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-Hiya. -Hiya. | 0:02:12 | 0:02:14 | |
That nicer than the alarm? | 0:02:15 | 0:02:18 | |
Huh? | 0:02:20 | 0:02:22 | |
-What are you doing? -Listening for the baby. | 0:02:26 | 0:02:29 | |
-There's nothing to hear for months. -My kid's smart, a fast learner. | 0:02:29 | 0:02:33 | |
There, there. Did you hear that? Huh? | 0:02:35 | 0:02:38 | |
-Yeah. -Ah! -It's my stomach growling. I'm starving. | 0:02:39 | 0:02:43 | |
I tell you what, you stay right there, I'll make breakfast for us. | 0:02:43 | 0:02:48 | |
Blueberry waffles, Canadian bacon, strawberries and cream. Hm? | 0:02:48 | 0:02:52 | |
-You know what I would really like? -What? | 0:02:54 | 0:02:56 | |
A four-minute egg and a piece of rye toast. | 0:02:58 | 0:03:02 | |
Four-minute egg? | 0:03:02 | 0:03:03 | |
Four-minute egg. | 0:03:04 | 0:03:06 | |
Four-minute egg, I don't know. | 0:03:06 | 0:03:08 | |
Mary Beth, I would appreciate it | 0:03:08 | 0:03:10 | |
if you got some strange cravings like other women. | 0:03:10 | 0:03:12 | |
-OK, honey. -Ah! | 0:03:12 | 0:03:14 | |
-Harv? -What? -Can you whip up some moo goo gai pan for me? | 0:03:16 | 0:03:20 | |
SHE CHUCKLES | 0:03:20 | 0:03:22 | |
This is a pretty interesting menu, Marcus. | 0:03:27 | 0:03:30 | |
Except it doesn't have the usual English translation. | 0:03:30 | 0:03:33 | |
-You seen Cagney yet? -Aren't you expecting somebody, sir? | 0:03:35 | 0:03:39 | |
No. | 0:03:39 | 0:03:41 | |
This is a nice place. I just might take someone here for dinner myself. | 0:03:43 | 0:03:46 | |
Marcus, what the hell is, er...calamari aglio olio? | 0:03:49 | 0:03:53 | |
Calamari, Victor. That's squid with garlic. | 0:03:53 | 0:03:57 | |
What about lumache di mare? | 0:03:57 | 0:04:01 | |
Lumache di mare. Snails from the sea. | 0:04:01 | 0:04:04 | |
Here she comes. | 0:04:10 | 0:04:13 | |
Here they are, boys and girls, your basic counterfeit jeans. | 0:04:14 | 0:04:18 | |
Give me a couple of minutes to make my buy before you move in. | 0:04:18 | 0:04:21 | |
Remember, the magic words are hand-stitched pockets. | 0:04:21 | 0:04:25 | |
Come on, let's go! | 0:04:25 | 0:04:28 | |
Stay ready, Marcus. These guys are bruisers. | 0:04:28 | 0:04:30 | |
Excuse me? | 0:04:41 | 0:04:42 | |
I can't believe it. Looks just like the real thing. | 0:04:53 | 0:04:56 | |
Nice. Real nice. | 0:04:56 | 0:04:58 | |
-Give me that! -No! No! -Give it to me! -No! No! No! | 0:04:58 | 0:05:03 | |
Hey, you! | 0:05:05 | 0:05:07 | |
You got any with hand-stitched pockets? | 0:05:07 | 0:05:10 | |
Lady, can you hear me? I'm a cop! | 0:05:10 | 0:05:12 | |
Nobody's going to hurt you! I'm a cop, I've got her. | 0:05:12 | 0:05:15 | |
All right, now listen, listen. She's all right, I've got her. | 0:05:17 | 0:05:20 | |
I just really love the hand-stitched pockets. | 0:05:24 | 0:05:26 | |
Take this here and put pressure. Keep putting pressure on there. | 0:05:30 | 0:05:33 | |
You, come here. Put that under her head. | 0:05:33 | 0:05:37 | |
Keep her talking, keep her awake. | 0:05:37 | 0:05:39 | |
You hang on, lady, we're going to get you out of here. | 0:05:39 | 0:05:42 | |
Car 21 to Central, request an ambulance at 8th and Mercer. | 0:05:45 | 0:05:49 | |
Repeat, 8th and Mercer. | 0:05:49 | 0:05:50 | |
Do you have any others with hand-stitched pockets? | 0:05:50 | 0:05:54 | |
Look, lady, how many times have I got to tell you? | 0:05:54 | 0:05:57 | |
What you see is what you get. | 0:05:57 | 0:06:00 | |
Oh, I sure love the hand-stitched pockets. | 0:06:02 | 0:06:05 | |
10-4. | 0:06:05 | 0:06:06 | |
Stop! Police! | 0:06:14 | 0:06:15 | |
Victor! Enough! | 0:06:39 | 0:06:41 | |
SIRENS WAIL | 0:06:41 | 0:06:44 | |
Mouth open, mouth open. | 0:06:47 | 0:06:49 | |
How many pairs are you going to buy? How many? | 0:06:52 | 0:06:55 | |
100 pair | 0:06:55 | 0:06:57 | |
of Cavalli jeans?! | 0:06:57 | 0:07:00 | |
And no collar. What do you suggest I tell Samuels? | 0:07:00 | 0:07:04 | |
Tell him your troops deserted you. | 0:07:04 | 0:07:06 | |
I'm still stuck with 100 pairs of jeans. | 0:07:06 | 0:07:10 | |
The lady that was stabbed, she died. | 0:07:10 | 0:07:13 | |
-Oh, man, that stinks. -Yeah, it stinks. | 0:07:13 | 0:07:16 | |
Why did she put up such a fight for her purse, anyway? | 0:07:16 | 0:07:19 | |
-She should've let it go. -She just cashed her Social Security cheque. | 0:07:19 | 0:07:22 | |
Well, at least we got the guy who did it, thanks to that busboy. | 0:07:24 | 0:07:28 | |
Yeah. Eduardo Carrena. He was great, wasn't he? | 0:07:28 | 0:07:30 | |
That perp was twice his size, beating the hell out of him. | 0:07:30 | 0:07:32 | |
-And that little guy held on. -And he didn't hesitate, not for a second. | 0:07:32 | 0:07:36 | |
He saw a stabbing, took off after the guy. | 0:07:36 | 0:07:38 | |
-Not many people would've done that. -Doesn't sound like a New Yorker. | 0:07:38 | 0:07:41 | |
SHE LAUGHS | 0:07:41 | 0:07:43 | |
No, I'm serious here, Christine. | 0:07:43 | 0:07:45 | |
I think Eduardo Carrena deserves some recognition for what he did. | 0:07:45 | 0:07:49 | |
He helped us catch a murderer and he risked his own life doing it. | 0:07:49 | 0:07:53 | |
What do you want to do, give him a medal? | 0:07:53 | 0:07:55 | |
Yeah. That's exactly what I want to do. | 0:07:56 | 0:08:00 | |
APPLAUSE | 0:08:02 | 0:08:03 | |
On behalf of the Community Watch programme, Austin Grande! | 0:08:03 | 0:08:07 | |
For outstanding heroism in assisting police officers | 0:08:13 | 0:08:16 | |
in the city of New York, Eddie Carrena. | 0:08:16 | 0:08:18 | |
-APPLAUSE -Eddie! -OK, Eddie, baby! | 0:08:18 | 0:08:22 | |
-Isn't this terrific? -Very nice. | 0:08:24 | 0:08:26 | |
-It makes you kind of proud, like it's your kid. -I know what you mean. | 0:08:26 | 0:08:29 | |
SHE SPEAKS SPANISH | 0:08:33 | 0:08:35 | |
Gracias, senora. | 0:08:39 | 0:08:40 | |
For service to the city of New York, Christopher Elcrook. | 0:08:40 | 0:08:44 | |
APPLAUSE | 0:08:44 | 0:08:46 | |
-You must be very proud, Eduardo. -Please, call me Eddie. | 0:08:50 | 0:08:53 | |
You're Americanising yourself. Good for you. | 0:08:53 | 0:08:55 | |
Now, where are you from originally? | 0:08:55 | 0:08:58 | |
Well, um...we lived in Detroit for a while and then we came to New York. | 0:08:58 | 0:09:02 | |
Eddie, you risked your life in order to apprehend a killer. | 0:09:02 | 0:09:06 | |
Can you tell us why? | 0:09:06 | 0:09:08 | |
Well, wherever I live, I'm going to try to make it a better place. | 0:09:08 | 0:09:11 | |
This is Joyce Farren, together with Eddie Carrena, Honours Day 1985. | 0:09:13 | 0:09:17 | |
OK, boys, let's get the other recipients. | 0:09:17 | 0:09:19 | |
-Thank you, Mr Carrena. Good luck to you. -Thank you very much. | 0:09:19 | 0:09:23 | |
Hey! | 0:09:23 | 0:09:25 | |
Mr Carrena, on behalf of the 14th Precinct, | 0:09:27 | 0:09:29 | |
I'd like to thank you for what you did. | 0:09:29 | 0:09:31 | |
Thank you very much. Everybody is so nice. | 0:09:31 | 0:09:33 | |
But I don't think I'm so special. | 0:09:33 | 0:09:35 | |
Oh, yes, sir, you are. You're a real hero. | 0:09:35 | 0:09:38 | |
Well...maybe I think I'm just an ordinary hero, yes? | 0:09:38 | 0:09:43 | |
Good luck, huh? Take care of each other. | 0:09:45 | 0:09:48 | |
40 a pair for a label on a tuchas. | 0:09:51 | 0:09:53 | |
I agree, Lieutenant. I don't care what's sewn onto the pants, | 0:09:53 | 0:09:56 | |
it's what's poured into the pants that interests me. | 0:09:56 | 0:09:59 | |
Well, the city of New York spent a small fortune on counterfeit | 0:09:59 | 0:10:02 | |
designer jeans and not one damn pair is going to fit me. | 0:10:02 | 0:10:05 | |
It would be nice if you could make a few collars, just to balance things out a little bit. | 0:10:05 | 0:10:09 | |
You know, Lieutenant, this guy saw cops just crawling | 0:10:09 | 0:10:12 | |
out of the woodwork the first time. Personally, I think he's suspicious. | 0:10:12 | 0:10:15 | |
Maybe we ought to turn this over to the OCCB. | 0:10:15 | 0:10:17 | |
Oh, nice try, Cagney, nice try. | 0:10:17 | 0:10:19 | |
Sure, yeah, pass up a tough one | 0:10:19 | 0:10:20 | |
just so you don't spoil your conviction percentage, huh? | 0:10:20 | 0:10:23 | |
-Would I do that, Lieutenant? -Come on, Cagney. | 0:10:23 | 0:10:26 | |
You have already spent too much of this precinct's money to cut and run. | 0:10:26 | 0:10:30 | |
I want you to set up another drop with this fence and this time, nail him! | 0:10:30 | 0:10:34 | |
Yes, Lieutenant. | 0:10:34 | 0:10:36 | |
You know how risky this is for me? | 0:10:41 | 0:10:43 | |
There are millions at stake in the counterfeit designer clothes racket. | 0:10:43 | 0:10:46 | |
They find an informant, they cut him up. | 0:10:46 | 0:10:48 | |
-We understand. -Too thin to fry! -We understand, Mr Fong. | 0:10:48 | 0:10:51 | |
You messed up. | 0:10:51 | 0:10:53 | |
You're right, Mr Fong, I was wrong. All right? | 0:10:55 | 0:10:58 | |
It was just some bad luck. It won't happen again. | 0:10:58 | 0:11:01 | |
-You hesitated...Sergeant Cagney? -Sergeant, that's right. | 0:11:01 | 0:11:06 | |
Sergeant, huh? | 0:11:06 | 0:11:07 | |
He who hesitates meditates from a horizontal position. | 0:11:07 | 0:11:11 | |
Do you want to help us out here or not? | 0:11:11 | 0:11:13 | |
These creeps cost me 1,000 a week in sales! Huh? | 0:11:13 | 0:11:17 | |
You know, I used to sew fake designer clothes | 0:11:17 | 0:11:20 | |
for 2 a day at a Taiwan sweatshop. So what? | 0:11:20 | 0:11:24 | |
Now some chump going to put me out of business here in America? Huh! | 0:11:24 | 0:11:28 | |
-Maybe God is punishing me. -We will fix it, Mr Fong. | 0:11:28 | 0:11:30 | |
Do you want to help me out, or shall I just get somebody else? | 0:11:30 | 0:11:33 | |
Why don't you just level with me? | 0:11:33 | 0:11:35 | |
All right, but you better not screw up again, or we're all history. | 0:11:35 | 0:11:39 | |
We'll find him, Mr Fong. | 0:11:39 | 0:11:41 | |
A fake business card won't be enough to fool him any more. | 0:11:41 | 0:11:45 | |
This time he'll want to meet you at your own boutique. | 0:11:45 | 0:11:49 | |
-How am I supposed to get a boutique? -Well, that's your problem! | 0:11:49 | 0:11:52 | |
Hey, you call me when you find a shop. | 0:11:54 | 0:11:57 | |
I'll contact him then, but only then! | 0:11:57 | 0:11:59 | |
-Otherwise, it's a royal waste of time. -Thank you, Mr Fong. | 0:11:59 | 0:12:05 | |
We could ask Samuels to rent us a space. | 0:12:15 | 0:12:18 | |
Oh, come on, he's not going to give us another nickel for this sting. | 0:12:18 | 0:12:21 | |
And where are we going to get the merchandise? | 0:12:21 | 0:12:24 | |
We could clean out your closet. | 0:12:24 | 0:12:25 | |
You've got enough stuff to fill a boutique. | 0:12:25 | 0:12:28 | |
-Major exaggeration. -Statement of fact. | 0:12:28 | 0:12:30 | |
Are we dead in the water here, or do you have a better suggestion? | 0:12:32 | 0:12:35 | |
Yes. Let's figure it out over a glass of milk. | 0:12:35 | 0:12:38 | |
-OK. I'll treat. -Oh, no, Christine, that's not necessary. | 0:12:38 | 0:12:41 | |
Just because you've got a closet like Marie Antoinette doesn't mean you have to treat. | 0:12:41 | 0:12:46 | |
-It's a glass of milk. -Want to try that place Eddie Carrena works? | 0:12:46 | 0:12:49 | |
That's almost 25 blocks from here for a glass of milk? | 0:12:52 | 0:12:54 | |
Christine, the man is our only witness. | 0:12:54 | 0:12:57 | |
We should see if he received his subpoena yet. | 0:12:57 | 0:13:00 | |
-Two for lunch? -Could you sit us near Eddie Carrena's station, please? | 0:13:22 | 0:13:25 | |
-I'm sorry, but that's impossible. -I beg your pardon? | 0:13:26 | 0:13:29 | |
Some immigration agent saw Eddie on TV. | 0:13:31 | 0:13:33 | |
They came in here yesterday and took him away. | 0:13:33 | 0:13:36 | |
HE SIGHS | 0:14:06 | 0:14:08 | |
Mary Beth, it is 2:00am. | 0:14:12 | 0:14:14 | |
-Harv, what do you think of that sofa? -Well, it's... | 0:14:14 | 0:14:17 | |
I'm figuring out what we'll do when the baby comes. | 0:14:17 | 0:14:19 | |
I think we're going to need a sofa bed. | 0:14:19 | 0:14:21 | |
We come in here, we get rid of that coffee table. | 0:14:21 | 0:14:24 | |
End table goes here, this one goes there. | 0:14:24 | 0:14:27 | |
TV goes over there and the bookshelf... | 0:14:27 | 0:14:30 | |
What do you think we ought to do with that bookshelf, Harv? | 0:14:31 | 0:14:34 | |
Mary Beth, the baby will sleep in our room for a while. | 0:14:34 | 0:14:36 | |
-After that, we will just get a bigger place. -Right. -Right. | 0:14:36 | 0:14:39 | |
Now, would you just please stop playing interior decorator? | 0:14:39 | 0:14:42 | |
-I'm not done, Harv. -Would you stop lifting this stuff?! | 0:14:42 | 0:14:44 | |
This stuff is heavy. Would you please come to bed? | 0:14:44 | 0:14:47 | |
Harvey, I'm trying to work something out. | 0:14:47 | 0:14:49 | |
Let me tell you what you're trying to work out. | 0:14:49 | 0:14:51 | |
What happened to Eddie is not your fault! | 0:14:51 | 0:14:53 | |
What about his wife and kids? | 0:14:53 | 0:14:55 | |
Think how afraid they must be tonight being separated like that. | 0:14:55 | 0:14:58 | |
Mary Beth, you cannot make it all better tonight. | 0:14:58 | 0:15:00 | |
Where do you think he is, Harv? | 0:15:00 | 0:15:02 | |
I tried every damn detention centre. | 0:15:02 | 0:15:04 | |
They've never of Eddie Carrena. | 0:15:04 | 0:15:05 | |
They said maybe he was still in process, | 0:15:05 | 0:15:07 | |
whatever the hell that means. | 0:15:07 | 0:15:09 | |
You think they shipped him back already? | 0:15:09 | 0:15:11 | |
Honey, you could not help what happened. | 0:15:11 | 0:15:13 | |
If I hadn't have decided that he needed some stupid medal then the INS | 0:15:13 | 0:15:16 | |
would never know that he existed. | 0:15:16 | 0:15:18 | |
-I have to find him. -Not tonight. | 0:15:18 | 0:15:20 | |
OK? Not tonight. | 0:15:21 | 0:15:22 | |
Come to bed. | 0:15:24 | 0:15:25 | |
OK? | 0:15:25 | 0:15:26 | |
He's our only eyewitness. | 0:15:48 | 0:15:50 | |
Looks like you folks got here just in the nick of time. | 0:15:50 | 0:15:53 | |
It would have been bad news if I had blown your case for you. | 0:15:53 | 0:15:56 | |
We were just about to put him on the bus to the airport | 0:15:56 | 0:15:58 | |
-and send him home. -Home? -Chile. | 0:15:58 | 0:16:00 | |
-You guys work pretty fast. -The whole process takes three days. | 0:16:00 | 0:16:03 | |
Oh, by the way he'll still have to spend his nights here even | 0:16:03 | 0:16:06 | |
when he's testifying for the grand jury. | 0:16:06 | 0:16:08 | |
-No bail? -No chance. Besides, we're doing you a favour. | 0:16:08 | 0:16:12 | |
You can't deny him bail. | 0:16:12 | 0:16:13 | |
Look, Eddie knows we're shipping him | 0:16:13 | 0:16:15 | |
back to Chile as soon as he testifies. | 0:16:15 | 0:16:17 | |
If we let him go on his own recognisance you'll never | 0:16:17 | 0:16:19 | |
see him again. | 0:16:19 | 0:16:20 | |
And your killer'll be walking the streets. | 0:16:20 | 0:16:23 | |
You got ten minutes. | 0:16:33 | 0:16:34 | |
Mr Carrena, sit down. | 0:16:39 | 0:16:40 | |
Please. | 0:16:44 | 0:16:45 | |
Hello, Eddie. | 0:16:55 | 0:16:56 | |
Is there something that we can get for you, or anything you need? | 0:16:58 | 0:17:02 | |
-Did you tell them? -Tell them what? -About my wife and children. | 0:17:10 | 0:17:15 | |
-We wouldn't do that to you. -You are the police. | 0:17:15 | 0:17:17 | |
That isn't part of our job. | 0:17:17 | 0:17:19 | |
-I'm sorry. -It's OK. | 0:17:34 | 0:17:36 | |
It's just that I'm afraid. | 0:17:38 | 0:17:39 | |
-We understand. -Do you? | 0:17:41 | 0:17:42 | |
If I go back to Chile they will kill me. | 0:17:45 | 0:17:47 | |
-What? -I was a member of one sindicato de trabajadores. | 0:17:49 | 0:17:54 | |
Labour Union. | 0:17:54 | 0:17:55 | |
All we wanted to do was make things better for us. | 0:17:56 | 0:17:59 | |
There was a lot of trouble. | 0:18:01 | 0:18:02 | |
We had to leave the country. | 0:18:04 | 0:18:05 | |
We can never go back there. | 0:18:07 | 0:18:09 | |
When we come to this country I said to Adelita... | 0:18:12 | 0:18:14 | |
..here, we are going to be free. | 0:18:17 | 0:18:22 | |
Free. | 0:18:23 | 0:18:24 | |
But I guess freedom is like gold. | 0:18:26 | 0:18:29 | |
There's just not enough for everybody. | 0:18:30 | 0:18:31 | |
That's not true, Mr Carrena. | 0:18:33 | 0:18:35 | |
But sometimes we have to fight for it. | 0:18:35 | 0:18:38 | |
Now, a murder trial takes months. Months. | 0:18:39 | 0:18:43 | |
And we have plenty of time to find you a great attorney. | 0:18:43 | 0:18:47 | |
Christine has a lawyer friend. | 0:18:47 | 0:18:48 | |
I'm sure he know some experts in the immigration field. | 0:18:48 | 0:18:52 | |
I don't have money to pay. | 0:18:52 | 0:18:53 | |
Well, a lot of these men work pro bono. | 0:18:53 | 0:18:55 | |
Pro bono means for good. It means they work for nothing. | 0:18:55 | 0:18:59 | |
And if we can't get them to do that we'll figure out a way to pay for it. | 0:18:59 | 0:19:03 | |
Mr Carrena, you have friends here. | 0:19:04 | 0:19:07 | |
There is hope. | 0:19:07 | 0:19:08 | |
Isn't that so, Sergeant Cagney? | 0:19:10 | 0:19:12 | |
Yeah. | 0:19:14 | 0:19:16 | |
Thank you, my friends. | 0:19:20 | 0:19:22 | |
Yeah. | 0:19:24 | 0:19:26 | |
That's right. Normal bail procedures don't hold for illegals. | 0:19:36 | 0:19:39 | |
They're not citizens so they don't possess our civil rights. | 0:19:39 | 0:19:42 | |
What if the trial goes six, seven months? A year? | 0:19:42 | 0:19:44 | |
That's what we call tough luck. | 0:19:44 | 0:19:46 | |
If the immigration judge wants to Eddie will spend every one of those nights in cells. | 0:19:46 | 0:19:51 | |
-Locked up. -He has a family. -They can visit him. | 0:19:51 | 0:19:54 | |
They can't visit him in an INS detention centre. | 0:19:54 | 0:19:56 | |
-They're illegals also. -Things are tough all over. What can I say? | 0:19:56 | 0:20:00 | |
-Hey, the trial will buy the kid some time, right? -Time? | 0:20:01 | 0:20:03 | |
Labour certification takes two to three years. | 0:20:03 | 0:20:06 | |
Of course, that's a useless strategy as you have to be able to | 0:20:06 | 0:20:09 | |
prove there are not enough qualified Americans to fill Eddie's job. | 0:20:09 | 0:20:12 | |
That may work with aerospace engineers but waiters, no. | 0:20:12 | 0:20:17 | |
He can't go back to Chile. He might get shot. | 0:20:17 | 0:20:19 | |
Look, what about political refugee status? | 0:20:19 | 0:20:21 | |
Only works with people running away from our enemies, not our friends. | 0:20:21 | 0:20:24 | |
Let me understand this. | 0:20:24 | 0:20:26 | |
Getting shot by our enemies is not OK. | 0:20:26 | 0:20:28 | |
-Getting shot by our friends is OK? -Look, I'm just a lawyer and | 0:20:28 | 0:20:30 | |
I'm telling you they're never going to grant them refugee status. | 0:20:30 | 0:20:33 | |
I don't have time to pursue a strategy that can't work. | 0:20:33 | 0:20:36 | |
Hey, I've got a full desk too. So you tell us what WILL work. | 0:20:36 | 0:20:39 | |
Are you on a first-name basis with any senators or Congress people? | 0:20:41 | 0:20:44 | |
-No. -You? | 0:20:45 | 0:20:46 | |
Not any more. | 0:20:49 | 0:20:50 | |
My suggestion, get to know the legislator of your choice | 0:20:50 | 0:20:54 | |
and pronto. | 0:20:54 | 0:20:55 | |
The way I see it, the only way you'll be able to save Eddie is to | 0:20:55 | 0:20:57 | |
get a private bill. | 0:20:57 | 0:20:58 | |
One that applies only to his special set of circumstances passed | 0:20:58 | 0:21:01 | |
through the Senate or the House of Representatives. | 0:21:01 | 0:21:03 | |
Maybe Eddie's act of heroism will get the attention of one | 0:21:03 | 0:21:07 | |
of these politicos and we get the ball rolling. | 0:21:07 | 0:21:09 | |
I'll do the best I can from this end of it. | 0:21:09 | 0:21:11 | |
-What are the chances of a bill like this passing? -Oh, slim and none. | 0:21:11 | 0:21:16 | |
TRAIN THUNDERS | 0:21:18 | 0:21:20 | |
Look, I know how you feel. And we did what we could. Right? | 0:21:29 | 0:21:34 | |
We're not social workers. | 0:21:34 | 0:21:36 | |
What are you saying? Don't get too concerned? | 0:21:37 | 0:21:40 | |
We're the reason he's in there. | 0:21:40 | 0:21:42 | |
The hell we are. We didn't bring Eddie to America. | 0:21:43 | 0:21:45 | |
He came here of his own free will, illegally. | 0:21:45 | 0:21:48 | |
You want to turn this into one of your guilt trips - fine, Mary Beth, | 0:21:49 | 0:21:52 | |
but do not lay it on me. | 0:21:52 | 0:21:53 | |
I feel for the guy. | 0:21:59 | 0:22:00 | |
It's no reason for us to go on some mission of mercy. | 0:22:02 | 0:22:04 | |
We've got our own job we have to do. | 0:22:04 | 0:22:06 | |
It's not a question of mercy, Christine. | 0:22:06 | 0:22:08 | |
It's a question of justice. | 0:22:08 | 0:22:10 | |
Mary Beth, I feel sorry for all of the broken-hearted | 0:22:10 | 0:22:13 | |
people of the world too and would love to see them | 0:22:13 | 0:22:15 | |
come to America, but the sad truth is they can't. | 0:22:15 | 0:22:18 | |
There aren't enough jobs. | 0:22:18 | 0:22:19 | |
There's not enough of this good life to go around. | 0:22:19 | 0:22:22 | |
Hell, we've got tens of thousands of immigrants illegally | 0:22:22 | 0:22:25 | |
pouring into this country every day. | 0:22:25 | 0:22:27 | |
Willing to work for close to zip and taking jobs from our citizens. | 0:22:27 | 0:22:30 | |
Now, I know people like poor old Eddie deserve a break | 0:22:30 | 0:22:33 | |
but somewhere it's got to stop. | 0:22:33 | 0:22:35 | |
100 years ago they were saying that about people named Cagney. | 0:22:36 | 0:22:39 | |
Whatever happened to "Give me your poor | 0:22:39 | 0:22:41 | |
"and huddled masses yearning to be free"? | 0:22:41 | 0:22:43 | |
They're standing in unemployment lines. | 0:22:43 | 0:22:46 | |
Can you drop me at the subway, please? | 0:22:50 | 0:22:51 | |
Oh, come on... | 0:22:53 | 0:22:54 | |
I want to deliver Mr Carrena's message to his wife | 0:22:54 | 0:22:56 | |
and I wouldn't want to force you to go on another mission of mercy. | 0:22:56 | 0:23:01 | |
-Over here. -What's the address? | 0:23:03 | 0:23:06 | |
PEOPLE SHOUT IN SPANISH | 0:23:22 | 0:23:24 | |
MUSIC PLAYS | 0:23:44 | 0:23:46 | |
Adelita? Adelita? | 0:24:03 | 0:24:06 | |
Que tal? | 0:24:08 | 0:24:09 | |
-Where are they? -Flew the coop. | 0:24:12 | 0:24:15 | |
We've been waiting around here for them to return. | 0:24:16 | 0:24:18 | |
They left most of their stuff but no luck. | 0:24:18 | 0:24:20 | |
-I don't think they're coming back here. -Come on, Mary Beth. | 0:24:21 | 0:24:24 | |
Let's get out of here. | 0:24:24 | 0:24:26 | |
You must get a real kick out of your work, huh? | 0:24:26 | 0:24:29 | |
-Hunting down innocent women and children. -Mary Beth. | 0:24:29 | 0:24:31 | |
Look, I do my job just like you do yours. | 0:24:32 | 0:24:34 | |
Besides, we didn't want to see a family split up. | 0:24:36 | 0:24:38 | |
A real humanitarian, aren't you? | 0:24:40 | 0:24:42 | |
Detective Lacey. | 0:24:42 | 0:24:44 | |
-Hey, Lacey. You going to have amniocentesis? -Huh? | 0:24:53 | 0:24:57 | |
The amniocentesis test for your baby, are you going to have it? | 0:24:58 | 0:25:01 | |
What's it to you? | 0:25:01 | 0:25:02 | |
Never mind, Sergeant. I get it. | 0:25:06 | 0:25:08 | |
-Mary Beth, where have you been? -I tried everywhere I could think of. | 0:25:11 | 0:25:14 | |
Social services, legal aid, welfare, Latino organisations. | 0:25:14 | 0:25:18 | |
Mrs Carrena and her children have disappeared through a crack somehow. | 0:25:18 | 0:25:21 | |
Can you let it go for now? | 0:25:21 | 0:25:22 | |
We have to meet Astrid at a coffee shop in eight minutes. Let's go. | 0:25:22 | 0:25:25 | |
Yeah, right. | 0:25:25 | 0:25:27 | |
Lacey, wait a second. | 0:25:29 | 0:25:31 | |
-Here. -What's that for? -Give it to Eddie's wife or his lawyer. -Thanks. | 0:25:33 | 0:25:39 | |
Don't tell anybody, OK? | 0:25:41 | 0:25:42 | |
-Thank you, Victor. -Mary Beth, let's move it. | 0:25:44 | 0:25:46 | |
We only need your shop for a couple of hours. | 0:25:47 | 0:25:49 | |
Business can go on as usual. | 0:25:49 | 0:25:51 | |
Mary Beth gets to play the sales girl and she's thrilled. | 0:25:51 | 0:25:53 | |
Right, Mary Beth? | 0:25:53 | 0:25:55 | |
-Oh, yeah. Thrilled. -You're trying to tell me there's no danger here? | 0:25:55 | 0:25:59 | |
No, the guy just wants to check us out to make sure we're legit. | 0:25:59 | 0:26:02 | |
There's not going to be a drop so there won't be any bust. | 0:26:02 | 0:26:05 | |
Nothing's going to happen. | 0:26:05 | 0:26:06 | |
Listen, | 0:26:06 | 0:26:07 | |
if it weren't for you I might still be walking the streets somewhere. | 0:26:07 | 0:26:10 | |
You guys gave me a break. | 0:26:10 | 0:26:12 | |
But setting some guy up for a fall, that's... | 0:26:13 | 0:26:16 | |
That's just not my style. | 0:26:17 | 0:26:18 | |
OK, you win. What can I say, my place is your place. | 0:26:31 | 0:26:36 | |
Oh, now, this would be good on me, huh? | 0:26:42 | 0:26:45 | |
Uh-huh. In about a year. | 0:26:46 | 0:26:48 | |
Thank you very much, Christine. | 0:26:50 | 0:26:51 | |
Nope. Not even with 50% off. That's two weeks' groceries. | 0:26:56 | 0:27:00 | |
-Good morning. -Good morning. | 0:27:02 | 0:27:04 | |
-Nice place you got here. -Yes, thank you. | 0:27:07 | 0:27:10 | |
-Is there someplace private we could talk? -Certainly. | 0:27:10 | 0:27:13 | |
-How about right in the back there? -All right. | 0:27:13 | 0:27:15 | |
Oh, Miss Mary Beth, watch the floor, would you? | 0:27:19 | 0:27:21 | |
-Yes, ma'am. -Mary Beth, would you like to help this gentleman? | 0:27:25 | 0:27:28 | |
I'll be right back. | 0:27:28 | 0:27:29 | |
-May I help you, sir? -Yes, do you have this in a size 16? | 0:27:33 | 0:27:38 | |
I think we do. | 0:27:38 | 0:27:40 | |
Yes. | 0:27:40 | 0:27:42 | |
Yes, here it is. This is a very pretty dress. Very feminine. | 0:27:43 | 0:27:49 | |
-Yes. -She'll love this. | 0:27:49 | 0:27:50 | |
-What would you recommend to complement this ensemble? -Um... | 0:27:52 | 0:27:55 | |
Well, maybe a belt would offset... | 0:27:57 | 0:27:59 | |
-Or maybe a scarf? -What about pantyhose? | 0:28:03 | 0:28:06 | |
This colour is so unique I don't think we'd want | 0:28:06 | 0:28:08 | |
any of the traditional shades, do you? | 0:28:08 | 0:28:10 | |
Oh, no. Certainly not. Perhaps something in a purple? | 0:28:11 | 0:28:16 | |
Purple? | 0:28:17 | 0:28:18 | |
You think we'd look good in that? | 0:28:19 | 0:28:21 | |
Yes, I think a purple would go great with our eyes. | 0:28:21 | 0:28:25 | |
I'd have melted into the wall-to-wall carpet. | 0:28:28 | 0:28:31 | |
Reminds me of this story of this guy I went out with once. | 0:28:32 | 0:28:35 | |
-You've not going to believe this one. -Was this the senator? | 0:28:35 | 0:28:37 | |
I don't want to hear it. PHONE RINGS | 0:28:37 | 0:28:39 | |
Detective Lacey, 14th. | 0:28:39 | 0:28:40 | |
Yes. I've got it. | 0:28:43 | 0:28:45 | |
No, of course not, Father. Right away. Thank you. | 0:28:45 | 0:28:49 | |
-Christine, let's go. -What's up? -That was Father Tate. | 0:28:52 | 0:28:54 | |
Remember the priest that helped us find that Salvadoran woman last year? | 0:28:54 | 0:28:58 | |
He's got Eddie's wife and kids in a safe house. They're illegals. | 0:28:58 | 0:29:02 | |
Come on. | 0:29:07 | 0:29:09 | |
Mary Beth, I have to stay here and wait for a call from Astrid. | 0:29:09 | 0:29:12 | |
Garth's supposed to be calling the boutique at any time to | 0:29:13 | 0:29:15 | |
let us where he's going to be making the drop. | 0:29:15 | 0:29:18 | |
This is police work, Mary Beth. | 0:29:19 | 0:29:21 | |
Whereas what I'm doing is social work, right? | 0:29:24 | 0:29:26 | |
Mary Beth! | 0:29:31 | 0:29:32 | |
Good luck. | 0:29:36 | 0:29:37 | |
Nice to see you again, Detective Lacey. | 0:30:13 | 0:30:15 | |
-Nice to see you, Father. -George. | 0:30:15 | 0:30:17 | |
No-one stays here for very long. It's...just a way station. | 0:30:18 | 0:30:24 | |
The campesino comes to see me in the church, | 0:30:24 | 0:30:26 | |
thinking I can offer him sanctuary. | 0:30:26 | 0:30:28 | |
What he doesn't know is sanctuary hasn't been honoured | 0:30:28 | 0:30:31 | |
since the 14th century. | 0:30:31 | 0:30:32 | |
So I have to bring him to places like this. | 0:30:34 | 0:30:35 | |
Where do they go after they leave here? | 0:30:38 | 0:30:40 | |
Well, we try to set them up in someplace decent, somewhere. | 0:30:40 | 0:30:43 | |
Find them a job, | 0:30:44 | 0:30:45 | |
work through the legal system, if we can. | 0:30:45 | 0:30:48 | |
There's hope for a better life for many of them. | 0:30:48 | 0:30:50 | |
I guess what we do best is buy them some time. | 0:30:52 | 0:30:54 | |
But a few of them, the most endangered ones, | 0:30:56 | 0:30:58 | |
have to stay on the Underground Railway for a while. | 0:30:58 | 0:31:01 | |
What? You mean like slaves in the Civil War? | 0:31:01 | 0:31:03 | |
Same idea. | 0:31:03 | 0:31:04 | |
It's kind of an interfaith network of safe houses. | 0:31:04 | 0:31:07 | |
But don't let anyone hear you say that you heard that from me. | 0:31:07 | 0:31:11 | |
The US Attorney's office is coming down pretty hard on us right now. | 0:31:11 | 0:31:15 | |
HE LAUGHS | 0:31:15 | 0:31:16 | |
What did you expect, Detective? The Ritz? | 0:31:16 | 0:31:18 | |
I can't exactly take up a collection at Mass | 0:31:20 | 0:31:23 | |
to fumigate an illegal safe house, | 0:31:23 | 0:31:25 | |
so we have to learn to live with our furry brethren. | 0:31:25 | 0:31:28 | |
Adelita? | 0:31:31 | 0:31:33 | |
Padre Tate y Senora Lacey. | 0:31:33 | 0:31:35 | |
Adelita, Senora Lacey trae un mensaje de parte de su esposo. | 0:31:37 | 0:31:41 | |
I'll leave you now. | 0:31:44 | 0:31:45 | |
Um...I don't speak too much Spanish, Father. | 0:31:45 | 0:31:48 | |
Well, she doesn't speak too much English, either. | 0:31:48 | 0:31:50 | |
-So you'll do fine. -Stick around, huh? | 0:31:50 | 0:31:53 | |
No, I'm on duty tonight, so I have to keep an eye out. | 0:31:53 | 0:31:56 | |
Go on. You'll be fine. | 0:31:56 | 0:31:58 | |
Senora, I want you to know, | 0:32:03 | 0:32:05 | |
su esposo esta bien. | 0:32:05 | 0:32:07 | |
Oh! Mi esposo... | 0:32:07 | 0:32:08 | |
Cuando saldra? | 0:32:10 | 0:32:12 | |
Cuando lo puedo ver? | 0:32:12 | 0:32:14 | |
Oh. Um, no comprendo. | 0:32:14 | 0:32:15 | |
Um...slower. | 0:32:15 | 0:32:17 | |
-Hablar mas lento, OK? -OK. | 0:32:17 | 0:32:19 | |
When...I...see...mi esposo? | 0:32:21 | 0:32:25 | |
When? Um... | 0:32:26 | 0:32:28 | |
Well...I don't know when. | 0:32:28 | 0:32:30 | |
But Eddie wanted me to tell you that you're in his dreams | 0:32:33 | 0:32:38 | |
and you're in his heart. | 0:32:38 | 0:32:40 | |
Lord...here we go. Um... | 0:32:43 | 0:32:46 | |
Esta en sus suenos y en su corazon. | 0:32:46 | 0:32:50 | |
And, um... | 0:32:52 | 0:32:53 | |
He longs to hold you. | 0:32:55 | 0:32:56 | |
Uh...hold you, Adelita, eh... | 0:32:58 | 0:33:02 | |
En su brazos? | 0:33:02 | 0:33:04 | |
-LAUGHING: -Eduardo... | 0:33:04 | 0:33:06 | |
Y que mas? | 0:33:06 | 0:33:07 | |
Um, well, he says that he loves you all very much. | 0:33:07 | 0:33:12 | |
In Spanish, that would be... | 0:33:12 | 0:33:13 | |
Love. | 0:33:13 | 0:33:14 | |
Si. | 0:33:14 | 0:33:16 | |
Uh...todos mucho. | 0:33:16 | 0:33:18 | |
And, um... | 0:33:18 | 0:33:20 | |
He said you'll all be together again soon | 0:33:21 | 0:33:24 | |
in a happier place. | 0:33:24 | 0:33:25 | |
En espanol, por favor. | 0:33:25 | 0:33:27 | |
Oh, si. Um...uh... | 0:33:27 | 0:33:30 | |
Pronto... | 0:33:30 | 0:33:32 | |
estaran juntos en un lindo lugar... | 0:33:32 | 0:33:36 | |
-Your Spanish is very good. -Yeah? | 0:33:38 | 0:33:40 | |
Gracias. Muchas gracias. | 0:33:43 | 0:33:45 | |
Um...this...this is for the children, OK? | 0:33:46 | 0:33:50 | |
Es usted muy generosa. | 0:33:50 | 0:33:52 | |
And I want you to know everything's going to work out. | 0:33:52 | 0:33:56 | |
We'll find a way. We'll find a way. | 0:33:57 | 0:34:00 | |
-OK. -OK. | 0:34:02 | 0:34:03 | |
OK. | 0:34:07 | 0:34:08 | |
Mr Dalton? | 0:34:12 | 0:34:14 | |
Mr Dalton, I want to apologise for my bad manners. | 0:34:14 | 0:34:18 | |
It's OK. I get it all the time from the bleeding hearts. | 0:34:18 | 0:34:20 | |
-I was wondering if you could do us a favour, sir. -What's that? | 0:34:20 | 0:34:24 | |
When Eddie finishes testifying, can we take him to lunch? | 0:34:24 | 0:34:27 | |
What, you got a thing for this guy? | 0:34:29 | 0:34:31 | |
No. Eddie's got a "thing" with his immigration lawyer. | 0:34:31 | 0:34:33 | |
OK. But if he flies the coop, it's on you. | 0:34:36 | 0:34:39 | |
Yes, sir. Thank you. | 0:34:39 | 0:34:40 | |
What we've got here, people, | 0:34:44 | 0:34:45 | |
-is the world's greatest living witness. -Yeah? | 0:34:45 | 0:34:48 | |
That classy Latin manner, those deep, honest eyes - | 0:34:48 | 0:34:51 | |
ladies and gentlemen, I give you Steady Eddie Carrena, | 0:34:51 | 0:34:53 | |
the answer to an overworked DA's prayer. | 0:34:53 | 0:34:55 | |
I just did what any normal citizen would do in this country, yes? | 0:34:55 | 0:34:58 | |
Honey, you blew 'em away in there! | 0:34:58 | 0:34:59 | |
That legal aid lawyer still doesn't know what hit him. | 0:34:59 | 0:35:02 | |
The man is fantastic. | 0:35:02 | 0:35:03 | |
Does he leap tall buildings in a single bound? | 0:35:03 | 0:35:05 | |
Super-Witness! You got it. | 0:35:05 | 0:35:07 | |
I owe you one, ladies. | 0:35:07 | 0:35:08 | |
Legal aid's defending a major sleaze-bucket | 0:35:08 | 0:35:11 | |
and I got somebody my momma would take to church. | 0:35:11 | 0:35:13 | |
You have a good lunch, you hear? | 0:35:13 | 0:35:16 | |
And put it on the DA's tab. You guys earned it. | 0:35:16 | 0:35:19 | |
I think she likes you. | 0:35:20 | 0:35:22 | |
Let's go. | 0:35:23 | 0:35:24 | |
Thanks. | 0:35:25 | 0:35:27 | |
OK - the trial is for real. | 0:35:33 | 0:35:35 | |
It won't actually begin for about six months, | 0:35:35 | 0:35:38 | |
so we've bought our precious time. | 0:35:38 | 0:35:40 | |
So then I stay in jail for another six months? | 0:35:40 | 0:35:43 | |
Look, it's better than being shipped back to Chile, right? | 0:35:43 | 0:35:46 | |
Yeah. Now, we've finally made a little progress. | 0:35:47 | 0:35:51 | |
We've got some local representatives interested in your case | 0:35:51 | 0:35:54 | |
and I think we may have one of our honourable senators lined up. | 0:35:54 | 0:35:57 | |
-No kidding! -Looks like that. | 0:35:57 | 0:36:00 | |
I'm trying to play it from the angle | 0:36:00 | 0:36:02 | |
that Eddie's performing a major public service living here, | 0:36:02 | 0:36:04 | |
not to mention the fact he's a decorated hero | 0:36:04 | 0:36:07 | |
and politicians, they just love that stuff - | 0:36:07 | 0:36:09 | |
you know, election time, minority vote, | 0:36:09 | 0:36:12 | |
sharing the limelight, all that good stuff. | 0:36:12 | 0:36:14 | |
I've arranged for a reporter we know to come and talk to you. | 0:36:14 | 0:36:17 | |
She wants to do a human interest story on you. | 0:36:17 | 0:36:19 | |
There's nothing like a little publicity | 0:36:19 | 0:36:21 | |
to grease up the old wheels of justice. | 0:36:21 | 0:36:24 | |
You just hang on for a little while longer. | 0:36:24 | 0:36:26 | |
I think we may be able to nail down the senator, | 0:36:26 | 0:36:28 | |
the trial ought to give us plenty of time. | 0:36:28 | 0:36:31 | |
Eddie! Eddie! | 0:36:31 | 0:36:32 | |
What's wrong with her? | 0:36:32 | 0:36:34 | |
Eddie Carrena, I want to shake your hand. | 0:36:34 | 0:36:37 | |
-You are one fantastic witness. -Yes? | 0:36:37 | 0:36:40 | |
Damn right! We kicked their butt so bad, | 0:36:40 | 0:36:42 | |
legal aid is ready to accept anything I offer. | 0:36:42 | 0:36:45 | |
And my boss thinks I'm such a hot number, | 0:36:45 | 0:36:47 | |
he's moving me up to the Sandrelli case. | 0:36:47 | 0:36:49 | |
- My career is made! - Wait a minute. | 0:36:49 | 0:36:51 | |
What are you saying, here? | 0:36:51 | 0:36:52 | |
This murder's never going to trial. We made a deal. | 0:36:52 | 0:36:56 | |
We'll wrap it up this afternoon. Congratulations! | 0:36:56 | 0:37:00 | |
We, uh...just heard the news. | 0:37:47 | 0:37:50 | |
Look, it isn't easy for us, either. | 0:37:50 | 0:37:52 | |
I'm sorry, Eddie. | 0:37:53 | 0:37:55 | |
We'll file for an extension, Mr Carrena, | 0:37:55 | 0:37:57 | |
just like Mr Phelps said, OK? | 0:37:57 | 0:37:59 | |
Thank you very much for everything you've done. | 0:38:01 | 0:38:03 | |
Oh, Eddie, I'm so sorry. | 0:38:05 | 0:38:06 | |
-Good to see you, Eddie. -Muchas gracias. | 0:38:09 | 0:38:11 | |
Let's go, Eddie. | 0:38:13 | 0:38:14 | |
-Agh! -Oh! | 0:38:22 | 0:38:24 | |
WOMAN SCREAMS | 0:38:25 | 0:38:27 | |
Eddie! | 0:38:28 | 0:38:29 | |
-No! -Don't shoot! | 0:38:34 | 0:38:35 | |
He's not a criminal! | 0:38:35 | 0:38:37 | |
He's got guts, I'll give him that. | 0:38:53 | 0:38:55 | |
Lacey! | 0:38:56 | 0:38:58 | |
Thank you. | 0:38:59 | 0:39:00 | |
Oh...you did this. I oughta punch you out. | 0:39:04 | 0:39:07 | |
Watch who you're talking to. Sergeant Cagney, NYPD. | 0:39:07 | 0:39:09 | |
-What the hell's going on? -Booking somebody. What's it look like? | 0:39:09 | 0:39:12 | |
OK, what is this? | 0:39:16 | 0:39:18 | |
-That hooker called. -Gave us the location of the drop. | 0:39:18 | 0:39:21 | |
-You weren't around, so... -Somebody had to make the collar. | 0:39:21 | 0:39:23 | |
I couldn't find you. | 0:39:23 | 0:39:25 | |
I bet you looked real hard, didn't you, Isbecki? | 0:39:25 | 0:39:27 | |
Christine? Father Tate called. | 0:39:27 | 0:39:29 | |
Eddie's wife and kids have disappeared from the safe house. | 0:39:29 | 0:39:31 | |
Nice work, guys. Real nice. | 0:39:33 | 0:39:35 | |
-You think she's mad? -Mm-hm. | 0:39:41 | 0:39:43 | |
-This is my third pitcher. -Am I impressed? | 0:39:45 | 0:39:48 | |
You're going to float out of here, Victor. | 0:39:48 | 0:39:50 | |
Yeah. Just like my collar. | 0:39:50 | 0:39:53 | |
Right place at the right time. | 0:39:53 | 0:39:54 | |
That's the essence of police work, Sergeant. | 0:39:54 | 0:39:56 | |
They used to call that "lucky." | 0:39:56 | 0:39:58 | |
Hey, Lieutenant? | 0:40:00 | 0:40:02 | |
What do you say we innovate a new departmental procedure? | 0:40:02 | 0:40:05 | |
What do you say we show one arrest on my jacket and one...? | 0:40:05 | 0:40:09 | |
Sorry, Cagney. | 0:40:09 | 0:40:10 | |
I mean, what kind of a life are they going to have? | 0:40:13 | 0:40:16 | |
It's not enough he's an illegal alien. | 0:40:16 | 0:40:18 | |
Now he's a fugitive from justice, too. | 0:40:18 | 0:40:20 | |
-Assaulting an INS agent. -Two INS agents. | 0:40:20 | 0:40:25 | |
That's a federal wrap. FBI will be on his tail. | 0:40:25 | 0:40:29 | |
Well, where do you go? Where do you hide? | 0:40:30 | 0:40:33 | |
How's he going to find his family? | 0:40:33 | 0:40:35 | |
Why couldn't we have just left the guy alone? | 0:40:35 | 0:40:37 | |
It's a mess, all right. | 0:40:37 | 0:40:38 | |
I'll find him. I swear I will. | 0:40:38 | 0:40:40 | |
His wife and his kids, too. | 0:40:42 | 0:40:44 | |
They can hide in my apartment. Smuggle them to Canada. | 0:40:44 | 0:40:47 | |
I'll finance their case all the way to the Supreme Court, if I have to. | 0:40:47 | 0:40:51 | |
God, I'm depressed. | 0:40:53 | 0:40:54 | |
INS just called. | 0:41:03 | 0:41:05 | |
They got hold of some FBI files on a Father George Tate. | 0:41:05 | 0:41:07 | |
You know him, right? | 0:41:07 | 0:41:09 | |
-Yes. -They think maybe he's hiding Eddie Carrena. | 0:41:09 | 0:41:12 | |
Found a couple of addresses to check out | 0:41:12 | 0:41:13 | |
and one of them is in our precinct. | 0:41:13 | 0:41:15 | |
INS wants a police liaison, so I figured he's your guy. | 0:41:15 | 0:41:19 | |
You want to be there, right? | 0:41:19 | 0:41:20 | |
Thank you, Lieutenant. | 0:41:22 | 0:41:23 | |
Oh, Lacey, do me a favour, will you? | 0:41:25 | 0:41:27 | |
-Make sure they treat Eddie right. -Yes, sir. | 0:41:27 | 0:41:29 | |
What do you think you're doing, Isbecki? | 0:41:31 | 0:41:33 | |
-I'm going with them. -Why? Haven't got work of your own? | 0:41:33 | 0:41:36 | |
-Want me to give you more? -Lieutenant, it's important to me. | 0:41:36 | 0:41:39 | |
It's important to me, too. It's being handled. | 0:41:39 | 0:41:41 | |
You got your own work to do. | 0:41:41 | 0:41:42 | |
Hey! I've completed all the DD files for today, | 0:41:42 | 0:41:44 | |
returned all the necessary... | 0:41:44 | 0:41:46 | |
SIREN BLARES | 0:41:46 | 0:41:48 | |
Hey! Detective Mary Beth Lacey, 14th squad. | 0:41:52 | 0:41:55 | |
This is Sergeant Cagney. | 0:41:55 | 0:41:56 | |
-Agent Ollicker, FBI. -Agent Ollicker, those shotguns will not be necessary. | 0:41:56 | 0:42:00 | |
This suspect is known to us, | 0:42:00 | 0:42:01 | |
he was decorated for heroism by the City of New York. | 0:42:01 | 0:42:04 | |
Detective, it doesn't matter if he was decorated by Ronald Reagan. | 0:42:04 | 0:42:07 | |
He assaulted two immigration agents. | 0:42:07 | 0:42:08 | |
In our considered judgment, he's dangerous. | 0:42:08 | 0:42:10 | |
Now, shall we get on with this? Let's go, boys... | 0:42:10 | 0:42:13 | |
Would you hang on a second? I have instructions from my Lieutenant. | 0:42:13 | 0:42:16 | |
Agent Ollicker, we are officials of the City Of New York | 0:42:16 | 0:42:19 | |
and you can't just roar in here... | 0:42:19 | 0:42:20 | |
You going to listen to her? | 0:42:20 | 0:42:22 | |
Agent Dalton! | 0:42:22 | 0:42:23 | |
Dark up here! Give me some flashlights! | 0:42:25 | 0:42:28 | |
Agent Dalton, can you get through to that man? | 0:42:28 | 0:42:30 | |
-He's in charge. -Well, what are we supposed to do? | 0:42:30 | 0:42:32 | |
Let's get it over with, huh? | 0:42:38 | 0:42:40 | |
OK, kick it in. | 0:42:45 | 0:42:47 | |
This place looks deserted. | 0:42:55 | 0:42:56 | |
If we missed him here, he's long gone. | 0:42:56 | 0:42:58 | |
Come on. | 0:42:58 | 0:42:59 | |
FLOORBOARDS CREAK | 0:43:09 | 0:43:10 | |
CAT MEOWS | 0:43:34 | 0:43:36 | |
Almost gave me a heart attack. | 0:43:37 | 0:43:38 | |
Well, must have been the cat we heard. Come on. | 0:43:38 | 0:43:40 | |
Chris, there's nobody up here. Let's go, huh? | 0:43:43 | 0:43:46 | |
Yeah, I guess you're right. | 0:44:11 | 0:44:12 | |
SOMETHING CREAKS | 0:44:15 | 0:44:17 | |
Let's go, please. | 0:44:26 | 0:44:27 | |
You have anything up there? | 0:44:38 | 0:44:40 | |
We're clearing out. You got anything, Cagney? | 0:44:40 | 0:44:43 | |
Cagney? | 0:44:50 | 0:44:51 | |
(Nothing...) | 0:44:53 | 0:44:54 | |
Nothing! | 0:44:58 | 0:44:59 |