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Integrated amplifier with five-band equaliser, 100 watts per channel. | 0:01:24 | 0:01:29 | |
-Doesn't that sound fantastic? -It sounds expensive. | 0:01:29 | 0:01:33 | |
It's on sale - 850 - 14th Street. | 0:01:33 | 0:01:36 | |
-850 for a stereo is expensive. -It's state of the art, Mary Beth. | 0:01:36 | 0:01:41 | |
-Sign me in, will you? -Yeah. | 0:01:41 | 0:01:44 | |
There must be 600 people downtown who do nothing but write memos. | 0:01:44 | 0:01:49 | |
One thing about the police department, they stay in touch. | 0:01:49 | 0:01:53 | |
Retirement plan, credit union, uniform inspection. | 0:01:53 | 0:01:58 | |
Listen to this - stress reduction encounter group. Do you love that? | 0:01:58 | 0:02:04 | |
-That's this week. -What's the stress reduction encounter group? | 0:02:05 | 0:02:09 | |
It say right here - "It helps you deal with job-related stress." | 0:02:09 | 0:02:13 | |
Oh, well, thank you too much(!) I'd rather go skiing. | 0:02:13 | 0:02:18 | |
Do you have the paperwork on the Mendoza collar? | 0:02:18 | 0:02:22 | |
-They can't do this! -Do what? -It's mandatory. | 0:02:22 | 0:02:25 | |
Oh, I saw that. Apparently, it's a pilot programme they're developing citywide - all departments. | 0:02:27 | 0:02:33 | |
Well, I don't need someone telling me how to solve my problems. | 0:02:33 | 0:02:37 | |
Well, there have been studies done to indicate that sharing your feelings | 0:02:37 | 0:02:41 | |
is a very effective way of dealing with stress. | 0:02:41 | 0:02:45 | |
If I'm stressed out, I jog. Three miles, I'm spaghetti. | 0:02:45 | 0:02:49 | |
-Cagney! Lacey! -Talking about your feelings can't hurt you, Christine. | 0:02:49 | 0:02:53 | |
-Morning, sir. -Lieutenant, have you heard about this stress reduction group? -Yeah. What about it? | 0:02:53 | 0:03:00 | |
-We don't have to attend that, do we? -Yes, it's mandatory. It's a good idea, too, I think. | 0:03:00 | 0:03:06 | |
-You do? -Oh, absolutely, Cagney. | 0:03:06 | 0:03:08 | |
They started a couple of years ago on a voluntary basis. I attended a few and found them very helpful. | 0:03:08 | 0:03:15 | |
Ah, there it is. Here, this is from downtown. | 0:03:15 | 0:03:19 | |
It seems we've got a problem here. Apparently, you two have piled up an inordinate amount of overtime. | 0:03:19 | 0:03:25 | |
-Oh, yeah. Are they impressed? -They're worried. It's fouling up the accounting system. | 0:03:25 | 0:03:31 | |
What exactly are we supposed to do about this, sir? Take today off and a couple of three-day weekends. | 0:03:31 | 0:03:36 | |
Lieutenant, we have a very heavy caseload. | 0:03:36 | 0:03:40 | |
You're screwing up the computers, so get out of here - both of you. | 0:03:40 | 0:03:44 | |
-You mean, go home, sir? -I don't care. Just sign out and disappear. | 0:03:44 | 0:03:49 | |
-Yes, sir. -Couldn't we work and not put in for it? We're already here. | 0:03:49 | 0:03:53 | |
Cagney, what is wrong with a day off? Go to the park, the movies, New Jersey - I don't care, | 0:03:53 | 0:03:59 | |
-just as long as you're not here today. The department cannot afford to have you here. -Yes. Thank you. | 0:03:59 | 0:04:06 | |
I don't understand this department sometimes. | 0:04:08 | 0:04:12 | |
I could think of worse things than a day off, Christine. | 0:04:12 | 0:04:15 | |
Compulsory days off, compulsory group therapy. | 0:04:15 | 0:04:20 | |
-So what are you going to do? -Um, I don't know. Um... think I'll clean out the closets. | 0:04:20 | 0:04:27 | |
-I've been promising to do that for months. -Why don't you come with me to the stereo sale? -No, thanks. | 0:04:27 | 0:04:33 | |
Mary Beth, these sound systems can be very sexy. | 0:04:33 | 0:04:37 | |
Maybe spice up your marriage. | 0:04:37 | 0:04:40 | |
My marriage doesn't need spicing up, thank you. | 0:04:40 | 0:04:44 | |
Think of it, Mary Beth. Harvey comes home... | 0:04:44 | 0:04:50 | |
Johnny Mathis is on the stereo... | 0:04:50 | 0:04:54 | |
OOZING out 100 watts per channel... | 0:04:54 | 0:04:59 | |
you slip into something...casual... | 0:04:59 | 0:05:02 | |
and Johnny's voice melts down the last of Harvey's inhibitions. | 0:05:02 | 0:05:08 | |
You've been reading trashy books again, Christine. | 0:05:11 | 0:05:15 | |
It always worked for me. | 0:05:17 | 0:05:19 | |
No, no, take a look over here. Let me show you something. | 0:05:19 | 0:05:23 | |
-The frequency response on this little number is so awesome it'll curl your toes. -Is that so? | 0:05:23 | 0:05:30 | |
-Yes, and I'll give you a good price. -Like £850? | 0:05:30 | 0:05:33 | |
Babe, you look like an intelligent woman. Let me level with you. | 0:05:33 | 0:05:38 | |
(You wouldn't have wanted the stereo in that ad. It's a piece of junk.) ..I'm telling you. Trust me. | 0:05:38 | 0:05:45 | |
-How much is this one? -Well, I don't have the exact numbers... -Hey, you look like an intelligent man, | 0:05:45 | 0:05:50 | |
-take a guess. -You'll want the ten-band equaliser, a cassette deck, at least 100 watts per channel. | 0:05:50 | 0:05:56 | |
You're maybe looking at 2,400 to 2,500 tops, out the door. | 0:05:56 | 0:06:00 | |
-You're asking people in here for an 850 ad and selling them something for 2,500. -Babe, I told you, | 0:06:00 | 0:06:08 | |
we're sold out of that one. LOUD SCREAM | 0:06:08 | 0:06:11 | |
Hey, sweetheart, where are you going? It's a good... | 0:06:11 | 0:06:15 | |
-LOUD SHOUTS -Police officer! Let me through! | 0:06:17 | 0:06:19 | |
Police officer! Hold it! | 0:06:19 | 0:06:22 | |
Oh, my God! | 0:06:22 | 0:06:24 | |
Somebody dial 911 for an ambulance. ..Sorry. | 0:06:24 | 0:06:28 | |
Hold it! | 0:06:28 | 0:06:30 | |
Police! Out of my way! | 0:06:30 | 0:06:32 | |
Police coming through! Hold it! | 0:06:34 | 0:06:37 | |
Look out! Police! | 0:06:37 | 0:06:39 | |
I said hold it right there. Drop that knife. | 0:06:42 | 0:06:46 | |
I said drop it. | 0:06:49 | 0:06:51 | |
Slide it over to me slowly. | 0:06:59 | 0:07:02 | |
Further. | 0:07:06 | 0:07:07 | |
Slowly. | 0:07:10 | 0:07:11 | |
-I hope this encounter group doesn't get touchy-feely. -They do it in the nude in California. | 0:07:23 | 0:07:28 | |
Fortunately, this is New York. | 0:07:28 | 0:07:30 | |
-I do 100 push-ups every morning. -You're a wonderful person(!) | 0:07:30 | 0:07:35 | |
Hey, little guy, are you lost? DOG WHIMPERS | 0:07:35 | 0:07:38 | |
Let's check you for ID. | 0:07:38 | 0:07:40 | |
-What's a dog doing here? -It just wandered in. -Who does he belong to? -I don't know. | 0:07:40 | 0:07:46 | |
-He doesn't seem to have a collar. -Call the pound - have him picked up. | 0:07:46 | 0:07:50 | |
The pound?! You know what they'll do to him. Let me find him a home. | 0:07:50 | 0:07:55 | |
I'd take him, but my building doesn't allow pets. | 0:07:55 | 0:07:59 | |
DOG WHIMPERS | 0:08:00 | 0:08:03 | |
Just make sure he's gone by the end of today. | 0:08:03 | 0:08:06 | |
Yes, sir. Thank you, sir. DOG BARKS | 0:08:06 | 0:08:09 | |
HE WHISTLES | 0:08:18 | 0:08:21 | |
Thank you. I can take it from here. | 0:08:21 | 0:08:24 | |
-Cool it. -Need a hand, Cagney? -No, thank you, Victor. | 0:08:24 | 0:08:28 | |
Right over here. Just move it, pal. | 0:08:28 | 0:08:31 | |
All right...have a seat. | 0:08:32 | 0:08:35 | |
-HE WHISTLES -I said sit down! | 0:08:37 | 0:08:40 | |
Do your family know what you do for a living? | 0:08:51 | 0:08:55 | |
HE WHISTLES | 0:08:55 | 0:08:58 | |
Name? | 0:09:04 | 0:09:06 | |
HE WHISTLES | 0:09:09 | 0:09:12 | |
-I asked you your name. -HE WHISTLES | 0:09:13 | 0:09:17 | |
I thought you said I had the right to remain silent? | 0:09:17 | 0:09:20 | |
I'm not asking for a biography, I just want your name and address. | 0:09:20 | 0:09:25 | |
How would you like to spend the rest of your life missing some major parts of your anatomy? | 0:09:25 | 0:09:32 | |
What did you say? | 0:09:36 | 0:09:39 | |
HE WHISTLES | 0:09:39 | 0:09:42 | |
-You threatening me? -Oh, why I wouldn't do that to a police officer. That's illegal, isn't it? | 0:09:47 | 0:09:53 | |
D'you want to give me your name now or I'll throw you in the tank and we can do this tomorrow? Well? | 0:10:03 | 0:10:08 | |
HE WHISTLES | 0:10:08 | 0:10:12 | |
Charlie. | 0:10:12 | 0:10:13 | |
-Stokes. -Spell it. | 0:10:17 | 0:10:21 | |
S... | 0:10:21 | 0:10:22 | |
T...O... | 0:10:22 | 0:10:25 | |
-..K...E... -S. | 0:10:26 | 0:10:30 | |
HE WHISTLES | 0:10:31 | 0:10:34 | |
Stokes, Stokes, Stokes. Here it is. Darryl Stokes. | 0:10:36 | 0:10:41 | |
-He was arraigned yesterday afternoon. Bail set at 5,000. -That's all? | 0:10:43 | 0:10:48 | |
-For a sleaze like that? Come on! -You know how the game's played. | 0:10:48 | 0:10:52 | |
I asked the court to set bail at half a million, the defence says, "Send him home, cos he's such a nice guy," | 0:10:52 | 0:10:58 | |
-and the judge comes up with something in between. -I wouldn't call 5,000 somewhere in between. | 0:10:58 | 0:11:03 | |
-So the judge was in a hurry to play golf. -Or you're not good at the game! | 0:11:03 | 0:11:07 | |
-Don't come in here... -Feldberg, I need you to go into court and ask for higher bail. | 0:11:07 | 0:11:13 | |
5,000 is pretty standard for a case like this. | 0:11:13 | 0:11:16 | |
Did you look at his yellow sheet? Armed robbery, attempted rape! | 0:11:16 | 0:11:21 | |
-Yeah, no convictions - cases dropped before trial. -Yeah, right. I talked to the investigating officers. | 0:11:21 | 0:11:27 | |
They think Stokes has been intimidating witnesses. Hell, he threatened me in the precinct. | 0:11:27 | 0:11:33 | |
All right, all right. How am I supposed to know that? | 0:11:33 | 0:11:38 | |
It makes me wonder, though - if you are so concerned about this case, how come you weren't at the arraignment? | 0:11:40 | 0:11:46 | |
Judge Komiski's chambers, please. I need to talk to his clerk. | 0:11:46 | 0:11:50 | |
So where were you? | 0:11:50 | 0:11:53 | |
My lieutenant sent me home. | 0:11:53 | 0:11:55 | |
I've been pulling too much overtime. | 0:11:55 | 0:11:58 | |
Huh, you're kidding! | 0:11:58 | 0:12:00 | |
Hello, Elliot. Todd Feldberg from the DA's office. | 0:12:00 | 0:12:05 | |
Listen, I need to petition for an increase in bail on a Darryl Stokes. | 0:12:05 | 0:12:09 | |
Yeah, I'll hold. | 0:12:09 | 0:12:11 | |
So what are you doing? Bucking for sergeant or are you just a glutton for work? | 0:12:11 | 0:12:18 | |
What was that? ..Oh, he's a lucky man. | 0:12:18 | 0:12:21 | |
Yeah, see you around, Elliot. | 0:12:21 | 0:12:25 | |
Well, Cagney, this conversation can now be classified as academic. | 0:12:26 | 0:12:31 | |
-I beg your pardon? -Stokes posted an hour ago. | 0:12:31 | 0:12:34 | |
He's out of our hands until his court date. | 0:12:34 | 0:12:37 | |
You believe these statements?! News vendor says she didn't see anything. | 0:12:44 | 0:12:49 | |
Street worker says he saw nothing. This one's great(!) "What stabbing? I was reading my horoscope." | 0:12:49 | 0:12:55 | |
Got no witnesses. Mary Beth, if the victim had charged admission, he could have paid his hospital bill. | 0:12:55 | 0:13:01 | |
We have seven witnesses we haven't even talked to. You can ID Stokes. | 0:13:01 | 0:13:06 | |
-We've got a victim that can testify. We've got a case here. -Mm-hm. | 0:13:06 | 0:13:10 | |
-I just hope the victim wants to press charges. -Not everybody in New York doesn't want to get involved. | 0:13:10 | 0:13:16 | |
-No, just eight witnesses to a stabbing in daylight! -Cynical. You go funny over the damnedest cases. | 0:13:16 | 0:13:23 | |
They tell me that you saved my life. | 0:13:26 | 0:13:29 | |
-That's good. -How are you feeling? | 0:13:29 | 0:13:31 | |
I'm OK, I guess. The doctor says that next week, I should be out enjoying the swinging single's life. | 0:13:31 | 0:13:39 | |
-He didn't happen to say where you could find it, did he? -Well... -Mr Gelband, tell us what happened. | 0:13:39 | 0:13:44 | |
-There's not much to tell. This guy just pulled a knife and told me to give him my wallet. -Did you? | 0:13:44 | 0:13:50 | |
-Hmm? Yeah, I didn't want any trouble. -And then what? | 0:13:50 | 0:13:54 | |
Well, I only had 5 and the guy starts ranting and raving - the next thing I know...I'm stabbed. | 0:13:54 | 0:14:01 | |
-Mr Gelband, we'll need you to testify. -All right. Whatever I can do to get this guy off the streets. | 0:14:01 | 0:14:08 | |
Well, sir, we certainly appreciate your attitude. You get some rest. | 0:14:08 | 0:14:12 | |
-We'll talk to you later. -All right. | 0:14:12 | 0:14:16 | |
If Darryl Stokes tries to contact you or intimidate you in any way, I'd like you to call me immediately. | 0:14:16 | 0:14:22 | |
-What did I tell you? It's a dead-bang case. -OK, you're right. Stop gloating. | 0:14:23 | 0:14:29 | |
We've broken down the squad into small groups who work closely together. You all know each other. | 0:14:29 | 0:14:36 | |
What you can't say out there you are free to say in here. There's no rank in this room. | 0:14:36 | 0:14:42 | |
What is important to know is that there's nothing wrong with talking about your problems... | 0:14:42 | 0:14:48 | |
there's nothing wrong with having problems. It doesn't make you any less of a person or any less a cop. | 0:14:48 | 0:14:54 | |
Now, for starters, why don't you tell me what a typical day in this precinct is like? | 0:14:56 | 0:15:03 | |
Well, it looks like attending this group is going to be more stressful than your job. | 0:15:12 | 0:15:19 | |
Who would like to start? | 0:15:19 | 0:15:23 | |
Bert, why don't you begin? | 0:15:24 | 0:15:26 | |
Well, my day is, um... | 0:15:29 | 0:15:32 | |
Well, usually, um... Well, I usually start my day... | 0:15:39 | 0:15:44 | |
I, I get a, a jelly doughnut, usually, from the little place across the street. | 0:15:46 | 0:15:52 | |
-That's, um, first. -They have a good jelly doughnut there. Everything is very fresh - especially the custard. | 0:15:52 | 0:15:59 | |
-The custard is good, too. -They have a good cherry tart. Oh, I'm sorry, it's not my turn to talk, right? | 0:15:59 | 0:16:05 | |
Mary Beth, that's OK. The idea is to talk when you have something to say. | 0:16:05 | 0:16:09 | |
Well... | 0:16:11 | 0:16:13 | |
..um... | 0:16:16 | 0:16:18 | |
that's all I really had to say. | 0:16:18 | 0:16:20 | |
-Anyone else have anything they'd like to talk about? -I've got something I want to get off my chest. | 0:16:27 | 0:16:34 | |
Yes, Victor? | 0:16:34 | 0:16:37 | |
I think Barry Manilow is an underrated performer. | 0:16:37 | 0:16:41 | |
I mean, maybe he's not hip or highbrow... | 0:16:43 | 0:16:46 | |
..but he sings the songs the whole world sings. | 0:16:47 | 0:16:51 | |
-I used to like Vic Damone. -Now there's a voice. | 0:16:51 | 0:16:56 | |
-I don't understand why you are so gung-ho about this group encounter thing. -I wouldn't say I was gung-ho, | 0:16:59 | 0:17:06 | |
I just think it's a good idea. It's not healthy to keep our feelings all bottled up. | 0:17:06 | 0:17:11 | |
-I thought you shared your feelings with me. -I do, Harv. -Well, if you've got a problem, talk to me about it. | 0:17:11 | 0:17:16 | |
Honey, there's nothing wrong with talking about what I'm going through | 0:17:16 | 0:17:21 | |
-with people that are going through the same thing. -Yeah, I guess. | 0:17:21 | 0:17:25 | |
-Just going to be talking about police work, right? -I don't know if it'll only be about that. | 0:17:25 | 0:17:31 | |
-You going to be talking about me and the kids? -That could come up, yeah. | 0:17:31 | 0:17:36 | |
-Oh, no, I don't want you talking about me in front of strangers. -They're the people I work with. | 0:17:36 | 0:17:42 | |
There are certain things between a husband and a wife that should not be talked about with other people. | 0:17:42 | 0:17:49 | |
-Like what? -What do you mean "Like what?" -Like what? | 0:17:49 | 0:17:53 | |
-Like our sex life. -Why would I want to talk to anybody about our sex life? -But that's exactly my point! | 0:17:53 | 0:17:59 | |
SHE GIGGLES Well, what's so funny? | 0:17:59 | 0:18:02 | |
You think I should tell them about that Halloween party, remember? | 0:18:02 | 0:18:07 | |
-You dressed up like a frog. Remember when we got home? -I was very tired. | 0:18:07 | 0:18:11 | |
Oh, you were too tired to change out of your costume, but not too tired to hop on my side of the bed, right? | 0:18:11 | 0:18:17 | |
SHE GIGGLES I don't think that's funny. | 0:18:17 | 0:18:20 | |
-Good night. -Oh, Harv... | 0:18:20 | 0:18:23 | |
-Harv? -What? | 0:18:28 | 0:18:30 | |
Ribbit. | 0:18:30 | 0:18:32 | |
Ribbit. | 0:18:37 | 0:18:38 | |
Ribbit. | 0:18:39 | 0:18:41 | |
Ribbit, ribbit. | 0:18:41 | 0:18:43 | |
I just got a call from the hospital. The nurse went into Martin Gelband's room this morning and... | 0:18:45 | 0:18:52 | |
-found him gone. -Did anyone see him leave? -No. Check his apartment. See what you can find. | 0:18:52 | 0:18:57 | |
I don't think we'll see Martin Gelband while Stokes is loose. | 0:19:00 | 0:19:05 | |
-Mary Beth, we don't have a witness. -We have one very good witness - you. | 0:19:05 | 0:19:10 | |
-Marty came home about, um, 1am. -Are you sure of the time? -Oh, positive. | 0:19:10 | 0:19:14 | |
I was watching Wait Until Dark. | 0:19:14 | 0:19:16 | |
Richard Crenna and Jack Weston were trying to warn Audrey Hepburn about that maniac Alan Arkin. | 0:19:16 | 0:19:22 | |
-That's when I heard the noise in the hall. -What noise? -I tried to wake my husband. He was asleep on the couch. | 0:19:22 | 0:19:29 | |
I mean, it's like that every night. | 0:19:29 | 0:19:31 | |
I don't care what the movie - a spy movie, a tearjerker - | 0:19:31 | 0:19:35 | |
10 minutes into it, he's out cold. | 0:19:35 | 0:19:37 | |
-And about the noise, ma'am? -Well, I knew Marty was in the hospital, | 0:19:37 | 0:19:41 | |
so I thought someone might be robbing his place. I looked in the peephole, | 0:19:41 | 0:19:46 | |
but it was only Marty walking into his apartment. They sure let them out of the hospital soon, don't they? | 0:19:46 | 0:19:52 | |
-Listen, Audrey Hepburn is blind in this picture... -I remember the picture. -Oh. -About the noise? | 0:19:52 | 0:19:59 | |
It was just the slamming of the door. But by then, Audrey had already knifed Alan, so I figured I was safe. | 0:19:59 | 0:20:05 | |
-I walked to the door, keeping one eye on the TV, of course. -Of course. | 0:20:05 | 0:20:10 | |
When I opened the door, Alan lunged at Audrey. | 0:20:10 | 0:20:14 | |
I let out such a scream that my husband fell off the couch! | 0:20:14 | 0:20:18 | |
I guess I scared Marty to death, cos he picked up his suitcase and left. You should have seen Audrey's face. | 0:20:18 | 0:20:25 | |
-Was he alone, Mrs Asinow? -Who? BOTH: Mr Gelband. | 0:20:25 | 0:20:28 | |
Oh. | 0:20:28 | 0:20:29 | |
-He's scared. He is scared and he's running. -Think Stokes got to him? | 0:20:29 | 0:20:34 | |
Who else? It's his MO, isn't it? | 0:20:34 | 0:20:37 | |
Stokes calls Gelband up at the hospital and says if he doesn't keep his mouth shut, he'll cut him up - | 0:20:37 | 0:20:42 | |
or words to that effect. Gelband runs. Stokes is a pretty scary guy. | 0:20:42 | 0:20:47 | |
-What do you mean? -Well, he's 6'2", weighs about 200lb and he doesn't have a pleasant personality. | 0:20:47 | 0:20:54 | |
-Is there something you're not telling me here? -No. | 0:20:54 | 0:20:58 | |
-He was mouthing off. He said some stuff to me. -Like what? -The usual garbage. -Did this man threaten you? | 0:20:58 | 0:21:05 | |
-Mary Beth, you cannot take every threat seriously. -You cannot...! -I haven't got time for this argument. | 0:21:05 | 0:21:12 | |
This man is suspected of harassing witnesses. You're going to be protected, like it or not. | 0:21:12 | 0:21:17 | |
-Lieutenant... -No discussion. You take the squad car, drop her home. I'll have two men outside her loft. | 0:21:17 | 0:21:23 | |
Happy to, sir. | 0:21:23 | 0:21:26 | |
Keys, please? | 0:21:27 | 0:21:29 | |
DOG BARKS | 0:21:29 | 0:21:32 | |
DOG WHIMPERS | 0:21:32 | 0:21:35 | |
RAIN POURS DOWN | 0:21:43 | 0:21:45 | |
HORN HONKS | 0:21:57 | 0:22:00 | |
PHONE RINGS | 0:22:17 | 0:22:20 | |
PHONE CONTINUES TO RING | 0:22:23 | 0:22:27 | |
Hello? | 0:22:27 | 0:22:28 | |
No, I'm sorry, there's no-one here by that name. ..Yeah, well, next time, use the phone book! | 0:22:28 | 0:22:34 | |
PHONE RINGS | 0:22:43 | 0:22:45 | |
Did you dial right?! | 0:22:45 | 0:22:48 | |
What? | 0:22:48 | 0:22:50 | |
Oh, Mark, I'm sorry. | 0:22:50 | 0:22:51 | |
No, I thought it was the wrong number. | 0:22:51 | 0:22:54 | |
Um, what? | 0:22:54 | 0:22:56 | |
Oh, um, it's just been sort of a rough day. ..Yeah. | 0:22:56 | 0:23:01 | |
When, tonight? ..Um...I'd love to, but... No, the place is a mess now, | 0:23:02 | 0:23:07 | |
and, um, I'm in the middle of redecorating. Yeah. | 0:23:07 | 0:23:12 | |
The truth is, Mark, I'm just... I'm not, um, up for company tonight. | 0:23:12 | 0:23:17 | |
Yeah, another time would be great. | 0:23:17 | 0:23:20 | |
OK, yeah. | 0:23:20 | 0:23:22 | |
OK. Bye. | 0:23:22 | 0:23:23 | |
THUNDER | 0:23:26 | 0:23:30 | |
No, ma'am. ..Well, when we hear from him, we'll certainly let you know. | 0:23:43 | 0:23:48 | |
OK. ..Thank you, Mrs Gelband. | 0:23:48 | 0:23:52 | |
Don't let the... | 0:24:02 | 0:24:04 | |
-dog in. -We've just got off the phone to Martin Gelband's parents. They've not heard from him since Christmas. | 0:24:04 | 0:24:10 | |
-We're checking all transportation from the city. -Not necessary. I got a call from the medical examiner. | 0:24:10 | 0:24:16 | |
Gelband's body was found in an alley this morning. | 0:24:16 | 0:24:19 | |
We've an APB out on Stokes. Homicide squad's handling the case. They'll let us know anything that they find. | 0:24:19 | 0:24:25 | |
I suggest you concentrate on making your case against Stokes stick. | 0:24:25 | 0:24:29 | |
If we can't tie this murder to Stokes, then all we've got to put him away with is your case. | 0:24:29 | 0:24:34 | |
I assure you, the DA is going to want a lot more than your testimony. What we need is more witnesses. | 0:24:34 | 0:24:40 | |
Uniforms have taken all the witness statements and nobody saw anything. | 0:24:40 | 0:24:45 | |
-Go on back out there. Somebody might change their minds. -Yes, sir. | 0:24:45 | 0:24:50 | |
-Lieutenant...shouldn't somebody notify Gelband's parents? -That's a good idea. You do that, Lacey. | 0:24:54 | 0:25:00 | |
Yes, sir. | 0:25:00 | 0:25:02 | |
DOG WHIMPERS | 0:25:02 | 0:25:04 | |
-Out. -DOG WHIMPERS | 0:25:06 | 0:25:08 | |
Out! | 0:25:09 | 0:25:10 | |
Sitting is good, too. | 0:25:14 | 0:25:17 | |
DRILLING DROWNS SPEECH | 0:25:18 | 0:25:21 | |
Did you see the stabbing that happened here Tuesday, around 11.30? | 0:25:30 | 0:25:35 | |
-I said did you happen to see the stabbing... -SHE COUGHS | 0:25:38 | 0:25:42 | |
-..that happened here Tuesday, around 11.30? -No. | 0:25:42 | 0:25:47 | |
Oh. | 0:25:49 | 0:25:50 | |
Thank you. | 0:25:50 | 0:25:52 | |
A man is stabbed less than 30 feet away, now surely you remember hearing or seeing something? | 0:25:52 | 0:25:57 | |
Things like that happen all the time. I mind my own business. | 0:25:57 | 0:26:02 | |
I guess if it was you being robbed, you'd be singing another tune, huh? | 0:26:02 | 0:26:06 | |
-Do you want a paper? -No! ..Thank you. | 0:26:06 | 0:26:09 | |
-What? -Nothing. It's like it never happened. ..How about you? | 0:26:15 | 0:26:19 | |
It amazes me the effort people take to avoid getting involved. | 0:26:19 | 0:26:24 | |
We wouldn't be going through this at all if they hadn't let him out on bail in the first place. | 0:26:24 | 0:26:30 | |
One of the most stressful aspects of police work is the inability to turn the job off once you get home. | 0:26:32 | 0:26:37 | |
Let's talk about that tonight. Mark, do you want to start? | 0:26:39 | 0:26:43 | |
Um...some nights I get home... | 0:26:45 | 0:26:49 | |
and, um, I look at Lauren - that's my daughter - | 0:26:49 | 0:26:53 | |
and I get angry that she's going to grow up in the world I just left. | 0:26:53 | 0:26:58 | |
I almost want to quit and move to Colorado. | 0:26:58 | 0:27:03 | |
I know what you mean. The first time I had pictures taken of my daughter, | 0:27:04 | 0:27:09 | |
I called them mug shots. THEY LAUGH | 0:27:09 | 0:27:13 | |
-Coleman, I didn't even know you had a daughter. -You never asked. | 0:27:13 | 0:27:18 | |
Her name's Betty. | 0:27:21 | 0:27:24 | |
She's retarded. | 0:27:25 | 0:27:28 | |
She goes to a special school. | 0:27:28 | 0:27:30 | |
-I'm s-sorry. -No need to be. | 0:27:32 | 0:27:35 | |
She's a lot happier than a lot of kids I've seen. | 0:27:36 | 0:27:40 | |
VICTOR: I love to party. I hardly get invited any more. | 0:27:43 | 0:27:49 | |
People start smoking dope or something... | 0:27:49 | 0:27:52 | |
..I gotta leave. | 0:27:54 | 0:27:56 | |
-What am I going to do - bust my friends? -I gave up going to parties a long time ago. | 0:27:56 | 0:28:02 | |
It's hard for me to be around people who aren't cops. | 0:28:02 | 0:28:07 | |
When my daughter was little, she wanted me to wear my uniform all the time - watching TV, on my day off. | 0:28:13 | 0:28:21 | |
When she was old enough to understand what a policeman does... | 0:28:21 | 0:28:26 | |
she didn't want me to wear the uniform at all. | 0:28:26 | 0:28:30 | |
MARK: Claudia tells everyone not to call when I'm working. | 0:28:32 | 0:28:36 | |
-It scares her to hear the phone ring when I'm not there. It's crazy, isn't it? -Harv does the same thing. | 0:28:36 | 0:28:42 | |
We have this understanding that, um, if I'm on stakeout, late at night, | 0:28:42 | 0:28:47 | |
I never tell him when I'm coming home, you know, so he won't wait up all night - which he does, anyway. | 0:28:47 | 0:28:52 | |
Chris? | 0:28:52 | 0:28:54 | |
You've said very little since we began these sessions. Maybe you'd like to add something to this. | 0:28:54 | 0:29:00 | |
No, not really. | 0:29:00 | 0:29:02 | |
-No-one's going to force you to say anything if you don't want to. -Fine. | 0:29:02 | 0:29:07 | |
Her and I are working on a very frustrating case right now. It... | 0:29:10 | 0:29:14 | |
Um, none of the witnesses want to get involved, um, and we think the suspect is, is watching Christine. | 0:29:14 | 0:29:21 | |
It's no big deal. | 0:29:21 | 0:29:24 | |
-That can be very frightening. -It's a drag. | 0:29:24 | 0:29:27 | |
Every time I turn around, I've got somebody watching me - perp or cops. | 0:29:27 | 0:29:31 | |
It's doing a number on my social life. | 0:29:32 | 0:29:35 | |
Are you sure that's all you feel? | 0:29:35 | 0:29:38 | |
People who've experienced that often talk of feeling invaded... | 0:29:38 | 0:29:43 | |
even raped. | 0:29:43 | 0:29:45 | |
Well, not me. So don't worry... | 0:29:45 | 0:29:48 | |
because he's not going to touch me. | 0:29:48 | 0:29:51 | |
Because if he comes within three feet of me, I'll kill him. | 0:29:51 | 0:29:56 | |
I swear to you, I'll kill him. | 0:29:56 | 0:29:59 | |
Because nobody does that to me. | 0:29:59 | 0:30:02 | |
Nobody. | 0:30:02 | 0:30:03 | |
BANGING | 0:30:54 | 0:30:56 | |
-Freeze! -It's me! Petrie! | 0:33:10 | 0:33:13 | |
Was it Stokes? | 0:33:16 | 0:33:19 | |
-Are you OK? -I'm fine. Was it Stokes? -Petrie...he's gone. | 0:33:19 | 0:33:23 | |
-Well, how the hell did he get past you, anyway?! -I'm sorry. | 0:33:23 | 0:33:29 | |
I'm sorry, too. | 0:33:31 | 0:33:33 | |
Come on, we'll walk you back down. | 0:33:33 | 0:33:36 | |
Hey, look at this. It looks like he's been here a while. | 0:33:38 | 0:33:42 | |
Do you want coffee or not? | 0:34:01 | 0:34:03 | |
Excuse me, Lieutenant, there's someone here to see you. | 0:34:07 | 0:34:12 | |
-Pal! -DOG BARKS | 0:34:13 | 0:34:17 | |
-So this dog belongs to you, huh? -Yep. Sit, Rock. | 0:34:17 | 0:34:22 | |
-You know, you could have lost him for good. -He was outside the candy store when I went in to buy comics. | 0:34:22 | 0:34:29 | |
When I came out, he was gone. | 0:34:29 | 0:34:32 | |
If he was wearing dog tags, we could've called you. You make sure you get him a tag, | 0:34:32 | 0:34:38 | |
because this dog is your responsibility. He can't take care of himself. That's why he needs you. | 0:34:38 | 0:34:43 | |
Maybe next time, you won't be so lucky. Do you understand me? | 0:34:43 | 0:34:47 | |
-He should be wearing a collar, too. Does he have a collar? -Uh-uh. | 0:34:47 | 0:34:52 | |
-Here. -Thanks. | 0:35:02 | 0:35:04 | |
I don't suppose he has a leash. | 0:35:07 | 0:35:09 | |
..I didn't think so. | 0:35:09 | 0:35:12 | |
Here, take this one. | 0:35:14 | 0:35:16 | |
Thanks. | 0:35:17 | 0:35:19 | |
Matter of fact... why don't you take the whole bag? | 0:35:19 | 0:35:23 | |
There's a rubber ball in there and some, um - yeah, fire hydrant - and some dog treats. | 0:35:23 | 0:35:30 | |
-Thanks. -Don't mention it. | 0:35:32 | 0:35:34 | |
You make sure you take good care of that dog. You got it? | 0:35:36 | 0:35:41 | |
Got it. | 0:35:42 | 0:35:44 | |
DOG BARKS | 0:35:46 | 0:35:48 | |
Homicide's report on Gelband turned up empty. There's nothing that ties Stokes to his murder. | 0:35:50 | 0:35:55 | |
-The guy knows how to play the game. -All we've got is your testimony. If that doesn't go down, Stokes walks. | 0:35:55 | 0:36:01 | |
-Which is why last night's incident was stupid. -He was on my roof - | 0:36:01 | 0:36:05 | |
-I had to do something. -That's why I put Petrie and Isbecki on you. | 0:36:05 | 0:36:09 | |
-Well, I didn't feel like waiting to get carved up. -So you prefer making yourself visible(?) Easy target, eh? | 0:36:09 | 0:36:16 | |
-Hey, I'm a cop. -In this case, you're a witness. | 0:36:16 | 0:36:19 | |
Right now, Cagney, you're the only witness we've got. So remember that! | 0:36:19 | 0:36:24 | |
-What was that all about? -It was nothing. -Don't tell me "Nothing"! | 0:36:33 | 0:36:37 | |
-Stokes was on my roof last night and he got away, there's nothing more to tell. -And you didn't call me? | 0:36:37 | 0:36:44 | |
-It was late. -That never stopped you before. -Mary Beth, I just don't want to make a big deal out of this. | 0:36:44 | 0:36:50 | |
The crazy was on your roof and you don't want to make a big deal? Thanks a lot, Christine(!) | 0:36:50 | 0:36:55 | |
-Isbecki and Petrie were there. They scared him away. -Ooh(!) | 0:36:55 | 0:36:59 | |
So...how long are you going to keep up the strong and silent routine? | 0:37:04 | 0:37:08 | |
-Don't start with me. -Don't tell me "Don't start", Christine! | 0:37:08 | 0:37:13 | |
Mary Beth, I know what you want to say to me. How I seem closed, and I should open up more and talk, right? | 0:37:14 | 0:37:21 | |
-Close. -Well, not everybody deals with their problems the way you do. | 0:37:21 | 0:37:26 | |
I am not you. I do not need to talk about everything. | 0:37:26 | 0:37:30 | |
What I need is to stop making this case any bigger than it has already become. I am fine. I am really OK. | 0:37:30 | 0:37:36 | |
What I need is to find this guy and go back to leading a normal life. That's all. | 0:37:36 | 0:37:42 | |
OK? | 0:37:42 | 0:37:44 | |
Cagney, have you got plans for dinner tonight? | 0:37:54 | 0:37:58 | |
..So you'll have dinner with Lacey. | 0:37:58 | 0:38:00 | |
-Where did La Guardia get this one? -1957 - in Greenpoint. | 0:38:09 | 0:38:13 | |
-We are talking long shot here. -Mmm. | 0:38:13 | 0:38:17 | |
Oh, here they come. | 0:38:17 | 0:38:19 | |
Oh, was that good chilli, or what? | 0:38:19 | 0:38:22 | |
-I don't know, my taste buds are in shock. -I told you to get the mild one. You still liked it, though, eh? | 0:38:22 | 0:38:28 | |
-I think it's the finest 2 chilli in New York. How did you find this place? -Harv found it. | 0:38:28 | 0:38:34 | |
He can sniff out good food like nobody's business. | 0:38:34 | 0:38:38 | |
-Hey! -Hey, you creep! Let go! | 0:38:38 | 0:38:41 | |
-Petrie, get on him! -He's got my gun! | 0:38:42 | 0:38:46 | |
-Christine, you all right? Let me see. Oh, gee! -I'm fine. I'm fine. | 0:38:46 | 0:38:51 | |
-Here, just a second. -Damn it! | 0:38:51 | 0:38:54 | |
-Here, here, take this. -Do you believe that? -Louse. You sure you're OK? -I'm OK. Let me wash it off. -OK. | 0:38:54 | 0:39:00 | |
-Just take it easy. Get up... -I'm fine. -..slowly. OK. ..OK. | 0:39:00 | 0:39:05 | |
-Damn! -OK, come here. Are you sure you're gonna be OK? -I'm fine. | 0:39:05 | 0:39:09 | |
-Right, take it slow. I'm going to call it in. -All right. | 0:39:09 | 0:39:13 | |
Hold it! Right there! | 0:41:09 | 0:41:12 | |
Put the knife down, Stokes. Lay it down. | 0:41:12 | 0:41:16 | |
Drop it! | 0:41:16 | 0:41:18 | |
You have the right to remain silent. | 0:41:42 | 0:41:45 | |
If you give up the right to remain silent, anything you say can and will be held against you in a court. | 0:41:45 | 0:41:50 | |
You have the right to an attorney. If you cannot afford one, and so choose, | 0:41:50 | 0:41:55 | |
an attorney will be appointed for you, without charge, before questioning. Do you understand? | 0:41:55 | 0:42:03 | |
You should have been there! It was great! We set this guy up like you wouldn't believe! | 0:42:11 | 0:42:16 | |
-Christine and I came out. This guy tried for her pocket book, and he winds up hitting her! -Really? -Yes! | 0:42:16 | 0:42:22 | |
-That punch looked so good... -He really hit me hard! Where did you get this guy? | 0:42:22 | 0:42:28 | |
From Vice - they make the best crooks. | 0:42:28 | 0:42:32 | |
But she was wonderful. No, you were. | 0:42:32 | 0:42:35 | |
She never batted an eye, she never gave it away. She was spectacular. | 0:42:35 | 0:42:40 | |
I didn't do anything. Honest. It was La Guardia. He thought it out. Let's hear it for La Guardia! | 0:42:40 | 0:42:46 | |
You should have seen the look on Stokes's face...when La Guardia came out of the stall! | 0:42:49 | 0:42:56 | |
He couldn't believe his eyes! A nice guy like me in the ladies room? | 0:42:56 | 0:43:00 | |
EVERYONE LAUGHS | 0:43:00 | 0:43:04 | |
-Sorry. I didn't really want to do this. -That's OK. | 0:43:11 | 0:43:16 | |
I don't know. I guess, I'm just sort of glad it's over. | 0:43:16 | 0:43:21 | |
LAUGHTER | 0:43:21 | 0:43:23 | |
Go on. | 0:43:23 | 0:43:25 | |
Um... | 0:43:25 | 0:43:27 | |
I just kept seeing this face in my mind, you know, and I...just waited. | 0:43:29 | 0:43:36 | |
There was nothing else I could do except wait, and, um... | 0:43:36 | 0:43:41 | |
and I felt, um... | 0:43:41 | 0:43:44 | |
um...very helpless. | 0:43:44 | 0:43:46 | |
It's like I lost all sense of... that I had no control. | 0:43:48 | 0:43:53 | |
And he had taken that away from me. | 0:43:53 | 0:43:56 | |
You know, he had no right to invade my life the way he did. | 0:43:58 | 0:44:03 | |
Nobody... | 0:44:03 | 0:44:05 | |
nobody has that right. | 0:44:05 | 0:44:07 | |
It's my life. | 0:44:14 | 0:44:16 | |
It was...it was my life. | 0:44:18 | 0:44:22 | |
I hate...I hate, um... | 0:44:28 | 0:44:31 | |
um, feeling scared. And there wasn't anything I could do about it. | 0:44:31 | 0:44:38 | |
I just... I can't, I can't stop thinking about...about... | 0:44:38 | 0:44:43 | |
about it and about him, and... | 0:44:43 | 0:44:46 | |
I just hate him for that. | 0:44:46 | 0:44:49 | |
I, I just...I just want to, um... | 0:44:49 | 0:44:53 | |
..get the picture out of my mind. I need, I need to go on... | 0:44:54 | 0:44:59 | |
with my life. | 0:44:59 | 0:45:01 | |
Is that too much to ask? | 0:45:04 | 0:45:07 | |
Subtitles by Barrie Gilchrist BBC Broadcast 2004 | 0:45:12 | 0:45:16 |