | |
Get off me! | 0:55:18 | 0:55:20 | |
I got it. I got it, Laurence. I got all of it! | 0:55:20 | 0:55:23 | |
I don't understand. This was in the house all the time? | 0:55:23 | 0:55:26 | |
And you didn't tell me? | 0:55:26 | 0:55:28 | |
SHE BABBLES FRANTICALLY | 0:55:28 | 0:55:30 | |
Please! Just do it properly! Just get this sorted out. | 0:55:53 | 0:55:57 | |
SALLY LAUGHS | 0:55:57 | 0:55:59 | |
You gave me your word. | 0:56:34 | 0:56:36 | |
Which I kept. I didn't go anywhere near the Walkers, | 0:56:36 | 0:56:39 | |
carry out any surveillance or step foot inside their house. | 0:56:39 | 0:56:42 | |
By the skin of your teeth, Mr Quinn. | 0:56:42 | 0:56:45 | |
It all counts. | 0:56:45 | 0:56:47 | |
World exclusive. | 0:56:54 | 0:56:56 | |
The papers show the money trail. You can thank me over dinner. | 0:56:59 | 0:57:02 | |
My God. | 0:57:02 | 0:57:04 | |
How? | 0:57:04 | 0:57:06 | |
Darling? | 0:57:06 | 0:57:07 | |
Who exactly are you? Erm... | 0:57:07 | 0:57:09 | |
Who's this? | 0:57:09 | 0:57:11 | |
Oh, er, Jamie, this is erm... | 0:57:11 | 0:57:14 | |
Nobody. I'm nobody. | 0:57:14 | 0:57:16 | |
GUNSHOT | 0:57:40 | 0:57:42 | |
Ahmed Demeer. | 0:57:42 | 0:57:43 | |
You're a murdering bastard. | 0:57:43 | 0:57:44 | |
What was he told? To let a murderer walk free. | 0:57:44 | 0:57:47 | |
Why? National security. | 0:57:47 | 0:57:49 | |
You remember that call we talked about? Time to make it. | 0:57:49 | 0:57:52 | |
Charles Napier, Intelligence Service. | 0:57:52 | 0:57:54 | |
Can you get me out of this? | 0:57:54 | 0:57:55 | |
Well, that depends on how good your information is. | 0:57:55 | 0:57:57 | |
Is it right that Ahmed's reward is freedom? | 0:57:57 | 0:57:59 | |
Once he's grassed and MI5 have got their men, | 0:57:59 | 0:58:01 | |
we'll take Ahmed away and see that he faces justice. | 0:58:01 | 0:58:04 | |
Who are you working for? SHE SCREAMS | 0:58:04 | 0:58:07 | |
We need to push it to an 11 on the persuasion scale. | 0:58:07 | 0:58:09 | |
This is a 12. | 0:58:09 | 0:58:10 | |
This guy is informing on terrorists in order to stay out of jail. | 0:58:10 | 0:58:13 | |
What can we possibly throw at him that'll make him want to confess? | 0:58:13 | 0:58:16 | |
HE ROARS Mehmet, put the knife down! Ahmed! | 0:58:16 | 0:58:19 | |
ENGINE ROARS Get down! | 0:58:19 | 0:58:20 | |
TYRES SCREECH | 0:58:20 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:43 | 0:58:46 |