Browse content similar to Victimless Crime. Check below for episodes and series from the same categories and more!
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CAR HORNS BLARE | 0:01:13 | 0:01:15 | |
I don't mind getting up at dawn for court. But when the judge continues it | 0:01:25 | 0:01:30 | |
cos the lawyer isn't organised, it ticks me off! Oughta be used to it. I never get used to it! | 0:01:30 | 0:01:37 | |
A man robs a drugstore, six witnesses ID him, the lawyer says he needs to get his case together! | 0:01:37 | 0:01:44 | |
He doesn't HAVE a case! We'll lock him up. I want to lock the lawyer up. See how he played the judge? | 0:01:44 | 0:01:50 | |
I don't think Judge Burns noticed. He was napping. CLUNKING | 0:01:50 | 0:01:54 | |
If Isbecki didn't fill this tank, I'll kill him. It's half-full! | 0:01:54 | 0:02:00 | |
CAR SPLUTTERS Great(!) | 0:02:00 | 0:02:02 | |
CAR HORN BEEPS Hey, go around us! | 0:02:13 | 0:02:17 | |
What do you think? Could be the fuel pump, could be the carburettor, could be the manifold. | 0:02:22 | 0:02:29 | |
You know what you're talking about? Yeah. Sort of. | 0:02:29 | 0:02:33 | |
I'm calling the police garage. Great, Mary Beth(!) Some grease monkey will ride up like John Wayne | 0:02:33 | 0:02:40 | |
and say, "What seems to be the problem, little ladies?" Can it fix the car, Christine? | 0:02:40 | 0:02:46 | |
"Well, well, well... Two of New York's finest little ladies in distress." | 0:02:47 | 0:02:53 | |
DOGS BARK | 0:02:58 | 0:03:01 | |
Everything will be fine... In broad daylight, on 48th Street, he pulls out a rifle and starts shooting. | 0:03:01 | 0:03:08 | |
We are doing the best we can. Tessie has stopped eating, she won't go for her walk... Poor little thing! | 0:03:08 | 0:03:16 | |
Yeah, poor Tessie... DOG SQUEALS Hey, I'm just making nice! | 0:03:16 | 0:03:21 | |
We're trying to do what we can! SQUEALING Sorry, I didn't mean... | 0:03:21 | 0:03:26 | |
This is the squad room, Monsieur Benoit. Our detectives operate out of here. How you doin', La Guardia? | 0:03:28 | 0:03:35 | |
Fine. That's my boy. We have an excellent pension programme for our older police officers. | 0:03:35 | 0:03:41 | |
SQUEALING AND BARKING | 0:03:41 | 0:03:44 | |
Please, please... I'll take care of everything. I'm a dog-lover, too! | 0:03:44 | 0:03:49 | |
Everything is going to work out fine. Just give me a little time... Bert... Bert, you got a minute? | 0:03:49 | 0:03:56 | |
Just a minute, Daniels. ..My best detectives are on it! Community relations are important to us. | 0:03:56 | 0:04:03 | |
What can I do for you? Monsieur Yves Benoit from the Public Relations Office of the Paris Police. | 0:04:03 | 0:04:10 | |
M Benoit, Lt Bert Samuels, 14th Precinct. How you doin'? | 0:04:10 | 0:04:14 | |
Very pleased to meet you. M Benoit is here to observe police procedure in New York, as part of a programme | 0:04:14 | 0:04:20 | |
of co-operation between Paris and Washington. He asked to observe a typical precinct. | 0:04:20 | 0:04:27 | |
What better place than the 1-4? I know you'll take care of him, show him how a top-notch team operates. | 0:04:27 | 0:04:35 | |
I am swamped with cases. I got no time! Terrific. He'll be in the middle of things, front-row seat. | 0:04:35 | 0:04:42 | |
M Benoit! I'll leave you in Lt Samuels' capable hands. If there's anything he can do, let him know. | 0:04:42 | 0:04:49 | |
Au revoir, Monsieur. Thank you. Thanks, Bert. | 0:04:49 | 0:04:53 | |
- Well, uh... would you like a cup of coffee? - That's very kind, Lieutenant. | 0:04:56 | 0:05:01 | |
There's some over there. Help yourself. | 0:05:01 | 0:05:05 | |
We could be here for DAYS! Relax. They're sending somebody now. Don't count on it. This is the police! | 0:05:05 | 0:05:12 | |
I don't want to hear one word about women and cars! Why should he make a crack? These department mechanics | 0:05:12 | 0:05:19 | |
are all clowns. I took my sports car in, one suggested I turn it in for an automatic station wagon! | 0:05:19 | 0:05:26 | |
GUNSHOT You hear that? | 0:05:26 | 0:05:29 | |
Small-calibre pistol. GUNSHOT | 0:05:29 | 0:05:31 | |
I'm a police officer. What happened? In here! Get inside your apartment. Stay out of the hall! | 0:05:37 | 0:05:43 | |
Police! Open up! | 0:05:46 | 0:05:48 | |
POLICE! | 0:05:51 | 0:05:52 | |
Backup? No, let's go in. We heard gunshots. | 0:05:52 | 0:05:57 | |
Police officers! Back away from the door, put your hands in the air. | 0:05:57 | 0:06:02 | |
Good. Everybody...! Good. | 0:06:02 | 0:06:05 | |
We heard gunshots from this apartment. We're making a movie. Anybody fire this gun? | 0:06:05 | 0:06:11 | |
No, it's just a prop. Just makes noise, no bullets. | 0:06:11 | 0:06:14 | |
Everybody put their hands down. | 0:06:18 | 0:06:20 | |
Do you have a filming permit from the City? It's not for commercial distribution. It's a student film. | 0:06:25 | 0:06:32 | |
I have an idea what type of film it is. It's not educational, and it's also illegal, even WITH a permit. | 0:06:32 | 0:06:38 | |
We're going to walk out of here, pretend we didn't see any of this. Next time, we run you in. | 0:06:38 | 0:06:45 | |
Does everyone understand that? Hey! Don't you have anything better to do than hassle artists? | 0:06:45 | 0:06:51 | |
Do you want me to seize the film? We can see how "artistic" it is! | 0:06:51 | 0:06:57 | |
I thought only MEN cops got a kick out of harassments. We could book everyone... No, Officer. Thank you. | 0:06:57 | 0:07:04 | |
OK, what was that? We should have made the collar! We book 'em, they get out on their own recognisance, | 0:07:17 | 0:07:24 | |
it's years to go to trial and they skate out on the First Amendment. Artistic freedom! It's pornography! | 0:07:24 | 0:07:31 | |
Porno collars are a big waste of time. ..Well, look who finally got here! | 0:07:31 | 0:07:37 | |
You ready for this? | 0:07:44 | 0:07:47 | |
Excuse me! We're the officers that made the call! | 0:07:47 | 0:07:51 | |
Figures. | 0:07:55 | 0:07:57 | |
Pornography is against the law. The Supreme Court can't even agree on a definition of pornography, | 0:08:07 | 0:08:14 | |
much less a municipal judge! In this city alone, 17,000 hookers were arrested. | 0:08:14 | 0:08:20 | |
You guess how many of them they convicted! 12. That's right. | 0:08:20 | 0:08:25 | |
So it's a lousy collar, it's low-priority. It's a victimless crime. Victimless crime, sure(!) | 0:08:25 | 0:08:31 | |
They should enforce the law, or repeal it! You got my vote. Now, we got robbers to deal with. | 0:08:31 | 0:08:36 | |
How can you be sensitive to children and not care about animals? I don't like dogs. Dogs are people, too! | 0:08:36 | 0:08:44 | |
No, they're dogs - or they'd be called people. A guy's shooting at them. We gotta put him away! | 0:08:44 | 0:08:50 | |
He used a BB gun. The dogs aren't injured. Why's he shooting at dogs? For not using pooper scoopers. | 0:08:50 | 0:08:57 | |
Pooper scoopers? Portable waste-disposal system. Nothing like American technology! | 0:08:57 | 0:09:04 | |
I'm running a check on all the known psycho collars in the last three years. | 0:09:04 | 0:09:10 | |
Psycho collars? Yeah, fruitcakes with records. How interesting. | 0:09:10 | 0:09:15 | |
What is the name of that attractive brunette woman? | 0:09:15 | 0:09:18 | |
You mean the blonde, don't you? No, the other one. | 0:09:18 | 0:09:23 | |
She's married. She wouldn't even fool around. Det Mary Beth Lacey. Thank you. | 0:09:23 | 0:09:29 | |
Thank you very much. | 0:09:29 | 0:09:31 | |
I hope I am not disturbing you, Det Lacey. My name is Yves Benoit. How do you do? What can I do for you? | 0:09:34 | 0:09:41 | |
I'm here from the Paris Police to observe the precinct. Well, welcome. Meet my partner, Christine Cagney. | 0:09:41 | 0:09:48 | |
How do you do, Mrs Cagney? It's Miss Cagney, or Ms. | 0:09:48 | 0:09:52 | |
"Detective" would do. Please, excuse me. ..So, do you have many women detectives on the force? | 0:09:52 | 0:09:58 | |
Not as many as I'd like, but it got better the last four or five years. | 0:09:58 | 0:10:03 | |
Perhaps you would like to 'ave a drink after work? Oh, thank you! | 0:10:14 | 0:10:18 | |
Thank you, but my husband, Harvey, will be waiting dinner at home. Of course. Perhaps some other time? | 0:10:18 | 0:10:25 | |
You never know! | 0:10:25 | 0:10:27 | |
Excuse me. | 0:10:27 | 0:10:30 | |
What do you think? About what? About Benoit! He's cute, isn't he? | 0:10:33 | 0:10:38 | |
Nice teeth, and I didn't see a ring on his finger. Well, Mary Beth, if you're having trouble with Harv... | 0:10:38 | 0:10:45 | |
I'm talking about YOU! I made it very plain to him I'm married. That has never stopped a Frenchman! | 0:10:45 | 0:10:52 | |
He was just being polite. I am the soul of discretion. Not a word to Harvey. Christine, stop. Ssh! Stop! | 0:10:52 | 0:10:59 | |
Mmm! Mmm! Stop it! Cagney, Lacey! Where are those DD5s on the supermarket hold-up? | 0:10:59 | 0:11:05 | |
The car broke down on the way back. And there was this pornography business. Pornography business? | 0:11:05 | 0:11:12 | |
There were some shots fired. They were not shots! They were blanks for filming. Anybody injured? No! | 0:11:12 | 0:11:19 | |
But, since there appeared to be an illegal movie... I get it. Cagney wants to score points on Vice. | 0:11:19 | 0:11:26 | |
That's not true! I said we'd leave, which is what we did. Next time, we run them in. That's good for you(!) | 0:11:26 | 0:11:33 | |
But I want to see those reports on my desk. I need 'em two hours ago! Yes, sir. | 0:11:33 | 0:11:39 | |
I mean, they don't have men with moustaches that keep their socks on any more. I know that. | 0:11:46 | 0:11:52 | |
Harv and I went to one of those... X-rated movies. We left after ten minutes. How did I guess that(?) | 0:11:52 | 0:11:59 | |
Oh, don't tell me. You like them! | 0:11:59 | 0:12:02 | |
No, I... Actually, they're very repetitious, but some of them are OK! OK? | 0:12:02 | 0:12:08 | |
How can you call garbage like that OK? | 0:12:08 | 0:12:12 | |
It is not rape, or murder. If people want to watch it, they have a right to! This IS America! | 0:12:12 | 0:12:17 | |
Well, I don't like it! So we ban it, cos Mary Beth doesn't like it?! | 0:12:17 | 0:12:22 | |
I don't understand how OTHER people like it! | 0:12:22 | 0:12:26 | |
Why not? Cos it doesn't happen in a bed in Queens, under the sanctity of holy matrimony?! Wait a minute! | 0:12:26 | 0:12:33 | |
Who made YOU God? Or the arbiter of everyone else's morals? I didn't mean that. You could've fooled ME! | 0:12:33 | 0:12:39 | |
It's not a victimless crime. That's all I'm trying to say. It degrades women, it degrades everybody. | 0:12:39 | 0:12:45 | |
So don't look at 'em. I can't avoid it! It's everywhere - billboards, TV... Half-naked women being used | 0:12:45 | 0:12:52 | |
to sell anything from cars to cola! Sexual merchandising. "Buy this, you get the woman, too!" It stinks. | 0:12:52 | 0:12:59 | |
I don't like it, and YOU shouldn't like it, either. Have you finished? | 0:12:59 | 0:13:04 | |
Yeah, for the moment. Good. I'm going home. ..Good night. | 0:13:04 | 0:13:09 | |
The dog was with you in your cab? Yeah, for extra protection. I stop to let him out to do his business, | 0:13:33 | 0:13:40 | |
and, next thing I know, he's barking bloody murder! Did you see who shot at him? No, I thought he was dead. | 0:13:40 | 0:13:47 | |
We'll canvas the area for witnesses. 59th St and Lexington. You got 200 people you can talk to. | 0:13:47 | 0:13:53 | |
Close your eyes. | 0:13:53 | 0:13:56 | |
Voila! | 0:13:57 | 0:13:59 | |
Fancy! That's a croissant! | 0:13:59 | 0:14:01 | |
How nice! Much better, of course, in Paris. The same's true of bagels. | 0:14:01 | 0:14:07 | |
I mean, they don't taste the same outside New York. It's the water. Have you ever been to Paris? | 0:14:07 | 0:14:13 | |
Me?! No! Harv and I... We've been to Florida, Atlantic City, the Jersey Shore. That's about it. | 0:14:13 | 0:14:21 | |
Tell me, where do you get your hair, uh... | 0:14:21 | 0:14:25 | |
How do you say...? Designed? | 0:14:25 | 0:14:28 | |
Done. We say "done". Um, a little place on Casino Boulevard. | 0:14:28 | 0:14:33 | |
It's very alluring. | 0:14:33 | 0:14:36 | |
HI! Uh, Mr Benoit just brought me a croissant. Wasn't that nice? Good morning, Mr Benoit. Good morning. | 0:14:36 | 0:14:43 | |
PHONE RINGS I'll get it. Det Lacey, 14th. | 0:14:43 | 0:14:47 | |
Who? | 0:14:47 | 0:14:49 | |
Sir, slow... Just talk slower, sir. | 0:14:50 | 0:14:53 | |
Yeah. Talk slower, sir. | 0:14:54 | 0:14:57 | |
What? | 0:14:57 | 0:14:58 | |
Well, did you look closely? All right, just sit tight, don't touch anything. We're on our way. Yeah. | 0:15:02 | 0:15:09 | |
Remember that apartment we were at yesterday? 732 Clinton? A tenant called. There's a naked man... | 0:15:09 | 0:15:16 | |
in the...doorway of Apartment 102. | 0:15:16 | 0:15:19 | |
What's he doing? Nothing. Laying there, face-down, not moving. | 0:15:19 | 0:15:24 | |
Fascinating. | 0:15:26 | 0:15:28 | |
MAN: All right, move it along here. Back up for us. | 0:15:28 | 0:15:32 | |
Detectives Cagney and Lacey. ..Anything? | 0:15:39 | 0:15:43 | |
Nothing on the surface. No bullet holes, knife wounds or bruises. | 0:15:43 | 0:15:48 | |
Identifying marks? The best I can do is an abdominal scar, right side. | 0:15:48 | 0:15:54 | |
Give us a call after you work him up. You got it. | 0:15:54 | 0:15:57 | |
Even took the sheets. Won't take long to dust for prints in here! | 0:16:03 | 0:16:08 | |
We should have made the collar. Could have prevented it. Maybe. He could have died of natural causes. | 0:16:08 | 0:16:15 | |
Come on - he was naked! So? So, they were making pornographic movies yesterday! Remember? | 0:16:15 | 0:16:21 | |
People and movie cameras and lights! Where did they all go? How come nobody called an ambulance? | 0:16:21 | 0:16:28 | |
The answer to that's obvious. I don't think it's obvious! Come on, we'll talk to the Super. | 0:16:28 | 0:16:34 | |
Like nothing ever happened... Like we imagined the whole thing. | 0:16:34 | 0:16:39 | |
What did the landlord say? He paid the rent with cash, a month in advance. Get a name? JD Salinger. | 0:16:43 | 0:16:50 | |
Did you run it? It's a phoney, sir. Salinger was a writer. He was very hot in the '50s. | 0:16:50 | 0:16:57 | |
Yeah? | 0:16:57 | 0:16:59 | |
Oh, yeah! | 0:16:59 | 0:17:01 | |
Bert? | 0:17:01 | 0:17:03 | |
Hello, Bert. Cagney, and uh...? | 0:17:05 | 0:17:08 | |
Lacey. Lacey, right. How are we doing with our observer? I got him observing Det Isbecki on a dog case. | 0:17:08 | 0:17:15 | |
Good. Bread-and-butter police work. Speaking of which, why not have our two ladies take him out to lunch, | 0:17:15 | 0:17:22 | |
someplace typically New York? We'll pick up the tab. We're busy. I'm sure it can wait an hour, Lacey! | 0:17:22 | 0:17:30 | |
I'm Cagney. Right. ..I want him to go back to Paris with a good idea of how this department operates. | 0:17:30 | 0:17:36 | |
Going to lunch isn't police work! It IS in Paris, believe me! Those people know how to live. | 0:17:36 | 0:17:43 | |
When I was there in '81 with the Chief, I put on five pounds! They have pastries that are lethal! | 0:17:43 | 0:17:50 | |
Could we talk? Sure. ..Keep up the good work. Not now. We are up to our ears... How do you like that?! | 0:17:50 | 0:17:56 | |
We get ordered to lunch! So why don't you go? I don't want to go! I'd feel guilty! | 0:17:56 | 0:18:03 | |
What is wrong with lunch?! I'd feel guilty going out when we have this John Doe thing to follow up. | 0:18:03 | 0:18:09 | |
I'll handle John Doe. YOU talk French! YOU think he's cute! He seems to be VERY taken with you. | 0:18:09 | 0:18:17 | |
Heads, you go. Tails, I go. | 0:18:17 | 0:18:20 | |
You go. Two out of three? You are a police officer! If he gets out of line, you cuff him. | 0:18:23 | 0:18:29 | |
If he offers you a Cognac in his hotel room, play it by ear. | 0:18:29 | 0:18:35 | |
Ha, ha(!) | 0:18:35 | 0:18:37 | |
You want some onions? You like onions? Oh, please! I like onions. | 0:18:38 | 0:18:43 | |
And there. Is that enough? Yes. Good. Thank you. Do you come here often? Only when I get a table(!) | 0:18:45 | 0:18:53 | |
So, Mr Benoit, how do you like New York so far? Call me Yves. And what is your prenom? Your pre-name? | 0:18:54 | 0:19:02 | |
Mary Elizabeth. Very pretty name. Almost as pretty as you. | 0:19:02 | 0:19:07 | |
Do you have a family in France? I have two daughters and a wife. Would you like to see a photo? Oh, yeah! | 0:19:10 | 0:19:17 | |
Let me take this here. Thank you. | 0:19:17 | 0:19:19 | |
Voila! Are those your daughters? Catherine. Agnes. They're adorable. | 0:19:19 | 0:19:25 | |
My wife's name, Marie-Louise. She's very lovely. Thank you. | 0:19:25 | 0:19:30 | |
We have, um...how do you say...? An understanding. | 0:19:30 | 0:19:35 | |
Thank you. ..She has a lover, who she sees every Tuesday evening. | 0:19:35 | 0:19:40 | |
How interesting. | 0:19:40 | 0:19:42 | |
Do you and Henry...? Harvey. Harvey! Harvey. Do you, perhaps, have an understanding, too? | 0:19:42 | 0:19:50 | |
Harv bowls Tuesday nights. Oh! | 0:19:52 | 0:19:55 | |
Fascinating! | 0:19:55 | 0:19:57 | |
Heart attack? Are you going to write it up as natural causes? | 0:20:00 | 0:20:05 | |
It was very fun. ..I, uh...gotta get to work. | 0:20:05 | 0:20:09 | |
OK, we'll get back to you if we get a make on him. Thank you. | 0:20:09 | 0:20:13 | |
Hello! | 0:20:17 | 0:20:20 | |
Hiya. | 0:20:20 | 0:20:22 | |
That was the medical examiner. The boy died of a heart attack, precipitated by an overdose | 0:20:22 | 0:20:28 | |
of amyl nitrate. Did he have a heart condition, or was he just doing poppers? No heart condition. | 0:20:28 | 0:20:35 | |
OK, we got something. Let's talk to somebody in Vice. We got NOTHING! | 0:20:37 | 0:20:41 | |
A man makes an illegal movie, ODs on a drug that's supposed to be for heart patients, and winds up dead. | 0:20:41 | 0:20:48 | |
He's left alone and nobody helps him! There's a crime here! Not according to the Statute Book. | 0:20:48 | 0:20:54 | |
All right, we got a dead John Doe! Wait a minute... What if somebody forced him to take poppers? | 0:20:54 | 0:21:01 | |
That's murder! We have to talk to the people who made the movie. | 0:21:01 | 0:21:05 | |
OK, so we go talk to Vice! That's what I said. Come on! Isn't that what I said?! | 0:21:05 | 0:21:11 | |
We've got a $5-billion-a-year underground industry. | 0:21:16 | 0:21:21 | |
Cash transactions, no records, dummy corporations, tax shelters... Things of that type. | 0:21:21 | 0:21:28 | |
Who makes these films? Most of it's mob-financed. There are some straight investors, who don't care. | 0:21:28 | 0:21:35 | |
We're trying to ID a John Doe who was acting in a film. Not easy. Most don't use their real names. | 0:21:35 | 0:21:42 | |
Some have a dozen. He overdosed on amyl nitrate. Could someone force him to take it? Hard to prove. | 0:21:42 | 0:21:48 | |
But it happens, doesn't it? Yeah. Some directors will do anything to get a film shot. Can you help us? | 0:21:48 | 0:21:55 | |
Maybe. I'll, uh...run some of the films for you. A lot of these actors work over and over again. | 0:21:55 | 0:22:02 | |
If you... Excuse me. If you see somebody you recognise... | 0:22:02 | 0:22:06 | |
..we'll match him to the film. We got files on most of the studios. Excuse me. We appreciate your help. | 0:22:08 | 0:22:14 | |
I gotta warn you, though, there's not a hell of a lot of close-ups... on their faces. Thank you. | 0:22:14 | 0:22:21 | |
Pretty monotonous, isn't it? Who's the guy? | 0:22:27 | 0:22:31 | |
His name on the credits is Randy Stud. He also works under the name of Johnny Hunk. | 0:22:31 | 0:22:37 | |
His real name is Stanley Perlmother. We collared him twice. He walked both times, First Amendment. | 0:22:37 | 0:22:44 | |
What do you think? It isn't him. Look - he's so indifferent. It's like another day at the office! | 0:22:44 | 0:22:51 | |
To him it is. $100 a day, maybe a little coke on the side. | 0:22:51 | 0:22:56 | |
I'm going outside for a minute, OK? | 0:22:59 | 0:23:02 | |
How you doin'? | 0:23:15 | 0:23:17 | |
Can you freeze that? | 0:23:26 | 0:23:29 | |
Hey! You want to come and take a look? I think I found the woman. | 0:23:39 | 0:23:44 | |
Well, that's 12c. "Discover a way they could get six pennies from 12c." | 0:23:46 | 0:23:51 | |
KNOCK ON DOOR | 0:23:51 | 0:23:54 | |
Who is it? Linda Mack? Yeah. | 0:23:56 | 0:24:00 | |
Police. | 0:24:00 | 0:24:01 | |
You might remember us from yesterday. 732 Clinton. | 0:24:10 | 0:24:15 | |
What is it? We want to talk to you, Mrs Mack. That's my...my daughter. | 0:24:15 | 0:24:20 | |
Would you be more comfortable talking at the station? All right...come in. | 0:24:22 | 0:24:28 | |
Hiya! | 0:24:32 | 0:24:34 | |
Excuse me. ..Jessie, why don't you go in my room and watch TV? | 0:24:35 | 0:24:39 | |
Come on, it's OK. | 0:24:39 | 0:24:42 | |
Uh...sit down. Thank you. | 0:24:46 | 0:24:49 | |
Fractions, huh? I got a kid in the fourth grade, too. | 0:24:51 | 0:24:56 | |
What is this? Mrs Mack, one of the men that you were with in that apartment yesterday turned up dead. | 0:24:58 | 0:25:05 | |
He OD'd on poppers, died of a heart attack. | 0:25:05 | 0:25:09 | |
Nobody called an ambulance, or a doctor. He was found laying in the doorway. | 0:25:09 | 0:25:15 | |
Anybody force him to take those poppers? I don't know. I wasn't there. How come? | 0:25:15 | 0:25:21 | |
I finished that film yesterday. What did they do today? I don't know! I was in rehearsal for another film. | 0:25:21 | 0:25:29 | |
They probably got somebody else to work with him. Do you know who he was? Bill something. | 0:25:29 | 0:25:36 | |
I don't think that's his real name. I never worked with him before. And the director? HIS name? Jim. Jack. | 0:25:36 | 0:25:42 | |
I dunno. I met him at a party a few weeks ago. What do you want from me? | 0:25:42 | 0:25:48 | |
We want to find out the circumstances of the man's death! I wasn't there, so I don't know. OK? | 0:25:48 | 0:25:54 | |
Chase this up, will you? ..You got the name of the porno distributor, you go after him - what do you get? | 0:25:59 | 0:26:05 | |
A criminal-negligence homicide - IF you prove foreknowledge. He wasn't there when it happened! | 0:26:05 | 0:26:12 | |
I still want to serve him, sir. So you serve him. Then what? Two years from now, you go to court, | 0:26:12 | 0:26:18 | |
half the witnesses are out of state, and you got some little assistant DA at $25,000 a year arguing liability | 0:26:18 | 0:26:25 | |
against the hotsy-totsy law firm that he's got on retainer! THEN what?! Then we'll have done our job. | 0:26:25 | 0:26:31 | |
Ah! ..Hey, what's the matter with this machine? | 0:26:31 | 0:26:36 | |
Thanks, Josie. | 0:26:43 | 0:26:45 | |
Lacey, why don't you help out Isbecki and Petrie on the dog case? Oh, that's THEIR collar, sir. | 0:26:49 | 0:26:56 | |
That's very funny! Their COLLAR! Unintentional, sir. | 0:26:56 | 0:27:00 | |
Mary Beth... | 0:27:02 | 0:27:05 | |
I think our John Doe just got a name. Yeah? | 0:27:06 | 0:27:09 | |
Missing Persons sent 'em over. | 0:27:09 | 0:27:12 | |
Parents? | 0:27:13 | 0:27:15 | |
Mm-hm. Mr and Mrs Harris. Their son, Norman... He's not called them in a week. | 0:27:15 | 0:27:21 | |
The description matches? Right down to the appendectomy scar. | 0:27:21 | 0:27:25 | |
Oh, Lord... | 0:27:28 | 0:27:30 | |
How old was he? 19. Honours student at Brooklyn College, captain of the swim team... | 0:27:30 | 0:27:37 | |
and his parents say that he "did a little acting", when he had time. | 0:27:37 | 0:27:42 | |
Magnoliaphyta rosalis. Excellent specimen. It's gorgeous! And therapeutic. | 0:27:47 | 0:27:53 | |
Pliny the Elder lists 32 remedies for illnesses - made from rose petals. Who gave it to her? Harvey! | 0:27:53 | 0:28:00 | |
Chateau Perigueux '66?! Hardly Harvey's style! | 0:28:00 | 0:28:04 | |
Morning! Morning! Hiya. Hi! Look what someone left on your desk. | 0:28:04 | 0:28:09 | |
Probably one of your many admirers, got the wrong desk. It has a note. | 0:28:09 | 0:28:14 | |
It's in French. | 0:28:20 | 0:28:23 | |
Want me to translate it? Uh, no. No, thanks. | 0:28:23 | 0:28:27 | |
Lacey, uh...you want to serve the porno distributor? Yes, sir! | 0:28:28 | 0:28:33 | |
There it is. Thank you, sir. | 0:28:33 | 0:28:36 | |
So...do it! | 0:28:36 | 0:28:38 | |
Thank you, sir! That's good. Let's go! | 0:28:38 | 0:28:42 | |
Come on, let's go! OK! | 0:28:42 | 0:28:45 | |
Another witness to interview, Isbecki(?) Hey... You got a lovely little red leash. | 0:28:47 | 0:28:54 | |
DOG WHIMPERS Sit, sit, sit... | 0:28:54 | 0:28:57 | |
Good dog... | 0:29:00 | 0:29:02 | |
Muffin. M-U-F-F... | 0:29:04 | 0:29:07 | |
Victor! What are you doing? | 0:29:07 | 0:29:10 | |
Victim profile report. ..I-N. Where's the owner? She's out parking her car. | 0:29:10 | 0:29:17 | |
Victor, you're losing it. OK, Muffin...what went down out there? | 0:29:17 | 0:29:23 | |
This is garbage. It's a judgment against YOU, Mr Belden. Reckless endangerment and negligence. | 0:29:23 | 0:29:29 | |
You're kiddin'. A man died making one of your films. And you want to go against me? Yes. Lots of luck(!) | 0:29:29 | 0:29:36 | |
As a distributor, you may be liable for criminal-negligence homicide. Sure(!) Listen, you want to serve me | 0:29:36 | 0:29:43 | |
for distributing obscene material, you at least got a court date. See? Two dozen obscenity judgments. | 0:29:43 | 0:29:50 | |
Every one will be thrown out. THIS won't even go to trial. We'll let the DA's office decide that. | 0:29:50 | 0:29:56 | |
They're going to love this one(!) Criminal-negligence homicide! Who supplies you with the films? | 0:29:56 | 0:30:04 | |
I don't have to answer that. We can subpoena that information. You want subpoenas? Got a drawer full. | 0:30:04 | 0:30:10 | |
Do you want us to let Organised Crime look into this? Oh, come on! Does this look like a mob operation? | 0:30:10 | 0:30:16 | |
Ladies, I'll save you a lot of time. Mermaid Productions is legit. 100%. You want to subpoena my books? | 0:30:16 | 0:30:23 | |
They're clean enough to eat off. We want to locate the people making a film at 732 Clinton. | 0:30:23 | 0:30:30 | |
You want to go watch a little(?) You pay these people, don't you? I pay them very well. | 0:30:30 | 0:30:36 | |
So you have records, employee forms, W4S. W4s? Yesterday was payday. I got a drawer full of them. | 0:30:36 | 0:30:43 | |
IRS had me down for a tax audit. My returns are clean. Congratulations. Want to check my rest rooms? | 0:30:43 | 0:30:50 | |
I'm sure they're very clean, Mr Belden. Vincent Moslovsky. 79, West 43rd. He's the director? | 0:30:50 | 0:30:57 | |
He calls himself a director. He's a flake. Who's this guy? Carpenter. What's HE do? Electrician. | 0:30:57 | 0:31:04 | |
This guy? Calls himself an actor. This one? Calls himself a grip. And? The grip's friend. | 0:31:04 | 0:31:09 | |
Who's that? He's a cousin of the first grip. You got two grips? Mary Beth... You got actors? Yeah. | 0:31:09 | 0:31:17 | |
At the bottom, you got actors, actresses... At the bottom, you got actresses. ..OK, all right. | 0:31:17 | 0:31:24 | |
It happened so suddenly. We were right in the middle of a scene, and this guy starts gasping for breath. | 0:31:24 | 0:31:31 | |
Suddenly, he just keels over! We thought he was kidding! Why didn't you call an ambulance? He was dead! | 0:31:31 | 0:31:38 | |
Mr Moslovsky, if he was dead, how did he drag himself out the door?! I don't know. We panicked. | 0:31:38 | 0:31:45 | |
Nobody said a word. We packed up and we split. And left him to die. No, I thought he was already dead. | 0:31:45 | 0:31:52 | |
Whose idea was it for him to take the poppers? Not ME! Not to make your film better? I don't do drugs. | 0:31:52 | 0:31:59 | |
I asked if someone forced HIM to do it! I didn't make him take aimies. I'm not responsible. Who IS? | 0:31:59 | 0:32:05 | |
I'm a film-maker! I stay behind the camera and say, "Action!" I don't participate. I just film it. | 0:32:05 | 0:32:12 | |
Oh, I get it! He don't participate. He photographs it! I'm an artist. I don't make value judgments. | 0:32:12 | 0:32:20 | |
You decided Norman Harris was dead, and left him on the floor. That's a value judgment! Give me a break. | 0:32:20 | 0:32:27 | |
I really don't need this type of hassle! If you knew how difficult it was to try to shoot a film... | 0:32:27 | 0:32:34 | |
I am talking about ANY film! Who else was there? My electrician, my sound man, two grips, | 0:32:34 | 0:32:41 | |
and the co-star. I want their names and addresses. I don't HAVE them! Nobody uses their real names! | 0:32:41 | 0:32:48 | |
This film you're editing - is this from Tuesday? Yeah! | 0:32:48 | 0:32:53 | |
Would you like to see a little bit? There's a fabulous close-up here. | 0:32:53 | 0:32:58 | |
Listen, what I did was, I backlit her face, | 0:32:59 | 0:33:03 | |
to bring out the cheekbones. We've seen enough, thank you. | 0:33:03 | 0:33:08 | |
Wait - you haven't seen the camera move yet. Is this yesterday? Yeah. | 0:33:08 | 0:33:13 | |
I come in real tight, and I hold the frame. She WAS there Tuesday. | 0:33:13 | 0:33:18 | |
Let's go talk to her tomorrow. Mary Beth, we served Belden with the judgment. We know what happened. | 0:33:28 | 0:33:35 | |
He was not forced to take poppers. I want to know why she lied. Like a lot of people in this business, | 0:33:35 | 0:33:42 | |
she didn't want to get involved! Can you take the car back and sign me out? Maybe I can salvage dinner. | 0:33:42 | 0:33:49 | |
Yeah, OK, but I'm going to see Linda Mack in the morning. What IS it with you? Some personal vendetta?! | 0:33:49 | 0:33:56 | |
Hey, taxi! Who's the one that's always saying, "Make the collar"? | 0:33:56 | 0:34:01 | |
We made the damn collar. We served the papers! We can't be responsible for everyone's morality! | 0:34:01 | 0:34:07 | |
Taxi! I'm not a prude. I think sex is beautiful and important, not a package that's sold like potatoes. | 0:34:07 | 0:34:14 | |
I'm sick of this "victimless crime" thing. We got a lot of victims. Norman is the only one that died, | 0:34:14 | 0:34:21 | |
but Linda Mack has a child, doesn't know what her mother does. That's a victim. ..Oh, off-duty. | 0:34:21 | 0:34:27 | |
Isbecki is a victim if he thinks women just want someone in tight pants. Every poor slob that pays $5 | 0:34:27 | 0:34:34 | |
and thinks what he sees on screen is what a woman wants in bed...is a victim! We got a lot of victims. | 0:34:34 | 0:34:40 | |
I got a crazy idea I want to keep going till somebody tells me why nobody called the paramedics | 0:34:40 | 0:34:47 | |
when the kid is dying of a heart attack! So, are you with me here? | 0:34:47 | 0:34:52 | |
Yeah. Thank you, Chris. I appreciate that. | 0:34:54 | 0:34:59 | |
OK. | 0:34:59 | 0:35:01 | |
Have a good time, huh? | 0:35:01 | 0:35:03 | |
I'll see you tomorrow. | 0:35:04 | 0:35:07 | |
Cherie, j'etait tres occupe. Je n'ai pas eu un moment libre depuis mon arrive. | 0:35:16 | 0:35:22 | |
Mais non! Je t'assure, ma cherie! Je ne pense qu'a toi. | 0:35:23 | 0:35:29 | |
Hiya! I know, Harvey, I know! I got hung-up on this porno thing. | 0:35:38 | 0:35:44 | |
Yeah. I already signed out, OK? Keep the lasagne warm. ..OK. Love you. | 0:35:44 | 0:35:50 | |
Bon soir! | 0:35:50 | 0:35:53 | |
Oh, hi. Is Harry...bowling tonight? Harvey. | 0:35:53 | 0:35:57 | |
No, he's home. He's keeping my lasagne warm. A coincidence. I was just speaking to my wife in Paris. | 0:35:57 | 0:36:04 | |
Must be late in Paris! It's 2.30 in the morning. She's keeping the lasagne warm for ME! | 0:36:04 | 0:36:10 | |
We have an old saying in France. "Marriage is so difficult that it takes three people to make it work." | 0:36:17 | 0:36:23 | |
You don't say! You know, I have not yet taken a horse-and-buggy ride in Central Park. | 0:36:23 | 0:36:30 | |
It's a lovely evening. There's a touch of spring in the air. | 0:36:30 | 0:36:35 | |
I must be with you tonight. | 0:36:37 | 0:36:40 | |
Oh, Yves... | 0:36:40 | 0:36:42 | |
I never thought anybody would say that to me. | 0:36:43 | 0:36:47 | |
I cannot believe that no-one has ever said that to YOU before. | 0:36:47 | 0:36:52 | |
Oh, Yves... | 0:36:52 | 0:36:54 | |
you got the wrong lady. | 0:36:54 | 0:36:57 | |
And, on top of that, your timing is crummy. Crummy? | 0:36:57 | 0:37:02 | |
Crummy? "Crummy" is an American word for the type of case I'm on. | 0:37:02 | 0:37:07 | |
Anyways, uh... | 0:37:07 | 0:37:09 | |
thank you very much. | 0:37:09 | 0:37:12 | |
You...you are so nice. I thank you for the flower, and the French... | 0:37:12 | 0:37:17 | |
I gotta go now. Uh, bye...con dios. You're confident the lasagne will still be warm when you get home? | 0:37:17 | 0:37:24 | |
Oh, no, I don't like to heat it up. It dries out. The cheese on top gets kind of rubbery. | 0:37:24 | 0:37:30 | |
Pity. | 0:37:30 | 0:37:32 | |
It really is much better the next day. | 0:37:32 | 0:37:36 | |
KNOCK ON DOOR | 0:37:37 | 0:37:41 | |
Mrs Mack? Who is it? Detectives Cagney and Lacey. | 0:37:41 | 0:37:45 | |
Leave me alone! Open up, ma'am, or we'll come back with a warrant. | 0:37:45 | 0:37:50 | |
CHAIN JANGLES | 0:37:50 | 0:37:52 | |
What happened to you? Tell us about the beating. | 0:37:56 | 0:38:00 | |
It was just another scene. Got out of hand. Director kept telling the guy, "More, more!" Moslovsky? | 0:38:00 | 0:38:07 | |
No. We got that film yesterday. | 0:38:07 | 0:38:10 | |
Different film, different director. And you couldn't stop it? I tried! | 0:38:14 | 0:38:19 | |
But he kept telling the guy to hit me harder, and saying, "Beautiful!" Dear God! | 0:38:19 | 0:38:25 | |
It's going to sell a lot of tickets. | 0:38:25 | 0:38:28 | |
Mrs Mack, why did you lie to us about Tuesday? | 0:38:28 | 0:38:32 | |
I don't remember Tuesday. It was the day Norman Harris died. | 0:38:32 | 0:38:36 | |
I gave him CPR... | 0:38:41 | 0:38:43 | |
but it didn't work. So you DID do something? Didn't do any good, so we just got the hell out. | 0:38:43 | 0:38:49 | |
Was the camera rolling? I don't know. What DO you know? Can you tell us anything? No! That's it! | 0:38:49 | 0:38:56 | |
Let's get out of here. ..Are you going to file charges against the guy who beat you up? | 0:38:58 | 0:39:04 | |
And the director. It'd be the last time I worked. | 0:39:04 | 0:39:08 | |
You'd let yourself get beat up and it's business as usual? Can YOU pay my rent? ..May I ask you something? | 0:39:08 | 0:39:16 | |
You have a daughter. What will you tell HER? That I got mugged. You got worse than mugged, lady! | 0:39:16 | 0:39:23 | |
A man assaulted you, another man photographed it. | 0:39:23 | 0:39:26 | |
People will watch it in a movie theatre! How d'you feel about that? | 0:39:26 | 0:39:31 | |
OK, how do you feel about this? | 0:39:34 | 0:39:37 | |
Some guy sees your film. He thinks, "That's what women really want," and goes and rapes your daughter. | 0:39:37 | 0:39:44 | |
Leave her out of this! She's IN it, whether you like it or not! We ALL are. You could charge them. | 0:39:44 | 0:39:50 | |
You could make a difference. It's not going to stop it! | 0:39:50 | 0:39:54 | |
So, Linda, did you like being raped today? I wasn't raped. Really(?) | 0:40:02 | 0:40:07 | |
I was beaten up. You were raped, lady! You submitted to something against your will! You were raped! | 0:40:08 | 0:40:15 | |
I got paid for it, didn't I? Lucky you(!) What happens next time, when the director doesn't yell "Cut!" | 0:40:15 | 0:40:22 | |
and the guy beats you to death? Now your kid is an orphan. How much is THAT worth to you? Mom, I'm home! | 0:40:22 | 0:40:30 | |
Mom, what happened? It's OK. | 0:40:33 | 0:40:35 | |
Did you hurt her? | 0:40:35 | 0:40:38 | |
No, Jessie. They're cops. | 0:40:40 | 0:40:43 | |
It's OK. | 0:40:43 | 0:40:45 | |
Mommy's fine. | 0:40:45 | 0:40:47 | |
I just had a little... | 0:40:47 | 0:40:50 | |
accident. | 0:40:50 | 0:40:52 | |
That is one tough lady. I don't understand how she can live with it. Forget it, Mary Beth. | 0:41:03 | 0:41:09 | |
No, I can't forget it, Christine. I go home every night and, no matter how bad a day it was, I think, | 0:41:09 | 0:41:16 | |
"At least we took a little inch of crud off the city." It'll be back tomorrow, but we're treading water. | 0:41:16 | 0:41:23 | |
Know what I feel like right now? I feel like the crud is winning! | 0:41:23 | 0:41:28 | |
Do you want to talk about it? No. You've been walking around here all night like you want to slug someone. | 0:41:38 | 0:41:45 | |
I'm tired, Harv. I'm going to go to sleep. | 0:41:46 | 0:41:50 | |
You know, I can make you feel better. | 0:41:56 | 0:41:59 | |
No. Guaranteed. We don't have to say a word. | 0:41:59 | 0:42:03 | |
I said no, Harv. No means no. | 0:42:03 | 0:42:06 | |
No doesn't always mean no! Well, tonight, it means no! | 0:42:06 | 0:42:11 | |
It's this porno case, huh? | 0:42:11 | 0:42:14 | |
Yeah. ..Hmm? | 0:42:14 | 0:42:16 | |
Hey. Hey... I don't want to talk about it, Harv. Did you make the collar? | 0:42:16 | 0:42:21 | |
I don't want to talk about it! No means no! So I get shut out? Yes! | 0:42:21 | 0:42:27 | |
That's great(!) | 0:42:27 | 0:42:29 | |
Mmm? Harvey, would you just get over your side of the bed? A little hug? | 0:42:31 | 0:42:36 | |
No, Harv, nothing! Get over your side of the bed and go to sleep! | 0:42:36 | 0:42:41 | |
SHE SOBS | 0:42:41 | 0:42:43 | |
These witness statements from the hold-up are contradictory. Yeah. Let's re-question the employees. | 0:43:02 | 0:43:09 | |
It's been nearly a week. Mmm. Maybe someone's memory got better. Maybe. | 0:43:09 | 0:43:14 | |
I'm afraid I have to say goodbye. | 0:43:20 | 0:43:23 | |
Oh, so soon? I have business in Paris tomorrow. Well, bon voyage. | 0:43:23 | 0:43:28 | |
Farewell, Mary Elizabeth. So long, Yves. | 0:43:28 | 0:43:32 | |
Perhaps some other time? I don't think so, but I hope Marie-Louise kept her lasagne warm for you. | 0:43:32 | 0:43:40 | |
Will you please tell Herbert that he is a very lucky fellow? I will. | 0:43:40 | 0:43:45 | |
Herbert?! | 0:43:58 | 0:43:59 | |
The dog collar. Looks like a tough customer! To use your expression, | 0:44:15 | 0:44:21 | |
maybe we got ONE up on the crud today! Yeah, maybe. Let's go. | 0:44:21 | 0:44:26 | |
Maybe we'll get lucky. Maybe. Maybe some guy woke up this morning with a complete description of the perp. | 0:44:28 | 0:44:35 | |
Yeah! Maybe he'll do the paperwork, too! And the bad guy will go to jail. That'd be nice! Yes. | 0:44:35 | 0:44:42 | |
Can you tell me where I'd find Detectives Cagney and Lacey? | 0:44:42 | 0:44:46 | |
Maybe we're TWO up on the crud. | 0:44:58 | 0:45:01 | |
Subtitles by Red Bee Media Ltd | 0:45:40 | 0:45:44 |