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THEME MUSIC PLAYS | 0:00:05 | 0:00:07 | |
MUSIC CONTINUES | 0:01:33 | 0:01:34 | |
Harvey. | 0:02:31 | 0:02:33 | |
Sweetheart, come to bed. | 0:02:34 | 0:02:36 | |
Honey, it's late. You've got to get some sleep. | 0:02:39 | 0:02:42 | |
It's cold. | 0:02:46 | 0:02:48 | |
At least put on your robe. | 0:02:49 | 0:02:51 | |
Hey. I've got one mother already, I don't need two, OK? | 0:02:51 | 0:02:55 | |
-Here. Here. -You know a phone booth anywheres? | 0:03:08 | 0:03:11 | |
The one inside didn't work. | 0:03:11 | 0:03:13 | |
Relax. You can call Harvey from the precinct. | 0:03:13 | 0:03:16 | |
Lousy raisin Danish for lunch again. | 0:03:16 | 0:03:19 | |
You'd think one hour could go by in this city without a homicide. | 0:03:19 | 0:03:22 | |
It's supposed to be springtime. It's the weather. | 0:03:22 | 0:03:25 | |
It drives sane people crazy. | 0:03:25 | 0:03:27 | |
Chipper today, aren't we(?) | 0:03:31 | 0:03:33 | |
I had a long night. | 0:03:34 | 0:03:35 | |
-Alice keeping you up again? -No. The baby's fine. | 0:03:35 | 0:03:39 | |
Want to talk about it? | 0:03:40 | 0:03:42 | |
It's this job that Harvey's on. It... | 0:03:43 | 0:03:46 | |
Some delays is all. He'll work it out. | 0:03:46 | 0:03:48 | |
Fleeing the Khmer Rouge, Mr Hong came to this country, | 0:03:50 | 0:03:53 | |
established a legal practice and rose to become... | 0:03:53 | 0:03:55 | |
-Any suspects? -Give us a break, OK? We just got here. | 0:03:55 | 0:03:59 | |
Care to speculate on a motive? | 0:03:59 | 0:04:01 | |
Care to get that thing out of my face? | 0:04:02 | 0:04:05 | |
Charles was so delighted when he got those. | 0:04:10 | 0:04:13 | |
Like a kid. | 0:04:15 | 0:04:17 | |
Miss Morgan, please take another look around. | 0:04:17 | 0:04:19 | |
You sure there's nothing else missing? | 0:04:19 | 0:04:21 | |
Oh. | 0:04:21 | 0:04:23 | |
No, not offhand. | 0:04:24 | 0:04:26 | |
I... Sorry. | 0:04:34 | 0:04:37 | |
It's... | 0:04:37 | 0:04:39 | |
Well, it's all so damn senseless, and for what? | 0:04:39 | 0:04:42 | |
A few pieces of jewellery and a typewriter?! | 0:04:42 | 0:04:45 | |
Ma'am, how long have you been in this office? | 0:04:45 | 0:04:47 | |
For six years. Ever since we went in practice together. | 0:04:47 | 0:04:52 | |
I helped him with his English | 0:04:52 | 0:04:54 | |
and he saved me from a life of corporate law. | 0:04:54 | 0:04:57 | |
-Did he have any known enemies? -Not Charles. | 0:04:57 | 0:05:00 | |
Take a look in our files | 0:05:02 | 0:05:03 | |
and see for yourself what he did for his people. | 0:05:03 | 0:05:06 | |
He was more than just an immigration lawyer. | 0:05:06 | 0:05:10 | |
He set them up in businesses, he got them housing, car loans. | 0:05:10 | 0:05:14 | |
Everybody loved him. | 0:05:16 | 0:05:17 | |
Yeah, most mornings he'd be in his office by seven. | 0:05:17 | 0:05:21 | |
Banging away at the typewriter and I drop by | 0:05:21 | 0:05:24 | |
and we'd have coffee and bagels and talk baseball. | 0:05:24 | 0:05:28 | |
Baseball. Can you believe it? | 0:05:28 | 0:05:30 | |
Five years ago this guy didn't know | 0:05:30 | 0:05:32 | |
a batting average from the Brooklyn Bridge | 0:05:32 | 0:05:36 | |
and last week he's quoting Dwight Gooden's ERA. | 0:05:36 | 0:05:39 | |
You say when you went to Mr Hong's office that the door was unlocked? | 0:05:39 | 0:05:43 | |
Wide open, and there he was, the poor guy. | 0:05:43 | 0:05:46 | |
You'd think there'd be a little justice in this world. | 0:05:46 | 0:05:49 | |
That's what were working on here. | 0:05:49 | 0:05:51 | |
Can you tell us anything about Mr Hong's character? | 0:05:51 | 0:05:54 | |
Yeah. A real gentleman. Polite and refined. | 0:05:54 | 0:05:57 | |
He upgraded the neighbourhood, if you know what I mean. | 0:05:57 | 0:06:01 | |
No, sir, we don't know what you mean. | 0:06:01 | 0:06:03 | |
You know. The, er, Greek element that was here before. | 0:06:03 | 0:06:07 | |
You know, Hong bringing his own people | 0:06:07 | 0:06:09 | |
and they take over the stores and the markets. | 0:06:09 | 0:06:13 | |
Best thing that ever happened to this place. | 0:06:14 | 0:06:18 | |
People had to know Hong had the money. | 0:06:18 | 0:06:20 | |
That's exactly what it looks like - a burglary. | 0:06:20 | 0:06:22 | |
Tomorrow morning we'll start with the fences and the pawnbrokers. | 0:06:22 | 0:06:26 | |
-Mrs Hong give you anything over the phone? -No, she's still in shock. | 0:06:26 | 0:06:29 | |
I don't think she's going to be able to talk for a while. | 0:06:29 | 0:06:31 | |
Losing a man that worked that hard for his family can't be easy. | 0:06:31 | 0:06:35 | |
You hear anything about your Corvette? | 0:06:35 | 0:06:37 | |
Tonight's the night. I can feel it in my bones, Mary Beth. | 0:06:37 | 0:06:40 | |
The woman who's coming to see it is very interested. | 0:06:40 | 0:06:43 | |
-A buyer already?! -It's great. | 0:06:43 | 0:06:46 | |
So, you had the transmission fixed and it's running OK now, huh? | 0:06:46 | 0:06:49 | |
Chris. | 0:06:49 | 0:06:51 | |
-Chris! -What? | 0:06:51 | 0:06:53 | |
Mary Beth, what you don't understand | 0:06:53 | 0:06:55 | |
is what people are looking for in a car is style. Classic lines, speed. | 0:06:55 | 0:06:59 | |
-Plus a lot of car buyers like to do their own overhauling. -Is that so? | 0:07:00 | 0:07:05 | |
Do you know how much this thing is costing me to keep going, | 0:07:05 | 0:07:07 | |
with the insurance payments and the tune-ups and the tow charges? | 0:07:07 | 0:07:10 | |
This damn Corvette is eating me alive! | 0:07:10 | 0:07:12 | |
Yeah, things are tough all over, Chris. | 0:07:12 | 0:07:15 | |
TYRES SCREECH | 0:07:15 | 0:07:17 | |
Well...how's that for pick-up, huh? | 0:07:26 | 0:07:29 | |
And so low to the ground. It's a wonderful feeling, isn't it? | 0:07:30 | 0:07:34 | |
Not to me, and I speak from experience. | 0:07:34 | 0:07:36 | |
I used to be two inches taller. | 0:07:36 | 0:07:38 | |
-Could you open the hood and let me take a little peek inside? -Sure. | 0:07:38 | 0:07:42 | |
You've got to remember now, this car is considered a classic. | 0:07:42 | 0:07:46 | |
So why are you try to get rid of it? | 0:07:46 | 0:07:47 | |
I'm not. I'm just trying to sell it, I don't want to get rid of it. | 0:07:47 | 0:07:51 | |
Not to me you're not, unless you give me some answers. | 0:07:51 | 0:07:54 | |
I've had it for a while and I'm just ready for a change. | 0:07:56 | 0:07:59 | |
Yeah, like a little less time at the shop. | 0:07:59 | 0:08:03 | |
Beautiful colour, isn't it? Canary yellow. | 0:08:03 | 0:08:06 | |
How the brakes? | 0:08:06 | 0:08:09 | |
Oh. | 0:08:09 | 0:08:10 | |
May need some minor adjustments, but really, it's nothing major. | 0:08:10 | 0:08:14 | |
Sweetheart, the transmission is shot, the steering is loose, | 0:08:14 | 0:08:18 | |
the hood doesn't open, the engine has less get up and go | 0:08:18 | 0:08:21 | |
than my dear friend Bessie, who got up and went last winter. | 0:08:21 | 0:08:25 | |
Are you saying that the car isn't right for you? | 0:08:25 | 0:08:27 | |
I'm saying this car is not fit to be driven and if you're smart, | 0:08:27 | 0:08:31 | |
you'll take it to a mechanic and get it fixed | 0:08:31 | 0:08:33 | |
before you get yourself killed, or even worse, sued. | 0:08:33 | 0:08:36 | |
-TELEVISION: -'It's good, isn't it, Tommy?' | 0:08:46 | 0:08:48 | |
-Hi, everybody. -Hi, Mum. | 0:08:48 | 0:08:50 | |
No, no. Don't rush me all at once(!) | 0:08:53 | 0:08:56 | |
BABY GURGLES | 0:08:58 | 0:09:00 | |
Hey. Hey. | 0:09:00 | 0:09:02 | |
Hello, my angel. | 0:09:02 | 0:09:04 | |
-Come on, Dad. -All Mummy needs is a nice warm... | 0:09:04 | 0:09:06 | |
-I want to watch the weather. -You've been watching the weather all day. | 0:09:06 | 0:09:11 | |
Muriel go home already? | 0:09:12 | 0:09:14 | |
Half an hour ago. Dinner's in the oven. | 0:09:14 | 0:09:16 | |
You should've told her to wait till after rush hour. | 0:09:16 | 0:09:19 | |
She wanted to leave. My mother's old enough to make her own decisions. | 0:09:19 | 0:09:23 | |
Mum, I'm late for Tiffany's... | 0:09:23 | 0:09:25 | |
-Hey! -..and Dad won't let me go. | 0:09:25 | 0:09:28 | |
What do you want to go out in this weather for? | 0:09:28 | 0:09:31 | |
I have a make-up test Friday. Tiffany was going to help me study. | 0:09:31 | 0:09:34 | |
I'll bet. | 0:09:34 | 0:09:36 | |
Harvey, you just had a cold. You'll wind up getting pneumonia. | 0:09:36 | 0:09:39 | |
Come on, Mum. I won't get pneumonia. | 0:09:39 | 0:09:41 | |
BABY CRIES Now see what you started? | 0:09:41 | 0:09:43 | |
-You're staying home. -But she's not going to... -End of discussion. | 0:09:43 | 0:09:47 | |
Hey, hey, hey. What's the matter? What's the matter, you? | 0:09:47 | 0:09:50 | |
That's OK. | 0:09:50 | 0:09:52 | |
She's all right. She's all right. | 0:09:54 | 0:09:57 | |
-You talk to Garibaldi? -Half an hour ago. | 0:09:59 | 0:10:01 | |
It's still five below in Saratoga. | 0:10:01 | 0:10:03 | |
15 with the wind chill and at this time of year. | 0:10:03 | 0:10:07 | |
What is this? What's going on here? | 0:10:07 | 0:10:10 | |
What are we doing? | 0:10:11 | 0:10:13 | |
Helping support the dairy farmers of America? | 0:10:13 | 0:10:15 | |
-Harvey, listen to me. -Three cartons of milk open?! | 0:10:15 | 0:10:18 | |
Do you know how fast this stuff spoils? | 0:10:18 | 0:10:20 | |
-I know that things look bad... -Do you think we're made out of money? | 0:10:20 | 0:10:23 | |
As soon as the weather warms up... | 0:10:23 | 0:10:25 | |
What do they care we're losing 500 bucks a day paying a crew | 0:10:25 | 0:10:28 | |
for sitting around doing nothing? | 0:10:28 | 0:10:30 | |
You're three days behind, is all. | 0:10:30 | 0:10:32 | |
Yeah? And the weatherman says more snow on the way. | 0:10:32 | 0:10:34 | |
Since when do you believe everything you hear? | 0:10:34 | 0:10:37 | |
BABY CRIES | 0:10:37 | 0:10:38 | |
Oh, honey, we have to look on the positive side. | 0:10:38 | 0:10:41 | |
You'd think they'd learn by now. Michael, Harvey, get in here! | 0:10:41 | 0:10:44 | |
MUSIC PLAYS | 0:10:47 | 0:10:49 | |
Gold Rolex? Gold money clip?! Lady, look around. | 0:10:56 | 0:11:00 | |
The only gold got in this place is in the back of my mouth. | 0:11:00 | 0:11:03 | |
How about his electric typewriter? Serial number 1673427. | 0:11:03 | 0:11:08 | |
Do I look like I have traffic in business machines? | 0:11:08 | 0:11:11 | |
If any of these items are bought in to be pawned, | 0:11:11 | 0:11:13 | |
please notify us at once. | 0:11:13 | 0:11:15 | |
Is that the stuff they got from that Cambodian guy? The guy they shot? | 0:11:15 | 0:11:19 | |
Did you know Charles Hong? | 0:11:19 | 0:11:21 | |
Them people. They come in here, they take over everything. | 0:11:21 | 0:11:24 | |
Liquor stores, groceries, you name it! | 0:11:24 | 0:11:27 | |
That Hong... | 0:11:27 | 0:11:29 | |
he was the one that gave them the money to swallow us up. | 0:11:29 | 0:11:33 | |
Sounds like you weren't very fond of your new neighbours. | 0:11:33 | 0:11:36 | |
12 years I have this store. | 0:11:36 | 0:11:38 | |
They got no respect for the people who was here first! | 0:11:38 | 0:11:42 | |
Let them go back to where they come from. | 0:11:42 | 0:11:45 | |
Not one of Hong's biggest fans. | 0:11:46 | 0:11:48 | |
People love to hate each other, don't they? | 0:11:48 | 0:11:51 | |
They can always find somebody new to hate. | 0:11:51 | 0:11:53 | |
These Puerto Ricans see these Cambodians making it ahead of them. | 0:11:53 | 0:11:58 | |
They resent it. Same old same old. | 0:11:58 | 0:12:00 | |
What are we supposed to do? | 0:12:00 | 0:12:02 | |
Bring in every Puerto Rican from the neighbourhood? | 0:12:02 | 0:12:04 | |
The only solid lead we have is stolen goods. | 0:12:04 | 0:12:07 | |
-Leads us to pawnbrokers. -Six more in this district alone. | 0:12:07 | 0:12:11 | |
Lord, I do hate this winter. | 0:12:11 | 0:12:14 | |
Sir, I did not say "relax", I said Rolex! | 0:12:16 | 0:12:20 | |
R-O-L-E-X, as in expensive. It's a watch. | 0:12:20 | 0:12:27 | |
-No, I don't want to buy one. -Cagney? -Yeah? -Special delivery here for you. | 0:12:27 | 0:12:31 | |
-Oh, yeah? What is it? -Does this look like The Man With X-ray Eyes? | 0:12:31 | 0:12:35 | |
You know, Coleman, you light up a room just by leaving it. | 0:12:37 | 0:12:40 | |
Sir, if anyone tries to pawn any of these items, | 0:12:40 | 0:12:43 | |
please let us know at once. | 0:12:43 | 0:12:46 | |
Especially the relax watch, sir. | 0:12:46 | 0:12:49 | |
-Thank you! "Relax"! -Sound advice, Mary Beth. | 0:12:49 | 0:12:54 | |
-What do you got? -Translations from Hong's client file, contract. | 0:12:54 | 0:12:59 | |
Contract, contract, contract... | 0:12:59 | 0:13:01 | |
Well, that was the 12th and last pawn shop on the East Side. | 0:13:01 | 0:13:05 | |
-I say we're up against a dead end here. -Mary Beth, wait a minute. | 0:13:05 | 0:13:09 | |
Looks like Hong does have some enemies. | 0:13:09 | 0:13:12 | |
And they aren't all Puerto Rican - look at that. | 0:13:12 | 0:13:15 | |
"Dear sir, you are one month behind in your care payment." Who isn't? | 0:13:15 | 0:13:19 | |
"If we do not receive your payment within three days..." | 0:13:23 | 0:13:27 | |
Hong's law partner claimed that he was a selfless do-gooder, | 0:13:27 | 0:13:29 | |
loved by the Cambodians, financed all of their businesses. | 0:13:29 | 0:13:32 | |
In the interim, he'd been sending these nasty collection notes | 0:13:32 | 0:13:35 | |
to people who fell behind on their payments. | 0:13:35 | 0:13:37 | |
His secretary says there's a cab driver named Tamuk Lampoll | 0:13:37 | 0:13:39 | |
who tried to buy time. When Hong avoided his phone calls, | 0:13:39 | 0:13:42 | |
this cab driver started making threats. | 0:13:42 | 0:13:44 | |
Might be a deadbeat, what makes you think he's a killer? | 0:13:44 | 0:13:46 | |
I had Commission send over Lampoll's trip card the night of the homicide. | 0:13:46 | 0:13:49 | |
Between 8 and 10pm he drove empty, right around the time | 0:13:49 | 0:13:52 | |
the ME figures Hong was shot. | 0:13:52 | 0:13:53 | |
Then at 10.15pm, sir, he picked up his next fare, | 0:13:53 | 0:13:56 | |
at Avenue C and Sixth. | 0:13:56 | 0:13:57 | |
Same area as Hong's office. | 0:13:57 | 0:13:59 | |
The ME's report also shows he was shot with | 0:13:59 | 0:14:01 | |
-a .22 calibre pistol at close range. -Close enough, Lieutenant, | 0:14:01 | 0:14:03 | |
-to produce powder burns under the skin. -Close enough to suggest | 0:14:03 | 0:14:06 | |
-it was someone who knew him. -All right, so what you waiting for? | 0:14:06 | 0:14:09 | |
-Bring him in. -Yes, sir. -Thank you. | 0:14:09 | 0:14:10 | |
And when you get a chance, Cagney, I want to talk to you about your car. | 0:14:10 | 0:14:13 | |
My car? | 0:14:14 | 0:14:16 | |
What about my car? | 0:14:16 | 0:14:18 | |
Well, I don't know, after 30 years of station wagons | 0:14:18 | 0:14:22 | |
and sedans, I'm thinking maybe it's time for me to make a change. | 0:14:22 | 0:14:26 | |
Oh. Lieutenant, I really don't think that my car would be right for you. | 0:14:26 | 0:14:30 | |
Why not? | 0:14:30 | 0:14:31 | |
The truth is, I've always pictured you in a Jaguar. | 0:14:33 | 0:14:35 | |
'Scuse me, Lieutenant. | 0:14:42 | 0:14:44 | |
HE SPEAKS OWN LANGUAGE | 0:14:53 | 0:14:55 | |
-Mr Lampoll? -Yes, I am Lampoll. | 0:14:55 | 0:14:57 | |
We're investigating the death of Charles Hong. | 0:14:57 | 0:14:59 | |
We'd like you to come with us, sir. | 0:14:59 | 0:15:01 | |
To the station house, to answer a few questions? | 0:15:01 | 0:15:03 | |
-Yes, I understand. -My father didn't do anything wrong. | 0:15:03 | 0:15:08 | |
All he did was believe Hong's lies, like everybody else here. | 0:15:08 | 0:15:12 | |
Hong was a criminal! You have no right... | 0:15:12 | 0:15:14 | |
HE SHOUTS OVER SON IN OWN LANGUAGE | 0:15:14 | 0:15:16 | |
These people are only doing their job. Here. Please, show them respect. | 0:15:17 | 0:15:24 | |
DISPATCHER: 59 Street and Broadway... | 0:15:24 | 0:15:29 | |
In Cambodia, I was doctor. Here, I not allowed to practise. | 0:15:35 | 0:15:40 | |
I work 20-hour day driving taxi. | 0:15:40 | 0:15:43 | |
I have to work to take care of my family. | 0:15:44 | 0:15:47 | |
And Hong gave you the money for that taxi? | 0:15:47 | 0:15:49 | |
I borrow money from him, I promise to pay him back. | 0:15:49 | 0:15:51 | |
-But you didn't keep up the payments. -One month ago I had accident in taxi. | 0:15:53 | 0:15:58 | |
I not work, not make money for one full week. | 0:15:58 | 0:16:01 | |
And Mr Hong wasn't happy about that? | 0:16:01 | 0:16:03 | |
He talk to me in letters, he say, | 0:16:03 | 0:16:05 | |
"Pay me money or I take back your taxi!" | 0:16:05 | 0:16:08 | |
Mr Hong, he want more, more! In Cambodia, I know who my enemies are. | 0:16:08 | 0:16:14 | |
Here in America, not too easy to tell. | 0:16:14 | 0:16:16 | |
Then you did consider Charles Hong to be one of your enemies? | 0:16:16 | 0:16:20 | |
I tried to make him understand. | 0:16:22 | 0:16:24 | |
-I went to talk to him last Friday night. -He was alone. | 0:16:24 | 0:16:28 | |
-And you had a gun. -No! | 0:16:28 | 0:16:30 | |
-I went to talk, just talk! -But you argued. | 0:16:30 | 0:16:33 | |
No, when I arrive, he was sitting at desk. | 0:16:33 | 0:16:37 | |
His head on typewriter, his eyes looking at me. | 0:16:37 | 0:16:41 | |
He already dead! | 0:16:43 | 0:16:44 | |
He doesn't look like a killer, but maybe he was pushed to the wall. | 0:16:52 | 0:16:55 | |
I don't know, something feels wrong. | 0:16:55 | 0:16:57 | |
-Cagney, there's a call for you, waiting on three. -Thanks. | 0:16:57 | 0:17:00 | |
-I'll make it fast. -Coleman told me to give you these messages. | 0:17:00 | 0:17:02 | |
Harvey...Harvey...Harvey?! | 0:17:02 | 0:17:06 | |
-Ain't love grand? -Better than your bad jokes. | 0:17:06 | 0:17:09 | |
-Hormones. -Yes, Mr Slade, exactly as advertised. Uh-huh? | 0:17:11 | 0:17:17 | |
A '72 Corvette convertible, I'm the owner. Custom paint job, ya. | 0:17:17 | 0:17:21 | |
-Always garaged. -With six mechanics looking at it. | 0:17:21 | 0:17:25 | |
Uh, running condition? Well, as the ad says, "must see to believe." | 0:17:25 | 0:17:32 | |
One way to keep a clear conscience. | 0:17:32 | 0:17:35 | |
Uh, sure, late afternoon is perfect for me. Mercer Street Garage. | 0:17:35 | 0:17:40 | |
Great, OK, I'll see you then. Bye. | 0:17:40 | 0:17:43 | |
Go ahead and laugh - by Friday I'll be minus one headache | 0:17:43 | 0:17:46 | |
and 5,000 richer. | 0:17:46 | 0:17:48 | |
"As the ad says, 'must see to believe.' " | 0:17:48 | 0:17:50 | |
Harvey, I know you hate soap operas. Ask your mother to turn it down. | 0:17:50 | 0:17:55 | |
Then go in our bedroom and close the door, Harve! Alice is in there. | 0:17:57 | 0:18:02 | |
No, I don't want you to wake up the baby, Harve, no. | 0:18:02 | 0:18:05 | |
I know. Uh-huh. | 0:18:06 | 0:18:09 | |
Uh-huh. Uh...Harve, I know. | 0:18:11 | 0:18:16 | |
Bye, Harve. | 0:18:16 | 0:18:18 | |
-That was Harve. -Harve who? That was a joke. | 0:18:19 | 0:18:25 | |
Look, about the cabbie, | 0:18:25 | 0:18:27 | |
before we jump the gun I want to talk to Hong's widow. | 0:18:27 | 0:18:29 | |
Jump the gun? Christine, we have enough to book the man, | 0:18:29 | 0:18:32 | |
-we can talk to the widow after. -Mary Beth, she's got a motive, | 0:18:32 | 0:18:35 | |
she's going to inherit all Hong's money, I just want to | 0:18:35 | 0:18:37 | |
look at her face-to-face before we just dismiss her as a suspect. | 0:18:37 | 0:18:40 | |
-Whatever you say, Sergeant. -Good. | 0:18:41 | 0:18:45 | |
I'm afraid Charles and I didn't talk very much about his business. | 0:18:52 | 0:18:55 | |
-I'm sorry I can't be more help. -When you and your husband | 0:18:56 | 0:18:59 | |
were out in public together | 0:18:59 | 0:19:00 | |
did you ever sense that he feared for his life? | 0:19:00 | 0:19:03 | |
To be honest, I can't remember the last time we were out together. | 0:19:05 | 0:19:08 | |
Mrs Hong, sometimes we have to ask questions that are personal. | 0:19:08 | 0:19:12 | |
Were you and your husband having marital problems? | 0:19:12 | 0:19:15 | |
I loved Charles. | 0:19:18 | 0:19:19 | |
But we grew apart. | 0:19:20 | 0:19:22 | |
His law practice became everything to him. | 0:19:25 | 0:19:27 | |
And the things that mattered once began to matter less and less, | 0:19:29 | 0:19:33 | |
-until... -Until what? | 0:19:33 | 0:19:35 | |
We lost our only son to the Khmer Rouge. | 0:19:37 | 0:19:39 | |
We were going to start a new family here. | 0:19:41 | 0:19:43 | |
Instead, he started a business. | 0:19:46 | 0:19:49 | |
Success was all he had left to believe in. | 0:19:49 | 0:19:51 | |
Money was everything, family nothing. | 0:19:53 | 0:19:55 | |
That's the American way, isn't it? | 0:19:58 | 0:20:00 | |
Mrs Hong, what can you tell us about a man named Tamuk Lampoll? | 0:20:01 | 0:20:05 | |
We met him and his sons when they first came to this country. | 0:20:05 | 0:20:08 | |
A good man. I believe he'd been a doctor in Phnom Penh. | 0:20:09 | 0:20:14 | |
He drives a taxi here. He owed your husband a lot of money. | 0:20:14 | 0:20:18 | |
-Do you think Lampoll may have killed Charles? -We think it's a possibility. | 0:20:18 | 0:20:22 | |
I'm not surprised. | 0:20:26 | 0:20:27 | |
In America, people change. | 0:20:30 | 0:20:32 | |
Told you the guy had money, Mary Beth, see that Chinese armoire? Huh? | 0:20:38 | 0:20:41 | |
Had to cost Hong 5,000. | 0:20:41 | 0:20:43 | |
And how about that panelled screen with the inlaid jade? | 0:20:43 | 0:20:47 | |
-Not too bad. -What I saw, Christine, was a very unhappy woman. | 0:20:47 | 0:20:50 | |
I don't want to book Lampoll yet. | 0:21:02 | 0:21:03 | |
'Christine, Lampoll says he wants' | 0:21:03 | 0:21:05 | |
more time to pay back his loans, | 0:21:05 | 0:21:07 | |
Hong won't give it to him, Lampoll, desperate, goes over the edge | 0:21:07 | 0:21:10 | |
and shoots him. | 0:21:10 | 0:21:12 | |
-What about the typewriter? -What about it? | 0:21:14 | 0:21:17 | |
You said it, Mary Beth, the man is desperate. | 0:21:17 | 0:21:20 | |
So he steals Hong's wallet and his watch, maybe even | 0:21:20 | 0:21:23 | |
his money clip, but to stop and take a huge office typewriter? | 0:21:23 | 0:21:26 | |
He couldn't be choosy, it was the only one they had. | 0:21:26 | 0:21:30 | |
Come on, Mary Beth, it doesn't make any sense. | 0:21:30 | 0:21:33 | |
Christine, a man committing murder is not interested in making sense! | 0:21:33 | 0:21:36 | |
That's another thing - I don't buy Lampoll as a murderer. | 0:21:36 | 0:21:39 | |
In America, people change. | 0:21:41 | 0:21:43 | |
You were in the room with him, he looked us right in the eye. | 0:21:43 | 0:21:45 | |
And what I saw was a man willing to do anything to protect his family. | 0:21:45 | 0:21:49 | |
He went too far, is all. | 0:21:49 | 0:21:51 | |
He works 20-hour shifts, the man plays by the rules. | 0:21:51 | 0:21:53 | |
A lot of people play by the rules. | 0:21:53 | 0:21:55 | |
They borrow from the bank, they work like dogs, | 0:21:55 | 0:21:57 | |
they get behind the eight ball - so what do they do? | 0:21:57 | 0:21:59 | |
-They break the rules. -For what, 1,500 bucks? Peanuts. | 0:21:59 | 0:22:03 | |
To the Rockefellers maybe, and other people with trust funds. | 0:22:03 | 0:22:06 | |
Just because I have a trust fund does not mean | 0:22:10 | 0:22:12 | |
-I don't understand money problems. -Then think about it, Christine. | 0:22:12 | 0:22:15 | |
Lampoll comes here, works from morning till night | 0:22:15 | 0:22:17 | |
grabbing for the brass ring | 0:22:17 | 0:22:18 | |
like the rest of us. This is America - | 0:22:18 | 0:22:20 | |
all you have to do is pay your dues, keep your nose clean | 0:22:20 | 0:22:22 | |
and you too could become a millionaire, right? Just like in the movies. | 0:22:22 | 0:22:25 | |
-Mary Beth... -This is a man working his heart out, Christine! | 0:22:25 | 0:22:28 | |
And the thing he wants keeps moving further | 0:22:28 | 0:22:30 | |
and further away from him, so's he could never touch it. | 0:22:30 | 0:22:33 | |
Under that kind of pressure, even a decent man could lose himself. | 0:22:33 | 0:22:36 | |
Still doesn't explain the typewriter. | 0:22:40 | 0:22:42 | |
Good night, Chrissie. | 0:22:46 | 0:22:47 | |
INDISTINCT CHATTER | 0:22:53 | 0:22:55 | |
You happen to be looking at a bona fide muscle machine here. | 0:22:57 | 0:23:00 | |
I mean, you put your pedal to the metal in this baby | 0:23:00 | 0:23:02 | |
and you can kiss your friends goodbye, know what I'm saying? | 0:23:02 | 0:23:06 | |
-Oh, God, I've been waiting my whole life for something like this. -Yeah? | 0:23:06 | 0:23:10 | |
-What do you drive now? -I don't. This would be my first car. | 0:23:10 | 0:23:15 | |
Your parents giving it to you as a graduation present? | 0:23:15 | 0:23:18 | |
Graduation present? | 0:23:18 | 0:23:19 | |
Get serious. I've been working double shifts at Tasty Burger | 0:23:19 | 0:23:22 | |
ever since junior high. | 0:23:22 | 0:23:24 | |
A lot of fries and shakes earned me this. | 0:23:25 | 0:23:27 | |
-How's it start in cold weather? -Cold weather? Consistent. | 0:23:29 | 0:23:35 | |
-Always consistent. -That's good to hear. | 0:23:35 | 0:23:38 | |
Especially cos I'd be getting up pretty early in the morning to | 0:23:38 | 0:23:40 | |
-get my grandmother out of Mineola. -Long Island? | 0:23:40 | 0:23:44 | |
Yeah. She hates to be late for morning Mass. | 0:23:44 | 0:23:48 | |
Uh, how's it on repairs? | 0:23:52 | 0:23:54 | |
Well, any car you buy you know you're going to have repairs, | 0:23:54 | 0:23:57 | |
-old or new. -Little ones, I hope. | 0:23:57 | 0:23:58 | |
I'd be putting my last dime into this baby. | 0:24:00 | 0:24:03 | |
If the tail-light went out I'd probably have to take out a loan! | 0:24:03 | 0:24:06 | |
-You know, Kevin, this is a very expensive car. -Yeah, it looks it. | 0:24:08 | 0:24:12 | |
I mean, parking in the city is not cheap. | 0:24:13 | 0:24:16 | |
You got insurance, tolls on the bridge, they add up. | 0:24:16 | 0:24:20 | |
Well, maybe Grandma's willing to help. | 0:24:24 | 0:24:27 | |
Kevin, can we talk? | 0:24:33 | 0:24:35 | |
Mom, Ricky Bitman's going to sleepaway camp this summer. | 0:24:40 | 0:24:44 | |
That should be exciting. | 0:24:44 | 0:24:45 | |
In Vermont, a lake in the middle of the woods. | 0:24:45 | 0:24:49 | |
He says it takes six hours by bus. | 0:24:49 | 0:24:51 | |
He says they got horseback riding, water skiing, archery... | 0:24:51 | 0:24:54 | |
Nothing wrong with your day-care. | 0:24:54 | 0:24:56 | |
There's nothing to do there, at least at Ricky's camp... | 0:24:56 | 0:24:59 | |
Yeah, well, maybe I can't afford Ricky's camp. | 0:24:59 | 0:25:01 | |
-You ever think of that? -He just mentioned it, Harve. | 0:25:01 | 0:25:03 | |
-Game's not over. -It is now. Night, Mom. | 0:25:05 | 0:25:08 | |
Good night. I'll come in. | 0:25:10 | 0:25:13 | |
-Taking it out on Michael's not fair. -I know, I'll tell him I'm sorry. | 0:25:18 | 0:25:21 | |
Damn it. | 0:25:26 | 0:25:28 | |
I am sick and tired of beating my head against the wall. | 0:25:28 | 0:25:31 | |
What are you talking about? | 0:25:33 | 0:25:35 | |
I'm talking about packing this job in altogether, | 0:25:35 | 0:25:37 | |
cutting our losses while we still can. | 0:25:37 | 0:25:39 | |
-You're not serious? -If we get out now we lose about 4,000, Mary Beth. | 0:25:39 | 0:25:43 | |
That's a hefty hunk of change, but at least it's not everything. | 0:25:43 | 0:25:46 | |
Marty Caplin, he's been pestering me for weeks to go in with him | 0:25:46 | 0:25:49 | |
and his father-in-law. 18 bucks an hour, three months guaranteed. | 0:25:49 | 0:25:53 | |
-And then what? -Then I look for another job. | 0:25:53 | 0:25:56 | |
Maybe it'll take a little longer, | 0:25:58 | 0:26:00 | |
but at least this way we know we will be able to get the house. | 0:26:00 | 0:26:03 | |
Saratoga is the one we've been waiting for, Harvey. | 0:26:03 | 0:26:05 | |
Mary Beth, but if the weather does not break | 0:26:05 | 0:26:07 | |
we could wind up losing everything. | 0:26:07 | 0:26:09 | |
We could borrow from the pension fund. I could go to the credit union... | 0:26:10 | 0:26:13 | |
Oh, sure, and go so deep into debt that we never get out from under? | 0:26:13 | 0:26:17 | |
OK, then, if we have to, we'll take it out of the house savings. | 0:26:17 | 0:26:20 | |
-Whatever it... -Gamble away all our years of sweating and saving?! | 0:26:20 | 0:26:23 | |
-Now this is crazy! -Crazy? | 0:26:23 | 0:26:26 | |
You want crazy? Crazy is the way that you have been acting. | 0:26:26 | 0:26:29 | |
Back off, Mary Beth. | 0:26:29 | 0:26:31 | |
-Bouncing off the walls and yelling at the kids... -All right, all right! | 0:26:31 | 0:26:34 | |
No, it's not all right! | 0:26:34 | 0:26:36 | |
WHAT THE HELL DO YOU WANT FROM ME?! | 0:26:36 | 0:26:38 | |
I want you to quit making everybody miserable, | 0:26:38 | 0:26:40 | |
and taking it out on everybody and treating everybody like the enemy! | 0:26:40 | 0:26:43 | |
-Where you going? -Anybody calls, I'm up on the roof. | 0:26:43 | 0:26:45 | |
Good, go on the roof, that'll solve everything! | 0:26:45 | 0:26:47 | |
DOOR SLAMS | 0:26:47 | 0:26:49 | |
I hope you freeze your nose off. | 0:26:58 | 0:27:00 | |
Was thinking about that cabbie all night. | 0:27:05 | 0:27:08 | |
The way I hear it, a cab driver works for a fleet | 0:27:08 | 0:27:11 | |
can pull in 80-90 a night on percentage. | 0:27:11 | 0:27:15 | |
But then a driver/owner can make 100-150. | 0:27:15 | 0:27:18 | |
Clear profit, know what I mean? | 0:27:19 | 0:27:20 | |
'Course, that's a normal eight-hour shift. | 0:27:20 | 0:27:23 | |
We know that Lampoll doesn't work normal hours, don't we? | 0:27:25 | 0:27:27 | |
I'm sorry, what'd you say? | 0:27:29 | 0:27:30 | |
I said, "Do you think Angie Dickinson keeps her gun | 0:27:32 | 0:27:34 | |
"in her bra or her stockings?" | 0:27:34 | 0:27:36 | |
MARY BETH CHUCKLES | 0:27:38 | 0:27:39 | |
-You split the driving of the cab with your father, right? -I did. | 0:27:39 | 0:27:42 | |
Before you took him away. | 0:27:42 | 0:27:44 | |
-I know the two of you worked long hours. -Hong liked to live good. | 0:27:44 | 0:27:48 | |
And between the loan payments, his lawyer's fee | 0:27:48 | 0:27:51 | |
-and the rent on this rat trap, the man had it made. -Wait a minute. | 0:27:51 | 0:27:54 | |
-You mean Hong owned this building? -And everyone in it. | 0:27:54 | 0:27:57 | |
The other people who borrowed from Hong lived here too? | 0:27:57 | 0:28:00 | |
That was part of the agreement he made us sign. | 0:28:00 | 0:28:02 | |
He said that in America, you must work hard to make yourself a success. | 0:28:02 | 0:28:06 | |
But what he didn't tell us... is how hard. | 0:28:08 | 0:28:10 | |
Excuse me. I have to get back to work. | 0:28:14 | 0:28:17 | |
For your information, Sergeant, we charge the legal limit on our loans. | 0:28:28 | 0:28:34 | |
It may be high, but then, so is the risk. | 0:28:34 | 0:28:36 | |
What about the lawyer's fees for 10,000 | 0:28:39 | 0:28:41 | |
that you attach to each loan? | 0:28:41 | 0:28:43 | |
Our clients feel it is a small price | 0:28:43 | 0:28:46 | |
to pay for the opportunities that we offer them. | 0:28:46 | 0:28:48 | |
For what, living in tenements packed like sardines? | 0:28:48 | 0:28:51 | |
These people are used to living in close quarters. | 0:28:51 | 0:28:54 | |
Maybe if you knew more about Cambodian families, | 0:28:54 | 0:28:56 | |
-you would understand they actually prefer it. -That's funny. | 0:28:56 | 0:28:59 | |
I didn't see any 14 relatives crammed in Mr Hong's apartment. | 0:29:00 | 0:29:04 | |
-He had, what, 11 rooms? -Close. | 0:29:04 | 0:29:06 | |
Back in Cambodia they would be dodging bullets! | 0:29:06 | 0:29:09 | |
Here they have a chance to survive, to...start new lives. | 0:29:09 | 0:29:13 | |
That make you and Charles Hong rich. | 0:29:13 | 0:29:16 | |
You obviously know nothing about the kind of man he really was. | 0:29:19 | 0:29:22 | |
Yeah, that's what we're finding out. | 0:29:22 | 0:29:25 | |
Charles really cared about his people. Really cared. | 0:29:26 | 0:29:29 | |
And I was proud to call myself his friend and his partner. | 0:29:31 | 0:29:34 | |
Good day, ladies. | 0:29:37 | 0:29:38 | |
Lot of good that did, | 0:29:40 | 0:29:41 | |
all she did was defend Hong like he was some kind of saint. | 0:29:41 | 0:29:43 | |
Go back to the client file and check out | 0:29:43 | 0:29:45 | |
everybody in debt to Hong and Mauldin. | 0:29:45 | 0:29:47 | |
And the way she defended him, kind of makes you wonder, doesn't it? | 0:29:47 | 0:29:50 | |
Was their relationship that good, | 0:29:50 | 0:29:51 | |
-or was it better than good? Do I have anything? -No. | 0:29:51 | 0:29:54 | |
You think they were sleeping together? | 0:29:54 | 0:29:56 | |
Mrs Hong said she lost her husband to the job. | 0:29:56 | 0:29:58 | |
Maybe it was more than work that kept him occupied. | 0:29:58 | 0:30:00 | |
Harbour Patrol picked it up dragging the East River for stolen cars. | 0:30:04 | 0:30:08 | |
The serial number matches the one from your homicide investigation. | 0:30:08 | 0:30:11 | |
You think it would have killed them to wash it off? | 0:30:11 | 0:30:13 | |
I bet you they didn't do the windows either(!) | 0:30:13 | 0:30:15 | |
You got some place to be, Victor? | 0:30:15 | 0:30:17 | |
What's with you, Lacey? | 0:30:17 | 0:30:19 | |
-You've been sucking a lemon all week. -Hey, come on, Victor. | 0:30:19 | 0:30:22 | |
See what I mean? Hormones. | 0:30:22 | 0:30:24 | |
It's Hong's typewriter, all right. | 0:30:26 | 0:30:28 | |
Why would somebody go to the trouble of stealing a typewriter | 0:30:30 | 0:30:33 | |
so they could dump it in the East River? | 0:30:33 | 0:30:34 | |
Lampoll said that he found Hong's body | 0:30:34 | 0:30:36 | |
slumped over this very typewriter. | 0:30:36 | 0:30:38 | |
If he's innocent... | 0:30:40 | 0:30:41 | |
Then the real killer had to be on the premises when Lampoll left. | 0:30:41 | 0:30:44 | |
It had to be somebody who could come back in, | 0:30:44 | 0:30:46 | |
steal the typewriter to make it look like a robbery | 0:30:46 | 0:30:49 | |
and then remove it from the building without being questioned. | 0:30:49 | 0:30:51 | |
-Sophy Hong. -Or Helen Mauldin. | 0:30:51 | 0:30:54 | |
-It's late, Christine, I've got to go. -Come on! | 0:30:59 | 0:31:02 | |
We can go over this in 30 minutes. | 0:31:02 | 0:31:04 | |
I have to be across town by five anyway. | 0:31:04 | 0:31:05 | |
First thing in the morning, OK? | 0:31:05 | 0:31:07 | |
Terrific(!) | 0:31:09 | 0:31:11 | |
Terrific, Mary Beth. | 0:31:11 | 0:31:12 | |
We've been busting our buns over this case all week. | 0:31:12 | 0:31:14 | |
We finally get a solid lead and you want to go home? | 0:31:14 | 0:31:17 | |
No, Christine, I do not want to go home. | 0:31:17 | 0:31:19 | |
But I am. | 0:31:19 | 0:31:20 | |
You come very highly recommended. | 0:31:28 | 0:31:30 | |
There's a man in my building, Jordan Moffat, | 0:31:30 | 0:31:32 | |
he brought a T-Bird in to you and it was making noises | 0:31:32 | 0:31:35 | |
and now it just purrs like a kitten and I thought maybe you could... | 0:31:35 | 0:31:38 | |
I'm afraid we have a real sick patient on our hands, here. | 0:31:38 | 0:31:42 | |
Well, how much would it cost to operate? | 0:31:42 | 0:31:46 | |
Well, with the suspension, the brakes, the clutch work, | 0:31:46 | 0:31:51 | |
the engine rebuild, not to mention... | 0:31:51 | 0:31:54 | |
-Careful! -..the frame damage... | 0:31:54 | 0:31:57 | |
..we're talking major buckolas. | 0:31:58 | 0:32:02 | |
Could you be a little more specific? | 0:32:02 | 0:32:05 | |
From the looks of it, | 0:32:05 | 0:32:06 | |
you've got yourself a real lemon. | 0:32:06 | 0:32:09 | |
Just like the colour! | 0:32:09 | 0:32:11 | |
-It's called canary yellow. -And it fits. | 0:32:11 | 0:32:14 | |
This car is for the birds. | 0:32:14 | 0:32:15 | |
I happen to like this car, OK? | 0:32:15 | 0:32:18 | |
Maybe that's why you can't sell it. You're too sentimental. | 0:32:18 | 0:32:21 | |
I'm not at all sentimental. | 0:32:21 | 0:32:23 | |
Then I have the perfect solution. | 0:32:23 | 0:32:25 | |
I have a brother-in-law who, | 0:32:26 | 0:32:29 | |
for a modest fee, | 0:32:29 | 0:32:32 | |
will see to it that your auto | 0:32:32 | 0:32:35 | |
is professionally appropriated. | 0:32:35 | 0:32:37 | |
You mean stolen? | 0:32:39 | 0:32:40 | |
Assuming you're covered for theft, of course. | 0:32:40 | 0:32:42 | |
Oh, yes, the Police Endowment Association | 0:32:42 | 0:32:45 | |
gives me terrific coverage. | 0:32:45 | 0:32:47 | |
I was only kidding! | 0:32:49 | 0:32:50 | |
You look like a woman who can take a joke. | 0:32:52 | 0:32:54 | |
Yeah, what makes you think that? | 0:32:54 | 0:32:56 | |
You've been driving one! | 0:32:56 | 0:32:58 | |
No, look... | 0:32:58 | 0:32:59 | |
Look, honestly, I can't take any money for fixing this heap. | 0:32:59 | 0:33:04 | |
So what do you suggest, then? | 0:33:04 | 0:33:06 | |
Face the facts. | 0:33:06 | 0:33:08 | |
All good things must come to an end. | 0:33:19 | 0:33:21 | |
You don't mean... | 0:33:28 | 0:33:30 | |
They shoot horses, don't they? | 0:33:30 | 0:33:32 | |
Harvey. | 0:33:53 | 0:33:55 | |
Honey. | 0:34:03 | 0:34:04 | |
Looks like the end of the world out there. | 0:34:06 | 0:34:08 | |
I don't want to work for Marty Cathelin. | 0:34:12 | 0:34:14 | |
I don't want to go back to that any more. | 0:34:15 | 0:34:18 | |
But I want us to have that house, Mary Beth. | 0:34:21 | 0:34:24 | |
God, do I want it. | 0:34:26 | 0:34:28 | |
Harv... | 0:34:30 | 0:34:31 | |
..we've had 17 years of ups and downs together. | 0:34:32 | 0:34:35 | |
If we have to stay in this apartment another 17 years, | 0:34:37 | 0:34:39 | |
it wouldn't kill us. | 0:34:39 | 0:34:41 | |
I don't know, maybe I bit off more than I could chew, here. | 0:34:41 | 0:34:44 | |
Don't say that. | 0:34:44 | 0:34:46 | |
I mean, what do I know about turning old barns into malls? | 0:34:47 | 0:34:51 | |
I mean, what if I screw up and the developers hate it? | 0:34:51 | 0:34:54 | |
Oh, sweetheart, don't. | 0:34:54 | 0:34:55 | |
Maybe God's trying to tell me something | 0:34:57 | 0:34:59 | |
with that weather out there. | 0:34:59 | 0:35:00 | |
I don't know anything any more. | 0:35:03 | 0:35:04 | |
Harvey... | 0:35:08 | 0:35:09 | |
..what do you want? | 0:35:11 | 0:35:12 | |
What do you really want? | 0:35:15 | 0:35:16 | |
I want to work for myself, be my own boss. | 0:35:17 | 0:35:20 | |
I want to give you and the kids the best. | 0:35:21 | 0:35:24 | |
Come here a minute. | 0:35:27 | 0:35:29 | |
You know what she told me today? | 0:35:39 | 0:35:42 | |
She told me that she thinks | 0:35:42 | 0:35:44 | |
you're going to do a wonderful job in Saratoga. | 0:35:44 | 0:35:47 | |
She said she believes in you. | 0:35:47 | 0:35:49 | |
I believe in you. | 0:35:50 | 0:35:51 | |
Could you guarantee it? | 0:35:55 | 0:35:56 | |
No guarantees in this life, baby. | 0:36:00 | 0:36:02 | |
You'll make it happen, Harvey, I know you will. | 0:36:04 | 0:36:07 | |
Either Hong's wife shoots him because he's been cheating on her | 0:36:17 | 0:36:19 | |
or Mauldin does the job because he wants to end the affair. | 0:36:19 | 0:36:22 | |
What about alibis? | 0:36:22 | 0:36:24 | |
Mauldin says that she was with one of her Cambodian clients | 0:36:24 | 0:36:27 | |
who happens to owe her 100,000. | 0:36:27 | 0:36:30 | |
And Sophy Hong says she was at home | 0:36:30 | 0:36:31 | |
and her doorman confirms it, which wouldn't be hard to arrange. | 0:36:31 | 0:36:34 | |
Well, it sounds like you're on to something. | 0:36:34 | 0:36:36 | |
-What does Lacey think? -She agrees with me. | 0:36:36 | 0:36:39 | |
LAUGHING: That's nice. | 0:36:39 | 0:36:40 | |
I beg your pardon? | 0:36:41 | 0:36:43 | |
Well, I haven't heard your partner agree with anybody all week. | 0:36:43 | 0:36:46 | |
Don't tell me you haven't noticed. | 0:36:46 | 0:36:48 | |
Well, she's been a little out of sorts, Lieutenant. | 0:36:48 | 0:36:51 | |
More than a little out of sorts. | 0:36:51 | 0:36:52 | |
Do you know what the problem is? | 0:36:52 | 0:36:54 | |
I don't think there is a problem. | 0:36:54 | 0:36:56 | |
I'm not asking you to tell me WHAT it is. | 0:36:56 | 0:36:58 | |
-Lacey's not going to let anything interfere with her job! -Come on! | 0:36:58 | 0:37:01 | |
Her work is up to its normal high standards. | 0:37:01 | 0:37:03 | |
I really don't think you have anything to worry about. | 0:37:03 | 0:37:05 | |
All right, I'll take your word for it. So you can go now. | 0:37:05 | 0:37:08 | |
-Thank you, Lieutenant. -Cagney, there's one thing, though. | 0:37:08 | 0:37:11 | |
This problem that your partner doesn't have, | 0:37:11 | 0:37:14 | |
make sure it doesn't get to be a problem for the both of yous. | 0:37:14 | 0:37:17 | |
Yes, Lieutenant. | 0:37:17 | 0:37:18 | |
Mary Beth? | 0:37:25 | 0:37:26 | |
I'll be right there, Christine. | 0:37:26 | 0:37:28 | |
-So what did the lieutenant think? -I just talked to the lieutenant. | 0:37:30 | 0:37:34 | |
He said that we're really onto something with this triangle theory | 0:37:34 | 0:37:37 | |
and so I figured maybe we should start by talking to Mrs Hong again. | 0:37:37 | 0:37:41 | |
Yeah, give me a minute, will you, Chris? | 0:37:41 | 0:37:43 | |
MARY BETH CRIES QUIETLY | 0:37:43 | 0:37:46 | |
So, Mary Beth, how's the family? | 0:37:49 | 0:37:50 | |
THEY BOTH LAUGH | 0:37:50 | 0:37:53 | |
The boys are fine, thank you. | 0:37:53 | 0:37:55 | |
And Alice is making more and more sounds every day. | 0:37:55 | 0:37:59 | |
Got a great pair of lungs on her, that little girl. | 0:37:59 | 0:38:01 | |
And Harvey? Is everything OK with the job, now? | 0:38:02 | 0:38:05 | |
Actually, Christine, things are... things aren't looking so good. | 0:38:05 | 0:38:09 | |
You know, every day that this cold... | 0:38:09 | 0:38:12 | |
we have to sit out the weather. | 0:38:12 | 0:38:14 | |
It costs us an arm and a leg. | 0:38:14 | 0:38:16 | |
Well, that's bound to clear up. It's just a matter of time. | 0:38:16 | 0:38:19 | |
Yeah, that's what I told Harv, | 0:38:19 | 0:38:22 | |
that we have to hang in there. | 0:38:22 | 0:38:23 | |
But he's thinking about quitting and walking away, | 0:38:23 | 0:38:26 | |
taking our losses. | 0:38:26 | 0:38:28 | |
Oh, hey, you know how men can be when they get upset. | 0:38:28 | 0:38:32 | |
He didn't mean it. | 0:38:32 | 0:38:33 | |
-I bet if you talk to him... -I did talk to him, Chris. | 0:38:35 | 0:38:38 | |
I told him, "Don't be afraid." | 0:38:38 | 0:38:40 | |
I told him how much I believe in him. | 0:38:40 | 0:38:42 | |
As long as I've known Harvey, he's been waiting for a big break. | 0:38:44 | 0:38:47 | |
We both have. | 0:38:47 | 0:38:49 | |
All these years, I've been making two paychecks stretch | 0:38:51 | 0:38:53 | |
to the end of the month and... | 0:38:53 | 0:38:56 | |
having to think about it when you buy a pair of shoes | 0:38:56 | 0:38:58 | |
or send a sweater to the cleaners. | 0:38:58 | 0:39:00 | |
This job, this Saratoga, | 0:39:01 | 0:39:04 | |
this was supposed to be the one that made the difference. | 0:39:04 | 0:39:06 | |
But to say the truth, Christine, I don't think it will. | 0:39:06 | 0:39:09 | |
I don't know if it ever will. | 0:39:09 | 0:39:11 | |
And I couldn't... | 0:39:15 | 0:39:17 | |
let Harvey know that. | 0:39:17 | 0:39:18 | |
Hey, Harvey's a terrific guy. | 0:39:19 | 0:39:22 | |
He's going to be fine. | 0:39:22 | 0:39:24 | |
Sure you're scared. Who wouldn't be, huh? | 0:39:26 | 0:39:28 | |
You believe in him. That's what he needed to hear. | 0:39:30 | 0:39:33 | |
Being there for him, you know... | 0:39:38 | 0:39:40 | |
..that's all that really counts. | 0:39:42 | 0:39:44 | |
Mrs Hong didn't even know what she had here. | 0:39:56 | 0:39:58 | |
It may not be enough. | 0:39:58 | 0:40:00 | |
Then we'll have to make it enough. | 0:40:00 | 0:40:02 | |
Look, I have got a lot of people waiting, if you don't mind. | 0:40:11 | 0:40:14 | |
Poor Mrs Hong, her husband's dead a week already | 0:40:14 | 0:40:16 | |
and she's still getting his mail, like his new stationery. | 0:40:16 | 0:40:19 | |
You know Hong ordered 1,000 of these? | 0:40:19 | 0:40:21 | |
Isn't it strange that his name appears alone on letterhead? | 0:40:21 | 0:40:25 | |
Yeah, with his new business address. | 0:40:25 | 0:40:26 | |
Look, I can imagine how you felt, | 0:40:29 | 0:40:31 | |
realising that your partner's moving to an uptown office without you. | 0:40:31 | 0:40:35 | |
I don't know what you're talking about. | 0:40:35 | 0:40:37 | |
You taught him more than just English. | 0:40:37 | 0:40:40 | |
You showed him how to make the big bucks. | 0:40:40 | 0:40:42 | |
Hell hath no fury like a partner scorned. | 0:40:44 | 0:40:47 | |
I am extremely busy. | 0:40:47 | 0:40:49 | |
You know, we just talked to your alibi, that cabbie. Maytek? | 0:40:51 | 0:40:55 | |
He said that he's willing to testify | 0:40:55 | 0:40:57 | |
that you persuaded him into making his statement. | 0:40:57 | 0:41:00 | |
I persuaded him?! | 0:41:00 | 0:41:02 | |
That's what he says, and he speaks very good English. | 0:41:02 | 0:41:04 | |
Well, that's his word against mine. | 0:41:04 | 0:41:07 | |
You've got nothing to go on | 0:41:08 | 0:41:10 | |
and you know it. | 0:41:10 | 0:41:11 | |
We also have a witness who saw you | 0:41:11 | 0:41:13 | |
lugging a certain typewriter out of this office building. | 0:41:13 | 0:41:15 | |
Well, I can explain that. | 0:41:15 | 0:41:17 | |
Please. | 0:41:25 | 0:41:27 | |
We're all ears. | 0:41:27 | 0:41:28 | |
I would... | 0:41:33 | 0:41:34 | |
like to call my lawyer. | 0:41:34 | 0:41:36 | |
Be our guest. | 0:41:36 | 0:41:38 | |
(What witness?) | 0:41:45 | 0:41:47 | |
Nice work today, Detective. | 0:41:53 | 0:41:55 | |
There's more to be done but I think we'll get a conviction, Sergeant. | 0:41:55 | 0:41:59 | |
-Yeah, at least Lampoll's free. -Yeah. | 0:41:59 | 0:42:01 | |
Mary Beth... | 0:42:04 | 0:42:07 | |
it's kind of embarrassing. | 0:42:07 | 0:42:09 | |
Do you have five dollars I could borrow for a cab? | 0:42:09 | 0:42:11 | |
Oh, I guess I could handle that. | 0:42:11 | 0:42:14 | |
The car died again, huh? | 0:42:14 | 0:42:16 | |
In a manner of speaking. | 0:42:16 | 0:42:18 | |
You know, Christine, some people might have a problem | 0:42:18 | 0:42:20 | |
selling a car that doesn't run. | 0:42:20 | 0:42:23 | |
Actually, I decided not to sell it. | 0:42:23 | 0:42:24 | |
You're going to get it fixed, finally? | 0:42:24 | 0:42:27 | |
I already did. | 0:42:27 | 0:42:29 | |
I thought you said your car died. | 0:42:29 | 0:42:31 | |
A true masterpiece never dies, Mary Beth. | 0:42:31 | 0:42:34 | |
No, no, it lives on forever! | 0:42:34 | 0:42:36 | |
Good night. | 0:42:38 | 0:42:39 | |
Sure! | 0:43:08 | 0:43:09 | |
To modern art. | 0:43:14 | 0:43:15 | |
ALICE GURGLES | 0:43:21 | 0:43:24 | |
Harvey. | 0:43:27 | 0:43:28 | |
Sweetheart, come to bed. | 0:43:33 | 0:43:35 | |
Come on, everything's going to be fine, believe me. | 0:43:36 | 0:43:39 | |
I know. | 0:43:39 | 0:43:40 | |
And if I leave now, | 0:43:43 | 0:43:45 | |
I can be in Saratoga by seven. | 0:43:45 | 0:43:48 | |
Saratoga. | 0:43:48 | 0:43:49 | |
Saratoga? | 0:43:52 | 0:43:54 | |
I just got off the phone with Garibaldi. | 0:43:54 | 0:43:57 | |
Wind chill's down, temperature's up ten degrees. | 0:43:57 | 0:44:00 | |
He talked to the carpenters, they're ready to go. | 0:44:00 | 0:44:03 | |
Hell, I know I am. | 0:44:03 | 0:44:04 | |
Here, let me get this for you. | 0:44:06 | 0:44:09 | |
-Mary Beth, thank you. -For what? | 0:44:11 | 0:44:14 | |
Pulling me through this. | 0:44:14 | 0:44:16 | |
-Babe... -I love you, too. | 0:44:16 | 0:44:17 | |
Go. | 0:44:18 | 0:44:20 | |
Get going! | 0:44:20 | 0:44:21 | |
It's going to be the best damn mall Saratoga's ever seen! | 0:44:35 | 0:44:37 | |
I'll call you as soon as I get up there. | 0:44:40 | 0:44:42 |