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He's outside awaiting the lock up. | 0:01:28 | 0:01:30 | |
All right, thank you. | 0:01:30 | 0:01:32 | |
The company was on their lunch break, | 0:01:34 | 0:01:36 | |
no-one saw her come off the catwalk. | 0:01:36 | 0:01:38 | |
'Life has burned too brightly in my breast | 0:01:39 | 0:01:42 | |
'and I can no longer endure.' | 0:01:42 | 0:01:43 | |
Suicide. | 0:01:46 | 0:01:47 | |
Excuse me. | 0:01:49 | 0:01:50 | |
Mary Beth. Want to take this to the lab, please? | 0:01:50 | 0:01:54 | |
-What is wrong with you? -Nothing, I got something in my eye. | 0:01:59 | 0:02:03 | |
-You're crying. -No, I'm not! | 0:02:03 | 0:02:05 | |
I got some dust or something in my eye. It is very dusty here. | 0:02:05 | 0:02:08 | |
Mary Beth, talk to me, what is...? | 0:02:08 | 0:02:10 | |
Do me a favour, Christine, don't argue. | 0:02:10 | 0:02:13 | |
You're right, it is very dusty in here. | 0:02:13 | 0:02:16 | |
I can't believe it. | 0:02:18 | 0:02:20 | |
I can't believe that Noreen Dixon would commit suicide. | 0:02:21 | 0:02:25 | |
There was nobody else in the theatre, Mary Beth, | 0:02:25 | 0:02:27 | |
there was a suicide note found in her pocket, | 0:02:27 | 0:02:30 | |
-there was nothing... -No, no, I don't mean that, | 0:02:30 | 0:02:32 | |
Christine, I mean that she was Noreen Dixon. | 0:02:32 | 0:02:35 | |
Aw. Hey, listen to me, she was an actress. | 0:02:37 | 0:02:40 | |
Actresses are a little weird, you know that. | 0:02:41 | 0:02:43 | |
-That is a very prejudiced thing to say, Christine. -What? | 0:02:45 | 0:02:49 | |
Hey, I'm sorry, actresses are artists. | 0:02:49 | 0:02:51 | |
Everybody knows that artists have a couple of screws lose. | 0:02:51 | 0:02:54 | |
-And none of us regular, ordinary people do? -I wouldn't say that. | 0:02:54 | 0:02:59 | |
Well, I wouldn't say that either. | 0:02:59 | 0:03:02 | |
Mary Beth, wait up. | 0:03:06 | 0:03:07 | |
-Hello! -Hey. -Hey! | 0:03:10 | 0:03:12 | |
-How are you, babe? -Hiya. | 0:03:14 | 0:03:16 | |
Hiya. | 0:03:16 | 0:03:18 | |
-You miss me? -Yeah. | 0:03:25 | 0:03:27 | |
A lot. | 0:03:27 | 0:03:28 | |
We are in great shape, Mary Beth. If the weather holds in Saratoga, | 0:03:30 | 0:03:33 | |
we can start laying the foundation at the end of the month. | 0:03:33 | 0:03:36 | |
Oh, that's wonderful, sweetheart. That's wonderful. | 0:03:36 | 0:03:38 | |
Oh. Hey, you seem a little down. Anything wrong? | 0:03:40 | 0:03:45 | |
Noreen Dixon died today, Harv. | 0:03:47 | 0:03:49 | |
-Oh, the movie star. -Yeah. | 0:03:49 | 0:03:51 | |
-I thought she was already dead. -Harv! -Oh, I'm sorry, Mary Beth. | 0:03:51 | 0:03:55 | |
-How did it happen? -Suicide, it looks like. | 0:03:55 | 0:03:58 | |
-Oh. -I know it is silly, Harv, but I feel like I lost an old friend. | 0:03:58 | 0:04:02 | |
-Remember her in Grand Destiny? -Yeah. -We saw that one on our first date. | 0:04:02 | 0:04:05 | |
Yeah. It's a real tearjerker. | 0:04:05 | 0:04:08 | |
-And at that movie, that's when I knew I liked you. -Yeah. | 0:04:08 | 0:04:11 | |
You were crying your eyes out | 0:04:11 | 0:04:13 | |
and I was kicking myself for not having a handkerchief. | 0:04:13 | 0:04:15 | |
Yeah. I had to give you mine cos you were crying, too. | 0:04:15 | 0:04:18 | |
Oh, baby, they don't make them like they used to. | 0:04:18 | 0:04:21 | |
Oh, man. | 0:04:21 | 0:04:23 | |
From Here To Eternity, that was my favourite. | 0:04:23 | 0:04:26 | |
Yeah, I'll never forget the first time I saw it. | 0:04:26 | 0:04:29 | |
That movie got Angela and me so worked up, | 0:04:29 | 0:04:31 | |
we just took off for Maryland. | 0:04:31 | 0:04:33 | |
Maryland? | 0:04:35 | 0:04:36 | |
What, you wanted seafood? | 0:04:38 | 0:04:39 | |
No. Uh... | 0:04:39 | 0:04:41 | |
Well, we were, uh... | 0:04:44 | 0:04:46 | |
Underage. | 0:04:46 | 0:04:48 | |
Underage for what? | 0:04:48 | 0:04:49 | |
Who is Angela? | 0:04:50 | 0:04:51 | |
HE SIGHS | 0:04:53 | 0:04:56 | |
Mary Beth, I was 16-years-old, uh... | 0:05:01 | 0:05:03 | |
I mean, I thought I was in love. | 0:05:03 | 0:05:05 | |
I...I...I mean, you know how kids are. | 0:05:05 | 0:05:08 | |
Uh...uh... | 0:05:08 | 0:05:09 | |
Angela, she told her parents she was going to spend the night with | 0:05:09 | 0:05:15 | |
a girlfriend and so we drove down to Maryland and we, uh, got... | 0:05:15 | 0:05:19 | |
HE SIGHS | 0:05:19 | 0:05:22 | |
-You got what? -Married. | 0:05:22 | 0:05:24 | |
Married? | 0:05:28 | 0:05:29 | |
Sweetheart, we didn't even spend the night together. | 0:05:29 | 0:05:33 | |
I mean, we couldn't afford a motel room. So we drove back. | 0:05:33 | 0:05:37 | |
We were going to try and borrow my brother's apartment, | 0:05:37 | 0:05:40 | |
but Angela's father was waiting for us at the Jersey Turnpike and, yeah, | 0:05:40 | 0:05:45 | |
he took us straight home and he got the marriage annulled the next day. | 0:05:45 | 0:05:49 | |
So, you see, babe, it was nothing. | 0:05:49 | 0:05:51 | |
SHE LAUGHS | 0:05:51 | 0:05:53 | |
Angela! | 0:05:53 | 0:05:54 | |
-The first Mrs Harvey Lacey. -Oh, Mary Beth. | 0:05:55 | 0:05:58 | |
You better get ready for dinner, Harv. | 0:06:00 | 0:06:02 | |
You're not mad, are you? | 0:06:04 | 0:06:06 | |
Dinner is going to be ready soon, Harvey, | 0:06:06 | 0:06:07 | |
and if you're not, it gets cold. | 0:06:07 | 0:06:10 | |
Wow, yeah. Boy, it sure smells good, babe. What is it? | 0:06:12 | 0:06:17 | |
You have your secrets, Harvey... | 0:06:17 | 0:06:20 | |
So do I. | 0:06:20 | 0:06:21 | |
-Good morning, Chris. -Oh, nice of you to come in. | 0:06:52 | 0:06:55 | |
Sorry, the subway was so jammed, | 0:06:55 | 0:06:57 | |
I had to wait for three trains before I could get on. | 0:06:57 | 0:07:00 | |
-Who's Gordon Lazaroff? -Oh, he's a graphologist. | 0:07:01 | 0:07:04 | |
He does handwriting analysis for the Document Examiners Office. | 0:07:04 | 0:07:08 | |
They sent him Noreen Dixon's suicide note. | 0:07:08 | 0:07:10 | |
-Claims he has discovered something very important. -What? | 0:07:10 | 0:07:14 | |
I don't know. He says he has to come over and tell us in person. | 0:07:14 | 0:07:17 | |
That's exactly how I wanted to spend my morning. | 0:07:17 | 0:07:19 | |
-Maybe he really has something. -Maybe the next Pope will be Jewish. | 0:07:19 | 0:07:24 | |
Maybe Mr Lazaroff will be single and good-looking. | 0:07:24 | 0:07:27 | |
Maybe the next Pope will be a woman. | 0:07:27 | 0:07:29 | |
Sergeant Cagney. | 0:07:29 | 0:07:30 | |
-Yes? -I'm Gordon Lazaroff. | 0:07:30 | 0:07:32 | |
-Yes, Mr Lazaroff. Please, won't you sit down? -Oh, thanks, yes. | 0:07:35 | 0:07:38 | |
I'll try not to take too much of your time. | 0:07:38 | 0:07:40 | |
We appreciate anything you can tell us, sir. | 0:07:40 | 0:07:43 | |
You're very kind, most of the Department isn't. | 0:07:43 | 0:07:45 | |
They think what I do is...strange. | 0:07:45 | 0:07:48 | |
Some people even in my own office hum the theme from The Twilight Zone | 0:07:48 | 0:07:52 | |
-when I walk by. -Hard to believe. | 0:07:52 | 0:07:54 | |
Could you tell us, | 0:07:56 | 0:07:57 | |
please, exactly what you found in the suicide note, Mr Lazaroff? | 0:07:57 | 0:08:01 | |
Yes. You can see it very clearly right in this part here. | 0:08:01 | 0:08:04 | |
'Life has burnt too brightly in my breast and I can no longer endure.' | 0:08:04 | 0:08:10 | |
Now, look at the energy in the B loops - | 0:08:10 | 0:08:14 | |
burnt, brightly, breast - | 0:08:14 | 0:08:16 | |
and the way the Os are crossed - too, no - | 0:08:16 | 0:08:20 | |
and look at the strength in those Ls - life, longer. | 0:08:20 | 0:08:24 | |
This is not Noreen Dixon's handwriting. | 0:08:24 | 0:08:26 | |
Oh, no, no, it's hers all right. | 0:08:26 | 0:08:28 | |
No, there's no doubt that Noreen Dixon wrote this note. | 0:08:28 | 0:08:30 | |
So what is your point? | 0:08:30 | 0:08:33 | |
When she wrote it, Noreen Dixon was not the least bit suicidal. | 0:08:33 | 0:08:37 | |
How does this guy think you can write a suicide note without | 0:08:42 | 0:08:45 | |
being suicidal? | 0:08:45 | 0:08:46 | |
Well, sir, apparently this science of handwriting, | 0:08:46 | 0:08:49 | |
graphology that is, has come a long way, sir, and they can tell things | 0:08:49 | 0:08:53 | |
about the way a person is feeling from the energy of the loops | 0:08:53 | 0:08:56 | |
and whether or not he or she is writing on the line | 0:08:56 | 0:08:58 | |
-or under the line... -Cagney! | 0:08:58 | 0:09:00 | |
Personally, I think it's a lot of bull. | 0:09:00 | 0:09:02 | |
But you don't. | 0:09:02 | 0:09:04 | |
Well, sir, I had a kind of feeling that maybe this wasn't a suicide. | 0:09:04 | 0:09:08 | |
I mean, she doesn't seem to be a very likely type for suicide to me. | 0:09:08 | 0:09:12 | |
And I thought so even before this handwriting business. | 0:09:12 | 0:09:14 | |
Noreen Dixon is at the top of her profession. | 0:09:14 | 0:09:18 | |
Noreen Dixon has millions of fans all over the world. | 0:09:18 | 0:09:20 | |
Now, why would she want to kill herself? | 0:09:21 | 0:09:23 | |
Evidence. When do we get the ME's report? | 0:09:28 | 0:09:30 | |
-Any minute now, sir. -All right, | 0:09:30 | 0:09:32 | |
-so let me know when it comes in. -Yes, sir. | 0:09:32 | 0:09:34 | |
Cagney, you got a minute? | 0:09:36 | 0:09:38 | |
Yeah, sure. | 0:09:39 | 0:09:41 | |
Maybe you better sit down. | 0:09:41 | 0:09:42 | |
-Do you want me to close the door? -Yeah, please. | 0:09:44 | 0:09:47 | |
Cagney, you know a lot of classy ladies. | 0:09:51 | 0:09:54 | |
Well, I need one of those for this thing I got to go to. | 0:09:54 | 0:09:57 | |
You want me to...find you a date? | 0:10:01 | 0:10:03 | |
It's black tie and it's Friday night. | 0:10:03 | 0:10:06 | |
-This Friday?! -Yes. | 0:10:06 | 0:10:08 | |
Short notice, I know that, I'm sorry, | 0:10:08 | 0:10:10 | |
but the woman that I was going to take, | 0:10:10 | 0:10:12 | |
it turns out that she's got other plans that night. | 0:10:12 | 0:10:15 | |
Lieutenant, I'm not even sure I'd know your type. Maybe you should... | 0:10:15 | 0:10:18 | |
Well, she should be good-looking, but not a Miss Universe. | 0:10:18 | 0:10:21 | |
Beautiful but not a stunner. | 0:10:23 | 0:10:24 | |
And she should be intelligent. | 0:10:24 | 0:10:26 | |
But, you know, | 0:10:26 | 0:10:28 | |
not so smart that I don't know what she's talking about. | 0:10:28 | 0:10:31 | |
No rocket scientists, huh? | 0:10:31 | 0:10:33 | |
And she should have a good sense of humour, a nice laugh. | 0:10:33 | 0:10:38 | |
But she doesn't have to be a stand-up comic. | 0:10:38 | 0:10:40 | |
So forget Joan Rivers. | 0:10:40 | 0:10:42 | |
And if she's a little younger, well, I can handle that. | 0:10:42 | 0:10:45 | |
But no teeny boppers, OK? | 0:10:45 | 0:10:48 | |
Well, Lieutenant, | 0:10:49 | 0:10:50 | |
most of the women I know are a little more sophisticated than that. | 0:10:50 | 0:10:53 | |
Oh, yeah, sure. What am I worried about? | 0:10:53 | 0:10:56 | |
If she's a friend of yours, chances are she's no spring chicken. | 0:10:56 | 0:10:59 | |
-The ME's report. -Yeah? -Finding of the autopsy. | 0:11:08 | 0:11:11 | |
This is not what you could call a simple suicide. | 0:11:11 | 0:11:13 | |
And I think I could tell you who done it, too. | 0:11:13 | 0:11:16 | |
We apologize for bothering you again, ladies and gentlemen. | 0:11:17 | 0:11:20 | |
We know that you have already given your statements, | 0:11:20 | 0:11:23 | |
but we have to check some facts here. | 0:11:23 | 0:11:25 | |
And make sure that we have them all right. | 0:11:25 | 0:11:28 | |
OK, you, you're Iris McIntyre, the late Ms Dixon's understudy. | 0:11:28 | 0:11:33 | |
-Am I correct, ma'am? -I am the producer, Gerilee Thackeray. | 0:11:33 | 0:11:36 | |
Or I was when we still had a play. | 0:11:36 | 0:11:38 | |
And those rumours about her being the Beast of Broadway | 0:11:38 | 0:11:40 | |
-are simply untrue. -Cute. -She stoops to conquer. | 0:11:40 | 0:11:43 | |
-You must be the playwright, Mr Eric... -Webber, right. | 0:11:44 | 0:11:48 | |
I was also the director. | 0:11:48 | 0:11:50 | |
Isn't that a little unusual, Mr Webber, | 0:11:50 | 0:11:53 | |
-for a playwright to direct his own play? -Noreen insisted. | 0:11:53 | 0:11:56 | |
-That way she thought she could really direct the play herself. -Cute. | 0:11:56 | 0:12:00 | |
So, you must be Iris Redfern, Ms Dixon's secretary. | 0:12:00 | 0:12:04 | |
No, I was her understudy. | 0:12:04 | 0:12:07 | |
-Jean McIntyre. -Oh, gee, I got you all mixed up. | 0:12:07 | 0:12:11 | |
So... | 0:12:11 | 0:12:12 | |
-You must be Iris Redfern. -Yes. -Ms Dixon's secretary. -That's right. | 0:12:14 | 0:12:19 | |
Well, at least we all know who you are, sir. | 0:12:20 | 0:12:23 | |
Who among us would not recognize Mr Chet Gardner, | 0:12:23 | 0:12:28 | |
Ms Dixon's co-star in so many of her movies. | 0:12:28 | 0:12:30 | |
And here, too, I'm afraid. | 0:12:30 | 0:12:33 | |
And second billing once again. | 0:12:33 | 0:12:35 | |
It's a pleasure to meet you, Mr Gardner, I've loved all your movies. | 0:12:35 | 0:12:38 | |
What a lovely compliment. | 0:12:38 | 0:12:40 | |
Especially from such a charming young lady. | 0:12:42 | 0:12:44 | |
Thank you. | 0:12:46 | 0:12:47 | |
I mean, you're welcome. | 0:12:47 | 0:12:49 | |
You were married to Ms Dixon for a time, sir. | 0:12:49 | 0:12:51 | |
Am I right? Her death must have been a terrible shock. | 0:12:51 | 0:12:54 | |
About as terrible as our marriage. | 0:12:54 | 0:12:56 | |
I thanked my lucky stars when Noreen divorced me. | 0:12:56 | 0:12:59 | |
Oh. Ok. | 0:13:02 | 0:13:04 | |
Well, I think I got you all straight. | 0:13:05 | 0:13:09 | |
Oh, gee, this is great! | 0:13:09 | 0:13:13 | |
I love the theatre! | 0:13:13 | 0:13:15 | |
We never could go much when I was a kid. | 0:13:15 | 0:13:18 | |
It was a big treat, big treat. | 0:13:18 | 0:13:20 | |
Well, thank you. | 0:13:20 | 0:13:23 | |
How Do I Love Thee? It's the name of the play, huh? | 0:13:23 | 0:13:25 | |
It's about Robert and Elizabeth Barrett Browning. | 0:13:25 | 0:13:28 | |
Oh, I love her poetry. | 0:13:28 | 0:13:30 | |
"How do I love thee? Let me count the ways. | 0:13:30 | 0:13:33 | |
"I love thee to the depth and breadth and height my soul can..." | 0:13:33 | 0:13:37 | |
What is that, make-up? | 0:13:37 | 0:13:39 | |
Noreen and Chet came out during intermission | 0:13:39 | 0:13:41 | |
and did a make-up transformation into their character's later years. | 0:13:41 | 0:13:44 | |
Yes, I did it downstage left and she sat over there. | 0:13:44 | 0:13:48 | |
Right here in front of the audience. | 0:13:48 | 0:13:50 | |
Huh, isn't that something? | 0:13:50 | 0:13:52 | |
What is this? | 0:13:53 | 0:13:55 | |
It's for the neck. Noreen was very proud, she had to wear it. | 0:13:55 | 0:13:57 | |
She had very few wrinkles for a woman her age. | 0:13:57 | 0:14:00 | |
I saw about this once on TV how they do this. | 0:14:00 | 0:14:03 | |
They stick it on with this here. | 0:14:03 | 0:14:06 | |
Spirit gum, they call it. | 0:14:06 | 0:14:08 | |
That's got kind of a strong smell, huh? | 0:14:08 | 0:14:11 | |
You take this, you put it on the rubber thing, | 0:14:11 | 0:14:14 | |
and then you stick the rubber thing on your neck. | 0:14:14 | 0:14:17 | |
Detective, I wouldn't put that on. | 0:14:17 | 0:14:19 | |
I'll be very careful. | 0:14:19 | 0:14:20 | |
You may have an allergy to spirit gum, a lot of people do. | 0:14:20 | 0:14:23 | |
-Thanks, I can't afford allergies. -Detective, please don't. -Why not? | 0:14:23 | 0:14:26 | |
Ms McIntyre, | 0:14:26 | 0:14:28 | |
because you know it's dangerous to put this spirit gum on one's neck? | 0:14:28 | 0:14:32 | |
That spirit gum has traces of synthetic arsenic in it. | 0:14:33 | 0:14:37 | |
-Which you've been using to poison Noreen Dixon. -What?! | 0:14:37 | 0:14:40 | |
Ms McIntyre, I'm afraid we're going to have to take you | 0:14:47 | 0:14:49 | |
downtown for questioning. | 0:14:49 | 0:14:51 | |
I told you, I didn't want to kill her. | 0:14:54 | 0:14:57 | |
The medical examiner confirmed there was not enough arsenic to kill her. | 0:14:57 | 0:15:00 | |
It's still attempted murder, Ms McIntyre. | 0:15:00 | 0:15:02 | |
I only wanted her to miss a few performances - | 0:15:02 | 0:15:04 | |
the last few previews and opening night. | 0:15:04 | 0:15:06 | |
-So you could be reviewed by the critics? -I am 55-years-old. | 0:15:06 | 0:15:11 | |
My career was never secure like Noreen's. | 0:15:11 | 0:15:14 | |
I still have to worry about my next job. | 0:15:14 | 0:15:16 | |
Well, wouldn't people think it was funny, | 0:15:16 | 0:15:18 | |
Ms Dixon missing her opening night like that? | 0:15:18 | 0:15:20 | |
Noreen was famous for what she called her little sinking spells. | 0:15:20 | 0:15:23 | |
She'd pulled them before on opening night. | 0:15:23 | 0:15:26 | |
Can I get this straight? | 0:15:26 | 0:15:28 | |
You say you have no hard feelings for Ms Dixon, | 0:15:28 | 0:15:31 | |
you just wanted to help your career by poisoning her? | 0:15:31 | 0:15:36 | |
All right, you'll find out sooner or later. | 0:15:38 | 0:15:41 | |
I didn't kill her... | 0:15:43 | 0:15:44 | |
..but I hated Noreen Dixon more than I've ever hated anyone in my life. | 0:15:45 | 0:15:49 | |
We met when we were both ingenues back in summer stock. | 0:15:49 | 0:15:53 | |
In one play, I had the lead, she was my sister. | 0:15:53 | 0:15:56 | |
We had a big emotional scene where she had to slap me. | 0:15:56 | 0:15:58 | |
At our dress rehearsal, she accidentally forgot to | 0:15:58 | 0:16:02 | |
take off her ring, cut my face all the way to the eye. | 0:16:02 | 0:16:06 | |
I went to the hospital and Noreen went on in my place. | 0:16:06 | 0:16:09 | |
You don't think she did that on purpose? | 0:16:11 | 0:16:12 | |
Oh, absolutely. | 0:16:12 | 0:16:15 | |
Oh, I know what you're thinking, | 0:16:17 | 0:16:19 | |
"Millions of people loved Noreen Dixon." | 0:16:19 | 0:16:22 | |
But they never knew what she really was. | 0:16:22 | 0:16:24 | |
OK, so the understudy has an airtight for the time of death. | 0:16:34 | 0:16:38 | |
This producer could have pushed Noreen Dixon off that catwalk. | 0:16:38 | 0:16:40 | |
Forensics didn't find anything to prove she was pushed. | 0:16:40 | 0:16:43 | |
They didn't find anything to prove she wasn't. | 0:16:43 | 0:16:46 | |
The producer does make a fortune due to Ms Dixon's death. | 0:16:46 | 0:16:49 | |
You think she's the type to kill for money? | 0:16:49 | 0:16:52 | |
Vito! Vito, no. | 0:16:52 | 0:16:53 | |
Be careful with that backdrop, it costs a mint | 0:16:53 | 0:16:56 | |
and I want to use it again. Oh, hello, ladies. | 0:16:56 | 0:16:58 | |
I can give you exactly five minutes of my time. Oh, love the coat. | 0:16:58 | 0:17:01 | |
This is a homicide investigation, Ms Thackeray. | 0:17:01 | 0:17:04 | |
Well, you arrested Jean McIntyre, I thought it was over. | 0:17:04 | 0:17:06 | |
She was charged with felonious assault and released on bail. | 0:17:06 | 0:17:09 | |
There's no actual evidence that she killed Ms Dixon. | 0:17:09 | 0:17:11 | |
I see, so, uh, I'm a suspect again. | 0:17:11 | 0:17:15 | |
We found out something quite interesting, Ms Thackeray. | 0:17:15 | 0:17:18 | |
You had trouble insuring this production, didn't you? | 0:17:18 | 0:17:21 | |
Every company in town knows about Noreen Dixon's reputation. | 0:17:21 | 0:17:25 | |
Apparently, you had to settle for a policy with a special clause | 0:17:25 | 0:17:28 | |
in it - you weren't covered if she got sick. | 0:17:28 | 0:17:30 | |
The only way you could cash in on your play | 0:17:30 | 0:17:31 | |
if it failed to open was if Ms Dixon died. | 0:17:31 | 0:17:35 | |
In case you've forgotten, | 0:17:35 | 0:17:36 | |
I accounted for my whereabouts at the time of Noreen's death. | 0:17:36 | 0:17:39 | |
Yes. In your original statement, | 0:17:39 | 0:17:41 | |
you said you went to have lunch with your accountant. | 0:17:41 | 0:17:44 | |
And he confirmed it! | 0:17:44 | 0:17:45 | |
The waiter said that you were gone from the table when the salad | 0:17:45 | 0:17:48 | |
was served and the stage doorman remembers your coming back here. | 0:17:48 | 0:17:52 | |
-Well, I forgot my appointment book, that's why I came back. -Uh-huh. | 0:17:52 | 0:17:55 | |
-Did you see Noreen Dixon when you came back? -No. | 0:17:55 | 0:17:58 | |
But, well, I could hear her going over her lines in the orchestra pit. | 0:17:58 | 0:18:02 | |
I knew better than to bother her. | 0:18:02 | 0:18:04 | |
-Why's that? -Well, Noreen had a tendency to, um...scream at people. | 0:18:04 | 0:18:09 | |
You didn't like her very much, did you? | 0:18:09 | 0:18:12 | |
SHE LAUGHS | 0:18:12 | 0:18:15 | |
Our relationship was a legend in show business. | 0:18:15 | 0:18:18 | |
Everybody knew we loathed each other. | 0:18:19 | 0:18:22 | |
Years ago, Noreen broke up my marriage. | 0:18:27 | 0:18:31 | |
Well, that particular husband I happened to love...very much. | 0:18:31 | 0:18:35 | |
A month after the divorce, | 0:18:35 | 0:18:37 | |
-Noreen dropped him. I think she did it deliberately. -Why? | 0:18:37 | 0:18:41 | |
Well, Noreen loved making people miserable. | 0:18:41 | 0:18:45 | |
Ms Thackeray, we'll probably be wanting to talk to you again | 0:18:45 | 0:18:47 | |
later, so you'll certainly let us know if you have to leave town? | 0:18:47 | 0:18:50 | |
Certainly. Certainly! | 0:18:50 | 0:18:52 | |
Oh, I wasn't the only one who could have cheerfully killed Noreen, | 0:18:53 | 0:18:57 | |
almost everyone I know had something against her. | 0:18:57 | 0:19:00 | |
Ta! | 0:19:00 | 0:19:01 | |
Not exactly Miss Congeniality. | 0:19:03 | 0:19:05 | |
Sometimes, Christine, when people are on top, | 0:19:05 | 0:19:08 | |
-other people get jealous. -Jealous? | 0:19:08 | 0:19:10 | |
We've heard things about Noreen Dixon that make Lady Macbeth | 0:19:10 | 0:19:13 | |
look like Mary Poppins. | 0:19:13 | 0:19:15 | |
Maybe you shouldn't believe everything you hear, Christine. | 0:19:15 | 0:19:18 | |
Thank you. | 0:19:18 | 0:19:20 | |
Thank you. | 0:19:21 | 0:19:23 | |
I played this part in college. | 0:19:33 | 0:19:35 | |
A saint! | 0:19:35 | 0:19:36 | |
Interesting casting. | 0:19:37 | 0:19:39 | |
I was very good. | 0:19:39 | 0:19:41 | |
The director was kind of a jerk. But I played all ten performances. | 0:19:42 | 0:19:46 | |
It was my last fling at acting, however. | 0:19:46 | 0:19:49 | |
I feel kind of funny going through her belongings, Christine. | 0:19:51 | 0:19:54 | |
She'll forgive you, Mary Beth. | 0:19:54 | 0:19:56 | |
Especially if we find out which one of her friends bumped her off. | 0:19:56 | 0:19:59 | |
Come here, look at this. | 0:20:06 | 0:20:08 | |
Look at this here. | 0:20:10 | 0:20:11 | |
'My Life Upon The Wicked Stage, by Noreen Dixon.' | 0:20:12 | 0:20:15 | |
-Her memoirs? -Oh... -What? -Let me. | 0:20:15 | 0:20:18 | |
So where are they? | 0:20:26 | 0:20:27 | |
Uh, leave a message when you come in, please. | 0:20:30 | 0:20:33 | |
Ms Dixon's secretary didn't answer, | 0:20:36 | 0:20:39 | |
so I left a message on the writer's machine. | 0:20:39 | 0:20:42 | |
Well, they should all be at the memorial service tomorrow. | 0:20:42 | 0:20:45 | |
If the writer and the secretary don't know about the missing | 0:20:45 | 0:20:48 | |
memoirs, somebody else will. | 0:20:48 | 0:20:50 | |
Do you have any single friends, Mary Beth? | 0:20:52 | 0:20:54 | |
It's not for me, it's for a friend. | 0:20:56 | 0:20:59 | |
A male friend. I have to get a date for this guy I know. | 0:20:59 | 0:21:03 | |
-Can you tell me anything about this man? -No. | 0:21:03 | 0:21:06 | |
-Christine! -I think that my friend would prefer that I remain discreet. | 0:21:06 | 0:21:10 | |
You're asking me to blindly set this fellow up on a blind date? | 0:21:10 | 0:21:13 | |
You don't want to help me, you don't have to. | 0:21:13 | 0:21:15 | |
I'd like to help you, Christine. | 0:21:15 | 0:21:16 | |
You're not giving me much to go on here. | 0:21:16 | 0:21:18 | |
I've called everybody I know. Laura Carter's getting engaged. | 0:21:21 | 0:21:24 | |
Nikki Levine just moved back in with her ex-husband. | 0:21:24 | 0:21:27 | |
And Julia Barker gave up men for Lent. | 0:21:27 | 0:21:29 | |
I tell you, women friends, they're a dying breed. | 0:21:29 | 0:21:31 | |
Sure for somebody who spends their time only with men. | 0:21:31 | 0:21:34 | |
You missed a great musical, babe. | 0:21:53 | 0:21:55 | |
I was not in the mood for Nelson Eddy and Jeanette MacDonald. | 0:21:57 | 0:22:00 | |
You're not going to wear that stuff to bed? | 0:22:00 | 0:22:03 | |
This is deep cleansing, Harvey. | 0:22:03 | 0:22:05 | |
I can't get deep cleansing in five minutes. | 0:22:05 | 0:22:08 | |
Directions said overnight. | 0:22:09 | 0:22:12 | |
About as long as your first marriage. | 0:22:12 | 0:22:14 | |
Mary Beth, I don't know what you want from me. | 0:22:14 | 0:22:16 | |
-The truth would've been nice. -I told you the truth. | 0:22:16 | 0:22:19 | |
By accident, after 17 years. | 0:22:19 | 0:22:22 | |
-You think you know a person. -Babe, it never occurred to me to tell you. | 0:22:22 | 0:22:25 | |
Sure, I'm only the second wife. | 0:22:25 | 0:22:27 | |
Dammit, Mary Beth, it didn't mean anything! | 0:22:27 | 0:22:29 | |
We were married less than a total of 24 hours. | 0:22:29 | 0:22:31 | |
And then it completely slipped your mind. | 0:22:31 | 0:22:34 | |
OK, OK, you want to know what it was? It was sex! | 0:22:34 | 0:22:37 | |
Not in front of the baby, Harvey! | 0:22:37 | 0:22:38 | |
That's what it was, we wanted to do it, | 0:22:38 | 0:22:40 | |
but we felt too guilty if we weren't married. | 0:22:40 | 0:22:42 | |
-Is this supposed to be making me feel better? -Dammit, | 0:22:42 | 0:22:44 | |
we didn't get near a bed. The father caught us before we did anything more | 0:22:44 | 0:22:47 | |
than kiss! | 0:22:47 | 0:22:50 | |
Poetic justice. | 0:22:50 | 0:22:51 | |
APPLAUSE | 0:22:54 | 0:22:57 | |
Ladies and gentlemen, I thank you all for coming this afternoon. | 0:23:01 | 0:23:06 | |
Would you look at that man? | 0:23:06 | 0:23:08 | |
-Huh? 20 years, he hasn't aged one bit. -Shh! | 0:23:08 | 0:23:11 | |
..as dear Noreen used to say. | 0:23:11 | 0:23:13 | |
That wherever she is, she is touched and gladdened... | 0:23:14 | 0:23:18 | |
If everybody hated Noreen Dixon so much, | 0:23:18 | 0:23:21 | |
how come there isn't an empty seat? | 0:23:21 | 0:23:23 | |
Give the people what they want, Mary Beth, they'll show up for it. | 0:23:23 | 0:23:26 | |
No-one more than I know what the passing of our beloved Noreen | 0:23:26 | 0:23:30 | |
really means - the sudden emptiness... | 0:23:30 | 0:23:32 | |
Makes you want to throw up, doesn't it? | 0:23:32 | 0:23:34 | |
I told Chet I'd write him a eulogy, but no, | 0:23:34 | 0:23:36 | |
he insisted on giving his own. Actors! | 0:23:36 | 0:23:39 | |
He could read the phone book. | 0:23:39 | 0:23:42 | |
-Still the sexiest man in the world. -Will you please! | 0:23:42 | 0:23:44 | |
So you said you wanted to know about Noreen's memoirs, huh? | 0:23:44 | 0:23:47 | |
-Have you seen them? -Oh, no, Noreen wouldn't let anybody read them. | 0:23:47 | 0:23:50 | |
She took them with her everywhere. That scared poor Chet to death. | 0:23:50 | 0:23:54 | |
And her greatest qualities always came out in the littlest ways. | 0:23:54 | 0:23:57 | |
-For instance... -Scare Mr Gardner? | 0:23:57 | 0:23:59 | |
Well, for 20 years, she threatened to tell his secret to the world. | 0:23:59 | 0:24:02 | |
Every time Noreen wanted to get Chet, | 0:24:02 | 0:24:04 | |
she'd just haul out those precious memoirs that supposedly told all. | 0:24:04 | 0:24:07 | |
Told all what? | 0:24:07 | 0:24:09 | |
You're kidding. | 0:24:09 | 0:24:11 | |
I thought everybody in New York knew, | 0:24:11 | 0:24:13 | |
even if they didn't in Peoria. | 0:24:13 | 0:24:15 | |
Noreen and Chet were married in name only. | 0:24:15 | 0:24:19 | |
He's as gay as the 1890s. | 0:24:19 | 0:24:21 | |
With regal grandeur, | 0:24:21 | 0:24:22 | |
she stepped out of that limousine and, with a wave of her hand, | 0:24:22 | 0:24:25 | |
she stopped that traffic cold! | 0:24:25 | 0:24:27 | |
And I thought, "This, this is a true lady." | 0:24:27 | 0:24:30 | |
Sergeant, there were times I could have annihilated Noreen. | 0:24:30 | 0:24:34 | |
But I am an actor - | 0:24:34 | 0:24:36 | |
I don't do such things in real life any more than you do. | 0:24:36 | 0:24:39 | |
You and Ms Dixon went back a long ways, didn't you, Mr Gardner? | 0:24:39 | 0:24:43 | |
Your first picture together, Broadway Babies, 1950. Am I right? | 0:24:43 | 0:24:48 | |
As much as I hate to admit it, yes. | 0:24:48 | 0:24:50 | |
I'll tell you our whole sordid story over a pot of tea. | 0:24:50 | 0:24:53 | |
-Please, make yourselves comfortable. -Oh, thank you. | 0:24:53 | 0:24:56 | |
Another fantasy down the tubes. | 0:24:59 | 0:25:00 | |
Still, he has nice eyes, don't you think? | 0:25:02 | 0:25:05 | |
Mary Beth, look at this. | 0:25:12 | 0:25:14 | |
-Come here! -Oh, no. -Come here! | 0:25:15 | 0:25:18 | |
If this is another secret, I'm not so sure I want to know. | 0:25:18 | 0:25:20 | |
Remember when Chet Gardner said he didn't steal Noreen's memoirs? | 0:25:20 | 0:25:23 | |
-Yes. -How do you think he's going to explain that? | 0:25:23 | 0:25:25 | |
'My Life Upon The Wicked Stage, by Noreen Dixon.' | 0:25:27 | 0:25:29 | |
That's kind of coincidental, isn't it, Christine? | 0:25:32 | 0:25:34 | |
It is like something out of an Agatha Christie book. | 0:25:34 | 0:25:37 | |
KNOCK ON DOOR Yeah, sweetheart. | 0:25:42 | 0:25:45 | |
Be with you in a minute. | 0:25:45 | 0:25:46 | |
KNOCK ON DOOR Yes, honey. | 0:25:49 | 0:25:51 | |
-Hi. -Thank you. | 0:25:55 | 0:25:56 | |
What is all this? Where is everybody? | 0:26:00 | 0:26:02 | |
The boys are at my mother's, Alice is asleep. | 0:26:02 | 0:26:05 | |
It's for you, babe. | 0:26:14 | 0:26:15 | |
-Feeling pretty guilty, aren't you, Harvey? -Huh? | 0:26:18 | 0:26:20 | |
You went to a lot of trouble here. | 0:26:22 | 0:26:24 | |
I'm trying to make up, Mary Beth. | 0:26:26 | 0:26:28 | |
Is this what worked on your first wife? | 0:26:28 | 0:26:30 | |
For crying out loud, would you leave it alone? | 0:26:30 | 0:26:32 | |
You been mad longer than I was married. | 0:26:32 | 0:26:35 | |
It's not the marriage, Harv, it's the deceit. | 0:26:35 | 0:26:38 | |
OK, OK, so I didn't tell you, | 0:26:38 | 0:26:40 | |
but I could have kept a lot worse secrets from you, Mary Beth. | 0:26:40 | 0:26:44 | |
I could've...I could've been an axe murderer. | 0:26:44 | 0:26:46 | |
I could've been...I could've been a slumlord. | 0:26:46 | 0:26:48 | |
But no, no, I made a bigger mistake, | 0:26:48 | 0:26:51 | |
I got married once, for one day! | 0:26:51 | 0:26:53 | |
And now, I'm going to have to be crucified for it | 0:26:55 | 0:26:57 | |
-the rest of my life. -Harvey... | 0:26:57 | 0:26:59 | |
-Here, you eat the dinner, I'm going out! -Harvey, wait a minute. | 0:26:59 | 0:27:02 | |
You know, it could've been a lot worse, | 0:27:02 | 0:27:04 | |
Mary Beth, I could have worked for the CIA. | 0:27:04 | 0:27:07 | |
Cagney. | 0:27:19 | 0:27:20 | |
-Good morning, Lieutenant. -Would you tell me what is going on? | 0:27:25 | 0:27:28 | |
-I beg your pardon? -My date, have you found her yet? | 0:27:28 | 0:27:30 | |
Lieutenant, you know, if you had just given me more notice... | 0:27:32 | 0:27:35 | |
Yeah, I understand, I understand. | 0:27:35 | 0:27:37 | |
-I tried. -Oh, yeah, sure, I understand. Thanks. | 0:27:37 | 0:27:40 | |
Maybe I should talk to Isbecki. The other day I overheard him | 0:27:40 | 0:27:43 | |
raving about some female musician friend of his. | 0:27:43 | 0:27:46 | |
Cheryl Carey. | 0:27:46 | 0:27:49 | |
-Sherry Carey? -Yeah, you know her? | 0:27:49 | 0:27:51 | |
She is a stripper who plays the accordion, Lieutenant. | 0:27:51 | 0:27:55 | |
Wouldn't make the right impression. | 0:27:55 | 0:27:57 | |
What is this event you are supposed to go to anyway? | 0:27:57 | 0:28:00 | |
Well, it is sort of a celebration, you know? | 0:28:00 | 0:28:02 | |
My son, my kid, David, he has managed to put together enough money | 0:28:02 | 0:28:06 | |
to buy into a restaurant. | 0:28:06 | 0:28:09 | |
Why don't you take Thelma? | 0:28:09 | 0:28:10 | |
Cagney, remember I told you | 0:28:10 | 0:28:12 | |
about this woman that I wanted to take but she had other plans? | 0:28:12 | 0:28:15 | |
That was Thelma. | 0:28:15 | 0:28:17 | |
She's going already, with an airline pilot that she has been dating. | 0:28:17 | 0:28:21 | |
Thin and, uh, tall. | 0:28:22 | 0:28:25 | |
With a lot of hair. | 0:28:25 | 0:28:27 | |
Certainly not my type. | 0:28:27 | 0:28:29 | |
Didn't used to be Thelma's. | 0:28:29 | 0:28:31 | |
-Lieutenant, I do know somebody who would fit the bill. -Oh, yeah? | 0:28:34 | 0:28:38 | |
-She's a workaholic. -I can relate to that. | 0:28:39 | 0:28:42 | |
-She's fun. -I've got nothing against fun once in a while. | 0:28:42 | 0:28:45 | |
Is it a problem if she works in the Department? | 0:28:45 | 0:28:47 | |
Hell no! No, what precinct is she in? | 0:28:47 | 0:28:50 | |
14th. | 0:28:50 | 0:28:52 | |
Are you serious? | 0:28:54 | 0:28:55 | |
Every now and then. | 0:28:55 | 0:28:57 | |
That's...that's just great. | 0:28:57 | 0:28:59 | |
Um, cocktails start at six o'clock. | 0:29:02 | 0:29:06 | |
And then a buffet dinner after that. | 0:29:06 | 0:29:08 | |
-I'll pick you up, OK? -OK. | 0:29:10 | 0:29:12 | |
Uh, Cagney. | 0:29:14 | 0:29:16 | |
-You know, you don't have to do this. -Yeah, I know. | 0:29:16 | 0:29:19 | |
Yes, sir, and she had received the advance and everything was...? | 0:29:24 | 0:29:29 | |
But you never saw any of the actual manuscript ever? | 0:29:29 | 0:29:32 | |
All right. | 0:29:34 | 0:29:36 | |
Thank you very much. Bye-bye. | 0:29:37 | 0:29:40 | |
-What was that all about? -Noreen Dixon's publisher. | 0:29:40 | 0:29:43 | |
He said Noreen Dixon never turned in any of her memoirs. | 0:29:43 | 0:29:45 | |
Maybe she was holding out until they were all finished. | 0:29:45 | 0:29:48 | |
Or maybe she never started. | 0:29:48 | 0:29:50 | |
Lab findings on the ashes from the fireplace - negative for ink. | 0:29:50 | 0:29:54 | |
-You mean the whole thing was blank? -Except for the title page. | 0:29:54 | 0:29:58 | |
Somebody only wanted us to think they were the missing memoirs. | 0:29:58 | 0:30:01 | |
I didn't kill her. | 0:30:04 | 0:30:06 | |
-I swear, I didn't! -Either way, we could take you in for obstruction. | 0:30:06 | 0:30:10 | |
-You burned those memoirs. -Fake memoirs, fake! | 0:30:10 | 0:30:13 | |
She carried around blank pages and tantalized everyone with them | 0:30:13 | 0:30:16 | |
for 20 years. | 0:30:16 | 0:30:18 | |
So, you burned up blank pages and the title page | 0:30:18 | 0:30:20 | |
and you planted them in Chet Gardner's apartment. | 0:30:20 | 0:30:22 | |
Chet has to be the killer. | 0:30:22 | 0:30:24 | |
I was sure that once you were on to him, Chet would confess. | 0:30:24 | 0:30:26 | |
If you had reason to believe that Chet Gardner was guilty, | 0:30:26 | 0:30:29 | |
-why didn't you come forward? -I didn't think you would believe me. | 0:30:29 | 0:30:32 | |
I have written enough mysteries to know what it takes to convict | 0:30:32 | 0:30:34 | |
someone - I don't have that kind of proof. But I know how he did it. | 0:30:34 | 0:30:37 | |
Noreen was rehearsing in the pit. | 0:30:37 | 0:30:39 | |
She wouldn't hear Gardner sneak up on her. | 0:30:39 | 0:30:41 | |
He knocks her out and then he throws her over his shoulder, just like | 0:30:41 | 0:30:44 | |
he did with LaFlor in Pirates Cove, and then he climbs up a ladder, | 0:30:44 | 0:30:46 | |
and he walks across the catwalk, and then he throws her off. | 0:30:46 | 0:30:50 | |
Isn't Chet Gardner a little old for that, Mr Webber? | 0:30:51 | 0:30:54 | |
Chet Gardner is in very good shape. | 0:30:54 | 0:30:56 | |
LAUGHTER | 0:30:56 | 0:30:59 | |
That's very funny, Eric. | 0:30:59 | 0:31:01 | |
-I didn't know you did comedy. -I don't find murder very amusing. | 0:31:01 | 0:31:05 | |
Neither do I. | 0:31:05 | 0:31:06 | |
But the idea of Chet Gardner climbing into the fly loft... | 0:31:06 | 0:31:09 | |
You should look up from your typewriter more often. | 0:31:09 | 0:31:11 | |
What are you talking about? | 0:31:11 | 0:31:13 | |
-Chet Gardner is afraid of heights. -What? | 0:31:13 | 0:31:16 | |
-That isn't true! -Trust me, stuntmen live off of Chet Gardner. | 0:31:16 | 0:31:21 | |
The man gets nose bleeds if he stands on a chair. | 0:31:21 | 0:31:23 | |
So much for that theory. | 0:31:23 | 0:31:25 | |
Maybe you should ask Eric why he is | 0:31:25 | 0:31:26 | |
so anxious to prove Chet Gardner killed Noreen. | 0:31:26 | 0:31:28 | |
He has a very interesting reason, don't you, Eric? | 0:31:28 | 0:31:31 | |
Or maybe you should ask Iris Redfern. | 0:31:31 | 0:31:32 | |
You play your little games with someone else, Gerilee, | 0:31:32 | 0:31:34 | |
I don't enjoy them. | 0:31:34 | 0:31:36 | |
You care to explain what you just said, Ms Thackeray? | 0:31:40 | 0:31:43 | |
Moi? | 0:31:43 | 0:31:46 | |
You haven't been very straight with us, neither one of you. | 0:31:46 | 0:31:48 | |
-I don't know what you mean. -Well, my partner loves old movies, | 0:31:48 | 0:31:51 | |
Ms Redfern. | 0:31:51 | 0:31:53 | |
And she remembers that Noreen Dixon had played a character named Iris... | 0:31:53 | 0:31:56 | |
-Mayfield. -Around the time that you were born. | 0:31:56 | 0:31:59 | |
-In All My Tomorrows, with David Niven. -So we did some checking. | 0:31:59 | 0:32:04 | |
We found out that you, Iris Redfern, are Ms Dixon's niece. | 0:32:04 | 0:32:09 | |
Since when is nepotism a crime? | 0:32:09 | 0:32:10 | |
Nepotism is not, Mr Webber, but fabrication of evidence is. | 0:32:10 | 0:32:14 | |
You went out of your way to set up Chet Gardner | 0:32:14 | 0:32:17 | |
as Noreen Dixon's murderer, why? | 0:32:17 | 0:32:18 | |
-I told you, I thought... -I know what you told us. | 0:32:18 | 0:32:21 | |
What you didn't tell us is that you and Ms Redfern are rather involved. | 0:32:21 | 0:32:25 | |
Ms Thackeray said that Noreen Dixon | 0:32:25 | 0:32:27 | |
had forbidden the two of you to see each other. | 0:32:27 | 0:32:29 | |
Ms Thackeray also told us that you were rather bitter about that. | 0:32:30 | 0:32:34 | |
Working night and day for a prima donna | 0:32:34 | 0:32:35 | |
who wouldn't let you have a private life of your own. | 0:32:35 | 0:32:37 | |
Maybe bitter enough to kill for your freedom. | 0:32:37 | 0:32:39 | |
Oh, come on, that's ridiculous. Iris couldn't murder anyone. | 0:32:39 | 0:32:42 | |
Why should we believe you, Mr Webber? | 0:32:42 | 0:32:44 | |
You've already lied about Chet Gardner, | 0:32:44 | 0:32:46 | |
setting him up to protect your girlfriend here. | 0:32:46 | 0:32:48 | |
I did not kill my aunt. | 0:32:48 | 0:32:50 | |
She was mean and vain and impossible to work for, | 0:32:51 | 0:32:54 | |
but she was also the only family I have left. | 0:32:54 | 0:32:57 | |
I could have never hurt her. | 0:32:57 | 0:32:59 | |
Eric lied to protect me because he knew | 0:33:00 | 0:33:02 | |
I didn't have an alibi the afternoon she died. | 0:33:02 | 0:33:05 | |
It was a mistake, that's all. | 0:33:05 | 0:33:07 | |
Because he loves me. | 0:33:10 | 0:33:11 | |
Haven't you ever been in love? | 0:33:14 | 0:33:17 | |
I guess we can scratch them off. | 0:33:19 | 0:33:22 | |
What is that supposed to mean? | 0:33:22 | 0:33:23 | |
Well, you saw them, Christine, they're lovers, not murderers. | 0:33:23 | 0:33:26 | |
Oh, you're breaking my heart, Mary Beth. | 0:33:26 | 0:33:29 | |
They were lying to protect one another. | 0:33:29 | 0:33:31 | |
Christine, do you really think that those two people murdered | 0:33:31 | 0:33:34 | |
Noreen Dixon? | 0:33:34 | 0:33:36 | |
At this point, I think they all could have done it, | 0:33:36 | 0:33:38 | |
and probably wanted to. | 0:33:38 | 0:33:40 | |
Cynic, you are a cynic, Christine. | 0:33:42 | 0:33:45 | |
-My money is on the producer. -No way, it's got to be Chet Gardner, | 0:33:45 | 0:33:48 | |
he is the only one man enough to carry her up to the catwalk. | 0:33:48 | 0:33:50 | |
He is afraid of heights, Isbecki. | 0:33:50 | 0:33:52 | |
That's like saying John Wayne is afraid of horses. | 0:33:52 | 0:33:54 | |
Maybe it was the playwright, he tried to frame them. | 0:33:54 | 0:33:56 | |
He had a tasty thing going with the niece. | 0:33:56 | 0:33:58 | |
She probably inherits a fat piece of change if it's a homicide. | 0:33:58 | 0:34:00 | |
Yeah, but don't forget the understudy, she tried to poison her. | 0:34:00 | 0:34:03 | |
-Where is Ms Marple when we need her? -Wait a minute! | 0:34:03 | 0:34:07 | |
Maybe it is like Murder On The Orient Express, | 0:34:07 | 0:34:10 | |
-maybe they all did it! -Colonel Mustard did it. | 0:34:10 | 0:34:12 | |
-In the library. -With a pipe wrench. -Cut it out. | 0:34:12 | 0:34:15 | |
I would like to remind you people, this is a homicide here, | 0:34:15 | 0:34:18 | |
it's not some game. | 0:34:18 | 0:34:20 | |
-A great star lost her life. -We know that, Mary Beth. | 0:34:20 | 0:34:24 | |
Good, cos I couldn't tell. | 0:34:24 | 0:34:26 | |
I mean, this may be a lot of fun for all of you, | 0:34:26 | 0:34:28 | |
but it wasn't too terrific for Noreen Dixon. | 0:34:28 | 0:34:30 | |
You want to play games, go ahead, count me out. | 0:34:30 | 0:34:34 | |
-What's eating her? -She's a fan. -Ah. | 0:34:36 | 0:34:38 | |
Too bad there's no butler. | 0:34:40 | 0:34:41 | |
LAUGHTER | 0:34:41 | 0:34:43 | |
Are we going to work this out or what? | 0:35:00 | 0:35:03 | |
How long are you going to continue acting like a teenager, Mary Beth? | 0:35:03 | 0:35:07 | |
Did you love Angela? | 0:35:07 | 0:35:09 | |
Yeah, as much as you can love somebody when you're 16-years-old. | 0:35:09 | 0:35:13 | |
That's how old you were the first time... | 0:35:15 | 0:35:18 | |
Was she the one? | 0:35:18 | 0:35:20 | |
Yeah, but that was much later. | 0:35:20 | 0:35:21 | |
We were supposed to not see each other, | 0:35:23 | 0:35:26 | |
so we sneaked off to my brother's place - Romeo and Juliet. | 0:35:26 | 0:35:30 | |
You don't have to tell me all the details, Harvey. | 0:35:30 | 0:35:32 | |
Oh, honey, that was such a long time ago. | 0:35:32 | 0:35:34 | |
What Angela and I felt for each other, that was puppy love. | 0:35:37 | 0:35:41 | |
It was a warm-up for the real thing. | 0:35:41 | 0:35:43 | |
It wasn't the marriage, Harvey, it was the secrets. | 0:35:47 | 0:35:50 | |
I felt like I didn't know you, | 0:35:50 | 0:35:52 | |
like I had been with some stranger the whole time. | 0:35:52 | 0:35:56 | |
Honey, I swear, I didn't mean | 0:35:56 | 0:35:57 | |
to keep any secrets. I had almost forgotten. | 0:35:57 | 0:36:00 | |
I want us to be honest, Harvey, not like the rest of the world. | 0:36:01 | 0:36:06 | |
I promise. | 0:36:06 | 0:36:07 | |
I cross my heart. | 0:36:07 | 0:36:09 | |
So this Angela, was she pretty? | 0:36:15 | 0:36:18 | |
We're being honest here, Harvey. | 0:36:18 | 0:36:20 | |
How honest? | 0:36:20 | 0:36:22 | |
Never mind. | 0:36:24 | 0:36:26 | |
"Guess now who holds the... | 0:36:41 | 0:36:43 | |
"..death," I said. | 0:36:45 | 0:36:47 | |
But there the silver answer rang - | 0:36:48 | 0:36:52 | |
not death, | 0:36:52 | 0:36:54 | |
but love. | 0:36:54 | 0:36:55 | |
I love thee with the love that I seem to lose with my lost saints. | 0:37:00 | 0:37:04 | |
I love the with the breath, smiles, | 0:37:06 | 0:37:09 | |
tears of all my life. | 0:37:09 | 0:37:11 | |
And, if God choose... | 0:37:18 | 0:37:19 | |
..I shall but love thee better after death. | 0:37:21 | 0:37:23 | |
Ah! | 0:37:25 | 0:37:26 | |
Great stuff. | 0:37:27 | 0:37:28 | |
-Good morning, Christine. What is going on? -I read the play. | 0:37:51 | 0:37:55 | |
Yeah, we both read the play. There was nothing in it. | 0:37:55 | 0:37:58 | |
I read Noreen Dixon's copy. It was a very illuminating. Come with me. | 0:37:58 | 0:38:02 | |
In the scripts we read, there was no mention of suicide. | 0:38:09 | 0:38:13 | |
Elizabeth Barrett Browning didn't commit suicide. | 0:38:13 | 0:38:15 | |
I know it, but Noreen Dixon thought she should have. | 0:38:15 | 0:38:17 | |
And in her version of the play, she tore out the last scene | 0:38:17 | 0:38:21 | |
and rewrote a whole new one. | 0:38:21 | 0:38:23 | |
The only thing missing is the last speech. | 0:38:23 | 0:38:25 | |
-The suicide note. -Exactly! | 0:38:27 | 0:38:28 | |
That's why she wasn't suicidal when she wrote it, | 0:38:28 | 0:38:30 | |
these are just words her character was supposed to say. | 0:38:30 | 0:38:33 | |
I told you actresses are weird! | 0:38:33 | 0:38:35 | |
You think the rest of them know about the note? | 0:38:35 | 0:38:37 | |
-Theatre is a small world. -So... What now? | 0:38:37 | 0:38:42 | |
We can't even prove it's murder, never mind who did it. | 0:38:42 | 0:38:45 | |
I want to look at the catwalk up there, | 0:38:45 | 0:38:47 | |
see if forensics missed anything. | 0:38:47 | 0:38:49 | |
-Why don't you just look around down here? -Right. | 0:38:55 | 0:38:58 | |
Mary Beth! | 0:39:28 | 0:39:30 | |
Help! | 0:39:30 | 0:39:32 | |
Christine! What are you doing down there? | 0:39:34 | 0:39:37 | |
Here, Mary Beth! | 0:39:37 | 0:39:39 | |
Where? I can't see you. | 0:39:40 | 0:39:42 | |
Whoooooooa! | 0:39:42 | 0:39:45 | |
Christine! | 0:39:45 | 0:39:47 | |
What are you doing? | 0:39:47 | 0:39:49 | |
-Peter Pan. -Your voice was coming from the orchestra pit. | 0:39:49 | 0:39:53 | |
I'll explain it later, OK? | 0:39:53 | 0:39:55 | |
Just get me down from here. | 0:39:55 | 0:39:59 | |
Sure, Chris. | 0:39:59 | 0:40:00 | |
Hang on, OK? | 0:40:03 | 0:40:04 | |
This theatre plays an acoustical trick - | 0:40:13 | 0:40:15 | |
you all thought that Ms Dixon did her rehearsing in the orchestra pit | 0:40:15 | 0:40:18 | |
during your lunch hour because it seemed as though her voice | 0:40:18 | 0:40:21 | |
were coming from there. | 0:40:21 | 0:40:22 | |
But in reality, she was on the catwalk every day! | 0:40:22 | 0:40:25 | |
But it sounded as though her voice was coming from the pit. | 0:40:27 | 0:40:30 | |
On the day she died, Noreen Dixon was up there, as usual. | 0:40:30 | 0:40:35 | |
She was rehearsing a very emotional scene, | 0:40:35 | 0:40:40 | |
the scene she was hoping Mr Webber might put in his play. | 0:40:40 | 0:40:42 | |
Which you were all aware of. | 0:40:42 | 0:40:44 | |
Unfortunately, | 0:40:46 | 0:40:48 | |
Ms Dixon got a little carried away with what she was doing | 0:40:48 | 0:40:50 | |
and she leaned her weight against a faulty gate in the railing. | 0:40:50 | 0:40:54 | |
The gate swung open... | 0:40:54 | 0:40:55 | |
And she fell. | 0:41:00 | 0:41:01 | |
-So it wasn't murder. -It was an accident. | 0:41:05 | 0:41:08 | |
It was death by overacting. | 0:41:08 | 0:41:10 | |
God, I am so tired. | 0:41:17 | 0:41:20 | |
That was very crazy up there, Christine. | 0:41:20 | 0:41:22 | |
Yep. | 0:41:22 | 0:41:23 | |
Chet Gardner would've had his stuntman do it. | 0:41:23 | 0:41:26 | |
-Go home, get some rest. -That's what I'm going to do. | 0:41:30 | 0:41:33 | |
A hot bath, a stiff drink and 12 hours of uninterrupted deep sleep. | 0:41:34 | 0:41:38 | |
What are you going to do? | 0:41:40 | 0:41:41 | |
Oh, Harvey is trying to get me to go to the movies. | 0:41:41 | 0:41:44 | |
I don't know if I ever want to go to the movies again. | 0:41:44 | 0:41:47 | |
-Good night, Chris. -Good night. | 0:41:49 | 0:41:51 | |
Oh, Lieutenant, | 0:41:54 | 0:41:56 | |
-you look like a million dollars. -Thank you. | 0:41:56 | 0:41:59 | |
Have a lovely time, sir. | 0:41:59 | 0:42:00 | |
-Thank you, Lacey. -Good night. -Good night. | 0:42:00 | 0:42:03 | |
Good evening, Cagney. | 0:42:14 | 0:42:16 | |
-Lieutenant, hi. You look great! -It's a rental. Nice, huh, | 0:42:19 | 0:42:23 | |
to know there's other guys around exactly my size. | 0:42:23 | 0:42:27 | |
-Yeah, I was just on my way home to get dressed. -Cagney. | 0:42:27 | 0:42:29 | |
-All I need is 30...45 minutes tops. -Cagney, please, listen. | 0:42:29 | 0:42:32 | |
You said cocktails aren't until six o'clock, right? | 0:42:32 | 0:42:34 | |
Cagney, I hope you understand, but I changed my mind. | 0:42:34 | 0:42:38 | |
I thought, you know, | 0:42:38 | 0:42:39 | |
it would be better if I would hack this on my own. | 0:42:39 | 0:42:42 | |
You're just saying that because I look tired. | 0:42:42 | 0:42:44 | |
You give me a couple cups of coffee and I'll dance all night. | 0:42:44 | 0:42:47 | |
I thought I told you, though, | 0:42:47 | 0:42:49 | |
that dragging somebody else to this, it doesn't make any sense. | 0:42:49 | 0:42:52 | |
What, I should impress Thelma? | 0:42:54 | 0:42:56 | |
Thelma is going to be impressed tonight by our son. | 0:42:56 | 0:43:00 | |
-You sure? -Yeah. | 0:43:00 | 0:43:02 | |
Now why don't you get out of here, huh? Go on home, get some sleep. | 0:43:02 | 0:43:05 | |
All right, I will. | 0:43:05 | 0:43:07 | |
-I was just going to sign this DD-5 you were waiting for. -Good. | 0:43:07 | 0:43:10 | |
-Have a good time, Lieutenant. -Oh, thanks, I intend to. | 0:43:13 | 0:43:16 | |
Great. | 0:43:20 | 0:43:21 | |
-You're not mad I made you see her again? -No, sweetheart. | 0:43:55 | 0:43:58 | |
I don't know how many times I've seen that picture, | 0:43:59 | 0:44:01 | |
not including reruns on TV, | 0:44:01 | 0:44:04 | |
-and every time my heart breaks. -As long as you had a good time, babe. | 0:44:04 | 0:44:08 | |
-Why is that? -What? | 0:44:08 | 0:44:10 | |
That I know all these terrible things about Noreen Dixon, | 0:44:10 | 0:44:13 | |
and I see her up on the screen, it doesn't matter. | 0:44:13 | 0:44:16 | |
-Everything else goes away. -Well, it's magic, babe. | 0:44:16 | 0:44:19 | |
All the great ones got it, it's why we keep going back. | 0:44:19 | 0:44:22 | |
-Magic? -Yep. And romance. | 0:44:22 | 0:44:25 | |
-In fact, I have been thinking about that all day long. -Lacey! | 0:44:25 | 0:44:30 | |
Mrs Lacey. | 0:44:30 | 0:44:31 | |
Oh, honey. | 0:44:34 | 0:44:36 | |
Madame? | 0:44:37 | 0:44:39 | |
Perfect timing, Jimmy. | 0:44:40 | 0:44:42 | |
Magic and romance. Once around the park, Jimmy. | 0:44:56 | 0:44:59 |