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This programme contains some violent scenes and some scenes which some viewers may find upsetting | 0:00:09 | 0:00:21 | |
MUSIC: "Music Sounds Better With You" by Stardust | 0:00:21 | 0:00:24 | |
All right? Andy? | 0:00:58 | 0:01:02 | |
You better remember that name, darling, | 0:01:02 | 0:01:04 | |
cos you'll be screaming it later. | 0:01:04 | 0:01:07 | |
Well, maybe we should just get to know each other first? | 0:01:08 | 0:01:12 | |
I can do that. What d'ya want to know? | 0:01:12 | 0:01:15 | |
You can ask me anything. | 0:01:17 | 0:01:18 | |
Anything? Straight up. | 0:01:19 | 0:01:21 | |
And I don't lie either, so what I tell you is the truth, | 0:01:21 | 0:01:24 | |
the whole truth and nothing but the truth. | 0:01:24 | 0:01:29 | |
Oh. OK, let me think. | 0:01:29 | 0:01:33 | |
What do I want to know first? | 0:01:33 | 0:01:36 | |
Um, I know. How about... | 0:01:37 | 0:01:41 | |
why did you skip bail? | 0:01:41 | 0:01:42 | |
You were due back in court on the eighth of last month to face | 0:01:47 | 0:01:50 | |
charges of aggravated assault. | 0:01:50 | 0:01:52 | |
Took a while to find you, but here you are. | 0:01:52 | 0:01:55 | |
Oh, I get it. Oh, he gets it. | 0:01:55 | 0:01:59 | |
You're filth. | 0:01:59 | 0:02:01 | |
Yeah, and you're going to prison. | 0:02:01 | 0:02:03 | |
Well, I hope you brought some help. | 0:02:06 | 0:02:07 | |
Oh, really, why's that? TKD. | 0:02:09 | 0:02:11 | |
That's a drink, isn't it? | 0:02:11 | 0:02:13 | |
Taekwondo. Second dan | 0:02:13 | 0:02:17 | |
which means I'll snap you in half, boy. All of ya. | 0:02:17 | 0:02:21 | |
You can't do that. Oh, and why's that? | 0:02:21 | 0:02:23 | |
TomTom, show him the warrant. Oh! | 0:02:23 | 0:02:25 | |
Last paragraph. Last line. | 0:02:30 | 0:02:35 | |
Ugh! | 0:02:35 | 0:02:36 | |
Ah. | 0:02:38 | 0:02:39 | |
Oh, that small print. It's a killer. | 0:02:39 | 0:02:42 | |
Here we are, TKD. | 0:02:51 | 0:02:54 | |
See ya. | 0:03:46 | 0:03:47 | |
I've spoken to Mrs Robson and... | 0:04:12 | 0:04:13 | |
Mr Krays. | 0:05:17 | 0:05:19 | |
You need to see this and think about their future. | 0:05:21 | 0:05:25 | |
DOOR UNLOCKS | 0:05:35 | 0:05:38 | |
DOOR CREAKS | 0:05:38 | 0:05:42 | |
How the hell did they find the witness? | 0:05:47 | 0:05:49 | |
Don't know. | 0:05:49 | 0:05:50 | |
Well, I want him arrested and charged! | 0:05:50 | 0:05:53 | |
For what exactly? | 0:05:53 | 0:05:54 | |
Perjury! Wasting police... Well, wasting my bloody time! | 0:05:54 | 0:05:57 | |
The simple truth is he's far more frightened of Caine than | 0:05:57 | 0:06:00 | |
he is of us. | 0:06:00 | 0:06:01 | |
He's retracted his statement. We no longer have a witness. | 0:06:01 | 0:06:05 | |
I thought you were supposed to be protecting him! We were. | 0:06:05 | 0:06:07 | |
There was a close protection unit there for seven weeks without incident. | 0:06:07 | 0:06:12 | |
There was an armed robbery three miles away, they were redeployed. | 0:06:12 | 0:06:17 | |
Oh, shit! Quite. | 0:06:17 | 0:06:19 | |
Someone high up the food chain must be feeding Caine information, | 0:06:24 | 0:06:27 | |
there's no other explanation. | 0:06:27 | 0:06:28 | |
Whatever happened, his legal team were crawling all over us, | 0:06:28 | 0:06:31 | |
we had no option but to let him go. | 0:06:31 | 0:06:33 | |
I'm sorry, Helen, I know how much work went into this, | 0:06:34 | 0:06:37 | |
but my hands are tied. | 0:06:37 | 0:06:38 | |
Well, mine aren't. | 0:06:40 | 0:06:42 | |
Ah. I'm afraid we have to let this one go for the time being. | 0:06:42 | 0:06:46 | |
What?! Orders from on high. | 0:06:46 | 0:06:47 | |
The case is to be reviewed by the board | 0:06:47 | 0:06:49 | |
which means that we can't have Quinn anywhere near it. | 0:06:49 | 0:06:52 | |
They will take nine months to write a meaningless report | 0:06:52 | 0:06:54 | |
and achieve nothing. Jack Quinn will get him off the streets in a week. | 0:06:54 | 0:06:58 | |
No. I forbid it. | 0:06:58 | 0:07:01 | |
You will put the whole department at risk, | 0:07:01 | 0:07:04 | |
you have enough enemies as it is. | 0:07:04 | 0:07:06 | |
Stay well away, at the very least until after the review. | 0:07:06 | 0:07:10 | |
And the 2C-9 that's he's about to bring into the country? | 0:07:10 | 0:07:13 | |
We have no evidence to suggest that will... | 0:07:13 | 0:07:15 | |
You know that's not true! No evidence we can use. | 0:07:15 | 0:07:18 | |
I mean it, Helen, however much it pains you. | 0:07:18 | 0:07:22 | |
You're to toe the line on this one. | 0:07:22 | 0:07:26 | |
Stand down. | 0:07:26 | 0:07:27 | |
Yes, sir. | 0:07:28 | 0:07:29 | |
BUZZER | 0:07:33 | 0:07:36 | |
Boom! | 0:08:29 | 0:08:30 | |
Letter from the NIB. Nib? | 0:08:31 | 0:08:35 | |
National Inheritance Bureau. | 0:08:36 | 0:08:38 | |
Informing the recipient that a second cousin has recently died, | 0:08:38 | 0:08:42 | |
leaving them ?9,000 in a cash ISA. | 0:08:42 | 0:08:44 | |
Why nine? Ten just felt like a lie. | 0:08:44 | 0:08:47 | |
Why not eight? | 0:08:47 | 0:08:48 | |
What's wrong with nine? | 0:08:48 | 0:08:50 | |
Just trying to see where your train of thought's going. | 0:08:50 | 0:08:52 | |
Nobody wants to get on that train. | 0:08:52 | 0:08:55 | |
So does the National Inheritance Bureau actually exist? | 0:08:55 | 0:08:57 | |
It does now. | 0:08:57 | 0:08:58 | |
OK, we have nine bail jumpers and three court no-shows. | 0:08:58 | 0:09:05 | |
MOBILE RINGS Well, let's give them the good news then. | 0:09:05 | 0:09:09 | |
Hello? | 0:09:09 | 0:09:10 | |
Hey. It's me. | 0:09:10 | 0:09:12 | |
We've recruited two new cargo handlers at Gatwick Airport. | 0:09:20 | 0:09:24 | |
CLEARS THROAT (Telly.) | 0:09:27 | 0:09:31 | |
Just waiting on a date and flight number. | 0:09:38 | 0:09:40 | |
Transport? Soon as we've swerved border control, | 0:09:40 | 0:09:43 | |
I've got a clean van to do the pick-up, take it wherever you want. | 0:09:43 | 0:09:47 | |
Dealers? | 0:09:48 | 0:09:50 | |
Primed, ready to rock'n'roll as soon as you press the button. | 0:09:50 | 0:09:53 | |
We got any heat? | 0:09:55 | 0:09:58 | |
No. No heat. | 0:09:58 | 0:10:00 | |
Do you ski, Jack? | 0:10:06 | 0:10:07 | |
Now and again. Good. | 0:10:07 | 0:10:10 | |
You're going off piste. | 0:10:10 | 0:10:12 | |
Jamie Caine? I thought he was banged up for murder. | 0:10:12 | 0:10:15 | |
Don't tell me he's back on the streets again. | 0:10:15 | 0:10:17 | |
The case fell apart. How come? | 0:10:17 | 0:10:19 | |
Someone leaked the identity of the witness. | 0:10:19 | 0:10:22 | |
One of Caine's foot soldiers threatened his family, | 0:10:22 | 0:10:25 | |
he retracted his statement and CPS won't proceed without him. | 0:10:25 | 0:10:29 | |
It happened here. An argument over a parking space. | 0:10:30 | 0:10:34 | |
A young boy on his way home from his shift at a fast food restaurant. | 0:10:34 | 0:10:39 | |
Caine cracked open his skull with a tyre wrench. | 0:10:41 | 0:10:45 | |
It's the third time he's been implicated in an act | 0:10:45 | 0:10:47 | |
of extreme violence in as many years. | 0:10:47 | 0:10:49 | |
His reputation's true then, he's a nasty bastard. | 0:10:58 | 0:11:01 | |
According to our profiling team, he's a sociopath. | 0:11:01 | 0:11:04 | |
"With narcissistic tendencies." | 0:11:04 | 0:11:06 | |
Why is he not in Broadmoor wearing a straitjacket? | 0:11:06 | 0:11:08 | |
He operates with impunity, | 0:11:08 | 0:11:10 | |
because no-one's ever had the courage to testify against him. | 0:11:10 | 0:11:12 | |
So he can beat someone to death and walk away with it? | 0:11:12 | 0:11:15 | |
It gets worse. Go on. | 0:11:15 | 0:11:17 | |
When he killed that poor boy, he was under police surveillance. | 0:11:18 | 0:11:21 | |
What?! Had been for a month. | 0:11:21 | 0:11:23 | |
Did they not notice he was beating someone to death? | 0:11:23 | 0:11:26 | |
They were on the ground floor. | 0:11:26 | 0:11:27 | |
They said they thought he was just parking his car. | 0:11:27 | 0:11:30 | |
Yeah. But then his car came out, so they picked up surveillance | 0:11:30 | 0:11:34 | |
and followed him as normal, the boy's body wasn't found | 0:11:34 | 0:11:37 | |
until the following morning. | 0:11:37 | 0:11:38 | |
That's how they placed Caine at the murder scene, but that's all they could do. | 0:11:38 | 0:11:41 | |
By the time he was arrested, | 0:11:41 | 0:11:43 | |
any forensic evidence had disappeared, clothes burnt, | 0:11:43 | 0:11:45 | |
the murder weapon was gone. They had no real evidence and he knew it. | 0:11:45 | 0:11:51 | |
Why the surveillance in the first place? | 0:11:51 | 0:11:53 | |
We got intelligence he was about to import a new synthetic drug | 0:11:53 | 0:11:57 | |
called 2C-9 or cocoa dust. | 0:11:57 | 0:12:00 | |
It's a hallucinogen aimed at children. | 0:12:00 | 0:12:03 | |
The manufacturers created a market by convincing kids it would | 0:12:03 | 0:12:06 | |
enhance their gaming experience. | 0:12:06 | 0:12:08 | |
It's a powder you need to mix with something to ingest, | 0:12:08 | 0:12:12 | |
so users mix it with chocolate. | 0:12:12 | 0:12:13 | |
Cocoa dust. | 0:12:13 | 0:12:15 | |
It's like playing Russian roulette. If the chemical compound is | 0:12:15 | 0:12:18 | |
compromised, users start to hyperventilate, | 0:12:18 | 0:12:21 | |
blood pressure goes through the roof and then there's massive heart failure. | 0:12:21 | 0:12:25 | |
If the police know about this, | 0:12:25 | 0:12:26 | |
why can't they pick up with Caine where they left off? | 0:12:26 | 0:12:28 | |
The police would never get | 0:12:28 | 0:12:30 | |
a request for further surveillance approved until after the case review. | 0:12:30 | 0:12:33 | |
Even if they did, it will be too late. | 0:12:33 | 0:12:35 | |
There's a huge shipment of 2C-9 about to flood the country, | 0:12:35 | 0:12:38 | |
just waiting for Caine's say-so. | 0:12:38 | 0:12:40 | |
We can't let that happen. | 0:12:40 | 0:12:42 | |
So when you say "off piste"...? | 0:12:42 | 0:12:45 | |
If it goes wrong, I can't help you. | 0:12:45 | 0:12:47 | |
We didn't even have this conversation. OK. | 0:12:48 | 0:12:52 | |
I need you to find a way to stop him, Jack. | 0:12:52 | 0:12:55 | |
So we're undercover undercover? Seems so. | 0:13:03 | 0:13:07 | |
How does that work? | 0:13:07 | 0:13:09 | |
No help. | 0:13:09 | 0:13:10 | |
But the only way to stop this 2C-9 coming into the country is | 0:13:10 | 0:13:13 | |
if we get Caine off the street, and fast. | 0:13:13 | 0:13:15 | |
And if it goes tits up? | 0:13:15 | 0:13:16 | |
We're screwed. Sounds like fun. I'm in. | 0:13:16 | 0:13:19 | |
No, there's nothing fun about Jamie Caine. | 0:13:19 | 0:13:22 | |
Charlie's right, we can't take liberties with this one. | 0:13:22 | 0:13:25 | |
He's too dangerous. | 0:13:25 | 0:13:27 | |
All right, so who's closest to him? | 0:13:27 | 0:13:29 | |
Paul Banks AKA Banksy. Ex-cage fighter, enforcer. | 0:13:29 | 0:13:34 | |
All-round nasty piece of work. | 0:13:34 | 0:13:36 | |
So he'll know where all the bodies are buried. | 0:13:36 | 0:13:39 | |
Great, let's pick him up, torture him, a bit of water-boarding. | 0:13:39 | 0:13:43 | |
Put his todger in a vice. | 0:13:43 | 0:13:44 | |
Whoa! I think we're probably going to draw the line at putting someone's | 0:13:44 | 0:13:47 | |
todger in a vice, Jess. | 0:13:47 | 0:13:49 | |
Lightweight. | 0:13:49 | 0:13:50 | |
So if you rule out the whole todger in a vice thing, | 0:13:50 | 0:13:52 | |
which I think we should by the way, cos it's just weird. | 0:13:52 | 0:13:54 | |
How are we going to get to him? | 0:13:54 | 0:13:56 | |
Well, catching Caine with his grubby paws all over a shipment as it | 0:13:56 | 0:14:00 | |
comes in would be nice. | 0:14:00 | 0:14:01 | |
Hmm, neat as well. Agreed. | 0:14:01 | 0:14:03 | |
Setting him up for anything else would take too long, | 0:14:03 | 0:14:05 | |
so catching him with this shipment is our best bet. | 0:14:05 | 0:14:07 | |
Trouble is, we don't know when or where it's coming into the country. | 0:14:07 | 0:14:10 | |
OK. Let's break it down. | 0:14:10 | 0:14:12 | |
You're expecting a shipment of a brand-new drug, | 0:14:12 | 0:14:14 | |
what's the first thing you do? | 0:14:14 | 0:14:15 | |
Tell your dealers to start spreading the word. | 0:14:15 | 0:14:17 | |
Which might just give us the when. | 0:14:17 | 0:14:18 | |
There's a couple of dealers on my old estate. | 0:14:18 | 0:14:20 | |
At least one of them works for Jamie Caine. | 0:14:20 | 0:14:23 | |
OK, let's start there. Low profile. | 0:14:23 | 0:14:25 | |
Only way I know. | 0:14:25 | 0:14:26 | |
Charlie, stop moaning. | 0:14:36 | 0:14:38 | |
I'm not moaning, | 0:14:38 | 0:14:39 | |
I'm just, I'm asking if there's not a better way, that's all. | 0:14:39 | 0:14:43 | |
Such as? | 0:14:43 | 0:14:44 | |
Well, I don't know exactly. But, some sort of progression? | 0:14:44 | 0:14:48 | |
I'm not with you. | 0:14:48 | 0:14:49 | |
Like the whole DEFCON thing. | 0:14:49 | 0:14:50 | |
You know you have DEFCON 1, then DEFCON 2. | 0:14:50 | 0:14:53 | |
You don't just start on DEFCON 5, do you? | 0:14:53 | 0:14:55 | |
Yeah, actually you do, you start on DEFCON 5 and work your way up to 1. | 0:14:55 | 0:14:58 | |
Really? Yeah. | 0:14:58 | 0:15:00 | |
Oh? All right, traffic lights. | 0:15:00 | 0:15:03 | |
You have a sequence, so you know what's coming, all right. | 0:15:03 | 0:15:05 | |
A progression from stop to go. You go red, you go amber, you go green. | 0:15:05 | 0:15:10 | |
You know, you build up to these things. That's all I'm saying. | 0:15:10 | 0:15:13 | |
I'll tell you what, if he doesn't talk, you can do the next one? | 0:15:13 | 0:15:16 | |
Agreed. | 0:15:16 | 0:15:17 | |
All the blood's rushing to me head. | 0:15:17 | 0:15:21 | |
You've got a batch of cocoa dust coming in. | 0:15:25 | 0:15:27 | |
When? I don't know. | 0:15:27 | 0:15:29 | |
But you are expecting it? | 0:15:29 | 0:15:31 | |
Look. Who are you? | 0:15:31 | 0:15:33 | |
Mums Against Crime(!) Tell us about Jamie Caine. | 0:15:34 | 0:15:38 | |
Listen, I ain't telling you nothing. They'll kill me. | 0:15:38 | 0:15:41 | |
That's tomorrow's problem, mate. | 0:15:41 | 0:15:43 | |
If I were you, I'd worry about making it through the rest of today. | 0:15:43 | 0:15:46 | |
So what part of that was low profile? | 0:15:50 | 0:15:52 | |
The part where I got him to promise not to say anything to anyone, | 0:15:52 | 0:15:55 | |
about our little chat. But he peed himself. | 0:15:55 | 0:15:59 | |
Yeah, and what's your point? | 0:15:59 | 0:16:00 | |
And he was hanging upside down. Gravity. | 0:16:00 | 0:16:04 | |
He's a drug dealer which means he fails the empathy test. | 0:16:04 | 0:16:08 | |
Yeah, I guess. I still think you could have untied him though. | 0:16:08 | 0:16:11 | |
Caine's smart. | 0:16:13 | 0:16:15 | |
He's got just enough legitimate business activity to | 0:16:15 | 0:16:17 | |
justify his lifestyle. | 0:16:17 | 0:16:19 | |
What sort of businesses? | 0:16:19 | 0:16:20 | |
Bars, clubs, party boats, holiday apartment in Ibiza, Paphos. | 0:16:20 | 0:16:24 | |
All of which attract teenagers who then buy his drugs? | 0:16:24 | 0:16:26 | |
Mm-hmm, it's like he's got his own little ecosystem going on, | 0:16:26 | 0:16:29 | |
all he needs now is his own airline. | 0:16:29 | 0:16:31 | |
You know with a drug trolley coming round, | 0:16:31 | 0:16:34 | |
get everyone high before they take off. | 0:16:34 | 0:16:35 | |
Crack Air. We take you higher. | 0:16:35 | 0:16:38 | |
Finished? Sorry. We need traction. | 0:16:38 | 0:16:41 | |
Ten police investigations with four different departments | 0:16:41 | 0:16:44 | |
in seven years, all coming up with zilch, nada, no end result, | 0:16:44 | 0:16:48 | |
not even an ASBO. | 0:16:48 | 0:16:49 | |
I mean, looking at the police records, | 0:16:49 | 0:16:52 | |
every time he's under investigation, he suddenly goes whiter than white. | 0:16:52 | 0:16:55 | |
So he's being tipped off? | 0:16:55 | 0:16:57 | |
Either that or he's psychic, or lucky, or a lucky psychic. | 0:16:57 | 0:17:01 | |
Like a happy medium. | 0:17:01 | 0:17:03 | |
Look, even if he doesn't know about us, | 0:17:05 | 0:17:07 | |
he's just come off the back of a huge police case. | 0:17:07 | 0:17:09 | |
He's already tidied up, battened down the hatches. MOBILE RINGS | 0:17:09 | 0:17:13 | |
I'm not sure we can get to him if I'm honest. | 0:17:13 | 0:17:15 | |
Jess. 'We're outside one of Caine's pill factories. | 0:17:15 | 0:17:19 | |
'Barnes Road industrial estate, by the river.' | 0:17:19 | 0:17:22 | |
It's all we could get out of the dealer. | 0:17:22 | 0:17:24 | |
It's where he picks up his gear. | 0:17:24 | 0:17:27 | |
I'll meet you there. Cool. | 0:17:27 | 0:17:29 | |
It's not very high-end, the dealer covers the clubs, | 0:17:31 | 0:17:34 | |
so we think it's just ecstasy pills. | 0:17:34 | 0:17:36 | |
It's definitely one of Caine's? | 0:17:36 | 0:17:38 | |
Yeah. Do we know who's in there? | 0:17:38 | 0:17:41 | |
No idea. That's comforting(!) | 0:17:41 | 0:17:43 | |
DOOR UNLOCKS | 0:17:50 | 0:17:52 | |
HE WHISTLES | 0:17:59 | 0:18:01 | |
Let's not make a mess, shall we? | 0:18:01 | 0:18:03 | |
OK, good news. You've all won yourselves the rest of the day off. | 0:18:03 | 0:18:07 | |
Mam dobra wiadomosc. Wszyscy macie do konca dnia wolne. | 0:18:10 | 0:18:14 | |
Nice. | 0:18:18 | 0:18:20 | |
What are we looking for exactly? | 0:18:29 | 0:18:31 | |
I'm hoping we'll know when we see it. | 0:18:31 | 0:18:32 | |
Something with a date on it. | 0:18:32 | 0:18:34 | |
You muppets have no idea what you're doing. | 0:18:34 | 0:18:36 | |
No? Why don't you tell us? | 0:18:36 | 0:18:37 | |
Do you know whose place this is? | 0:18:39 | 0:18:41 | |
I'm really hoping it's Jamie Caine's otherwise we've made | 0:18:41 | 0:18:44 | |
a terrible mistake. | 0:18:44 | 0:18:45 | |
Why do you always do that? Do what? | 0:18:45 | 0:18:49 | |
You always do this. You don't listen to people. I mean, you're | 0:18:49 | 0:18:52 | |
listening to them but you don't actually hear what they're saying. | 0:18:52 | 0:18:55 | |
This poor man, he's trying to threaten you, | 0:18:55 | 0:18:57 | |
at least have the common decency to hear him out. | 0:18:57 | 0:19:00 | |
Sorry. Go on. | 0:19:00 | 0:19:03 | |
Mr Caine will be very angry... | 0:19:03 | 0:19:04 | |
Look, I'm trying to help him. It's like bloody pulling teeth. | 0:19:04 | 0:19:07 | |
Oh, hello. More phones. | 0:19:07 | 0:19:10 | |
One, two, three, four, five. | 0:19:10 | 0:19:13 | |
Oh, yeah, they give those to their new dealers, | 0:19:13 | 0:19:16 | |
with a customer base already loaded. | 0:19:16 | 0:19:18 | |
It's a start. | 0:19:18 | 0:19:19 | |
Get them, get the post as well, then let's go. | 0:19:19 | 0:19:22 | |
Phone. | 0:19:25 | 0:19:26 | |
OK, flower, we're going to go now. | 0:19:30 | 0:19:31 | |
You might hear a little bit of noise | 0:19:31 | 0:19:33 | |
when we trash all your shit on the way out, then it'll go quiet, | 0:19:33 | 0:19:36 | |
then you can come out and try and find a new phone. | 0:19:36 | 0:19:38 | |
If you come out before then, I'll shoot you in the face. | 0:19:38 | 0:19:41 | |
OK? | 0:19:42 | 0:19:44 | |
THAT'S a threat. See you later. | 0:19:45 | 0:19:47 | |
Did you see a warrant card? No, boss. | 0:20:52 | 0:20:55 | |
Did they say who they were? | 0:20:55 | 0:20:57 | |
Not exactly. | 0:20:58 | 0:20:59 | |
"Not exactly"? | 0:21:03 | 0:21:06 | |
No. | 0:21:06 | 0:21:08 | |
We've been turned over and we've no idea by who? | 0:21:08 | 0:21:11 | |
Oh, this is marvellous! | 0:21:11 | 0:21:12 | |
The leader, the one with a gun, | 0:21:14 | 0:21:16 | |
he's a Northerner. Northerner? | 0:21:16 | 0:21:19 | |
Do you think you could narrow that down a little bit? | 0:21:19 | 0:21:22 | |
Scouse? Geordie? Er, he's... | 0:21:22 | 0:21:24 | |
He's more Manc. Manc? | 0:21:26 | 0:21:28 | |
And that's it? | 0:21:30 | 0:21:32 | |
Get out. | 0:21:33 | 0:21:34 | |
What did we lose? | 0:21:38 | 0:21:40 | |
It weren't that bad. It was just "E"s for the clubs, | 0:21:40 | 0:21:43 | |
with set-up costs, 20k? | 0:21:43 | 0:21:45 | |
Yeah, still a piss-take. | 0:21:46 | 0:21:48 | |
See if anyone's seen a bird and two arseholes with a gun humming Oasis. | 0:21:48 | 0:21:54 | |
All right. | 0:21:56 | 0:21:57 | |
Go and put some clothes on. | 0:22:02 | 0:22:04 | |
So nice of him to lead us straight to his boss. | 0:22:14 | 0:22:17 | |
He's not having a good day is he? | 0:22:17 | 0:22:19 | |
'OK, I've run searches on the names in all these phones.' | 0:22:19 | 0:22:22 | |
They all seem to be kids. 14, 15. | 0:22:22 | 0:22:25 | |
14, 16. | 0:22:25 | 0:22:26 | |
'They'll be dealers. Caine's way of getting 2C-9 in schools.' | 0:22:26 | 0:22:29 | |
Liking him more and more. | 0:22:29 | 0:22:31 | |
'They're all talking to each other.' | 0:22:31 | 0:22:33 | |
Social network sites - Twitter, Facebook, gaming blogs. | 0:22:33 | 0:22:36 | |
They're marketing it like the launch of a new game. | 0:22:36 | 0:22:38 | |
'Does it say when?' | 0:22:38 | 0:22:39 | |
No. Just says, "watch this space". | 0:22:39 | 0:22:43 | |
Heads up. | 0:22:43 | 0:22:45 | |
Banks. | 0:22:49 | 0:22:51 | |
Probably off to find out who we are. Mm. | 0:22:51 | 0:22:54 | |
Anything? | 0:22:54 | 0:22:55 | |
No, it's just utility bills and invoices for new lab equipment. | 0:22:55 | 0:23:00 | |
Nothing about when the shipment's coming in or where? | 0:23:00 | 0:23:02 | |
Not even to link Caine to the factory. | 0:23:02 | 0:23:04 | |
Someone's got to know when and where it's coming in. | 0:23:05 | 0:23:08 | |
We had to hang one of his dealers off a balcony | 0:23:08 | 0:23:11 | |
just to find out where he collects his gear. | 0:23:11 | 0:23:13 | |
He still wouldn't implicate Caine. | 0:23:13 | 0:23:15 | |
No-one's going to inform on him, Jack. | 0:23:15 | 0:23:17 | |
If we don't know how the stuff's getting in the country | 0:23:17 | 0:23:19 | |
or who's picking it up, then we've got nothing to track. | 0:23:19 | 0:23:22 | |
We need someone on the inside. | 0:23:22 | 0:23:24 | |
Too dangerous. Well, then we at least need surveillance. | 0:23:24 | 0:23:27 | |
TomTom? | 0:23:27 | 0:23:28 | |
Problem is, you're waiting for one sentence of where and when. | 0:23:28 | 0:23:31 | |
You couldn't miss a thing. | 0:23:31 | 0:23:33 | |
You'd have to have every room in his house done. | 0:23:33 | 0:23:35 | |
His lift, his car. | 0:23:35 | 0:23:37 | |
Everywhere he goes. | 0:23:37 | 0:23:38 | |
'No time.' | 0:23:38 | 0:23:40 | |
All I could do quick, is maybe hack his smartphone, | 0:23:40 | 0:23:43 | |
tell you who he calls and when. | 0:23:43 | 0:23:44 | |
OK. Do that until I think of something else. | 0:23:44 | 0:23:47 | |
There he is! | 0:23:49 | 0:23:50 | |
Who's that he's with? | 0:23:51 | 0:23:53 | |
She's young. | 0:23:53 | 0:23:54 | |
I know her. | 0:23:58 | 0:23:59 | |
That's Robin Tyler. | 0:24:02 | 0:24:04 | |
My ex-girlfriend's little sister. | 0:24:05 | 0:24:07 | |
ENGINE STARTS | 0:24:11 | 0:24:14 | |
No. She's just a kid. | 0:24:14 | 0:24:16 | |
The point is, can you get her on-side or not? | 0:24:16 | 0:24:18 | |
No, it's not, Jack. | 0:24:18 | 0:24:20 | |
The point is that she shouldn't be with someone like that, all right? | 0:24:20 | 0:24:23 | |
She's only 17! | 0:24:23 | 0:24:25 | |
Then we're probably her best chance of getting away from him. | 0:24:25 | 0:24:28 | |
Jess is right. | 0:24:28 | 0:24:29 | |
Charlie, will she help us or not? | 0:24:31 | 0:24:33 | |
Mate, I'm not the bad guy here. | 0:24:33 | 0:24:35 | |
Do you know how to get to her? | 0:24:40 | 0:24:42 | |
Maybe, yeah. | 0:24:42 | 0:24:43 | |
Hi. | 0:24:55 | 0:24:57 | |
Charlie? | 0:24:57 | 0:24:58 | |
You here to see my sister? | 0:24:59 | 0:25:01 | |
Oh, no, no. | 0:25:01 | 0:25:03 | |
Good, cos that would have been awkward. | 0:25:03 | 0:25:05 | |
She's all loved up with some bloke from the Pound Shop. | 0:25:05 | 0:25:08 | |
They're in there now watching Bargain Hunt. So... | 0:25:08 | 0:25:12 | |
So, what you doing here now? | 0:25:12 | 0:25:13 | |
Just hanging around. Where are you going? | 0:25:13 | 0:25:16 | |
I'm just going to go shopping. OK. Walk you to the bus stop? | 0:25:16 | 0:25:19 | |
Yeah. Cool. | 0:25:19 | 0:25:22 | |
So, how you been? OK. | 0:25:22 | 0:25:25 | |
Got a boyfriend? | 0:25:25 | 0:25:27 | |
Er...sort of. | 0:25:27 | 0:25:30 | |
Anyone I know? | 0:25:30 | 0:25:31 | |
No, I doubt it. So, are you still a cop? | 0:25:31 | 0:25:34 | |
Yeah. | 0:25:34 | 0:25:35 | |
So, how comes I don't see you about any more? | 0:25:35 | 0:25:37 | |
I got transferred, actually, to a special unit. | 0:25:38 | 0:25:42 | |
Yeah? What like a detective? | 0:25:42 | 0:25:44 | |
Hmm, well kind of. | 0:25:44 | 0:25:46 | |
We go after the really bad guys. | 0:25:46 | 0:25:48 | |
Ooh, that sounds exciting. Yeah, well... | 0:25:48 | 0:25:50 | |
I'll have to let my mum know, she'll be chuffed. | 0:25:50 | 0:25:53 | |
She always liked you for some reason. | 0:25:53 | 0:25:55 | |
So this boyfriend of yours. Who is he? | 0:25:55 | 0:25:58 | |
Why are you so interested? Just curious. | 0:25:58 | 0:26:00 | |
Yeah, well I don't want you grassing me up cos Mum don't know about him. | 0:26:00 | 0:26:04 | |
Why? | 0:26:04 | 0:26:05 | |
I just don't think she'd approve somehow. Why not? | 0:26:05 | 0:26:07 | |
He's a bit older than me that's all. You know what mums are like. | 0:26:07 | 0:26:11 | |
How much older? He ain't a perv, if that's what you're thinking. | 0:26:11 | 0:26:14 | |
What is he then? Just a bloke. | 0:26:14 | 0:26:16 | |
Jamie Caine. | 0:26:16 | 0:26:17 | |
Yeah, I get it. Oh, God, I am so stupid. | 0:26:19 | 0:26:22 | |
Whatever it is you're after, Charlie, it's really not happening. | 0:26:22 | 0:26:26 | |
Look, just hear me out, all right? Give me ten minutes. | 0:26:26 | 0:26:28 | |
What if I don't? | 0:26:28 | 0:26:30 | |
Ten minutes, Robin. | 0:26:30 | 0:26:31 | |
I've got some friends I'd like you to meet. | 0:26:33 | 0:26:35 | |
I'm not stupid, I know what he is. No, I don't think you do. | 0:26:46 | 0:26:49 | |
He's not just another dealer on the estate. | 0:26:49 | 0:26:51 | |
We can help you. | 0:26:51 | 0:26:53 | |
And what makes you think I need your help? | 0:26:53 | 0:26:56 | |
He's a murderer. | 0:26:56 | 0:26:57 | |
The bloke in the car park? | 0:26:57 | 0:26:58 | |
No, that was just a fight, OK, and Jamie won, that's all. | 0:26:58 | 0:27:01 | |
He wasn't just a bloke, he was a kid. | 0:27:01 | 0:27:03 | |
It wasn't a fight either. | 0:27:03 | 0:27:05 | |
He was beaten to death with a tyre wrench. | 0:27:05 | 0:27:07 | |
Well, you would say that, wouldn't you? | 0:27:07 | 0:27:09 | |
What are you doing with him? | 0:27:10 | 0:27:12 | |
He looks after me. | 0:27:13 | 0:27:16 | |
How? | 0:27:16 | 0:27:17 | |
How do you think? | 0:27:17 | 0:27:19 | |
Give us a minute, guys, yeah? | 0:27:23 | 0:27:25 | |
We'll wait in the car. | 0:27:25 | 0:27:26 | |
Stop it! | 0:27:33 | 0:27:34 | |
Don't. | 0:27:39 | 0:27:40 | |
What are you on? Nothing. | 0:27:40 | 0:27:43 | |
Robin, what are you on?! | 0:27:43 | 0:27:45 | |
Just some, just some pills. | 0:27:45 | 0:27:47 | |
What pills? | 0:27:47 | 0:27:49 | |
I don't know. Jamie...Jamie gets them. | 0:27:49 | 0:27:53 | |
All right, listen to me. | 0:27:53 | 0:27:55 | |
If you want to be with this guy, | 0:27:55 | 0:27:57 | |
if you love him and he's good to you | 0:27:57 | 0:27:59 | |
and he doesn't hurt you, | 0:27:59 | 0:28:01 | |
then drug dealer or not, I will walk away, I swear. | 0:28:01 | 0:28:05 | |
But if that's not the case? | 0:28:05 | 0:28:06 | |
Look, we can help to get him away from you. | 0:28:10 | 0:28:13 | |
Look at me! | 0:28:14 | 0:28:15 | |
All right? | 0:28:15 | 0:28:16 | |
I can't! | 0:28:18 | 0:28:20 | |
You really don't know what he's like. | 0:28:20 | 0:28:22 | |
I know exactly what he's like. I do! You don't. | 0:28:22 | 0:28:25 | |
Listen! | 0:28:25 | 0:28:26 | |
If you help us, he won't ever hurt you or anyone else again. | 0:28:28 | 0:28:33 | |
I promise you. | 0:28:33 | 0:28:34 | |
Come here. | 0:28:36 | 0:28:38 | |
'She'll be safe, right?' | 0:28:40 | 0:28:42 | |
We'll be right outside the whole time she's in there, front and back. | 0:28:42 | 0:28:45 | |
The first hint of a problem and we move in. | 0:28:45 | 0:28:48 | |
We're not sending her somewhere she hasn't been before. | 0:28:49 | 0:28:52 | |
It's like all the other times she's been with Caine. | 0:28:52 | 0:28:54 | |
Except she'll be pumping him for information. | 0:28:54 | 0:28:57 | |
No, she's just our ears inside the apartment, nothing else. | 0:28:57 | 0:29:00 | |
But we haven't got any back-up, Jack, at all. No police. | 0:29:00 | 0:29:04 | |
You've got me. | 0:29:04 | 0:29:05 | |
I know, I know and I trust you. | 0:29:07 | 0:29:09 | |
100%, I do. | 0:29:09 | 0:29:11 | |
But? | 0:29:11 | 0:29:12 | |
She feels safe because she thinks we're the police, | 0:29:12 | 0:29:15 | |
but we're not, are we, Jack? | 0:29:15 | 0:29:17 | |
Don't tell me it's a grey area. | 0:29:19 | 0:29:21 | |
I need to know that she's going to be OK. | 0:29:21 | 0:29:24 | |
I promise you. | 0:29:24 | 0:29:26 | |
Is that good enough? | 0:29:26 | 0:29:27 | |
HE SIGHS | 0:29:35 | 0:29:36 | |
We just need a time and a place, OK? | 0:29:36 | 0:29:37 | |
But we don't want you to do or say anything you wouldn't normally. | 0:29:37 | 0:29:41 | |
You're just there. | 0:29:41 | 0:29:42 | |
And if you hear something that's great and if you don't, | 0:29:42 | 0:29:45 | |
that's fine too. | 0:29:45 | 0:29:46 | |
We don't want you to push it. | 0:29:46 | 0:29:48 | |
The important thing is that you stay safe. | 0:29:48 | 0:29:50 | |
You all right? I think so. | 0:29:50 | 0:29:52 | |
You're clear what we're after? | 0:29:52 | 0:29:55 | |
Yeah, er, a time and a place. | 0:29:55 | 0:29:57 | |
Anything to do with a shipment and something called 2C-9. | 0:29:57 | 0:30:01 | |
Yeah, and that's it. | 0:30:01 | 0:30:02 | |
You get us that then make your excuses, | 0:30:02 | 0:30:04 | |
get out of there. | 0:30:04 | 0:30:06 | |
Just relax and be yourself. And if anything happens, | 0:30:06 | 0:30:08 | |
we're all going to be right outside the whole time. | 0:30:08 | 0:30:11 | |
OK? | 0:30:11 | 0:30:12 | |
OK. | 0:30:12 | 0:30:13 | |
Banks. | 0:30:23 | 0:30:25 | |
Got him. | 0:30:25 | 0:30:26 | |
OK, nice and easy. | 0:30:40 | 0:30:41 | |
I'm patched in to the CCTV. | 0:30:45 | 0:30:48 | |
OK, looks like they're heading to the apartment, | 0:30:48 | 0:30:50 | |
so you can back off a little. | 0:30:50 | 0:30:52 | |
All right, guys, I'm on the rear service road - | 0:31:18 | 0:31:21 | |
'behind the apartment.' | 0:31:21 | 0:31:22 | |
We're in position at the front. | 0:31:22 | 0:31:24 | |
'Banks and Robin are entering now.' | 0:31:24 | 0:31:26 | |
My guy says the heat is off. | 0:31:32 | 0:31:35 | |
Oh, I'm not going to be holding anything. | 0:31:35 | 0:31:37 | |
Once it comes in, it goes straight out to the dealers. | 0:31:37 | 0:31:41 | |
I might move a little bit up North, if I get a wholesale deal, | 0:31:41 | 0:31:44 | |
but the same applies - once it lands, it goes out. End of. | 0:31:44 | 0:31:47 | |
Yeah, I'll let you know the time and the place. | 0:31:49 | 0:31:53 | |
Hey! | 0:31:53 | 0:31:54 | |
How was your mum? Yeah, OK. | 0:31:56 | 0:31:58 | |
So when are you going to take me home to meet your family? | 0:31:58 | 0:32:01 | |
HE CHUCKLES Imagine that! | 0:32:01 | 0:32:04 | |
Make us a drink. | 0:32:04 | 0:32:05 | |
Have you had any luck with these Northerners? | 0:32:07 | 0:32:09 | |
Not yet. | 0:32:09 | 0:32:11 | |
It's got to be someone trying to muscle in. | 0:32:13 | 0:32:15 | |
They didn't take any gear. | 0:32:15 | 0:32:16 | |
Jimmy, they just trashed the place - | 0:32:16 | 0:32:17 | |
it's got to be the coppers. No. | 0:32:17 | 0:32:19 | |
I told you, no-one's looking at us. | 0:32:19 | 0:32:23 | |
If you're sure. | 0:32:23 | 0:32:24 | |
Horse's mouth. | 0:32:24 | 0:32:25 | |
No, it's...it's amateurs, | 0:32:26 | 0:32:28 | |
just trying their luck, hoping to find a bit of cash. | 0:32:28 | 0:32:31 | |
I don't care who it is, | 0:32:33 | 0:32:34 | |
I want them strung up. | 0:32:34 | 0:32:35 | |
We'll find them. | 0:32:35 | 0:32:37 | |
Look, the boys from Gatwick have been on the phone - | 0:32:37 | 0:32:40 | |
their shifts change again at the end of the week. | 0:32:40 | 0:32:43 | |
They come off nights on Saturday, they get a day off on Sunday | 0:32:43 | 0:32:45 | |
and then the new shifts are handed out on Monday morning. | 0:32:45 | 0:32:48 | |
Jimmy? Jimmy! | 0:32:48 | 0:32:50 | |
If we miss this window, | 0:32:51 | 0:32:53 | |
they might not be back on cargo for months, you understand? | 0:32:53 | 0:32:56 | |
Point taken. | 0:32:56 | 0:32:57 | |
So, we on or not? | 0:33:06 | 0:33:07 | |
Yeah, horse's mouth says we're fireproof till the end of the month, | 0:33:08 | 0:33:12 | |
while they have their little inquiry. | 0:33:12 | 0:33:14 | |
So now's as good a time as any. | 0:33:14 | 0:33:16 | |
We bring it in tomorrow. | 0:33:17 | 0:33:19 | |
I'll let 'em know. | 0:33:22 | 0:33:23 | |
Where's yours? | 0:33:29 | 0:33:31 | |
I'm all right. | 0:33:31 | 0:33:32 | |
I didn't ask you how you were, | 0:33:32 | 0:33:34 | |
I asked you where your drink was. | 0:33:34 | 0:33:36 | |
Yeah I'm...I'm going to have one later. Have mine. | 0:33:36 | 0:33:38 | |
I'm fine, Jamie, seriously. | 0:33:42 | 0:33:44 | |
That's better. | 0:33:57 | 0:33:58 | |
Jimmy, we're on. | 0:34:01 | 0:34:03 | |
Switch is on Preston Road, under the motorway, first thing. | 0:34:03 | 0:34:06 | |
You tell every dealer we've got | 0:34:06 | 0:34:08 | |
to cancel what they're doing this weekend. | 0:34:08 | 0:34:10 | |
I want every ounce of that stuff out! | 0:34:10 | 0:34:12 | |
All sounds a bit serious. | 0:34:20 | 0:34:22 | |
Nothing for you to worry about. | 0:34:22 | 0:34:24 | |
Yeah, no, I know. I was just making conversation. | 0:34:24 | 0:34:27 | |
Conversation? No offence, love, but... | 0:34:27 | 0:34:30 | |
..conversation ain't why you're here. | 0:34:33 | 0:34:35 | |
Wait, Jamie. | 0:34:50 | 0:34:53 | |
Wait. What if Banksy comes back? | 0:34:53 | 0:34:55 | |
Oh, it'll give him a little thrill. | 0:34:55 | 0:34:57 | |
No, listen... Jamie, can we... | 0:34:57 | 0:35:00 | |
Listen - let's go in the bedroom, yeah? | 0:35:00 | 0:35:03 | |
It'll be better, I promise. | 0:35:03 | 0:35:05 | |
Just give me two minutes, OK? I'm just going to freshen up. | 0:35:05 | 0:35:08 | |
PHONE RINGS | 0:35:42 | 0:35:44 | |
Robin. Charlie? | 0:35:44 | 0:35:45 | |
All right, listen - it's tomorrow, Preston Road, under the motorway. | 0:35:45 | 0:35:48 | |
That's fantastic. All right. | 0:35:48 | 0:35:49 | |
Now, you need to get out of there so just hang up the phone. | 0:35:49 | 0:35:52 | |
OK. I think I'm going to be a while cos I'm going to need an excuse. | 0:35:52 | 0:35:55 | |
All right, well done. | 0:35:55 | 0:35:56 | |
Just don't worry, all right? You've been brilliant, Robin. | 0:35:56 | 0:35:59 | |
You just need to make your excuses and get out of there. | 0:35:59 | 0:36:01 | |
But don't rush. Just be subtle, do it like normal... | 0:36:01 | 0:36:04 | |
Robin? | 0:36:04 | 0:36:05 | |
Robin?! | 0:36:06 | 0:36:07 | |
Shit! | 0:36:13 | 0:36:14 | |
Guys, Robin just called me | 0:36:17 | 0:36:18 | |
'and then the line went dead. | 0:36:18 | 0:36:20 | |
'She said she's coming out but I'm worried.' | 0:36:20 | 0:36:22 | |
Give it a couple of minutes. | 0:36:22 | 0:36:25 | |
Jack, I think we should go in. | 0:36:25 | 0:36:26 | |
That might put her in more danger. Just two minutes, Charlie, yeah? | 0:36:26 | 0:36:30 | |
Sit tight. | 0:36:30 | 0:36:31 | |
Charlie? | 0:36:55 | 0:36:56 | |
Charlie, what's happening? | 0:36:58 | 0:37:00 | |
MACHINE BEEPS I've lost Charlie. | 0:37:07 | 0:37:10 | |
What do you mean you've lost him? Charlie? | 0:37:10 | 0:37:13 | |
No, there's no signal. His audio's down. | 0:37:13 | 0:37:15 | |
Something's wrong, | 0:37:27 | 0:37:29 | |
Check on him, I'm going in. Yeah. | 0:37:29 | 0:37:31 | |
He's gone. | 0:37:41 | 0:37:42 | |
CRUNCHING | 0:37:44 | 0:37:46 | |
I've just found Charlie's ear piece. | 0:37:50 | 0:37:52 | |
I think they're on to us. | 0:37:58 | 0:37:59 | |
Careful up there, Jack. | 0:38:06 | 0:38:07 | |
They're gone. | 0:38:13 | 0:38:14 | |
Naughty. | 0:38:26 | 0:38:28 | |
Who is he? | 0:38:30 | 0:38:31 | |
He's a friend, I know him from the estate. | 0:38:31 | 0:38:33 | |
A friend who just happened to be parked outside | 0:38:33 | 0:38:36 | |
with a microphone and an ear piece? | 0:38:36 | 0:38:38 | |
WHIMPERING: OK, he's a cop. | 0:38:38 | 0:38:40 | |
Was he on his own? | 0:38:49 | 0:38:50 | |
Tom, come on, mate. Give me something. | 0:38:52 | 0:38:54 | |
I'm...I'm trying to find his car. | 0:38:56 | 0:39:01 | |
Yeah, well try harder. Come on, TomTom. | 0:39:01 | 0:39:02 | |
That is really not helping. | 0:39:02 | 0:39:05 | |
(Come on. Come on.) | 0:39:05 | 0:39:07 | |
CAINE: Don't lie. Was he on his own? | 0:39:07 | 0:39:10 | |
How many? | 0:39:12 | 0:39:13 | |
Four. | 0:39:16 | 0:39:18 | |
And the one in charge, the boss, | 0:39:19 | 0:39:22 | |
was he a Northerner? | 0:39:22 | 0:39:23 | |
This one of them? | 0:39:26 | 0:39:28 | |
Yeah. | 0:39:28 | 0:39:29 | |
Got you! JESS: Where? | 0:39:37 | 0:39:39 | |
'Heading East. 15 minutes ago.' | 0:39:39 | 0:39:40 | |
Tracking him through, now. HURRIED TYPING | 0:39:40 | 0:39:43 | |
'He drove over the river then turned into Barnes Road.' | 0:39:43 | 0:39:45 | |
'Caine's pill factory?' | 0:39:45 | 0:39:46 | |
Yeah. | 0:39:46 | 0:39:47 | |
CAINE: Name, rank and serial number. | 0:39:53 | 0:39:55 | |
Just your name. | 0:39:56 | 0:39:58 | |
Mr... | 0:39:58 | 0:39:59 | |
..Plod? | 0:40:01 | 0:40:02 | |
Well?! | 0:40:03 | 0:40:05 | |
Stop, please! His name's Charlie, all right? | 0:40:07 | 0:40:09 | |
It's Charlie O'Brien. | 0:40:09 | 0:40:11 | |
Just stop! | 0:40:11 | 0:40:12 | |
Charlie? | 0:40:12 | 0:40:14 | |
Tough guy. | 0:40:16 | 0:40:17 | |
I recognise that look. | 0:40:17 | 0:40:20 | |
Let me tell you, Charlie, before I leave, | 0:40:20 | 0:40:22 | |
you will have told me absolutely everything I need to know. | 0:40:22 | 0:40:25 | |
You want to know why? | 0:40:26 | 0:40:28 | |
Because in our world it's not about being tough. | 0:40:29 | 0:40:32 | |
Lots of tough nuts out there, | 0:40:32 | 0:40:34 | |
on the dole. | 0:40:34 | 0:40:36 | |
lots of muscle-bound Herberts without a pot to piss in. | 0:40:37 | 0:40:42 | |
It's not about how tough you are, | 0:40:42 | 0:40:45 | |
it's about how far you're prepared to go | 0:40:45 | 0:40:48 | |
to get what you want. | 0:40:48 | 0:40:50 | |
You punch me, I'll stab you. | 0:40:51 | 0:40:53 | |
You stab me, I'll shoot you. | 0:40:53 | 0:40:54 | |
You shoot me, I'll kill every member of your family. | 0:40:54 | 0:40:57 | |
However far you go... | 0:41:00 | 0:41:02 | |
..I'll go further. | 0:41:03 | 0:41:04 | |
Gets to the point where nobody wants to play with you any more. | 0:41:05 | 0:41:11 | |
So, tough boy Charlie, I want to know... | 0:41:11 | 0:41:15 | |
..what department you work for... Don't touch her! | 0:41:17 | 0:41:19 | |
..what evidence you have | 0:41:19 | 0:41:20 | |
and what you know about my business. | 0:41:20 | 0:41:24 | |
Now, I'm going to count to three. | 0:41:24 | 0:41:25 | |
One... | 0:41:26 | 0:41:27 | |
No! | 0:41:27 | 0:41:29 | |
Whoops. | 0:41:32 | 0:41:33 | |
Your turn. | 0:41:37 | 0:41:39 | |
No, no, no, no, no, no! | 0:42:02 | 0:42:04 | |
Charlie? Charlie, mate? | 0:42:06 | 0:42:08 | |
She's dead. Jesus Christ, Charlie, what have they done to you? Charlie! | 0:42:08 | 0:42:11 | |
Charlie! Oh, TomTom, call an ambulance! | 0:42:11 | 0:42:13 | |
Right now! | 0:42:13 | 0:42:14 | |
It's on its way. | 0:42:14 | 0:42:15 | |
Can you hear me? OK, OK... Stay awake. | 0:42:20 | 0:42:22 | |
You've got to stay with us, mate. CHARLIE GROANS | 0:42:22 | 0:42:24 | |
Charlie? That's it. Yeah, I'm here. | 0:42:24 | 0:42:26 | |
I'm here. Can you open your eyes for me? | 0:42:26 | 0:42:27 | |
It's all right. Charlie, can you open your eyes? Stay awake. | 0:42:27 | 0:42:30 | |
Charlie, don't speak. It's all right. Just hold on. | 0:42:30 | 0:42:33 | |
Just hold on, you've got to stay awake. | 0:42:33 | 0:42:34 | |
Charlie, I'm here, mate. | 0:42:34 | 0:42:35 | |
Me and Jess are here, yeah? We've got you. OK. | 0:42:35 | 0:42:38 | |
Ambulance is on its way, pal, yeah? We're going to get you fixed up. | 0:42:38 | 0:42:41 | |
Charlie? Stay awake for me, Charlie. | 0:42:52 | 0:42:54 | |
Charlie! Charlie, open your eyes. | 0:42:54 | 0:42:56 | |
That's it. | 0:42:56 | 0:42:58 | |
That's it. You're going to be OK, pal. | 0:42:58 | 0:43:00 | |
That's the ambulance now, Charlie. Can you hear that? | 0:43:00 | 0:43:03 | |
Preston... | 0:43:22 | 0:43:24 | |
Preston Road. | 0:43:24 | 0:43:26 | |
OK, mate. CHARLIE BEGINS COUGHING | 0:43:26 | 0:43:28 | |
Oh, God. OK, mate, OK. | 0:43:28 | 0:43:29 | |
Don't speak now, just relax. OK. All right, all right, all right. | 0:43:29 | 0:43:32 | |
Preston Road motorway... | 0:43:32 | 0:43:34 | |
tomorrow morning. | 0:43:34 | 0:43:35 | |
It's all right, mate, I've got you. | 0:43:35 | 0:43:37 | |
Yeah? Ambulance is here. | 0:43:37 | 0:43:38 | |
We're going to get you fixed up. Where's Robin? | 0:43:38 | 0:43:41 | |
Where's Robin? Where's Robin? | 0:43:41 | 0:43:44 | |
She's here, mate. She's OK. | 0:43:44 | 0:43:45 | |
Get them for me, Jack. | 0:43:45 | 0:43:47 | |
Yeah. Hold on, hold on, we'll all get 'em, yeah? | 0:43:47 | 0:43:49 | |
Me, you, Jess, TomTom - we'll all get them, yeah? | 0:43:49 | 0:43:52 | |
Promise me. | 0:43:52 | 0:43:53 | |
I promise you, mate. I promise you. | 0:43:53 | 0:43:54 | |
Over here, quickly! OK... | 0:43:54 | 0:43:56 | |
Jack! | 0:43:56 | 0:43:58 | |
BACKGROUND MUSIC DROWNS SPEECH | 0:44:08 | 0:44:11 | |
Don't. Let them do what they need to. | 0:44:33 | 0:44:36 | |
He's a kid. He wouldn't have been here if it wasn't for me. | 0:44:36 | 0:44:38 | |
None of us would be here if it wasn't for you, Jack. | 0:44:38 | 0:44:40 | |
I shouldn't have dragged him into this. Jack, | 0:44:40 | 0:44:42 | |
we're all here because we want to be, | 0:44:42 | 0:44:44 | |
because we believe in what we do - Charlie as much as everybody else. | 0:44:44 | 0:44:47 | |
This isn't your fault. | 0:44:47 | 0:44:49 | |
I left him on his own. | 0:44:49 | 0:44:50 | |
We all did. How is he? | 0:44:50 | 0:44:52 | |
Hey. | 0:44:54 | 0:44:56 | |
Can we place Caine at the scene? | 0:44:56 | 0:44:58 | |
Give me something so we can pick him up - anything. | 0:45:01 | 0:45:04 | |
Charlie was on a stakeout and he...disappeared. | 0:45:04 | 0:45:07 | |
We found him like that, there was no-one else here. | 0:45:07 | 0:45:10 | |
What a mess. | 0:45:12 | 0:45:13 | |
I'm sorry about young Charlie, | 0:45:25 | 0:45:27 | |
truly I am. | 0:45:27 | 0:45:28 | |
There will be other ramifications. | 0:45:30 | 0:45:33 | |
Like what? | 0:45:33 | 0:45:34 | |
I can't lie to the inquiry | 0:45:35 | 0:45:37 | |
about what Charlie was doing outside Caine's apartment. | 0:45:37 | 0:45:41 | |
Which means everything will have to come out, | 0:45:41 | 0:45:43 | |
including the involvement of you and the rest of your team. | 0:45:43 | 0:45:46 | |
And ultimately... | 0:45:46 | 0:45:47 | |
..that we disobeyed a direct order to stay away from Caine | 0:45:49 | 0:45:53 | |
which means we will lose every friend we had with any influence. | 0:45:53 | 0:45:57 | |
We'll be finished. | 0:45:59 | 0:46:00 | |
It's over, Jack. I'm sorry. | 0:46:03 | 0:46:05 | |
So what's going on, Helen? Tell me everything. | 0:46:16 | 0:46:17 | |
We're on for the morning. | 0:46:41 | 0:46:43 | |
We clear or not? | 0:46:43 | 0:46:44 | |
All right. Well, you've got this number. | 0:46:58 | 0:47:00 | |
If you could, thank you. | 0:47:01 | 0:47:03 | |
He's still in theatre. | 0:47:07 | 0:47:08 | |
Am I the only one who thinks this is really wrong? | 0:47:10 | 0:47:12 | |
I mean Caine murders that girl and then he leaves Charlie for dead | 0:47:14 | 0:47:18 | |
and instead of sending us after him, they're just closing us down? | 0:47:18 | 0:47:21 | |
We knew the risks when we went after Caine. | 0:47:21 | 0:47:23 | |
So he wins? What do you want us to do, TomTom? | 0:47:26 | 0:47:27 | |
What are we supposed to do!? | 0:47:27 | 0:47:29 | |
Something! | 0:47:29 | 0:47:30 | |
Something. | 0:47:32 | 0:47:33 | |
She was 17 years old. | 0:47:35 | 0:47:36 | |
No-one said anything about giving up. | 0:47:38 | 0:47:41 | |
What do you mean? | 0:47:41 | 0:47:42 | |
I made Charlie two promises today - | 0:47:42 | 0:47:45 | |
that Robin would be safe and that we'd get Caine. | 0:47:45 | 0:47:47 | |
Now, I've broken one of those promises | 0:47:47 | 0:47:49 | |
and I don't intend to break the other. | 0:47:49 | 0:47:51 | |
The last thing Charlie did | 0:47:53 | 0:47:54 | |
was tell us where Caine's 2C-9 would be tomorrow morning. | 0:47:54 | 0:47:57 | |
So I guess we should phone that in. | 0:47:57 | 0:47:58 | |
What, and risk him getting tipped off again? | 0:47:58 | 0:48:01 | |
Jess? Yeah. Yeah, I'm in. | 0:48:02 | 0:48:05 | |
Me too. | 0:48:06 | 0:48:07 | |
For Charlie, right? | 0:48:08 | 0:48:10 | |
COMPUTER BEEPS | 0:48:12 | 0:48:14 | |
Caine's made a call on his smartphone. | 0:48:18 | 0:48:20 | |
I've got a number. | 0:48:20 | 0:48:21 | |
Arrangements for tomorrow? | 0:48:21 | 0:48:23 | |
Must be. | 0:48:30 | 0:48:32 | |
Well, at least we know it's still going ahead. | 0:48:32 | 0:48:34 | |
So, it's just two guys. | 0:49:13 | 0:49:15 | |
Unless there's anyone else inside. | 0:49:15 | 0:49:19 | |
Do you think they're armed? | 0:49:19 | 0:49:20 | |
No, they're just delivery boys. | 0:49:20 | 0:49:22 | |
ENGINE NOISE APPROACHES | 0:49:22 | 0:49:25 | |
Here we go. | 0:49:33 | 0:49:34 | |
SPEECH NOT AUDIBLE | 0:49:39 | 0:49:43 | |
That's a lot of merchandise. | 0:49:50 | 0:49:51 | |
Yeah, and how many people would it kill? | 0:49:51 | 0:49:53 | |
Where's Caine? | 0:49:59 | 0:50:01 | |
He's here. | 0:50:10 | 0:50:11 | |
Why's he not coming over? | 0:50:12 | 0:50:15 | |
He will. | 0:50:15 | 0:50:16 | |
He's moving. | 0:50:19 | 0:50:20 | |
Caine's here. | 0:50:30 | 0:50:32 | |
Thank you. We're on. | 0:50:32 | 0:50:34 | |
INDISTINCT SPEECH | 0:50:41 | 0:50:44 | |
Helen, what's going on? | 0:50:47 | 0:50:49 | |
Ready? | 0:50:54 | 0:50:55 | |
As I'll ever be. | 0:50:55 | 0:50:56 | |
Go. | 0:50:58 | 0:51:00 | |
TYRES SCREECH | 0:51:00 | 0:51:02 | |
Nobody move. | 0:51:07 | 0:51:08 | |
Whoa, whoa, OK. Stop. | 0:51:08 | 0:51:09 | |
Hey! | 0:51:11 | 0:51:12 | |
Don't... | 0:51:12 | 0:51:13 | |
Run! | 0:51:15 | 0:51:16 | |
GRUNTING AND MOANING | 0:51:20 | 0:51:23 | |
Jess! | 0:51:37 | 0:51:38 | |
Get his hands. | 0:51:42 | 0:51:43 | |
HE WAILS IN PAIN | 0:51:43 | 0:51:45 | |
I would have had him, you know. | 0:51:45 | 0:51:46 | |
I don't doubt it, my friend. | 0:51:46 | 0:51:48 | |
Ow. | 0:51:50 | 0:51:51 | |
I'll have your job for this. | 0:51:59 | 0:52:01 | |
I should have known it was you, the moment you warned me off. | 0:52:01 | 0:52:04 | |
What the hell are you talking about, woman? | 0:52:04 | 0:52:06 | |
Jamie Caine made a call last night... | 0:52:07 | 0:52:09 | |
We're on for tomorrow morning. We clear, or not? | 0:52:09 | 0:52:13 | |
Caine's made a call on his smartphone. | 0:52:13 | 0:52:15 | |
Arrangements for tomorrow? Must be. | 0:52:15 | 0:52:17 | |
..you'll never guess who to. | 0:52:22 | 0:52:24 | |
Thank you, Damien. | 0:52:24 | 0:52:26 | |
You told him it would be all clear, didn't you? | 0:52:27 | 0:52:30 | |
We'll be finished. There's no way we can continue. | 0:52:30 | 0:52:33 | |
It's over, Jack. | 0:52:33 | 0:52:35 | |
So what's going on, Helen? Tell me everything. | 0:52:35 | 0:52:37 | |
We've already searched your office. | 0:52:39 | 0:52:41 | |
How long has Caine been supplying you? | 0:52:48 | 0:52:51 | |
Stay there. | 0:52:55 | 0:52:57 | |
Hey, you all right? | 0:53:00 | 0:53:02 | |
Yeah. | 0:53:02 | 0:53:03 | |
So where's Jack? | 0:53:05 | 0:53:06 | |
You looking for me, boy? Eh? You looking for me?! | 0:53:33 | 0:53:36 | |
You want to ask me a couple of questions, do you, boy? | 0:53:44 | 0:53:48 | |
Eh? | 0:53:48 | 0:53:49 | |
You must be Jack Quinn. | 0:54:25 | 0:54:26 | |
That's right. | 0:54:27 | 0:54:28 | |
A very good friend told me about you. | 0:54:30 | 0:54:32 | |
Said I could serve you up and no-one would bat an eye... | 0:54:34 | 0:54:37 | |
..being as you don't exist. | 0:54:38 | 0:54:41 | |
Oh, I'm real enough to take care of you. | 0:54:43 | 0:54:45 | |
Oh, yeah... | 0:54:45 | 0:54:47 | |
your boy told me what a hard nut you are. | 0:54:47 | 0:54:50 | |
Course, he didn't want to say anything at first - | 0:54:50 | 0:54:52 | |
strong silent type. | 0:54:52 | 0:54:54 | |
Then I prized off his kneecap. | 0:54:54 | 0:54:56 | |
I'm always amazed at the sound a human being can make | 0:54:58 | 0:55:03 | |
when they're in pain like that. | 0:55:03 | 0:55:05 | |
If you'd have seen him writhing about, making this noise - | 0:55:05 | 0:55:10 | |
he wasn't like a man, | 0:55:10 | 0:55:11 | |
he was more like an animal. | 0:55:11 | 0:55:13 | |
But then I suppose that's all we are, Jack, | 0:55:15 | 0:55:17 | |
at the end of the day. | 0:55:17 | 0:55:19 | |
Animals. | 0:55:19 | 0:55:21 | |
Why did you have to kill the girl? | 0:55:21 | 0:55:22 | |
Oh, that sounds dramatic. | 0:55:22 | 0:55:24 | |
She was a little drug addict, that's all she'd ever have been. | 0:55:26 | 0:55:28 | |
Come on then... | 0:55:32 | 0:55:33 | |
..let's get on with it. | 0:55:35 | 0:55:36 | |
Get what on with what? | 0:55:37 | 0:55:39 | |
The dance. | 0:55:39 | 0:55:40 | |
You want me to talk you through it? | 0:55:41 | 0:55:43 | |
You take me in for 36 hours. | 0:55:43 | 0:55:46 | |
You make me dinner, you make me tea, you call me "Sir". | 0:55:46 | 0:55:49 | |
I call my brief, he tells you | 0:55:49 | 0:55:51 | |
you don't have a shred of evidence | 0:55:51 | 0:55:53 | |
and I'm sprung. | 0:55:53 | 0:55:54 | |
Not this time. | 0:55:56 | 0:55:57 | |
I was just going for a walk along the canal, you've got nothing on me! | 0:55:57 | 0:56:00 | |
We'll find forensics to put you at the murder scene. | 0:56:00 | 0:56:03 | |
I go there every week. Charlie will testify. Charlie won't make it. | 0:56:03 | 0:56:06 | |
And if he does, I'll have what's left of him rubbed out. | 0:56:06 | 0:56:08 | |
I might even get someone to confess to that murder. | 0:56:10 | 0:56:13 | |
Say they put my DNA there to fit me up. | 0:56:13 | 0:56:16 | |
Why would anyone do that for me? Eh, Jack? | 0:56:16 | 0:56:19 | |
Because if they don't, | 0:56:20 | 0:56:21 | |
their kids will get their throats cut in their sleep. | 0:56:21 | 0:56:25 | |
Their mum will end up at the bottom of the canal. | 0:56:25 | 0:56:27 | |
Their missus...well. | 0:56:27 | 0:56:29 | |
You see that's why the likes of you | 0:56:32 | 0:56:34 | |
can never beat the likes of me. | 0:56:34 | 0:56:37 | |
Because you have to stop with the law... | 0:56:37 | 0:56:40 | |
..where I can go as far as I need to. | 0:56:41 | 0:56:43 | |
And there's nothing you can do about it. | 0:56:45 | 0:56:47 | |
I wouldn't count on that. | 0:56:49 | 0:56:50 | |
Oh, come on, sweetheart, | 0:56:52 | 0:56:55 | |
we both know you're not going to pull the trigger. | 0:56:55 | 0:56:57 | |
You're a cop, aren't you? | 0:56:57 | 0:57:00 | |
Yeah, well, like I told a very good friend of mine once, | 0:57:01 | 0:57:04 | |
the world's changed a bit. | 0:57:04 | 0:57:06 | |
It had to | 0:57:06 | 0:57:08 | |
because of scum like you. | 0:57:08 | 0:57:09 | |
So, yeah, you might be right about your 36 hours | 0:57:11 | 0:57:13 | |
and your brief getting you off. | 0:57:13 | 0:57:15 | |
But you're wrong about how far I'll go to stop you hurting people. | 0:57:15 | 0:57:19 | |
You see, it all comes down to the fact that in this world, | 0:57:19 | 0:57:22 | |
there's good guys and bad guys. | 0:57:22 | 0:57:24 | |
White hats and black hats - just like the movies. | 0:57:24 | 0:57:27 | |
That good friend of mine's name is Charlie O'Brien. | 0:57:27 | 0:57:30 | |
And what me and Charlie do is we go after bad guys just like you | 0:57:31 | 0:57:35 | |
and we get them off the streets - | 0:57:35 | 0:57:37 | |
by any means, whatever it takes. | 0:57:37 | 0:57:39 | |
So whatever you did to him last night, | 0:57:39 | 0:57:41 | |
he's standing here right now, pointing this gun at your head. | 0:57:41 | 0:57:44 | |
Like I said, you can't use that. You're a policeman. | 0:57:48 | 0:57:50 | |
You are a cop... | 0:57:55 | 0:57:56 | |
..aren't you? | 0:57:58 | 0:57:59 | |
It's a grey area. | 0:58:04 | 0:58:05 | |
GUN FIRES | 0:58:08 | 0:58:10 | |
Subtitles by Red Bee Media Ltd | 0:58:29 | 0:58:33 |