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So you tell me, dear. | 0:02:02 | 0:02:04 | |
Why would I burn down my own factory? | 0:02:04 | 0:02:08 | |
-How's business, Mr Seymour? -Don't ask. | 0:02:08 | 0:02:11 | |
-Cream, two sugars. -Thank you. | 0:02:11 | 0:02:14 | |
-Hm-mm... You've got such a punim. You know what a punim is? -Yes, sir. Thank you. | 0:02:14 | 0:02:20 | |
I'm asking... How's business? | 0:02:20 | 0:02:25 | |
For 25 years, stocks go up, hemlines go up. | 0:02:25 | 0:02:28 | |
Stock's down, hemlines down. It was easy. | 0:02:28 | 0:02:32 | |
Well, not so easy... | 0:02:32 | 0:02:35 | |
But now... Now there's minis and maxis, above the knee, below the knee... | 0:02:35 | 0:02:41 | |
Who can guess this business? | 0:02:41 | 0:02:44 | |
So this nice, convenient fire solved a lot of your problems? | 0:02:44 | 0:02:48 | |
Nice?! The insurance company whose gonifs don't pay off without the say-so I didn't do it. | 0:02:48 | 0:02:55 | |
And now you two ladies are giving me the third degree. | 0:02:55 | 0:03:00 | |
Nice(!) | 0:03:00 | 0:03:02 | |
-Very nice. -What my partner is saying, sir, is that eventually you will get the money. | 0:03:02 | 0:03:08 | |
You think money is going to do it? | 0:03:08 | 0:03:11 | |
Money makes up for 43 years of sweat and blood? | 0:03:11 | 0:03:15 | |
The Fire Department says it was definitely arson. | 0:03:15 | 0:03:18 | |
Why should I do such a thing? I had a wonderful line coming out! | 0:03:18 | 0:03:22 | |
If you didn't do it, who did? | 0:03:22 | 0:03:24 | |
I don't know. | 0:03:27 | 0:03:29 | |
Excuse me, Mr Seymour. You seem a nice man... but you're a terrible liar. | 0:03:31 | 0:03:36 | |
Excuse me back, detective lady. | 0:03:36 | 0:03:38 | |
I'm a terrific liar. | 0:03:38 | 0:03:40 | |
I've been in the shmatte business for 43 years. | 0:03:40 | 0:03:44 | |
OK, Mr Seymour. You are not lying. You don't know who it is. | 0:03:44 | 0:03:47 | |
But you have a pretty good suspicion. Am I right? | 0:03:47 | 0:03:52 | |
Who are you protecting, Mr Seymour? | 0:03:52 | 0:03:55 | |
You know I got great-grandchildren. Two of them. | 0:03:55 | 0:03:59 | |
And eight grandchildren. | 0:03:59 | 0:04:01 | |
All from three daughters and a wife. | 0:04:01 | 0:04:04 | |
Who am I protecting? | 0:04:05 | 0:04:07 | |
A business you can rebuild. | 0:04:07 | 0:04:10 | |
Family... | 0:04:12 | 0:04:14 | |
If I tell you the name, that's the end of the story. | 0:04:22 | 0:04:26 | |
I don't sign nothing. I don't go testifying. | 0:04:26 | 0:04:32 | |
Otherwise... | 0:04:32 | 0:04:34 | |
I came into this world with nothing... | 0:04:35 | 0:04:39 | |
..I can go out the same way. | 0:04:39 | 0:04:42 | |
He claims Ashland Trucking is trying to take over the delivery business of the whole district | 0:04:48 | 0:04:54 | |
-without saying anything outright, but three fires later... -Looks like there could be something to it. | 0:04:54 | 0:05:00 | |
Nelson Ashland's been in the business a year. | 0:05:00 | 0:05:03 | |
-He's got a lot of the trade. Nobody wants to say how. -Organised crime? | 0:05:03 | 0:05:07 | |
We ran the name past OCCB, but they've never heard of him. | 0:05:07 | 0:05:11 | |
So all you've got is a situation that smells hickey and a story from this Seymour. He won't co-operate? | 0:05:11 | 0:05:17 | |
-He gave us the name. It's all he's got. He's an old man. He wants to retire. -What do you want from me? | 0:05:17 | 0:05:24 | |
-24-hour surveillance on Nelson Ashland. -Come on, Cagney! | 0:05:24 | 0:05:29 | |
That's three sets of detectives off the duty roster on the word of a man who may be covering HIS handiwork! | 0:05:29 | 0:05:35 | |
-I believe him. -So do I, sir. | 0:05:35 | 0:05:38 | |
All right... So I'll think about it. | 0:05:38 | 0:05:41 | |
In the meantime, you two are bringing up the rear in this squad when it comes to paperwork. | 0:05:41 | 0:05:47 | |
I figure you got 45 minutes till shift change. How about it? | 0:05:47 | 0:05:52 | |
Yes, sir. | 0:05:52 | 0:05:53 | |
Good. | 0:05:53 | 0:05:55 | |
Well...? | 0:05:55 | 0:05:56 | |
Oh, yeah. | 0:05:56 | 0:05:58 | |
-I'll talk to Knelman about the surveillance. -Thank you, Lieutenant. | 0:05:58 | 0:06:02 | |
The sergeant's exam... | 0:06:04 | 0:06:06 | |
Coleman, you make book on anything. | 0:06:06 | 0:06:08 | |
Come on, La Guardia, it's a natural. We have Petrie going out at 3-2. He's the odds-on favourite. | 0:06:08 | 0:06:14 | |
-What about Cagney and Lacey? -Got them at 4-1. Now way two women from the same squad will make sergeant. | 0:06:14 | 0:06:21 | |
One sort of offsets the other. | 0:06:21 | 0:06:23 | |
-And what about me? -7-1. -7-1?! What, are you kidding? | 0:06:23 | 0:06:28 | |
Takes more than a pretty face, Isbecki. | 0:06:28 | 0:06:31 | |
-Obviously, if you made it. -Sticks and stones, Isbecki. | 0:06:31 | 0:06:35 | |
-Wanna put your money where your mouth is? -Not at those odds! | 0:06:35 | 0:06:39 | |
It's ridiculous. I've got as good a chance as Cagney and Lacey. | 0:06:39 | 0:06:43 | |
Ah... Let me get this straight. | 0:06:43 | 0:06:45 | |
-Are you saying that if I give you 4-1, you'll bet? -Careful, Victor. | 0:06:45 | 0:06:49 | |
It's OK. ..4-1. | 0:06:49 | 0:06:52 | |
As opposed to 7-1, right? | 0:06:52 | 0:06:54 | |
Hey! Isbecki, you drive a hard bargain. I guess you're right. What, ten bucks' worth? | 0:06:54 | 0:07:00 | |
Make it 50. | 0:07:00 | 0:07:02 | |
That's why he's 7-1. | 0:07:04 | 0:07:06 | |
-Hi, Christine! Where's Mary Beth? -Harvey! What are you doing here? -I can't talk. Where's Mary Beth? | 0:07:06 | 0:07:12 | |
She's over in the records file. | 0:07:12 | 0:07:15 | |
Hey, you! | 0:07:16 | 0:07:18 | |
-What's Harvey doing here? -I don't know, but he only wears suits to funerals. -Oh! | 0:07:19 | 0:07:25 | |
Probably wasn't a close friend. | 0:07:25 | 0:07:28 | |
-Ernie, Ernie, Ernie... -Yeah? | 0:07:29 | 0:07:32 | |
He jokes about me getting out of manual labour, only he doesn't think I can do anything else. | 0:07:32 | 0:07:39 | |
Only now I put together this contracting thing. I proved myself. | 0:07:39 | 0:07:44 | |
We've been talking. Today, he puts it on the line. I start Monday. | 0:07:44 | 0:07:48 | |
Oh, Harve, that's wonderful. | 0:07:48 | 0:07:51 | |
Wonderful! | 0:07:51 | 0:07:52 | |
Harve... What do you know about tax shelters? | 0:07:52 | 0:07:55 | |
I'm a businessman, Mary Beth. It's business. | 0:07:55 | 0:07:59 | |
Ernie isn't exactly Albert Einstein. | 0:07:59 | 0:08:02 | |
-If he can do it and make that kind of money, why not me? -Why not? | 0:08:02 | 0:08:06 | |
Hey, Chris, how are you? | 0:08:06 | 0:08:09 | |
-Hi, Mr Lacey. -How's your pop? -Fine. | 0:08:09 | 0:08:11 | |
Salute! | 0:08:16 | 0:08:19 | |
Good. | 0:08:20 | 0:08:22 | |
-Thank you. -You're welcome. | 0:08:25 | 0:08:27 | |
-Harve, you noticed how much this wine is on the menu? -A night to be extravagant. | 0:08:30 | 0:08:37 | |
-In fact, Mary Beth, I'll tell you what. -What? -Make a wish. | 0:08:40 | 0:08:46 | |
-What kind of wish? -Something you always wanted but we couldn't afford. -I don't need anything. | 0:08:46 | 0:08:52 | |
-I want to buy you a present. -Oh, honey... -Tell me something I can buy you. A present. | 0:08:52 | 0:08:59 | |
-Come on. You got something. Tell me. -A new refrigerator. | 0:09:02 | 0:09:07 | |
-Oh... -We need a new refrigerator. -I don't want something we need. I want something YOU want. | 0:09:07 | 0:09:13 | |
OK... | 0:09:13 | 0:09:15 | |
How about...? | 0:09:17 | 0:09:19 | |
-No, it's too much. -What is it? Tell me. Why is it too much? | 0:09:19 | 0:09:23 | |
An engagement ring. | 0:09:23 | 0:09:26 | |
I never cared, Harve, because the wedding ring was plenty. But I always wanted...an engagement ring. | 0:09:28 | 0:09:35 | |
A small one. | 0:09:35 | 0:09:37 | |
To the lady who is still my fiancee. | 0:09:47 | 0:09:49 | |
You should see the size of the office that he's gonna get. The desk is the size of a squad car! | 0:10:06 | 0:10:12 | |
-It sounds terrific. Are you going to celebrate? -I don't know. | 0:10:12 | 0:10:16 | |
Muriel's taking the kids for Saturday, so... We'll probably do the usual, you know. | 0:10:16 | 0:10:21 | |
-Oh! Ho-ho, Mary Beth! -What? | 0:10:21 | 0:10:24 | |
-It's been a long time since the old folks had a Saturday alone together. -No, not that, Christine. | 0:10:24 | 0:10:30 | |
We might do that, too, but probably we'll just go for a drive. | 0:10:30 | 0:10:34 | |
THEY LAUGH | 0:10:34 | 0:10:37 | |
That's OK. So where are you going? | 0:10:37 | 0:10:39 | |
Nowhere. It's just a drive. Harve likes to drive. Sometimes we stop and look at houses. | 0:10:39 | 0:10:45 | |
-But you're not going anywhere! -You never get in the car and drive? | 0:10:45 | 0:10:50 | |
-No, it's like window-shopping. -I have seen you window-shop! | 0:10:50 | 0:10:54 | |
Only when I am trying to kill time. Otherwise, I figure what I want and then set out to find it. | 0:10:54 | 0:11:00 | |
Well, we stop and look at houses, and we imagine if we lived there. | 0:11:00 | 0:11:04 | |
-I think that'd be frustrating. -Do you never look at a dress and imagine what it'd look like on?! | 0:11:04 | 0:11:09 | |
Sure I do. If I like it, I buy it. | 0:11:09 | 0:11:13 | |
-That's the difference between you and me, Christine. -What, patience? | 0:11:13 | 0:11:17 | |
-Money! -That's great, Mary Beth. Almost a joke. | 0:11:17 | 0:11:21 | |
-We'd better run. We have two more witnesses. Samuels wants us back by three. -Not a joke! | 0:11:21 | 0:11:28 | |
24-hour surveillance, starting Monday. Cagney and Lacey are in charge. You report to them, | 0:11:28 | 0:11:33 | |
they report to me. I want to know everything this Nelson Ashland does | 0:11:33 | 0:11:39 | |
-and everyone that he sees. -Wire tap? | 0:11:39 | 0:11:41 | |
-We haven't got enough for a court order. -What kind of vehicles do we get? -Regular unmarked squad cars. | 0:11:41 | 0:11:47 | |
We're to keep tabs on a possible strong-arm guy from open cars? | 0:11:47 | 0:11:52 | |
You used the word yourself, Cagney - "possible". This is the best I can get with a possible. | 0:11:52 | 0:11:59 | |
You give me a probable, or a likely, and I'll get you the whole shooting match. Until then, it's squad cars. | 0:11:59 | 0:12:05 | |
-..Questions? -How long, sir? -If you don't turn anything up in a week... | 0:12:05 | 0:12:09 | |
-Shifts? -Cagney and Lacey decide. | 0:12:09 | 0:12:12 | |
-We'll take graveyard. -Fighting with the wife again, Marty? | 0:12:12 | 0:12:17 | |
-Do this somewhere else. Some of us still got work to do here. -Yes, sir. | 0:12:17 | 0:12:21 | |
And, as you know, we are back in the dining room again. | 0:12:26 | 0:12:30 | |
Can you see it, Harve? | 0:12:33 | 0:12:35 | |
-Having a dining room - candelabras, and I'm lifting soup from a tureen. -It'd be nice. It's well-built. | 0:12:35 | 0:12:41 | |
Well, um... | 0:12:43 | 0:12:44 | |
-Thank you. It's a lovely home, Mrs... -Parks. -Parks. | 0:12:44 | 0:12:49 | |
-I could run my own workshop. -It just came on the market this week. It's not going to stay around. | 0:12:49 | 0:12:55 | |
-I'm sure it won't. Thank you. -What are the terms? | 0:12:55 | 0:12:58 | |
It's all right here on the offer sheet. | 0:12:58 | 0:13:02 | |
The first mortgage is assumable and, say, with 20% down, the second is very reasonable. | 0:13:02 | 0:13:08 | |
What's the monthly payment? | 0:13:08 | 0:13:10 | |
Well, depending on the down and the interest rate on the second, it would be between these two figures. | 0:13:10 | 0:13:16 | |
-Thank you very much. -Hold on a minute, Mary Beth. | 0:13:16 | 0:13:20 | |
-Can I talk to my wife? -Of course. | 0:13:20 | 0:13:23 | |
Harve, I know what you're going to say. | 0:13:25 | 0:13:28 | |
-Do you like the house? -No! I don't like the house(!) It's a wonderful house. -I like it, too. A lot. | 0:13:28 | 0:13:34 | |
Harve, we can't afford this house. | 0:13:34 | 0:13:37 | |
I know it's a stretch, Mary Beth, but with the new job, the tax break we get, we could almost do it. | 0:13:37 | 0:13:42 | |
-You mean it? -Yes. | 0:13:42 | 0:13:45 | |
-Are you serious? -You want me to buy you a house? | 0:13:45 | 0:13:49 | |
-This house here? -Yes. | 0:13:49 | 0:13:51 | |
This house right here? | 0:13:51 | 0:13:53 | |
Oh, jeez... | 0:13:56 | 0:13:58 | |
-I don't wanna move. -Quit belly-aching! | 0:14:00 | 0:14:04 | |
If I change schools, I'm not going to be eligible for basketball. | 0:14:04 | 0:14:07 | |
-Nobody's said we're moving yet. -All my friends are here. -He means Julie Knight. -I'm going to kill you! | 0:14:07 | 0:14:13 | |
What kind of talk is that? | 0:14:13 | 0:14:16 | |
-I need you to get some brown beef after school. -I've got practice. How come Michael never has to? | 0:14:16 | 0:14:22 | |
-Cos I'm not old enough. -Whoever goes can pick out dessert, right? | 0:14:22 | 0:14:26 | |
-Hi, guys. -Oh, honey! | 0:14:26 | 0:14:28 | |
-Look at you! You look... I don't know the word for it. -You like it? | 0:14:28 | 0:14:32 | |
-Yeah! -Pretty good for off-the-rack! -I think you look funny. -You do? | 0:14:32 | 0:14:37 | |
-Get used to it, your father's in the big time. -Handsomer - that's the word. You were handsome, | 0:14:37 | 0:14:42 | |
but now you're handsomer. | 0:14:42 | 0:14:45 | |
-I got to go. -I'll be thinking about you. Honey, you forgot... | 0:14:45 | 0:14:50 | |
-What is that? -Nothing, never mind! | 0:14:50 | 0:14:52 | |
-I made lunch. -Expense account, Mary Beth. -Expense account... | 0:14:52 | 0:14:56 | |
Do good. | 0:14:58 | 0:15:00 | |
See you guys tonight. | 0:15:00 | 0:15:02 | |
-OK, which one is going to Zyboot's Fare. -I'll go. -You're old enough? | 0:15:04 | 0:15:09 | |
You think Ashland's ever going to go to work? | 0:15:15 | 0:15:19 | |
I don't know, Chris. But I got a couple of extra BLT on wholewheat, if you are interested, for later. | 0:15:19 | 0:15:25 | |
-Thanks. Mary Beth, your house sounds really wonderful. -Oh, it is. | 0:15:25 | 0:15:29 | |
It's got a room that Harvey's going to put in a skylight for me. I could grow flowers all year. | 0:15:29 | 0:15:36 | |
It's not like this place, but it'd be nice for the four of us... | 0:15:36 | 0:15:39 | |
What do you want with a white elephant like that? Look at the lawn! | 0:15:39 | 0:15:45 | |
-If that isn't Astroturf, Ashland spends every weekend behind the lawnmower. -You making fun of me? | 0:15:45 | 0:15:51 | |
-No... -It sounds like you're making fun of the house I want. It may not be a big deal... | 0:15:51 | 0:15:57 | |
I'm not making fun of your house. I'm just giving you the downside to ownership... | 0:15:57 | 0:16:02 | |
-That's easy for you to say. You own your lawn. -Exactly! | 0:16:02 | 0:16:07 | |
-You've always owned the house you lived in. -That isn't true. When I went to college, I did not. | 0:16:07 | 0:16:12 | |
When you were waiting for your trust fund! I'm sorry, you don't know what you're talking about. | 0:16:12 | 0:16:18 | |
I DO know what I am talking about. It's why I'm trying to advise you. There are two sides to ownership. | 0:16:18 | 0:16:25 | |
In this country, when you're growing up, they make promises. | 0:16:25 | 0:16:29 | |
They promise that you'll grow up, find a terrific man, have terrific children, live in a terrific house. | 0:16:29 | 0:16:35 | |
A house you own! I've been feeling cheated all my life because I couldn't afford a house. | 0:16:35 | 0:16:41 | |
Well, that's stupid, Mary Beth. | 0:16:41 | 0:16:44 | |
-I've never had a husband, never had children. I do not feel cheated. My life is fine. -By choice, Christine! | 0:16:44 | 0:16:50 | |
The owning of a house like that... For people like Harve and me, it's almost not a choice any more. | 0:16:50 | 0:16:57 | |
Only now we got one... | 0:16:57 | 0:16:59 | |
I know... | 0:17:00 | 0:17:03 | |
It's the American dream, right? | 0:17:03 | 0:17:06 | |
It's important to me. | 0:17:06 | 0:17:09 | |
Well, I'm happy for you, Mary Beth. I really am. | 0:17:09 | 0:17:13 | |
And I'm sure you have a nice house. | 0:17:13 | 0:17:15 | |
If we get it. | 0:17:15 | 0:17:17 | |
We still have to work the price down, get a second... Christine! | 0:17:17 | 0:17:22 | |
Excuse me, ladies, would you mind getting out of your car? | 0:17:30 | 0:17:34 | |
Officer, we're detectives Cagney and Lacey, 14th squad, New York City. | 0:17:34 | 0:17:39 | |
I will reach into my pocketbook to get my ID. My partner will get out of the car... | 0:17:39 | 0:17:45 | |
and I will place my ID on the seat for your inspection. | 0:17:45 | 0:17:49 | |
Right-hand pocket. | 0:17:51 | 0:17:54 | |
We're staking out someone in that house over there. | 0:17:57 | 0:18:01 | |
-Mr Ashland? -Do you know him? | 0:18:01 | 0:18:03 | |
He's the one who called. | 0:18:03 | 0:18:06 | |
He thought maybe you were casing the place, planning a burglary. | 0:18:06 | 0:18:10 | |
-Good morning, Mr Ashland. -Thank you, officers. | 0:18:14 | 0:18:19 | |
Oh, boy... | 0:18:20 | 0:18:23 | |
-Cross! -It was embarrassing! Two Nassau uniforms lapping us like we're a couple of Keystone Kops. | 0:18:23 | 0:18:28 | |
-We gotta have vans or something. -I can't go to Knelman for more on the basis of an unsubstantiated hunch. | 0:18:28 | 0:18:35 | |
Now, give me some ammunition. You still got a couple of days. ..Come on upstairs. I want to talk to you. | 0:18:35 | 0:18:41 | |
-Want to try Mr Seymour? Maybe he changed his mind. -Sure. You're the one with the nice punim! | 0:18:45 | 0:18:52 | |
I call it the "mister woman's haberdashery". I woke up one morning and saw the whole line in my head. | 0:18:52 | 0:18:57 | |
-Pretty nifty, huh? -Mr Seymour, you told us you were retiring. | 0:18:57 | 0:19:02 | |
What can I tell you? Harvey Holscher calls, says he's shutting everything and going to Miami Beach. | 0:19:02 | 0:19:08 | |
He'll give me a deal on this place if I come in lickety-split, so Freyda's Frocks is back in business! | 0:19:08 | 0:19:14 | |
So your wife said. | 0:19:14 | 0:19:16 | |
-Mr Seymour, you haven't even collected on your insurance yet. -Don't worry. Don't worry, I will. | 0:19:16 | 0:19:22 | |
I have a little something in the bank, so... I got orders from two of the biggest chains in the country. | 0:19:22 | 0:19:29 | |
-You can do it that fast? -That's the beauty of the shmatte business. | 0:19:29 | 0:19:34 | |
A few thousand dollars, a couple of designs and a good name, you're in business. | 0:19:34 | 0:19:39 | |
Fabrics go to the cutting service, then to my sewing contractor. | 0:19:39 | 0:19:44 | |
His people send me the dresses. The shipping contractor picks them up. | 0:19:44 | 0:19:49 | |
All done on a handshake. | 0:19:49 | 0:19:51 | |
-A wonderful country, America. -That easy, huh? | 0:19:51 | 0:19:56 | |
And next month, I may be taking out a second and third mortgage on my house. | 0:19:56 | 0:20:02 | |
You'd do that? | 0:20:02 | 0:20:04 | |
When you want something, you do what you gotta do. Otherwise, nobody is gonna give it to you. | 0:20:04 | 0:20:10 | |
-Mr Seymour, tell me something. This time, are you going to use Ashland Trucking Company? -Who knows? | 0:20:10 | 0:20:18 | |
-That's a nice coat. -Thank you. -Mind if I ask how much you paid for it? | 0:20:18 | 0:20:22 | |
-Mr Seymour, we need your help. If you... -You, if you'll excuse me, need something more stylish. | 0:20:22 | 0:20:28 | |
Camel's hair, maybe. | 0:20:28 | 0:20:31 | |
Mr Seymour, the way we see it, you got two choices. | 0:20:31 | 0:20:35 | |
Either you give in, and you hire the gonifs - thieves - | 0:20:35 | 0:20:39 | |
which is hard to picture for you - a man who works as a cutter every day of his life, | 0:20:39 | 0:20:45 | |
even after his son could afford to support him - | 0:20:45 | 0:20:48 | |
-or else go up against Nelson Ashland again. -In which case, you'll be asking for another fire. | 0:20:48 | 0:20:54 | |
Or worse. So, Mr Seymour... ..Oh, you ask him. | 0:20:54 | 0:20:59 | |
Please... | 0:20:59 | 0:21:01 | |
He's a remarkable man. | 0:21:02 | 0:21:04 | |
-71 years old. -71?! -He's excited like a kid over starting up again. | 0:21:04 | 0:21:08 | |
Now he's a registered confidential informant, the lieutenant's going to try and get us everything. | 0:21:08 | 0:21:13 | |
Two surveillance teams, 12 detectives, vans and wire taps. | 0:21:13 | 0:21:18 | |
Christine is hacked off, as part of the deal I made with Mr Seymour is that we would watch his place, | 0:21:18 | 0:21:24 | |
which means Petrie gets to lead on the team that's tailing Nelson Ashland. She's so competitive! | 0:21:24 | 0:21:30 | |
-Are you listening to me? -Sure. That is terrific, babe. | 0:21:30 | 0:21:35 | |
-How come you're sitting there, smirking like you know something? -I don't know nothing. | 0:21:35 | 0:21:39 | |
-Do you know you had dinner with a very rich man tonight? -Huh? | 0:21:39 | 0:21:43 | |
I closed my first deal today. Ha! | 0:21:43 | 0:21:46 | |
-Harve! -I dunno how the guarantee comes off the commission, but either way, it is a nice piece of change. | 0:21:46 | 0:21:52 | |
-You told me it was going to take a while. -This stuff is easy! | 0:21:52 | 0:21:56 | |
I learn some catchwords and these people sit around and listen to me like I'm doing magic tricks! | 0:21:56 | 0:22:01 | |
-A rich person? -That's me. -I have this thing about wheeler-dealers! | 0:22:01 | 0:22:06 | |
The best part is this guy, Foster, is about to confirm a bigger deal. | 0:22:06 | 0:22:10 | |
-You know what? -What? -That this calls for a proper celebration. Wanna join me in the bedroom? | 0:22:10 | 0:22:16 | |
Gee, I wish I could, Mary Beth, but I got to finish my paperwork. | 0:22:16 | 0:22:20 | |
-Aw... OK. -Yeah. | 0:22:20 | 0:22:22 | |
-Is it going to take long? -Well... I... | 0:22:24 | 0:22:27 | |
When I'm done, I'm done. Why don't you go and, um, I'll join you later? | 0:22:27 | 0:22:31 | |
OK? | 0:22:31 | 0:22:32 | |
I might be asleep. | 0:22:37 | 0:22:39 | |
I'll be quiet so I won't wake you. | 0:22:39 | 0:22:42 | |
Harve, if you want to wake me, wake me. | 0:22:44 | 0:22:47 | |
It's OK. | 0:22:47 | 0:22:50 | |
Goodnight. | 0:22:52 | 0:22:54 | |
-Did you get him? -Yeah. If we had wire taps, we'd know who we were taking pictures of. | 0:23:07 | 0:23:14 | |
This is so stupid, getting shots of everyone that goes into Seymour's building. | 0:23:14 | 0:23:19 | |
-One piece of evidence, that's what the lieutenant said. Then he gives us the right equipment. -Coffee? | 0:23:19 | 0:23:25 | |
No. It might keep me awake(!) | 0:23:25 | 0:23:27 | |
Harve closed his first deal yesterday. He got another suit - three-piece with a vest. | 0:23:27 | 0:23:33 | |
-CAGNEY LAUGHS -What? -No, it's nice. It's just hard to picture Harve in a suit! | 0:23:33 | 0:23:40 | |
Why? | 0:23:40 | 0:23:42 | |
I don't know. | 0:23:42 | 0:23:44 | |
It doesn't fit. Some men it fits, but... | 0:23:44 | 0:23:47 | |
Old Harve? I just can't see him in a three-piece suit! | 0:23:47 | 0:23:51 | |
I think you got a prejudice against men who are blue-collar, Christine. | 0:23:51 | 0:23:56 | |
Oh, come on, that is ridiculous! | 0:23:56 | 0:23:58 | |
Yeah? Have you ever dated one? | 0:23:58 | 0:24:01 | |
Have you ever gone out with a man who did not graduate from college? | 0:24:01 | 0:24:05 | |
-I don't remember. -I rest my case. | 0:24:05 | 0:24:08 | |
That does not mean I'm prejudiced. | 0:24:08 | 0:24:10 | |
I'm not making a value judgment, simply pointing out an observation. | 0:24:10 | 0:24:15 | |
Hm-mm. Right... | 0:24:15 | 0:24:17 | |
So did you make another offer on the house? | 0:24:19 | 0:24:23 | |
-Mary Beth? Did they accept?! -I'm very superstitious about things like this! | 0:24:25 | 0:24:30 | |
-I'm going crazy every night with that mortgage rate. -Terrific! | 0:24:30 | 0:24:34 | |
-I don't want to talk about it any more, OK? -OK. | 0:24:34 | 0:24:38 | |
I haven't been so excited about anything since Michael was born. | 0:24:38 | 0:24:42 | |
What are you doing? | 0:24:42 | 0:24:45 | |
I'm taking a picture of my partner. | 0:24:45 | 0:24:47 | |
-They'll develop that at the police lab. -If they can't take a joke, to hell with them! -Stop that! | 0:24:47 | 0:24:53 | |
-I don't see anything hickey. -If you knew you were under surveillance, | 0:24:54 | 0:24:59 | |
-would you do anything incriminating? -There's not been one torch job in the garment district. | 0:24:59 | 0:25:05 | |
This can't go on indefinitely. Crime hasn't stopped in the streets just because we've got a hard case. | 0:25:05 | 0:25:11 | |
-I've new business coming in the door every hour. -Let me show you this. | 0:25:11 | 0:25:15 | |
That's Monday, 1pm, Twelve Months Restaurant. It's a big deal, three-martini business lunch. | 0:25:15 | 0:25:21 | |
Ashland puts it away pretty well, right through a big dessert and coffee. He left at two forty-five | 0:25:21 | 0:25:27 | |
and then, just 20 minutes later, he goes to another restaurant. | 0:25:27 | 0:25:32 | |
-He stops at a coffee shop, reads the paper and has another coffee. -Did he talk to anybody? | 0:25:32 | 0:25:38 | |
This is one of the two of them - he is two stools away. | 0:25:38 | 0:25:42 | |
-He stayed ten minutes and then went back to his office. -That's his only break from routine all week. | 0:25:42 | 0:25:48 | |
Anybody? | 0:25:48 | 0:25:51 | |
OK, La Guardia, finish cataloguing these pictures. I want the Massadini files on my desk tomorrow morning. | 0:25:51 | 0:25:57 | |
-Lieutenant! You can't drop this investigation. -A cigarette stand gets knocked over for 80 bucks. | 0:25:57 | 0:26:03 | |
That man has as much right to a detective hot on his case as anybody in the garment district does. | 0:26:03 | 0:26:10 | |
-Nelson Ashland is dirty. Everything Seymour said is true. -But we don't have one shred of evidence! | 0:26:10 | 0:26:18 | |
Excuse me, Bert, I think we have something. This photo in the coffee shop, this fella here... | 0:26:18 | 0:26:23 | |
-He looks familiar. -Remember that commission on organised crime? Took the fifth the whole day long. | 0:26:23 | 0:26:31 | |
-He's got a record as long as your arm. -Including arson! I just can't think of his name. Fenton, or... | 0:26:31 | 0:26:37 | |
-Farraday or... -No, it's Fennady. | 0:26:37 | 0:26:40 | |
-That's it. -Frank Fennady. | 0:26:40 | 0:26:43 | |
-10-1 Ashland left the paper and Fennady picked it up. -Thatta girl! | 0:26:43 | 0:26:47 | |
All right! | 0:26:47 | 0:26:49 | |
Get me Inspector Knelman, please! | 0:26:49 | 0:26:52 | |
Lieutenant Samuels. | 0:26:52 | 0:26:54 | |
COUNTRY AND WESTERN MUSIC PLAYS OVER SURVEILLANCE EQUIPMENT | 0:27:03 | 0:27:08 | |
CAMERA SHUTTER CLICKS | 0:27:08 | 0:27:11 | |
-Anybody? -Small guy in a coat. I think he's going to the tailor on the first floor. | 0:27:11 | 0:27:17 | |
-So, how's it going? -I can't stand it with this music blasting in my ear, George. | 0:27:17 | 0:27:23 | |
Hey, George! Do we have to have this music blasting? | 0:27:23 | 0:27:27 | |
If I cut out the monitor, you won't be able to hear anything else that's going on out there. | 0:27:27 | 0:27:32 | |
I love it. 71 years old and he's into country and western music! | 0:27:32 | 0:27:36 | |
Hey, Victor! Where are you going? | 0:27:41 | 0:27:43 | |
-Lunch! -It's almost five. | 0:27:43 | 0:27:45 | |
-Well, I don't plan to eat. -Wait! | 0:27:45 | 0:27:48 | |
Bonbon's got a free hour. | 0:27:48 | 0:27:50 | |
-We take over the stakeout on Fennady at six-thirty. -Hey! What do you think I am? An amateur? | 0:27:50 | 0:27:56 | |
I'll be there in plenty of time. | 0:27:56 | 0:27:58 | |
-MUSIC CONTINUES -Argh! | 0:28:09 | 0:28:13 | |
Is the music getting to you? | 0:28:13 | 0:28:15 | |
No, it's this. | 0:28:15 | 0:28:17 | |
"Proceedings upon felony complaint, from a deposition thereof." Who understands this stuff?! | 0:28:17 | 0:28:23 | |
-Well, you probably do! Do you think Coleman understands it? -It was easier when Coleman made sergeant. | 0:28:26 | 0:28:32 | |
Sure(!) | 0:28:32 | 0:28:33 | |
'Yes? Can I help you?' | 0:28:33 | 0:28:36 | |
'I'm looking for Aaron Seymour. | 0:28:36 | 0:28:39 | |
'I'm Seymour. What can I do for you? | 0:28:39 | 0:28:42 | |
'Mr Seymour, I represent Ashland Trucking.' | 0:28:42 | 0:28:45 | |
-Here we go. -'I wanted to talk to you about your shipping needs for your new line...' | 0:28:45 | 0:28:51 | |
All I'm trying to get at, Mr Seymour, is are you going to give in or not? | 0:28:53 | 0:28:58 | |
May I ask you smart ladies something? | 0:28:58 | 0:29:02 | |
-Ever noticed the shoddy tailoring on women's suits? -Beg pardon? | 0:29:02 | 0:29:06 | |
Now, take men's suits. There's hand-stitching here, extra tailoring there. That's quality! | 0:29:06 | 0:29:12 | |
Now, say you want to buy a nice, classic, never-go-out-of-style women's suit with the same oomph? | 0:29:12 | 0:29:18 | |
You'd love it. You'd wear it forever. | 0:29:18 | 0:29:21 | |
You'd be happy to pay 150. | 0:29:21 | 0:29:23 | |
-Could you answer my partner's question? -Mister woman's haberdashery look! | 0:29:23 | 0:29:29 | |
-It's going to be a monster. I can feel it in my kishkas. -In your whats? -Kishkas. ..Guts! | 0:29:29 | 0:29:36 | |
I'll tell you what I'm gonna do. | 0:29:36 | 0:29:38 | |
You ladies have been so terrific, what say I give you each a sample? | 0:29:38 | 0:29:44 | |
-We can't. -Why not? You think it's a bribe? It's not a bribe. | 0:29:44 | 0:29:49 | |
-I like you. -And we like you, Mr Seymour. And we thank you, | 0:29:49 | 0:29:54 | |
but we just want to do our job. | 0:29:54 | 0:29:56 | |
I want you should be happy. | 0:29:56 | 0:29:59 | |
I want everybody should be happy. | 0:29:59 | 0:30:01 | |
Even Nelson Ashland? | 0:30:01 | 0:30:03 | |
-My old mother, may she rest in peace, used to tell the story... -Oh... | 0:30:03 | 0:30:09 | |
..way back in the old country, the Cossacks would come through the town, hurting people. | 0:30:09 | 0:30:16 | |
My uncle one day thinks, "Maybe I should do business with them." | 0:30:16 | 0:30:20 | |
Even Cossacks understand business. So he gives each one a chicken. | 0:30:21 | 0:30:27 | |
-You're going to pay protection to the king of the Cossacks? -What can it cost me? A chicken? | 0:30:27 | 0:30:33 | |
10-15% extra on the shipping? | 0:30:33 | 0:30:35 | |
This line is going to be a monster! | 0:30:35 | 0:30:37 | |
So I take a little less profit margin, and I avoid a lot of tsuris! | 0:30:37 | 0:30:43 | |
-Well, Mr Seymour... -I want to think about it. | 0:30:43 | 0:30:47 | |
I gotta think! | 0:30:49 | 0:30:51 | |
But I ask you, ladies... | 0:30:54 | 0:30:57 | |
..what would be so terrible? | 0:30:58 | 0:31:01 | |
We're sitting out like idiots and he's caving in! | 0:31:06 | 0:31:09 | |
-You heard what he said. -Did you see the look on Mrs Seymour's face? | 0:31:09 | 0:31:14 | |
-That man's not going to get a minute's peace tonight! -Hey! | 0:31:14 | 0:31:18 | |
Am I in your way?! | 0:31:18 | 0:31:21 | |
-Where's George picking us up? -36th Street. | 0:31:21 | 0:31:25 | |
That creep has taken our space. | 0:31:25 | 0:31:27 | |
-Where's Pappas? -Hello, Marcus. He's in the back. | 0:31:41 | 0:31:44 | |
How's it going? | 0:31:51 | 0:31:53 | |
Boring... | 0:31:53 | 0:31:55 | |
-Fennady hasn't stirred from his room. -Isbecki? -> | 0:31:55 | 0:32:00 | |
With Bonbon... Sorry, Marty, you'll have to stay till he gets here. | 0:32:00 | 0:32:05 | |
-Little post-prandial hanky-panky? -I don't know. | 0:32:05 | 0:32:09 | |
But I'm sure he'll tell me all about it...in living colour. | 0:32:09 | 0:32:13 | |
Anybody go in I should know about? | 0:32:15 | 0:32:17 | |
Mr Fennady isn't exactly the social butterfly. | 0:32:17 | 0:32:21 | |
Like I said, boring... | 0:32:21 | 0:32:24 | |
I guess we should be grateful. | 0:32:25 | 0:32:27 | |
-He did not come out that front door! -It's the only way out. | 0:32:52 | 0:32:56 | |
-Good morning! -Good morning! What's up? -Fennady slipped by Petrie and Isbecki last night. -You're kidding?! | 0:32:56 | 0:33:02 | |
-He didn't. And Coleman's hiking up the odds on us. Not fair! -Let it go, Victor! All right? | 0:33:02 | 0:33:08 | |
-OK, so you lost him. -It's not the worst thing in the world. | 0:33:08 | 0:33:13 | |
No... | 0:33:13 | 0:33:14 | |
There was another fire in the garment district last night. | 0:33:14 | 0:33:19 | |
The night watchman was critically injured. | 0:33:19 | 0:33:23 | |
Congratulations! You are now the favourites in the sergeant's pool. | 0:33:23 | 0:33:27 | |
What's with the look? I didn't set the fire, I just set the odds. | 0:33:28 | 0:33:32 | |
Six. | 0:33:32 | 0:33:34 | |
We're covering Seymour's loft and we're trying to re-establish surveillance on Fennady. | 0:33:34 | 0:33:40 | |
We lost contact yesterday. | 0:33:40 | 0:33:42 | |
We're combing the garment district! | 0:33:42 | 0:33:45 | |
I understand. | 0:33:45 | 0:33:47 | |
Sir, two weeks ago, I was begging you for surveillance equipment... | 0:33:49 | 0:33:54 | |
Yes, Inspector. | 0:33:56 | 0:33:58 | |
Thank you. | 0:33:58 | 0:34:00 | |
-Typical! I got to yell to get their interest in this case. Now they want it back for themselves -Sure(!) | 0:34:00 | 0:34:06 | |
The papers pick it up and it's the biggest thing since the Son of Sam! | 0:34:06 | 0:34:10 | |
When is Seymour shipping out his dresses? | 0:34:10 | 0:34:14 | |
-Any day now, sir. -Well, Knelman's given us till Friday. | 0:34:14 | 0:34:18 | |
Then it goes to Major Cases. | 0:34:18 | 0:34:20 | |
Yes, sir. | 0:34:20 | 0:34:22 | |
Thank you, Lieutenant. | 0:34:22 | 0:34:25 | |
I've been looking at all this bank stuff and the different rates. | 0:34:34 | 0:34:39 | |
With a fixed rate at 13%, and a variable at 11.5, | 0:34:39 | 0:34:44 | |
the difference is 130 bucks a month, assuming we put 20% down, | 0:34:44 | 0:34:48 | |
which is what we planned, but I figure the variable can go to 14... | 0:34:48 | 0:34:54 | |
-I'm sorry. This must be kind of boring, huh? -No! | 0:34:54 | 0:34:58 | |
It's nice to see you so excited. | 0:34:58 | 0:35:00 | |
I tried to tell Harve about this, but he was having trouble keeping his eyes open. Pretty boring, huh? | 0:35:02 | 0:35:09 | |
-Yup. -I wasn't talking to you! | 0:35:09 | 0:35:12 | |
Oh, lord! | 0:35:14 | 0:35:16 | |
Mrs Seymour! | 0:35:18 | 0:35:21 | |
What...? | 0:35:21 | 0:35:22 | |
-Seymour was worried that you should get hungry down here. -Mrs S... -I made you a couple of sandwiches. | 0:35:22 | 0:35:28 | |
-Brisket! I took off all the fat. -This is supposed to be an undercover operation! | 0:35:28 | 0:35:34 | |
You young girls with your diets! | 0:35:34 | 0:35:36 | |
-Mrs Seymour, please! -I heard about the night watchman who got burned. | 0:35:36 | 0:35:41 | |
And so did Seymour. | 0:35:41 | 0:35:43 | |
So...eat and be well. | 0:35:46 | 0:35:49 | |
You should take on a few more pounds. It wouldn't kill you! | 0:35:49 | 0:35:53 | |
Yes, ma'am. Thank you. | 0:35:53 | 0:35:56 | |
Ready for this? | 0:36:03 | 0:36:05 | |
She made us sandwiches. | 0:36:05 | 0:36:08 | |
Well, that's very sweet, but she's now compromised the stakeout. | 0:36:08 | 0:36:12 | |
What was I supposed to do? | 0:36:12 | 0:36:14 | |
"From Aaron Seymour. I'm shipping the dresses tomorrow. | 0:36:14 | 0:36:18 | |
"If he's coming, he's coming tonight. No more chickens for the Cossacks!" | 0:36:18 | 0:36:23 | |
-All right! -What did I tell you? | 0:36:23 | 0:36:26 | |
Kishkas, Mary Beth. The man has kishkas! | 0:36:26 | 0:36:30 | |
(Isbecki?) | 0:36:51 | 0:36:53 | |
Yo! | 0:36:53 | 0:36:54 | |
-'Anything?' -Negative. | 0:36:54 | 0:36:57 | |
Nothing, Bert. He hasn't moved. | 0:37:15 | 0:37:18 | |
-It doesn't make sense. If Ashland doesn't send him tonight, it'll be too late. -We can see the door. | 0:37:18 | 0:37:24 | |
There's no other way out. He's got to still be there. | 0:37:24 | 0:37:28 | |
That's what Isbecki said. | 0:37:28 | 0:37:30 | |
-You're not falling asleep on me, Chris? -No! | 0:37:35 | 0:37:39 | |
It's 4.51. The sun will be up in an hour. | 0:37:52 | 0:37:55 | |
Which one of these? | 0:37:58 | 0:38:00 | |
Fennady! | 0:38:01 | 0:38:03 | |
-Mr Fennady, are you there? -He could in Miss Marr's apartment. -Who's Miss Marr? ..Fennady! | 0:38:03 | 0:38:09 | |
-His girlfriend. On the other side of the building. -The other side?! | 0:38:09 | 0:38:13 | |
-Has she got a fire escape? -Course! -..Tell them Fennady may be on his way. ..Open up this door. | 0:38:13 | 0:38:19 | |
Come on, dammit! Open up this door! | 0:38:19 | 0:38:22 | |
DOOR OPENS | 0:38:25 | 0:38:27 | |
Did you hear that? | 0:38:27 | 0:38:30 | |
I didn't hear anything. | 0:38:31 | 0:38:33 | |
-Police! Hold it right there! Turn around and put your hands up in the air. -I'm on him, Chris. | 0:39:01 | 0:39:06 | |
Right there... Get your hands up, I said! Higher! | 0:39:08 | 0:39:13 | |
-Don't you move! -Stand still. Spread them! | 0:39:13 | 0:39:17 | |
-You have the right to remain silent... -Christine! | 0:39:24 | 0:39:28 | |
Hold it! | 0:40:08 | 0:40:10 | |
Put your hands up, Mr Fennady. | 0:40:10 | 0:40:13 | |
High! Where I can see them. | 0:40:13 | 0:40:15 | |
And keep them there. | 0:40:15 | 0:40:18 | |
Hey... | 0:40:30 | 0:40:32 | |
Hey, kiddo. | 0:40:32 | 0:40:34 | |
-Couldn't sleep again, huh? -Yeah. | 0:40:34 | 0:40:37 | |
-Did you have a bad day? -Huh! | 0:40:37 | 0:40:39 | |
This job... | 0:40:42 | 0:40:44 | |
-I don't know. -Everybody has a bad day, huh? | 0:40:46 | 0:40:50 | |
You can't keep on with this not sleeping. | 0:40:50 | 0:40:53 | |
HE SIGHS I'm not doing anything, Mary Beth. | 0:40:53 | 0:40:58 | |
I'm sitting around, having lunch with these rich guys, and there's something... | 0:40:58 | 0:41:04 | |
I don't know. My stomach... I can't eat. | 0:41:07 | 0:41:11 | |
I'm not... I'm not making something. You know what I mean? I'm not accomplishing anything. | 0:41:11 | 0:41:16 | |
Honey, you had a bad day. | 0:41:18 | 0:41:20 | |
-You can't expect every day to make a big sale. -You don't understand. | 0:41:20 | 0:41:25 | |
I sold two. | 0:41:25 | 0:41:27 | |
It isn't enough. | 0:41:29 | 0:41:32 | |
What? | 0:41:33 | 0:41:35 | |
You know, back in history, when they built all those cathedrals, | 0:41:36 | 0:41:41 | |
the workers carved their names in the stone. | 0:41:41 | 0:41:44 | |
It was like signing their work. | 0:41:44 | 0:41:47 | |
When I was on the high steel, I saw the Indians do that. They'd scratch their initials on the girders. | 0:41:47 | 0:41:53 | |
Even now, when I do a remodel, I put my initials down under something, where it doesn't show. | 0:41:55 | 0:42:01 | |
It's silly, I guess. I don't know... | 0:42:03 | 0:42:06 | |
I keep thinking I... | 0:42:08 | 0:42:10 | |
I can't take Mike out like I used to, and point to a building and say, "I built that. | 0:42:10 | 0:42:16 | |
"My name's on it." | 0:42:16 | 0:42:19 | |
You can't... | 0:42:23 | 0:42:25 | |
..carve your initials in a tax shelter. | 0:42:28 | 0:42:31 | |
Then you have to quit. | 0:42:35 | 0:42:37 | |
-It means no house. -I know. | 0:42:37 | 0:42:39 | |
-I feel terrible. -No, Harve... I've been thinking about that house. | 0:42:40 | 0:42:45 | |
I mean... | 0:42:45 | 0:42:47 | |
what with interest rates the way they are... | 0:42:47 | 0:42:50 | |
it may not be real smart to commit to a long-term mortgage like that. | 0:42:50 | 0:42:55 | |
-They're bound to come down eventually, huh? -I know how much this house means to you. -Ssh! | 0:42:55 | 0:43:01 | |
We'll do it. It'll just take a little longer, that's all. | 0:43:03 | 0:43:08 | |
I got something for you. | 0:43:08 | 0:43:10 | |
It's beautiful, Harve. | 0:43:24 | 0:43:27 | |
-I can't have that now. -We can afford it. | 0:43:27 | 0:43:30 | |
-We need a new refrigerator. -No! If I'm taking your house away, the least I can do is give you a ring. | 0:43:30 | 0:43:36 | |
Harve, we're going to get the house. We are, right? We're putting it off, is all. | 0:43:36 | 0:43:41 | |
Oh, boy! It's beautiful! | 0:43:43 | 0:43:46 | |
Yeah... It's about time we got engaged. | 0:43:49 | 0:43:52 | |
Give me your hand, will you? | 0:43:52 | 0:43:55 | |
Perfect. | 0:44:00 | 0:44:02 | |
I love this ring. | 0:44:06 | 0:44:09 | |
I really love this ring. | 0:44:09 | 0:44:11 | |
Tell you what, we'll go in the bedroom, and I'll show you how much I love this ring. | 0:44:12 | 0:44:19 | |
HE SIGHS | 0:44:29 | 0:44:31 | |
-Mary Beth? > -Hm-mm? | 0:44:33 | 0:44:35 | |
You know, maybe next summer, we could repaint. > | 0:44:35 | 0:44:40 | |
It's about time we sprung for new carpets and drapes. > | 0:44:42 | 0:44:47 | |
We could really fix this place up. > | 0:44:48 | 0:44:51 | |
With all the stuff I'm doing for everybody else, you'd think I could spend time and energy here, right? > | 0:44:52 | 0:44:58 | |
Right. | 0:44:58 | 0:45:00 | |
What do you say, kiddo, we really do a job on it? > | 0:45:00 | 0:45:04 | |
Right. | 0:45:07 | 0:45:09 |