Browse content similar to The Psychic. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Let me see that a second. -Screaming won't get you anywhere, Mr Tanner. | 0:01:26 | 0:01:29 | |
INDISTINCT | 0:01:29 | 0:01:32 | |
I'm afraid we're going to have to conclude | 0:01:32 | 0:01:34 | |
that your wife does not want to be found. | 0:01:34 | 0:01:37 | |
-26 days she's been missing! 26 days! -I understand... | 0:01:37 | 0:01:39 | |
-The police haven't found anything! -All the evidence we have...! | 0:01:39 | 0:01:42 | |
All they can come up with is that Nora ran away from me! | 0:01:42 | 0:01:47 | |
-That I'm a terrible husband! -I never said you're a bad husband. | 0:01:47 | 0:01:50 | |
Then why would she run away?! I never hit her, never! | 0:01:50 | 0:01:52 | |
-We have a good marriage. I love her! -Yes, sir, I'm sure you do. | 0:01:52 | 0:01:55 | |
Then why do you keep saying ran away? | 0:01:55 | 0:01:57 | |
You're either too lazy to find Nora or you don't know what you're doing! | 0:01:57 | 0:02:00 | |
For God's sake, stop this! Hold it right there! | 0:02:00 | 0:02:03 | |
Look, Mr Tanner, I won't have you insulting my officers. | 0:02:03 | 0:02:06 | |
I agree with Cagney and Lacey that the evidence points to a runaway! | 0:02:06 | 0:02:09 | |
-Bull! You hear me?! Bull! -Lower your voice in here! | 0:02:09 | 0:02:11 | |
INDISTINCT | 0:02:11 | 0:02:15 | |
All the evidence suggests that your daughter left of her own free will. | 0:02:15 | 0:02:18 | |
My wife does not run away from me. She couldn't have! | 0:02:18 | 0:02:21 | |
-She agrees with me. -Madam Zal is not a trained police officer. | 0:02:21 | 0:02:25 | |
It's Mrs, they only call me Madam in Europe. | 0:02:25 | 0:02:28 | |
You must have heard about her finding that kid in Belgium. | 0:02:28 | 0:02:30 | |
The boy that was kidnapped. | 0:02:30 | 0:02:32 | |
She has not brought any new evidence, any facts. | 0:02:32 | 0:02:34 | |
But I have feelings, Lieutenant. Very strong senses. | 0:02:34 | 0:02:37 | |
Whether you believe in my powers or not. | 0:02:37 | 0:02:40 | |
Madam Zal, a feeling that Mrs Tanner is in danger | 0:02:40 | 0:02:42 | |
does not give us anything new to work with. | 0:02:42 | 0:02:44 | |
But it doesn't make any sense that Nora would go away without telling Howard. | 0:02:44 | 0:02:47 | |
Excuse me, Lieutenant. There's a pack of reporters outside. | 0:02:47 | 0:02:50 | |
They say some lady psychic's giving a press conference. | 0:02:50 | 0:02:53 | |
Thank you, Sergeant. Excuse me. | 0:02:53 | 0:02:55 | |
This should've been cleared through me. I do not appreciate this! | 0:02:55 | 0:02:57 | |
We'll force you to do something whether you like it or not! | 0:02:57 | 0:03:00 | |
This is a police precinct, Tanner, and we'll handle this! | 0:03:00 | 0:03:03 | |
Mrs Zal wanted some pictures. | 0:03:03 | 0:03:06 | |
I know you have one Howard gave you, but this is a more recent picture. | 0:03:06 | 0:03:11 | |
It's with her church choir. | 0:03:11 | 0:03:12 | |
She wanted to sing opera when she was a girl. | 0:03:12 | 0:03:15 | |
But she got married, you know. | 0:03:15 | 0:03:18 | |
-Do you think it'll help? -Yes, ma'am. Thank you. You never can tell. | 0:03:18 | 0:03:22 | |
ALL TALK AT ONCE | 0:03:24 | 0:03:25 | |
She's the one who helped them find that body. | 0:03:27 | 0:03:30 | |
-Yeah, the robbery, Victor. -I saw her on TV. | 0:03:30 | 0:03:32 | |
She is not bad for an older woman. | 0:03:32 | 0:03:35 | |
Money is not important here. | 0:03:35 | 0:03:36 | |
What is important is that we find Nora Tanner. | 0:03:36 | 0:03:39 | |
Will you be working with the police? | 0:03:39 | 0:03:41 | |
I'm prepared to cooperate with any source. Spiritual or otherwise. | 0:03:41 | 0:03:44 | |
In cases where I've assisted the police, they've been very helpful. | 0:03:44 | 0:03:47 | |
She really knows how to put on a circus, doesn't she? | 0:03:47 | 0:03:49 | |
Yeah. I guess it's going to wind up the clowns. | 0:03:49 | 0:03:51 | |
Lieutenant, do you think she's been a victim of foul play? | 0:03:51 | 0:03:54 | |
-No. We have no evidence of that. -I disagree. | 0:03:54 | 0:03:56 | |
There is no question that Mrs Tanner's in danger. Grave danger. | 0:03:56 | 0:03:59 | |
Do you think she's dead? | 0:03:59 | 0:04:00 | |
The family has been kind enough to provide me with pictures. | 0:04:00 | 0:04:03 | |
I'm hoping to get a reading. | 0:04:03 | 0:04:06 | |
I see the New York skyline. | 0:04:10 | 0:04:12 | |
I see Nora Tanner's face. | 0:04:12 | 0:04:14 | |
I see... | 0:04:17 | 0:04:19 | |
She's running. | 0:04:19 | 0:04:21 | |
I'm sorry, Mr Tanner, your wife is frightened and she's being pursued. | 0:04:24 | 0:04:27 | |
-And I see no escape. -Who's pursuing her? | 0:04:29 | 0:04:32 | |
Thank you. | 0:04:39 | 0:04:41 | |
-You want the last half of my egg salad? -What's wrong with it? | 0:04:41 | 0:04:45 | |
Nothing's wrong with it, I'm just not hungry for it. | 0:04:45 | 0:04:48 | |
Go ahead. Take the pickle, too. | 0:04:48 | 0:04:50 | |
Somehow, I think it's more fitting that you keep the pickle. | 0:04:50 | 0:04:53 | |
Nah, thanks. I don't like dill. | 0:04:53 | 0:04:55 | |
I'll tell you what you don't like, Madam Zal. | 0:04:57 | 0:05:00 | |
Excuse me, Mrs Zal. | 0:05:00 | 0:05:03 | |
-Do you? -Hm. She's got style. | 0:05:03 | 0:05:06 | |
Yeah, like a mad truck, she's got style! | 0:05:07 | 0:05:09 | |
Coming in, taking over the entire quadrant, | 0:05:09 | 0:05:11 | |
making money off of people's misery. | 0:05:11 | 0:05:13 | |
Well, I'm going to made a prediction. | 0:05:13 | 0:05:15 | |
I think she's going to fall flat on her face. | 0:05:15 | 0:05:17 | |
-Let's go. -Ten seconds. | 0:05:17 | 0:05:19 | |
Oh, sorry, I forgot. Kid has to have her calcium. | 0:05:21 | 0:05:24 | |
-Her? -Why not? It could be a little girl. | 0:05:25 | 0:05:29 | |
Then I could buy her pretty little smock dresses, you know those kind? | 0:05:30 | 0:05:35 | |
Then later on, Auntie Christine can take her out carousing and drinking. | 0:05:35 | 0:05:38 | |
Preferably with attractive young men. | 0:05:38 | 0:05:40 | |
-That's reassuring, Christine. -Mm. | 0:05:40 | 0:05:43 | |
You going to be a dirty old lady? | 0:05:43 | 0:05:45 | |
Huh! Why not? Dirty young lady. | 0:05:45 | 0:05:47 | |
-Through? -No. -OK. | 0:05:49 | 0:05:52 | |
-Slow is better. Otherwise, burping. -All right. | 0:05:54 | 0:05:58 | |
So I looked around, I didn't see anything missing. | 0:06:00 | 0:06:03 | |
I thought maybe a good strong wind had set the alarm off. | 0:06:03 | 0:06:06 | |
So I sent the cops home. | 0:06:06 | 0:06:07 | |
Now I see my Elvis Presley memorial decanter is gone! | 0:06:07 | 0:06:11 | |
What was it valued at, sir? | 0:06:11 | 0:06:13 | |
Are you kidding? It was priceless. | 0:06:13 | 0:06:16 | |
Well, once you take away all the sentimental value, | 0:06:19 | 0:06:22 | |
it's worth about, er...800 bucks. | 0:06:22 | 0:06:25 | |
-And you're an eyewitness? -Yep. | 0:06:28 | 0:06:31 | |
Could you describe who you saw? | 0:06:31 | 0:06:33 | |
Yep. | 0:06:34 | 0:06:36 | |
Would you tell us what you saw? | 0:06:38 | 0:06:40 | |
Oh, sure. He was all in silver and he sparkled. | 0:06:40 | 0:06:45 | |
-Sparkled? -Yeah. | 0:06:45 | 0:06:47 | |
And he wore this big belt of shiny gold, like a badge or something. | 0:06:47 | 0:06:54 | |
Should I talk to one of them sketch artists? | 0:06:55 | 0:06:58 | |
No, I don't think that will be necessary. | 0:06:58 | 0:07:01 | |
You know, I think of everything you do, I hate missing persons the most. | 0:07:18 | 0:07:23 | |
-I beg your pardon? -You know what I mean. | 0:07:23 | 0:07:25 | |
-You take the whole thing too personally. -Don't start, Harv. | 0:07:25 | 0:07:28 | |
I can't use you going into one of your theories on this. | 0:07:28 | 0:07:30 | |
One of my theories, huh? | 0:07:30 | 0:07:32 | |
You think it's a coincidence you get like this when you get a missing person? | 0:07:32 | 0:07:35 | |
-I don't get like anything. -You don't, huh? Let me tell you something. | 0:07:35 | 0:07:38 | |
You know and I know that every time you get one of these things, | 0:07:38 | 0:07:41 | |
we are talking about your father. | 0:07:41 | 0:07:43 | |
My father? Did you hear me say father? | 0:07:43 | 0:07:46 | |
When did I ever mention father? | 0:07:46 | 0:07:49 | |
Face it, Mary Beth, he's on your mind sometimes, is all. | 0:07:49 | 0:07:52 | |
He took off and you never knew whether he was dead or what. | 0:07:52 | 0:07:55 | |
He took off, Harv. Period. | 0:07:55 | 0:07:56 | |
Selfish bastard. If he was dead, I'd know it. | 0:07:56 | 0:07:59 | |
Oh, yeah? What are you, a gypsy seer? | 0:07:59 | 0:08:01 | |
What are you, Sigmund Freud II? | 0:08:01 | 0:08:02 | |
-I just know that every time you get one of these cases... -Change the subject, Harv. | 0:08:02 | 0:08:06 | |
OK. Sure. | 0:08:07 | 0:08:10 | |
Whatever you say, babe. | 0:08:10 | 0:08:11 | |
-Come on, Mary Beth, you're getting me wet! -What am I wearing? | 0:08:29 | 0:08:32 | |
-What are you wearing? -Mr Tanner couldn't even tell us | 0:08:32 | 0:08:34 | |
what his wife was wearing the day she disappeared. What am I wearing? | 0:08:34 | 0:08:38 | |
You're wearing...your, er... | 0:08:38 | 0:08:40 | |
your blue pants and your yellow blouse. | 0:08:40 | 0:08:42 | |
Well, I got the blue pants right. | 0:08:46 | 0:08:48 | |
My yellow blouse? What yellow blouse? I don't even own a yellow blouse. | 0:08:49 | 0:08:53 | |
Come on, Mary Beth, some things are just not important enough to remember. | 0:08:53 | 0:08:57 | |
Oh, terrific! That's perfect, Harv. | 0:08:57 | 0:08:59 | |
I could disappear tomorrow morning | 0:08:59 | 0:09:02 | |
and you couldn't tell anybody what the hell I looked like! | 0:09:02 | 0:09:04 | |
"What did she look like?" "Oh, I don't know. | 0:09:04 | 0:09:06 | |
"She was a little short blonde woman with a yellow blouse." | 0:09:06 | 0:09:09 | |
It's missing persons. | 0:09:09 | 0:09:11 | |
I saw you on the Carson show the other night. You were terrific. | 0:09:38 | 0:09:41 | |
-Thank you. -I couldn't believe you actually knew what was in the purse. | 0:09:41 | 0:09:45 | |
-Can you predict something's going to happen before it does? -Sometimes. | 0:09:46 | 0:09:50 | |
-Like, um...the sex of a baby. Can you predict that? -Very often. | 0:09:52 | 0:09:56 | |
Or the birth weight, say, or even the date of birth? | 0:09:58 | 0:10:01 | |
I'm sorry, Sergeant, I can't use my gift to further gambling. | 0:10:01 | 0:10:04 | |
How'd you know I was talking about gambling? | 0:10:04 | 0:10:06 | |
The Lacey baby. | 0:10:06 | 0:10:08 | |
Detective Isbecki already asked if I had any hunches. | 0:10:08 | 0:10:12 | |
Oh! | 0:10:12 | 0:10:13 | |
Well, it looks to me like you did a very perfunctory job on this one. | 0:10:18 | 0:10:21 | |
What's the matter? You getting tired? | 0:10:21 | 0:10:23 | |
We're carrying 11 other cases. | 0:10:23 | 0:10:25 | |
I'm telling the inspector, this one's a runaway. | 0:10:25 | 0:10:27 | |
It's all there, the evidence, the profile. | 0:10:27 | 0:10:29 | |
Did you check to see if this lady used her credit cards? | 0:10:29 | 0:10:32 | |
Plane ticket, hotel, restaurants? | 0:10:32 | 0:10:35 | |
We're not supposed to do that unless there's evidence of a crime. | 0:10:35 | 0:10:38 | |
Inspector, I have been following this case very closely | 0:10:38 | 0:10:40 | |
and believe me, they have played it right down the line. | 0:10:40 | 0:10:43 | |
I see. So now we have a psychic and the media to contend with. | 0:10:43 | 0:10:48 | |
Bert, you remember that Steve McCarthy case, don't you? | 0:10:48 | 0:10:51 | |
Yeah. Who was in charge of that? Oh, Taylor, wasn't it, down at the 12th? | 0:10:51 | 0:10:56 | |
Well, the family called in a psychic | 0:10:56 | 0:10:58 | |
and the psychic said the boy would be found in a lake. | 0:10:58 | 0:11:01 | |
Well, everybody laughed. | 0:11:01 | 0:11:02 | |
That was until the body was found in the middle of Lake Placid. | 0:11:02 | 0:11:05 | |
Now, the paper ran that how many days? Five, six? | 0:11:05 | 0:11:09 | |
And as I recall, Taylor was asked to take a very early retirement. | 0:11:09 | 0:11:14 | |
Well, that's not going to happen here, is it, Bert? | 0:11:14 | 0:11:17 | |
-You want us to work with the psychic, sir? -Oh! You just read my mind. | 0:11:17 | 0:11:22 | |
She just read my mind. | 0:11:24 | 0:11:26 | |
Have a good day. | 0:11:26 | 0:11:27 | |
We were just making headway on the Godfrey homicide! | 0:11:30 | 0:11:33 | |
Turn it over to Aspermonte and Kaysaker. | 0:11:33 | 0:11:36 | |
Knelman wants you to work with the psychic, | 0:11:36 | 0:11:38 | |
-you work with the psychic! -Yes. | 0:11:38 | 0:11:41 | |
There is no reason for us to be adversaries. Thank you. | 0:11:50 | 0:11:53 | |
We all want the same thing, which is to find Nora Tanner. | 0:11:53 | 0:11:56 | |
That sideshow in here yesterday with the reporters, | 0:11:56 | 0:11:58 | |
is that part of the way you work? | 0:11:58 | 0:12:00 | |
Detective, we all have an image to present. | 0:12:00 | 0:12:02 | |
For me, people expect something a little more out of the ordinary | 0:12:02 | 0:12:05 | |
and they're disappointed if they don't get it. | 0:12:05 | 0:12:07 | |
Well, we're not here to please your friends, Mrs Zal. | 0:12:07 | 0:12:10 | |
-This is our job. -Now it's my job, too. | 0:12:10 | 0:12:12 | |
If you just keep an open mind, you'll find me reasonable | 0:12:14 | 0:12:16 | |
-and easy to work with. -Is that an official prediction? | 0:12:16 | 0:12:19 | |
The lieutenant said you have further information for us, ma'am. | 0:12:19 | 0:12:21 | |
Yes. | 0:12:21 | 0:12:23 | |
I saw Nora Tanner this morning. | 0:12:23 | 0:12:25 | |
When I woke up. | 0:12:27 | 0:12:28 | |
She was in a grassy area surrounded by trees. | 0:12:29 | 0:12:32 | |
Terrific. Now, yesterday you saw the New York skyline. | 0:12:32 | 0:12:35 | |
I can't pretend to reconcile the two. I simply see what I see. | 0:12:35 | 0:12:38 | |
Nora was in this place outdoors. | 0:12:42 | 0:12:44 | |
And there were horses all around. | 0:12:46 | 0:12:48 | |
I called Mr Tanner to find out if Nora had any connection to horses. | 0:12:49 | 0:12:52 | |
He said no. | 0:12:52 | 0:12:54 | |
That makes it all that much more strange. | 0:12:55 | 0:12:57 | |
Yes, ma'am. | 0:13:00 | 0:13:01 | |
Well...thank you for the information. | 0:13:05 | 0:13:09 | |
I'm not finished, Detective. | 0:13:09 | 0:13:11 | |
I saw many, many horses. | 0:13:13 | 0:13:15 | |
And I had a very strong sense of Nora Tanner | 0:13:16 | 0:13:19 | |
being trampled to death by horses. | 0:13:19 | 0:13:22 | |
WHINNYING | 0:13:33 | 0:13:35 | |
Now, this has been terrific, Christine, slogging through stables. | 0:13:40 | 0:13:44 | |
Look at my shoe! | 0:13:44 | 0:13:45 | |
You have to admit, Mary Beth, Central Park does have trees, | 0:13:45 | 0:13:48 | |
-grass and horses. -Hm. | 0:13:48 | 0:13:50 | |
Where else in New York are we going to find trees, grass and horses? | 0:13:50 | 0:13:53 | |
Aqueduct. Roosevelt Raceway. We can go through 10, 12 pair of shoes. | 0:13:53 | 0:13:57 | |
Great(!) | 0:13:57 | 0:13:59 | |
I hate this. We're in a no-win situation. | 0:14:00 | 0:14:03 | |
No matter what we do, we're going to end up looking stupid. | 0:14:03 | 0:14:05 | |
We find the lady, they're going to say, "See, the psychic was right!" | 0:14:07 | 0:14:10 | |
We don't find the lady, they're going to say, "See, they were stupid!" | 0:14:10 | 0:14:14 | |
I don't know why we're even bothering. The woman is a runaway. | 0:14:15 | 0:14:18 | |
Probably had every good reason. | 0:14:18 | 0:14:20 | |
To take off without a word is a very selfish thing to do. | 0:14:20 | 0:14:23 | |
-You left home once. -For one day. | 0:14:25 | 0:14:27 | |
24 hours in 14 years we've known each other! | 0:14:27 | 0:14:30 | |
And I suffered from guilt the whole time and I called Harvey | 0:14:30 | 0:14:33 | |
and this is something else altogether. | 0:14:33 | 0:14:36 | |
You also came home because you wanted to. You had a choice. | 0:14:36 | 0:14:39 | |
This woman has a choice, but for some reason, she just doesn't want to go home. | 0:14:39 | 0:14:43 | |
What I'm saying is it's not fair to her family. She has responsibilities. | 0:14:43 | 0:14:46 | |
She can't go around thinking only about herself. | 0:14:46 | 0:14:48 | |
It's not quite the same thing. She does not have a child at home | 0:14:48 | 0:14:51 | |
and if she's in a bad relationship, I say good for her for getting out. | 0:14:51 | 0:14:54 | |
A lot of women stay too long. | 0:14:54 | 0:14:56 | |
The trouble with you is you don't understand about responsibilities and commitment. | 0:14:56 | 0:15:00 | |
I understand perfectly. That's why I'm single. | 0:15:00 | 0:15:04 | |
-Thank you. -You're welcome. | 0:15:09 | 0:15:11 | |
We know she's not in the morgue, we know she's not in the hospital. | 0:15:20 | 0:15:23 | |
We know she took her clothes and cosmetics from home | 0:15:23 | 0:15:26 | |
-and a picture of her son in the Marines. -Yeah. | 0:15:26 | 0:15:29 | |
Did you see how her mother started to cry when she saw that empty picture frame? | 0:15:29 | 0:15:33 | |
And Madam Zal uses that. | 0:15:33 | 0:15:35 | |
Takes advantage of it. Charging that woman 25,000. | 0:15:35 | 0:15:39 | |
Some sweet racket she's got. | 0:15:39 | 0:15:41 | |
Well, the woman has had some success. | 0:15:43 | 0:15:45 | |
She found that boy in Europe, she's helped the police with seven cases. | 0:15:45 | 0:15:49 | |
-She was wrong in three of them. -That's better than 50/50. | 0:15:49 | 0:15:53 | |
I bet she still collected the money. | 0:15:53 | 0:15:55 | |
-You don't believe in that psychic garbage, do you? -No. | 0:15:55 | 0:15:57 | |
I went to one once. | 0:15:58 | 0:16:00 | |
She said I was going to get married, live on a farm and have four kids. | 0:16:00 | 0:16:03 | |
-You think it's too late? -Never too late, Christine. | 0:16:03 | 0:16:06 | |
-Honey? -Coming, babe. | 0:16:33 | 0:16:35 | |
Tan sweater, tan dress, tan shoes, golden earrings. | 0:16:40 | 0:16:44 | |
-What else? -What else? | 0:16:45 | 0:16:48 | |
What else? | 0:16:48 | 0:16:49 | |
Oh, OK, er...the boys ate dinner and don't worry about the dishes. | 0:16:49 | 0:16:54 | |
Harvey Junior can take care of them before he goes to school tomorrow. | 0:16:54 | 0:16:57 | |
-Forget about the dishes, what about you? Where are you going? -Tuesday. | 0:16:57 | 0:17:00 | |
-BOTH: Bowling night. -See you at midnight. | 0:17:00 | 0:17:03 | |
-Honey? -The guys are waiting, hon. | 0:17:03 | 0:17:05 | |
Harv? What would you say if I asked you to skip bowling tonight? | 0:17:05 | 0:17:08 | |
What's the matter? | 0:17:08 | 0:17:10 | |
It's the missing persons case. Something's wrong at work. | 0:17:10 | 0:17:13 | |
No, not work. | 0:17:13 | 0:17:15 | |
Everything OK with the baby? You feeling all right? | 0:17:15 | 0:17:18 | |
Harv, what I'm feeling like is talking. | 0:17:18 | 0:17:21 | |
Talking? What about? | 0:17:22 | 0:17:25 | |
Maybe we'll think of something, Harv. | 0:17:27 | 0:17:30 | |
Am I the only one feeling like we've been passing each other like ships in the night? | 0:17:30 | 0:17:34 | |
Oh, no, not last night, babe. Last night, the ships collided. | 0:17:34 | 0:17:37 | |
Well, that's cute, Harv, | 0:17:37 | 0:17:39 | |
but one collision out of every ten days is not enough. It's... | 0:17:39 | 0:17:42 | |
We need to spend more time together. We need to talk to each other more. | 0:17:42 | 0:17:46 | |
You're right. | 0:17:49 | 0:17:51 | |
Let's talk. | 0:17:51 | 0:17:53 | |
You first. | 0:18:05 | 0:18:07 | |
The guys are waiting, Harv. | 0:18:20 | 0:18:23 | |
The guys are waiting. The guys are waiting, Harv. | 0:18:23 | 0:18:26 | |
I'll see you at midnight. | 0:18:27 | 0:18:29 | |
-You almost finished? -Five minutes tops. -Well, hurry it up. | 0:18:46 | 0:18:49 | |
We've got a man out there stealing Elvis Presley memorabilia | 0:18:49 | 0:18:52 | |
and we've got to get him off the streets. | 0:18:52 | 0:18:54 | |
-You said their son enlisted in the Marines six months ago, right? -Yeah. | 0:18:56 | 0:18:59 | |
The same month that she opened a checking account in her own name. | 0:18:59 | 0:19:02 | |
The son leaves and she starts to feel like there's no reason for her to stay. | 0:19:02 | 0:19:06 | |
OK. So she opens a checking account, saves up enough money and then she takes off. | 0:19:06 | 0:19:10 | |
I'd like to know where she got that kind of money. | 0:19:10 | 0:19:13 | |
Maybe she was skimming from her household allowance. | 0:19:13 | 0:19:15 | |
-That? -A little bit each week, it adds up. | 0:19:15 | 0:19:18 | |
Wait, look at this. | 0:19:18 | 0:19:20 | |
Credit card charge from a hotel in Burlington, Vermont two weeks ago. | 0:19:20 | 0:19:23 | |
Get the hard copy and check the signature. | 0:19:23 | 0:19:25 | |
We'll call the police in Burlington, see if the woman matches Nora's description. | 0:19:25 | 0:19:29 | |
I hope they get back to us before Madam Zal has another hot flash. | 0:19:29 | 0:19:32 | |
-Your turn. -Thanks. | 0:19:32 | 0:19:34 | |
OK, Jimmy, when last seen, our perp was wearing a silver jumpsuit. | 0:19:34 | 0:19:39 | |
I see a man. | 0:19:39 | 0:19:41 | |
And he...he's robed. | 0:19:42 | 0:19:45 | |
No. It's a coat. | 0:19:45 | 0:19:48 | |
It's a white coat. | 0:19:50 | 0:19:52 | |
I'm sure. | 0:19:52 | 0:19:54 | |
Look for a man in a white coat. | 0:19:55 | 0:19:58 | |
Know anything about a Nora Tanner? | 0:19:58 | 0:20:00 | |
Sorry, lady. You want the ice cream, or not? | 0:20:00 | 0:20:03 | |
Yeah. | 0:20:03 | 0:20:05 | |
Yes, Harvey Lacey, please. | 0:20:05 | 0:20:07 | |
Excuse me? | 0:20:07 | 0:20:09 | |
No, I'm not the woman that called 15 minutes ago. | 0:20:10 | 0:20:13 | |
His wife, who's this? | 0:20:13 | 0:20:15 | |
Well... | 0:20:17 | 0:20:18 | |
When he comes back, would you please tell him that his wife called? | 0:20:18 | 0:20:21 | |
Yes. And would you ask him to please bring home a dozen eggs | 0:20:21 | 0:20:25 | |
and a quart of apple juice? | 0:20:25 | 0:20:27 | |
On his way home, yes. | 0:20:27 | 0:20:29 | |
Thank you very much. | 0:20:29 | 0:20:32 | |
Thank you very much. | 0:20:35 | 0:20:37 | |
So, what do you think? How many men in New York wear white coats to work, Mary Beth, huh? 100,000? | 0:20:41 | 0:20:46 | |
Maybe more. | 0:20:46 | 0:20:48 | |
We've talked to her doctor, pharmacist, her dentist, | 0:20:48 | 0:20:50 | |
not to mention the grilling I just gave the tutti-frutti man. | 0:20:50 | 0:20:54 | |
That leaves us 99,996 to go. | 0:20:54 | 0:20:57 | |
You'd think the husband would know she's a runaway. | 0:20:59 | 0:21:01 | |
How can you not know when your marriage is in trouble? | 0:21:01 | 0:21:04 | |
-There's signs, right? -Not always that simple. | 0:21:04 | 0:21:06 | |
Come on, Mary Beth - you'd know if Harvey, something was wrong with him. Course you would. | 0:21:06 | 0:21:09 | |
How can a person live with somebody and not know there's something wrong? | 0:21:09 | 0:21:12 | |
-RADIO: -'All units 1030, possible homicide. | 0:21:20 | 0:21:23 | |
'Vicinity, Central Park carousel. | 0:21:23 | 0:21:25 | |
'All units in vicinity respond, repeat, the Central Park carousel.' | 0:21:25 | 0:21:30 | |
394 responding. We're on our way. | 0:21:31 | 0:21:33 | |
Your prediction has come true, Mrs Zal. How does that make you feel? | 0:22:13 | 0:22:17 | |
Terribly sorry for the family, they have my deepest sympathies, | 0:22:17 | 0:22:20 | |
but I saw bad signs here from the beginning. | 0:22:20 | 0:22:23 | |
If you people had looked for Nora when I asked you to, | 0:22:23 | 0:22:26 | |
-this wouldn't have happened. -Howard, please. | 0:22:26 | 0:22:29 | |
I don't know how to help you any more than we already have. | 0:22:29 | 0:22:32 | |
Where were you last night, Mr Tanner? | 0:22:32 | 0:22:34 | |
-I told you, I worked the night shift. -All night, sir? | 0:22:35 | 0:22:38 | |
-You didn't take any breaks? -I don't know... An hour, maybe. | 0:22:38 | 0:22:42 | |
-Did you go anywhere? -No. | 0:22:42 | 0:22:45 | |
Are you sure, sir? | 0:22:45 | 0:22:46 | |
-Not even for a bite to eat? -What's the matter, you don't believe me? | 0:22:46 | 0:22:49 | |
No, it's not that, sir. | 0:22:49 | 0:22:51 | |
In these cases, we have to ask the family first. | 0:22:51 | 0:22:53 | |
Look, lady - I don't understand this. | 0:22:53 | 0:22:55 | |
I've been after you people for weeks to find my wife. | 0:22:55 | 0:22:59 | |
To find my wife! | 0:22:59 | 0:23:00 | |
And now my wife is dead! And you... | 0:23:00 | 0:23:03 | |
You've got nothing better to do than give me the third-degree? | 0:23:03 | 0:23:07 | |
I've had it up to here with you people. | 0:23:07 | 0:23:10 | |
I'm sorry, he doesn't know what he's saying. He's so upset. | 0:23:11 | 0:23:15 | |
-He loved Nora very much. -Yes, ma'am. We understand that. | 0:23:15 | 0:23:19 | |
-No, you don't, Mary Beth. -Harvey, what are you doing there? | 0:23:35 | 0:23:39 | |
-No, you don't. Not till you give me the magic words. -Harvey... | 0:23:39 | 0:23:42 | |
What am I wearing, Mary Beth? | 0:23:42 | 0:23:45 | |
I'm not in the mood for jokes, Harv, OK? | 0:23:45 | 0:23:47 | |
-Come on, Mary Beth - what I wearing? -Would you quit teasing? | 0:23:47 | 0:23:50 | |
Oh, no. You want your hard-working husband | 0:23:50 | 0:23:53 | |
feeling like you've been taking him for granted lately? | 0:23:53 | 0:23:55 | |
-What have -I -got on? -Um... | 0:23:55 | 0:23:58 | |
You're wearing a... | 0:23:59 | 0:24:02 | |
Blue plaid shirt, the one that I mended the pocket last week | 0:24:02 | 0:24:04 | |
and a white T-shirt underneath and grey pants | 0:24:04 | 0:24:07 | |
and a brown cowhide belt with, um... | 0:24:07 | 0:24:09 | |
What do you call it, a tarnished belt buckle, right? How am I doing? | 0:24:09 | 0:24:13 | |
-Right, huh? -Not bad. Not bad, Mary Beth. | 0:24:13 | 0:24:16 | |
But not good enough. | 0:24:16 | 0:24:19 | |
That's very funny, Harv. | 0:24:22 | 0:24:24 | |
I called you at work today. They said you were out or something. | 0:24:26 | 0:24:29 | |
Or busy with all your phone calls or something. You get my message? | 0:24:29 | 0:24:32 | |
Mary Beth, I am sorry. I just got a little mixed up. | 0:24:32 | 0:24:35 | |
I didn't know whether you wanted milk and eggs, | 0:24:35 | 0:24:38 | |
juice or eggs or cereal. | 0:24:38 | 0:24:39 | |
My mom called and she was a little bit under the weather | 0:24:39 | 0:24:42 | |
and she wanted me to get a couple of things from the store too. | 0:24:42 | 0:24:46 | |
-Muriel called you? Muriel called before I called? -Yeah. | 0:24:46 | 0:24:49 | |
Oh, that's wonderful. That's wonderful, Harv. | 0:24:50 | 0:24:55 | |
Muriel calls me every week. | 0:24:56 | 0:24:57 | |
If it makes you this happy, I'll have her call me every day. | 0:24:57 | 0:25:00 | |
-Morning and night. -For you, babe. | 0:25:00 | 0:25:03 | |
Mary Beth, don't you think you've been wearing a little bit too | 0:25:10 | 0:25:13 | |
much make-up lately? | 0:25:13 | 0:25:14 | |
Hm? | 0:25:14 | 0:25:16 | |
Could you give us some more information, Mr Lundsford? | 0:25:30 | 0:25:33 | |
It's been four months since somebody ripped off the jumpsuit. | 0:25:33 | 0:25:37 | |
I didn't have the heart to take the dummy down. | 0:25:37 | 0:25:40 | |
I kept feeling maybe the jumpsuit would come back, like Elvis himself. | 0:25:40 | 0:25:43 | |
Can you describe this jumpsuit? | 0:25:43 | 0:25:45 | |
Can I describe the jumpsuit? | 0:25:47 | 0:25:50 | |
Did the King have hits? | 0:25:50 | 0:25:52 | |
Of course I can describe the jumpsuit. | 0:25:53 | 0:25:56 | |
He wore it in '69. | 0:25:56 | 0:25:58 | |
Vegas appearance. It was the second appearance. | 0:25:58 | 0:26:01 | |
All the stars came out that night, gentlemen, let me tell you. | 0:26:01 | 0:26:04 | |
You had your George Hamiltons, your Minnie Pearls, | 0:26:04 | 0:26:08 | |
your Tom Joneses, your Sammy Davis's Juniors. | 0:26:08 | 0:26:11 | |
Mr Lundsford, the jumpsuit - what did it look like? | 0:26:11 | 0:26:14 | |
It was silver! | 0:26:14 | 0:26:16 | |
It had sequins all over it. | 0:26:17 | 0:26:19 | |
Pearls. | 0:26:19 | 0:26:21 | |
He sparkled like a Roman candle when he wore it! | 0:26:21 | 0:26:24 | |
You know who he did that for, gentlemen, don't you? | 0:26:24 | 0:26:28 | |
The man in the back row. | 0:26:28 | 0:26:29 | |
Boy, that man cared about everybody. | 0:26:30 | 0:26:32 | |
Did he wear a belt buckle with this suit? | 0:26:32 | 0:26:34 | |
Did Elvis love his mother? Of course! | 0:26:34 | 0:26:37 | |
It was a gold-studded sheriff's badge with a six, | 0:26:37 | 0:26:39 | |
diamonds encrusted all over it... | 0:26:39 | 0:26:41 | |
Where you guys been? | 0:26:43 | 0:26:45 | |
Mr Lundsford, do you know of anyone who seemed particularly | 0:26:45 | 0:26:48 | |
interested in that jumpsuit? | 0:26:48 | 0:26:50 | |
The Elvis impersonators, they'd love to get their hands on it - | 0:26:50 | 0:26:53 | |
they say it gives them inspiration. | 0:26:53 | 0:26:56 | |
But none of them could afford it. | 0:26:56 | 0:26:58 | |
-Elvis impersonators? -Yeah. | 0:26:58 | 0:27:01 | |
The town's lousy with them. | 0:27:01 | 0:27:03 | |
Cagney! | 0:27:17 | 0:27:19 | |
Preliminary forensics report on Nora Tanner. Cause of death, strangulation, but you know what? | 0:27:19 | 0:27:23 | |
They found traces of blood on her neck. Now, my theory... | 0:27:23 | 0:27:26 | |
I'm perfectly capable of reading and interpreting that myself - | 0:27:26 | 0:27:29 | |
-may I have it, please? -Cagney - important. | 0:27:29 | 0:27:31 | |
He also found carpet fibres on her nylons - now, | 0:27:31 | 0:27:33 | |
my hunch is that's the key to the case. If you're smart, Cagney, you'll follow that led. | 0:27:33 | 0:27:37 | |
It's Sergeant Cagney, now give it to me. | 0:27:37 | 0:27:40 | |
Check with the psychic - ten-to-one she says I'm right. | 0:27:41 | 0:27:44 | |
Where's Lacey? | 0:27:46 | 0:27:47 | |
She called and said she'd be a little late this morning, | 0:27:47 | 0:27:49 | |
-Lieutenant. -Morning sickness? -I don't think so. | 0:27:49 | 0:27:52 | |
Well, she's got easy duty today. | 0:27:52 | 0:27:53 | |
This afternoon, you two are going to make a little house call. A Madam Zal. | 0:27:53 | 0:27:57 | |
This morning she wants you to go by the grocery, the victim's place | 0:27:57 | 0:28:00 | |
of employment, she thinks the killer is somebody Mrs Tanner worked with. | 0:28:00 | 0:28:03 | |
It'll all be in the papers this afternoon. | 0:28:03 | 0:28:05 | |
What is she, the new Commissioner? | 0:28:05 | 0:28:07 | |
-I just got the forensics report, I've got to check it out. -Later. | 0:28:07 | 0:28:09 | |
Newman's orders - you follow the psychic's lead. | 0:28:09 | 0:28:12 | |
Oh, and if you run into anyone suspicious, she wants you to... | 0:28:12 | 0:28:16 | |
-Bring something of theirs back. -For what? -For a reading, for what. | 0:28:16 | 0:28:19 | |
You're kidding?! What am I supposed to say? | 0:28:22 | 0:28:24 | |
Excuse me, could I have maybe a lock of your hair as a souvenir of our meeting? | 0:28:24 | 0:28:28 | |
Hey, Cagney, you're a sergeant now. You will think of something to say. | 0:28:28 | 0:28:33 | |
Yes, Lieutenant. | 0:28:35 | 0:28:36 | |
I always liked Nora. | 0:28:53 | 0:28:54 | |
-She was different from the other people here. -Different? | 0:28:57 | 0:29:01 | |
-How was she different? -She talked to me. | 0:29:01 | 0:29:04 | |
She was special. | 0:29:06 | 0:29:08 | |
Sometimes I'd take my break the same time she took hers. | 0:29:13 | 0:29:18 | |
-Just so we could talk. -What did you talk about? -Life. | 0:29:18 | 0:29:21 | |
Things we wanted to do, things we knew we'd probably never get to do. | 0:29:24 | 0:29:29 | |
I'm going to miss her. She was probably the best friend I had. | 0:29:30 | 0:29:34 | |
Eli, did you ever want to be more than, you know, just friends? | 0:29:36 | 0:29:40 | |
She couldn't. She was married. | 0:29:41 | 0:29:44 | |
Anyway, she didn't have time for me. | 0:29:47 | 0:29:50 | |
-She had another job. -Another job? | 0:29:50 | 0:29:52 | |
She worked as a cocktail waitress in this bar on Third Avenue. | 0:29:55 | 0:29:59 | |
-I took a cab once and I followed her. -Why did you follow her? | 0:30:02 | 0:30:06 | |
I liked her. | 0:30:08 | 0:30:09 | |
I thought it would be fun if I just showed up as a surprise. | 0:30:09 | 0:30:12 | |
I scared her. She really panicked when she saw me. | 0:30:15 | 0:30:19 | |
-She pleaded with me not to tell anyone. -And did you? | 0:30:20 | 0:30:23 | |
No, of course not. It was our secret. | 0:30:23 | 0:30:27 | |
-Where did you say that bar was, Eli? -86th and Third. | 0:30:28 | 0:30:32 | |
Well, Eli - you've been a big help to us. | 0:30:33 | 0:30:36 | |
-I wonder if I might just ask you one more question. -Yes. | 0:30:36 | 0:30:39 | |
Could I... | 0:30:39 | 0:30:41 | |
Could I borrow your name tag? | 0:30:42 | 0:30:44 | |
-I'll mail it back tomorrow morning. -Um... | 0:30:46 | 0:30:50 | |
-I guess it's OK. -Great. Thanks. | 0:30:52 | 0:30:55 | |
-Thank you. -Do you want me to get you one with your name on it? | 0:30:58 | 0:31:02 | |
Oh, well... | 0:31:02 | 0:31:04 | |
That's all right. This will be just fine. | 0:31:04 | 0:31:07 | |
Thank you. | 0:31:07 | 0:31:09 | |
-Thank you. -Bye! -Bye. -See the white coat? | 0:31:09 | 0:31:13 | |
I'm pregnant, Christine, not blind. | 0:31:13 | 0:31:15 | |
Yes, sure - I remember her. | 0:31:20 | 0:31:22 | |
She called herself Yvonne Webber. Now, will you ladies excuse me? | 0:31:22 | 0:31:25 | |
I've got to get ready for the lunch trade. | 0:31:25 | 0:31:27 | |
We're pushing for the white wine crowd, you know? | 0:31:27 | 0:31:29 | |
-When was the last time you saw her? -About a month ago. | 0:31:29 | 0:31:32 | |
-That's when she quit. -Did she say why she was quitting? -No. | 0:31:32 | 0:31:37 | |
But I knew right from the beginning it wasn't going to work out. | 0:31:37 | 0:31:41 | |
She could only work when her old man was on the nightshift. | 0:31:41 | 0:31:44 | |
She didn't want him to know about the job. Asked to be paid in cash. | 0:31:44 | 0:31:47 | |
What kind of a guy doesn't want his wife to work? | 0:31:47 | 0:31:50 | |
-Mr Roedl, did you ever see her leave with a customer? -No. | 0:31:50 | 0:31:54 | |
-She was real clean. -Did you ever go out with her? -Nah. | 0:31:54 | 0:31:57 | |
I like to stay away from the married ones. Who needs the aggravation? | 0:31:57 | 0:32:00 | |
-Yeah. -Are you married, honey? -Four kids. | 0:32:00 | 0:32:04 | |
-We live on a farm. -Pity. | 0:32:04 | 0:32:07 | |
-Thank you, Mr Roedl. -Sure. -Thank you. -Bye, now. | 0:32:07 | 0:32:10 | |
-Christine! -I'll return it tomorrow! Morning. First thing. -Uh-huh. | 0:32:15 | 0:32:21 | |
-Next up, Madam Zal's. -I hope her apartment doesn't smell of incense. | 0:32:25 | 0:32:30 | |
This one sees himself as a ladies' man. | 0:32:36 | 0:32:38 | |
He thinks of himself as wild and dangerous. | 0:32:38 | 0:32:42 | |
He's relatively harmless. | 0:32:42 | 0:32:43 | |
Let me see the other one. | 0:32:43 | 0:32:45 | |
Thank you. | 0:32:48 | 0:32:49 | |
I see he works in a grocery store. | 0:32:51 | 0:32:53 | |
-Yes, that's a tough one. -This man is in great pain. | 0:32:53 | 0:32:57 | |
There's something very disturbing to him about Nora's death. | 0:32:59 | 0:33:03 | |
And he's confused... | 0:33:04 | 0:33:06 | |
Scared. He's very, very scared. | 0:33:07 | 0:33:09 | |
You should talk to this man immediately, | 0:33:09 | 0:33:12 | |
he knows something he's not telling you. | 0:33:12 | 0:33:14 | |
We're running a computer check on him. | 0:33:14 | 0:33:16 | |
I guess we could make a call and see if anything came through. | 0:33:17 | 0:33:22 | |
-May I use your phone? -Sure. | 0:33:23 | 0:33:26 | |
GIRL'S VOICE ON PHONE | 0:33:26 | 0:33:28 | |
(Excuse me.) | 0:33:28 | 0:33:30 | |
Carol, honey? | 0:33:30 | 0:33:32 | |
Carol! | 0:33:33 | 0:33:34 | |
Excuse me. | 0:33:36 | 0:33:37 | |
-Carol! -Mom, I'm talking to... | 0:33:41 | 0:33:42 | |
Fine, sweetheart, but just tell him you'll call him back in five minutes. | 0:33:42 | 0:33:45 | |
He asked me to go to the prom. | 0:33:45 | 0:33:47 | |
I want you to get off the phone and I'm not going to tell you again, now! | 0:33:47 | 0:33:50 | |
Teenagers. They're so... | 0:33:55 | 0:33:58 | |
Unpredictable. | 0:33:58 | 0:34:00 | |
There's another phone in the kitchen if you'd like some privacy. | 0:34:00 | 0:34:03 | |
Thank you. Excuse me. | 0:34:03 | 0:34:07 | |
Detective Lacey... You've got two boys, right? | 0:34:14 | 0:34:16 | |
How did you know that? | 0:34:18 | 0:34:20 | |
-You told me. At the station, remember? -Oh, yeah. | 0:34:20 | 0:34:25 | |
-You pregnant again? -Yeah. | 0:34:25 | 0:34:28 | |
-May I have something of yours to hold? -Huh? | 0:34:28 | 0:34:32 | |
We can find out if you can have a daughter this time. | 0:34:32 | 0:34:34 | |
-No, thank you. -Oh! | 0:34:36 | 0:34:39 | |
You don't believe in any of this stuff, do you, Detective? | 0:34:39 | 0:34:42 | |
Madam Zal, what I don't believe in is charging people | 0:34:44 | 0:34:47 | |
25,000 for a service like yours. | 0:34:47 | 0:34:50 | |
In my opinion, I think you're taking advantage of people's troubles. | 0:34:51 | 0:34:55 | |
I'm no fly-by-night gypsy, Detective. I have a gift. | 0:34:55 | 0:35:00 | |
In our society, people who have gifts are well paid. | 0:35:00 | 0:35:04 | |
Why should I apologise for making half as much money as someone | 0:35:04 | 0:35:07 | |
who's only talent is that he can throw a real tight spiral on a Sunday afternoon? | 0:35:07 | 0:35:11 | |
Eli was in a mental hospital last year. | 0:35:11 | 0:35:15 | |
And up until five years ago, he lived in Burlington, Vermont. | 0:35:15 | 0:35:19 | |
-Did you take these? Did you take these pictures...? -Yes! Yes! | 0:35:26 | 0:35:29 | |
It was the only way that I could have her with me. | 0:35:29 | 0:35:31 | |
-I wanted to be close to her. It was the only way I could have her with me. -Is this your diary, Eli? | 0:35:31 | 0:35:35 | |
-What are you doing with that? -How about this? Did you write, "I want her all to myself. | 0:35:35 | 0:35:39 | |
"I cannot share her any longer, why won't she take me seriously?" | 0:35:39 | 0:35:41 | |
-What did you mean by that? -Just what it says. Look, I loved her. | 0:35:41 | 0:35:46 | |
She wouldn't believe that... I warned her, but she wouldn't listen. | 0:35:46 | 0:35:49 | |
She wouldn't listen to you - did that make you angry, Eli? Huh? | 0:35:49 | 0:35:53 | |
What did you do? What did you do to make her listen to you? | 0:35:53 | 0:35:56 | |
Let me tell you - you wrote four days later, "Nora is having an affair. I know it." | 0:35:56 | 0:36:00 | |
With whom, Eli, huh? What did you do to punish her? | 0:36:00 | 0:36:03 | |
Did you punish her for that? | 0:36:03 | 0:36:05 | |
Eli... | 0:36:05 | 0:36:07 | |
Tell me about Burlington, Vermont. | 0:36:07 | 0:36:09 | |
Eli... Burlington, Vermont. | 0:36:12 | 0:36:15 | |
God, it was nice there. It was quiet. It was peaceful. | 0:36:18 | 0:36:23 | |
It was safe. | 0:36:23 | 0:36:25 | |
I told Nora about it. Oh, I knew she could be happy there. | 0:36:27 | 0:36:30 | |
And you took her there. | 0:36:32 | 0:36:35 | |
I wanted to. | 0:36:35 | 0:36:36 | |
I wanted to be there with her. | 0:36:37 | 0:36:39 | |
Were you, Eli? Were you there with her? | 0:36:39 | 0:36:42 | |
Don't you get it? I loved her. | 0:36:42 | 0:36:46 | |
I'll always love her. | 0:36:47 | 0:36:49 | |
I could never hurt her. | 0:36:54 | 0:36:56 | |
I'll always love her. | 0:37:08 | 0:37:11 | |
HE SOBS | 0:37:11 | 0:37:12 | |
Take your time. Look at each man closely, | 0:37:19 | 0:37:22 | |
we want you to be positive before you identify anybody. | 0:37:22 | 0:37:25 | |
I'd like a closer look at number three. | 0:37:31 | 0:37:34 | |
Number three, would you step forward, please? | 0:37:35 | 0:37:38 | |
I never thought being good-looking | 0:37:38 | 0:37:40 | |
and having a great body would be a curse. | 0:37:40 | 0:37:43 | |
I'm not sure. Will you have him sing You Ain't Nothing But A Hound Dog? | 0:37:53 | 0:37:59 | |
Michael, what time did Daddy call? | 0:38:10 | 0:38:12 | |
Well, did he say how late he'd be? | 0:38:12 | 0:38:14 | |
I don't need to see the entire report, | 0:38:14 | 0:38:16 | |
just a few pieces of information, Reuben - help us out here. | 0:38:16 | 0:38:19 | |
I don't want to start a precedent. | 0:38:19 | 0:38:21 | |
-Oh, Reuben! -No! -Please! | 0:38:21 | 0:38:23 | |
Ahhh. | 0:38:23 | 0:38:25 | |
All right. | 0:38:25 | 0:38:27 | |
This is a copy of the ME's report. | 0:38:33 | 0:38:35 | |
I don't suppose you've seen that one, either? | 0:38:35 | 0:38:37 | |
Actually, we were on our way over there, | 0:38:37 | 0:38:39 | |
-doesn't seem like we'll have time... -OK, OK. | 0:38:39 | 0:38:42 | |
Looks like she was killed by a man. A strong one at that. | 0:38:42 | 0:38:45 | |
Broke her thyroid cartilage and the hyoid bone. | 0:38:45 | 0:38:47 | |
What about the fibres in her nylons? | 0:38:47 | 0:38:49 | |
It was from an industrial carpet, | 0:38:49 | 0:38:50 | |
the type used in old model GM vehicles. | 0:38:50 | 0:38:52 | |
Think she was strangled in the car? | 0:38:52 | 0:38:54 | |
Uh-huh. | 0:38:54 | 0:38:56 | |
No, you may not have ice cream after dinner. | 0:38:56 | 0:38:59 | |
Because it rots your teeth is why. | 0:38:59 | 0:39:02 | |
And turn off the TV, Michael. | 0:39:02 | 0:39:04 | |
No TV on school nights. | 0:39:04 | 0:39:06 | |
Read a book. Goodbye, Michael. | 0:39:06 | 0:39:08 | |
Did you get anything? | 0:39:09 | 0:39:10 | |
Yes, she was killed somewhere else and transported by car. | 0:39:10 | 0:39:13 | |
-What about the blood on her neck? -You're going to love this. | 0:39:13 | 0:39:16 | |
-It's from an animal. -Like, from a horse? -No, like, from a cow. | 0:39:16 | 0:39:21 | |
And then they came back to me and asked me to sing Don't Be Cruel. | 0:39:24 | 0:39:28 | |
So you really looked like the perp, huh? | 0:39:28 | 0:39:29 | |
No, the guy said afterwards once he heard number six sing, | 0:39:29 | 0:39:32 | |
he knew it was him. But he liked my voice, though. | 0:39:32 | 0:39:35 | |
Said I could have a future in show business. | 0:39:35 | 0:39:37 | |
This just came through. An airplane reservation for the Tanner woman. | 0:39:37 | 0:39:41 | |
She flew from Burlington to New York on the night she was killed. | 0:39:44 | 0:39:47 | |
-What time did she get in? -11.00pm. | 0:39:47 | 0:39:50 | |
She was killed approximately 1.00am... | 0:39:50 | 0:39:52 | |
So what happened in those two hours? | 0:39:52 | 0:39:55 | |
Mary Beth! | 0:39:56 | 0:39:57 | |
TOILET FLUSHES | 0:39:57 | 0:39:59 | |
Yes? | 0:39:59 | 0:40:00 | |
Eli might have been watching her apartment. | 0:40:00 | 0:40:02 | |
He'd know when she came home. | 0:40:02 | 0:40:04 | |
Maybe she didn't want to go home and she went to the bar, | 0:40:06 | 0:40:08 | |
where she had friends, and that leaves us with a bartender. | 0:40:08 | 0:40:11 | |
-Mary Beth, there's another possibility. -Oh, swell. | 0:40:16 | 0:40:19 | |
That makes nine. I suggest we call it a night, Sergeant. | 0:40:19 | 0:40:22 | |
Listen, in a normal case of a murdered runaway wife, | 0:40:22 | 0:40:24 | |
-who is the prime suspect? -The husband. -Uh-huh. | 0:40:24 | 0:40:27 | |
-Only we never considered him. -Right. Because if he was planning to murder her, | 0:40:27 | 0:40:30 | |
why would he bring in a psychic with a big reputation? | 0:40:30 | 0:40:33 | |
Because maybe he wasn't planning the murder. Maybe he really didn't know where she was | 0:40:33 | 0:40:36 | |
when he hired the psychic - maybe we've been right all along? | 0:40:36 | 0:40:39 | |
Nora Tanner WAS a runaway. | 0:40:39 | 0:40:41 | |
And she couldn't stay in hiding because of all the publicity. | 0:40:43 | 0:40:47 | |
-So she comes home, they have a big fight... -And he kills her. | 0:40:47 | 0:40:51 | |
And he plants her body at the carousel to make | 0:40:51 | 0:40:53 | |
-the prediction come true. -Prove it. | 0:40:53 | 0:40:56 | |
How about the car fibres? Tanner's a truck driver, isn't he? | 0:40:56 | 0:40:58 | |
-Does he have a car? -The mother-in-law does. -We called her. | 0:40:58 | 0:41:01 | |
-She loaned it to him that night. -And guess where he works? -This is the kicker. | 0:41:01 | 0:41:05 | |
He drives a truck for a meatpacking company on 10th Avenue. | 0:41:05 | 0:41:07 | |
Huh? | 0:41:07 | 0:41:09 | |
Animal blood. | 0:41:10 | 0:41:12 | |
Isn't it kind of late for two pretty ladies like you to be out? | 0:41:34 | 0:41:38 | |
-We're the police. We're looking for a Howard Tanner. -Oh, er...sure. | 0:41:38 | 0:41:43 | |
-Loading dock 16. He's packing a shipment. -Thank you. -Thank you. | 0:41:43 | 0:41:48 | |
Mr Tanner? | 0:42:12 | 0:42:14 | |
Detective Lacey, Mr Tanner. | 0:42:15 | 0:42:17 | |
CLUNK, MACHINERY WHIRS | 0:42:17 | 0:42:19 | |
ENGINE STARTS | 0:43:40 | 0:43:42 | |
HE REVS ENGINE MENACINGLY | 0:43:45 | 0:43:49 | |
Tanner... | 0:44:01 | 0:44:02 | |
I didn't mean to kill her. I loved her. | 0:44:21 | 0:44:24 | |
How could she leave me like that? How could she leave me? | 0:44:27 | 0:44:30 | |
HE SOBS | 0:44:30 | 0:44:32 | |
As I announced at the press conference the very first day | 0:44:39 | 0:44:41 | |
NYPD brought me on the case, Nora Tanner was running for her life. | 0:44:41 | 0:44:45 | |
There was no escape. | 0:44:46 | 0:44:48 | |
Tragically, it was just as I had predicted. | 0:44:48 | 0:44:51 | |
-"Just as she had predicted." -Hey, the lady has a gift. | 0:44:51 | 0:44:55 |