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No, we've not recovered them... | 0:01:12 | 0:01:14 | |
We've checked the inventory, ma'am. | 0:01:14 | 0:01:17 | |
-Maybe it's chocolates. -We're not giving up. | 0:01:19 | 0:01:22 | |
Or a letter-bomb? | 0:01:22 | 0:01:24 | |
-Don't rattle it! -Fellas! | 0:01:26 | 0:01:28 | |
Yes, ma'am? Missing the knob... | 0:01:28 | 0:01:32 | |
Ah-ah! | 0:01:32 | 0:01:34 | |
-From a guy Cagney shot? -Likely(!) | 0:01:34 | 0:01:37 | |
I've the serial number right here. | 0:01:37 | 0:01:40 | |
I'll let you know. | 0:01:40 | 0:01:43 | |
-Hi, guys. -How're you doing? -OK. | 0:01:43 | 0:01:46 | |
Whoa! | 0:01:46 | 0:01:48 | |
They're checking your present out. | 0:01:48 | 0:01:52 | |
-Thanks, guys! -OK! | 0:01:52 | 0:01:55 | |
-Thanks, guys! -Too much! | 0:01:55 | 0:01:58 | |
Thanks(!) | 0:01:58 | 0:01:59 | |
Who's it from? | 0:02:01 | 0:02:02 | |
-"Until tonight." -No name? -It'll be Steve. -Who's Steve? | 0:02:02 | 0:02:08 | |
-Steve Hollister, a banker I met skiing. -Nice! | 0:02:08 | 0:02:14 | |
Yeah, sweet! | 0:02:14 | 0:02:16 | |
Oh! Oh, my God! | 0:02:19 | 0:02:20 | |
What? | 0:02:20 | 0:02:22 | |
-Let's see. -Look! | 0:02:25 | 0:02:27 | |
-Are they real? -Look real to me! | 0:02:32 | 0:02:35 | |
-This is ridiculous. -What's the matter? Not your right size? | 0:02:36 | 0:02:42 | |
-I can't take this! -No?! | 0:02:42 | 0:02:45 | |
-I hardly know him. -< Cagney! Lacey! | 0:02:45 | 0:02:48 | |
-Sir? -You two guys are up next. Jewellery shop hit. Fairbank Towers. | 0:02:48 | 0:02:55 | |
-That swanky place on the Park? -That's it. So move. -Yes, sir! | 0:02:55 | 0:02:58 | |
Steve Hollister, is he that rich? | 0:03:01 | 0:03:03 | |
I didn't think so... It's hard to tell in ski clothes. | 0:03:03 | 0:03:08 | |
We'd a gold and emerald piece here. 6,000. | 0:03:10 | 0:03:15 | |
-Ah-ah! Fingerprints! -I'm sorry. | 0:03:15 | 0:03:19 | |
I don't understand how they got past the sensors and things. | 0:03:19 | 0:03:24 | |
-Mr Meyers, where are your sensors and things? -Over here. You'd like to see? | 0:03:24 | 0:03:31 | |
-We'll follow you. -Would you... Oh, sorry...This way. | 0:03:31 | 0:03:36 | |
Everything was fine this morning. No pictures on the video monitors, no alarms... | 0:03:36 | 0:03:43 | |
-What about the time locks? -Open. But I don't see how. Somebody made them think it was time to open... | 0:03:43 | 0:03:51 | |
There was an acetylene torch, but it wasn't used. | 0:03:51 | 0:03:55 | |
-It's impressive equipment. You're the only one who can operate it? -Me?! I don't know anything about it. | 0:03:55 | 0:04:02 | |
-Well, who does? -The management company. I just flip the switches. | 0:04:02 | 0:04:08 | |
-OK. We'll do an inventory here. -I've been years in retail. I could help. | 0:04:08 | 0:04:15 | |
Thanks, but give us a little time. | 0:04:15 | 0:04:17 | |
-We'll let you know. -If you need help... -Don't touch anything! | 0:04:17 | 0:04:23 | |
-How could somebody smart enough to dance through the security, leave the scene like this? -Yeah. | 0:04:26 | 0:04:33 | |
The DA ought to cite him for littering. | 0:04:33 | 0:04:39 | |
The torch may be traceable. We have a perfect thumbprint for forensics. | 0:04:39 | 0:04:45 | |
A tie-tack was found near the vault. | 0:04:45 | 0:04:49 | |
And a piece of paper with a number on it. Meyers doesn't recognise it. | 0:04:49 | 0:04:54 | |
What do you feel about Meyers? | 0:04:58 | 0:05:00 | |
An inside job? I doubt it. I think he has trouble tying his shoes(!) | 0:05:01 | 0:05:06 | |
-Yeah! So we're done here? -That's it. | 0:05:06 | 0:05:10 | |
-How is it with Isbecki on vacation? -Quiet. -five days alone with Bon-Bon in the Bahamas...some vacation. | 0:05:10 | 0:05:18 | |
-He took a large bottle of Vitamin E with him. -Will that be enough? | 0:05:18 | 0:05:24 | |
No, ma'am. Not yet. | 0:05:24 | 0:05:26 | |
What do you remember? | 0:05:27 | 0:05:30 | |
You scratched 'Rosebud' on the toaster oven. | 0:05:30 | 0:05:35 | |
Thank you for your clue, Mrs Vallente. | 0:05:35 | 0:05:38 | |
I'll call back if...as soon as I have something, yes...Bye, now. | 0:05:38 | 0:05:46 | |
-Why don't you ask her to stop bugging you? -We got friendly. I gave her some recipes. | 0:05:50 | 0:05:58 | |
You're such a tough cop! | 0:06:01 | 0:06:03 | |
Your attention! I've an announcement. | 0:06:05 | 0:06:09 | |
The Fairbanks Tower case is solved! | 0:06:09 | 0:06:13 | |
Solved?! Who did it? | 0:06:13 | 0:06:16 | |
-We did it! -Pardon, sir? | 0:06:16 | 0:06:18 | |
We knocked over the Fairbanks Tower. WE did! The entire 14th Squad! | 0:06:18 | 0:06:25 | |
According to the forensics report, just delivered to me right now, | 0:06:25 | 0:06:28 | |
we did it. Every bit of evidence can be traced to this Squad. | 0:06:28 | 0:06:33 | |
For example, the acetylene torch, traced by purchase order, delivered to one MB Lacey. | 0:06:33 | 0:06:41 | |
The number on the piece of paper is a payroll number of the NYPD | 0:06:43 | 0:06:48 | |
belonging to Ronald Coleman. | 0:06:48 | 0:06:51 | |
The desk guard at the Fairbanks Tower has a signature in the book he can't account for. | 0:06:51 | 0:06:58 | |
The name is Marcus Petrie. | 0:06:58 | 0:07:01 | |
The thumbprint they ran through the computer. Guess what? | 0:07:02 | 0:07:07 | |
It didn't turn up a known felon. | 0:07:07 | 0:07:10 | |
It turned up Victor Isbecki, Detective 3rd Grade, the 14th Squad. | 0:07:10 | 0:07:16 | |
-Isbecki had an alibi. He's away. -Oh, no. | 0:07:16 | 0:07:20 | |
You're the only one NOT implicated. | 0:07:20 | 0:07:23 | |
-Is that the inventory, sir? -Yes. | 0:07:23 | 0:07:26 | |
Well, could I see it please? | 0:07:26 | 0:07:29 | |
-What about the tie-tack? -It's mine! | 0:07:30 | 0:07:34 | |
It was given me at my 10-year party. I was there. | 0:07:34 | 0:07:39 | |
-I have something. -What? | 0:07:39 | 0:07:41 | |
It was a present. | 0:07:44 | 0:07:46 | |
Where from? Came by messenger. | 0:07:47 | 0:07:51 | |
-Sir? -What? -There must be... some kind of an explanation, sir. | 0:07:51 | 0:07:54 | |
-Somebody is trying to make us look monkeys! -Albert Grand. | 0:07:58 | 0:08:04 | |
-What? -Who else would've thought this whole thing up? | 0:08:04 | 0:08:10 | |
Albert Grand? | 0:08:10 | 0:08:12 | |
It's got to be! Who else would have had the unmitigated style to do it?! | 0:08:12 | 0:08:20 | |
Well, go find out. All of you. NOW! | 0:08:23 | 0:08:28 | |
He's back! | 0:08:34 | 0:08:36 | |
-I'll hold. Where's the file? -Here. | 0:08:41 | 0:08:44 | |
-While you're on hold...this yours? -My appointment book! Where...? | 0:08:50 | 0:08:55 | |
Marcus, follow-up on the aliases. | 0:08:55 | 0:08:59 | |
I'm sorry...What? OK. Now go. On the 23rd? | 0:08:59 | 0:09:04 | |
-Thank you. -So? -Interpol has a positive sighting of Grand... in Egypt! | 0:09:07 | 0:09:11 | |
-That rules him out. -Old info? | 0:09:11 | 0:09:14 | |
He burgled a Cairo hotel last night. | 0:09:14 | 0:09:19 | |
Still active, then. | 0:09:19 | 0:09:21 | |
No... | 0:09:21 | 0:09:23 | |
Albert Grand could fix it. | 0:09:23 | 0:09:27 | |
-10-1 it's him. -20-1, maybe. | 0:09:27 | 0:09:31 | |
-Call it a night? -I got to get out. | 0:09:31 | 0:09:35 | |
Have a nice time tonight. | 0:09:37 | 0:09:39 | |
Wait till I tell Hollister what a big spender I thought he was! | 0:09:40 | 0:09:44 | |
Albert Grand is the absolute last of the great ones. World-class! | 0:09:47 | 0:09:53 | |
I've a feeling in my guts, he's here. | 0:09:54 | 0:09:58 | |
-I can see that! -Ha! | 0:09:58 | 0:10:02 | |
His audacity! To implicate the detectives getting the case! | 0:10:02 | 0:10:08 | |
-Christine? -Huh? Yes? | 0:10:08 | 0:10:12 | |
-Uh. Look. This is our first date. -Uh-huh. | 0:10:12 | 0:10:17 | |
When I was thinking about how this evening was going to turn out, | 0:10:17 | 0:10:22 | |
I was imagining talking to each other about our families, about movies... | 0:10:22 | 0:10:29 | |
You do talk about those things, too? | 0:10:29 | 0:10:33 | |
Yes! Sorry, Steven. | 0:10:33 | 0:10:38 | |
As of this moment, I'm off-duty! | 0:10:38 | 0:10:42 | |
Great! | 0:10:42 | 0:10:44 | |
-Steven? Excuse me a moment? -Of course. | 0:11:11 | 0:11:15 | |
I have to go arrest somebody. | 0:11:18 | 0:11:21 | |
Christine, my dear. How splendid to see you again. | 0:11:27 | 0:11:32 | |
-Hello, Mr Grand. -Albert, please. | 0:11:32 | 0:11:36 | |
-What's going on? -Glass of champagne? | 0:11:36 | 0:11:41 | |
-No, thanks. -But you're not on duty. | 0:11:41 | 0:11:45 | |
How did you know I'd be here? My appointment book! | 0:11:45 | 0:11:51 | |
-You took it. -Won't you sit down? | 0:11:51 | 0:11:55 | |
Just for a moment. | 0:11:55 | 0:11:58 | |
I think you'll find this vintage... | 0:11:58 | 0:12:00 | |
-rather amusing. -Thank you. | 0:12:00 | 0:12:03 | |
You are under arrest. You have the right to remain silent... | 0:12:15 | 0:12:21 | |
-Silence is fundamentally boring. -Did you hear what I said? -I did. | 0:12:23 | 0:12:29 | |
I still hear well. But I am a bit confused. Whatever would you arrest me for? | 0:12:29 | 0:12:36 | |
The Dunhill Hotel job for openers. | 0:12:36 | 0:12:40 | |
I came this close to getting you. You said so yourself. | 0:12:40 | 0:12:45 | |
-I'm taking you in for it now! -Really?! | 0:12:45 | 0:12:49 | |
You have new evidence in the case? | 0:12:49 | 0:12:52 | |
All right. I'm going to take you in for questioning about the Fairbank Towers job last night. | 0:12:54 | 0:13:00 | |
The evidence in that case would seem to lead in other directions. | 0:13:00 | 0:13:06 | |
-How do you know that? -Christine! | 0:13:06 | 0:13:09 | |
You wouldn't put a man my age through such an inconvenience, | 0:13:09 | 0:13:12 | |
without having more than a grudge? | 0:13:12 | 0:13:18 | |
I'm sorry. I'm taking you downtown just the same. You may have handcuffs...or not. | 0:13:18 | 0:13:26 | |
Perhaps I missed something. What was the specific charge again? | 0:13:26 | 0:13:32 | |
There's some people who'd like to see you about Cairo. | 0:13:36 | 0:13:39 | |
Very good, my dear. First class! | 0:13:41 | 0:13:45 | |
Shall we?! | 0:13:45 | 0:13:47 | |
-Cagney! > -Lieutenant! | 0:13:52 | 0:13:55 | |
-Evening, Mitchell. -Albert. | 0:13:55 | 0:13:57 | |
I was summoned! Did she arrest you? | 0:13:57 | 0:14:00 | |
-We dispensed with the formalities. -This is Mr Grand's attorney. > | 0:14:00 | 0:14:06 | |
How did he get here? | 0:14:06 | 0:14:09 | |
-Detective? Steve Hollister. -My date. | 0:14:09 | 0:14:14 | |
-Albert, sign this. -Wait! | 0:14:14 | 0:14:17 | |
Wait a minute! | 0:14:17 | 0:14:19 | |
Lieutenant! | 0:14:19 | 0:14:21 | |
If there's nothing further... You're free to go. | 0:14:22 | 0:14:28 | |
WAIT! | 0:14:28 | 0:14:30 | |
I have questions I'd like to ask. | 0:14:30 | 0:14:33 | |
-No, you haven't. -Yes, I have. | 0:14:33 | 0:14:38 | |
There's an Interpol APB out on him. | 0:14:38 | 0:14:40 | |
Cagney. Mr Grand's passport. | 0:14:40 | 0:14:45 | |
The Customs stamp clarifies | 0:14:45 | 0:14:49 | |
he entered this country before the Cairo affair. | 0:14:49 | 0:14:54 | |
I'm so sorry. | 0:14:56 | 0:14:59 | |
Let me take you out for that champagne...and your friend. | 0:14:59 | 0:15:04 | |
-No, thank you. -Another time. | 0:15:04 | 0:15:07 | |
Certainly. | 0:15:07 | 0:15:10 | |
Au revoir. Goodbye, lieutenant. | 0:15:10 | 0:15:15 | |
Hollister, leave us alone a second, will you? | 0:15:15 | 0:15:19 | |
-Cagney. -Huh? -I want this guy. -Uh-huh. | 0:15:19 | 0:15:23 | |
He is not going to make monkeys of us. | 0:15:23 | 0:15:27 | |
-He is not walking out of here with full pockets, do you hear me? -Yes. | 0:15:27 | 0:15:34 | |
-Don't stand around. Follow him. -Yes, sir. | 0:15:34 | 0:15:37 | |
-Interesting date! -Steven, I'm sorry! | 0:15:37 | 0:15:41 | |
-I'm following him. Can you get a cab? -Let me come, too! -You can't come on a tail! It's... | 0:15:41 | 0:15:48 | |
I know you might want to follow me. | 0:15:48 | 0:15:51 | |
The hour is so late, I thought I'd save you the bother. | 0:15:51 | 0:15:56 | |
The Fairbanks Tower, suite 34A. | 0:15:56 | 0:16:00 | |
And good night. | 0:16:00 | 0:16:03 | |
That guy's some piece of work. | 0:16:03 | 0:16:05 | |
WHISTLES | 0:17:23 | 0:17:27 | |
-GRAND'S VOICE: -I hope you enjoy the wine. | 0:17:46 | 0:17:51 | |
Please keep the pin. The statute of limitations ran out years ago. | 0:17:52 | 0:17:57 | |
-Here's another. -A known associate? | 0:18:04 | 0:18:07 | |
-He was the Saucon Valley driver. -I'll list him. | 0:18:07 | 0:18:11 | |
-We disturbing you?(!) -I'm rereading his book. | 0:18:11 | 0:18:16 | |
-You think you'll trip him up by reading it? -Leg-work won't catch him. We tried it. | 0:18:16 | 0:18:23 | |
-I've run down five of the fences he's used in the past. -Good news? | 0:18:23 | 0:18:28 | |
Three in jail, one abroad and one's got religion. | 0:18:28 | 0:18:33 | |
Maybe we should try a prayer. | 0:18:33 | 0:18:36 | |
Miss Le Chocolate is looking for Isbecki. | 0:18:38 | 0:18:41 | |
Is there something wrong, Miss? | 0:18:44 | 0:18:46 | |
I've been trying to reach Victor since Monday, and there's no answer. He's not in his apartment. | 0:18:48 | 0:18:54 | |
Oh. | 0:18:56 | 0:18:58 | |
I'm awfully worried. Did...er, something happen to him? | 0:18:58 | 0:19:05 | |
Victor? To Victor? | 0:19:05 | 0:19:08 | |
You know, was he wounded in action? | 0:19:08 | 0:19:11 | |
-Is there something I should know? -Miss Le Chocolate, please sit down. | 0:19:11 | 0:19:18 | |
-Victor is... -Working undercover. | 0:19:18 | 0:19:23 | |
Yeah. | 0:19:24 | 0:19:25 | |
-You mean he's OK? -It's sensitive. | 0:19:27 | 0:19:31 | |
We don't even know where he is. | 0:19:31 | 0:19:35 | |
-It's top secret. -Oh! | 0:19:35 | 0:19:38 | |
Thank God! | 0:19:42 | 0:19:43 | |
I'm sorry. I just...uh... | 0:19:47 | 0:19:51 | |
Victor being a cop and all... you get worried. | 0:19:51 | 0:19:56 | |
Of course. | 0:19:56 | 0:19:58 | |
As soon as he's finished his assignment, he'll be in touch. | 0:19:59 | 0:20:03 | |
Thank you. | 0:20:04 | 0:20:06 | |
-Take it slow. -Thank you very much. | 0:20:10 | 0:20:13 | |
-How could you lie like that? -What are partners for? | 0:20:15 | 0:20:19 | |
I'll kill him. | 0:20:21 | 0:20:23 | |
-Why's Isbecki told everyone he's in the Bahamas with her? -No idea. | 0:20:23 | 0:20:29 | |
What do you do with Grand's brooch? | 0:20:29 | 0:20:32 | |
Part of the Monte Carlo Casino job in '55. It's being returned. | 0:20:32 | 0:20:38 | |
-Why doesn't he just buy you something? -Because he's Grand! | 0:20:38 | 0:20:42 | |
-We got another jewellery job. -Where? | 0:20:42 | 0:20:45 | |
-Van De Voors Company. -Diamond mines? -Yeah. | 0:20:45 | 0:20:52 | |
SOUTH AFRICAN ACCENT: Can you keep this out of the papers? | 0:20:52 | 0:20:57 | |
The two officers outside were not... helpful. | 0:20:57 | 0:21:01 | |
-It'd be 'helpful' if we find out who did it. Right? -Yes, of course. | 0:21:01 | 0:21:08 | |
-They really messed up your place, Mr Hermann. -Yes, out here. | 0:21:08 | 0:21:13 | |
This is a list of the missing items. | 0:21:14 | 0:21:18 | |
Fortunately, the only good piece was in my private safe. | 0:21:18 | 0:21:23 | |
We'll see the safe, if you don't mind. | 0:21:23 | 0:21:27 | |
-Even if you do mind(!) -Of course. This way. | 0:21:27 | 0:21:33 | |
You see? | 0:21:48 | 0:21:51 | |
The tiara's worth 350,000 American. I only showed it to a buyer. | 0:21:51 | 0:21:58 | |
-Security telephone, right? -Yes. -It's a handy place for it. | 0:21:58 | 0:22:03 | |
-This morning the safe had not been tampered with? -Correct. | 0:22:03 | 0:22:09 | |
-All the damage and trashing was outside? -Yes. | 0:22:09 | 0:22:14 | |
-Mary Beth? -What? | 0:22:14 | 0:22:17 | |
"Diamonds Are Forever" Ian Fleming. New York Public Library. | 0:22:17 | 0:22:23 | |
-Does this belong to you? -Certainly not. | 0:22:23 | 0:22:26 | |
Albert Grand left it. | 0:22:28 | 0:22:31 | |
The cameras didn't record. > | 0:22:33 | 0:22:35 | |
Undercarpet sensors didn't register. | 0:22:35 | 0:22:39 | |
All that was taken was display stuff. | 0:22:39 | 0:22:42 | |
Why take that trouble and not take the tiara? | 0:22:42 | 0:22:46 | |
Cagney thinks it's a calling card. Like the book. | 0:22:46 | 0:22:50 | |
-We know he's here already! -I know. | 0:22:50 | 0:22:54 | |
The library card address is phoney. | 0:22:54 | 0:22:56 | |
-The name was Arsene Lupin. -Albert Grand! | 0:22:56 | 0:23:01 | |
Did I miss something? | 0:23:04 | 0:23:06 | |
Gentleman burglar, super sleuth. Creation of writer, Maurice Leblanc. | 0:23:06 | 0:23:12 | |
Some sense of humour(!) | 0:23:12 | 0:23:16 | |
Where's the list of his movements? | 0:23:16 | 0:23:18 | |
Under your right hand. | 0:23:18 | 0:23:20 | |
We know he IS staying at the Fairbanks Tower. | 0:23:23 | 0:23:29 | |
He'd a haircut, went to Tiffany's. | 0:23:29 | 0:23:32 | |
Forget that. | 0:23:32 | 0:23:35 | |
-Then a doctor's. -Yes? -Internal one. | 0:23:35 | 0:23:38 | |
-You talked to him? -I tried. | 0:23:40 | 0:23:43 | |
He quoted doctor-patient confidentiality. | 0:23:43 | 0:23:47 | |
-Maybe it was just a regular check. -OK. | 0:23:47 | 0:23:51 | |
Then he goes to Bloomingdale's. | 0:23:51 | 0:23:54 | |
-Uh-oh. -That's right! That's where we lost him. | 0:23:54 | 0:23:59 | |
Until he returns to Fairbanks Towers in a horse-drawn hansom cab! | 0:23:59 | 0:24:06 | |
Could've been anywhere. | 0:24:06 | 0:24:09 | |
-Know what I think? -Sir? | 0:24:09 | 0:24:12 | |
I'm tired of this! | 0:24:12 | 0:24:15 | |
We've a watch on him, when HE wants. | 0:24:15 | 0:24:18 | |
Otherwise, he goes to Bloomingdale's and gives us the slip...like that! | 0:24:18 | 0:24:24 | |
-This guy's laughing at us! I'm going to call and ask for more men. -NO! | 0:24:24 | 0:24:29 | |
-It wouldn't be any help. -NO?! | 0:24:29 | 0:24:34 | |
-Go out and find something that does help. -Yes, sir. | 0:24:34 | 0:24:37 | |
STRING QUARTET PLAYS | 0:25:53 | 0:25:57 | |
My dear Christine. I'm so glad you could come. | 0:26:16 | 0:26:22 | |
A kind invitation...and so clever. 20:00 hours. 8 Strokes Of The Clock. Due date. | 0:26:22 | 0:26:29 | |
-I knew you could put it together, my girl. Champagne? -Of course, thanks. | 0:26:29 | 0:26:35 | |
Hello. | 0:26:35 | 0:26:37 | |
-I didn't dress for the occasion(!) -That's very smart...nice colours. | 0:26:40 | 0:26:45 | |
-They could play something else? -No, it's lovely. | 0:26:45 | 0:26:49 | |
It's Beethoven. The Razumovsky. | 0:26:49 | 0:26:52 | |
Opus 59, Number 1. The Adagio. | 0:26:52 | 0:26:55 | |
I must confess, I'm disappointed. | 0:27:03 | 0:27:05 | |
I hear you've sent the pin back. | 0:27:05 | 0:27:09 | |
-I hope it wasn't because you didn't like it. -No. On the contrary. | 0:27:09 | 0:27:14 | |
I had to return it. It was stolen. | 0:27:14 | 0:27:18 | |
Such a long time ago. And the insurance company paid up. | 0:27:18 | 0:27:23 | |
The way of the world. Nobody was hurt. | 0:27:23 | 0:27:27 | |
-The insurance company? -That's their job. | 0:27:27 | 0:27:32 | |
You think I see you as Robin Hood. | 0:27:32 | 0:27:35 | |
But he stole from the rich and gave to the poor. | 0:27:35 | 0:27:39 | |
-You steal from everybody and keep it. -I do NOT. | 0:27:39 | 0:27:43 | |
I have standards. | 0:27:43 | 0:27:45 | |
That was you in Cairo, wasn't it? | 0:27:48 | 0:27:50 | |
You're so good at police business. The best I've ever come across. | 0:27:52 | 0:27:58 | |
I think...if you had chosen | 0:27:59 | 0:28:02 | |
my way of life, you would have done rather well. | 0:28:02 | 0:28:05 | |
Why are you doing this? | 0:28:08 | 0:28:09 | |
If you're up to something, which you obviously are, why alert us like this? | 0:28:10 | 0:28:16 | |
Why don't you just strike and disappear without a trace? | 0:28:16 | 0:28:19 | |
I suppose it's not unlike the concept of Knight's Odds in chess. | 0:28:19 | 0:28:25 | |
-I'm not a chess player. -You are! One of the best I've ever played. | 0:28:25 | 0:28:30 | |
Oh, I brought this back. | 0:28:34 | 0:28:36 | |
-You won't want an overdue library book on your record. -Arsene Lupin. | 0:28:36 | 0:28:42 | |
-I bought your book, too. -Ah. -I thought you might sign it for me. | 0:28:47 | 0:28:52 | |
-I'd be delighted! -I enjoyed it very much. -It's a little out of date. | 0:28:52 | 0:29:00 | |
Although Chapter 11 holds up rather well, I believe. | 0:29:00 | 0:29:05 | |
Thank you for the inscription. | 0:29:12 | 0:29:15 | |
-And you're under arrest. -Oh, dear! I agree the writing is atrocious, but I didn't think it was criminal. | 0:29:15 | 0:29:23 | |
For breaking and entering. These aren't business hours. | 0:29:23 | 0:29:27 | |
-You rented the Public Library? -Only one room! | 0:29:34 | 0:29:38 | |
-I've never heard of that before. -A mere trifle. Easily arranged. | 0:29:44 | 0:29:50 | |
I'd like to give you something... something you felt you could keep. | 0:29:50 | 0:29:56 | |
Why not just buy me something?! | 0:29:56 | 0:30:00 | |
What a quaint idea! | 0:30:01 | 0:30:04 | |
-Morning. -Lacey, you've a visitor. | 0:30:15 | 0:30:19 | |
-It's not Mrs Vallente about her toaster oven, is it? -It's worse. | 0:30:20 | 0:30:25 | |
Thanks(!) | 0:30:26 | 0:30:28 | |
He's not undercover, is he? | 0:30:30 | 0:30:33 | |
He calls you the straight-shooter here. | 0:30:35 | 0:30:39 | |
I mean, you would never lie. | 0:30:42 | 0:30:44 | |
They made up the story, didn't they? | 0:30:44 | 0:30:48 | |
I don't know where he is. But there'll be a good reason that he didn't tell you. | 0:30:50 | 0:30:57 | |
-Is it someone he works with? -Huh? -The blonde? | 0:30:57 | 0:31:03 | |
Believe me, there's nothing between Victor Isbecki and my partner. | 0:31:03 | 0:31:10 | |
-I hate him! -Sure! | 0:31:10 | 0:31:13 | |
-Big, dumb...Polish cop! -Sure, he is. | 0:31:13 | 0:31:18 | |
-Ronald! -Don't get cute. What is it? | 0:31:36 | 0:31:40 | |
-You're a gambler, right? -So what? | 0:31:40 | 0:31:44 | |
What does it mean to give Knight's Odds in chess? | 0:31:44 | 0:31:49 | |
It's a handicap. | 0:31:49 | 0:31:51 | |
-One player starts with one Knight less. -Why? | 0:31:51 | 0:31:55 | |
A master player might offer it if he were playing a lesser player. | 0:31:55 | 0:32:01 | |
-A LESSER player?!! -Morning, Christine. | 0:32:05 | 0:32:10 | |
-What are you talking about? -He offered ME Knight's Odds! | 0:32:10 | 0:32:15 | |
He's toying with me. | 0:32:15 | 0:32:17 | |
-Knight's Odds? Who? -Albert Grand. | 0:32:17 | 0:32:22 | |
He hired the Public Library | 0:32:22 | 0:32:24 | |
-and a string quartet, and lured me there. -When? -Last night. | 0:32:24 | 0:32:30 | |
-Last night?! -All very civilised. Champagne, caviar and Beethoven. | 0:32:30 | 0:32:36 | |
And he did it all just to give me KNIGHT'S ODDS!! | 0:32:36 | 0:32:41 | |
You met Grand last night in the Library?! | 0:32:41 | 0:32:45 | |
Right. And I've been up all night reading his damn book again. | 0:32:45 | 0:32:50 | |
He let something drop about Chapter 11. | 0:32:50 | 0:32:54 | |
-I thought I could find it. Knights Odds! ME! -You're not making sense. | 0:32:56 | 0:33:00 | |
-Sit down and take a deep breath. -I don't want to breathe! | 0:33:00 | 0:33:03 | |
In and out...Slow. | 0:33:05 | 0:33:07 | |
BREATHES DEEPLY | 0:33:07 | 0:33:12 | |
OK. Start again. | 0:33:12 | 0:33:14 | |
Chapter 11 talks about magic tricks where the eye is sent over here, | 0:33:14 | 0:33:19 | |
when the trick's happening there. | 0:33:19 | 0:33:22 | |
Or the trick's already happened. | 0:33:22 | 0:33:25 | |
-You mean the rabbit's in the hat? -Right! | 0:33:25 | 0:33:29 | |
Harvey had an uncle that did magic tricks. | 0:33:29 | 0:33:33 | |
He'd find quarters in your ears! | 0:33:33 | 0:33:36 | |
-It wasn't Doug Henning. -Mary Beth! | 0:33:36 | 0:33:40 | |
-What? -You gave me an idea. Come on! | 0:33:40 | 0:33:44 | |
-Come ON! -I'm coming. | 0:33:49 | 0:33:52 | |
-Lieutenant? -Morning, Petrie. | 0:33:54 | 0:33:57 | |
These gizmos are really something. | 0:33:57 | 0:34:00 | |
A minute 40 and you get hot waffles and sausages! | 0:34:00 | 0:34:04 | |
We had one last Xmas. Helps with Lauren. | 0:34:04 | 0:34:09 | |
Lieutenant, I'm worried about Isbecki. | 0:34:09 | 0:34:12 | |
Isn't he in the Bahamas with the stripper? | 0:34:12 | 0:34:17 | |
So he told us, but she's showed up looking for him. | 0:34:17 | 0:34:21 | |
-You think he's something new going?! -I don't know. | 0:34:21 | 0:34:26 | |
His personal life's his own affair. | 0:34:26 | 0:34:30 | |
-I don't think he's in the Bahamas. I think he's in hospital. -Hospital? | 0:34:30 | 0:34:34 | |
-I found this in his in-box. -Insurance payment for hospital care. | 0:34:34 | 0:34:39 | |
-Did he tell you about a medical problem? -I tried calling his mother, | 0:34:39 | 0:34:45 | |
but I didn't want to worry her. | 0:34:45 | 0:34:47 | |
-Why would he make up a story about the Bahamas? -I've no idea. | 0:34:47 | 0:34:53 | |
-You know which hospital? -No, I'd like to run a check. | 0:34:53 | 0:34:58 | |
-You better do that. Keep me briefed. -Thank you, sir. | 0:34:58 | 0:35:02 | |
Wait, please. | 0:35:05 | 0:35:06 | |
Uh-huh. Hold that one moment. Thank you. | 0:35:11 | 0:35:14 | |
-This is really sensitive. -I'm sure it is. | 0:35:14 | 0:35:18 | |
-I wish you would not fiddle with it. -Mr Hermann, just give us a second. | 0:35:18 | 0:35:23 | |
-Hello! -What is that? | 0:35:25 | 0:35:28 | |
An electronic eavesdropping device. | 0:35:28 | 0:35:31 | |
-My God, the shipment. -What shipment? | 0:35:31 | 0:35:36 | |
I discussed the arrangements for the couriers of today's shipment of raw diamonds on that phone. | 0:35:36 | 0:35:42 | |
It's too late to change them. It's due in today. | 0:35:42 | 0:35:45 | |
-How much? -Six and one half million. But they are raw diamonds, you see. | 0:35:45 | 0:35:52 | |
-Well...? -See what, sir? | 0:35:52 | 0:35:56 | |
Finished gems...have identifying traits, uh...flaws, uh... | 0:35:56 | 0:36:00 | |
characteristics like...fingerprints. But...rough diamonds... | 0:36:00 | 0:36:06 | |
That is why the secrecy, the couriers. They're untraceable! | 0:36:06 | 0:36:12 | |
-When's it due in? -4:30. -Where? | 0:36:12 | 0:36:16 | |
Kennedy, Gate 36. Trans Allied Air. | 0:36:16 | 0:36:21 | |
-Let's go. -Try not to worry, sir. | 0:36:21 | 0:36:23 | |
I'm one step ahead. I'm gonna get him! | 0:36:23 | 0:36:28 | |
-You're talking about a 6,500,000 gamble. -I can nail him. | 0:36:28 | 0:36:33 | |
-He as much as said so. -Grand? | 0:36:33 | 0:36:35 | |
-Told you what? -He said he'd give me a gift I couldn't prove was stolen. | 0:36:35 | 0:36:40 | |
Like, uh...uncut diamonds. | 0:36:42 | 0:36:44 | |
It's a hell of a chance you want to take. | 0:36:49 | 0:36:52 | |
I know. I thought you could get Detective Inspector Knelman | 0:36:52 | 0:36:57 | |
to get the Van De Voors people to agree. | 0:36:57 | 0:37:00 | |
Could we have Leibowitz and Cross in case we have to front tail him? | 0:37:00 | 0:37:04 | |
-Lacey, would you mind? I want to talk to Cagney alone. -Certainly. | 0:37:07 | 0:37:12 | |
-Have you got your head screwed on? -I've very strong feelings on this. | 0:37:19 | 0:37:24 | |
-Remember what he did last time? -Yes, sir. | 0:37:24 | 0:37:28 | |
-I don't want a repeat. -It's different now. | 0:37:28 | 0:37:32 | |
-Different? This man's the best, Cagney. He's a master! -I know that. | 0:37:32 | 0:37:38 | |
But this time he's given me a leg up. I know I can nail him. | 0:37:38 | 0:37:44 | |
And I'm asking you to give me a shot at it. | 0:37:44 | 0:37:47 | |
You'll be behind that two-way mirror. | 0:37:54 | 0:37:57 | |
You can use walkie-talkies in there. | 0:37:57 | 0:38:00 | |
-What's the signal? -Whoever gets the courier will check the flash on his cap. | 0:38:00 | 0:38:06 | |
-Flash? -The insignia. -I got you. | 0:38:06 | 0:38:09 | |
-This way. Flight's on its approach. -Thanks. | 0:38:09 | 0:38:12 | |
Room 1409? Thank you. Would you connect me, please? | 0:38:12 | 0:38:17 | |
Victor? Oh, boy. | 0:38:20 | 0:38:22 | |
Victor? | 0:38:24 | 0:38:26 | |
Vic...Victor! | 0:38:26 | 0:38:28 | |
Victor, don't try disguising your voice. I know it's you. Yes. | 0:38:28 | 0:38:33 | |
Victor, what are you doing in the hospital? | 0:38:33 | 0:38:36 | |
Yeah. Victor! | 0:38:39 | 0:38:41 | |
Yes, I DO want to know! | 0:38:42 | 0:38:44 | |
Listen. I just spent hours trying to track you down, Victor! | 0:38:45 | 0:38:49 | |
Yes! Hang on a second. | 0:38:49 | 0:38:51 | |
-Sergeant? -It's OK. | 0:38:51 | 0:38:53 | |
The insurance. Yeah, the insurance form. Uh-huh. | 0:38:55 | 0:38:59 | |
Look, Bon-Bon was here yesterday. I told her you were undercover. | 0:39:00 | 0:39:06 | |
Well...uh...you'll think of something. | 0:39:08 | 0:39:11 | |
Vic...Victor. Would you please tell me why you're in the hospital? | 0:39:11 | 0:39:17 | |
No, I'm not going to laugh, Victor. Vic...Victor, I WON'T laugh! | 0:39:19 | 0:39:24 | |
I...I promise. | 0:39:24 | 0:39:27 | |
Oh, you're kidding. | 0:39:31 | 0:39:34 | |
Victor, why did you have to go through this whole charade | 0:39:37 | 0:39:39 | |
just because of a simple operation? | 0:39:39 | 0:39:41 | |
Oh, no... That's nonsense, Vic. Real men DO have haemorrhoids. | 0:39:45 | 0:39:51 | |
-Leibowitz, you in position? -10-4. | 0:39:51 | 0:39:54 | |
PUBLIC ANNOUNCEMENT: Flight number 126 is now arriving at Gate 36. | 0:39:54 | 0:40:01 | |
-There he is. -OK. We've our courier. | 0:40:01 | 0:40:04 | |
Male Caucasian. Six four. Beard, glasses, brown flight bag. Got him? | 0:40:04 | 0:40:11 | |
Got him. | 0:40:11 | 0:40:13 | |
PUBLIC ANNOUNCEMENT: Paging Dr Pinley. | 0:40:13 | 0:40:16 | |
Two couriers? We'll follow them both. | 0:40:16 | 0:40:21 | |
OK, we have a second courier. Uh...you stay on the tall guy. | 0:40:21 | 0:40:26 | |
-A woman in slicker and scarf. -10-4. | 0:40:26 | 0:40:29 | |
-You follow the fat one. Leibowitz the girl, and Cross the tall guy. -What about you? | 0:40:33 | 0:40:38 | |
-I just realised the rabbit's been in the hat all along. -What? | 0:40:38 | 0:40:44 | |
-It's over before it began! -Huh? | 0:40:44 | 0:40:48 | |
Just follow him. | 0:40:48 | 0:40:50 | |
Cross, take the tall guy. | 0:40:50 | 0:40:52 | |
Leibowitz, the girl. I'm on a fat man with a hat. | 0:40:52 | 0:40:57 | |
GRAND COUGHS | 0:41:14 | 0:41:16 | |
I should never have taken my Knights off the board for you! | 0:41:31 | 0:41:35 | |
Why, Albert? Why all those calling cards and the Knight's Odds? | 0:41:36 | 0:41:41 | |
Why this whole game? | 0:41:44 | 0:41:45 | |
I decided to have some fun. | 0:41:45 | 0:41:47 | |
And what could be more fun than matching wits with the best... | 0:41:49 | 0:41:55 | |
the best detective I've ever known! | 0:41:55 | 0:41:58 | |
It's an old man's... foolish conceit. | 0:41:58 | 0:42:02 | |
You used the security phone to change the flight the diamonds came on. | 0:42:34 | 0:42:40 | |
My Afrikaans is a...a trifle rusty. But it suffices. | 0:42:40 | 0:42:47 | |
The doctor you visited was just an internist. | 0:42:48 | 0:42:53 | |
Also one of the country's finest thoracic men. A delaying action. | 0:42:53 | 0:42:58 | |
-At best. -You knew all along. | 0:42:58 | 0:43:02 | |
I knew I would not live long enough to face jail. | 0:43:02 | 0:43:06 | |
It gave me a certain freedom. | 0:43:06 | 0:43:09 | |
-The valises? -A gesture. The last move of the King before Checkmate. | 0:43:09 | 0:43:15 | |
I haven't even got enough strength to get dressed. | 0:43:17 | 0:43:22 | |
I want to say something to you I've never said to anyone before. | 0:43:30 | 0:43:36 | |
I confess. | 0:43:39 | 0:43:40 | |
-This is ridiculous. You're a thief. -Think of me as an artist... -I do! | 0:43:50 | 0:43:56 | |
And an admirer. | 0:43:56 | 0:43:58 | |
I'm so GLAD that I've known you. | 0:44:00 | 0:44:03 | |
You won't keep these, now I've confessed. | 0:44:03 | 0:44:07 | |
Please...to remember me by. | 0:44:09 | 0:44:13 | |
Please. | 0:44:17 | 0:44:18 | |
It's beautiful, Albert. | 0:44:21 | 0:44:24 | |
-But I BOUGHT it! -You bought it?!! | 0:44:31 | 0:44:35 |