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All right, mate? | 0:00:33 | 0:00:35 | |
Four kilos, as usual. | 0:00:37 | 0:00:38 | |
BIRD SINGS | 0:00:45 | 0:00:47 | |
Do you know this kind of bird? | 0:00:48 | 0:00:52 | |
The blackbird. | 0:00:52 | 0:00:53 | |
Hear the way they chatter? | 0:00:55 | 0:00:57 | |
That is them screaming a warning to their families. | 0:00:58 | 0:01:01 | |
Right. | 0:01:03 | 0:01:04 | |
This is a lot of noise for just two people. | 0:01:14 | 0:01:17 | |
ON RADIO: 'Suspect's car tracked | 0:01:22 | 0:01:24 | |
'to the north entrance of Epping Forest.' | 0:01:24 | 0:01:26 | |
DOGS BARK | 0:01:26 | 0:01:28 | |
'Suspect's car tracked to the North entrance of Epping Forest.' | 0:01:28 | 0:01:31 | |
I was looking for my dog. I didn't see anything, I promise! | 0:01:40 | 0:01:44 | |
Stay where you are. | 0:01:46 | 0:01:47 | |
Stay there! Shit! | 0:01:49 | 0:01:51 | |
Put your hands where we can see them. | 0:01:51 | 0:01:53 | |
I won't say anything. Go... | 0:01:53 | 0:01:55 | |
On my kids' lives. Go. | 0:01:55 | 0:01:59 | |
GUNSHOT | 0:02:04 | 0:02:06 | |
Shots fired. What was that? | 0:02:07 | 0:02:09 | |
DOGS BARK | 0:02:18 | 0:02:20 | |
Check his pulse, turn him over. | 0:02:39 | 0:02:41 | |
Armed police! Stop still! | 0:03:13 | 0:03:16 | |
On your knees, down! Down! | 0:03:16 | 0:03:18 | |
Stay where you are! Down, now! | 0:03:18 | 0:03:22 | |
Don't move! | 0:03:22 | 0:03:24 | |
Now, I want my call. | 0:03:30 | 0:03:32 | |
TELEPHONE RINGS | 0:03:33 | 0:03:35 | |
Hello? 'Hello. Tanya...' | 0:03:36 | 0:03:38 | |
It's Ahmed. I'm at Epping police station. | 0:03:38 | 0:03:41 | |
'Say nothing. I'll be right there.' | 0:03:41 | 0:03:44 | |
'It's bad. | 0:03:44 | 0:03:45 | |
'You remember that call we talked about?' | 0:03:45 | 0:03:48 | |
Napier? | 0:03:48 | 0:03:49 | |
Time to make it. | 0:03:49 | 0:03:51 | |
Charles Napier. Intelligence Service. | 0:04:03 | 0:04:06 | |
Thank you for rearranging your schedule, Chief Constable. | 0:04:06 | 0:04:09 | |
This is an extraordinary request. | 0:04:09 | 0:04:11 | |
I have to say, it doesn't sit easily. | 0:04:11 | 0:04:13 | |
I'm, er, anxious to ensure we've explored every angle before we make a decision. | 0:04:13 | 0:04:18 | |
But if you don't have enough evidence on Ahmed Demir, | 0:04:20 | 0:04:24 | |
then we have to take him. | 0:04:24 | 0:04:25 | |
You heard the shots, found the body and assumed it was suicide? | 0:04:56 | 0:05:00 | |
Er, he...he...he had that look about him. | 0:05:02 | 0:05:05 | |
Sad sack. | 0:05:07 | 0:05:09 | |
Shot himself in the back three times, did he? | 0:05:09 | 0:05:11 | |
There was no gun found by the body. How do you explain that? | 0:05:11 | 0:05:14 | |
15-minute pursuit...out of visual contact. | 0:05:16 | 0:05:19 | |
A search would need to cover hundreds of acres. | 0:05:19 | 0:05:22 | |
We don't have the manpower. | 0:05:22 | 0:05:24 | |
So the gun is effectively lost? | 0:05:24 | 0:05:26 | |
Yes. | 0:05:26 | 0:05:27 | |
We have gunpowder on your clothes, on your hands... | 0:05:27 | 0:05:30 | |
As I have explained, residue may have rubbed off the deceased | 0:05:30 | 0:05:33 | |
as my client attempted to revive him. | 0:05:33 | 0:05:35 | |
Why didn't he call a paramedic? | 0:05:35 | 0:05:36 | |
Patchy signal. I need...to change networks. | 0:05:36 | 0:05:40 | |
You look like you moonlight as a mobile phone salesman. | 0:05:40 | 0:05:44 | |
Talk tariffs to me. | 0:05:46 | 0:05:47 | |
Tell me what you did with the gun? | 0:05:47 | 0:05:51 | |
Could you secure a conviction? | 0:05:51 | 0:05:52 | |
Because if you can, I will happily walk out of here. | 0:05:55 | 0:05:58 | |
Without the gun, it's 50/50. | 0:05:58 | 0:06:00 | |
I will get the truth out of you. | 0:06:02 | 0:06:04 | |
You obviously don't know me. | 0:06:04 | 0:06:06 | |
Sir? Who's this? | 0:06:12 | 0:06:14 | |
DCI Whale. | 0:06:14 | 0:06:15 | |
What's going on, sir? | 0:06:17 | 0:06:19 | |
We've got to let him go. | 0:06:19 | 0:06:20 | |
MI5 are going to take it from here. | 0:06:22 | 0:06:24 | |
He had kids. He had two kids! You're a murdering bastard. | 0:06:24 | 0:06:27 | |
He's spitting! A tissue. | 0:06:27 | 0:06:29 | |
This is bullshit! | 0:06:31 | 0:06:33 | |
Would you excuse me? | 0:06:35 | 0:06:36 | |
So...you finally pressed the button? | 0:06:39 | 0:06:43 | |
Can you get me out of this? | 0:06:43 | 0:06:45 | |
Well, that depends on how good your information is. | 0:06:45 | 0:06:48 | |
Money men. Three. Pumping cash into two active cells. | 0:06:50 | 0:06:54 | |
Did you have a coat? | 0:07:00 | 0:07:02 | |
Oh, that's you. That's 30 quid, Jack. | 0:07:21 | 0:07:25 | |
Wow! 30 quid, change. | 0:07:25 | 0:07:28 | |
Ooh! Got an admirer, Jess? | 0:07:30 | 0:07:33 | |
Maybe. It's for later. | 0:07:33 | 0:07:35 | |
What you got in there? A head? Hey! Let's have a look. | 0:07:35 | 0:07:38 | |
You said I could handle this one on my own, so back off! | 0:07:38 | 0:07:41 | |
Come on, your go. I want to buy Mayfair off you. | 0:07:41 | 0:07:43 | |
Ha-ha, dream on. I'm putting houses there. | 0:07:43 | 0:07:45 | |
What with? You're broke. I'll give you Bond Street and Oxford Street as well. No. | 0:07:45 | 0:07:50 | |
Bond Street, Oxford Street and a grand to go shopping with. | 0:07:50 | 0:07:53 | |
Ooh... | 0:07:53 | 0:07:54 | |
No. | 0:07:54 | 0:07:56 | |
That is not a good call. | 0:07:56 | 0:07:58 | |
Well, it's a seller's market, what can I say. | 0:07:58 | 0:08:00 | |
Sometimes I worry about your decision-making skills. Hello. | 0:08:00 | 0:08:03 | |
Are you busy? 'I'm in the middle of a major property deal,' | 0:08:03 | 0:08:06 | |
but it can wait. 'Where can you meet?' | 0:08:06 | 0:08:08 | |
How about the Old Kent Road? | 0:08:08 | 0:08:10 | |
There's a car park by the gas works. | 0:08:10 | 0:08:12 | |
'Yeah, give me half an hour.' See you there. | 0:08:12 | 0:08:15 | |
Old Kent Road, eh, Jack? Think you've found your natural home. | 0:08:15 | 0:08:18 | |
Why don't you leave Mayfair...to me? | 0:08:18 | 0:08:21 | |
I'll get it off you one way or another. | 0:08:21 | 0:08:24 | |
Recorded yesterday. | 0:08:25 | 0:08:26 | |
Technically, it should have been destroyed. | 0:08:28 | 0:08:30 | |
'Patchy signal. I need to change networks. | 0:08:30 | 0:08:34 | |
'So what did you do with the gun?' | 0:08:37 | 0:08:39 | |
He looks agitated. | 0:08:41 | 0:08:42 | |
'So, who's this?' | 0:08:44 | 0:08:45 | |
Who's that? | 0:08:45 | 0:08:47 | |
Charles Napier, senior MI5 Officer. | 0:08:48 | 0:08:51 | |
'He had kids, he had two kids. You're a murdering bastard. Relax.' | 0:08:51 | 0:08:55 | |
What was he told? | 0:08:55 | 0:08:57 | |
To let a murderer walk free. | 0:08:57 | 0:09:00 | |
Why? National security. | 0:09:00 | 0:09:02 | |
Shred these, Dom. | 0:09:04 | 0:09:06 | |
'Once the national security button is pressed, | 0:09:06 | 0:09:09 | |
'the law as most people understand it goes out the window. | 0:09:09 | 0:09:11 | |
'Cases are closed, evidence disposed of. | 0:09:11 | 0:09:14 | |
'It's game over for the usual routes to justice. | 0:09:14 | 0:09:16 | |
'Which is why I thought of you. | 0:09:16 | 0:09:18 | |
'He must be offering something substantial to be able to walk away from a murder.' | 0:09:18 | 0:09:22 | |
He claims to know money men supplying terrorist cells. | 0:09:22 | 0:09:25 | |
He's going to inform on them. | 0:09:25 | 0:09:27 | |
Well, we can't go near that. | 0:09:27 | 0:09:29 | |
No, no, of course not. | 0:09:29 | 0:09:30 | |
But once those men have been picked up, what then? | 0:09:30 | 0:09:33 | |
Is it right that Ahmed's reward is freedom? | 0:09:36 | 0:09:39 | |
Don't have lunch before you read this. It's ugly. | 0:09:41 | 0:09:44 | |
I'll tell you something about Cauli. | 0:09:47 | 0:09:50 | |
Yes, he was tough when he had to be, | 0:09:50 | 0:09:52 | |
but underneath that 22-stone frame beat the heart of a little lamb. | 0:09:52 | 0:09:57 | |
It's a shame that heart had to pack up. | 0:09:58 | 0:10:01 | |
Night-night, big man... | 0:10:03 | 0:10:04 | |
Ain't this a bit mean? | 0:10:09 | 0:10:11 | |
Put a 17-year-old in a coma. | 0:10:12 | 0:10:14 | |
Glassed a landlord. | 0:10:14 | 0:10:16 | |
She bit a man's nose right off. | 0:10:17 | 0:10:19 | |
Fair dos. You were supposed to leave this to me. I am. | 0:10:19 | 0:10:22 | |
MOBILE PHONE BUZZES | 0:10:26 | 0:10:27 | |
Hold up, stop the music. | 0:10:31 | 0:10:34 | |
Which one of yous thinks it's funny sending messages from a dead man's phone? | 0:10:35 | 0:10:39 | |
MUTTERING | 0:10:39 | 0:10:41 | |
I ain't strumming on a banjo here, who sent it? | 0:10:41 | 0:10:44 | |
Is this someone's idea of a joke? We should go. Yeah. | 0:10:48 | 0:10:52 | |
Cauli? | 0:10:52 | 0:10:53 | |
You're supposed to be dead. Word went out. | 0:10:53 | 0:10:56 | |
People have come from all over for this day. | 0:10:56 | 0:10:59 | |
Oh, bollocks! | 0:10:59 | 0:11:01 | |
Nobody move, nobody move! | 0:11:01 | 0:11:04 | |
Don't let anyone out. | 0:11:05 | 0:11:07 | |
All right, all right. | 0:11:07 | 0:11:09 | |
Now I know what was in the box. Nice touch. | 0:11:09 | 0:11:12 | |
Well, we had to be convincing. | 0:11:12 | 0:11:14 | |
Oh, Vicar. | 0:11:14 | 0:11:16 | |
Out of order! It's emotional entrapment! | 0:11:16 | 0:11:18 | |
What are you doing here anyway? Don't you trust me? | 0:11:20 | 0:11:23 | |
Arthur Rose. 55. One of life's quiet ones. | 0:11:25 | 0:11:28 | |
He's dead and the killer walks free. Got a name? | 0:11:28 | 0:11:31 | |
Ahmed Demir. Career gangster. Born in Turkey. | 0:11:31 | 0:11:36 | |
This was the guy that took human trafficking to the next level. | 0:11:36 | 0:11:39 | |
He controlled haulage firms, paid off border agencies | 0:11:39 | 0:11:42 | |
and made lots of money by piling them high and selling them cheap. | 0:11:42 | 0:11:45 | |
And when you do that, you get lots of what he liked to call "spoilage". | 0:11:45 | 0:11:49 | |
Suffocation, dehydration. Young women, children, families. | 0:11:51 | 0:11:56 | |
All sold the dream of a better life. | 0:11:56 | 0:11:58 | |
Why's this guy not getting a kicking in some prison canteen somewhere? | 0:11:58 | 0:12:01 | |
He was never close enough to the action. | 0:12:01 | 0:12:03 | |
Left all the dirty work to his deputies. | 0:12:03 | 0:12:05 | |
Most of whom are now locked up. | 0:12:05 | 0:12:07 | |
When trafficking got too messy for Ahmed, he moved into drugs. | 0:12:07 | 0:12:11 | |
This is Arthur Rose, 55-year-old family man, | 0:12:12 | 0:12:15 | |
recently witnessed a drug deal in Epping Forest. | 0:12:15 | 0:12:17 | |
And Ahmed...shot him three times in the back. | 0:12:17 | 0:12:21 | |
I'm in. Where is he? | 0:12:23 | 0:12:25 | |
No idea. See, Ahmed's a canny piece of crap. | 0:12:25 | 0:12:27 | |
During the trafficking trial, | 0:12:27 | 0:12:29 | |
he established contacts with the security services. | 0:12:29 | 0:12:31 | |
He teased them with knowledge of terrorist cells and financiers. | 0:12:31 | 0:12:35 | |
MI5 were interested, naturally, which effectively gave him | 0:12:35 | 0:12:37 | |
a get out of jail free card. Ooh, that's ironic. | 0:12:37 | 0:12:41 | |
Yes, thanks, TomTom. | 0:12:41 | 0:12:42 | |
Surely you can't just walk out on a murder, though. | 0:12:42 | 0:12:45 | |
The police couldn't find the gun. | 0:12:45 | 0:12:46 | |
A conviction wasn't guaranteed and in situations like that, | 0:12:46 | 0:12:49 | |
if the informant's information's good enough, you can walk out on anything. | 0:12:49 | 0:12:52 | |
So he's under the protection of MI5? Yes. | 0:12:52 | 0:12:55 | |
Which is going to make him very hard to find. That's right. | 0:12:55 | 0:12:58 | |
There'll be a protection officer covering his tracks, | 0:12:58 | 0:13:01 | |
deleting his online life, taking him completely off the grid. | 0:13:01 | 0:13:04 | |
And once he's grassed and MI5 have got their men, | 0:13:04 | 0:13:07 | |
we're going to take Ahmed away and see that he faces justice. | 0:13:07 | 0:13:09 | |
For emergencies only. Pay-as-you-go SIM. | 0:13:13 | 0:13:15 | |
What's the emergency? | 0:13:18 | 0:13:19 | |
My brief told me to call every day. | 0:13:21 | 0:13:23 | |
You lot might take me out and kill me, for all I know. | 0:13:23 | 0:13:26 | |
But the case has been closed. | 0:13:26 | 0:13:28 | |
We'll get it reopened. Only this time we will guarantee a conviction. | 0:13:28 | 0:13:31 | |
How? There's no gun. We'll get him to confess. | 0:13:31 | 0:13:33 | |
Hang on, this guy is informing on terrorists in order to stay out of jail, right? | 0:13:33 | 0:13:37 | |
What can we possibly throw at him that'll make him want to confess? | 0:13:37 | 0:13:40 | |
Let's not get ahead of ourselves, Miss Jones. | 0:13:40 | 0:13:43 | |
The first thing we need to do is find out where he is. | 0:13:43 | 0:13:47 | |
Let's start with his solicitor. | 0:13:48 | 0:13:50 | |
I don't want 'em, Tanya. They're little bastards. | 0:13:58 | 0:14:00 | |
But their dads don't want to know. What am I supposed to do? | 0:14:00 | 0:14:03 | |
Well, as I said, I'm not a family lawyer. | 0:14:03 | 0:14:06 | |
Yes, but you're a lawyer, ain't ya? | 0:14:06 | 0:14:08 | |
I'm a criminal solicitor. Yeah, well, I'm going to do something criminal | 0:14:08 | 0:14:11 | |
if those kids don't shut up. | 0:14:11 | 0:14:12 | |
Do you know Jeremy Kyle? | 0:14:14 | 0:14:15 | |
What are you doing? Just looking to see what games you've got. | 0:14:18 | 0:14:21 | |
Latisha loves games, don't you, babe? You shouldn't have been let in here. | 0:14:21 | 0:14:25 | |
I'm going to have to ask you to leave. Uh-oh! Tanya? | 0:14:25 | 0:14:28 | |
Nadal looks like he needs to go for a little piddle. | 0:14:28 | 0:14:31 | |
Well, the loos are just outside! | 0:14:31 | 0:14:32 | |
I ain't taking him. I took him earlier this morning. | 0:14:32 | 0:14:35 | |
Nadal, I told you not to drink so much Coke, didn't I! | 0:14:35 | 0:14:38 | |
This nice lady's not going to like it | 0:14:38 | 0:14:40 | |
if you go piddling all over her sofa now, is she? | 0:14:40 | 0:14:42 | |
He done a litre of the stuff. | 0:14:42 | 0:14:44 | |
Oh, God! | 0:14:44 | 0:14:45 | |
This is what I like about you. | 0:15:17 | 0:15:19 | |
You do things in style. | 0:15:22 | 0:15:24 | |
Shall we get to work, Ahmed? | 0:15:25 | 0:15:27 | |
Ah, I feel dirty. | 0:15:27 | 0:15:30 | |
Just give me two hours, I'll take a shower, | 0:15:30 | 0:15:34 | |
have some sleep, er...later. | 0:15:34 | 0:15:37 | |
I think you sold your soul the minute you walked out of that police station. | 0:15:37 | 0:15:41 | |
You don't get to mess us around any more. Take a seat. | 0:15:42 | 0:15:46 | |
This will all be over, in a moment. | 0:16:03 | 0:16:07 | |
'Jess, how's it going?' | 0:16:15 | 0:16:17 | |
Discovered anything? 'Yeah. I don't want kids.' | 0:16:18 | 0:16:21 | |
Where d'you get them from anyway? | 0:16:21 | 0:16:22 | |
Oh, a couple of Polish au pairs owed me a favour. | 0:16:22 | 0:16:25 | |
'Oh, stop. I don't want to know. | 0:16:25 | 0:16:27 | |
'All right, I've got Ahmed's legal file, | 0:16:27 | 0:16:29 | |
'but I missed an opportunity to get his phone number.' | 0:16:29 | 0:16:33 | |
No, there's no address here. | 0:16:33 | 0:16:35 | |
'It's new information. She may have jotted it down on a pad? Post-It notes? | 0:16:35 | 0:16:39 | |
Yeah. Shopping list, call Mum, collect dry cleaning... | 0:16:39 | 0:16:43 | |
No, there's nothing here. | 0:16:43 | 0:16:45 | |
What about an email. Can you clone the hard drive? Yeah. On it. | 0:16:45 | 0:16:49 | |
You have a good poker face. You play? | 0:17:22 | 0:17:25 | |
Goodbye, Ahmed. | 0:17:25 | 0:17:27 | |
OK...all right. | 0:17:29 | 0:17:32 | |
New identity, cash, a car and relocation - | 0:17:51 | 0:17:55 | |
preferably back to Turkey. | 0:17:55 | 0:17:57 | |
This country is a...a shithole. | 0:17:57 | 0:18:00 | |
Let it go. | 0:18:00 | 0:18:02 | |
You...you have responsibility to look after me. | 0:18:05 | 0:18:08 | |
I am making a big personal sacrifice to give you this information. | 0:18:09 | 0:18:13 | |
And I should be duly rewarded. | 0:18:13 | 0:18:16 | |
Look after him. | 0:18:20 | 0:18:21 | |
Come on, come on. | 0:18:27 | 0:18:28 | |
'Are you done yet, Jess?' | 0:18:28 | 0:18:30 | |
Hold on a minute, Jack. I've just got to strangle this child. | 0:18:30 | 0:18:33 | |
Where d'you get this? | 0:18:38 | 0:18:40 | |
You, my cheeky little friend, could have a future with us. | 0:18:41 | 0:18:45 | |
We didn't make it. | 0:18:59 | 0:19:01 | |
Oh, dear! All right, come on, kids. | 0:19:01 | 0:19:04 | |
Come on, sweetheart, come on, out you go. | 0:19:04 | 0:19:07 | |
Thanks so much, Tanya. Off we go. | 0:19:07 | 0:19:10 | |
OK, it's a pay-as-you-go SIM. | 0:19:29 | 0:19:30 | |
Used once to call Rhodes Legal Chambers. Perfect. | 0:19:30 | 0:19:35 | |
That should be quite easy to triangulate his position. | 0:19:35 | 0:19:38 | |
I thought you couldn't find anything. Where d'you get the number? Oh, well, | 0:19:38 | 0:19:41 | |
um...obviously, Thomas and I, | 0:19:41 | 0:19:43 | |
we went through all the data that was on the hard drive. | 0:19:43 | 0:19:46 | |
And there was a lot encrypted, but... | 0:19:46 | 0:19:48 | |
A kid stuck it to her arse. | 0:19:48 | 0:19:50 | |
Well, you were in the right place at the right time, then. Charlie! | 0:19:50 | 0:19:53 | |
What? I was going to sell you my train stations. | 0:19:53 | 0:19:56 | |
Hacking the call towers now. | 0:19:56 | 0:19:58 | |
Dropping in. | 0:20:00 | 0:20:00 | |
We have ourselves a location - Centenary Plaza. | 0:20:02 | 0:20:04 | |
What do we know about it? | 0:20:04 | 0:20:06 | |
We know that it is a new build - 2012. | 0:20:06 | 0:20:09 | |
"Space and freedom in the heart of the city." Blah, blah, blah. | 0:20:09 | 0:20:15 | |
Aspirational bollocks. | 0:20:15 | 0:20:16 | |
So not that much freedom, cos it's got a state-of-the-art security system. | 0:20:16 | 0:20:20 | |
Access via electronic key cards. | 0:20:20 | 0:20:23 | |
OK, so we find a way in and swipe a skeleton card from reception. | 0:20:23 | 0:20:27 | |
Mm-hm. Or... | 0:20:27 | 0:20:29 | |
WHIRRING | 0:20:30 | 0:20:32 | |
Wait. | 0:20:34 | 0:20:35 | |
Wait... | 0:20:38 | 0:20:40 | |
Bloody thing. Oop, there it is. | 0:20:40 | 0:20:41 | |
I think you'll find that should get you in. | 0:20:43 | 0:20:45 | |
HE WHISTLES | 0:21:13 | 0:21:15 | |
Very nice. | 0:21:17 | 0:21:18 | |
Oh, I'm coming over all copper, Jack. | 0:21:23 | 0:21:25 | |
I'm telling you, I want to bag everything up. | 0:21:25 | 0:21:27 | |
Yeah, well, fight it. | 0:21:27 | 0:21:29 | |
If we're going to get him from MI5 smoothly, | 0:21:29 | 0:21:31 | |
we need to know all we can. He likes a game of cards then. | 0:21:31 | 0:21:35 | |
These are professional cards. | 0:21:35 | 0:21:37 | |
How do you know that? The weight. | 0:21:37 | 0:21:39 | |
MOBILE PHONE RINGS | 0:21:39 | 0:21:41 | |
'Jess?' | 0:21:42 | 0:21:43 | |
He's on his way back. One with. | 0:21:43 | 0:21:46 | |
Ah, OK, OK. Shit! What's going on? They're coming back. | 0:21:46 | 0:21:50 | |
Let's go. | 0:21:50 | 0:21:51 | |
Wait. We need to stay, we want to know the handler as well. | 0:21:55 | 0:21:59 | |
Are you serious? | 0:21:59 | 0:22:01 | |
What piece were you again on that Monopoly board? The chicken? | 0:22:01 | 0:22:04 | |
There's no chicken on a Monopoly board, Jack! | 0:22:04 | 0:22:06 | |
VOICES OUTSIDE | 0:22:06 | 0:22:09 | |
..I need to see some life. | 0:22:09 | 0:22:10 | |
We've been out. You've seen some life. | 0:22:10 | 0:22:13 | |
A walk around the park? | 0:22:13 | 0:22:15 | |
What are you trying to do, bore me to death? | 0:22:15 | 0:22:18 | |
I want to go out properly. | 0:22:20 | 0:22:21 | |
I'll talk to the chief | 0:22:21 | 0:22:23 | |
and see if we can find you a quiet pub or something to go to tomorrow. | 0:22:23 | 0:22:27 | |
Pub? Do I look like a quiet pub kind of man? | 0:22:27 | 0:22:30 | |
Just relax, Ahmed, OK? | 0:22:30 | 0:22:32 | |
I want to play some cards, roll some dice. | 0:22:33 | 0:22:37 | |
What about the... | 0:22:37 | 0:22:39 | |
the casino we passed? | 0:22:39 | 0:22:40 | |
If we go around six, it will be quiet. | 0:22:40 | 0:22:43 | |
Napier told you to look after me. | 0:22:43 | 0:22:45 | |
The situation is delicate at the moment. You need to stay safe. | 0:22:45 | 0:22:48 | |
Aha, I get it. Going in on them, huh? | 0:22:48 | 0:22:53 | |
The raid's tonight, maybe after that we could consider it. | 0:22:53 | 0:22:57 | |
I'm up on the secure comms. | 0:23:07 | 0:23:09 | |
They've tracked the financiers to a Turkish coffee shop from the information Ahmed provided. | 0:23:09 | 0:23:14 | |
And they're in position. Police? | 0:23:14 | 0:23:16 | |
Special forces. Two units. Armed to the teeth, by the sounds of it. | 0:23:16 | 0:23:20 | |
There's going to be fireworks. | 0:23:20 | 0:23:22 | |
Codes going out. | 0:23:22 | 0:23:24 | |
Response from chain of command coming in... | 0:23:26 | 0:23:28 | |
Go from silver... | 0:23:28 | 0:23:31 | |
Go from gold. | 0:23:31 | 0:23:33 | |
EXPLOSION Ah, you...! What is it? | 0:23:33 | 0:23:35 | |
A stun grenade going off in my ear. | 0:23:35 | 0:23:38 | |
CONFUSED SHOUTING AND SCREAMING | 0:23:38 | 0:23:41 | |
SHOUTING AND SCREAMING CONTINUES | 0:23:47 | 0:23:49 | |
SOUND CUTS OUT | 0:23:51 | 0:23:52 | |
They cut the feed. So it's done? | 0:23:52 | 0:23:55 | |
Get some rest. | 0:23:55 | 0:23:57 | |
If the raid was successful, tomorrow is going to be a hectic day. | 0:23:57 | 0:24:01 | |
Morning. | 0:24:19 | 0:24:20 | |
Two terrorist financiers. No active cells. | 0:24:20 | 0:24:23 | |
Helen says MI5 are "satisfied", | 0:24:23 | 0:24:26 | |
but it's hardly the capture of Bin Laden. | 0:24:26 | 0:24:28 | |
So no loose ends? No. So... | 0:24:28 | 0:24:31 | |
we're up? Yes, we are. | 0:24:31 | 0:24:33 | |
Ladies and gentlemen, say hello to Mehmet Aybar. | 0:24:33 | 0:24:37 | |
Hello, Mehmet Aybar. Mehmet was Ahmed's oldest friend. | 0:24:37 | 0:24:41 | |
He ran a haulage firm that used to ship people throughout Europe. | 0:24:41 | 0:24:45 | |
He's no saint by any means, but he's not the trafficking mastermind he was painted as in court. | 0:24:45 | 0:24:49 | |
He was set up. By Ahmed. | 0:24:49 | 0:24:51 | |
Mehmet and Ahmed were like brothers, so the betrayal was huge. | 0:24:51 | 0:24:56 | |
Now, if anyone was going to terrify Ahmed into complying, | 0:24:56 | 0:24:59 | |
I'm guessing it might be his oldest, dearest, most betrayed pal. | 0:24:59 | 0:25:02 | |
So, we lift Ahmed from MI5, | 0:25:02 | 0:25:05 | |
we take him somewhere quiet, wind him up a bit, | 0:25:05 | 0:25:08 | |
then we bring in Mehmet to er...guarantee that confession. | 0:25:08 | 0:25:11 | |
You've just got one little problem there, Jack. | 0:25:11 | 0:25:14 | |
Mehmet's doing 25 years inside. | 0:25:14 | 0:25:17 | |
Yes, well, like I said... | 0:25:17 | 0:25:20 | |
Today is going to be a hectic day. | 0:25:20 | 0:25:22 | |
There's a 30-foot wall running round the perimeter. | 0:25:24 | 0:25:27 | |
Mehmet is held here, D wing - | 0:25:27 | 0:25:29 | |
the most secure section in the prison. How many gates and locks between here and freedom? | 0:25:29 | 0:25:33 | |
37. Plus an automatic lockdown system. Plus 55 prison officers. | 0:25:33 | 0:25:37 | |
Plus four feet of steel. | 0:25:37 | 0:25:39 | |
Not impossible then? Piece of cake. | 0:25:39 | 0:25:41 | |
I can lay my hands on nine pounds of Semtex and a helicopter. | 0:25:41 | 0:25:43 | |
Would we get the helicopter back in one piece? | 0:25:43 | 0:25:45 | |
I wouldn't want to make that promise. | 0:25:45 | 0:25:47 | |
Helen will bollock me for misuse of resources. | 0:25:47 | 0:25:50 | |
You're so management these days. | 0:25:50 | 0:25:51 | |
How many gates and locks between the visiting room and freedom? | 0:25:51 | 0:25:55 | |
A lot less, but how are you going to get him out from there? | 0:25:55 | 0:25:58 | |
We'll walk him out. Jess, visiting orders. | 0:25:58 | 0:26:00 | |
Charlie, car auctions - nothing too flash. | 0:26:00 | 0:26:03 | |
TomTom, I need a line into the casino's AV system between six and seven tomorrow. | 0:26:03 | 0:26:07 | |
I'll be back in a bit, I need to ask a favour. | 0:26:07 | 0:26:10 | |
Is there no other way? | 0:26:11 | 0:26:12 | |
We need to push it to an 11 on the persuasion scale. This is a 12. | 0:26:12 | 0:26:16 | |
You should see some of the other things we do. | 0:26:16 | 0:26:18 | |
Oh, I don't want to know. | 0:26:18 | 0:26:19 | |
It's just one call to the Chief Constable. | 0:26:19 | 0:26:21 | |
How did you manage to arrest so many in one day? | 0:26:27 | 0:26:30 | |
They came together for a funeral. We had a tip-off. | 0:26:30 | 0:26:33 | |
What about this one? | 0:26:33 | 0:26:34 | |
Robbie Fitchet. Low-level muscle. | 0:26:34 | 0:26:37 | |
Any previous? | 0:26:37 | 0:26:38 | |
No. He's in for assaulting a police officer during a raid. | 0:26:38 | 0:26:41 | |
He talks the talk, but actually, he isn't anybody. | 0:26:41 | 0:26:44 | |
A bit of try-hard, by the looks of it. | 0:26:44 | 0:26:46 | |
I can hear you. On a scale of one to ten, | 0:26:46 | 0:26:49 | |
how thick would you say he is? Thirteen. | 0:26:49 | 0:26:52 | |
I can still hear ya! | 0:26:52 | 0:26:53 | |
I'll take him. | 0:26:53 | 0:26:54 | |
Good build. He's a bit pasty. | 0:26:57 | 0:26:59 | |
Hmm. Fake tan? | 0:26:59 | 0:27:01 | |
Yeah, I know a place. I bet you do. | 0:27:01 | 0:27:03 | |
What's going on? | 0:27:03 | 0:27:04 | |
You have been chosen, Robbie, to take part in a special scheme. | 0:27:04 | 0:27:08 | |
We'll explain everything once you've had a fake tan. | 0:27:08 | 0:27:11 | |
We'll have to cut his hair as well. | 0:27:11 | 0:27:13 | |
What? | 0:27:13 | 0:27:14 | |
Aren't I supposed to have some sort of a trial? | 0:27:21 | 0:27:24 | |
No, see, what happens in this new scheme is, we skip all that | 0:27:24 | 0:27:26 | |
and you go straight to prison. It's the cutbacks. | 0:27:26 | 0:27:29 | |
Oh, personal effects, Robbie. | 0:27:31 | 0:27:33 | |
Sign there. | 0:27:42 | 0:27:44 | |
I haven't been to prison before. | 0:27:44 | 0:27:46 | |
Well, don't worry, you won't be in for long. | 0:27:46 | 0:27:49 | |
Now, before you, er, go into your cell, we've arranged for you | 0:27:49 | 0:27:52 | |
to have a talk with one of the inmates. | 0:27:52 | 0:27:55 | |
So he'll orientate you. All right? | 0:27:55 | 0:27:57 | |
Oh, have you not had me before? | 0:27:57 | 0:27:59 | |
I volunteer here all the time. | 0:28:00 | 0:28:02 | |
Yeah, the prison has a relationship with the church I go to. | 0:28:02 | 0:28:06 | |
Our motto is - "There's always a way back to God." | 0:28:06 | 0:28:10 | |
Yeah, I really enjoy it. | 0:28:10 | 0:28:11 | |
So far, I've had two murderers, five bank robbers, untold druggies. | 0:28:11 | 0:28:17 | |
I don't do rapists or kiddie-fiddlers. | 0:28:17 | 0:28:19 | |
They can all burn in hell as far as I'm concerned. | 0:28:19 | 0:28:21 | |
Oops, God forgive me for saying that. | 0:28:21 | 0:28:24 | |
But anyway, what about you? | 0:28:24 | 0:28:26 | |
So, remember, when you receive the sash, you follow the guards out of the room, right? | 0:28:26 | 0:28:30 | |
Hi, Charlie Williams - Justice Department. | 0:28:30 | 0:28:33 | |
This is Robbie here. Say hello, boys. | 0:28:33 | 0:28:37 | |
Lovely. Now, Robbie is part of our new scheme. | 0:28:37 | 0:28:40 | |
So I wondered if you could just give us a minute and just fill him in on your daily routine? | 0:28:40 | 0:28:44 | |
So you're not a cop? It's a grey area. | 0:28:44 | 0:28:46 | |
What do you want? | 0:28:46 | 0:28:48 | |
We're here to break you out. | 0:28:48 | 0:28:50 | |
You cold bastard! | 0:28:52 | 0:28:55 | |
I've had three of your kids and you're saying you don't know me, bitch! | 0:28:55 | 0:28:58 | |
Don't you give me that look! You know how it sends me off! | 0:28:58 | 0:29:01 | |
That's enough. What? You got nothing to say to me, have you? | 0:29:01 | 0:29:03 | |
I come all this... | 0:29:03 | 0:29:05 | |
Get your hands off me! Get your hands off! | 0:29:05 | 0:29:08 | |
OK, everyone... | 0:29:08 | 0:29:09 | |
We know you were set up. If you work with us, | 0:29:09 | 0:29:11 | |
we'll make sure Ahmed goes down for a very long time. All right. | 0:29:11 | 0:29:14 | |
Follow my lead. | 0:29:14 | 0:29:16 | |
ALARM RINGS | 0:29:16 | 0:29:18 | |
Everyone out. Visiting's over. | 0:29:18 | 0:29:21 | |
OK? I think so. | 0:29:26 | 0:29:28 | |
Just follow everyone else. You'll be fine. | 0:29:28 | 0:29:30 | |
Head count, everyone back to your cells! | 0:29:31 | 0:29:34 | |
Your personal effects, Robbie. | 0:29:40 | 0:29:42 | |
Hurry up, mate! I'm on a meter. | 0:29:48 | 0:29:49 | |
Sign there. | 0:29:55 | 0:29:57 | |
This new scheme? I'm really confused. | 0:30:18 | 0:30:21 | |
Shit! | 0:30:21 | 0:30:22 | |
ALARM RINGS | 0:30:24 | 0:30:26 | |
He didn't kill you on the way then? | 0:30:32 | 0:30:34 | |
As if. Me and Charlie can handle him. | 0:30:34 | 0:30:36 | |
Out you get. | 0:30:36 | 0:30:37 | |
It's just this way. | 0:30:41 | 0:30:43 | |
How long will Ahmed get? | 0:30:48 | 0:30:50 | |
25 to life. | 0:30:50 | 0:30:51 | |
I'll be free before him? | 0:30:53 | 0:30:54 | |
Exactly. But only if you play it the right way. | 0:30:54 | 0:30:58 | |
You just have to scare him, OK? | 0:30:58 | 0:30:59 | |
If you hurt him, the whole thing will be blown. OK. | 0:30:59 | 0:31:03 | |
What happens after? | 0:31:03 | 0:31:05 | |
You leave that to us. We have to get him first. | 0:31:05 | 0:31:07 | |
It's not going to take them long before they realise | 0:31:15 | 0:31:17 | |
their Turkish bull has been replaced | 0:31:17 | 0:31:19 | |
with a podgy bloke sporting a bad fake tan. | 0:31:19 | 0:31:22 | |
Are we in on that casino AV, TomTom? | 0:31:22 | 0:31:24 | |
Huh? Oh, yeah. | 0:31:26 | 0:31:28 | |
Great. Charlie, on Ahmed. Make sure he's casino bound. | 0:31:28 | 0:31:31 | |
Jess, pick yourself up something nice and get your hair done. | 0:31:31 | 0:31:34 | |
You taking me out, Jack? | 0:31:34 | 0:31:35 | |
No, you've let yourself go lately. Someone had to say something. | 0:31:35 | 0:31:38 | |
Ha-ha! I've wet myself laughing. Arse. | 0:31:38 | 0:31:41 | |
Jess will befriend Ahmed in the casino. | 0:31:44 | 0:31:46 | |
She'll ask one too many questions, making him suspicious. | 0:31:46 | 0:31:48 | |
Are we all good? Can't wait. Let's go. | 0:31:48 | 0:31:52 | |
Whoa, whoa, whoa, Jack? | 0:31:52 | 0:31:54 | |
Are you, er...leaving me here with the...big fella? | 0:31:54 | 0:31:58 | |
You'll be fine. | 0:31:58 | 0:32:00 | |
Mate, he keeps staring at me. | 0:32:00 | 0:32:01 | |
He's kind of making me feel a bit...uncomfortable. | 0:32:01 | 0:32:04 | |
If he tries anything, shoot him. | 0:32:07 | 0:32:09 | |
Really? | 0:32:11 | 0:32:12 | |
Huh. So just... | 0:32:16 | 0:32:19 | |
..yeah. | 0:32:20 | 0:32:22 | |
The...British public. So generous with their taxes. | 0:32:37 | 0:32:42 | |
All set. I've hacked the security main frame at the casino. | 0:32:48 | 0:32:51 | |
What have you come as? A bingo caller? No. Mobile DJ? No. | 0:33:17 | 0:33:21 | |
Gone-to-seed ballroom dancer? No! How many more of these have you got? | 0:33:21 | 0:33:24 | |
30, 40. It's Essex, innit? It's me metrosexual look. | 0:33:24 | 0:33:28 | |
Nice. OK. You know what to do, yeah? | 0:33:28 | 0:33:32 | |
If you're not happy, give us the sign, we'll be out in a flash. | 0:33:32 | 0:33:35 | |
Right? Which areas are we looking to go into? | 0:33:35 | 0:33:37 | |
We know his heart's still in Turkey. | 0:33:37 | 0:33:38 | |
He's probably feeling nostalgic after he's stitched everyone up over here. | 0:33:38 | 0:33:42 | |
Places and history. Poke those holes. OK. Don't be shy. | 0:33:42 | 0:33:45 | |
She's quite fit, isn't she? | 0:33:50 | 0:33:52 | |
I'm just saying. | 0:33:53 | 0:33:55 | |
Still alive, TomTom? | 0:34:03 | 0:34:04 | |
Very funny. Listen, Jack, he's just sat there, staring. | 0:34:04 | 0:34:09 | |
I offered him a cup of tea and he just said, "No, thank you." | 0:34:09 | 0:34:12 | |
Did it with a really funny look in his eye. | 0:34:12 | 0:34:13 | |
I think I offended him. | 0:34:13 | 0:34:15 | |
'Perhaps he wanted coffee.' | 0:34:15 | 0:34:16 | |
Relax. He's on our side. Anything on the news about the escape? | 0:34:16 | 0:34:20 | |
Not yet. I leaked the story half an hour ago. It shouldn't be long. | 0:34:20 | 0:34:23 | |
OK, as soon as it does, patch it onto the casino screens. 'Will do.' | 0:34:23 | 0:34:26 | |
You know, I could make you a cup of coffee if you'd prefer? | 0:34:28 | 0:34:31 | |
I said, no, thank you. | 0:34:31 | 0:34:33 | |
Yep. | 0:34:33 | 0:34:35 | |
Damn it! | 0:34:35 | 0:34:36 | |
Are you Turkish? | 0:34:40 | 0:34:42 | |
Uh-huh. | 0:34:42 | 0:34:44 | |
I've always wanted to go there on holiday. | 0:34:44 | 0:34:46 | |
Beautiful beaches. Ten minutes. | 0:34:46 | 0:34:48 | |
Always the beaches. | 0:34:50 | 0:34:52 | |
It is the woods you should see. | 0:34:53 | 0:34:56 | |
Oh, yeah, are they nice? No more bets, thank you. | 0:34:56 | 0:34:58 | |
Immense. | 0:34:58 | 0:34:59 | |
When I was younger, I'd hike out to Antalya with my friend. | 0:35:01 | 0:35:05 | |
We'd sleep out for days. | 0:35:07 | 0:35:09 | |
What was your friend called? | 0:35:10 | 0:35:11 | |
Mehmet. | 0:35:13 | 0:35:14 | |
Oh, Mehmet, eh? | 0:35:14 | 0:35:17 | |
And what did you and Mehmet get up to in the woods? | 0:35:17 | 0:35:20 | |
Ah, talk about the future. | 0:35:20 | 0:35:24 | |
Make traps and caches. | 0:35:24 | 0:35:26 | |
Sometimes, we'd hunt and shoot. | 0:35:26 | 0:35:30 | |
Hmm, it's a shame you can't do things like that here. | 0:35:32 | 0:35:35 | |
Ha... | 0:35:37 | 0:35:39 | |
You always have ways to get the same thrill. | 0:35:39 | 0:35:44 | |
Where's Mehmet now? | 0:35:44 | 0:35:46 | |
Why do you care? | 0:35:50 | 0:35:52 | |
No reason. | 0:35:55 | 0:35:57 | |
You ask a lot of questions. I'm just being friendly. | 0:35:57 | 0:35:59 | |
Uh-huh? Well, I'm finished. It was nice talking to you. | 0:35:59 | 0:36:03 | |
A piece of advice? Oh, go on. | 0:36:03 | 0:36:07 | |
You're a pretty girl. | 0:36:07 | 0:36:09 | |
If you spoke less, men might like you more. | 0:36:09 | 0:36:12 | |
Well, thank you for that piece of advice. | 0:36:14 | 0:36:16 | |
TV: 'And now we go live to our correspondent outside Parkway Prison. | 0:36:25 | 0:36:30 | |
'In the last few minutes, | 0:36:30 | 0:36:32 | |
'we've received reports of an audacious prison break... | 0:36:32 | 0:36:35 | |
'from Parkway Prison in East London. | 0:36:35 | 0:36:38 | |
'Mehmet Aybar, a convicted people trafficker, made it out of...' | 0:36:38 | 0:36:41 | |
MOBILE PHONE RINGS | 0:36:41 | 0:36:42 | |
Listen, we need to go. Yeah. I've just seen it. | 0:36:42 | 0:36:45 | |
'..police are describing as organised and professional, | 0:36:45 | 0:36:49 | |
'but the police have urged the public not to approach Aybar if they see him | 0:36:49 | 0:36:52 | |
'as he is considered extremely dangerous...' | 0:36:52 | 0:36:56 | |
Excuse me. | 0:36:56 | 0:36:58 | |
That man over there - he is taking pictures. | 0:37:01 | 0:37:04 | |
Excuse me, sir, can we have a little chat? | 0:37:07 | 0:37:09 | |
Get your hands off me! | 0:37:09 | 0:37:11 | |
Listen, I'm MI5 Security Services. | 0:37:11 | 0:37:13 | |
Where did they go? | 0:37:22 | 0:37:23 | |
Don't know. | 0:37:23 | 0:37:24 | |
Who are you working for? | 0:37:24 | 0:37:26 | |
Are you with Mehmet? | 0:37:36 | 0:37:37 | |
I got her! Call it in! | 0:37:40 | 0:37:42 | |
Suspect detained. All officers to my location. | 0:37:42 | 0:37:44 | |
What is going on? | 0:37:44 | 0:37:47 | |
A friend of Mehmet's, look, she's wired. | 0:37:47 | 0:37:49 | |
I knew it! Bitch! | 0:37:51 | 0:37:52 | |
He slipped me. I'm looking! I am looking! | 0:37:52 | 0:37:55 | |
Your security's compromised. Were you given a phone? | 0:37:55 | 0:37:57 | |
They would have tracked you using the phone, did they give you a phone? | 0:37:57 | 0:38:00 | |
We need to get you out of here right now. Come on, quickly! | 0:38:02 | 0:38:07 | |
Who are you? Protection officers. | 0:38:07 | 0:38:08 | |
Protection? I already have protection. | 0:38:08 | 0:38:10 | |
Change of plan. | 0:38:12 | 0:38:13 | |
Shit! | 0:38:15 | 0:38:16 | |
Oh...bastard. | 0:38:20 | 0:38:23 | |
What is this? | 0:38:35 | 0:38:37 | |
Safe house. | 0:38:37 | 0:38:38 | |
Safe house? I was in a safe house. | 0:38:38 | 0:38:41 | |
This is safer. | 0:38:41 | 0:38:42 | |
It's a dump. We don't have the budget of MI5, unfortunately. | 0:38:48 | 0:38:52 | |
Who are you exactly? | 0:38:52 | 0:38:54 | |
We're Police. It's just until Mehmet's apprehended. | 0:38:54 | 0:38:57 | |
It shouldn't be for too long. | 0:38:57 | 0:38:59 | |
So, when do we play Mehmet? | 0:39:08 | 0:39:10 | |
Tomorrow morning, after a long sleepless night. | 0:39:10 | 0:39:13 | |
He's a bit antsy already, Jack. What if he does a bunk before then? | 0:39:13 | 0:39:16 | |
He'll be wearing a GPS tracker. | 0:39:16 | 0:39:18 | |
I got your jacket. | 0:39:37 | 0:39:38 | |
Did Mehmet say anything about me when he escaped? | 0:39:40 | 0:39:44 | |
We don't know. | 0:39:44 | 0:39:45 | |
Who's he talking to? | 0:39:48 | 0:39:50 | |
Not sure. He shouldn't be calling anyone. | 0:39:53 | 0:39:56 | |
All right, I'm doing the "glancing over" move. | 0:39:56 | 0:39:59 | |
Got any other suggestions? | 0:39:59 | 0:40:00 | |
Yeah, why don't you try the "get a rock and stove his head in" manoeuvre. | 0:40:00 | 0:40:04 | |
'I would like to, believe me. How you doing, Jess, you all right?' | 0:40:04 | 0:40:08 | |
I'm fine. It's just a shiner. | 0:40:08 | 0:40:10 | |
What sort of state's he in? | 0:40:10 | 0:40:11 | |
Er, agitated. Wounded. | 0:40:11 | 0:40:14 | |
In a better place for us, to be honest. | 0:40:14 | 0:40:16 | |
'Well, that's good. Keep up the shifty body language. | 0:40:16 | 0:40:19 | |
'Do as much as you can to un-nerve him. End this' | 0:40:19 | 0:40:21 | |
conversation on a sour note. Bring some tension into that house. | 0:40:21 | 0:40:24 | |
Fine. I bloody well will! | 0:40:24 | 0:40:26 | |
It gets harder and harder to find a truly safe house. | 0:40:32 | 0:40:35 | |
Once a place has been used once, its location often gets out. | 0:40:35 | 0:40:38 | |
Has this place been used before? | 0:40:38 | 0:40:41 | |
A couple of times. It's OK, though, it's safe. | 0:40:41 | 0:40:44 | |
I actually think the safest place sometimes is a prison cell. | 0:40:44 | 0:40:47 | |
Guards, three-foot thick stone walls. | 0:40:47 | 0:40:49 | |
Hmm. It might not be nice, but at least you know you're going to wake up in the morning. | 0:40:49 | 0:40:53 | |
I'll see what there is to eat. | 0:40:53 | 0:40:55 | |
What you doing?! Huh? | 0:41:13 | 0:41:15 | |
Everything all right? | 0:41:15 | 0:41:17 | |
When do I get to see Ahmed? | 0:41:17 | 0:41:18 | |
When we're told to. I want to go now. | 0:41:18 | 0:41:20 | |
They need to break him down first, Mehmet. All right? | 0:41:20 | 0:41:24 | |
Ahmed's smart, we need a bit of psychological warfare, | 0:41:24 | 0:41:28 | |
disorientate him, make him paranoid. | 0:41:28 | 0:41:31 | |
Once he's a gibbering wreck, then you can say hello. | 0:41:31 | 0:41:34 | |
Look, we've all had a long day. | 0:41:34 | 0:41:38 | |
Why don't we just go and get some chips or something? TomTom? | 0:41:38 | 0:41:42 | |
Fine. | 0:41:44 | 0:41:45 | |
This is why women get hurt, because men are not men any more. | 0:41:46 | 0:41:50 | |
Actually, do you know what, Jess, you go. | 0:41:53 | 0:41:57 | |
I'll keep an eye on Mehmet. | 0:41:57 | 0:41:59 | |
You two going to play nicely? Yeah. | 0:41:59 | 0:42:02 | |
HE COCKS THE GUN We'll be fine. | 0:42:02 | 0:42:04 | |
All right, I'll go get out my glad rags. | 0:42:08 | 0:42:11 | |
Oi, if you shoot him, I'm not cleaning up. | 0:42:11 | 0:42:14 | |
Bon appetit. | 0:42:23 | 0:42:24 | |
MOBILE PHONE BUZZES | 0:42:24 | 0:42:26 | |
Do you want a game of cards after dinner? | 0:42:32 | 0:42:34 | |
MOBILE PHONE BUZZES | 0:42:36 | 0:42:39 | |
You've been on that thing a lot. | 0:42:39 | 0:42:42 | |
Have I? | 0:42:42 | 0:42:44 | |
What are you up to? | 0:42:44 | 0:42:45 | |
Nothing. | 0:42:45 | 0:42:47 | |
Who do you keep calling? | 0:42:47 | 0:42:49 | |
No-one. Don't go getting cabin fever on me, Ahmed. | 0:42:49 | 0:42:53 | |
Believe me... | 0:42:54 | 0:42:56 | |
..I'm your only friend. | 0:42:57 | 0:42:59 | |
Eat up. | 0:43:07 | 0:43:08 | |
I think I'll get an early night. | 0:43:08 | 0:43:11 | |
Tell me...the girl's eye? | 0:43:31 | 0:43:35 | |
Ahmed did that? | 0:43:35 | 0:43:36 | |
She can handle herself. Still, | 0:43:38 | 0:43:40 | |
your er, your team is the kind of team | 0:43:40 | 0:43:43 | |
to let that sort of thing happen to a woman? | 0:43:43 | 0:43:45 | |
Don't get too high and mighty. | 0:43:45 | 0:43:47 | |
You're the one that was shipping women and children across the continent. | 0:43:47 | 0:43:51 | |
I shipped men who wanted to leave. | 0:43:54 | 0:43:56 | |
Ahmed was the one who was putting women and children into the lorries. | 0:43:57 | 0:44:02 | |
I didn't know anything about it. | 0:44:02 | 0:44:04 | |
You think you're going to be able to control yourself, when you see him? | 0:44:07 | 0:44:12 | |
I'll try my best. | 0:44:13 | 0:44:15 | |
That doesn't fill me with much confidence. | 0:44:15 | 0:44:18 | |
Let me ask you a question. | 0:44:20 | 0:44:22 | |
If you were there, with that gun, | 0:44:22 | 0:44:24 | |
when Ahmed hurt your friend, would you have done anything about it? | 0:44:24 | 0:44:28 | |
You know I've never really hurt anyone. | 0:44:28 | 0:44:31 | |
But in that instance, I'd have blown his head right off his shoulders. | 0:44:31 | 0:44:34 | |
Good. | 0:44:34 | 0:44:35 | |
Good. | 0:44:37 | 0:44:38 | |
OK, so I've got all the major food groups. | 0:44:44 | 0:44:46 | |
Potatoes, pies, batter. | 0:44:46 | 0:44:49 | |
You two worked out your problems? | 0:44:49 | 0:44:51 | |
Yeah, I think so. | 0:44:51 | 0:44:54 | |
So, what do you get me? | 0:44:55 | 0:44:58 | |
Chips. Lovely. | 0:44:58 | 0:45:00 | |
TV ON | 0:45:03 | 0:45:06 | |
KNOCKING ON THE DOOR | 0:45:31 | 0:45:34 | |
Who is it? | 0:45:34 | 0:45:35 | |
Are you OK? | 0:45:35 | 0:45:37 | |
I keep hearing noises. Where's your friend gone? | 0:45:38 | 0:45:42 | |
Try and get some sleep. | 0:45:42 | 0:45:43 | |
MOBILE PHONE RINGS | 0:45:43 | 0:45:45 | |
Hello? | 0:45:45 | 0:45:47 | |
Yes. | 0:45:47 | 0:45:48 | |
I'm not saying that. I just want some reassurance. | 0:45:50 | 0:45:54 | |
I haven't worked with him before and his protocol is poor. | 0:45:54 | 0:45:57 | |
I've...I've got to go. | 0:45:59 | 0:46:01 | |
Who were you talking to? | 0:46:05 | 0:46:07 | |
Oh, no-one. Just checking in. | 0:46:07 | 0:46:09 | |
Do you want me to sit with you? | 0:46:11 | 0:46:12 | |
Well, I'm useless without my sleep, so... | 0:46:14 | 0:46:18 | |
you know where I am. | 0:46:18 | 0:46:19 | |
He told me he was my only friend. | 0:46:21 | 0:46:25 | |
Who did? | 0:46:25 | 0:46:26 | |
The other one. | 0:46:26 | 0:46:28 | |
Did he say anything else? | 0:46:28 | 0:46:29 | |
Sometimes we see things that are not really there. | 0:46:31 | 0:46:34 | |
I'm sure everything will look better in the morning. Good night, Ahmed. | 0:46:34 | 0:46:36 | |
Sleep tight. | 0:46:36 | 0:46:38 | |
HE SIGHS | 0:46:45 | 0:46:47 | |
Is it time now? | 0:47:10 | 0:47:12 | |
Any more coffee? | 0:47:37 | 0:47:38 | |
No. Uh-huh. | 0:47:39 | 0:47:41 | |
There's this though. The man you killed. | 0:47:41 | 0:47:45 | |
Why are you showing me this? Time for a confession. | 0:47:52 | 0:47:55 | |
You write down that you murdered Arthur Rose, | 0:47:55 | 0:47:58 | |
you sign it and then we all get out of here. | 0:47:58 | 0:48:00 | |
I need a smoke. | 0:48:16 | 0:48:18 | |
Get out of my way. | 0:48:18 | 0:48:19 | |
You really need to listen to Jack. | 0:48:20 | 0:48:22 | |
I can smell the traitor. | 0:48:30 | 0:48:32 | |
What are you two on? | 0:48:34 | 0:48:36 | |
Why are you trying to get into my head? | 0:48:36 | 0:48:39 | |
You're not protection officers. Who are you? | 0:48:39 | 0:48:42 | |
You're wasting time. Who are you? | 0:48:42 | 0:48:44 | |
Write the confession, Ahmed. Or what? | 0:48:51 | 0:48:53 | |
KNOCKING ON THE DOOR Who is that? | 0:48:53 | 0:48:55 | |
It's Mehmet. You are lying. | 0:48:55 | 0:48:58 | |
This whole thing is bullshit. | 0:48:58 | 0:49:01 | |
You're just trying to screw with my head. | 0:49:01 | 0:49:04 | |
It's Napier, isn't it? | 0:49:05 | 0:49:07 | |
He gets what he want and now he want to wriggle out from the deal. | 0:49:07 | 0:49:12 | |
KNOCKING ON THE DOOR | 0:49:12 | 0:49:14 | |
We know you did it. So write the confession. | 0:49:14 | 0:49:16 | |
You think I'm falling for this crap? | 0:49:16 | 0:49:18 | |
I'm not writing anything. | 0:49:18 | 0:49:20 | |
Hello, traitor. You're going to jail for murdering Arthur Rose. | 0:49:24 | 0:49:28 | |
We figured you wouldn't confess to us, so we had to raise the stakes a little. | 0:49:28 | 0:49:32 | |
Stay away from me. Mehmet. | 0:49:32 | 0:49:35 | |
Write the confession. | 0:49:35 | 0:49:37 | |
HE ROARS | 0:49:38 | 0:49:40 | |
Mehmet, Mehmet, that wasn't the deal! | 0:49:40 | 0:49:42 | |
Deal's off. | 0:49:43 | 0:49:44 | |
Mehmet, put the knife down. | 0:49:44 | 0:49:46 | |
This was not what we planned! | 0:49:46 | 0:49:48 | |
Ahmed! | 0:49:48 | 0:49:50 | |
Wait! | 0:49:54 | 0:49:55 | |
Ahmed! | 0:49:57 | 0:49:58 | |
Get in. Ahmed, get in! | 0:50:09 | 0:50:12 | |
You'll be on your own. | 0:50:12 | 0:50:13 | |
Come on! | 0:50:25 | 0:50:27 | |
Go on! Go on! | 0:50:31 | 0:50:33 | |
He's getting closer. | 0:50:33 | 0:50:34 | |
Put your foot down! | 0:50:36 | 0:50:37 | |
I'm going as fast as we can! Go on! | 0:50:37 | 0:50:40 | |
Go on! | 0:50:43 | 0:50:44 | |
Get down! | 0:50:45 | 0:50:47 | |
Traitor! | 0:51:01 | 0:51:02 | |
Ahmed! | 0:51:06 | 0:51:08 | |
I'll find you. Ahmed! | 0:51:10 | 0:51:13 | |
Remember Antalya? | 0:51:17 | 0:51:18 | |
Ahmed! | 0:51:21 | 0:51:22 | |
I could always track you. | 0:51:23 | 0:51:26 | |
Ahmed! | 0:51:27 | 0:51:28 | |
Hey! | 0:51:31 | 0:51:32 | |
Ahmed! | 0:51:40 | 0:51:42 | |
Ahmed! | 0:51:48 | 0:51:49 | |
Ahmed! | 0:51:54 | 0:51:56 | |
GUNSHOTS | 0:51:56 | 0:51:59 | |
WHISTLING | 0:52:00 | 0:52:01 | |
You always were good at hiding things. | 0:52:09 | 0:52:12 | |
Like your loyalty. | 0:52:12 | 0:52:13 | |
I'm going to gut you like the dog you are. | 0:52:26 | 0:52:29 | |
Boo. | 0:52:31 | 0:52:33 | |
We're done. Let's go. | 0:52:37 | 0:52:39 | |
Enjoy your solitary, my friend. | 0:52:41 | 0:52:43 | |
DOGS BARK Armed police! | 0:52:56 | 0:52:59 | |
Put your weapon down! Stay where you are! | 0:52:59 | 0:53:01 | |
Put your hands on your head. | 0:53:01 | 0:53:03 | |
Hang on, this guy is informing on terrorists | 0:53:03 | 0:53:06 | |
in order to stay out of jail, right? | 0:53:06 | 0:53:08 | |
What can we possibly throw at him to make him want to confess? | 0:53:08 | 0:53:11 | |
We're here to break you out. | 0:53:11 | 0:53:13 | |
Don't you give me that look, you know how it sends me off. | 0:53:13 | 0:53:17 | |
We know you were set up. If you work with us, we'll make sure Ahmed goes down for a very long time. | 0:53:17 | 0:53:21 | |
How? You're going to say boo to him. | 0:53:21 | 0:53:23 | |
The first thing we need to do, Jack, is guarantee a conviction. | 0:53:23 | 0:53:26 | |
OK, how do we guarantee conviction? The gun. | 0:53:26 | 0:53:29 | |
How are we going to find that? We get Ahmed to show us. | 0:53:29 | 0:53:32 | |
By setting up a safe house close to the crime scene... | 0:53:34 | 0:53:37 | |
and then faking a situation where he'll lead us directly to it. | 0:53:37 | 0:53:41 | |
Boo. | 0:53:42 | 0:53:43 | |
I was kidnapped. There were two teams. | 0:53:43 | 0:53:46 | |
I want the second one arrested! | 0:53:46 | 0:53:48 | |
They exposed me to mental torture. | 0:53:48 | 0:53:50 | |
Is that the same team you escaped from the casino with? | 0:53:50 | 0:53:53 | |
I didn't escape. I was kidnapped. | 0:53:53 | 0:53:56 | |
You were seen getting into a car of your own free will. | 0:53:56 | 0:53:58 | |
Listen to me, there was a woman at the casino. | 0:53:58 | 0:54:03 | |
They set me up. She had a wire on her. | 0:54:03 | 0:54:05 | |
Oh, a wire? | 0:54:05 | 0:54:07 | |
I want my call now. You've already used it. | 0:54:07 | 0:54:10 | |
We can't help you any more. | 0:54:12 | 0:54:14 | |
Napier! I have information! | 0:54:14 | 0:54:17 | |
Napier! | 0:54:18 | 0:54:19 | |
You can't do this to me! | 0:54:20 | 0:54:24 | |
You can't do this to me! | 0:54:25 | 0:54:28 | |
Napier! | 0:54:28 | 0:54:32 | |
That could have gone very wrong. | 0:54:41 | 0:54:43 | |
What can I say? I'm all about the trust. Unlike Ahmed. | 0:54:43 | 0:54:46 | |
You've done a good thing. Thank you. | 0:54:46 | 0:54:49 | |
You couldn't drop Mehmet off for us, could you? Are you serious? | 0:54:49 | 0:54:52 | |
Yeah, I would take him, but I've got this property deal to take care of. | 0:54:52 | 0:54:56 | |
If he kills me, it's on you. He's not a killer. | 0:54:56 | 0:54:59 | |
And who'd want to kill you? | 0:54:59 | 0:55:01 | |
This lady's going to call a couple of people. | 0:55:04 | 0:55:07 | |
When they meet you, give them this. | 0:55:07 | 0:55:10 | |
Thank you. | 0:55:11 | 0:55:13 | |
Six, seven... | 0:55:53 | 0:55:55 | |
Ah! | 0:55:57 | 0:55:58 | |
?800 tax! Uh-huh. Bloody taxman. | 0:55:59 | 0:56:03 | |
I haven't got it. I've spent all my money. | 0:56:03 | 0:56:05 | |
Living above your means again, Jess? | 0:56:05 | 0:56:07 | |
Tell you what, I'll give you 100 quid for Mayfair. | 0:56:07 | 0:56:10 | |
You offered me two streets and 1,000 quid the other day. | 0:56:10 | 0:56:13 | |
That's the vagaries of the market, kid. Come on. | 0:56:13 | 0:56:16 | |
Er, you won't become a tycoon with that attitude. | 0:56:17 | 0:56:20 | |
I'll buy it off you, Jess. Thank you, TomTom. | 0:56:20 | 0:56:25 | |
You are a soft fool, Thomas. In the game! | 0:56:26 | 0:56:29 | |
Eight. | 0:56:29 | 0:56:31 | |
Oh-oh! Woohoo! Off you go, you little toerag! | 0:56:33 | 0:56:37 | |
LAUGHTER | 0:56:37 | 0:56:38 | |
Hang on, I've got me card. What card? | 0:56:38 | 0:56:41 | |
Me get out of jail... | 0:56:41 | 0:56:43 | |
I was told to give you this. | 0:56:49 | 0:56:51 | |
What can we do for you? | 0:57:06 | 0:57:08 | |
You can er, buy mine if you want, Jack, for a good price. | 0:57:09 | 0:57:13 | |
Thanks, Charlie, but you're all right. | 0:57:13 | 0:57:16 | |
You know, sometimes it's just nice to sit back, put your feet up | 0:57:16 | 0:57:20 | |
and watch the world go by. | 0:57:20 | 0:57:22 | |
OK, your go. | 0:57:24 | 0:57:27 | |
I need you to find a way to stop him, Jack. | 0:57:30 | 0:57:32 | |
Jamie Caine, I thought you had him locked up for murder? | 0:57:32 | 0:57:35 | |
Nothing fun about Jamie Caine. | 0:57:35 | 0:57:37 | |
Charlie's right, we can't take liberties, he's too dangerous. | 0:57:37 | 0:57:39 | |
You really don't know what he's like. | 0:57:39 | 0:57:41 | |
I know exactly what he's like. I do. You don't. | 0:57:41 | 0:57:44 | |
If it goes wrong, I can't help you. | 0:57:44 | 0:57:47 | |
It's not about how tough you are, | 0:57:47 | 0:57:49 | |
it's about how far you're prepared to go to get what you want. | 0:57:49 | 0:57:53 | |
You punch me, I'll stab you. You stab me, I'll shoot you. | 0:57:53 | 0:57:57 | |
You shoot me, I'll kill every member of your family. | 0:57:57 | 0:58:00 | |
However far you go, I'll go further. | 0:58:00 | 0:58:03 | |
It's over, Jack, I'm sorry. | 0:58:03 | 0:58:05 | |
Your turn. | 0:58:07 | 0:58:08 | |
Subtitles by Red Bee Media Ltd | 0:58:29 | 0:58:32 |