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There's more than career opportunities for women in police work today. | 0:01:35 | 0:01:41 | |
Police work also offers personal fulfilment, which I can vouch for, and a chance to serve humankind. | 0:01:41 | 0:01:48 | |
Detective Cagney. | 0:01:48 | 0:01:51 | |
Anybody have any questions? | 0:01:51 | 0:01:54 | |
Anybody? | 0:01:56 | 0:01:58 | |
Come on. | 0:02:02 | 0:02:03 | |
What is happening in schools today? Can you believe those girls? | 0:02:10 | 0:02:15 | |
Like wow! Do we get to meet guys and ride around in a super car? | 0:02:15 | 0:02:20 | |
And are the uniforms really baggy or are they sexy? Wow! What is that? | 0:02:20 | 0:02:26 | |
We complain there aren't enough women on the force. | 0:02:26 | 0:02:29 | |
Who else would they send? Isbecki? Perfect! | 0:02:29 | 0:02:32 | |
Those bimbos would love him. | 0:02:32 | 0:02:34 | |
What does this mean, complaining about young people? | 0:02:34 | 0:02:38 | |
That you're thinking about your birthday. No... | 0:02:38 | 0:02:42 | |
Is your father still taking you to Montauk? | 0:02:42 | 0:02:45 | |
No, he's, er, going on a junket with his cronies to Atlantic City. | 0:02:45 | 0:02:50 | |
That's a drag. I don't care. Have dinner with us. | 0:02:50 | 0:02:54 | |
No, thanks. Can't Stewart spring for birthday dinner? | 0:02:54 | 0:02:58 | |
I want to forget it this year, OK? OK, sure. | 0:02:58 | 0:03:01 | |
There was this delicious cashmere sweater in Bloomingdales... Colour? | 0:03:01 | 0:03:06 | |
You'll never know. Wait a minute. | 0:03:06 | 0:03:10 | |
How many points? Just seven. Seven? | 0:03:10 | 0:03:15 | |
Know what a gonnev is? Is that one of those subcultural words? | 0:03:15 | 0:03:20 | |
Go down Delancey Street, they'll tell you. Out! I want to finish my lunch. | 0:03:20 | 0:03:26 | |
Cagney, Lacey. In here. | 0:03:26 | 0:03:30 | |
Remember your stomach, sir. It's my stomach. What are you? My mother? No, sir. | 0:03:35 | 0:03:42 | |
A case? For us? Does this mean we're off the recruiting detail? | 0:03:44 | 0:03:48 | |
No, you're recruiting AND you've got this. Thank you, sir. Jane Doe. | 0:03:48 | 0:03:54 | |
No ID? No leads at all? | 0:03:54 | 0:03:56 | |
At the river. Bag lady with a rhinestone tiara. Establish an ID so we can get someone to dispose of her. | 0:03:56 | 0:04:04 | |
Rape? Robbery? She was a bag lady. Probably a fellow vagrant eighty-sixed her for a drink! | 0:04:04 | 0:04:11 | |
She must've had a name. Probably a dozen. Go, ask some questions, write it up. | 0:04:11 | 0:04:17 | |
Not too much time off recruiting. | 0:04:17 | 0:04:20 | |
Wait a minute. Lieutenant, about this recruiting business... | 0:04:20 | 0:04:25 | |
This is top department priority right now. | 0:04:25 | 0:04:28 | |
Wanna see the memos? No. We'll check the Jane Doe. Chris. | 0:04:28 | 0:04:33 | |
Come on. | 0:04:33 | 0:04:34 | |
What is the plan on this Jane Doe? | 0:04:42 | 0:04:45 | |
They walk by here a lot. We wait and talk to some. | 0:04:45 | 0:04:49 | |
Oh, look! I just saw her sister with the baby carriage. Let's go. | 0:04:49 | 0:04:55 | |
Could we have a word with you? I can defend myself! | 0:05:01 | 0:05:05 | |
Don't mess with me! We're police officers. | 0:05:05 | 0:05:09 | |
I ain't broken no laws! | 0:05:11 | 0:05:14 | |
I'm moving on. | 0:05:14 | 0:05:16 | |
You wanna go after her? No, no, not a whole lot. What could she tell us anyway, poor thing? | 0:05:23 | 0:05:30 | |
It's a shame. There but for the grace of God go you or I. | 0:05:30 | 0:05:35 | |
Not me, kid. | 0:05:35 | 0:05:38 | |
Anyway. You want to start with the corner bar? Sure. | 0:05:38 | 0:05:42 | |
Take bad cop, will you? I haven't got the energy. Got it. | 0:05:48 | 0:05:52 | |
Hiya. Lacey, 14th Squad. Cagney. Mind if we ask a few questions? | 0:06:00 | 0:06:05 | |
What? A woman was found today. Possible homicide, no ID. Seemingly homeless, destitute. Know anything? | 0:06:05 | 0:06:13 | |
I let them in. I don't get involved. | 0:06:13 | 0:06:16 | |
She wore like a...er... a rhinestone tiara. Oh, yeah. | 0:06:16 | 0:06:21 | |
Yeah. Mary, Queen of Scots. | 0:06:21 | 0:06:24 | |
Would you rather talk about this at the station? Give us a break here. | 0:06:24 | 0:06:30 | |
She said she was a descendent of Mary, Queen of Scots. Not the battiest. She live anywhere? | 0:06:30 | 0:06:37 | |
A mission? Resident hotel? Maybe with a friend? | 0:06:37 | 0:06:39 | |
Mostly the subway. Check the ladies on the Conquest level at the Port Authority. It's popular. Thank you. | 0:06:39 | 0:06:47 | |
Appreciate your help. Don't mention it. | 0:06:47 | 0:06:50 | |
I said, button up and move on, But she didn't and went and got herself dead. Serves her right! | 0:06:50 | 0:06:57 | |
You spoke to her last night? Hey, look at me! | 0:06:57 | 0:07:00 | |
Did you talk to her last night? | 0:07:00 | 0:07:03 | |
I passed her on the platform at Penn station. | 0:07:03 | 0:07:07 | |
Said she was going to the police, she saw something... | 0:07:07 | 0:07:11 | |
What did she say? Which precinct? I said, "Don't go to the police." | 0:07:11 | 0:07:16 | |
Said she was going, so I got the local to Brooklyn and she got herself dead! | 0:07:16 | 0:07:22 | |
Serves her right! | 0:07:22 | 0:07:25 | |
Did you say Penn Station? Yeah! 33rd and 7th. That's us. | 0:07:25 | 0:07:30 | |
Here you are. | 0:07:30 | 0:07:32 | |
Enrique Hernandez, William Norris, Theo Dimitri, Ivor Milnik. That's it. There are no women. | 0:07:32 | 0:07:40 | |
When d'you get in? 7.00am. Coleman's on nights. | 0:07:40 | 0:07:44 | |
Call him and get him. He'll be sleeping. Just give him a call, will you. | 0:07:44 | 0:07:50 | |
Isbecki, when did you finish last night? 5.30. | 0:07:50 | 0:07:54 | |
Anyone stay late? Ask La Guardia, he booked two hookers at changeover. | 0:07:54 | 0:08:00 | |
Paul? Ladies. Isbecki said you got stuck here late last night. Unfortunately. | 0:08:00 | 0:08:06 | |
Two lovelies were holding up traffic on 8th Avenue. | 0:08:06 | 0:08:10 | |
Did a woman come in...? A bag lady? | 0:08:10 | 0:08:13 | |
They come here all the time. It's warm. | 0:08:13 | 0:08:16 | |
Wait! There was a real fruitcake in last night, talked to Coleman. | 0:08:16 | 0:08:22 | |
What did she say? Nothing memorable or even comprehensible. She wanted locked up. | 0:08:22 | 0:08:29 | |
A name? Name? | 0:08:29 | 0:08:32 | |
Coleman said she was Mary, Queen of Scots. Fallen on hard times, no doubt. | 0:08:32 | 0:08:38 | |
Harder than you think. | 0:08:40 | 0:08:43 | |
You don't remember anything she said? She was plastered. Come on, think! | 0:08:49 | 0:08:56 | |
I'm not a morning person. It's three in the afternoon! | 0:08:56 | 0:09:00 | |
Where were you at 4.00am? Helping my son Michael throw up. | 0:09:00 | 0:09:04 | |
She was mumbling about dirty something... | 0:09:04 | 0:09:08 | |
Dirty...dirty sex, wasn't that it? | 0:09:08 | 0:09:12 | |
No, it was dirty...fix! Dirty fix sheet. | 0:09:12 | 0:09:16 | |
Maybe she ran numbers. Anything else? | 0:09:16 | 0:09:20 | |
Red man. That's right... red man off of something. | 0:09:20 | 0:09:24 | |
Red man? Pier. Off a pier. Maybe an Indian on a pier. | 0:09:24 | 0:09:29 | |
- I still think it was dirty sex. - Too many hookers! | 0:09:29 | 0:09:33 | |
Would somebody tell me what's going on? Our Jane Doe, sir. | 0:09:33 | 0:09:38 | |
She came here last night. We're reconstructing what she said. | 0:09:38 | 0:09:42 | |
What'd she say? She was drunk. | 0:09:42 | 0:09:45 | |
Coleman thinks he heard "dirty fix sheet". I heard "dirty sex". We both heard "red man". | 0:09:45 | 0:09:52 | |
Wait. Hocus-pocus! Remember that, La Guardia? | 0:09:52 | 0:09:56 | |
Hocus-pocus! | 0:09:56 | 0:09:58 | |
You people drunk? No, she was. The bag lady. Oh, that's terrific. | 0:09:58 | 0:10:05 | |
In the meantime, could we all get back to work? | 0:10:05 | 0:10:09 | |
Cagney and Lacey, the medical examiner's. | 0:10:09 | 0:10:12 | |
La Guardia, you're in court. Coleman... | 0:10:12 | 0:10:16 | |
..you go back to bed. Yes, sir. | 0:10:16 | 0:10:19 | |
Ladies, don't forget you're expected at City College, 5.00pm. Room 317, graduate employment seminar. | 0:10:19 | 0:10:27 | |
One week! I'm giving him one week, then he can get professional recruiters. | 0:10:30 | 0:10:36 | |
Want me to skip the Latin? Yeah. | 0:10:39 | 0:10:41 | |
We need time of death, probable cause, identifications of IMO. | 0:10:41 | 0:10:47 | |
Let's see. She died between 10pm and midnight last night. | 0:10:47 | 0:10:51 | |
Cause of death, cerebral haemorrhage brought on by blunt instrument... Hit on the head? | 0:10:51 | 0:10:58 | |
Very hard. From the fractures it was a lead pipe, a tyre iron, or a gun. | 0:10:58 | 0:11:03 | |
No fragments. Was she drunk? | 0:11:03 | 0:11:06 | |
Blood alcohol level. Here we go. 0.10%. Technically, yes. | 0:11:06 | 0:11:11 | |
Driving, she'd be DWI but not blind drunk. Maybe a half bottle of wine. | 0:11:11 | 0:11:16 | |
Description? 5ft, 4? inches. 97lbs. That all? What? | 0:11:16 | 0:11:22 | |
Evidence of malnutrition. Missing some teeth. How old? | 0:11:22 | 0:11:27 | |
That's weird. At first I had her around 50, or older. | 0:11:27 | 0:11:31 | |
But organs and skin tone showed she was much younger. I'd make her around 35. 35? | 0:11:31 | 0:11:38 | |
You age fast in the subways. All right. Can you help us with the ID? | 0:11:38 | 0:11:43 | |
We took photos and prints but she maybe hasn't a record. Possessions? | 0:11:43 | 0:11:48 | |
Clothes are all old. No labels. | 0:11:48 | 0:11:51 | |
Personal property. Two subway tokens, 31 cents, | 0:11:51 | 0:11:56 | |
a corkscrew, half-eaten candy bar, empty lipstick tube, a St Anthony's medal. And a rhinestone tiara. | 0:11:56 | 0:12:03 | |
OK. Send us a copy of that, could you, Keppler? You got it. | 0:12:03 | 0:12:08 | |
So what happens to her? The usual? | 0:12:11 | 0:12:14 | |
Yeah. After 15 days we dump her in a plot and throw some dirt over her. | 0:12:14 | 0:12:19 | |
Without a name? She's got a name. | 0:12:19 | 0:12:22 | |
Jane Doe, number 37. | 0:12:22 | 0:12:25 | |
Thank you. | 0:12:26 | 0:12:28 | |
What? I just remembered something. Can you do the City College thing without me? | 0:12:40 | 0:12:46 | |
You're kidding me! No, I forgot I've a dental appointment. I barely have time for a cab. Right. | 0:12:46 | 0:12:53 | |
So will you cover for me? Right. | 0:12:53 | 0:12:57 | |
I owe you one. Right. | 0:13:02 | 0:13:05 | |
Hey! Keys. Oh! Right. | 0:13:05 | 0:13:09 | |
Excuse me. Coffee's in the urn and dinner's at six. | 0:13:49 | 0:13:54 | |
I need some information... When I've finished. | 0:13:54 | 0:13:57 | |
I'm a police officer. 14th squad. | 0:13:57 | 0:14:00 | |
This gonna take long? | 0:14:00 | 0:14:03 | |
A woman was killed last night... Sssh! | 0:14:03 | 0:14:06 | |
Come with me. | 0:14:06 | 0:14:09 | |
Don't want them to hear. They find out, they get hysterical. | 0:14:15 | 0:14:20 | |
And I got hundreds just begging to sleep on my floor. | 0:14:20 | 0:14:24 | |
Tell me, why is it you only show up AFTER one of them gets killed? | 0:14:24 | 0:14:30 | |
We do what we can. Don't we all? | 0:14:30 | 0:14:34 | |
The dead woman's name...well, she called herself Mary, Queen of Scots. | 0:14:34 | 0:14:39 | |
Did you know her? | 0:14:39 | 0:14:42 | |
Sorry. | 0:14:44 | 0:14:45 | |
Can you tell me anything about her? | 0:14:45 | 0:14:48 | |
Here. Make yourself useful. Take that pot of potatoes and cut them into small pieces. | 0:14:50 | 0:14:57 | |
Well, she used to come in here now and then. | 0:14:57 | 0:15:01 | |
More then than now. | 0:15:01 | 0:15:04 | |
Used to say to me she didn't like hand-outs. So I did what I could for her but... | 0:15:07 | 0:15:14 | |
You do this every day? Two meals a day when I got stuff to feed them. | 0:15:14 | 0:15:20 | |
Used to have beds till the city cut me down. | 0:15:20 | 0:15:23 | |
Said I was not the code. They'd rather they slept in subways. | 0:15:23 | 0:15:28 | |
Apparently, it's healthier. Did she have any friends? | 0:15:28 | 0:15:33 | |
No. These women don't form friendships. | 0:15:33 | 0:15:37 | |
You get paranoid when all you own fits in a couple of shopping bags. | 0:15:37 | 0:15:42 | |
Make those slices smaller. Sorry. Got to last. OK. | 0:15:42 | 0:15:46 | |
Would you get me those carrots? Yeah. | 0:15:46 | 0:15:50 | |
There must've been someone, a friend of some kind? | 0:15:50 | 0:15:54 | |
There was a man used to hang about... right there, that's good...Maurice. | 0:15:54 | 0:16:00 | |
Maurice? Mm-hm. | 0:16:00 | 0:16:03 | |
50-ish. Short. With stubble. Hit the sauce a lot. Where can I find him? Haven't seen him in weeks. | 0:16:03 | 0:16:11 | |
Can't you tell me anything? She had a name. She came from somewhere! | 0:16:11 | 0:16:17 | |
Was that funny? Oh no, it's just... Probably East Podunk. | 0:16:18 | 0:16:24 | |
A typical woman comes to New York, for work, excitement, whatever. | 0:16:24 | 0:16:29 | |
Gets a job, loses it, falls behind with her rent so they throw her out. | 0:16:29 | 0:16:36 | |
She puts her things in a locker and sleeps on the train one night. | 0:16:36 | 0:16:41 | |
Two nights. Maybe three. Before she knows it, it's a way of life. | 0:16:41 | 0:16:47 | |
You'd be amazed how many there are out there. | 0:16:48 | 0:16:53 | |
A lot of them started out just like you. Pretty, middle class ladies. | 0:16:53 | 0:16:58 | |
You married, honey? Uh-uh. | 0:16:59 | 0:17:02 | |
Any money in the bank? Not much. | 0:17:02 | 0:17:05 | |
Couldn't happen to you, right? | 0:17:05 | 0:17:08 | |
Of course not! | 0:17:08 | 0:17:10 | |
It always happens to somebody else. | 0:17:10 | 0:17:13 | |
It's funny. You start off being queen of the senior prom and you wind up being queen of the BMT. | 0:17:14 | 0:17:22 | |
Take it out the oven when the top is light brown. | 0:17:30 | 0:17:34 | |
Light brown means light brown as opposed to dark brown. | 0:17:34 | 0:17:38 | |
If you overcook my lasagne, you're going to wear it! | 0:17:38 | 0:17:42 | |
I'll talk to you in a while. | 0:17:42 | 0:17:45 | |
How's the tooth? Much better. | 0:17:48 | 0:17:51 | |
Thank you. How was City College? | 0:17:51 | 0:17:54 | |
You'd have loved it. They wanted to know about retirement and pensions. | 0:17:54 | 0:17:59 | |
One asked if she'd to pay parking tickets. | 0:17:59 | 0:18:02 | |
You want lasagne? It should be good if Harvey doesn't worry it to death. | 0:18:04 | 0:18:10 | |
No thanks. I'm going to work tonight. Need me? | 0:18:10 | 0:18:14 | |
No. You sound awful. Go to bed. Take the pasta with you. | 0:18:14 | 0:18:19 | |
If there's any left, bring it tomorrow. | 0:18:19 | 0:18:22 | |
Are you sure? Yes. It's much better the second day. See you tomorrow. OK. | 0:18:22 | 0:18:29 | |
Love to Harvey and the kids. Uh-huh. | 0:18:29 | 0:18:32 | |
THUNDER | 0:19:14 | 0:19:16 | |
Nippy out there this morning, isn't it? Yeah. | 0:21:26 | 0:21:30 | |
I hate to send my boys down in weather like this. | 0:21:30 | 0:21:34 | |
You want some of this? No. Thanks. | 0:21:36 | 0:21:39 | |
You sure? | 0:21:39 | 0:21:41 | |
No, it's OK. Regulations permit a sip of medicinal brandy when diving. | 0:21:41 | 0:21:46 | |
If they don't find something soon, I'm bringing them up. | 0:21:51 | 0:21:55 | |
Maybe the body drifted, you know? | 0:21:58 | 0:22:01 | |
How long you been diving for stiffs, detective? | 0:22:01 | 0:22:05 | |
'Lieutenant, we got something.' | 0:22:07 | 0:22:10 | |
Yes. We'll make sure they get the paperwork. | 0:22:29 | 0:22:33 | |
Benny Bartelli, boss from Brooklyn. Handcuffed, two slugs in his head. | 0:22:33 | 0:22:39 | |
Positive ID? Yeah. Organised Crime Control Bureau's got a book on him. | 0:22:39 | 0:22:44 | |
So can we get on it? No. What? Chris turned up the body. | 0:22:44 | 0:22:48 | |
Come on, lieutenant. It's our case. | 0:22:48 | 0:22:52 | |
WAS your case. Not now. | 0:22:52 | 0:22:54 | |
Organised Crime deals with gang-related cases. | 0:22:54 | 0:22:58 | |
What about Jane Doe? They think the two cases are connected. | 0:22:58 | 0:23:04 | |
She witnessed the dumping. So, presumably the same guy who killed Bartelli came back to shut her up. | 0:23:04 | 0:23:12 | |
Sound plausible? Yes, sir. | 0:23:12 | 0:23:15 | |
OK. | 0:23:15 | 0:23:17 | |
Cagney, you better get up to OCCB some time today, | 0:23:17 | 0:23:20 | |
and turn over your case file. The officer's name is Gilbert Travis. | 0:23:20 | 0:23:25 | |
It isn't fair. | 0:23:25 | 0:23:28 | |
Since when is life fair? Huh, Lacey? | 0:23:28 | 0:23:31 | |
But I got terrific news for you. | 0:23:31 | 0:23:34 | |
I got a call from Community Affairs. They love your recruiting job. | 0:23:34 | 0:23:39 | |
Glad somebody's getting a bang out of it. They've been trying to fund a TV commercial. | 0:23:39 | 0:23:47 | |
A "Join the Force, see the world" kind of thing. | 0:23:47 | 0:23:51 | |
Today, authorisation came through, and guess who they chose to star in it? | 0:23:51 | 0:23:57 | |
The both of you. Us? | 0:23:59 | 0:24:03 | |
No. | 0:24:03 | 0:24:05 | |
What you got? | 0:24:09 | 0:24:11 | |
Perfect, absolutely perfect. Something to drink? | 0:24:27 | 0:24:31 | |
White wine? Mineral water? No, thank you. | 0:24:31 | 0:24:35 | |
Terrific look. Just terrific. | 0:24:37 | 0:24:40 | |
We've never done this before. Nothing to worry about. Act natural. | 0:24:40 | 0:24:45 | |
We're not actors. We're police. That's what I want. Real people. | 0:24:45 | 0:24:51 | |
I want to give this spot the feel of the streets. | 0:24:51 | 0:24:56 | |
We know streets. We could give that. Precisely. From your gut. | 0:24:56 | 0:25:00 | |
Huh? Motivation. Dimension. The patina of realism over the glitz. | 0:25:00 | 0:25:06 | |
Look, could we just do whatever it is you do? I'm kind of pressed for time. | 0:25:09 | 0:25:15 | |
Sure, sure. | 0:25:15 | 0:25:18 | |
You know, I was afraid they were going to send me a couple of beach bunnies, straight from Malibu. | 0:25:18 | 0:25:25 | |
But you two have got... a girl on the subway look. | 0:25:25 | 0:25:30 | |
Real, down to earth, not overly good-looking. You mean it? It's us. | 0:25:30 | 0:25:35 | |
Did Chris come in? | 0:25:46 | 0:25:49 | |
Isn't that Loretta Lacey, the star? | 0:25:49 | 0:25:52 | |
She looks great. Have you seen "Gentlemen Prefer Cops"? | 0:25:52 | 0:25:56 | |
I'm going to get her autograph. | 0:25:56 | 0:25:59 | |
Miss, sign my rap sheet! Knock it off! | 0:25:59 | 0:26:02 | |
Temperamental! I should say so! | 0:26:02 | 0:26:05 | |
# Hooray for Hollywood! Da-da-da... Hollywood! # | 0:26:05 | 0:26:09 | |
Jealous. Jealous. | 0:26:13 | 0:26:15 | |
Oh! | 0:26:15 | 0:26:17 | |
PHONE RINGING | 0:26:21 | 0:26:25 | |
Lacey. | 0:26:25 | 0:26:26 | |
Hi. Hi. What happened at OCCB? Nothing. I turned over my file and they thanked me. | 0:26:26 | 0:26:33 | |
Anything on Jane Doe? No, when I said she'd probably nothing to do with Bartelli, they tuned out. | 0:26:33 | 0:26:40 | |
That stinks. I thought so. | 0:26:40 | 0:26:44 | |
Tell Samuels I went straight home after OCCB, away for the weekend. | 0:26:44 | 0:26:48 | |
What I'm saying or you're doing? Have a nice one. Your birthday... | 0:26:48 | 0:26:54 | |
You promised! Stop! I broke down. The sweater is yellow with covered buttons. | 0:26:54 | 0:27:01 | |
Mary Beth... Happy birthday. Thank you. | 0:27:01 | 0:27:05 | |
Did you snuff over a parking meter, Maurice? | 0:27:23 | 0:27:27 | |
90, 95, $1.10, $1.20, 1, 2, 3, 4, 5. | 0:27:27 | 0:27:32 | |
Give me a shot of your good Scotch. | 0:27:32 | 0:27:35 | |
Yeah? Beer. | 0:27:41 | 0:27:44 | |
You again! | 0:27:50 | 0:27:52 | |
I told you all I know. I'm looking for Maurice. Can you help me? | 0:27:52 | 0:27:58 | |
(The hat?) | 0:28:00 | 0:28:03 | |
Thank you. | 0:28:03 | 0:28:05 | |
Maurice? | 0:28:09 | 0:28:11 | |
Can't you let me have a drink in peace? I heard you knew Mary. | 0:28:11 | 0:28:16 | |
I don't mind telling you, I am fed up with you people. | 0:28:16 | 0:28:21 | |
Got no social graces. | 0:28:21 | 0:28:24 | |
Come around here like a locust, asking questions. | 0:28:24 | 0:28:27 | |
No matter. I hate cops. I'm not a cop. | 0:28:27 | 0:28:31 | |
Glad to hear it. | 0:28:35 | 0:28:38 | |
They don't even have the decency to buy you a drink. | 0:28:38 | 0:28:42 | |
You're kidding! That's awful. Could we have a drink over here? | 0:28:42 | 0:28:47 | |
And just keep the bottle. | 0:28:47 | 0:28:50 | |
Mary was my aunt. | 0:28:50 | 0:28:53 | |
I'm trying to find out what happened to her. | 0:28:53 | 0:28:56 | |
From Springfield? | 0:28:56 | 0:28:59 | |
Yes, that's right. Shame about Mary. | 0:28:59 | 0:29:03 | |
Should've kept her mouth shut. | 0:29:03 | 0:29:06 | |
Here. | 0:29:12 | 0:29:13 | |
I can tell, you've been brought up right. | 0:29:13 | 0:29:17 | |
Thank you. | 0:29:17 | 0:29:19 | |
When was the last time you saw Mary? The night she got killed. | 0:29:19 | 0:29:25 | |
It was right after she went to the cops. | 0:29:25 | 0:29:29 | |
They wouldn't listen so she told me. | 0:29:29 | 0:29:32 | |
What'd she tell you? | 0:29:32 | 0:29:35 | |
I didn't tell the cops this | 0:29:36 | 0:29:39 | |
because they have no manners. That's what I've heard. Yeah. Mmm. | 0:29:39 | 0:29:44 | |
But, er, she saw what was written on the truck. | 0:29:44 | 0:29:48 | |
What d'you mean? Pandora Trucking Inc. | 0:29:48 | 0:29:53 | |
Hohocus, New Jersey. | 0:29:54 | 0:29:57 | |
I...I love that word. | 0:29:57 | 0:30:00 | |
Ho-ho-cus. Sounds like Pocahontas, yeah? | 0:30:00 | 0:30:03 | |
Yeah. | 0:30:03 | 0:30:05 | |
What else did she tell you? | 0:30:05 | 0:30:08 | |
Nothing. | 0:30:08 | 0:30:10 | |
Just that she was scared and was heading for Port Authority where there were people around. | 0:30:10 | 0:30:18 | |
Maurice, I'm going to give you my home phone number. | 0:30:18 | 0:30:22 | |
I want you to call me if you remember anything else. Call day or night, OK? | 0:30:22 | 0:30:29 | |
I'm going to put it right here. Here. | 0:30:29 | 0:30:32 | |
I'm glad Mary had a friend. | 0:30:33 | 0:30:36 | |
That bottle's nearly half-gone already, isn't it? | 0:30:47 | 0:30:52 | |
The trucking company is in Hohocus. Hocus-pocus. Pocahontas. Get it? | 0:31:05 | 0:31:11 | |
Can you run it through your computer? | 0:31:12 | 0:31:15 | |
The operator's gone home. Lucky you caught me at this hour. | 0:31:15 | 0:31:20 | |
They could get Maurice. The longer we wait, the easier they'll bury it. | 0:31:20 | 0:31:26 | |
I don't think you understand us. This isn't SWAT. We're careful. | 0:31:26 | 0:31:32 | |
You've already got two murders! Do you know how many mob murders there are in this city every year? | 0:31:32 | 0:31:39 | |
Would you at least follow up on the Jane Doe identification? All right. | 0:31:41 | 0:31:47 | |
How? Call the Springfield Police and see if there's a missing person's file. | 0:31:47 | 0:31:53 | |
OK, we'll look into it. Springfield? Yeah. | 0:31:53 | 0:31:57 | |
Better hurry or I'm going to miss the last express. | 0:31:57 | 0:32:01 | |
When? 10.23. When are you going to call Springfield? It'll take time. | 0:32:01 | 0:32:07 | |
They'll bury her not knowing who she was! | 0:32:07 | 0:32:10 | |
There was no material evidence on the body. | 0:32:10 | 0:32:14 | |
You aren't even going to check Springfield! | 0:32:17 | 0:32:21 | |
Sure we are. I'll tell you if we come up with something. OK? | 0:32:21 | 0:32:26 | |
Don't bother. | 0:32:26 | 0:32:28 | |
DOORBELL RINGING Uh? | 0:33:37 | 0:33:41 | |
What time is it? 12.12. | 0:33:41 | 0:33:44 | |
DOORBELL RINGING | 0:33:44 | 0:33:48 | |
Who visits at this hour? | 0:33:48 | 0:33:50 | |
It's probably 4b drunk again. Rizzuto, that's who it is. I'm gonna kill him. That's what I'm gonna do! | 0:33:50 | 0:33:58 | |
DOORBELL RINGING All right, all right! | 0:33:58 | 0:34:02 | |
It's Chris. | 0:34:06 | 0:34:08 | |
Champagne! | 0:34:09 | 0:34:11 | |
D'you have any idea what time it is? I want to drink champagne. | 0:34:11 | 0:34:16 | |
You'll notice we're drinking this French champagne out of American cups. | 0:34:22 | 0:34:28 | |
We've got glasses. Because all my crystal is smashed. | 0:34:28 | 0:34:32 | |
The Irish crystal that my mother left me. | 0:34:32 | 0:34:36 | |
What's going on? | 0:34:36 | 0:34:39 | |
It's my birthday. My father stood me up, | 0:34:39 | 0:34:42 | |
Stewart is God-knows-where, we're stuck on recruiting, | 0:34:42 | 0:34:47 | |
and my loft is trashed. Who says you can't have it all? | 0:34:47 | 0:34:51 | |
Cheers! Oh, Chris! | 0:34:51 | 0:34:53 | |
The crystal in your loft? For God's sake! Don't they know you're a cop? | 0:34:53 | 0:34:58 | |
They took pictures of my parents when they were still together and cut them. | 0:34:58 | 0:35:05 | |
They slashed my couches. They threw ketchup over everything. Sit down. My clothes. My... | 0:35:05 | 0:35:12 | |
The note said, "Back off". | 0:35:13 | 0:35:16 | |
Do you love it? I'm going to nail those bastards. | 0:35:16 | 0:35:20 | |
Get angry! Don't talk nonsense. You're scaring me. | 0:35:20 | 0:35:24 | |
OCCB are paid to handle that. | 0:35:24 | 0:35:28 | |
OCCB! What, like they care? What about Mary? Does OCCB care about her? | 0:35:28 | 0:35:35 | |
Hell, no! | 0:35:35 | 0:35:37 | |
Harvey, this woman died weighing 97lbs. She was Mary Beth's and my age. | 0:35:39 | 0:35:45 | |
Tell me how this happens. | 0:35:45 | 0:35:47 | |
She died, no family, no friends, her life in a shopping bag. It happens. | 0:35:47 | 0:35:53 | |
It could happen to any of us. Not to me! | 0:35:53 | 0:35:56 | |
I don't know. She just died so alone... We all of us die alone. | 0:36:02 | 0:36:08 | |
But we die with a name! Her name wasn't Jane Doe, number 37. She had a name and I'll find it. | 0:36:08 | 0:36:15 | |
Mmm. | 0:36:15 | 0:36:17 | |
Mary, Queen of Scots. | 0:36:17 | 0:36:20 | |
As you can see, police work is rewarding and fulfilling. | 0:36:41 | 0:36:45 | |
It affords... CUT! | 0:36:45 | 0:36:48 | |
Not quite. I don't want you looking there when you're saying your lines. | 0:36:51 | 0:36:57 | |
Where do I look? At the camera. You said the bad guys were over there. | 0:36:57 | 0:37:02 | |
They are but I need you to look at the camera. Mmm? | 0:37:02 | 0:37:06 | |
Right. | 0:37:06 | 0:37:08 | |
OK. Let's do it again. | 0:37:08 | 0:37:11 | |
Doing it again? | 0:37:11 | 0:37:13 | |
Oh! Er... | 0:37:19 | 0:37:21 | |
Cut! | 0:37:21 | 0:37:23 | |
Police work is rewarding and fulfilling. | 0:37:37 | 0:37:40 | |
It offers training in criminology and... (Community relations.) | 0:37:40 | 0:37:45 | |
CUT! | 0:37:45 | 0:37:46 | |
I know it. Community relations. Terrific! | 0:37:46 | 0:37:49 | |
Police work is exciting and fulfilling. | 0:37:57 | 0:38:01 | |
And...er... | 0:38:01 | 0:38:03 | |
Cut! Community relations... | 0:38:03 | 0:38:05 | |
Cut! What? | 0:38:07 | 0:38:09 | |
Cut! Cut! CUT! | 0:38:09 | 0:38:12 | |
There's never been a better time for women to join. You can continue | 0:38:13 | 0:38:19 | |
with your education while serving | 0:38:19 | 0:38:22 | |
in the NPYD. Cut! NYPD! | 0:38:22 | 0:38:25 | |
Suppose we take a break, OK? I'm sorry. | 0:38:25 | 0:38:28 | |
I never felt so stupid. That's all right. This is a stupid business. | 0:38:35 | 0:38:41 | |
I'd be worried about you if you didn't. He's disappointed. Do you care? | 0:38:41 | 0:38:46 | |
Hey, Cagney! | 0:38:46 | 0:38:49 | |
New career? Look, I'm kind of busy. | 0:38:55 | 0:38:58 | |
You should know your lead panned out. | 0:38:58 | 0:39:01 | |
It led us to Pandora Truck, a front operated from Queen's. | 0:39:01 | 0:39:05 | |
We think we know the trigger man. Terrific(!) Wait! | 0:39:05 | 0:39:09 | |
You want to come on the collar? You don't need me. | 0:39:09 | 0:39:13 | |
No, but I thought you might like to be in on it. | 0:39:13 | 0:39:17 | |
Sorry, Mary Beth. Christine! I owe you two! | 0:39:20 | 0:39:23 | |
Wha...? | 0:39:25 | 0:39:27 | |
Where's she going? She can't leave. She just did, sir. | 0:39:27 | 0:39:32 | |
Bronson, Cagney. Cagney, Bronson. Hi. Any movement? | 0:39:47 | 0:39:51 | |
No. Send someone round. Sweeney! | 0:39:51 | 0:39:55 | |
All right, let's go. Stay close. | 0:39:55 | 0:39:58 | |
Open up! Police. | 0:40:06 | 0:40:09 | |
I hear someone. CHILD CRYING | 0:40:09 | 0:40:11 | |
Krovak! We've the house surrounded. | 0:40:13 | 0:40:15 | |
Open the door slowly and come out with your hands high. | 0:40:15 | 0:40:20 | |
You hear me? You wanna bust it down? | 0:40:20 | 0:40:24 | |
I don't know where he is. You'll have to open up, ma'am. | 0:40:24 | 0:40:28 | |
I'll get the tear gas. Wait! There's a baby in there. | 0:40:28 | 0:40:33 | |
She's right. Bust it. | 0:40:33 | 0:40:35 | |
He's not here, I swear it! | 0:40:45 | 0:40:48 | |
Search it. Where is he? I don't know. | 0:40:48 | 0:40:51 | |
- He didn't come home. - Did he take his car? | 0:40:51 | 0:40:54 | |
Yes. Is that it in the driveway? Yes! | 0:40:54 | 0:40:59 | |
Victor! Oh, my God! No, no, no! Oh, no! | 0:41:09 | 0:41:12 | |
Lacey. | 0:41:25 | 0:41:27 | |
Please. | 0:41:27 | 0:41:29 | |
Sit down. | 0:41:33 | 0:41:36 | |
Go ahead, sit down. Please. | 0:41:36 | 0:41:39 | |
How's your cold? It's nothing, it's probably just stardust! | 0:41:39 | 0:41:43 | |
I'm going to give this to you straight. What? | 0:41:43 | 0:41:47 | |
Sometimes things just don't work out, know what I mean? Sir? | 0:41:47 | 0:41:53 | |
Things are entirely outside our control. | 0:41:53 | 0:41:56 | |
Could we get to the point? I just got a call from Community Relations. You're fired from the commercial. | 0:41:56 | 0:42:05 | |
Yes, sir, thank you, sir. You're happy? | 0:42:05 | 0:42:08 | |
Well, sir, I... | 0:42:08 | 0:42:10 | |
I got no business being an actress. | 0:42:10 | 0:42:14 | |
Matter of fact, they're hiring real ones. | 0:42:14 | 0:42:17 | |
Oh! | 0:42:17 | 0:42:19 | |
So they probably got some blonde beach bunnies off of Malibu, right? | 0:42:19 | 0:42:24 | |
Probably. | 0:42:24 | 0:42:26 | |
Well, that's er... | 0:42:26 | 0:42:29 | |
That's showbusiness. | 0:42:29 | 0:42:31 | |
If you say so, sir. Take care of your cold. Yes, sir. | 0:42:31 | 0:42:36 | |
Officer Cagney! | 0:42:36 | 0:42:38 | |
Guess what? | 0:42:38 | 0:42:40 | |
We got fired off of that commercial. Are you glad? Oh yeah, that's great. | 0:42:40 | 0:42:46 | |
So, did you go on that collar? | 0:42:50 | 0:42:53 | |
Yeah. And? | 0:42:53 | 0:42:56 | |
And I wish I hadn't. | 0:42:56 | 0:42:59 | |
PHONE RINGING | 0:42:59 | 0:43:02 | |
Detective Lacey, 14th. | 0:43:03 | 0:43:05 | |
Hold on. | 0:43:05 | 0:43:06 | |
Chris, it's that records clerk from Springfield. Mmm. | 0:43:06 | 0:43:11 | |
Detective Cagney. | 0:43:12 | 0:43:15 | |
Yes, that's right. | 0:43:15 | 0:43:17 | |
OK. | 0:43:18 | 0:43:20 | |
All right. Thank you. I'll have that verified and get back to you. | 0:43:22 | 0:43:27 | |
Now, what is that? | 0:43:30 | 0:43:33 | |
Mary Dunstan, aged 34, disappeared April 7, 1977. Is that her? | 0:43:39 | 0:43:44 | |
Probably. | 0:43:44 | 0:43:47 | |
Married and two children. | 0:43:47 | 0:43:49 | |
So she had a husband. She had... She had a family. | 0:43:49 | 0:43:53 | |
CRYING Hey! | 0:43:53 | 0:43:56 | |
Are you crying? | 0:43:56 | 0:43:59 | |
No. | 0:43:59 | 0:44:01 | |
Pull yourself together. Take this. What are you crying for? | 0:44:03 | 0:44:07 | |
Hell, nobody else is! | 0:44:07 | 0:44:10 | |
You OK? Yeah. | 0:44:15 | 0:44:17 | |
I'm fine. | 0:44:17 | 0:44:20 | |
Thank you. Sure. | 0:44:21 | 0:44:23 | |
Give me that. Please. | 0:44:27 | 0:44:29 | |
Keppler? This is Cagney, 14th squad. | 0:44:41 | 0:44:45 | |
Listen, I think I have the name for the Jane Doe, number 37. | 0:44:45 | 0:44:50 | |
You got a pencil? | 0:44:50 | 0:44:52 | |
I'll hold. | 0:44:52 | 0:44:55 | |
Right. | 0:44:55 | 0:44:57 | |
Hey guys! It's my birthday. Who's going to buy me a drink? | 0:44:59 | 0:45:04 | |
Subtitles by Martin Maguire BBC - 1994 | 0:45:44 | 0:45:50 |