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Michael. | 0:01:30 | 0:01:31 | |
I'm not accusing anybody here, but we got missing cheese. | 0:01:31 | 0:01:36 | |
Embezzled mozzarella - | 0:01:36 | 0:01:37 | |
purchased Saturday at Battaglia's Deli, | 0:01:37 | 0:01:39 | |
suddenly vanished under mysterious circumstances. | 0:01:39 | 0:01:42 | |
You have any idea who the perpetrator might be? | 0:01:42 | 0:01:45 | |
No. | 0:01:45 | 0:01:46 | |
Michael. | 0:01:46 | 0:01:48 | |
How do you think we ought to proceed on a case like this? | 0:01:49 | 0:01:52 | |
-Well, I can go get some more. -That's a good idea. | 0:01:52 | 0:01:55 | |
Come on. | 0:01:55 | 0:01:56 | |
OK. It's 4:29 precisely. | 0:01:58 | 0:02:01 | |
You go straight there, come straight back. | 0:02:01 | 0:02:03 | |
Here is five dollars. I want the change. | 0:02:03 | 0:02:07 | |
And you've got exactly seven minutes from go. | 0:02:07 | 0:02:12 | |
Ready? Five... | 0:02:12 | 0:02:15 | |
..four, three, two, one... | 0:02:17 | 0:02:21 | |
Go! Michael! | 0:02:21 | 0:02:22 | |
SHE LAUGHS | 0:02:22 | 0:02:25 | |
BRAKES SCREECH | 0:02:56 | 0:02:59 | |
CAR DOOR OPENS | 0:02:59 | 0:03:01 | |
SHE GASPS | 0:03:09 | 0:03:11 | |
Michael... | 0:03:13 | 0:03:15 | |
Hey, stop! | 0:03:19 | 0:03:20 | |
Where are you going? | 0:03:20 | 0:03:22 | |
There's a child here! | 0:03:28 | 0:03:30 | |
How could he do a th...? | 0:03:30 | 0:03:32 | |
-I don't know, the guy just... -The guy pulled away. | 0:03:38 | 0:03:42 | |
Let me through, please. Let me through, I'm a police officer! | 0:03:42 | 0:03:44 | |
Let me in here please! Let me see. | 0:03:44 | 0:03:47 | |
-What colour was the car? -Mom! -I saw the guy, he looked like... | 0:03:48 | 0:03:51 | |
No, don't move that boy! | 0:03:51 | 0:03:53 | |
Michael! | 0:03:53 | 0:03:55 | |
Michael, get over here. | 0:03:55 | 0:03:56 | |
Listen, I want you to get upstairs as fast as you can, call | 0:03:56 | 0:03:59 | |
911 for the ambulance and speak slowly. | 0:03:59 | 0:04:01 | |
When you give the address, make sure they get it right. | 0:04:01 | 0:04:04 | |
OK, go, go! | 0:04:04 | 0:04:06 | |
Anton, all right. Everything is going to be all right. | 0:04:06 | 0:04:10 | |
-My boy! -Does everybody want to step back about ten steps? | 0:04:10 | 0:04:14 | |
Mrs Dashevski, a lot of times these things look worse than they are, | 0:04:14 | 0:04:17 | |
all right? So just talk to him, | 0:04:17 | 0:04:19 | |
make sure he doesn't move, all right? Make sure he doesn't move. | 0:04:19 | 0:04:21 | |
Ambulance is coming. OK. | 0:04:21 | 0:04:24 | |
Listen up, everybody. | 0:04:24 | 0:04:25 | |
Listen, I'm going to need to take your statements, | 0:04:25 | 0:04:28 | |
anybody who witnessed it, all right? | 0:04:28 | 0:04:30 | |
Let's just back up here, shall we? | 0:04:30 | 0:04:32 | |
You're going to be OK. You're going to be OK. | 0:04:32 | 0:04:36 | |
-Right, what's your name? -Dorothy. | 0:04:36 | 0:04:39 | |
Mary Beth, what were you doing questioning witnesses? | 0:04:39 | 0:04:41 | |
The doctor said you'd deliver early. | 0:04:41 | 0:04:43 | |
You're supposed to stay in your apartment with your feet up. | 0:04:43 | 0:04:46 | |
Harvey must have had a fit. | 0:04:46 | 0:04:47 | |
Harvey and the doctor did not see what I saw, Christine. | 0:04:47 | 0:04:50 | |
-So how's the kid? -I don't know yet. | 0:04:50 | 0:04:52 | |
Harvey took Mrs Dashevski to the hospital, | 0:04:52 | 0:04:55 | |
they said they'd call when they know something. | 0:04:55 | 0:04:57 | |
Then we probably shouldn't tie up the phone, it'd be wrong. | 0:04:57 | 0:04:59 | |
Listen, I'm so glad you were home. | 0:04:59 | 0:05:01 | |
-It was good to talk to somebody. -Yeah, well, take it easy, OK? | 0:05:01 | 0:05:04 | |
Yeah. And good luck with taking over night shift, Sergeant. | 0:05:04 | 0:05:07 | |
Hey, piece of cake, Mary Beth. | 0:05:07 | 0:05:09 | |
Running graveyard for two weeks will be like a vacation. | 0:05:09 | 0:05:12 | |
-KNOCK ON THE DOOR -I've got to go, there's somebody | 0:05:12 | 0:05:15 | |
-knocking at my door. -Uh-huh, mine, too. | 0:05:15 | 0:05:17 | |
You are so rude. | 0:05:21 | 0:05:22 | |
That was very rude. | 0:05:24 | 0:05:25 | |
I was trying to talk on the phone. | 0:05:26 | 0:05:28 | |
It's a little hard to ascertain the degree of inebriation | 0:05:28 | 0:05:30 | |
from a sixth-floor window, now wouldn't you agree, Mrs Lacey? | 0:05:30 | 0:05:34 | |
Detective Lacey, 14th squad. | 0:05:34 | 0:05:37 | |
I'm on leave, but I have an ID. | 0:05:37 | 0:05:38 | |
And no, I could not testify in a court of law that the | 0:05:38 | 0:05:41 | |
perpetrator was drunk, but he certainly appeared to be. | 0:05:41 | 0:05:45 | |
He is a male Caucasian, reddish hair, 45 to 50-years-old, | 0:05:45 | 0:05:48 | |
between five ten and six feet tall, approximately 160, 175 pounds. | 0:05:48 | 0:05:52 | |
He has got a beige three-quarter trench coat over a grey suit. | 0:05:52 | 0:05:55 | |
You got that? The vehicle said Toddson Properties on the side. | 0:05:55 | 0:05:58 | |
I have statements from several witnesses. | 0:05:58 | 0:06:00 | |
With a little hard work, we could get this guy behind bars | 0:06:00 | 0:06:03 | |
-in a couple of hours, am I right? -We already have him, Detective. | 0:06:03 | 0:06:05 | |
The driver dropped the dime on himself, | 0:06:05 | 0:06:07 | |
he called us from a pay phone. | 0:06:07 | 0:06:09 | |
-Mary Beth? -Excuse me. | 0:06:09 | 0:06:10 | |
-Mrs Dashevski, how is Anton? -The doctors, they could not tell me. | 0:06:12 | 0:06:17 | |
They say my Anton is still with... | 0:06:17 | 0:06:19 | |
In a coma, they don't know when he will come out of it. | 0:06:19 | 0:06:21 | |
He'll be OK, Mrs Dashevski. | 0:06:21 | 0:06:24 | |
Mrs Dashevski is going to get a couple of things. | 0:06:24 | 0:06:26 | |
Then I'm going to take you back to Queens General. | 0:06:26 | 0:06:28 | |
-Yeah, OK. -Excuse me. | 0:06:28 | 0:06:30 | |
There is a hearing at ten in the morning, Mrs Dashevski, | 0:06:30 | 0:06:32 | |
-you should be there if you can. -They got the man who hit your son. | 0:06:32 | 0:06:35 | |
The hearing is for him. | 0:06:35 | 0:06:37 | |
I'm sorry, I don't understand. | 0:06:37 | 0:06:39 | |
What is a hearing? | 0:06:39 | 0:06:41 | |
Don't worry, I'll go with you. I'll explain everything. | 0:06:41 | 0:06:45 | |
All I'm trying to say is that a guy who has had one too many is | 0:06:49 | 0:06:53 | |
not a criminal in the same sense as, say, an armed robber or a rapist. | 0:06:53 | 0:06:58 | |
Hey, if you haul me off in a body bag, it doesn't matter | 0:06:58 | 0:07:01 | |
if the weapon is a 38 Smith & Wesson or an '86 sedan, it is still murder. | 0:07:01 | 0:07:04 | |
-From the police viewpoint. -From anybody's viewpoint. | 0:07:04 | 0:07:07 | |
That guy was probably too bombed to know what he was doing. | 0:07:07 | 0:07:10 | |
He left a boy in the road to die! | 0:07:10 | 0:07:13 | |
The point is, | 0:07:13 | 0:07:14 | |
he did not intentionally set out to hurt anyone. | 0:07:14 | 0:07:16 | |
Oh, I see, you have a couple of shooters before you hit the road | 0:07:16 | 0:07:20 | |
and to hell with individual responsibility. | 0:07:20 | 0:07:22 | |
I mean, if anything happens, | 0:07:22 | 0:07:24 | |
it's just the other guy's tough luck, huh? | 0:07:24 | 0:07:26 | |
Excuse me, please. | 0:07:26 | 0:07:27 | |
I beg your pardon! | 0:07:32 | 0:07:33 | |
Drinking and driving is irresponsible, | 0:07:33 | 0:07:36 | |
stupid and dangerous, and I bet about 90% of the social drinkers | 0:07:36 | 0:07:40 | |
in this country have done it, including you. | 0:07:40 | 0:07:42 | |
When I drive, I always stop at two. | 0:07:43 | 0:07:46 | |
Maybe three. But when I get behind the wheel, | 0:07:48 | 0:07:50 | |
I make certain that I drive with extreme caution. | 0:07:50 | 0:07:52 | |
-You do, huh? -Yes, I do. -That's what they all say. | 0:07:52 | 0:07:55 | |
-Detective Monk Jack. -I told you, they call me the Monk. | 0:08:39 | 0:08:43 | |
The Monk, that's right. And Detective Wazowski. | 0:08:43 | 0:08:46 | |
The Mongoose. | 0:08:46 | 0:08:49 | |
The Monk and the Mongoose, of course. | 0:08:49 | 0:08:52 | |
-How are we tonight? -Okey. -Dokey. | 0:08:54 | 0:08:57 | |
Yes, I was going to tell you, your cheques are right here. | 0:08:59 | 0:09:04 | |
Actually, I'm glad you gentlemen came in because I wanted to say, I | 0:09:04 | 0:09:08 | |
know how difficult it is when there is somebody new, well, in charge. | 0:09:08 | 0:09:13 | |
Difficult for you already, Sergeant? | 0:09:13 | 0:09:16 | |
No, I meant, well, for you, Monk. | 0:09:16 | 0:09:18 | |
You've been in charge of this shift for what, a year now? | 0:09:18 | 0:09:21 | |
-18 months. -Right! | 0:09:21 | 0:09:24 | |
Well, being second whip, I will be doing the graveyard | 0:09:25 | 0:09:27 | |
shift for two weeks, familiarising myself with the routine. | 0:09:27 | 0:09:31 | |
And Detectives Isbecki and Petrie, also from days, | 0:09:31 | 0:09:34 | |
will be doing their rotation. | 0:09:34 | 0:09:36 | |
And I see no reason why we can't, well, all coexist in peace | 0:09:36 | 0:09:40 | |
-and harmony. -None that I can think of. | 0:09:40 | 0:09:42 | |
Excellent. | 0:09:42 | 0:09:44 | |
Have a nut. | 0:09:46 | 0:09:48 | |
Well, thank you. | 0:09:49 | 0:09:50 | |
THEY LAUGH | 0:09:53 | 0:09:55 | |
Oh, golly, golly. I love practical jokes. Uh-huh. | 0:09:57 | 0:10:00 | |
So let's try and make this experience as pleasant | 0:10:00 | 0:10:03 | |
as possible, shall we? | 0:10:03 | 0:10:04 | |
You continue with your routine | 0:10:04 | 0:10:07 | |
and I will certainly do nothing to interfere. | 0:10:07 | 0:10:09 | |
We have no routine to interfere with. | 0:10:09 | 0:10:11 | |
Well. | 0:10:13 | 0:10:15 | |
Whatever it is you do do, just continue to do it. | 0:10:15 | 0:10:18 | |
Okey-dokey? | 0:10:18 | 0:10:21 | |
-Okey... -Dokey! | 0:10:21 | 0:10:22 | |
THEY LAUGH | 0:10:22 | 0:10:26 | |
Eight million stories in the naked city and there go two of them. | 0:10:31 | 0:10:35 | |
I feel like I have already earned my next week's paycheck. | 0:10:35 | 0:10:38 | |
Patience, gentlemen, it is something we could all use more of. | 0:10:38 | 0:10:41 | |
Marcus, you shaved your moustache! | 0:10:41 | 0:10:43 | |
Yeah, I got tired of what it looked like. | 0:10:43 | 0:10:45 | |
-I hope that never happens to me. -I like it. | 0:10:45 | 0:10:48 | |
Looks good. | 0:10:48 | 0:10:50 | |
I never figured you for this kind of hobby, Cagney. | 0:10:50 | 0:10:52 | |
It's not a hobby, it's a present for my father. | 0:10:52 | 0:10:54 | |
He made one for me on my tenth birthday, | 0:10:54 | 0:10:57 | |
worked on it for months, every spare minute he had. | 0:10:57 | 0:10:59 | |
And he named her The Christine. | 0:10:59 | 0:11:02 | |
-So what happened to her? -I lost her when we moved. | 0:11:02 | 0:11:05 | |
I started this one in the hospital when I got shot. | 0:11:05 | 0:11:08 | |
Cagney, my paycheck is missing. | 0:11:08 | 0:11:10 | |
It's there, it's there, Isbecki, keep looking. | 0:11:10 | 0:11:13 | |
No, it's not, it's gone. | 0:11:13 | 0:11:15 | |
It can't be. | 0:11:15 | 0:11:17 | |
LAUGHTER | 0:11:17 | 0:11:19 | |
I am in charge, Mary Beth. | 0:11:28 | 0:11:30 | |
I am responsible for three paychecks and an arrest report, | 0:11:30 | 0:11:32 | |
-all of which are now missing. -Would you relax? They will turn up. | 0:11:32 | 0:11:36 | |
Why don't you go home and get some sleep. | 0:11:36 | 0:11:37 | |
Cos I'm wired, I had too much coffee. | 0:11:37 | 0:11:40 | |
Is that why I have the pleasure of your company? | 0:11:40 | 0:11:42 | |
No, I thought that a drive to Queens might relax me. | 0:11:42 | 0:11:46 | |
It may put you to sleep? | 0:11:46 | 0:11:48 | |
I think it is a lousy idea that you're going to this hearing, | 0:11:48 | 0:11:50 | |
-Mary Beth. -Don't start with me, Christine. | 0:11:50 | 0:11:52 | |
Sonja Dashevski needs me, and I am going to go. | 0:11:52 | 0:11:55 | |
-What about your baby? -I am not endangering this baby. | 0:11:55 | 0:11:58 | |
Excuse me. | 0:11:58 | 0:11:59 | |
Yeah. Hi. Mrs Dashevski, this is my partner, Christine Cagney. | 0:12:03 | 0:12:09 | |
-I'm almost ready to go. -How do you do? | 0:12:09 | 0:12:11 | |
-Mrs Lacey, I don't know what to do. -Why, what's wrong? Is it Anton? | 0:12:11 | 0:12:17 | |
No, still no changes since I left the hospital. | 0:12:17 | 0:12:22 | |
But the office of the District Attorney, | 0:12:22 | 0:12:26 | |
they say to me that this hearing, it has been cancelled. | 0:12:26 | 0:12:30 | |
They say the man who hurt my boy has made a...bargain? | 0:12:30 | 0:12:34 | |
Plea-bargain. | 0:12:34 | 0:12:36 | |
Yeah, a plea-bargain. | 0:12:36 | 0:12:39 | |
It's when the criminal makes a deal to be punished | 0:12:39 | 0:12:44 | |
for a lesser crime than he actually committed. | 0:12:44 | 0:12:48 | |
To bargain for justice? | 0:12:48 | 0:12:50 | |
Well, sometimes it's the only way that you can be sure | 0:12:50 | 0:12:53 | |
that someone is punished. | 0:12:53 | 0:12:55 | |
Yeah, only this time it is wrong. | 0:12:55 | 0:12:56 | |
-I'm going to do something about it. -You can stop it? | 0:12:56 | 0:12:58 | |
-Well, I can do the best I can. -Excuse me, Mrs Dashevski. | 0:12:58 | 0:13:01 | |
Would you excuse me just one moment? | 0:13:01 | 0:13:02 | |
I'd like to speak with Mary Beth. | 0:13:02 | 0:13:04 | |
-What do you think you're doing? -What is it look like I'm doing? | 0:13:06 | 0:13:09 | |
-I'm going down to Queens DA to give somebody help. -Remember the doctor? | 0:13:09 | 0:13:12 | |
Remember Harvey? | 0:13:12 | 0:13:13 | |
-Why don't you just turn it over to the 116? -Cos the 116 | 0:13:13 | 0:13:16 | |
-already rolled it over. -You're getting upset. | 0:13:16 | 0:13:18 | |
I'm not upset, you're upset. | 0:13:18 | 0:13:19 | |
And Harvey's upset, the doctor's upset, but I am not upset. | 0:13:19 | 0:13:22 | |
The DA has no right knocking down the charges against some crud | 0:13:22 | 0:13:25 | |
-like this. -You are not supposed to be going out. | 0:13:25 | 0:13:27 | |
I'm not going to let it happen, Christine. | 0:13:27 | 0:13:29 | |
-Thanks, Sergeant. -Not at all, Mrs Carver. | 0:13:33 | 0:13:35 | |
My daughter played a mean trick on this guy, | 0:13:36 | 0:13:39 | |
dug him out of the California desert where he was happy, | 0:13:39 | 0:13:42 | |
and send him to me in Queens where he is miserable. | 0:13:42 | 0:13:47 | |
She is going to USC Law School. | 0:13:47 | 0:13:51 | |
Wants to be a defence attorney. | 0:13:51 | 0:13:53 | |
I don't know, you try to raise them right | 0:13:53 | 0:13:55 | |
and somehow it turns out all wrong. | 0:13:55 | 0:13:56 | |
Uh-huh. | 0:13:56 | 0:13:58 | |
Look, Mrs Carver, Carl Toddson has had seven priors over ten years. | 0:13:58 | 0:14:02 | |
Eyewitnesses saw him drunk at the scene. | 0:14:02 | 0:14:04 | |
And now you want to knock a Driving While Intoxicated | 0:14:04 | 0:14:07 | |
down to a misdemeanour, why? | 0:14:07 | 0:14:09 | |
The case is wobbly. Your witnesses lack credibility. | 0:14:09 | 0:14:12 | |
In the first place, they were too far away. | 0:14:12 | 0:14:14 | |
Secondly, they are not experts. | 0:14:14 | 0:14:15 | |
His lawyer would slice them and dice them. | 0:14:15 | 0:14:17 | |
One of my eyewitnesses - an off-duty cop who happens to be | 0:14:17 | 0:14:20 | |
my partner - saw him leave the scene. | 0:14:20 | 0:14:22 | |
-His attorney said he went to search for a police car. -Oh, bull! | 0:14:22 | 0:14:25 | |
Wait, it gets better. | 0:14:25 | 0:14:28 | |
"In shock, he was unable to find the elusive police car, | 0:14:28 | 0:14:31 | |
"so he stopped at a pay phone and promptly called the Queen's PD." | 0:14:31 | 0:14:34 | |
Exactly, three miles from the accident, in a bar. | 0:14:34 | 0:14:38 | |
He failed the breathalyzer cold. | 0:14:38 | 0:14:40 | |
"According to his attorney, Toddson knocked back several martinis | 0:14:40 | 0:14:43 | |
"after calling the police - to steady his nerves. | 0:14:43 | 0:14:46 | |
"He claims he failed the breathalyzer | 0:14:46 | 0:14:49 | |
"for alcohol consumed after the accident." | 0:14:49 | 0:14:51 | |
Mrs Carver, if he can't sell this story to you and me, | 0:14:55 | 0:14:58 | |
-how is he going to sell it to a jury? -Ha! | 0:14:58 | 0:15:00 | |
There isn't a one of them who hasn't left a Christmas party | 0:15:00 | 0:15:03 | |
on rubbery legs. | 0:15:03 | 0:15:04 | |
Look, in six months, I retire. | 0:15:05 | 0:15:08 | |
Before that, over 1,000 DWIs will roll through this office. | 0:15:08 | 0:15:12 | |
I like to prosecute as many winners as I can, | 0:15:12 | 0:15:15 | |
the rest are a waste of time and energy. | 0:15:15 | 0:15:18 | |
That's my story, Sergeant. Now what is yours? | 0:15:18 | 0:15:21 | |
Why are you so interested in this case? | 0:15:21 | 0:15:23 | |
So, then what happened? | 0:15:23 | 0:15:26 | |
So then I brought up an Independent Reckless Act. | 0:15:26 | 0:15:29 | |
Perfect. Smart, Christine, you were really on your toes. | 0:15:29 | 0:15:32 | |
Yeah, I thought so. | 0:15:32 | 0:15:34 | |
Anyway, she went for it. | 0:15:34 | 0:15:35 | |
You find the witness who can testify that Toddson was too drunk to drive | 0:15:35 | 0:15:38 | |
before the accident, Carver will slam-dunk him. | 0:15:38 | 0:15:41 | |
She also will delay disposition of the case for three days. | 0:15:41 | 0:15:45 | |
-Three days? -Mm. | 0:15:45 | 0:15:48 | |
So the 116 better get on the stick. | 0:15:48 | 0:15:50 | |
That's not a lot of time to find that witness. Good night, Mary Beth. | 0:15:50 | 0:15:53 | |
-Hey. -Hi, honey. I left you a note. | 0:16:06 | 0:16:08 | |
There are leftover cannellonis warming up in the oven. | 0:16:08 | 0:16:11 | |
Harvey Jr is on the telephone | 0:16:11 | 0:16:12 | |
and Michael has got his nose in a comic book. | 0:16:12 | 0:16:14 | |
Remind them they said they'd do the dishes. | 0:16:14 | 0:16:16 | |
-Slow down, Mary Beth, what is going on? -I'm going to go see a bartender. | 0:16:16 | 0:16:19 | |
No, Mary Beth, you are not! | 0:16:19 | 0:16:21 | |
Harvey, Christine got us three days from the DA's office. | 0:16:22 | 0:16:26 | |
Now, it's not a lot of time to build the case, but the 116 | 0:16:26 | 0:16:29 | |
said that the drunken driver called from a Callahan's bar. | 0:16:29 | 0:16:32 | |
-Somebody else can build the case, you are building a baby. -Yeah. | 0:16:32 | 0:16:34 | |
Oh, yeah, we're so lucky, honey, we've got | 0:16:34 | 0:16:37 | |
the baby and we've got the boys, we've got each other. | 0:16:37 | 0:16:40 | |
Mrs Dashevski has only got her son. | 0:16:40 | 0:16:43 | |
And she doesn't know tonight whether her son is going to live or die. | 0:16:43 | 0:16:46 | |
And the 116 says they are too shorthanded to get somebody else, so... | 0:16:46 | 0:16:49 | |
Call this bartender, Mary Beth, ask him these questions over the phone. | 0:16:49 | 0:16:53 | |
That's not the same thing, Harvey, I've got to look in their faces. | 0:16:53 | 0:16:56 | |
You want to have this baby early? The doctor said it could happen. | 0:16:56 | 0:16:59 | |
Well, what do you want me to do, sit home? | 0:16:59 | 0:17:01 | |
Look, Mary Beth, it is my baby, too, | 0:17:01 | 0:17:03 | |
and you are going to wear yourself out. | 0:17:03 | 0:17:05 | |
Do you want to know what wears me out? | 0:17:05 | 0:17:06 | |
The thought of some man staggering back to his car with a boy | 0:17:06 | 0:17:09 | |
laying in the street. | 0:17:09 | 0:17:10 | |
It could have been Michael. | 0:17:10 | 0:17:12 | |
Yeah, I know. | 0:17:14 | 0:17:15 | |
There's a whole lot of things that could happen to | 0:17:18 | 0:17:20 | |
a kid in this city, Harvey, most of which I can't do anything about. | 0:17:20 | 0:17:24 | |
But I can get a drunken driver off the street. At least I could try. | 0:17:24 | 0:17:28 | |
It's hard, isn't it, being home all day? | 0:17:29 | 0:17:31 | |
Oh, honey, it's your slow season. | 0:17:32 | 0:17:34 | |
Your slow season is going to be over in a couple of weeks, | 0:17:34 | 0:17:38 | |
I bet you'll have about a million jobs. | 0:17:38 | 0:17:40 | |
-I mean, I can feel it getting warmer everyday. -Liar. | 0:17:40 | 0:17:43 | |
Look, I got an address here for a Callahan's bar. | 0:17:45 | 0:17:48 | |
Do you want to help me find it? | 0:17:48 | 0:17:50 | |
I got a better idea. | 0:17:54 | 0:17:56 | |
Yeah, my old man, used to take me to the fights all the time. | 0:17:58 | 0:18:03 | |
Saw you against Giardello, old Hammering Hank. | 0:18:03 | 0:18:05 | |
Let me ask you a question, who was the toughest guy you ever fought? | 0:18:05 | 0:18:09 | |
Giardello was tough. Hey, they're all tough. | 0:18:09 | 0:18:11 | |
You know, I am loving this little stroll down memory lane, | 0:18:11 | 0:18:15 | |
but you didn't come here to talk boxing, now did you? | 0:18:15 | 0:18:19 | |
-Officer. -No, you got me all wrong. | 0:18:19 | 0:18:22 | |
Harvey Lacey, that's me. See? | 0:18:22 | 0:18:24 | |
I'm a contractor, I'm not a cop. | 0:18:24 | 0:18:27 | |
But you are half right, I didn't come here to talk boxing. | 0:18:27 | 0:18:30 | |
Yesterday, a drunk driver hit my neighbour's kid. | 0:18:30 | 0:18:34 | |
He is still in a coma. | 0:18:34 | 0:18:35 | |
He is my son's age. | 0:18:37 | 0:18:38 | |
The driver called the cops from here, do you remember the guy? | 0:18:39 | 0:18:43 | |
I remember him. He came in to put in a call to his lawyer. | 0:18:43 | 0:18:46 | |
Was he drunk when he arrived? It's real important. | 0:18:46 | 0:18:50 | |
Maybe drunk, | 0:18:50 | 0:18:52 | |
maybe in shock. | 0:18:52 | 0:18:53 | |
Couldn't get enough coffee down him. | 0:18:53 | 0:18:56 | |
Then his lawyer calls him back | 0:18:56 | 0:18:57 | |
and the guy starts socking away vodka martinis. | 0:18:57 | 0:19:00 | |
And then he called the cops. | 0:19:00 | 0:19:01 | |
He even had a few more waiting for the cops. | 0:19:01 | 0:19:05 | |
I should have served the guy a bottle and a straw. | 0:19:05 | 0:19:08 | |
He drank like he had something to prove. | 0:19:08 | 0:19:10 | |
This one is going to widen the inspector's part. | 0:19:16 | 0:19:19 | |
Oops! Sorry. | 0:19:21 | 0:19:24 | |
-I got a message for you, Cagney. -I don't want to hear it. | 0:19:24 | 0:19:27 | |
I want slumber, I just want to go home. | 0:19:27 | 0:19:28 | |
Do you want this message or what? | 0:19:28 | 0:19:30 | |
-My brain and I are off duty. -Lacey called! | 0:19:30 | 0:19:32 | |
Said she needs you, sounded like an emergency. | 0:19:32 | 0:19:34 | |
What do you mean sounded like? | 0:19:34 | 0:19:36 | |
-Was it or wasn't it? -Sounded important, I didn't rate it. | 0:19:36 | 0:19:40 | |
Oh, dammit. Keep trying Lacey and tell her I'm on my way? | 0:19:43 | 0:19:47 | |
-Cagney, what the hell is this? -It is an arrow, Lieutenant. | 0:19:47 | 0:19:50 | |
-Is it time? -What? | 0:19:52 | 0:19:55 | |
Coleman said it was an emergency, I thought it was the baby. | 0:19:55 | 0:19:58 | |
I didn't say emergency. | 0:19:58 | 0:20:00 | |
I said very important. | 0:20:00 | 0:20:02 | |
Oh. I thought it was the baby. | 0:20:02 | 0:20:05 | |
All right, I'm here, so what is so important? | 0:20:07 | 0:20:10 | |
Well, Mrs Dashevski called this morning | 0:20:10 | 0:20:13 | |
and she said Anton came out of the coma. | 0:20:13 | 0:20:16 | |
Oh, that's terrific, huh? | 0:20:16 | 0:20:18 | |
Yeah, but they think he might have brain damage | 0:20:18 | 0:20:22 | |
and he has got to have special bone surgery on his left leg. | 0:20:22 | 0:20:26 | |
The doctor said it will cost a hell of a lot of money. | 0:20:26 | 0:20:28 | |
Well, at least there is | 0:20:28 | 0:20:29 | |
no-fault insurance in case Toddson tries to weasel out of it. | 0:20:29 | 0:20:32 | |
No, Christine, she doesn't have no-fault insurance. | 0:20:32 | 0:20:35 | |
No-fault insurance only goes up to 50,000. | 0:20:35 | 0:20:38 | |
Now, with the operations that Anton has got to have and therapy, | 0:20:38 | 0:20:41 | |
they said it could cost up to 100,000. | 0:20:41 | 0:20:44 | |
So? She can sue for pain and suffering, God knows she has a case. | 0:20:44 | 0:20:48 | |
Well, it's not foolproof, Christine, not until we get Toddson. | 0:20:48 | 0:20:51 | |
If he's in jail, they can make him pay still in a civil suit, | 0:20:51 | 0:20:54 | |
I checked. | 0:20:54 | 0:20:55 | |
What is this? | 0:21:03 | 0:21:04 | |
Huh? | 0:21:05 | 0:21:06 | |
You invited me over here just so I could do something for you. | 0:21:06 | 0:21:09 | |
It's not a lot, Chris. | 0:21:09 | 0:21:10 | |
I would do it myself, but Harv said it might snow and he made me | 0:21:10 | 0:21:13 | |
swear to stay in. | 0:21:13 | 0:21:15 | |
-It's one little thing. -I'm tired, I haven't had any sleep at all. | 0:21:15 | 0:21:19 | |
We only have two days left, Chris. | 0:21:19 | 0:21:21 | |
We? It isn't even our case. Forget it! | 0:21:21 | 0:21:23 | |
This will take you all of 45 minutes, no more. | 0:21:23 | 0:21:26 | |
Listen, Toddson said in his statement that he had | 0:21:26 | 0:21:28 | |
lunch at a place called The Marquee. | 0:21:28 | 0:21:30 | |
Go to The Marquee, talk to the bartender, | 0:21:30 | 0:21:32 | |
see if he remembers Toddson. | 0:21:32 | 0:21:34 | |
Oh, is that all? | 0:21:34 | 0:21:35 | |
Are you sure you don't want me to interview | 0:21:35 | 0:21:37 | |
all the regular clients? | 0:21:37 | 0:21:39 | |
Gee, that'd be great. | 0:21:39 | 0:21:40 | |
-You're obsessed, Mary Beth. -I am not obsessed. | 0:21:40 | 0:21:43 | |
I'm not the one that gets obsessed, you're the one that gets obsessed. | 0:21:43 | 0:21:46 | |
Hey, if it's an imposition, forget I asked. | 0:21:46 | 0:21:49 | |
Don't do that! Huh! | 0:21:49 | 0:21:51 | |
-If I don't go to the Marquee, you'll go, right? -I didn't say that. | 0:21:51 | 0:21:55 | |
Of course not, that would be way too obvious. | 0:21:55 | 0:21:57 | |
I just visited the Marquee. | 0:22:22 | 0:22:23 | |
Your boss had lunch there with | 0:22:23 | 0:22:25 | |
a Mr Provasoli prior to the accident. | 0:22:25 | 0:22:28 | |
He's from Boston. | 0:22:28 | 0:22:30 | |
He's interested in some income property. | 0:22:30 | 0:22:32 | |
I made the reservations. | 0:22:32 | 0:22:34 | |
Look, Mr Toddson did not intentionally hurt that boy. | 0:22:37 | 0:22:40 | |
He is not a criminal. | 0:22:40 | 0:22:41 | |
He's sick. | 0:22:41 | 0:22:43 | |
This is his seventh drunk driving charge in ten years, I think | 0:22:43 | 0:22:47 | |
your boss has a drinking problem and needs some help. | 0:22:47 | 0:22:49 | |
Maybe this is hard for you to understand, | 0:22:49 | 0:22:51 | |
but he happens to be a wonderful man. | 0:22:51 | 0:22:53 | |
After Mr Provasoli left, Mr Toddson went into the bar | 0:22:59 | 0:23:03 | |
and he had a drink with an attractive redhead. Mm. | 0:23:03 | 0:23:08 | |
I can't make out my own handwriting. What's her name? | 0:23:08 | 0:23:11 | |
I wouldn't know. | 0:23:12 | 0:23:13 | |
Listen, I have a lot of work to do | 0:23:15 | 0:23:16 | |
and I don't want to answer any more questions. | 0:23:16 | 0:23:19 | |
Well, they left in his car around 1:30, the accident | 0:23:19 | 0:23:22 | |
occurred around 4:30. Where do you think he was for three hours? | 0:23:22 | 0:23:26 | |
I have no idea. I want you to leave now! | 0:23:26 | 0:23:29 | |
Look, I understand your being afraid of losing your job, | 0:23:29 | 0:23:32 | |
but you don't ever have to tell your boss that you talked to me. | 0:23:32 | 0:23:35 | |
I am not going to help you put Carl Toddson in jail. | 0:23:35 | 0:23:37 | |
Even if that is where he belongs? | 0:23:37 | 0:23:39 | |
Carl is my husband. | 0:23:42 | 0:23:44 | |
We have three kids. | 0:23:45 | 0:23:47 | |
Is this Chris Cagney I am talking to? | 0:23:56 | 0:23:59 | |
Chris Cagney who pushed me into worse long shots who knows how many | 0:23:59 | 0:24:02 | |
-times when it was something she wanted. -Well, thank you, Mary Beth. | 0:24:02 | 0:24:05 | |
You know, it is so nice to do somebody a favour | 0:24:05 | 0:24:07 | |
and then have them take pot-shots at your character. | 0:24:07 | 0:24:09 | |
-You're right, I'm sorry. -No, you're not, you're mad. | 0:24:09 | 0:24:12 | |
Because I think it's hopeless. | 0:24:12 | 0:24:14 | |
I'm mad because you want to give up and forget about it, | 0:24:14 | 0:24:16 | |
like everybody else. | 0:24:16 | 0:24:17 | |
Nobody can make the problem go away, so nobody should try. | 0:24:17 | 0:24:20 | |
-That is not what I said. -The DA wants to sweep it under the carpet, | 0:24:20 | 0:24:23 | |
the 116 is only looking for a quick conviction. | 0:24:23 | 0:24:26 | |
So what if Carl Toddson sometimes has a few too many | 0:24:26 | 0:24:28 | |
and then gets in his car? | 0:24:28 | 0:24:30 | |
-We've all been there ourselves, so what? -Wait a minute. | 0:24:30 | 0:24:32 | |
We've all seen cops go out | 0:24:32 | 0:24:33 | |
and get smashed right after they've arrested a drunk driver. | 0:24:33 | 0:24:36 | |
We all know cops and lawyers and judges who drive drunk, so big deal. | 0:24:36 | 0:24:41 | |
Too bad about that kid being in the hospital, though, right? | 0:24:41 | 0:24:44 | |
Mary Beth, you're not being very rational about this, | 0:24:44 | 0:24:47 | |
so I'm going to go home, OK? | 0:24:47 | 0:24:48 | |
Sure, you don't want to look at it either. | 0:24:48 | 0:24:50 | |
Three drinks, Christine, that's nothing for you, | 0:24:50 | 0:24:52 | |
but that's all it takes to be legally drunk. | 0:24:52 | 0:24:55 | |
What is that supposed to mean? | 0:24:59 | 0:25:00 | |
I got kids. I got a different point of view on drinking. | 0:25:02 | 0:25:05 | |
Oh, I see. | 0:25:05 | 0:25:08 | |
You don't drink and I do. | 0:25:08 | 0:25:09 | |
So that makes me one of those cops you were talking about? | 0:25:09 | 0:25:12 | |
-I didn't mean you personally. -The hell you didn't. | 0:25:12 | 0:25:15 | |
-You're overreacting. -And you talk before you think. | 0:25:15 | 0:25:18 | |
Let me tell you something. | 0:25:21 | 0:25:23 | |
Drinking does not a drunkard make. | 0:25:23 | 0:25:25 | |
I am very much aware of what I drink and how much I drink. | 0:25:25 | 0:25:28 | |
I am not irresponsible, I do not drive drunk | 0:25:28 | 0:25:30 | |
and I do not think that drunk drivers should get off lightly. | 0:25:30 | 0:25:34 | |
So the problem with my drinking is yours, Mary Beth. | 0:25:34 | 0:25:38 | |
Not mine. | 0:25:38 | 0:25:39 | |
Damn. | 0:25:47 | 0:25:49 | |
Nothing for me, thanks. Chris? | 0:25:51 | 0:25:53 | |
Sure, I'll have another Bloody Mary, please. | 0:25:53 | 0:25:56 | |
First time I ever saw you drink anything but scotch. | 0:25:58 | 0:26:01 | |
With the hours I'm keeping, this is breakfast. | 0:26:01 | 0:26:03 | |
Here's to the ladies who can hold their booze, whatever it is. | 0:26:03 | 0:26:07 | |
He's not Liberace, but at least he's having a great time. | 0:26:09 | 0:26:12 | |
Well, hey, if you can't have a good time, what's the point? | 0:26:12 | 0:26:16 | |
-These hours are catching up with you. -Hell no! | 0:26:16 | 0:26:19 | |
I love burning the candle at both ends, | 0:26:19 | 0:26:22 | |
working for my partner all day long and the city of New York all night. | 0:26:22 | 0:26:25 | |
It makes me feel needed, you know? | 0:26:25 | 0:26:27 | |
Relax. Just let it go for a while. | 0:26:27 | 0:26:30 | |
Must be my lucky day - | 0:26:30 | 0:26:32 | |
women who can hold their liquor are still in demand. | 0:26:32 | 0:26:35 | |
That was a compliment, Chris. | 0:26:35 | 0:26:37 | |
Are you trying to pick a fight? | 0:26:37 | 0:26:39 | |
I guess so. | 0:26:39 | 0:26:41 | |
-Sorry. -Hey, if it helps, I'll go a few rounds. | 0:26:42 | 0:26:44 | |
-Do you think I have a problem with booze? -No. | 0:26:52 | 0:26:55 | |
-You like to drink, so do I. -Yeah, I do. So do a lot of people. | 0:26:55 | 0:27:00 | |
Charlie really used to have a good time. | 0:27:03 | 0:27:06 | |
I remember when I was a little girl, I used to sit on his lap | 0:27:08 | 0:27:13 | |
and have some of his beer. | 0:27:13 | 0:27:15 | |
"Chrissy," he'd say, | 0:27:15 | 0:27:17 | |
"if you can't hold your liquor, you're not old enough to drink." | 0:27:17 | 0:27:20 | |
Which is sort of a funny thing to say to a kid. | 0:27:20 | 0:27:22 | |
I'm sure Charlie would tie one on every once in a while, but I... | 0:27:30 | 0:27:35 | |
I never really thought about it at the time. | 0:27:37 | 0:27:40 | |
I never noticed the progression. | 0:27:44 | 0:27:45 | |
And then one night, a few months after he retired, I get this call | 0:27:49 | 0:27:53 | |
from Flannery's and they tell me to come down and get him. | 0:27:53 | 0:27:56 | |
That was the first time I had to put Charlie to bed. | 0:28:01 | 0:28:04 | |
First of many. | 0:28:06 | 0:28:08 | |
I know the doctor is right, Charlie knows it too, he's an alcoholic. | 0:28:15 | 0:28:19 | |
It's a disease, you know? | 0:28:21 | 0:28:23 | |
The doctor said if he didn't lay off the booze, | 0:28:26 | 0:28:29 | |
one of two things could happen - you either go insane or you die. | 0:28:29 | 0:28:34 | |
They say it can run in the family. | 0:28:34 | 0:28:36 | |
Where did all of this come from? | 0:28:40 | 0:28:42 | |
I don't know. | 0:28:44 | 0:28:45 | |
You think a candelabra would help? | 0:28:50 | 0:28:53 | |
You know, you don't have to do this, honey. | 0:28:57 | 0:28:59 | |
It is not a major drug bust, | 0:28:59 | 0:29:01 | |
Mary Beth, I'm just going to find out the redhead's name. | 0:29:01 | 0:29:05 | |
-Harvey, I'm pushing too hard. -Huh? | 0:29:05 | 0:29:07 | |
Maybe I am pushing both you and Chris too hard. | 0:29:07 | 0:29:10 | |
-Not me, babe, I want to do it. -She was so mad, Harvey. | 0:29:10 | 0:29:14 | |
Chris'll get over it. | 0:29:14 | 0:29:16 | |
I mean, I didn't mean to upset her. | 0:29:18 | 0:29:19 | |
But I don't want to give up on this while there is still a chance. | 0:29:21 | 0:29:24 | |
I'm with you 100%. How do I look? | 0:29:24 | 0:29:27 | |
Is that that shirt your cousin Stanley gave you that you | 0:29:28 | 0:29:31 | |
promised you'd never wear? | 0:29:31 | 0:29:32 | |
It's perfect for The Marquee. | 0:29:32 | 0:29:34 | |
I hear it's a hot pick-up joint. | 0:29:34 | 0:29:36 | |
You need some gold chains, Harv. | 0:29:37 | 0:29:39 | |
Love that silk. Live alone? | 0:29:44 | 0:29:47 | |
-I'm just waiting for someone. -Aren't we all. | 0:29:47 | 0:29:49 | |
-You want to talk to me? -Oh, no. | 0:29:53 | 0:29:55 | |
Miss, look, I don't mean to be rude, but the only reason I'm here is | 0:29:55 | 0:29:57 | |
-because of my wife. -Yeah? That's kinky. -No, it's not, | 0:29:57 | 0:30:01 | |
I just want to talk to the day bartender. They told me to wait here. | 0:30:01 | 0:30:04 | |
OK, you're looking at the day bartender. | 0:30:04 | 0:30:07 | |
-What can I do for you? -You? | 0:30:07 | 0:30:10 | |
Tomorrow we get a name, the bartender promised. | 0:30:10 | 0:30:14 | |
She only knows this redhead by sight, right? | 0:30:14 | 0:30:17 | |
Yeah, but she's going to wait until she comes in and find out her name. | 0:30:17 | 0:30:20 | |
-Simple, huh? -Yeah, if the bartender is playing straight with you. | 0:30:20 | 0:30:23 | |
-Gave her 20 bucks to make sure. -20...? | 0:30:23 | 0:30:26 | |
Oh, I don't know if that was such a hot idea, Harv. | 0:30:26 | 0:30:29 | |
I thought cops do it all the time. | 0:30:29 | 0:30:31 | |
Only in the movies. | 0:30:31 | 0:30:33 | |
I mean, I could see five dollars maybe. | 0:30:33 | 0:30:37 | |
After she came through with the name. | 0:30:37 | 0:30:38 | |
Yeah, well, it's worth 20 bucks if we get that witness. | 0:30:38 | 0:30:42 | |
-Sleep tight, babe. -Yeah, you too. | 0:30:42 | 0:30:44 | |
-Tomorrow is a big day. -Uh-huh. | 0:30:53 | 0:30:57 | |
We get that witness and, pow, we nail Toddson. | 0:30:57 | 0:31:00 | |
Uh-huh. | 0:31:02 | 0:31:03 | |
-Boy, this police work, it's hard to turn off. -It's hard, Harv, but do it. | 0:31:09 | 0:31:14 | |
WATER DRIPPING | 0:31:22 | 0:31:26 | |
WATER DRIPPING STOPS | 0:31:33 | 0:31:35 | |
WATER DRIPPING | 0:31:35 | 0:31:38 | |
PHONE RINGS | 0:31:41 | 0:31:43 | |
-Hello. -Good morning. I wanted to catch you before you went to bed. | 0:31:46 | 0:31:50 | |
I hope you weren't asleep. | 0:31:50 | 0:31:51 | |
No, I wasn't, but that's sweet of you to ask. | 0:31:51 | 0:31:53 | |
Listen, Chris, about yesterday, I'm sorry | 0:31:53 | 0:31:55 | |
if you misunderstood what I said. | 0:31:55 | 0:31:57 | |
-What, that's supposed to be an apology? -Christine... | 0:31:57 | 0:32:00 | |
Forget it, OK, Mary Beth? It's over. | 0:32:00 | 0:32:02 | |
-All right? -If you say so. | 0:32:02 | 0:32:04 | |
I called to tell you that Harvey got a couple of leads. | 0:32:04 | 0:32:08 | |
Wonderful, congratulate him for me. | 0:32:08 | 0:32:11 | |
The first is the day bartender at The Marquee. | 0:32:11 | 0:32:13 | |
She may be able to identify the redhead. | 0:32:13 | 0:32:15 | |
But in case she doesn't pan out, | 0:32:15 | 0:32:17 | |
Harvey called one of his welders, Ramon. | 0:32:17 | 0:32:19 | |
Ramon tells Harvey that the reason The Marquee got to be such | 0:32:19 | 0:32:22 | |
a popular place is because the Adult Hideaway Motel | 0:32:22 | 0:32:25 | |
is right down the street. | 0:32:25 | 0:32:26 | |
-Very convenient for some people. -Let me guess, | 0:32:26 | 0:32:29 | |
you want me to go check them out. | 0:32:29 | 0:32:31 | |
Well, Harvey wanted to, but he had to take Michael to the dentist. | 0:32:31 | 0:32:35 | |
You wouldn't have to go until you wake up. | 0:32:35 | 0:32:37 | |
I'll try, OK, Mary Beth? | 0:32:37 | 0:32:40 | |
But in order to wake up, I have to go to sleep first. | 0:32:40 | 0:32:42 | |
-Good night, Mary Beth. -Thanks, Chris. | 0:32:42 | 0:32:44 | |
Good night. | 0:32:46 | 0:32:47 | |
The Adult Hideaway Motel. | 0:33:07 | 0:33:10 | |
KNOCK ON DOOR | 0:33:37 | 0:33:40 | |
Good morning. We are from the Jehovah's Witnesses... | 0:33:45 | 0:33:47 | |
Oh, I'm terribly sorry, you caught me at a bad time, | 0:33:47 | 0:33:50 | |
I am on my way to the Adult Hideaway Motel. Excuse me. | 0:33:50 | 0:33:53 | |
Yeah. Yeah, yeah, yeah. Mr Smith. | 0:33:58 | 0:34:02 | |
The last of the big tippers. | 0:34:02 | 0:34:05 | |
He sends me to the liquor store for a fifth, | 0:34:05 | 0:34:08 | |
tells me I could finish what he and the lady don't. | 0:34:08 | 0:34:10 | |
And what they don't finish could fit in a thimble. | 0:34:10 | 0:34:14 | |
-The lady, tell me about her. -Ah, a redheaded stallion. -A what? | 0:34:14 | 0:34:19 | |
I used to work burlesque. All the girls were classified in physique. | 0:34:19 | 0:34:23 | |
-Ah. -The tall ones were stallions and the short ones were ponies. | 0:34:23 | 0:34:28 | |
She wasn't no pony. | 0:34:28 | 0:34:30 | |
Well, did he call the stallion by name? | 0:34:32 | 0:34:34 | |
She wore a necklace with gold letters - | 0:34:36 | 0:34:38 | |
R, I, | 0:34:38 | 0:34:40 | |
T, A. | 0:34:40 | 0:34:43 | |
Rita. | 0:34:43 | 0:34:44 | |
-Chris, hey! -Harvey! -How are you doing? | 0:34:52 | 0:34:56 | |
-I thought you were at the dentist. -Great kid, Mikey, no cavities. | 0:34:56 | 0:34:59 | |
I wanted to get here as soon as I could, | 0:34:59 | 0:35:01 | |
the bartender promised me the name of Toddson's lady friend. | 0:35:01 | 0:35:04 | |
-But the bartender is a no-show. -Oh. | 0:35:04 | 0:35:08 | |
What brings you here? | 0:35:08 | 0:35:10 | |
The bellboy at the Hideaway Motel said that the woman's name is Rita | 0:35:10 | 0:35:13 | |
and that he brought her and Toddson a fifth, which they polished off. | 0:35:13 | 0:35:17 | |
-Rita. -Yeah. -Did you want to talk to me? -Yeah, hi. | 0:35:17 | 0:35:21 | |
I was here before. | 0:35:21 | 0:35:22 | |
I'm trying to find out about woman who was here on the 17th, | 0:35:22 | 0:35:25 | |
her name is Rita. | 0:35:25 | 0:35:27 | |
I'd like to look at your credit card receipts, | 0:35:27 | 0:35:29 | |
maybe I can find her last name. She may have picked up the tab. | 0:35:29 | 0:35:32 | |
I can't do that. | 0:35:32 | 0:35:33 | |
You were very helpful when I was in here the other day. | 0:35:33 | 0:35:36 | |
Yeah, well, I spoke to my lawyer, | 0:35:36 | 0:35:38 | |
and he reminded me about the General Obligation Law. | 0:35:38 | 0:35:40 | |
Customer drinks in here, goes out and hit somebody, I get sued? | 0:35:40 | 0:35:43 | |
No, this has nothing to do with the GOL. | 0:35:43 | 0:35:45 | |
I'm trying to find out how much he had to drink after he left here. | 0:35:45 | 0:35:49 | |
And I need your cooperation. | 0:35:49 | 0:35:50 | |
Get a subpoena, then you'll get my cooperation. | 0:35:50 | 0:35:52 | |
What if we get Beverage Control down here, to? | 0:35:52 | 0:35:54 | |
Have them take a long, hard look at your liquor licence. | 0:35:54 | 0:35:57 | |
Harvey, I'll handle this. | 0:35:57 | 0:35:58 | |
Don't threaten me, I run a clean business. | 0:35:58 | 0:36:00 | |
What does that mean, you wash your hands leaving bathroom? | 0:36:00 | 0:36:03 | |
-Harvey! -Listen, don't come in here and tell me what to do. | 0:36:03 | 0:36:05 | |
You listen, pal, you see that Lolita down there at the end of the bar? | 0:36:05 | 0:36:08 | |
The one wobbling on her high heels, talking to Daddy Warbucks there? | 0:36:08 | 0:36:11 | |
How old do you figure she is, maybe 16? 15? | 0:36:11 | 0:36:15 | |
I'm very sorry, he sometimes gets carried away. | 0:36:15 | 0:36:18 | |
I'm sure there is no reason why we can't discuss this calmly. | 0:36:18 | 0:36:21 | |
I got it - good cop, bad cop routine. You don't have to lean on me. | 0:36:21 | 0:36:24 | |
I'll give you whatever you want. | 0:36:26 | 0:36:28 | |
Boy, no wonder why you and Mary Beth love this. | 0:36:32 | 0:36:34 | |
It makes you feel like a million bucks. | 0:36:34 | 0:36:36 | |
-Yeah, sometimes. -So now we talk to Rita Quintero, huh? | 0:36:36 | 0:36:40 | |
Harvey, I really think maybe I should go alone. | 0:36:40 | 0:36:44 | |
I just think the woman will probably be very nervous. | 0:36:44 | 0:36:47 | |
-Yeah, and you don't want a rookie to blow it, right? -No. | 0:36:47 | 0:36:50 | |
Well... | 0:36:50 | 0:36:52 | |
Yeah. | 0:36:52 | 0:36:53 | |
Hey, for a rookie, you were OK. | 0:36:53 | 0:36:55 | |
Yeah. | 0:36:57 | 0:36:58 | |
I didn't have anything to do with the accident. | 0:36:59 | 0:37:02 | |
-I got out of the car three blocks from the motel. -Why? | 0:37:02 | 0:37:04 | |
Why do you think? | 0:37:04 | 0:37:06 | |
-He was smashed! -So you were afraid to stay in the car. | 0:37:06 | 0:37:09 | |
I was terrified. | 0:37:09 | 0:37:11 | |
I hadn't realised how drunk he was. | 0:37:11 | 0:37:14 | |
Every time I think about what happened, | 0:37:14 | 0:37:16 | |
I just thank God I got out. | 0:37:16 | 0:37:18 | |
That's all I want you to tell the DA. | 0:37:18 | 0:37:20 | |
You don't understand. | 0:37:20 | 0:37:22 | |
That afternoon was a big mistake. | 0:37:23 | 0:37:25 | |
My husband doesn't know anything about it. | 0:37:25 | 0:37:28 | |
I intend to keep it that way. | 0:37:28 | 0:37:30 | |
We need you to get this man off the streets. | 0:37:31 | 0:37:33 | |
Come on, Katie, let's go home. | 0:37:33 | 0:37:35 | |
We can subpoena you, Mrs Quintero. | 0:37:36 | 0:37:38 | |
Do you want that? | 0:37:38 | 0:37:39 | |
If you do, I will deny everything. | 0:37:42 | 0:37:44 | |
I will say that I never saw Carl before in my life. | 0:37:44 | 0:37:47 | |
We have eye witnesses who saw you with him. | 0:37:47 | 0:37:49 | |
If you can get them to testify, I will say they are mistaken. | 0:37:49 | 0:37:51 | |
It will be their word against mine. | 0:37:51 | 0:37:53 | |
Please, Mrs Quintero, your testimony is crucial. | 0:37:56 | 0:37:59 | |
Without it, we don't have a case. | 0:37:59 | 0:38:01 | |
Then you have no case. | 0:38:01 | 0:38:03 | |
Come on. | 0:38:03 | 0:38:05 | |
I was on my way to work, thought I would stop by. | 0:38:10 | 0:38:13 | |
Uh-huh. | 0:38:13 | 0:38:14 | |
Do you always go from SoHo to the precinct by way of Queens? | 0:38:14 | 0:38:18 | |
OK. I had this sudden flash that maybe... | 0:38:18 | 0:38:21 | |
..you were out of chocolate chocolate chip. | 0:38:22 | 0:38:25 | |
-Oh, Lord, chocolate chocolate chip. -Yeah. | 0:38:25 | 0:38:29 | |
-Thanks. -You're welcome. | 0:38:29 | 0:38:31 | |
-Where are Harvey and the boys? -They went out to bring me ice cream. | 0:38:35 | 0:38:38 | |
Can you believe it? | 0:38:38 | 0:38:39 | |
-Mary Beth, I tried with Rita Quintero. -I know. | 0:38:43 | 0:38:46 | |
I'm sorry it didn't work out. | 0:38:46 | 0:38:48 | |
You did your best, I appreciate it. | 0:38:48 | 0:38:51 | |
-Chris, about yesterday, I hated... -Maybe I overacted. | 0:38:53 | 0:38:56 | |
But sometimes, you know, you say things without really saying them. | 0:38:58 | 0:39:02 | |
Sometimes you hear things that aren't there. | 0:39:02 | 0:39:04 | |
Now, I don't want to fight about it, Chris. | 0:39:04 | 0:39:06 | |
You are a grown woman and how much you drink is none of my business. | 0:39:06 | 0:39:10 | |
-Dammit, see? There you go again. -Can we have a truce now? -No. | 0:39:10 | 0:39:13 | |
This is personal with me, and we will leave it at that. | 0:39:15 | 0:39:18 | |
-Maybe you didn't mean it, but you were out of line. -I apologise. | 0:39:20 | 0:39:24 | |
I accept. | 0:39:27 | 0:39:29 | |
Now we have a truce. | 0:39:29 | 0:39:31 | |
I got them! | 0:39:32 | 0:39:34 | |
Come on, could you give me a hand here, please? | 0:39:34 | 0:39:36 | |
OK, ship. | 0:39:36 | 0:39:38 | |
Careful. | 0:39:49 | 0:39:51 | |
Easy, easy. Back, back. | 0:39:57 | 0:39:59 | |
Tweezers. | 0:40:01 | 0:40:02 | |
Easy. You are too cerebral, let me do it, I'm an animal. | 0:40:02 | 0:40:06 | |
It's highly technical work, guys. | 0:40:07 | 0:40:10 | |
Not bad, huh? | 0:40:14 | 0:40:16 | |
Don't fake it. Come on, really pull here, will you? | 0:40:16 | 0:40:18 | |
-Thank you. -Ah, finally. | 0:40:23 | 0:40:25 | |
After two years before the mast, gentlemen, I give you The Charlie. | 0:40:27 | 0:40:32 | |
It's pretty, huh? | 0:40:36 | 0:40:38 | |
I had Lopez, the pawnbroker, engrave a brass plate. | 0:40:38 | 0:40:41 | |
Wait till you see it, it's great. It's great! | 0:40:41 | 0:40:43 | |
Yoo-hoo, Victor, Marcus, | 0:40:43 | 0:40:45 | |
you think you could come over here a moment, please? | 0:40:45 | 0:40:48 | |
Take a look behind the file cabinet. | 0:40:48 | 0:40:50 | |
-Our missing paychecks? -A rat's nest. | 0:40:52 | 0:40:54 | |
CHRIS SCREAMS | 0:40:54 | 0:40:57 | |
What is it? | 0:40:57 | 0:40:59 | |
Over there. A giant rat! | 0:40:59 | 0:41:02 | |
-Where? -At the door. -Banzai! -Don't shoot! | 0:41:02 | 0:41:06 | |
-Missed it. You missed it, it's over there. -Get out of the way! | 0:41:06 | 0:41:09 | |
No, no! | 0:41:09 | 0:41:11 | |
No! | 0:41:11 | 0:41:13 | |
GLASS SHATTERS | 0:41:14 | 0:41:16 | |
-I think you just stunned him. -Cuff him. Around the neck! | 0:41:25 | 0:41:29 | |
Two years. | 0:41:29 | 0:41:30 | |
All that work, all that time... | 0:41:34 | 0:41:37 | |
All that patience. | 0:41:39 | 0:41:41 | |
Don't take it so hard, Sergeant. | 0:41:41 | 0:41:43 | |
Come with me. | 0:41:43 | 0:41:45 | |
Come on. | 0:41:46 | 0:41:47 | |
You dirty rat! | 0:41:50 | 0:41:52 | |
I don't understand. | 0:42:05 | 0:42:07 | |
I used one of mine. | 0:42:14 | 0:42:16 | |
See, I've been on midnights five years now, | 0:42:16 | 0:42:19 | |
I can knock these suckers off with my eyes closed. | 0:42:19 | 0:42:22 | |
You wouldn't guess we'd have a lot in common. | 0:42:31 | 0:42:34 | |
If you didn't work nights, we could have lunch. | 0:42:40 | 0:42:42 | |
-Mrs Quintero? -Yes. | 0:43:18 | 0:43:20 | |
I'm Detective Lacey, 14 Squad. My partner, Sergeant Cagney, | 0:43:20 | 0:43:23 | |
-talked to you yesterday. -I already told her I can't help you. | 0:43:23 | 0:43:26 | |
I only need a few minutes of your time, is that asking too much? | 0:43:26 | 0:43:29 | |
We are talking about a child's life here. | 0:43:29 | 0:43:31 | |
Katie, honey, take this inside. | 0:43:33 | 0:43:36 | |
How often do I have to tell you, Detective? I can't help you. | 0:43:40 | 0:43:43 | |
I'm sorry. | 0:43:43 | 0:43:45 | |
Tell Anton Dashevski how sorry you are. He may have brain damage. | 0:43:46 | 0:43:50 | |
They don't know if he's ever going to walk right again. | 0:43:50 | 0:43:52 | |
Tell his mother how sorry you are. She's looking at her son | 0:43:52 | 0:43:54 | |
and looking at doctor bills the rest of her life. | 0:43:54 | 0:43:56 | |
Maybe next time that Carl Toddson gets in his car plastered | 0:43:56 | 0:43:59 | |
and maybe kills a kid, you could tell those parents how sorry | 0:43:59 | 0:44:01 | |
you are too, but don't apologise to me. | 0:44:01 | 0:44:03 | |
You make it sound like I'm guilty. | 0:44:03 | 0:44:05 | |
There are 10,000 children a year in this country | 0:44:05 | 0:44:07 | |
murdered by drunken drivers, you think it is not your problem? | 0:44:07 | 0:44:10 | |
It could have been my kid, it could have been yours! | 0:44:10 | 0:44:12 | |
What if it was? What if it was Katie? | 0:44:12 | 0:44:14 | |
How would you feel if you knew that somebody | 0:44:14 | 0:44:16 | |
could have kept her from getting hurt and did nothing? | 0:44:16 | 0:44:19 | |
Oh, lady, lady... | 0:44:19 | 0:44:22 | |
If I had another choice, I wouldn't do this to you. | 0:44:22 | 0:44:24 | |
But I don't know another way to make sure this man | 0:44:24 | 0:44:27 | |
doesn't hurt more children. | 0:44:27 | 0:44:29 | |
Now you can take a small risk and maybe do a lot of good. | 0:44:29 | 0:44:32 | |
Or else you can go ahead | 0:44:32 | 0:44:34 | |
and go inside your apartment, close the door | 0:44:34 | 0:44:36 | |
and let a criminal like Toddson keep getting away with it. | 0:44:36 | 0:44:39 | |
That's up to you. | 0:44:39 | 0:44:40 |