Browse content similar to Date Rape. Check below for episodes and series from the same categories and more!
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CHEERING | 0:01:14 | 0:01:17 | |
TYPING | 0:01:17 | 0:01:20 | |
STRIPTEASE MUSIC | 0:01:20 | 0:01:23 | |
Happy birthday! | 0:01:23 | 0:01:26 | |
Mercy! | 0:01:47 | 0:01:49 | |
You old dog, you! She could teach you a few new tricks! | 0:01:49 | 0:01:53 | |
You probably forget what to do! | 0:01:53 | 0:01:56 | |
I may be a year older, but I'm not dead yet! | 0:01:56 | 0:01:59 | |
If you need a refresher course, I'm the Professor of Love! | 0:01:59 | 0:02:04 | |
Those who can, do... Those who can't, teach! | 0:02:04 | 0:02:07 | |
You missed the best part! | 0:02:10 | 0:02:12 | |
Well, it makes me uncomfortable. | 0:02:12 | 0:02:15 | |
Really? Why? | 0:02:15 | 0:02:17 | |
Come on, Mary Beth! It's fun. She wasn't upset. Why should you be? | 0:02:18 | 0:02:24 | |
You're missing something significant. | 0:02:24 | 0:02:26 | |
There's nothing significant about a girl stripping! | 0:02:26 | 0:02:31 | |
It's sad and degrading. She didn't find it degrading, Mary Beth! | 0:02:31 | 0:02:36 | |
A year ago, they wouldn't have invited us to anything, | 0:02:36 | 0:02:41 | |
much less a striptease. | 0:02:41 | 0:02:43 | |
Today, they did. They're accepting us as one of them. | 0:02:43 | 0:02:46 | |
Never one of my major goals! You two know a lady cop? | 0:02:46 | 0:02:51 | |
Two! She's in the interview room. | 0:02:51 | 0:02:54 | |
Carole Mitchell, 32. A little hostile. Insists on a female cop. | 0:02:54 | 0:02:59 | |
There you go. | 0:02:59 | 0:03:00 | |
Sit down... Please. | 0:03:04 | 0:03:07 | |
Well, you two SEEM human enough. | 0:03:11 | 0:03:13 | |
Pardon? I don't want to start off on the wrong foot, but this is hard. | 0:03:13 | 0:03:19 | |
We understand, believe me. | 0:03:19 | 0:03:21 | |
Sit down, take a deep breath and start at the beginning. | 0:03:21 | 0:03:25 | |
All right. | 0:03:25 | 0:03:27 | |
I was raped. | 0:03:29 | 0:03:30 | |
I'm sorry. Can you tell us where it happened? | 0:03:30 | 0:03:35 | |
In my apartment. He broke in? | 0:03:35 | 0:03:38 | |
No. I was... | 0:03:38 | 0:03:40 | |
I was... You let him in? | 0:03:40 | 0:03:43 | |
I was on a date with him. | 0:03:43 | 0:03:45 | |
Oh. | 0:03:45 | 0:03:47 | |
How did I know that you would say, "Oh..."? | 0:03:48 | 0:03:52 | |
I didn't mean anything by it. It's OK. It gets worse. | 0:03:52 | 0:03:56 | |
I met him at a singles bar, had a drink with him. | 0:03:56 | 0:04:00 | |
I even ordered a second round. | 0:04:00 | 0:04:01 | |
Back to my apartment, had another drink, even let him kiss me... | 0:04:01 | 0:04:07 | |
What do you think about that? | 0:04:07 | 0:04:09 | |
We don't think anything. | 0:04:09 | 0:04:12 | |
Tell us what happened then. He wanted to go to bed, | 0:04:12 | 0:04:16 | |
only -I don't know, | 0:04:16 | 0:04:19 | |
there was just something weird... He was creepy. I told him no. | 0:04:19 | 0:04:23 | |
I asked him to leave and he got crazy. How do you mean? | 0:04:23 | 0:04:27 | |
Shouting, screaming... "You can't say no after getting me all worked up!" | 0:04:27 | 0:04:33 | |
Then he just... | 0:04:33 | 0:04:36 | |
he... | 0:04:36 | 0:04:38 | |
he beat me up very badly, then he raped me. He beat you? | 0:04:38 | 0:04:42 | |
My face, my arms, my neck... | 0:04:42 | 0:04:45 | |
It's all faded now. How long ago was this? Two weeks. | 0:04:47 | 0:04:50 | |
Why did you wait so long to report it? | 0:04:51 | 0:04:55 | |
Why? Mmm. Because I heard how insensitive cops are. | 0:04:55 | 0:04:59 | |
This is not my favourite thing! We understand that, Miss Mitchell. | 0:04:59 | 0:05:05 | |
I tried! At first, I told myself to forget about it... And now? | 0:05:05 | 0:05:10 | |
The guy called me again yesterday! Like nothing happened! | 0:05:10 | 0:05:15 | |
I told him to leave me alone, he screams, like before. | 0:05:15 | 0:05:19 | |
He's a lunatic and I'm scared. | 0:05:19 | 0:05:22 | |
He's going to hurt me again! Can you stop him, arrest him? | 0:05:22 | 0:05:26 | |
Yes, if you sign a complaint. | 0:05:26 | 0:05:28 | |
His name is Ed Ravenswood. He sings at the New World City Opera. | 0:05:28 | 0:05:33 | |
He said he's a baritone. He told me. | 0:05:33 | 0:05:36 | |
I got a bet with Isbecki. I say rape, he says battered wife. | 0:05:36 | 0:05:41 | |
Can I see that? | 0:05:41 | 0:05:44 | |
What kind of case is it? | 0:05:44 | 0:05:46 | |
She was raped. I'll check his name. She knows his name? | 0:05:46 | 0:05:51 | |
They went on a date. Took him home? | 0:05:51 | 0:05:54 | |
This smells like a one-night stand that never called back! | 0:05:54 | 0:05:58 | |
Chick gets upset, turns him in! | 0:05:58 | 0:06:02 | |
Woman scorned and all that! | 0:06:02 | 0:06:04 | |
Paul, the woman was raped! | 0:06:04 | 0:06:07 | |
Read your penal code. Sexual intercourse without consent. | 0:06:07 | 0:06:10 | |
We're not mind-readers! What do you mean? | 0:06:10 | 0:06:14 | |
Women always say no! Sometimes, they mean yes. Usually, they mean maybe. Am I wrong? | 0:06:14 | 0:06:21 | |
You're overgeneralising. He knows what he's talking about. | 0:06:21 | 0:06:25 | |
Thelma's hero of all time is Rhett Butler - so romantic! | 0:06:25 | 0:06:30 | |
Why, if Rhett Butler throws Scarlet on the bed, that's romance, but when some poor slob does it, it's rape? | 0:06:30 | 0:06:38 | |
With respect, if you don't know the difference between rape and romance, you got a serious problem! | 0:06:38 | 0:06:45 | |
Her time of the month or what? | 0:06:48 | 0:06:51 | |
Two camels, one elephant | 0:07:00 | 0:07:02 | |
and a sufficiency of the usual chazerai. | 0:07:02 | 0:07:07 | |
Perfecto. On the 30th, then. | 0:07:07 | 0:07:10 | |
Hasta luego. Ciao. Sayonara. | 0:07:10 | 0:07:13 | |
And all that jazz! | 0:07:13 | 0:07:16 | |
We're doing Aida - molto boring. The hoi polloi... | 0:07:16 | 0:07:22 | |
Uh-uh! | 0:07:22 | 0:07:25 | |
Sorry to keep you hanging, Officer. | 0:07:25 | 0:07:27 | |
Detective. Lacey. I'm investigating a rape charge. Our favourite diva is molesting the tenors again? | 0:07:27 | 0:07:35 | |
Or knowing her tastes, perhaps something a bit more outre? | 0:07:35 | 0:07:39 | |
Mr Richards, I'm sorry if you find this funny. I do not. | 0:07:40 | 0:07:45 | |
A woman was raped by one of your performers - Ed Ravenswood. Ed Ravenswood? | 0:07:45 | 0:07:51 | |
My dear, Ed Ravenswood does not work here, | 0:07:51 | 0:07:55 | |
has NEVER worked here. | 0:07:55 | 0:07:57 | |
But I do know where you can find him. | 0:07:59 | 0:08:03 | |
How do you like the cologne? | 0:08:19 | 0:08:21 | |
On someone else. | 0:08:21 | 0:08:23 | |
Sorry, you set me up! Wait... What about basses and tenors? | 0:08:23 | 0:08:29 | |
OK, thanks for your help. He's not a member of any of the performers' unions. Forget it. | 0:08:30 | 0:08:37 | |
City Opera never heard of him? They heard of him. Edgar Ravenswood. He sings there? | 0:08:37 | 0:08:43 | |
No, they sing him. He's the hero of Lucia Di Lammermoor. | 0:08:43 | 0:08:48 | |
It's a married guy! Has to be! | 0:08:48 | 0:08:51 | |
All married men on the make use an alias, eh, Petrie? | 0:08:51 | 0:08:55 | |
Don't look at me! I wouldn't know... | 0:08:55 | 0:08:58 | |
Just being hypothetical. Not unreasonable in light of the new report on male sexuality! | 0:08:58 | 0:09:04 | |
It's a flaky case! | 0:09:04 | 0:09:07 | |
You still think you got a crime? Dunno. Haven't heard him sing! | 0:09:07 | 0:09:11 | |
Would you knock it off?! | 0:09:13 | 0:09:16 | |
OK? | 0:09:16 | 0:09:18 | |
I'm going home. I'll see you tomorrow. Oh... | 0:09:18 | 0:09:23 | |
Excuse me. | 0:09:23 | 0:09:25 | |
Mary Beth? | 0:09:36 | 0:09:38 | |
A woman's hurt - or are you so busy with the guys that you forgot? | 0:09:38 | 0:09:42 | |
I remember. I was wondering. | 0:09:42 | 0:09:45 | |
Is it possible you could lighten up a little? Yeah, sure. | 0:09:45 | 0:09:49 | |
Heard any good rape jokes lately? | 0:09:49 | 0:09:52 | |
Mary Beth, I know people get hurt every day. | 0:09:54 | 0:09:58 | |
Some of the stuff we see... | 0:09:58 | 0:10:00 | |
if we took it in without a filter, it would make us crazy, | 0:10:00 | 0:10:05 | |
so I laugh... There's things I don't laugh. Fine. | 0:10:05 | 0:10:09 | |
That's my way - that's what I do! OK? | 0:10:09 | 0:10:12 | |
I don't know. I'll think it over. Have you got any hand lotion? | 0:10:12 | 0:10:18 | |
Yeah. | 0:10:18 | 0:10:20 | |
Ladies? | 0:10:23 | 0:10:25 | |
La Guardia's niece is here. You don't want to miss this! | 0:10:25 | 0:10:29 | |
La Guardia's niece? Oh, yeah... | 0:10:29 | 0:10:32 | |
I just hope it works. Never fails. | 0:10:34 | 0:10:38 | |
You're serious? Yeah. | 0:10:38 | 0:10:41 | |
What do you think, ladies, huh? | 0:10:42 | 0:10:44 | |
Is he irresistible to females? Why - you got a date? | 0:10:44 | 0:10:49 | |
La Guardia traded me three nights to show his niece round. | 0:10:49 | 0:10:53 | |
Ronni is going to love you. You do look good. | 0:10:53 | 0:10:57 | |
I hate blind dates. | 0:10:57 | 0:11:00 | |
Tell me again - she's a distant relative? | 0:11:00 | 0:11:03 | |
I promise you - Ronni doesn't look anything like me! | 0:11:03 | 0:11:08 | |
No! Trust me! I've seen her. | 0:11:08 | 0:11:10 | |
Uncle Paul! | 0:11:10 | 0:11:12 | |
Ronni! | 0:11:12 | 0:11:14 | |
You look lovely! | 0:11:15 | 0:11:18 | |
Mary Beth Lacey... Hello. Chris Cagney. Hi, Ronni. | 0:11:18 | 0:11:23 | |
Mark Petrie. You know the lieutenant. And Victor Isbecki. | 0:11:23 | 0:11:28 | |
How do you do, Victor? Uncle Paul told me so much about you! | 0:11:30 | 0:11:35 | |
It's really good meeting you. | 0:11:35 | 0:11:38 | |
He never said how good-looking you were. You are, too! | 0:11:38 | 0:11:42 | |
This is going to be an evening to remember! | 0:11:42 | 0:11:46 | |
Let's get out of here. It's nice to have met you, Ronni! | 0:11:46 | 0:11:51 | |
You like French food? Enjoy yourselves. | 0:11:51 | 0:11:56 | |
What? | 0:12:01 | 0:12:02 | |
What? You see the look on his face? | 0:12:02 | 0:12:06 | |
The man is in love! He's in lust! | 0:12:06 | 0:12:10 | |
She seemed like a nice girl! | 0:12:10 | 0:12:12 | |
You should see his Raquel Welch impersonation! What? | 0:12:15 | 0:12:20 | |
Ronni is Ronald! He's a female impersonator! | 0:12:20 | 0:12:24 | |
Yeah, I'll hold. So, Victor, how was your date? | 0:12:36 | 0:12:40 | |
I'll get you for this, La Guardia, I promise! | 0:12:40 | 0:12:43 | |
Don't be mad at me! It was the lieutenant's idea! | 0:12:43 | 0:12:47 | |
Samuels, huh? | 0:12:47 | 0:12:49 | |
Well, I guess I owe him one! | 0:12:49 | 0:12:52 | |
When did you find out, Isbecki? I don't want to talk about it! | 0:12:54 | 0:12:59 | |
When did you find out? When he invited me home to meet his wife and kids! | 0:12:59 | 0:13:06 | |
Do you show a listing of members by physical type? | 0:13:06 | 0:13:10 | |
Height, weight, age, colouring? | 0:13:10 | 0:13:14 | |
Yes. | 0:13:14 | 0:13:16 | |
A directory, yes. Yes. | 0:13:16 | 0:13:18 | |
Thank you. Good morning. Morning. | 0:13:18 | 0:13:21 | |
Isbecki, you and Ronni make a perfectly beautiful couple. | 0:13:21 | 0:13:27 | |
Thanks, Cagney. Actually, she reminded me a lot of you, | 0:13:27 | 0:13:31 | |
but you make the better man! | 0:13:31 | 0:13:34 | |
Good one, Isbecki! | 0:13:34 | 0:13:35 | |
Thank you, Victor, but you give me too much credit! | 0:13:35 | 0:13:39 | |
Around here, I don't have that much competition! | 0:13:39 | 0:13:43 | |
Come on, Victor! Don't be mad! We're just kidding! | 0:13:45 | 0:13:50 | |
Me? Why would I be mad? | 0:13:50 | 0:13:52 | |
Oops! | 0:13:52 | 0:13:54 | |
Morning, Mary Beth. Morning. | 0:13:56 | 0:13:59 | |
Oh, can I talk to you? | 0:14:00 | 0:14:03 | |
In the john? I'm waiting on a call. | 0:14:03 | 0:14:06 | |
OK... | 0:14:09 | 0:14:11 | |
I went by Carole Mitchell's bar last night. And? | 0:14:11 | 0:14:14 | |
And the bartender doesn't remember a Mr Ravenswood... | 0:14:14 | 0:14:19 | |
Isbecki, go away! I'm getting some coffee. How long could it take? | 0:14:19 | 0:14:24 | |
He doesn't remember... You want to hear this? Well, come on! How about all of you? | 0:14:24 | 0:14:31 | |
The bartender doesn't remember our guy, but he does remember Carole Mitchell. She goes in a lot. | 0:14:31 | 0:14:38 | |
Sometimes, she takes a guy home. And here, I thought she was a vestal virgin(!) | 0:14:38 | 0:14:45 | |
We called them roundheels in school. | 0:14:45 | 0:14:48 | |
We had one with a moustache! | 0:14:48 | 0:14:51 | |
So? All cats are grey in the dark! | 0:14:51 | 0:14:54 | |
Thank you, gentlemen, for the view from the gutter! | 0:14:54 | 0:14:59 | |
Excuse me. You see? | 0:14:59 | 0:15:01 | |
That's why I wanted to talk to you in the bathroom. | 0:15:01 | 0:15:05 | |
Sensitive of you, Christine. | 0:15:05 | 0:15:08 | |
Perfect, you got it! You got it! | 0:15:11 | 0:15:14 | |
Tell the truth, Harv. | 0:15:14 | 0:15:17 | |
Do you think I'm making a big deal? | 0:15:17 | 0:15:19 | |
No, I understand. The guys sound like jerks. And Christine? | 0:15:19 | 0:15:24 | |
Oh... You do? You think I'm making a big deal?! | 0:15:24 | 0:15:28 | |
Come on! A little humour! | 0:15:28 | 0:15:30 | |
Maybe not in good taste, but it cuts the tension! | 0:15:30 | 0:15:34 | |
How does it hurt anybody? I don't know. It makes us all less...less to each other. | 0:15:34 | 0:15:42 | |
Maybe you have to be sometimes. | 0:15:42 | 0:15:44 | |
It's a tough job! You're saying what Christine said to me. | 0:15:44 | 0:15:48 | |
Call it a difference of opinion and live with it. I don't know! I have to say what I believe in! | 0:15:48 | 0:15:50 | |
Call it a difference of opinion and live with it. I don't know! I have to say what I believe in! | 0:15:50 | 0:15:55 | |
I can't just bite my tongue if something bothers me. | 0:15:55 | 0:15:59 | |
Sure, but don't make everybody else the bad guy cos they don't see things the same. | 0:15:59 | 0:16:06 | |
How come when I ask you to tell the truth, you do? You never take my side. | 0:16:06 | 0:16:11 | |
I will from now on! | 0:16:11 | 0:16:14 | |
Fine! All right! | 0:16:14 | 0:16:16 | |
I'll take this side here! Cut it out! Then this side! | 0:16:16 | 0:16:20 | |
Don't tickle me if you don't mean it! I mean it! | 0:16:20 | 0:16:24 | |
Croissants! Oh! From Michel's! I'm sorry if I've been a pain. | 0:16:38 | 0:16:44 | |
No big deal. You want some of these? No, I got doughnuts. | 0:16:44 | 0:16:49 | |
Today's the day! It's all set up. What? | 0:16:49 | 0:16:54 | |
I completely forgot! | 0:16:54 | 0:16:56 | |
I've got appointments all afternoon. Find a way! | 0:16:56 | 0:17:00 | |
We're all counting on you! | 0:17:00 | 0:17:03 | |
Excuse me, sir. | 0:17:04 | 0:17:07 | |
Lt Berwick wants to meet with you. | 0:17:07 | 0:17:09 | |
He suggested lunch at Luigi's. 12.30? | 0:17:09 | 0:17:13 | |
Internal Affairs? What did I do?! | 0:17:13 | 0:17:16 | |
What you got there, Cagney? Croissants. | 0:17:16 | 0:17:20 | |
Jelly doughnut? Give me one. | 0:17:20 | 0:17:23 | |
They're sticky. Why don't you get fresh ones? | 0:17:25 | 0:17:28 | |
OK. 12.45. Do not forget. What is going on? | 0:17:34 | 0:17:38 | |
May I see you in the conference room? | 0:17:38 | 0:17:43 | |
Isbecki's getting back at Samuels for the Ronni joke. How? | 0:17:49 | 0:17:53 | |
The Berwick thing's a set-up. | 0:17:53 | 0:17:56 | |
I call the restaurant and say the meeting's cancelled. | 0:17:56 | 0:18:00 | |
That's a dumb joke. Except Isbecki has a lady who's going to put some moves on Samuels. An actress? | 0:18:00 | 0:18:08 | |
You mean a hooker? | 0:18:08 | 0:18:10 | |
Well... she doesn't look like a hooker! | 0:18:12 | 0:18:16 | |
This is a morale builder for the lieutenant. | 0:18:16 | 0:18:20 | |
He'll really think he's hot stuff. | 0:18:20 | 0:18:22 | |
You're upset again. | 0:18:22 | 0:18:25 | |
It's a practical joke! I get it. Nothing will happen. | 0:18:25 | 0:18:30 | |
The lieutenant can spot a hooker a mile away. He'll enjoy it! | 0:18:30 | 0:18:35 | |
Sure. Lacey? Phone. Yeah. | 0:18:35 | 0:18:38 | |
OK, we're on our way. | 0:18:45 | 0:18:48 | |
The 53rd has a guy in custody confessing to a string of rapes. | 0:18:48 | 0:18:52 | |
Think he's involved with Carole Mitchell? Let's go find out! | 0:18:52 | 0:18:57 | |
Is something the matter? | 0:18:57 | 0:19:00 | |
Er...no. No, it's OK. Let's go check it out. | 0:19:00 | 0:19:04 | |
Take the mug shot to show your victim, but I don't think he's your boy. Description sounded close. | 0:19:06 | 0:19:14 | |
Not the MO. Parker does it in alleys, humiliates his victims. | 0:19:14 | 0:19:18 | |
I see. As opposed to in their homes, which is not humiliating? | 0:19:18 | 0:19:23 | |
I thought you were a cop, not some Gloria Steinem! | 0:19:23 | 0:19:27 | |
Hey, can I use your phone? | 0:19:27 | 0:19:29 | |
Go ahead. | 0:19:29 | 0:19:31 | |
Hi. Would you page Lieutenant Samuels? | 0:19:43 | 0:19:47 | |
I just want to leave a message. | 0:19:47 | 0:19:49 | |
Tell him the meeting is cancelled. No reschedule - the matter's been resolved. | 0:19:49 | 0:19:55 | |
Yeah. That's it. OK, thank you. | 0:19:55 | 0:19:58 | |
Thank you. We'll see the victim today, see what she makes of it. | 0:20:00 | 0:20:06 | |
Regards to the wife. | 0:20:06 | 0:20:08 | |
What? I want to ask the lieutenant. No, what you want is for him to tell us to get off this case! | 0:20:12 | 0:20:20 | |
What is with you? I want to run it by him. Find out what you can, OK? What? | 0:20:20 | 0:20:26 | |
He came back from lunch, whistling! All right. | 0:20:26 | 0:20:29 | |
The theme from Gone With The Wind. Good. | 0:20:29 | 0:20:33 | |
Mary Beth, you want to listen? OK. As long as you don't poison the well. | 0:20:35 | 0:20:41 | |
HE WHISTLES | 0:20:43 | 0:20:45 | |
Excuse me, Lieutenant? Can we talk to you for a minute? | 0:20:47 | 0:20:51 | |
We need your opinion about a case. Hey! I must be living right! Sir? | 0:20:51 | 0:20:56 | |
I meet a charming lady in a restaurant, dodge a bullet from IAD, | 0:20:56 | 0:21:01 | |
and now my two favourite detectives want my opinion! Sit down. | 0:21:01 | 0:21:05 | |
Thank you. It's about Carole Mitchell. The date rape? | 0:21:05 | 0:21:09 | |
Yes, sir. I think we're up against a dead end. | 0:21:09 | 0:21:13 | |
What should we do next, sir? | 0:21:13 | 0:21:16 | |
You want my advice? Don't knock yourselves out. Sir? | 0:21:16 | 0:21:21 | |
Even if you got a case here, it's a waste of time looking for the perp. | 0:21:21 | 0:21:26 | |
There is no conviction percentage. No jury will buy her story. | 0:21:26 | 0:21:31 | |
A jury of her peers might! You mean women? | 0:21:31 | 0:21:35 | |
Be realistic, Lacey! In my experience, women are even harder than men! Anything else? | 0:21:35 | 0:21:42 | |
No, sir. | 0:21:42 | 0:21:44 | |
You don't get a lead quick, put it on the back burner. | 0:21:44 | 0:21:48 | |
You got other, more pressing things you could be pursuing. | 0:21:48 | 0:21:53 | |
I did not influence him. No! | 0:21:53 | 0:21:55 | |
I just wanted to check some things, | 0:21:55 | 0:21:58 | |
find out how far off base I was. You don't think it was rape. | 0:21:58 | 0:22:03 | |
TOOT! Hey! | 0:22:03 | 0:22:06 | |
Mary Beth, listen to me... this is not something I could say in front of the guys. | 0:22:06 | 0:22:12 | |
I go out a lot. You know that. | 0:22:12 | 0:22:15 | |
I also say no a lot. | 0:22:15 | 0:22:18 | |
Oh, yeah? Well, my goodness(!) | 0:22:18 | 0:22:22 | |
The point is - when I say no, they get that I mean no! | 0:22:22 | 0:22:26 | |
I can't believe you said that! | 0:22:26 | 0:22:28 | |
What? You've never been raped, so Carole Mitchell couldn't have been! That's not what I meant! | 0:22:28 | 0:22:35 | |
You've never been murdered. I could show you people who have! Please! | 0:22:35 | 0:22:40 | |
Mary Beth, I won't fight with you. | 0:22:40 | 0:22:42 | |
We'll show Carole Mitchell the pictures and take it from there. | 0:22:42 | 0:22:48 | |
No... | 0:22:50 | 0:22:52 | |
It's not this guy. You sure? Yes, I'm sure. | 0:22:52 | 0:22:56 | |
He's never bothered you again? Uh-uh. | 0:22:56 | 0:22:59 | |
These are resume photos and publicity stills from the opera. Can you look at them and call us? | 0:22:59 | 0:23:07 | |
What if he isn't in here? Then, we'll keep looking. | 0:23:07 | 0:23:11 | |
Where? Well, the chances would be slim... Breaks your heart, doesn't it? | 0:23:11 | 0:23:17 | |
If we find him, we'll have a hell of a time convicting him. PHONE RINGS | 0:23:17 | 0:23:22 | |
'Leave a message. I'm looking forward to talking to you.' | 0:23:22 | 0:23:27 | |
Hi, baby! It's Marty! Last night was great. Let's do it again... | 0:23:27 | 0:23:32 | |
soon! | 0:23:32 | 0:23:34 | |
Look at you two! | 0:23:37 | 0:23:39 | |
So busy judging me, huh? Because I pick up guys in a bar? | 0:23:39 | 0:23:44 | |
No, ma'am. Where else do I meet them? I work with three women! | 0:23:44 | 0:23:48 | |
Am I supposed to sit at home waiting for Prince Charming? | 0:23:48 | 0:23:52 | |
I think you could be more careful. No, you think I'm a tramp and I don't have the right to say no! | 0:23:52 | 0:24:00 | |
That's not true. I thought women cops would be different - pigs in dresses! | 0:24:00 | 0:24:06 | |
Wait one damn minute! We're trying to help. Don't! I don't need this garbage! You think this is garbage? | 0:24:06 | 0:24:13 | |
Wait till you hear a defence attorney! I won't give him the chance! Just forget it! | 0:24:13 | 0:24:20 | |
We want to find this man as much as you do. No, you don't. Get out! | 0:24:20 | 0:24:26 | |
Just leave me alone. Go on! Get out! | 0:24:26 | 0:24:30 | |
Go on! Ma'am. | 0:24:32 | 0:24:34 | |
That's one tough cookie. | 0:24:45 | 0:24:48 | |
You're right - she should be more careful. | 0:24:48 | 0:24:51 | |
Do you think she was giving that guy mixed signals? | 0:24:53 | 0:24:57 | |
Whatever happened, it seems to be over. She'll be OK. | 0:24:57 | 0:25:02 | |
Yeah. | 0:25:02 | 0:25:04 | |
So we close it out? Victim's unwilling to press charges. Yeah. | 0:25:09 | 0:25:14 | |
Wouldn't screw up our conviction record, either. Right. | 0:25:14 | 0:25:18 | |
Closing out the date rape? More date than rape? | 0:25:25 | 0:25:29 | |
No. She's leaving town. | 0:25:29 | 0:25:32 | |
Traumatised. | 0:25:32 | 0:25:35 | |
Oh... | 0:25:35 | 0:25:37 | |
Why give them another cheap laugh? Right. | 0:25:38 | 0:25:42 | |
Sorry, sir. No doughnuts. That's all right. I'm on a diet. | 0:25:45 | 0:25:49 | |
Hope you're not going for that high-protein propaganda. | 0:25:49 | 0:25:53 | |
Lipid levels and triglycerides - it's the worst. | 0:25:53 | 0:25:57 | |
Unrefined carbohydrates and vegetables - that's the way. | 0:25:57 | 0:26:02 | |
You look nice this morning, sir, very dressed up. Oh, yeah? | 0:26:02 | 0:26:07 | |
I and Lois, the woman I met the other day, | 0:26:07 | 0:26:10 | |
we're going out again tonight. | 0:26:10 | 0:26:13 | |
Oh? Lacey... do you think she'd like the opera? | 0:26:13 | 0:26:18 | |
The opera, sir? | 0:26:18 | 0:26:20 | |
I don't like it much, but it would make a good impression. | 0:26:20 | 0:26:25 | |
You think you could call the guy you spoke to over there and get me some good seats? | 0:26:25 | 0:26:32 | |
Well, I don't know that it's a good idea. I don't mean that I want any freebies or anything. | 0:26:32 | 0:26:39 | |
I'll pay whatever it takes. I just want to get good seats. | 0:26:39 | 0:26:43 | |
I would appreciate it. | 0:26:43 | 0:26:46 | |
La Guardia? Talk to me about the diet. Should I cut out toast? | 0:26:46 | 0:26:52 | |
No, toast is fine. Cut out sugars and fats. | 0:26:52 | 0:26:55 | |
Sugar and fat? | 0:26:55 | 0:26:57 | |
Can you believe this? | 0:26:59 | 0:27:01 | |
He's taking a hooker to the opera. As long as she doesn't charge by the act! | 0:27:01 | 0:27:07 | |
I don't think it's funny! The joke should be called off. | 0:27:07 | 0:27:11 | |
Sure, Mary Beth. You want to tell the lieutenant he's fallen for a prostitute? | 0:27:11 | 0:27:18 | |
LAUGHTER Somebody should! | 0:27:18 | 0:27:20 | |
Call for you, Mary Beth. | 0:27:20 | 0:27:23 | |
On 2. Thank you. | 0:27:23 | 0:27:26 | |
Detective Lacey. Go on. | 0:27:26 | 0:27:28 | |
No. | 0:27:28 | 0:27:30 | |
Oh, my God! | 0:27:33 | 0:27:35 | |
Neighbour found her. She's lucky she's alive. | 0:27:38 | 0:27:40 | |
What's the prognosis? | 0:27:40 | 0:27:42 | |
You mean, will she survive? | 0:27:42 | 0:27:45 | |
I think so. Will she come out of the coma? I hope so. | 0:27:45 | 0:27:49 | |
When? In her own good time. | 0:27:49 | 0:27:52 | |
That's the best you can do? Ain't medical science wonderful(?) | 0:27:52 | 0:27:56 | |
One last question, Doctor. | 0:27:56 | 0:27:59 | |
Is there any sign of sexual assault? She was raped, no doubt about it. | 0:27:59 | 0:28:05 | |
It was the same guy! I know it was. What is happening to us? | 0:28:17 | 0:28:22 | |
What do you mean? The woman told us she was scared - we didn't listen. | 0:28:22 | 0:28:27 | |
We listened to smutty jokes and worried about our conviction rate! | 0:28:27 | 0:28:31 | |
You don't mean us - you mean me! I mean us! | 0:28:35 | 0:28:38 | |
I let that nonsense get to me, keep me from doing my job. | 0:28:38 | 0:28:43 | |
I'm not wasting time feeling guilty. I'm going to find that bastard and nail him! | 0:28:43 | 0:28:47 | |
Do you want me to drive? | 0:28:49 | 0:28:50 | |
No. I'm... | 0:28:50 | 0:28:52 | |
I'm fine. | 0:28:52 | 0:28:53 | |
Cagney? Can I see you, please, through here? | 0:29:00 | 0:29:05 | |
We're getting the file up on Carole Mitchell and going to her apartment. Good. Find that scum! | 0:29:11 | 0:29:18 | |
Yes, sir. Close the door. | 0:29:18 | 0:29:21 | |
This is...more of a personal kind of matter. | 0:29:25 | 0:29:30 | |
Yes, sir? Go ahead. Sit down. | 0:29:30 | 0:29:32 | |
I didn't know how to ask one of the guys... | 0:29:34 | 0:29:37 | |
I guess I thought you would know a lot about this stuff. | 0:29:37 | 0:29:42 | |
It's something that, er, Lacey said about romance... | 0:29:42 | 0:29:47 | |
the Rhett Butler thing. | 0:29:47 | 0:29:50 | |
Oh, yes... | 0:29:50 | 0:29:52 | |
Yeah, well, Thelma was right. | 0:29:52 | 0:29:55 | |
Yeah... | 0:29:55 | 0:29:57 | |
there should have been more romance. | 0:29:57 | 0:30:00 | |
I always thought there was... | 0:30:00 | 0:30:03 | |
After a while... | 0:30:05 | 0:30:07 | |
You know it's... | 0:30:07 | 0:30:10 | |
What I...what I really want is... | 0:30:10 | 0:30:13 | |
now, for it to be better... | 0:30:13 | 0:30:15 | |
Do you know what I mean? Sure. | 0:30:15 | 0:30:18 | |
I...I don't know why... I feel like such a klutz! | 0:30:18 | 0:30:23 | |
You know, er... | 0:30:23 | 0:30:25 | |
you see, with Lois, it's... | 0:30:25 | 0:30:28 | |
she's the first since, er, Thelma and I... Mmm... | 0:30:28 | 0:30:32 | |
And, er... | 0:30:32 | 0:30:35 | |
dating! | 0:30:35 | 0:30:37 | |
Whoo! | 0:30:37 | 0:30:39 | |
Kids with pimples date. | 0:30:42 | 0:30:44 | |
It's awkward, I know - dating. | 0:30:44 | 0:30:47 | |
So much has changed since I was a kid going around with girls! | 0:30:47 | 0:30:52 | |
I mean, what? | 0:30:54 | 0:30:56 | |
Candy? Flowers? Cagney, do you like that kind of stuff? | 0:30:56 | 0:31:00 | |
From the right guy... | 0:31:02 | 0:31:04 | |
When I was a kid... | 0:31:04 | 0:31:07 | |
in my time, you were lucky... if you got a kiss on a third date. | 0:31:07 | 0:31:11 | |
But, last night... | 0:31:11 | 0:31:14 | |
..Lois seemed interested in me and I... | 0:31:17 | 0:31:21 | |
but I was afraid... | 0:31:21 | 0:31:24 | |
I didn't know...I wasn't sure... | 0:31:24 | 0:31:26 | |
Maybe it was... | 0:31:26 | 0:31:29 | |
too soon, you know? | 0:31:29 | 0:31:32 | |
I want it to be right this time. | 0:31:32 | 0:31:34 | |
Does this make any sense to you at all? | 0:31:36 | 0:31:40 | |
Sure. | 0:31:40 | 0:31:42 | |
Hey, this is stupid! I... | 0:31:46 | 0:31:48 | |
you know...who do I think you are? A Dear Abby? | 0:31:48 | 0:31:53 | |
OK... Thank you. Thank you for listening to this over-the-hill 15-year-old. | 0:31:53 | 0:31:59 | |
Cagney... Yes, sir? | 0:31:59 | 0:32:02 | |
Er... | 0:32:02 | 0:32:04 | |
just forget everything that I said, OK? Yes, sir. | 0:32:04 | 0:32:08 | |
He really likes her. Who? | 0:32:11 | 0:32:14 | |
The lieutenant! | 0:32:14 | 0:32:17 | |
The hooker? Hmm. A lot? Hmm. He wants me to tell him how to get her to like him. | 0:32:17 | 0:32:23 | |
Oh, that poor man! | 0:32:23 | 0:32:25 | |
That lonely man! He's going to be so hurt! | 0:32:25 | 0:32:29 | |
He's going to be so humiliated. Ladies? | 0:32:29 | 0:32:33 | |
Someone ordered up a file? We'll think of something. | 0:32:33 | 0:32:37 | |
Come on! We gotta get to Carole Mitchell's place. | 0:32:41 | 0:32:44 | |
Don't hold your breath. He smudged his prints with a cloth. | 0:32:58 | 0:33:02 | |
Did you dust this phone? Yeah, I did. | 0:33:02 | 0:33:05 | |
OK, I'll call in. | 0:33:05 | 0:33:08 | |
Chris? | 0:33:08 | 0:33:10 | |
There, by you! By you! Is this clean here? | 0:33:10 | 0:33:14 | |
Yeah, it's clean... | 0:33:14 | 0:33:16 | |
TAPE REWINDS | 0:33:21 | 0:33:24 | |
'It's Evelyn. Can you come in half an hour early? | 0:33:28 | 0:33:31 | |
'Phone me if you get in at a decent hour. | 0:33:31 | 0:33:35 | |
'This is... Forget it. | 0:33:37 | 0:33:40 | |
'I don't talk to machines. | 0:33:40 | 0:33:42 | |
' # Arrivederci, Carole...! # ' | 0:33:42 | 0:33:47 | |
Got anything for us? What's the address? Quiet! | 0:33:47 | 0:33:51 | |
I'll play it back. | 0:33:51 | 0:33:54 | |
Wait. ..Quiet! | 0:33:54 | 0:33:57 | |
'This is Ed Ravenswood. I want to see you. | 0:33:58 | 0:34:02 | |
'Call me at 373...' MESSAGE ENDS | 0:34:02 | 0:34:05 | |
Damn! 373... Got it. | 0:34:05 | 0:34:07 | |
'This is Carole. I want you to leave me alone. No, I don't think so. | 0:34:07 | 0:34:13 | |
'I have a picture of you. Sure! From the opera! | 0:34:13 | 0:34:17 | |
'If you don't leave me alone, I'll go to the police. OK! You got it!' | 0:34:17 | 0:34:22 | |
DIALLING TONE You guys... | 0:34:22 | 0:34:25 | |
you seen a cardboard box with a bunch of 8x10 glossies? No, I didn't. | 0:34:25 | 0:34:32 | |
Here we go. | 0:34:41 | 0:34:43 | |
Look at that. | 0:34:58 | 0:35:00 | |
I'm afraid I wouldn't know his name. He's a super. | 0:35:04 | 0:35:07 | |
Go shave. What - a janitor? | 0:35:07 | 0:35:10 | |
A supernumerary. They appear in crowd scenes, for $5 an hour. | 0:35:10 | 0:35:16 | |
I make it a rule not to know the name of anyone who works for that! | 0:35:16 | 0:35:22 | |
Don't you keep records? They leave glossies and resumes - hope springs eternal. | 0:35:22 | 0:35:28 | |
Why didn't you give us them before? My dear, in opera, the rapist is usually a principal singer. | 0:35:28 | 0:35:36 | |
If I'd know you were interested in the ambience... We are. He means extras. There are hundreds. Fine. | 0:35:36 | 0:35:44 | |
You are more than welcome to rummage through the photos. | 0:35:44 | 0:35:48 | |
In fact, it should be quite a little challenge for you two, I think! | 0:35:48 | 0:35:53 | |
Lead the way! | 0:35:53 | 0:35:55 | |
Chris? No luck. | 0:36:06 | 0:36:08 | |
I can't believe all these people want to be opera singers. There's an elephant out there. From Aida. | 0:36:08 | 0:36:16 | |
I slept through it twice. | 0:36:16 | 0:36:18 | |
Mary Beth... It's my turn. Where's the ladies? | 0:36:19 | 0:36:23 | |
Round the corner, past the camel. Which stack? Here to there. | 0:36:23 | 0:36:28 | |
Christine! Chris! | 0:36:33 | 0:36:36 | |
Huh? | 0:36:36 | 0:36:38 | |
Look here. | 0:36:38 | 0:36:40 | |
Bingo! | 0:36:44 | 0:36:46 | |
We're looking for this man and your name is listed on the back as his agent. | 0:36:46 | 0:36:53 | |
I haven't represented Taylor Bowen for three years now. | 0:36:54 | 0:36:58 | |
Still, perhaps you can help. You have a file? Probably not. | 0:36:58 | 0:37:03 | |
I'd a fire in my old office two years ago. Great! | 0:37:03 | 0:37:06 | |
I have lunch... I'm sorry, but it's very important we find him. | 0:37:06 | 0:37:11 | |
We believe he raped and brutally assaulted a woman. | 0:37:11 | 0:37:15 | |
Oh, my God! | 0:37:17 | 0:37:20 | |
I didn't mean to upset you. You're the only lead that we have. | 0:37:20 | 0:37:25 | |
He attacked me, too... Three years ago. | 0:37:29 | 0:37:33 | |
He was a perfectly good singer... | 0:37:38 | 0:37:41 | |
but, then, there are many perfectly good singers. | 0:37:41 | 0:37:45 | |
I just couldn't get him work... | 0:37:47 | 0:37:50 | |
In the end, I felt sorry for him... | 0:37:51 | 0:37:54 | |
..so I asked him out to dinner... to cheer him up a bit. | 0:37:56 | 0:38:00 | |
He called for me at my apartment... | 0:38:03 | 0:38:05 | |
we had a drink... | 0:38:05 | 0:38:07 | |
..and then he made a pass at me... | 0:38:09 | 0:38:12 | |
And when I said no... | 0:38:13 | 0:38:15 | |
he went berserk... | 0:38:15 | 0:38:18 | |
He beat me up... | 0:38:20 | 0:38:23 | |
..and raped me. | 0:38:26 | 0:38:29 | |
Did you report this? | 0:38:29 | 0:38:31 | |
I kept going over it in my mind... | 0:38:33 | 0:38:36 | |
I mean, wondering... | 0:38:36 | 0:38:38 | |
was it something that I'd done? | 0:38:38 | 0:38:41 | |
Had I led him on? | 0:38:41 | 0:38:44 | |
Finally, it was just easier to try and forget it... | 0:38:45 | 0:38:50 | |
pretend it never happened. | 0:38:50 | 0:38:52 | |
I dropped him as a client. | 0:39:01 | 0:39:04 | |
I never saw him again. | 0:39:04 | 0:39:07 | |
Oh, but that other woman... | 0:39:08 | 0:39:10 | |
..and it's all my fault... It's a lot of people's faults. | 0:39:13 | 0:39:17 | |
Yeah. Taylor Bowen's! | 0:39:20 | 0:39:24 | |
We will find him. | 0:39:27 | 0:39:29 | |
Yeah. Thanks, anyway. | 0:39:37 | 0:39:40 | |
Taylor Bowen! The only address they show for him is his agent. | 0:39:40 | 0:39:44 | |
Great! Where do we go from here? | 0:39:44 | 0:39:47 | |
Carole Mitchell's bar? Lieutenant? | 0:39:47 | 0:39:50 | |
Going out with Lois again? Yes. | 0:39:50 | 0:39:53 | |
Touched tongues yet? | 0:39:53 | 0:39:56 | |
You, can the wise guy stuff! You're talking about a lady! | 0:39:57 | 0:40:01 | |
Got it?! I got it. | 0:40:01 | 0:40:04 | |
The rate he's moving, we ought to ask her for a refund! | 0:40:10 | 0:40:14 | |
I didn't bargain for this. It's costing a fortune. | 0:40:14 | 0:40:18 | |
I just want to see his face! | 0:40:18 | 0:40:20 | |
Let him down easy - say it's another guy. | 0:40:32 | 0:40:36 | |
A husband. You were separated, but you made up. You went back for the kid. Two kids - | 0:40:36 | 0:40:43 | |
you're moving to Jersey. Montana. Montana is good. You got that? | 0:40:43 | 0:40:48 | |
A husband, two kids, Montana? Got it. | 0:40:48 | 0:40:53 | |
We've gotta go. Er...ladies? | 0:40:53 | 0:40:57 | |
I may be cheap, but I'm not free! | 0:40:57 | 0:41:00 | |
Pardon? That'll be $150, s'il vous plait! | 0:41:00 | 0:41:04 | |
A lot of guys through here. | 0:41:08 | 0:41:11 | |
I don't remember him. | 0:41:11 | 0:41:13 | |
Is there anyone here who would? Benny talks to a lot of people. | 0:41:13 | 0:41:18 | |
And tell him if he plays My Way once more, he's dead! Just kidding! | 0:41:18 | 0:41:23 | |
Sorry. Don't know him. He's an opera singer. | 0:41:26 | 0:41:30 | |
Strictly easy listening. You want opera, go down the street. | 0:41:30 | 0:41:34 | |
What do you mean? Firenze. Italian joint. Waiters'll sing you an aria. | 0:41:34 | 0:41:40 | |
Makes sense. He goes there after work and meets Carole Mitchell. | 0:41:45 | 0:41:50 | |
Here! Here... | 0:41:50 | 0:41:53 | |
OPERATIC SINGING | 0:41:59 | 0:42:02 | |
Detectives Cagney and Lacey. Does Taylor Bowen work here? The jester. | 0:42:02 | 0:42:08 | |
There is no Taylor Bowen here. Maybe known by another name. | 0:42:14 | 0:42:18 | |
That's the man! Yes. Donald Greenblatt! That's him with the wig. | 0:42:18 | 0:42:23 | |
Let's go! Hey, Chris! Let him finish. | 0:42:23 | 0:42:28 | |
Bravo! Bravo! | 0:42:48 | 0:42:50 | |
See? I told you it was him! | 0:42:50 | 0:42:53 | |
Ladies, did you enjoy the performance? Can I get your autograph? Sure. You have a pen? | 0:42:53 | 0:43:01 | |
Right here. This is exciting. You look different in your costume. | 0:43:01 | 0:43:05 | |
What's your name? Mary Beth. Don't move. You're under arrest. | 0:43:05 | 0:43:11 | |
You all right, Chris? | 0:43:17 | 0:43:20 | |
Yeah, but I'm bleeding. I told you not to move! | 0:43:20 | 0:43:24 | |
I promise, I don't need much of an excuse! | 0:43:24 | 0:43:28 | |
Isbecki! Follow me! I'll follow you anywhere! | 0:43:30 | 0:43:35 | |
What's this - some kind of a joke? No joke. May I? Certainly. | 0:43:37 | 0:43:42 | |
Thank you. Move in, guys. | 0:43:42 | 0:43:45 | |
It's simple - the lieutenant and Lois are finished. | 0:43:45 | 0:43:49 | |
He will never - never - find out that she was pro! What? | 0:43:49 | 0:43:54 | |
When did you become goody two-shoes, Cagney? | 0:43:54 | 0:43:57 | |
We got an investment. This is a joke without a punchline. | 0:43:57 | 0:44:02 | |
You want a punchline? Procuring a prostitute, | 0:44:02 | 0:44:06 | |
which is a crime. You'd turn us in to Internal Affairs? | 0:44:06 | 0:44:10 | |
In a minute. In a second, if he ever finds out she was a pro, | 0:44:10 | 0:44:15 | |
which will never happen. What are you so hot about? It's just a joke. | 0:44:15 | 0:44:20 | |
No more to discuss. Meeting is adjourned. | 0:44:20 | 0:44:24 | |
What? Are you perverts, hanging around the women's john? | 0:44:24 | 0:44:29 | |
Gentlemen, excuse me. Woman! | 0:44:29 | 0:44:32 | |
Even Claudia - you get her on a bad day, I tell you! | 0:44:32 | 0:44:36 | |
No sense of humour. Hormones! Studies have shown that mood swings are related to progesterone... | 0:44:36 | 0:44:44 | |
Thank you. | 0:44:47 | 0:44:49 | |
My pleasure. | 0:44:49 | 0:44:52 | |
Yeah? We just got a call. | 0:44:56 | 0:44:59 | |
Carole Mitchell's coming out of the coma. They think she'll be OK. | 0:44:59 | 0:45:05 | |
Isbecki wanted to tell you, but we thought we all should. | 0:45:05 | 0:45:09 | |
Wow! Thank you. | 0:45:10 | 0:45:13 | |
Come here! | 0:45:13 | 0:45:15 | |
Come on! Come on! Come here! | 0:45:15 | 0:45:18 | |
Yeah! Yeah! Oh, wow! | 0:45:18 | 0:45:20 | |
Subtitles by Red Bee Media Ltd | 0:45:50 | 0:45:53 |