Browse content similar to Affirmative Action. Check below for episodes and series from the same categories and more!
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Will you come on? We're still early! | 0:01:20 | 0:01:23 | |
Four minutes! What are they gonna do - fire us? Here, hold this. | 0:01:23 | 0:01:28 | |
Jeez...! | 0:01:28 | 0:01:31 | |
We'll miss the speech. Good! | 0:01:31 | 0:01:33 | |
WE didn't get a welcoming speech. | 0:01:33 | 0:01:36 | |
We weren't welcome, remember? Damn! Look at this! What are you doing? | 0:01:36 | 0:01:41 | |
They put the cream cheese on ONE side! Could you wait? | 0:01:41 | 0:01:45 | |
If I wait, I'll starve. Every time I go in, he throws a case at me. | 0:01:45 | 0:01:50 | |
With a new kid, it might ease up. I doubt it. Heard anything about her? | 0:01:50 | 0:01:55 | |
We'll see soon enough, if we ever get there! Relax. Eat some! Uh! | 0:01:55 | 0:02:00 | |
You'd feel better with breakfast. | 0:02:00 | 0:02:04 | |
I guess the department finally sized the scene up and realised we need help! | 0:02:04 | 0:02:09 | |
Not that you aren't doing your jobs, but the more the merrier, right? | 0:02:09 | 0:02:14 | |
So I'm happy to introduce the new detective, Diane...Tur-NER? Turner's fine. Turner. | 0:02:14 | 0:02:21 | |
I know you all wanna give her the big One-Four hello...! So, go ahead and do that. | 0:02:21 | 0:02:29 | |
Diane, the force is with you! | 0:02:29 | 0:02:31 | |
Let me show you your desk. | 0:02:33 | 0:02:35 | |
Get mine, would you? Yeah. | 0:02:43 | 0:02:45 | |
You missed the speech. Nuts(!) How's the new girl? I'll find out myself. | 0:02:45 | 0:02:51 | |
Why? If she's your type - anything that breathes - you probably hit on her. | 0:02:51 | 0:02:57 | |
If she said no, you'll tell me she's a bimbo. If she said yes, I don't wanna know. | 0:02:57 | 0:03:04 | |
I don't hit on every girl. Not Mary Beth. She's marrie... You did! When? Never mind. | 0:03:04 | 0:03:10 | |
I knew this was coming. Another girl in the squad room. Be nice to her. | 0:03:10 | 0:03:16 | |
Are you saying I should give her my special treatment? No, you shouldn't! | 0:03:16 | 0:03:21 | |
Good morning! You're late! | 0:03:21 | 0:03:24 | |
Sorry we missed the speech, sir. Hello! Hi! | 0:03:24 | 0:03:27 | |
Detective Diane Turner - Detectives Mary Beth Lacey and Christine Cagney. | 0:03:27 | 0:03:34 | |
You'll work together for a while. Lieutenant! I'll be right there. | 0:03:34 | 0:03:40 | |
You're on patrol. We were YESTERDAY! | 0:03:40 | 0:03:42 | |
No kiddin'. But we've got something hot on the elevator robberies and I've got no-one I can spare. | 0:03:42 | 0:03:49 | |
Once a week, we help out uniforms. I know! Of course! You were on the force...? Four years. | 0:03:49 | 0:03:56 | |
Really? Took me eight years to make detective. I got lucky. Probably harder in those days, anyway. | 0:03:56 | 0:04:03 | |
Back in the '40s? | 0:04:03 | 0:04:06 | |
So, where were you in uniform? | 0:04:08 | 0:04:09 | |
Three-O. Yeah? Up by Morningside? I got used to it. Part of me liked it! | 0:04:09 | 0:04:14 | |
About six months ago, I was thinking about quitting | 0:04:14 | 0:04:18 | |
but after the Savage Knight case, I decided to stay. You cracked that? | 0:04:18 | 0:04:24 | |
I found him, yeah. Why did you think of quitting? | 0:04:24 | 0:04:28 | |
It was a rough time. You start hating the money - not having any! | 0:04:28 | 0:04:33 | |
Which is funny, because that's why I became a cop. The money? This pays pretty well. | 0:04:33 | 0:04:38 | |
A lot of jobs do. | 0:04:38 | 0:04:41 | |
But where can you beat the hours?! I like the hours! Yeah(!) | 0:04:41 | 0:04:46 | |
I took some courses so I could maybe work as a lab technician. They do all right. You never think of leaving? | 0:04:46 | 0:04:54 | |
About four times a day! But this is what I've always wanted to do. | 0:04:54 | 0:04:58 | |
That must be nice, having that. Yeah. Yeah, it is! | 0:04:58 | 0:05:03 | |
TYRES SCREECH | 0:05:03 | 0:05:05 | |
Stop showing off! We gotta show Diane a little action! | 0:05:05 | 0:05:10 | |
Her first day and she's stuck on patrol! No, it's great. How soon before we hit something hot? | 0:05:10 | 0:05:17 | |
You're really cookin', aren't you? Just wanna get started. What's that? | 0:05:17 | 0:05:23 | |
Let's try it. You got it. | 0:05:25 | 0:05:28 | |
Hi, Gittens! They sent the first team in, huh? | 0:05:39 | 0:05:43 | |
What's goin' on? The arson guy's upstairs. | 0:05:43 | 0:05:46 | |
Any other detectives here? No, looks pretty routine. We'd better check it out, anyway. | 0:05:46 | 0:05:52 | |
Tell the crowds, no autographs, huh? | 0:05:52 | 0:05:55 | |
It smells in here. Yeah, it's the local roach motel. They all hang out here - hookers, junkies, | 0:06:11 | 0:06:16 | |
anybody who needs a room for a few minutes. | 0:06:16 | 0:06:19 | |
What are you ladies doing here? Detective Cagney... Oh, Diane! I didn't recognise you out of uniform. | 0:06:21 | 0:06:28 | |
Hi, Ben. How's it goin'? We just found a woman. Dead? Yeah. | 0:06:28 | 0:06:33 | |
Of course, I THINK it's a woman. It's a little hard to tell. She's over here. | 0:06:33 | 0:06:36 | |
The medical examiner's on his way. | 0:06:40 | 0:06:43 | |
Dear Lord! Any sign of arson? Not that we found. | 0:06:44 | 0:06:48 | |
Pack of cigarettes. Needles lying around. Looks like the fire started here. | 0:06:48 | 0:06:54 | |
So, some junkie? Mmm. Poor thing. | 0:06:54 | 0:06:57 | |
Hey, careful! Don't touch anything. Any ID? No. | 0:06:57 | 0:07:01 | |
She was KILLED, before the fire. | 0:07:01 | 0:07:04 | |
In the left eye, you can see ruptured blood vessels. She was strangled. | 0:07:04 | 0:07:09 | |
Maybe. There's some haemorrhaging but I... No, it's there, a particular haemorrhage. | 0:07:09 | 0:07:16 | |
It's very slight. She died facing down. Could be natural causes. | 0:07:16 | 0:07:21 | |
I guess it could. | 0:07:21 | 0:07:23 | |
Maybe. | 0:07:23 | 0:07:25 | |
When you're ready we'll show you how to fill out DD5s. | 0:07:27 | 0:07:29 | |
I'll be a couple of minutes. Want a candy bar? No, thanks. | 0:07:29 | 0:07:33 | |
What? How d'you think she's gonna work out? | 0:07:36 | 0:07:40 | |
Fine. Why? I get nervous when I hear people are in it for money. | 0:07:40 | 0:07:45 | |
Then be nervous about 80% of the force. That's why I did it. Well, sometimes it works out. Thank you. | 0:07:45 | 0:07:52 | |
Sure. So how did it go? She'll be very good, sir. | 0:07:52 | 0:07:57 | |
I have to file reports on her, so be straight with me. | 0:07:57 | 0:08:01 | |
Really, she IS fine. She's a little over-eager, but it's her first day. What d'you mean? | 0:08:01 | 0:08:08 | |
We found a fire victim. She decided it was homicide. | 0:08:08 | 0:08:12 | |
She's looking for that kind of thing everywhere. It's her first day. What d'you expect? Keep me posted. | 0:08:12 | 0:08:19 | |
..I don't know. Something they teach in the lieutenants' handbook! | 0:08:26 | 0:08:31 | |
Honey? What are you doing? | 0:08:36 | 0:08:39 | |
I was around the corner on a job. I decided to stop by. | 0:08:39 | 0:08:43 | |
They said you'd be back in a few minutes. I figured it should be a laugh! That's funny! | 0:08:43 | 0:08:51 | |
Is that cute? | 0:08:51 | 0:08:53 | |
You should have seen your face! Yeah, I'll bet! | 0:08:53 | 0:08:57 | |
Hey, where you goin'? Hey, Mary Beth! Come on! | 0:08:59 | 0:09:04 | |
..It was a joke! I hate being embarrassed. It was a surprise! | 0:09:14 | 0:09:20 | |
I hate surprises. You LOVE them! Remember Lennox City? When? | 0:09:20 | 0:09:25 | |
Years ago, when it had just a boardwalk? We went to our room? | 0:09:25 | 0:09:30 | |
That...was a different kind of surprise, Harv. | 0:09:30 | 0:09:34 | |
New girl working out OK? Yeah, she's good. You're kidding! | 0:09:36 | 0:09:40 | |
No, she'll be good, she's just... Today is her first day. | 0:09:40 | 0:09:45 | |
It's going to work out. Sure. OK - it's weird having another woman. OK? | 0:09:45 | 0:09:51 | |
That's equality for you! It's her first day and she's very excited... | 0:09:51 | 0:09:56 | |
Was I like that on my first day? Yes. You still are. | 0:09:56 | 0:10:00 | |
Sometimes. | 0:10:00 | 0:10:02 | |
I think Christine scares her. What about you? She scares me too when she works on it! | 0:10:03 | 0:10:10 | |
Oh! I mean, do you scare the kid? | 0:10:10 | 0:10:13 | |
Me? (You.) | 0:10:13 | 0:10:15 | |
Nah. I'm not the scary type! Oh, no? | 0:10:15 | 0:10:18 | |
May I cut in? | 0:10:22 | 0:10:24 | |
Hiya! Hiya! The ME's office did a check on that body from the fire. | 0:10:24 | 0:10:30 | |
Oh, yeah? Yeah. The woman was murdered - strangled. Just like Diane said. | 0:10:30 | 0:10:37 | |
Here are those pictures. Oh! | 0:10:44 | 0:10:47 | |
Is that really you? I was taller then. | 0:10:47 | 0:10:51 | |
They used to assign me to escort the celebrities. | 0:10:51 | 0:10:55 | |
They had their own security but wanted an NYPD uniform. | 0:10:55 | 0:11:00 | |
Who was your favourite? Eleanor Roosevelt. She was special! And Virginia Mayo - we looked great! | 0:11:00 | 0:11:07 | |
Diane! Terrific call you made. Congratulations! Thanks very much. | 0:11:07 | 0:11:14 | |
What did I miss? We have a new hero in the squad room. | 0:11:14 | 0:11:19 | |
Well, good for her. | 0:11:20 | 0:11:23 | |
Yeah. No, I mean it! | 0:11:23 | 0:11:26 | |
She's very lucky. | 0:11:26 | 0:11:28 | |
It WAS a lucky call. Come on! She called it, we didn't. What can you do? | 0:11:30 | 0:11:35 | |
She had MEDICAL training! We didn't! Any doctor could have done the same. | 0:11:35 | 0:11:41 | |
What are you worried about? I'm not worried! I'm just... | 0:11:41 | 0:11:45 | |
I'm jealous and feeling sorry for myself! OK, that's different! | 0:11:45 | 0:11:50 | |
No, I'm glad for her. | 0:11:50 | 0:11:53 | |
I AM! I'm just... | 0:11:53 | 0:11:56 | |
I gotta stop remembering things. | 0:11:57 | 0:12:00 | |
Like, what we went through when we first showed up? Yeah, like that. | 0:12:00 | 0:12:04 | |
Oh, well. It made us strong, right? | 0:12:06 | 0:12:08 | |
Hey! Good for her! | 0:12:09 | 0:12:12 | |
Morning! How are you? Good. Good! What do we do now? | 0:12:13 | 0:12:18 | |
We usually have a couple of coffees, sit around, see if anybody brought in some Danish. | 0:12:18 | 0:12:25 | |
As for the investigation, we need to identify the body. Dental records. | 0:12:25 | 0:12:30 | |
You'd have to know who the person IS! We can't go around every dentist! | 0:12:30 | 0:12:35 | |
Dental records are used to identify Jane and John Does. We check with Missing Persons. Oh. | 0:12:35 | 0:12:40 | |
We should canvass the area. The ME's office is working up a sketch. | 0:12:40 | 0:12:48 | |
Yeah, they reconstruct it from the skeleton and hair fragments. I know. Sorry. | 0:12:48 | 0:12:53 | |
..Well, maybe we don't have to wait. We have a description. That's enough to go on. | 0:12:55 | 0:13:01 | |
Let's roll. | 0:13:01 | 0:13:03 | |
Maybe Mary Beth got something. | 0:13:03 | 0:13:05 | |
57 apartments. Shouldn't one of them have seen something? Get used to it. | 0:13:05 | 0:13:11 | |
Seemed like a long shot, anyway. That's all it ever was. | 0:13:11 | 0:13:15 | |
I don't wanna just lose this! We'll get it. This stuff just takes time. | 0:13:15 | 0:13:21 | |
Mind if we get something to eat? I'm starved. | 0:13:21 | 0:13:25 | |
What are you looking at? That woman. We didn't talk to her, did we? I don't remember. | 0:13:25 | 0:13:32 | |
We must have. We rang every doorbell. I don't think so. Come on. | 0:13:32 | 0:13:37 | |
Mrs Houghton, were you looking out the window before the fire started? | 0:13:37 | 0:13:42 | |
Course. So much happens out there, I wouldn't miss it. Look! | 0:13:42 | 0:13:47 | |
I don't like the TV any more. | 0:13:54 | 0:13:56 | |
All the stories about rich people's troubles, and the game shows. I know I'll never have any of those things. | 0:13:58 | 0:14:05 | |
I've seen all the movies they show. I just watch outside. | 0:14:06 | 0:14:09 | |
Make up my own. | 0:14:09 | 0:14:10 | |
Do you remember seeing anyone go into that building yesterday? | 0:14:11 | 0:14:15 | |
A man and a woman. Not a couple, you know, but together. | 0:14:15 | 0:14:20 | |
They got out of an automobile, like a taxicab, but not. What d'you mean? | 0:14:20 | 0:14:25 | |
Wasn't yellow. It was red. | 0:14:25 | 0:14:28 | |
But she was in the back. And he drove. | 0:14:30 | 0:14:32 | |
Like a taxicab, but...not. | 0:14:32 | 0:14:34 | |
Now, they weren't...happy. | 0:14:38 | 0:14:41 | |
..Please... Excuse me. | 0:14:41 | 0:14:45 | |
She didn't want to go with him. But he forced her inside. I believe she was crying. | 0:14:46 | 0:14:52 | |
Would you like some tea? ..No. No, thank you. Thank you, though. What else d'you remember? | 0:14:55 | 0:15:02 | |
Nuthin'. It wasn't a nice movie, so I stopped. | 0:15:02 | 0:15:07 | |
Could you describe the man? | 0:15:08 | 0:15:11 | |
No. | 0:15:11 | 0:15:13 | |
Please, this is important. I don't remember him. It's all right. | 0:15:16 | 0:15:21 | |
He wasn't nice, was he? | 0:15:26 | 0:15:28 | |
If you could describe him. Anything you say will be held in confidence. | 0:15:28 | 0:15:35 | |
You promise me? | 0:15:35 | 0:15:38 | |
Yes. | 0:15:38 | 0:15:39 | |
Please. | 0:15:41 | 0:15:43 | |
Mrs Houghton! | 0:15:45 | 0:15:46 | |
He may have killed her! If you don't tell us, he could come back! | 0:15:46 | 0:15:51 | |
I forget. I don't remember anything. | 0:15:52 | 0:15:56 | |
Just follow my lead! I thought I was supposed to be a detective! | 0:15:56 | 0:16:01 | |
I'm not used to being a teacher. We were in uniform a lot of years. | 0:16:01 | 0:16:06 | |
I've been out in the trenches too. Just seemed like a little intimidation would work there. | 0:16:06 | 0:16:11 | |
You have got to read people. I DID! What did you see? Someone we were supposed to get information from. | 0:16:13 | 0:16:21 | |
No, WHO did you see? What d'you have to give her to get what you want? | 0:16:21 | 0:16:26 | |
Never mind. We'll talk about it. | 0:16:29 | 0:16:31 | |
Maybe she didn't realise what she was doing. Did you listen? That's what I'm SAYING! Talked to Samuels? | 0:16:39 | 0:16:46 | |
Hell, no. I wanna give her a chance. I spent all afternoon trying to explain what she did wrong. | 0:16:46 | 0:16:53 | |
Can we discuss this later? You're making me nervous. | 0:16:53 | 0:16:57 | |
You were perfect in practice. Relax. There's no difference. The difference is this one counts. | 0:16:57 | 0:17:02 | |
ONE witness, and she scares her off! | 0:17:03 | 0:17:06 | |
YOU'D have known how to talk to her. We can bring her in - subpoena her. | 0:17:06 | 0:17:12 | |
If she remembers what he looks like! | 0:17:12 | 0:17:14 | |
She was a little off the planet. She needed special handling... | 0:17:14 | 0:17:19 | |
Can't hear you, Christine. ..Swell! Thanks! | 0:17:19 | 0:17:23 | |
I tell you, Mary Beth. I don't think she... Are you talking to me? | 0:17:26 | 0:17:31 | |
What? Never mind. | 0:17:31 | 0:17:34 | |
I don't think she gets it. It's her second day. She made a mistake. | 0:17:34 | 0:17:38 | |
It's not experience. It's to do with where your head's at. Whose head? | 0:17:38 | 0:17:44 | |
Diane's. I don't think she has it. You're making me nervous! | 0:17:44 | 0:17:49 | |
I want it to work out, I really do want to help... Look at that. Look at that! That's two points off. | 0:17:51 | 0:17:59 | |
I told her tomorrow to go to Missing Persons, see if anybody fits. | 0:17:59 | 0:18:03 | |
I told you not to talk. Now I gotta do this again! | 0:18:03 | 0:18:08 | |
Thank you very much, Christine! | 0:18:08 | 0:18:10 | |
I had an extra. | 0:18:17 | 0:18:19 | |
..The few remaining hairs I have... You look like you put your finger in a light socket! | 0:18:19 | 0:18:25 | |
Morning! Did you get up at dawn? Didn't take long! I just finished. | 0:18:25 | 0:18:31 | |
I never realised how many people disappear. | 0:18:31 | 0:18:36 | |
We were going to meet you upstairs. We picked up the sketch. Let me see. | 0:18:36 | 0:18:40 | |
No. I went over all missing persons reported in the last two weeks. Nothing. | 0:18:43 | 0:18:50 | |
There was nobody like this. Did Sam help you? Who? Sam, upstairs? Yeah - | 0:18:50 | 0:18:56 | |
he was OK. Well, let's check again, now we have the sketch. | 0:18:56 | 0:19:01 | |
The place was used by junkies and hookers - the killer must be a dealer or a pimp. | 0:19:01 | 0:19:07 | |
It's possible the woman had nothing to do with the building. She was driven there - | 0:19:07 | 0:19:14 | |
Mrs Houghton said. I'm not so sure the lady knew what she was saying. | 0:19:14 | 0:19:17 | |
She was really off, Mary Beth. | 0:19:17 | 0:19:20 | |
Doesn't it make more sense my way? | 0:19:20 | 0:19:23 | |
(I can't stand it!) Hey! | 0:19:24 | 0:19:27 | |
Did one of you guys give Isbecki my phone number? | 0:19:27 | 0:19:30 | |
I would like to talk to you later. | 0:19:33 | 0:19:35 | |
So, how you two guys doing on Diane's homicide case? | 0:19:40 | 0:19:45 | |
Fine, thank you. She's OK, you know. We really lucked out. | 0:19:45 | 0:19:49 | |
Chris isn't being too hard on her? Where d'you hear that? Nowhere. | 0:19:49 | 0:19:54 | |
But you know how she can get. No, I don't. | 0:19:54 | 0:19:59 | |
You ready? ..Oh, sure! We're going to lunch. I'll just be across the street if you need me. See you later. | 0:19:59 | 0:20:06 | |
Yeah. | 0:20:06 | 0:20:08 | |
PHONE RINGS Detective Lacey, 14th Squad. | 0:20:11 | 0:20:16 | |
Sam Kramer, Missing Persons. | 0:20:16 | 0:20:18 | |
Hi! How are you? | 0:20:18 | 0:20:19 | |
'If you're too busy to talk to me, I don't wanna waste your time.' | 0:20:19 | 0:20:23 | |
What's the matter? | 0:20:23 | 0:20:25 | |
I left two messages for you. I got 'em here. I just walked in. | 0:20:25 | 0:20:29 | |
'I also told your young lady to have you call me.' | 0:20:29 | 0:20:32 | |
Diane? | 0:20:32 | 0:20:34 | |
Well, I guess she forgot. I'm sorry, Sam. What was it? | 0:20:34 | 0:20:39 | |
I pointed this out when she was here but she told me I was off the mark! | 0:20:39 | 0:20:45 | |
You got something? | 0:20:45 | 0:20:47 | |
'I just got the coroner's sketch. | 0:20:47 | 0:20:49 | |
'I thought I was on to something before with the description. Now, matching up the pictures...' | 0:20:49 | 0:20:55 | |
What? | 0:20:55 | 0:20:57 | |
'A woman disappeared two days ago, last seen a couple of hours before your body turned up. | 0:20:57 | 0:21:02 | |
'The description fits.' | 0:21:02 | 0:21:05 | |
Read it to me. | 0:21:05 | 0:21:07 | |
Karen Zankowski, reported missing by her brother. Last seen leaving a clinic with one-month-old daughter, | 0:21:07 | 0:21:14 | |
'Alma. I am sure this is the one. Did you find the baby?' | 0:21:14 | 0:21:19 | |
No. | 0:21:19 | 0:21:21 | |
I saw Karen that morning before I left for work. | 0:21:22 | 0:21:26 | |
She lives two floors up. My sister likes to be independent. | 0:21:26 | 0:21:31 | |
The father? They weren't married. He wanted to, but we didn't need him. He returned to Costa Rica. | 0:21:31 | 0:21:39 | |
The last time you saw her - Monday? | 0:21:39 | 0:21:42 | |
Did she say where she'd be? She was taking Alma to the clinic. | 0:21:42 | 0:21:46 | |
How did she plan to get there? | 0:21:46 | 0:21:48 | |
Subway, but I made her use a car service. The drivers own their cars. | 0:21:48 | 0:21:55 | |
It's cheaper than a cab. The name of that service? Kiev. | 0:21:55 | 0:21:59 | |
They dropped her off but they were booked | 0:21:59 | 0:22:03 | |
when she was ready to come back. She probably took the subway. Independent, you know what I mean? | 0:22:03 | 0:22:09 | |
Em, Mr Zankowski. D'you wanna look at this picture? | 0:22:09 | 0:22:15 | |
Look like your sister? | 0:22:17 | 0:22:20 | |
It could be, yeah. Where d'you get this? | 0:22:20 | 0:22:24 | |
D'you know where she is? | 0:22:24 | 0:22:26 | |
I hate having to do that. | 0:22:28 | 0:22:31 | |
I'm sorry. I was sure! The building was used by hookers and junkies. | 0:22:31 | 0:22:36 | |
Anyway, the report says she was with the baby - our body was alone. | 0:22:36 | 0:22:41 | |
Didn't Sam try to tell you that? I didn't think it was important. | 0:22:41 | 0:22:46 | |
We've wasted time we could have spent looking for that child. I've only been doing this a few days! | 0:22:46 | 0:22:53 | |
The woman we talked to said they got out of a car. "Like a cab, but not." | 0:22:53 | 0:22:58 | |
So, the driver. Who? From the car service? Right! Let's bring him in! | 0:22:58 | 0:23:04 | |
We can't hold him without a positive ID. We can question him... Go easy! | 0:23:04 | 0:23:09 | |
If he has that baby, we can't panic him. D'you believe it's still alive? Yes, I do. Why? Because I have to. | 0:23:09 | 0:23:17 | |
Is that him, the guy who picked her up? Yeah, but I know these boys. | 0:23:31 | 0:23:36 | |
Ten minutes. OK. They got out of a red car. | 0:23:36 | 0:23:39 | |
There's 10,000 red cars in this city! You said he called in after he dropped her and took the day off! | 0:23:39 | 0:23:45 | |
Maybe he waited and offered to give her a ride home. | 0:23:45 | 0:23:50 | |
My boys don't do that. Everything is on the books. | 0:23:50 | 0:23:54 | |
Why are you talkin' to ME?! We're not saying you're doing anything... There's a missing baby involved. | 0:23:55 | 0:24:02 | |
Miss Gorky... What kind of crime are we talking about? D'you understand what we told you to do? | 0:24:02 | 0:24:07 | |
I don't need this kind of attention! D'you understand what we told you? | 0:24:07 | 0:24:13 | |
Yes! Thank you. | 0:24:16 | 0:24:19 | |
All right, bring him in. ..Call him in. | 0:24:19 | 0:24:22 | |
'Thibault, Debidart and Bufor - to the office.' | 0:24:22 | 0:24:26 | |
Come on! I'm just gettin' off! I know, but these ladies from the police want to talk to you. | 0:24:35 | 0:24:41 | |
Gentlemen...! Miss Gorky here tells us that Another Day, the soap opera, | 0:24:41 | 0:24:46 | |
uses your service to take actors to the studio. | 0:24:46 | 0:24:50 | |
You know, I love that programme. Ever since I was pregnant with my first kid, I got addicted to it. | 0:24:50 | 0:24:58 | |
Anyway, they have an actress - we can't say which one - | 0:24:58 | 0:25:02 | |
lost her keys in one of your cars. | 0:25:02 | 0:25:05 | |
She was burglarised while she was at work. Shame! | 0:25:05 | 0:25:09 | |
We need you to do an identification line-up at the station. OK? Do we have a choice? | 0:25:09 | 0:25:15 | |
No, no problem. Good! Good. ..Detective Lacey, could I see you outside for just a moment? | 0:25:15 | 0:25:22 | |
You get the names and addresses. | 0:25:22 | 0:25:25 | |
Thank you for your co-operation. | 0:25:25 | 0:25:28 | |
Think he bought it? Yeah. ..I want you to get rid of Diane. | 0:25:28 | 0:25:33 | |
What? Our witness is scared. God knows what Diane's gonna do! | 0:25:33 | 0:25:38 | |
Send her on some other case. Just ditch her for a couple of hours. | 0:25:40 | 0:25:45 | |
Why do I get stuck with losing her? Because if I have to look at her one more time, I'm gonna kill her! | 0:25:45 | 0:25:50 | |
SAMUELS: Just take your time, Mrs Houghton. | 0:25:53 | 0:25:58 | |
I HAVE. I ju... I don't know. | 0:25:58 | 0:26:00 | |
Perhaps that one on the end, there. Number six - step forward, please. | 0:26:02 | 0:26:07 | |
No, it's not. | 0:26:12 | 0:26:14 | |
Perhaps the one in the, em... turtleneck. | 0:26:16 | 0:26:19 | |
'Number four - step forward, please.' | 0:26:20 | 0:26:23 | |
I don't know! I must get it right. If I don't, he could come back... | 0:26:25 | 0:26:31 | |
No, dear. No, he won't. Nobody knows you're here. | 0:26:31 | 0:26:36 | |
Thank you. | 0:26:36 | 0:26:38 | |
I want to help you, but I don't know! It's all right. That's it. Thank you. | 0:26:38 | 0:26:44 | |
We'll go through the motions with the others to cover ourselves. Mrs Houghton? Thank you very much. | 0:26:44 | 0:26:52 | |
The officer will see you home. Thank you. | 0:26:52 | 0:26:55 | |
Could he, em... Could he stay with me, just for a time? Sure. | 0:26:55 | 0:27:00 | |
Thank you. | 0:27:02 | 0:27:03 | |
It's HIM! But we can't hold him. | 0:27:09 | 0:27:11 | |
But he'd better not try to skip. We'll tell him we made a mistake, but we know where to contact him. | 0:27:11 | 0:27:18 | |
Make him a little paranoid. Paranoid? | 0:27:18 | 0:27:22 | |
The man is a psycho! Anyone who takes a woman into a building in daylight and does that is crazy! | 0:27:22 | 0:27:29 | |
We've gotta move on this one! If that baby's still alive, I want her found. Yes, sir. | 0:27:29 | 0:27:36 | |
Where's Diane? We sent her out to the lab on that pharmacy break-in. | 0:27:36 | 0:27:41 | |
Well, that could have waited! We need her here! What are you two thinking? | 0:27:41 | 0:27:46 | |
All right. Come on, let's move! | 0:27:47 | 0:27:49 | |
If we're gonna be here all night, I'd better call Harv. | 0:27:53 | 0:27:55 | |
Samuels said we should be straight with him! It's not the right time! | 0:27:58 | 0:28:03 | |
What's our alternative? Keep our mouths shut and let her screw up again? No. | 0:28:03 | 0:28:08 | |
You know they think we're jealous? | 0:28:10 | 0:28:13 | |
Name names, Christine! I've been getting it from everybody! | 0:28:13 | 0:28:17 | |
The rookie cop catches the homicide, and we didn't. | 0:28:17 | 0:28:21 | |
They're crazy about her. La Guardia waltzes her down memory lane! | 0:28:23 | 0:28:27 | |
Chris, she's a likable person! D'you like her? I WANT to! | 0:28:27 | 0:28:32 | |
..All that hair is a little... Well, she's got a lot of good qualities. She's nice! | 0:28:34 | 0:28:39 | |
She dresses well, huh? | 0:28:41 | 0:28:43 | |
I would have her as a neighbour. | 0:28:43 | 0:28:46 | |
I'd have her over for DINNER - with the right crowd. | 0:28:46 | 0:28:50 | |
I'd let her watch out for my kids. ..Well, maybe I wouldn't... | 0:28:50 | 0:28:54 | |
What are we DOIN'? Would we be talkin' her over like this | 0:28:56 | 0:29:01 | |
if she was a man? | 0:29:01 | 0:29:02 | |
If she was a man, she'd never have been ASSIGNED to us! Chris! It's true! | 0:29:02 | 0:29:06 | |
I know what you're asking. No, I... | 0:29:09 | 0:29:12 | |
I'm treating her like I do everybody else. She just happens to be in over her head! | 0:29:12 | 0:29:18 | |
All right. So we don't give her anything too big. She's young and... | 0:29:18 | 0:29:24 | |
I mean, she's starting out. OK? | 0:29:24 | 0:29:28 | |
OK, fine. | 0:29:28 | 0:29:29 | |
You sure? | 0:29:29 | 0:29:31 | |
No! | 0:29:31 | 0:29:33 | |
..We'll call the people from the clinic - see if the victim talked to anybody, if anyone saw her leave... | 0:29:34 | 0:29:39 | |
Hi! D'you get that weapon from the lab? Yeah, I managed. Oh, good. What's going on, Mary Beth? | 0:29:43 | 0:29:50 | |
We couldn't get a positive ID. Why are you doing this to me? What? It's Cagney, right? | 0:29:50 | 0:29:57 | |
WHAT is? She's jealous cos I called the murder. | 0:29:59 | 0:30:03 | |
She's trying to force me out. | 0:30:03 | 0:30:06 | |
There's a missing child. What does that have to do with anything? | 0:30:06 | 0:30:11 | |
Oh, honey! I wish you knew! You don't really get it at all, do you? | 0:30:11 | 0:30:17 | |
Then TELL me! That's what you're HERE for, isn't it? NO! It is NOT! | 0:30:17 | 0:30:22 | |
Bert, you doin' anything? Run that upstairs, will you? | 0:30:26 | 0:30:28 | |
Cagney! Lacey! In here. | 0:30:30 | 0:30:33 | |
Pull the door, Cagney. | 0:30:39 | 0:30:41 | |
You two got a problem? No, sir. Yes! Yes, we do. I'm gettin' that drift! | 0:30:44 | 0:30:48 | |
Wanna talk about it? Not really. Turner not up to your standards? | 0:30:48 | 0:30:53 | |
If you want the truth - no, she isn't. I expected this from the guys out there - not from you two! | 0:30:55 | 0:31:01 | |
What? Women should stick together? | 0:31:01 | 0:31:04 | |
I ditched that with my "You've come a long way, baby" keychain! | 0:31:04 | 0:31:08 | |
She must have SOMETHING! You know she cracked the Savage Knight case? | 0:31:08 | 0:31:15 | |
She spotted the plate and turned in the car. | 0:31:15 | 0:31:18 | |
I'm not taking her off this case! We didn't ask you to. You'd like it. If we had the option, yes. | 0:31:18 | 0:31:25 | |
Come on, lieutenant. | 0:31:25 | 0:31:28 | |
This is important. I don't think she can handle it. We could move faster. | 0:31:28 | 0:31:33 | |
There IS no option. She gets the same chance as everybody else! | 0:31:33 | 0:31:37 | |
Now, get back to work. Yes, sir. | 0:31:37 | 0:31:40 | |
FAINT OPERA SINGING | 0:31:44 | 0:31:46 | |
HE SINGS | 0:31:52 | 0:31:55 | |
Christine, check December 23rd. | 0:31:55 | 0:31:58 | |
See if Elena Quintero and/or Karen Zankowski had an appointment. | 0:31:58 | 0:32:02 | |
SINGING CONTINUES | 0:32:02 | 0:32:05 | |
Quintero? ..Yeah, at 10 o'clock. | 0:32:08 | 0:32:11 | |
Zankowski, nothing. | 0:32:11 | 0:32:13 | |
What about January 5th? Uh, Zankowski 2.45. Quintero...3.30. Why? Wait a minute! | 0:32:13 | 0:32:21 | |
Would somebody shut him up? Bloomingdale's baritone(!) | 0:32:21 | 0:32:24 | |
Isbecki? The doc said she brought the kid in for an earache. Didn't mention a driver. | 0:32:32 | 0:32:38 | |
He thought she was headed for a drugstore. Check out all the pharmacies in the neighbourhood. | 0:32:38 | 0:32:45 | |
La Guardia? I spoke to the president of Thibault's bank. The computer's closed till 9am. | 0:32:45 | 0:32:52 | |
The other patients? Nothing yet. On his driving records... | 0:32:52 | 0:32:57 | |
The phone bills don't show anything. But maybe I haven't done it right. | 0:32:57 | 0:33:00 | |
The suspect took an Elena Quintero to the clinic on several occasions. | 0:33:01 | 0:33:07 | |
January 5th, they had appointments one hour apart. That's something. | 0:33:07 | 0:33:11 | |
What? Something more than what we got! You got Quintero's address? Yes. You two head over there... | 0:33:11 | 0:33:18 | |
What time is it? Am I keeping you up? | 0:33:18 | 0:33:22 | |
Take Detective Turner with you. Yes, sir. You hear me? | 0:33:22 | 0:33:27 | |
Detective Turner! Come on, let's go! | 0:33:27 | 0:33:29 | |
..No, I... BABY CRIES | 0:33:32 | 0:33:36 | |
I don't know her. Many go to that clinic. Why me? | 0:33:36 | 0:33:40 | |
We're talking to a lot of people. Take one more look. | 0:33:40 | 0:33:45 | |
No, no... I, um... I'm sure! Why would I? You had an appointment at the clinic the same day she did. | 0:33:47 | 0:33:54 | |
Oh! I don't talk to people I don't know. | 0:33:54 | 0:33:58 | |
Uh, it's very late... You use the same car service. Sometimes they double people up. | 0:33:58 | 0:34:06 | |
No, I always go alone. If you wanna look after the baby...? No, no, no! My husband... | 0:34:06 | 0:34:13 | |
takes care of her. Oh! Is she sick? | 0:34:13 | 0:34:16 | |
She looked a little flush to me. She's fine. | 0:34:16 | 0:34:20 | |
She cries! I don't mind, though. | 0:34:20 | 0:34:23 | |
She cries now, at this age. Yeah. | 0:34:23 | 0:34:27 | |
Detective Turner? Any questions? No - nothin'. | 0:34:28 | 0:34:32 | |
CRYING CONTINUES Please... | 0:34:32 | 0:34:35 | |
I-I-It's VERY late. Yeah. Thank you. | 0:34:35 | 0:34:38 | |
How old is she? Oh, just a few days. | 0:34:38 | 0:34:41 | |
Oh, yeah? ..Where was she born? | 0:34:41 | 0:34:45 | |
Um - here, at home. | 0:34:45 | 0:34:47 | |
Well, my husband helped me. I saw your baby. SHE'S not a few days old. | 0:34:47 | 0:34:53 | |
I know - she's BIG! All my family is! I saw the way she looked around, | 0:34:53 | 0:34:58 | |
and held her head up. That only happens after a few weeks. | 0:34:58 | 0:35:01 | |
Had you ever met Abel Thibault before he drove you? | 0:35:08 | 0:35:12 | |
My daughter? What happens to her? | 0:35:12 | 0:35:16 | |
We called her uncle. He's on his way. | 0:35:16 | 0:35:19 | |
But that's not right! She's mine now. | 0:35:19 | 0:35:24 | |
Mrs Quintero... Mrs Quintero! Do you realise what you've done? | 0:35:25 | 0:35:31 | |
I didn't know about her mother - what he did! | 0:35:32 | 0:35:35 | |
He said no-one wanted her. Oh, God, I... | 0:35:35 | 0:35:39 | |
I DO! | 0:35:39 | 0:35:41 | |
Did you ever meet Thibault before he drove you to the clinic? No. He was kind. | 0:35:41 | 0:35:47 | |
He saw my sorrow and was kind. I told him it... That it was the third time... | 0:35:47 | 0:35:55 | |
The child I was carrying, | 0:35:55 | 0:35:58 | |
I lost. | 0:35:58 | 0:35:59 | |
The doctor said, "No more." | 0:35:59 | 0:36:02 | |
Oh, you can't take her! | 0:36:02 | 0:36:05 | |
Mrs Quintero, did Thibault OFFER to help you? No, I had to give him money, | 0:36:05 | 0:36:11 | |
all we had - $3,000. | 0:36:11 | 0:36:14 | |
In cash? | 0:36:14 | 0:36:16 | |
No-one knew. | 0:36:16 | 0:36:19 | |
I said I was carrying a new one of my own. | 0:36:19 | 0:36:23 | |
I put things in my dress, rags. | 0:36:23 | 0:36:26 | |
It looked as if it was mine. | 0:36:26 | 0:36:29 | |
No-one knew! | 0:36:29 | 0:36:32 | |
You never thought that you might be doing something illegal? | 0:36:35 | 0:36:38 | |
I won't let you take her! | 0:36:38 | 0:36:41 | |
..Detective Turner, would you please step outside? | 0:36:41 | 0:36:45 | |
I'm sorry. | 0:36:47 | 0:36:49 | |
Mrs Quintero, please... | 0:36:52 | 0:36:54 | |
No-one knew. | 0:37:00 | 0:37:01 | |
I said she was born at home. | 0:37:02 | 0:37:06 | |
That's why I had to lie to you. | 0:37:06 | 0:37:08 | |
If you ask anybody, you would have known. | 0:37:10 | 0:37:13 | |
But I didn't lie. She WAS born with me. | 0:37:13 | 0:37:17 | |
I loved her, | 0:37:18 | 0:37:20 | |
even before I saw her! | 0:37:20 | 0:37:22 | |
She's my daughter! | 0:37:22 | 0:37:25 | |
You have our number? All right. | 0:37:30 | 0:37:33 | |
Thibault's not due back at the garage until four. Send someone anyhow. | 0:37:33 | 0:37:38 | |
You know his address? Yes, sir. Bring him in. Take some back-up. Get Petrie. You already got Turner. | 0:37:38 | 0:37:43 | |
No, we don't! | 0:37:48 | 0:37:49 | |
We're not going out there with her. I still make the assignments here. | 0:37:52 | 0:37:56 | |
Word is, you're picking on her. Who said that? Whispers! SHE did, right? | 0:37:56 | 0:38:02 | |
You down on her just cos she cried? | 0:38:02 | 0:38:05 | |
No, I've seen MEN break down here. I'm NOT ready to tell the department they're wrong! | 0:38:05 | 0:38:12 | |
She is getting this chance. Now, get her, get Petrie and get over there! | 0:38:12 | 0:38:17 | |
I don't even know where she is! Well, find her - now! | 0:38:17 | 0:38:20 | |
I'll check the john. OK. Petrie - we're on! | 0:38:23 | 0:38:26 | |
SHE KNOCKS AGAIN | 0:38:39 | 0:38:42 | |
'Yeah? Who is there?' | 0:38:42 | 0:38:45 | |
Con Edison. | 0:38:45 | 0:38:47 | |
'Who?' | 0:38:47 | 0:38:49 | |
Con Edison. I got to check your meter. | 0:38:49 | 0:38:51 | |
SHE KNOCKS AGAIN | 0:38:55 | 0:38:58 | |
'I'm coming!' | 0:38:58 | 0:38:59 | |
Police - you're under arrest! | 0:38:59 | 0:39:01 | |
She's not in the john or the lobby. Maybe she went home. | 0:39:31 | 0:39:34 | |
I wouldn't be surprised. Why? Well, after you made her cry like that. | 0:39:34 | 0:39:40 | |
You got the keys? Two of them. The super didn't know which was which. | 0:39:40 | 0:39:44 | |
Mr Thibault? | 0:39:48 | 0:39:50 | |
It's Detective Lacey. | 0:39:55 | 0:39:58 | |
Sorry to come by so early but... | 0:39:58 | 0:40:00 | |
We forgot to get you guys to sign a form the other day. | 0:40:00 | 0:40:04 | |
It wa... It was MY fault. | 0:40:08 | 0:40:10 | |
Just, uh... | 0:40:10 | 0:40:12 | |
Just dumb, you know? | 0:40:12 | 0:40:14 | |
(Go!) | 0:40:27 | 0:40:29 | |
Anything? No. | 0:40:37 | 0:40:39 | |
There's a pulse. Thank God. | 0:40:42 | 0:40:44 | |
TURNER GROANS La Guardia, get an ambulance to 923 East Fifth Avenue, apartment 7J. | 0:40:50 | 0:40:57 | |
He took her gun! ..And put an APB on an Abel Thibault. He's armed. | 0:40:57 | 0:41:02 | |
Make sure Samuels gets those people over to the garage. He won't go there. He knows we're after him. | 0:41:02 | 0:41:09 | |
Uh, hold on a minute... OK, buses, train stations, airports. What else? | 0:41:09 | 0:41:14 | |
The money. He'll need it. | 0:41:14 | 0:41:17 | |
..You're working on the bank, right? Give me his branch number... Fine, just give me the MAIN number! | 0:41:19 | 0:41:25 | |
OK, and get that ambulance here. ..How's she doin'? Not good. | 0:41:25 | 0:41:30 | |
Diane? Can you hear me? Just don't move. You're safe now. | 0:41:32 | 0:41:37 | |
This is Detective Cagney, NYPD shield number 730. | 0:41:37 | 0:41:41 | |
We need the branch of one of your depositors, Abel Thibault. | 0:41:41 | 0:41:45 | |
How much longer? | 0:41:47 | 0:41:49 | |
He's at the teller's window. | 0:41:49 | 0:41:52 | |
'They'll use the special pack of money?' | 0:41:52 | 0:41:54 | |
Yes. | 0:41:54 | 0:41:55 | |
You take it easy. We'll get him when he comes outside. Thank you. | 0:41:58 | 0:42:02 | |
He's on his way. ..So, he's seen all three of us before. We don't want to scare him. | 0:42:10 | 0:42:17 | |
Wait till he's clear. Be patient. We got him. | 0:42:17 | 0:42:20 | |
SIREN WAILS | 0:42:37 | 0:42:40 | |
Thibault! | 0:42:51 | 0:42:52 | |
Police! | 0:42:54 | 0:42:55 | |
WOMAN SCREAMS | 0:42:57 | 0:42:59 | |
All right, everybody down! On the floor! Sir, stay down. Police! | 0:42:59 | 0:43:05 | |
All of you! Outta the way. Hold it! | 0:43:05 | 0:43:08 | |
Down on the floor! | 0:43:08 | 0:43:10 | |
SCREAMS Hold it right there! | 0:43:10 | 0:43:13 | |
18 bullets to six, Thibault! | 0:43:14 | 0:43:17 | |
Stay away from me! | 0:43:18 | 0:43:20 | |
Don't give us an excuse. I don't care! | 0:43:22 | 0:43:25 | |
Tu ne veux pas mourir, n'est pas? GUNSHOT | 0:43:25 | 0:43:29 | |
WOMAN SCREAMS Aah! | 0:43:29 | 0:43:34 | |
All right, all right! OK, people, it's just red dye. Nobody's hurt. | 0:43:34 | 0:43:39 | |
Told you it would work! You can always count on exploding money! | 0:43:42 | 0:43:45 | |
TYPEWRITER CLICKS | 0:43:47 | 0:43:49 | |
Morning! Morning! How was your weekend? It was OK. I slept through most of it. That sounds nice. | 0:43:51 | 0:43:58 | |
Who sent those? | 0:43:58 | 0:44:01 | |
Diane. No kidding! | 0:44:01 | 0:44:04 | |
Well, actually, I sent them to her. She just...sent them back to me. | 0:44:05 | 0:44:09 | |
Oh! | 0:44:10 | 0:44:12 | |
Another break-in on 41st. Oh, come on! We already got two dozen cases! | 0:44:12 | 0:44:17 | |
We're ALWAYS short-handed. Just tighter now. | 0:44:17 | 0:44:21 | |
It wasn't our fault, you know. | 0:44:23 | 0:44:26 | |
What are you talking about? Diane. Did I say something? | 0:44:26 | 0:44:31 | |
..No. | 0:44:31 | 0:44:33 | |
Well, all right, then. | 0:44:33 | 0:44:36 | |
How is she, sir? Have you heard? | 0:44:36 | 0:44:38 | |
She'll be out of hospital this week. She coming back to work? No, she put in for a transfer to another squad. | 0:44:38 | 0:44:45 | |
The department heard that there was a personality conflict here. All right, come on! Let's get started! | 0:44:45 | 0:44:51 | |
You know, I'm damn lucky! | 0:44:56 | 0:44:58 | |
Why? How many people in this city are exactly what they want to be? Well, I am! | 0:45:00 | 0:45:04 | |
Well, you... You're exceptional, Christine! | 0:45:04 | 0:45:08 | |
So are you. | 0:45:11 | 0:45:13 | |
Well, what can you do...? | 0:45:16 | 0:45:19 | |
Subtitles by Red Bee Media Ltd | 0:46:04 | 0:46:07 |