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THEME MUSIC PLAYS | 0:00:02 | 0:00:05 | |
-Nice leather. -Not a bad day's work, Arnie. | 0:01:26 | 0:01:28 | |
I wish to report...a homicide. | 0:01:32 | 0:01:35 | |
We'll see if we can't grant you that wish, sir. | 0:01:35 | 0:01:37 | |
You can't do this to me! People come and watch me dance. | 0:01:37 | 0:01:40 | |
They spend their money. I bring the city revenue. | 0:01:40 | 0:01:42 | |
Arnie, they can't spend it if they don't have their wallets. | 0:01:42 | 0:01:44 | |
If you put me in jail, people will stay home. | 0:01:44 | 0:01:46 | |
-You'll regret it. -Keeping the streets safe? | 0:01:46 | 0:01:49 | |
You want to finish booking him. | 0:01:49 | 0:01:51 | |
You don't patronise the arts, or what? | 0:01:51 | 0:01:53 | |
Hey, Arnie, looking sharp. | 0:02:03 | 0:02:05 | |
Today, the precinct, tomorrow, the White House. | 0:02:05 | 0:02:07 | |
Two weeks of liquor store break-ins, petty larceny, car thefts... | 0:02:07 | 0:02:11 | |
Oh, I can see what's coming a mile away. | 0:02:11 | 0:02:13 | |
-..purse snatchings, Mary Beth. -How many more of these can you take? | 0:02:13 | 0:02:16 | |
I know what's on your mind, Christine, | 0:02:16 | 0:02:17 | |
-so do you want to get to the point? -Sure. | 0:02:17 | 0:02:19 | |
I want to go after Mansfield. Is that fast enough? | 0:02:22 | 0:02:24 | |
-Leave it go, Chris. -No. We have the time now | 0:02:24 | 0:02:26 | |
and we certainly could use the excitement. | 0:02:26 | 0:02:28 | |
Every time things get dull around here, | 0:02:28 | 0:02:30 | |
you drag that one out and we get nowhere. He went underground. | 0:02:30 | 0:02:33 | |
-Leave it to Narcotics. -It is dead at Narcotics. | 0:02:33 | 0:02:35 | |
Dead at Narcotics because we blew the collar. | 0:02:35 | 0:02:37 | |
No, it is dead at Narcotics because I blew the collar. | 0:02:37 | 0:02:39 | |
I'm because the one who entrapped him. | 0:02:39 | 0:02:41 | |
We both got grief from the man, now what do you want to go get more for? | 0:02:41 | 0:02:44 | |
I say we go out on the streets and just churn up some accounts and see what comes up. | 0:02:44 | 0:02:48 | |
-I mean, he can't stay underground forever. -Yeah, and who does this? | 0:02:48 | 0:02:50 | |
Can I have your attention here? | 0:02:50 | 0:02:52 | |
This gentleman wants to report a homicide. | 0:02:55 | 0:02:58 | |
Someone just shot Leon Trotsky in Union Square Park. | 0:02:58 | 0:03:03 | |
Homicide requires a detective on the scene. | 0:03:08 | 0:03:10 | |
Lieutenant wants to know who's catching. | 0:03:10 | 0:03:12 | |
Cagney and Lacey are. | 0:03:16 | 0:03:17 | |
Oh, afraid not, Victor, no, no. | 0:03:17 | 0:03:19 | |
We've just got a very hot tip on a breaking drug case, | 0:03:19 | 0:03:21 | |
didn't we, Mary Beth? | 0:03:21 | 0:03:23 | |
Right, uh... | 0:03:24 | 0:03:26 | |
He's all yours, fellas. | 0:03:26 | 0:03:28 | |
Oh, we can't. We have Arnie. | 0:03:28 | 0:03:30 | |
Well, Newman and Corassa, it looks like your lucky day. | 0:03:30 | 0:03:33 | |
Coleman, he's a nutcase, call Bellevue. | 0:03:33 | 0:03:35 | |
A homicide gets reported, it gets checked out. | 0:03:35 | 0:03:38 | |
Leon Trotsky was a Russian revolutionary. | 0:03:38 | 0:03:40 | |
- So? - He's been dead over 45 years. | 0:03:40 | 0:03:44 | |
It could be a helluva collar. | 0:03:45 | 0:03:46 | |
Thank you very much. | 0:03:48 | 0:03:50 | |
You know my feelings about using informants, Christine. | 0:03:50 | 0:03:52 | |
Using them is our only chance. We've already tried it Narcotics' way. | 0:03:52 | 0:03:56 | |
Mansfield is too smart to sting. | 0:03:56 | 0:03:58 | |
If he's so smart, what would he be doing in Brooklyn? | 0:03:58 | 0:04:01 | |
The 65th collared a major supplier last month. | 0:04:01 | 0:04:04 | |
The streets are just ripe enough for him to move in. | 0:04:04 | 0:04:06 | |
I know it. | 0:04:11 | 0:04:12 | |
I don't want to hear about last time. | 0:04:13 | 0:04:16 | |
OK. Who are we talking to? | 0:04:16 | 0:04:18 | |
Hector Estevez. | 0:04:19 | 0:04:21 | |
Is that that kid who stole your car?! | 0:04:23 | 0:04:25 | |
Yeah. | 0:04:26 | 0:04:27 | |
I've asked him to keep his ears open for me. | 0:04:27 | 0:04:29 | |
And you trust this kid? | 0:04:30 | 0:04:32 | |
Hector? Sure, he helped me find my car, didn't he? | 0:04:32 | 0:04:35 | |
As I recall, you threatened him with grand larceny auto, | 0:04:35 | 0:04:38 | |
then he helped you find your car. | 0:04:38 | 0:04:39 | |
So, he needed a little persuading. | 0:04:41 | 0:04:42 | |
Fasten your seat belt, Chris. | 0:04:47 | 0:04:48 | |
Put your seat belt on, or I'm not moving. | 0:04:51 | 0:04:53 | |
Thank you. | 0:05:07 | 0:05:08 | |
Cagney! You're looking good! | 0:05:28 | 0:05:31 | |
Thank you, Hector. | 0:05:31 | 0:05:33 | |
I'd like you to meet my partner. This is Detective Lacey. | 0:05:33 | 0:05:35 | |
How do you do, Mr Estevez? | 0:05:35 | 0:05:37 | |
Today, much better than expected. | 0:05:37 | 0:05:39 | |
To what do I owe this pleasure? | 0:05:39 | 0:05:41 | |
Oh...you're not telling me she lost her car again? | 0:05:41 | 0:05:45 | |
Not since you left the business. | 0:05:45 | 0:05:48 | |
You hurt my feelings! | 0:05:48 | 0:05:49 | |
And to think, I've been saving one of these specially for you. | 0:05:49 | 0:05:53 | |
I like him. | 0:05:53 | 0:05:55 | |
You know, Cagney, I was just about to call you. | 0:05:55 | 0:05:59 | |
Did you hear something? | 0:05:59 | 0:06:00 | |
-No, I just wanted to chat. -Hector, you said that you would get in touch | 0:06:00 | 0:06:03 | |
if you heard anything at all. | 0:06:03 | 0:06:05 | |
You know the first principle of business, Cagney... | 0:06:06 | 0:06:10 | |
is motivation. | 0:06:10 | 0:06:11 | |
You asked me to do a dangerous job. | 0:06:13 | 0:06:15 | |
But I don't got no motivation. How can I do this for you? | 0:06:15 | 0:06:18 | |
OK, Hector... | 0:06:18 | 0:06:19 | |
-..what do you want? -Well, it's my brother, Ernesto. | 0:06:20 | 0:06:24 | |
See, he's a spiritual advisor, | 0:06:24 | 0:06:28 | |
who must travel from place to place and cannot always watch the meter. | 0:06:28 | 0:06:32 | |
So, how many parking tickets does he have? | 0:06:32 | 0:06:35 | |
Just a few. | 0:06:35 | 0:06:37 | |
Look, you find out if it's Mansfield. | 0:06:37 | 0:06:39 | |
If it is, then we'll talk business. | 0:06:39 | 0:06:41 | |
Oh, I like talking business with you. | 0:06:41 | 0:06:43 | |
See you at the diner, Hector. | 0:06:44 | 0:06:46 | |
8 o'clock... | 0:06:46 | 0:06:47 | |
tonight. | 0:06:47 | 0:06:49 | |
Cagney, again, you do me dishonour. | 0:06:49 | 0:06:53 | |
See, in my neighbourhood, the hombre asks the lady out. | 0:06:53 | 0:06:56 | |
And I thought chivalry died. | 0:06:56 | 0:06:58 | |
See you tonight, Hector. | 0:07:00 | 0:07:01 | |
Chris, I can't go with you tonight. | 0:07:09 | 0:07:11 | |
Muriel's taking the boys to movies and Harvey and I have | 0:07:11 | 0:07:14 | |
two whole hours together. | 0:07:14 | 0:07:16 | |
It's a very big deal, Christine. | 0:07:16 | 0:07:17 | |
-We're hoping that Alice sleeps half the time. -So, what do you think? | 0:07:17 | 0:07:20 | |
I think it'd be nice if she slept the whole time. | 0:07:20 | 0:07:23 | |
I mean about Hector. | 0:07:23 | 0:07:25 | |
Oh, it's a long shot, Christine. | 0:07:25 | 0:07:27 | |
If there is a new supply, it could be anybody. | 0:07:27 | 0:07:29 | |
It could also be Mansfield. | 0:07:29 | 0:07:30 | |
-I say we dig around, see what we come up with. -OK. | 0:07:30 | 0:07:34 | |
-Let's stop by the 6-5 Station... -Oh, Mary Beth, come on. | 0:07:34 | 0:07:36 | |
We owe them, Christine. | 0:07:36 | 0:07:38 | |
I'm not going to waste my time making courtesy calls. He's ours. | 0:07:38 | 0:07:40 | |
If he comes out here, we're going to be the ones to nail him. | 0:07:40 | 0:07:43 | |
All right, then we will track down Detective Bisconti | 0:07:43 | 0:07:45 | |
and at least let somebody know we're around. | 0:07:45 | 0:07:47 | |
-Oh! -It's protocol, Christine. | 0:07:47 | 0:07:50 | |
Forget it. | 0:07:50 | 0:07:51 | |
Bisconti, wait a second. Huh? We'll even let you have the assist. | 0:07:52 | 0:07:55 | |
No, what you mean is you'll let me | 0:07:55 | 0:07:57 | |
back you up in case you get in trouble. | 0:07:57 | 0:07:59 | |
Well...that's a terrible attitude. | 0:07:59 | 0:08:01 | |
Well, what are you working on? | 0:08:01 | 0:08:02 | |
Nothing, just penny-ante stuff. It's nothing you'd be interested in. | 0:08:02 | 0:08:05 | |
See you later, Sarge. | 0:08:05 | 0:08:07 | |
-Make sure you get pictures of everything. -Hey! -Be nice, Christine. | 0:08:07 | 0:08:10 | |
Bisconti! | 0:08:10 | 0:08:12 | |
Give us a break here, huh. | 0:08:12 | 0:08:14 | |
-Call it a favour. -You owe me already. | 0:08:15 | 0:08:18 | |
I paid you back! | 0:08:18 | 0:08:20 | |
I handed you that Stranski collar on a silver platter. | 0:08:20 | 0:08:23 | |
Oh, yeah? And what about the Spencer case? | 0:08:23 | 0:08:24 | |
Do you want something on the Spencer case? | 0:08:27 | 0:08:29 | |
Look, Cagney, I'd love to help you out, but the 65th is my precinct. | 0:08:29 | 0:08:32 | |
-You're going to learn to cooperate. -Bisconti, over here, please. | 0:08:32 | 0:08:35 | |
So much for protocol. | 0:08:39 | 0:08:40 | |
Sometimes I think Christine forgets we're all in the same department. | 0:08:50 | 0:08:53 | |
I'm so sorry to be late, sweetheart, but first we had to go to Brooklyn | 0:08:54 | 0:08:57 | |
and then, at the last minute, we got called downtown. | 0:08:57 | 0:09:01 | |
-It's OK, babe, forget it. -Oh, that's nice. | 0:09:01 | 0:09:04 | |
-You're not upset? -No. | 0:09:05 | 0:09:08 | |
That's nice. | 0:09:08 | 0:09:09 | |
How's our little girl? | 0:09:11 | 0:09:13 | |
-Sleeping like a baby. -Uh-huh. | 0:09:13 | 0:09:15 | |
-You want to go look at her? -In a while. | 0:09:15 | 0:09:17 | |
Mmm, Harv... | 0:09:22 | 0:09:24 | |
Harvey... | 0:09:25 | 0:09:27 | |
the boys are going to be back any minute. | 0:09:27 | 0:09:29 | |
You're wrong, Mary Beth. | 0:09:31 | 0:09:32 | |
-The movie got out 6:30, Harv. -Mom took them for ice cream. | 0:09:34 | 0:09:38 | |
-Doubles, I hope. -Sundaes. | 0:09:40 | 0:09:43 | |
-Mmm. -The works. | 0:09:43 | 0:09:44 | |
There's a man after my own heart. | 0:09:46 | 0:09:47 | |
BABY CRIES | 0:09:51 | 0:09:54 | |
28 tickets?! | 0:10:10 | 0:10:12 | |
You got to learn to relax, Cagney! | 0:10:13 | 0:10:15 | |
I don't think this cop business is so good for you. | 0:10:16 | 0:10:19 | |
28 is hardly what I'd call a few. | 0:10:19 | 0:10:21 | |
-You owe me, Hector. -How was I to know? | 0:10:23 | 0:10:25 | |
OK, tonight, I buy you dinner. | 0:10:27 | 0:10:30 | |
I don't think I have much of an appetite. | 0:10:30 | 0:10:32 | |
You will because I'm going to make you one happy muchacha. | 0:10:32 | 0:10:35 | |
Is it Mansfield? | 0:10:40 | 0:10:41 | |
Are you sure? | 0:10:42 | 0:10:43 | |
On the grave of my mother. | 0:10:44 | 0:10:46 | |
I got his name from two different dudes. | 0:10:46 | 0:10:48 | |
So, Cagney, I get the tickets fixed or what? | 0:10:50 | 0:10:53 | |
Yeah, thanks. | 0:10:55 | 0:10:57 | |
Ah-yah! | 0:10:57 | 0:10:58 | |
-That's good work, Hector. -Good?! | 0:10:58 | 0:11:01 | |
I think great! | 0:11:01 | 0:11:03 | |
And tonight I bring you a special bonus. | 0:11:03 | 0:11:06 | |
Free of charge... | 0:11:06 | 0:11:07 | |
Word on the street is... | 0:11:08 | 0:11:09 | |
..it would not be healthy for your man to stay in town. | 0:11:10 | 0:11:13 | |
He's making one big drop, then...adios. | 0:11:14 | 0:11:19 | |
-He's leaving? When's the deal? -End of the week. | 0:11:19 | 0:11:22 | |
-Can you find out who his buyer is? -HE INHALES SHARPLY | 0:11:24 | 0:11:27 | |
Maybe. | 0:11:28 | 0:11:30 | |
-But how can I do this job if I ain't got no motivation. -Motivation. | 0:11:30 | 0:11:35 | |
OK, Hector, I'll have you registered as a confidential informant. | 0:11:38 | 0:11:42 | |
I do you these favours... | 0:11:42 | 0:11:44 | |
and you want me to play your pigeon for chickenfeed? | 0:11:44 | 0:11:46 | |
Now, I think maybe there is special dinero for special hombres like me? | 0:11:46 | 0:11:51 | |
-Say...500? -500?! | 0:11:51 | 0:11:54 | |
-(Are you crazy?!) -I don't think so, but, | 0:11:54 | 0:11:59 | |
maybe you don't really want this dude. | 0:11:59 | 0:12:00 | |
Sit down, Hector. | 0:12:03 | 0:12:04 | |
I'll see if I can get you 200. | 0:12:09 | 0:12:10 | |
Listen, Cagney... | 0:12:12 | 0:12:15 | |
I like you. | 0:12:15 | 0:12:16 | |
And I want you to respect me. | 0:12:16 | 0:12:19 | |
Now, would you respect me if I did what you asked for 200? | 0:12:19 | 0:12:24 | |
I'll try for three. | 0:12:24 | 0:12:25 | |
But I want you to find out who's making the buy for Mansfield | 0:12:26 | 0:12:29 | |
and be here tomorrow 2 o'clock. | 0:12:29 | 0:12:31 | |
You got that? | 0:12:31 | 0:12:33 | |
You drive a hard bargain. | 0:12:33 | 0:12:35 | |
If I ever need a business partner, I might look you up. | 0:12:35 | 0:12:38 | |
Maybe I might even let you model my dresses. | 0:12:41 | 0:12:43 | |
-Morning. -Morning! | 0:13:07 | 0:13:09 | |
-How'd your night go? -It didn't. Tonight we try going out. | 0:13:09 | 0:13:12 | |
What do you...? | 0:13:12 | 0:13:14 | |
It's nice. | 0:13:14 | 0:13:16 | |
Well, at least my night paid off. | 0:13:16 | 0:13:18 | |
Hector showed and said that the supplier was Mansfield. | 0:13:20 | 0:13:24 | |
What a surprise. | 0:13:24 | 0:13:26 | |
I got something here, Mary Beth. | 0:13:26 | 0:13:27 | |
What you have is the word of a kid who was saying exactly what | 0:13:27 | 0:13:30 | |
-he knows you want to hear. -Now I have this. | 0:13:30 | 0:13:33 | |
Bisconti ID'd the body in the 65th yesterday. | 0:13:33 | 0:13:35 | |
Tentative identification, Donald Tracer. | 0:13:35 | 0:13:39 | |
He was Mansfield's muscle. | 0:13:39 | 0:13:40 | |
I think Mansfield put a call in on the old suppliers | 0:13:40 | 0:13:43 | |
so he could take over the territory, | 0:13:43 | 0:13:45 | |
then somebody killed Mansfield's bodyguard to scare him off. | 0:13:45 | 0:13:47 | |
-Maybe. -Maybe?! It all fits! | 0:13:47 | 0:13:50 | |
According to Hector, Mansfield is coming in, | 0:13:50 | 0:13:52 | |
making one big deal and then leaving. | 0:13:52 | 0:13:54 | |
We can do this, Mary Beth. | 0:13:57 | 0:13:58 | |
It's Mansfield. | 0:14:00 | 0:14:01 | |
You two haven't forgotten already what happened the last time? | 0:14:07 | 0:14:10 | |
No, sir, we have not. | 0:14:10 | 0:14:12 | |
Well, crazy as it seems, the DA's office does not like it | 0:14:12 | 0:14:15 | |
when our detectives entrap their collars. | 0:14:15 | 0:14:17 | |
This time we can nail him making the real drop. | 0:14:17 | 0:14:19 | |
-He can't force entrapment. -You know that should probably go back to Narcotics. | 0:14:19 | 0:14:22 | |
Narcotics has never done anything with it, Lieutenant. Besides, | 0:14:22 | 0:14:25 | |
Lacey and I were jerked around by this creep. We deserve another shot. | 0:14:25 | 0:14:29 | |
We'd like another shot, Lieutenant. | 0:14:31 | 0:14:33 | |
With due respect, sir, the 6-5 did find his bodyguard | 0:14:33 | 0:14:35 | |
in a trash bin yesterday. It can't mean nothing, sir. | 0:14:35 | 0:14:38 | |
You're treading dangerous water here. | 0:14:39 | 0:14:41 | |
You blow this one, the DA's going to want your hide, the both of yous. | 0:14:41 | 0:14:44 | |
But, if we pull it off, Lieutenant, | 0:14:44 | 0:14:46 | |
then the whole squad's going to look good. | 0:14:46 | 0:14:48 | |
Not to mention what it's doing to do for you, huh? | 0:14:48 | 0:14:50 | |
Cagney, 300...that's pretty steep. | 0:14:51 | 0:14:54 | |
This informant of yours... | 0:14:55 | 0:14:57 | |
better be reliable. | 0:14:57 | 0:14:59 | |
-Thank you, Lieutenant. -Sir. | 0:14:59 | 0:15:01 | |
I would like to know why something like this can go down in my | 0:15:06 | 0:15:09 | |
precinct and I got to read about it in the daily activity report! | 0:15:09 | 0:15:14 | |
"Trotsky, comma, Leon A." | 0:15:14 | 0:15:15 | |
Oh, that! That was this wino, a real fruitcake yesterday. | 0:15:15 | 0:15:18 | |
He reported a homicide. | 0:15:18 | 0:15:19 | |
Newman and Corassa checked it out and there wasn't a corpse! | 0:15:19 | 0:15:22 | |
Then would you like to explain to me why a stiff named Trotsky | 0:15:22 | 0:15:25 | |
is scheduled for an autopsy, huh? Where's Newman and Corassa? | 0:15:25 | 0:15:29 | |
They're in court. | 0:15:29 | 0:15:30 | |
Well, then, you two go down to the morgue. | 0:15:30 | 0:15:32 | |
I want to find out what the hell is going on around here. | 0:15:32 | 0:15:35 | |
The foot tag says "Trotsky, Leon A." | 0:15:38 | 0:15:41 | |
"Male Caucasian, DOA, Lexington Hospital." | 0:15:41 | 0:15:44 | |
Who ordered the autopsy? | 0:15:44 | 0:15:47 | |
Detective Bronshtein from the 14th. | 0:15:47 | 0:15:49 | |
There is no Bronshtein at the 14th. | 0:15:49 | 0:15:52 | |
Are you calling me a liar? | 0:15:52 | 0:15:53 | |
No, no, no. We're calling this a possible hoax. | 0:15:53 | 0:15:56 | |
You see, Leon Trotsky died in 1940, | 0:15:56 | 0:15:58 | |
so we don't think that the homicide victim could be Trotsky. | 0:15:58 | 0:16:00 | |
The toe tag said Trotsky, Leon, A. | 0:16:00 | 0:16:03 | |
Now, I've been in this business for more than 23 years and I don't | 0:16:03 | 0:16:06 | |
believe everything I read, except when it comes to toe tags. | 0:16:06 | 0:16:10 | |
Was there anything in his personal effects | 0:16:10 | 0:16:12 | |
that could substantiate his identity? | 0:16:12 | 0:16:14 | |
Just your common everyday pocket items... | 0:16:14 | 0:16:17 | |
Communist Manifesto, | 0:16:17 | 0:16:18 | |
bottle of Russian vodka | 0:16:18 | 0:16:20 | |
and a half-eaten blueberry blintz. | 0:16:20 | 0:16:21 | |
Oh, too bad! He died before he finished his blintz! | 0:16:22 | 0:16:25 | |
-May we see the body. -Don't tell me... | 0:16:27 | 0:16:30 | |
you want to see if he looks like a man who read Tolstoy? | 0:16:30 | 0:16:33 | |
No, we want to see if there is indeed a body. | 0:16:33 | 0:16:35 | |
HE SIGHS | 0:16:36 | 0:16:38 | |
-"Trotsky, Leon A." -As reported, and to me, he looks very... | 0:16:46 | 0:16:50 | |
Russian and very dead. | 0:16:50 | 0:16:52 | |
And very well-preserved for someone who died 40 years ago. | 0:16:52 | 0:16:54 | |
Wait a minute. | 0:16:55 | 0:16:56 | |
"Henderson, William P." | 0:16:59 | 0:17:01 | |
What do you make of this? | 0:17:01 | 0:17:03 | |
Possibly a split personality. | 0:17:03 | 0:17:05 | |
3:34, Christine. | 0:17:11 | 0:17:13 | |
I know what time it is. | 0:17:13 | 0:17:15 | |
Face it. Hector's not showing up. | 0:17:19 | 0:17:21 | |
Let's give him a few more minutes. | 0:17:26 | 0:17:27 | |
-Oh, I hate this. -He said the buy was going down this week. | 0:17:31 | 0:17:34 | |
He also said he would meet us two hours ago! | 0:17:34 | 0:17:37 | |
So, punctuality is not one of his strong points. | 0:17:37 | 0:17:39 | |
I hate using this kid, Christine. | 0:17:41 | 0:17:43 | |
Hector says he lives with his brother. Maybe he knows where he is. | 0:17:51 | 0:17:54 | |
BABY CRIES BEHIND DOOR | 0:17:58 | 0:18:00 | |
MAN SHOUTS IN SPANISH | 0:18:02 | 0:18:03 | |
-What do you want? -I'd like to speak to Hector Estevez, please. | 0:18:05 | 0:18:08 | |
Hector ain't here. | 0:18:13 | 0:18:14 | |
I'm Sergeant Cagney. This is my partner, Detective Lacey. | 0:18:17 | 0:18:21 | |
You must be Hector's brother. | 0:18:21 | 0:18:22 | |
Ernesto, right? | 0:18:22 | 0:18:24 | |
We apologise for interrupting your family's meal, Mr Estevez. | 0:18:24 | 0:18:28 | |
Like I said, Hector's not here. | 0:18:28 | 0:18:30 | |
Oh. | 0:18:30 | 0:18:32 | |
Well, when do you expect him back? I'd like to leave a message for him. | 0:18:32 | 0:18:35 | |
He might come in tonight, he might not. With Hector, you never know. | 0:18:36 | 0:18:40 | |
He didn't happen to mention the little favour | 0:18:41 | 0:18:43 | |
I had done for you, did he? | 0:18:43 | 0:18:44 | |
Hector should not have asked you to fix those tickets. | 0:18:47 | 0:18:50 | |
-I can take care of things myself. -I'm sure you can. | 0:18:50 | 0:18:54 | |
There's some telephone numbers here and a time and a place | 0:18:54 | 0:18:56 | |
I'd like Hector to meet me tonight. Please tell him it's important. | 0:18:56 | 0:18:59 | |
-I've got to get ready for work. My food's getting cold. -Right. | 0:18:59 | 0:19:03 | |
Thank you, Mr Estevez. | 0:19:04 | 0:19:05 | |
I felt more warmth from my freezer. | 0:19:14 | 0:19:17 | |
What did you expect? | 0:19:17 | 0:19:18 | |
A simple thank you for the tickets would have been nice. | 0:19:18 | 0:19:22 | |
You didn't do that for him and he knows it. | 0:19:22 | 0:19:24 | |
The man is not stupid, Christine. His brother is your informant. | 0:19:24 | 0:19:27 | |
You think Hector's the only one involved here? | 0:19:27 | 0:19:29 | |
It affects his family too. They have to live in this neighbourhood. | 0:19:29 | 0:19:32 | |
I'm not going to apologise for doing my job, Mary Beth. | 0:19:34 | 0:19:37 | |
You think he cares if we bust some dope dealer? | 0:19:37 | 0:19:39 | |
His brother's working for the cops now, that's all this means to him. | 0:19:39 | 0:19:42 | |
How can a stiff wind up with more than one toe tag? | 0:19:47 | 0:19:49 | |
-Hey. Give me two minutes, OK, sweetheart? -Sure. | 0:19:49 | 0:19:52 | |
-Well, who filed the autopsy report? -Hey, Harvey. | 0:19:52 | 0:19:55 | |
It was a phoney, someone named Lev Bronshtein. | 0:19:55 | 0:19:58 | |
Lev Davidovich Bronshtein? | 0:19:58 | 0:20:01 | |
Leon Trotsky's real name. | 0:20:01 | 0:20:03 | |
- Yeah? I wonder why he changed it? - I wonder why Victor Isbecki didn't. | 0:20:03 | 0:20:07 | |
Yeah, well, maybe he knew some day he was going to be assassinated. | 0:20:07 | 0:20:10 | |
Yeah, Mrs J, what's going on? | 0:20:10 | 0:20:12 | |
Oh, no... | 0:20:13 | 0:20:14 | |
You know, he was killed in Mexico City, | 0:20:14 | 0:20:17 | |
the same place Lee Harvey Oswald went the year he shot Kennedy. | 0:20:17 | 0:20:21 | |
You're not saying there was a connection? | 0:20:21 | 0:20:23 | |
Sure, see the man who killed Trotsky was a Stalinist agent named | 0:20:23 | 0:20:26 | |
Ramon Mercader. He was released from prison in 1960. | 0:20:26 | 0:20:29 | |
He could have gotten in touch with Oswald | 0:20:29 | 0:20:31 | |
and set up the whole Kennedy assassination. | 0:20:31 | 0:20:33 | |
Harvey, excuse me, that was the babysitter calling. | 0:20:33 | 0:20:35 | |
She thinks she's coming down with something. We should go home. | 0:20:35 | 0:20:38 | |
You know, Oswald did go to Russia. | 0:20:38 | 0:20:40 | |
He just may have been recruited by Ramon Mercader. | 0:20:40 | 0:20:43 | |
-You believe one assassin trained the other? -Wait, there's more... | 0:20:43 | 0:20:48 | |
Honey, um, we should go home, sweetheart. | 0:20:48 | 0:20:50 | |
Good night, everybody. | 0:20:51 | 0:20:52 | |
HE TUTS | 0:20:52 | 0:20:54 | |
HE MUMBLES | 0:20:54 | 0:20:55 | |
(Come on!) | 0:20:57 | 0:20:58 | |
Some poor schlub with too much Muscatel in his belly, | 0:21:03 | 0:21:06 | |
claims that Leon Trotsky got shot in Union Square Park and you're telling | 0:21:06 | 0:21:09 | |
-me that it's connected to the death of John Fitzgerald Kennedy?! -Yeah? | 0:21:09 | 0:21:12 | |
You probably think that Jack Ruby just happened to | 0:21:12 | 0:21:14 | |
-be in that tunnel when they brought Oswald out? -Oh! | 0:21:14 | 0:21:17 | |
Mary Beth, the whole Warren Commission was a whitewash! | 0:21:17 | 0:21:19 | |
Harvey, I thought that you and I agreed that you were going to | 0:21:19 | 0:21:22 | |
talk about this one day a year and one day only. | 0:21:22 | 0:21:24 | |
November 22nd only. | 0:21:24 | 0:21:26 | |
Yeah, but didn't we miss a year? | 0:21:26 | 0:21:29 | |
No. | 0:21:29 | 0:21:30 | |
HOBOS CHATTER | 0:21:34 | 0:21:35 | |
You should not come to the park alone! | 0:21:38 | 0:21:41 | |
Nobody told you it could be dangerous? | 0:21:43 | 0:21:45 | |
Where were you today? | 0:21:47 | 0:21:49 | |
I was busy doing your job. | 0:21:49 | 0:21:51 | |
Did you find out who the buyer is? | 0:21:51 | 0:21:53 | |
Right down to business. Estevez reporting for duty, sir! | 0:21:53 | 0:21:57 | |
-You're stoned. -Smart Officer Cagney! | 0:22:00 | 0:22:02 | |
-You going to arrest me? -Oh, cut it out, will you, Hector? | 0:22:04 | 0:22:07 | |
Come on, talk to me. | 0:22:07 | 0:22:08 | |
Your man Mansfield, he's selling to a dealer, Raphael Martinez. | 0:22:09 | 0:22:14 | |
How do you know? | 0:22:14 | 0:22:15 | |
A little fox took a shine to me. She's a runner for Martinez. | 0:22:15 | 0:22:19 | |
I had some coke. Excellent stuff. | 0:22:19 | 0:22:23 | |
She said there'd be more, Friday night. | 0:22:23 | 0:22:26 | |
Got the dinero? | 0:22:26 | 0:22:27 | |
The money's in the works. | 0:22:27 | 0:22:29 | |
Listen...I want you to get back to her and find out when it is. | 0:22:29 | 0:22:32 | |
-Uh-uh. -I'll get you more money. | 0:22:34 | 0:22:36 | |
You got some attitude, Cagney. | 0:22:36 | 0:22:38 | |
Next, you're going to have me doing your reports. | 0:22:38 | 0:22:41 | |
Look, I will take over as soon as I know where the deal is. | 0:22:41 | 0:22:43 | |
-Well, maybe I should go ask Martinez himself. -You stay away from Martinez. | 0:22:43 | 0:22:46 | |
And you stay away from my family. | 0:22:46 | 0:22:48 | |
You had no business going to my place. | 0:22:48 | 0:22:50 | |
Well, then, you show up when you're supposed to! | 0:22:50 | 0:22:52 | |
I got you what you wanted. | 0:22:55 | 0:22:56 | |
We're not through yet, Hector. | 0:22:59 | 0:23:01 | |
Is that what this is all about, huh? Are you backing out on me? | 0:23:01 | 0:23:03 | |
Maybe you just don't know when to quit! | 0:23:03 | 0:23:05 | |
I thought I could count on you. | 0:23:05 | 0:23:07 | |
I thought you were smart enough to handle yourself, | 0:23:07 | 0:23:09 | |
now, maybe I was wrong. | 0:23:09 | 0:23:11 | |
I shouldn't have asked a boy to do a man's job! | 0:23:16 | 0:23:19 | |
Maybe you don't have what it takes. | 0:23:28 | 0:23:29 | |
Not only does the press have the story, | 0:23:47 | 0:23:49 | |
but now the Mayor's Office is getting letters wanting to know why | 0:23:49 | 0:23:52 | |
this precinct is covering up the murder of a Russian! | 0:23:52 | 0:23:55 | |
-Lieutenant, this is some clown's idea of a joke. -Oh, yeah? | 0:23:55 | 0:23:58 | |
It turned out to be that the body belonged to some forklifter... | 0:23:58 | 0:24:01 | |
Don't tell me...I don't care if it belonged to the Commissioner himself! | 0:24:01 | 0:24:05 | |
I want you to go down to Union Square Park, | 0:24:05 | 0:24:07 | |
find the wino that was in here, and get to the bottom of this today! | 0:24:07 | 0:24:11 | |
Nothing yet, Sergeant. | 0:24:14 | 0:24:16 | |
OK, keep trying. | 0:24:16 | 0:24:18 | |
Run through every spelling you can think of. | 0:24:18 | 0:24:20 | |
I'm not even chalked in yet, you're on the computer already? | 0:24:20 | 0:24:23 | |
-Hey. -Morning. -Yeah, I couldn't sleep. | 0:24:23 | 0:24:25 | |
I came in early to try and get a jump. | 0:24:25 | 0:24:26 | |
I found out the name of the buyer last night. | 0:24:26 | 0:24:29 | |
Raphael Martinez, only we don't have a yellow sheet on him. | 0:24:29 | 0:24:33 | |
So, Hector showed up, huh? | 0:24:33 | 0:24:34 | |
Yeah, stoned. | 0:24:34 | 0:24:36 | |
-Uh-huh. -Mary Beth, will you stop worrying? | 0:24:37 | 0:24:40 | |
Hector's going to get us what we want. Trust me. | 0:24:40 | 0:24:43 | |
And you hit him up for more? | 0:24:44 | 0:24:45 | |
Conference, Christine. | 0:24:48 | 0:24:49 | |
Please. | 0:24:55 | 0:24:56 | |
He came through for us. We have a name now. | 0:24:57 | 0:24:59 | |
I don't know what in the hell it is you want, Mary Beth. | 0:25:03 | 0:25:06 | |
I want you to let him off the hook. | 0:25:06 | 0:25:08 | |
I don't have any hooks in him. | 0:25:08 | 0:25:09 | |
He showed up stoned, you're still using him anyway. | 0:25:09 | 0:25:12 | |
He is an informant, Mary Beth, he knows what the risks are. | 0:25:12 | 0:25:15 | |
Don't pretend to me that you don't have feelings for this kid. | 0:25:15 | 0:25:17 | |
A kid, Christine, what is he? 19? 20? | 0:25:17 | 0:25:20 | |
I've seen the way you work. | 0:25:20 | 0:25:22 | |
He's not going to be able to say no to you and you've got him | 0:25:22 | 0:25:24 | |
off after a major dope dealer. | 0:25:24 | 0:25:26 | |
He's given us the only leads we've got. | 0:25:26 | 0:25:28 | |
Well, what happens after this? | 0:25:28 | 0:25:30 | |
What happens to his family? | 0:25:30 | 0:25:31 | |
What happens to Hector? | 0:25:33 | 0:25:35 | |
Hector can take care of himself. Trust me on this one. | 0:25:35 | 0:25:37 | |
That's what you want to believe, Christine. | 0:25:37 | 0:25:40 | |
Mary Beth, I can't back off it now. | 0:25:40 | 0:25:42 | |
We'll lose Mansfield. | 0:25:42 | 0:25:43 | |
Then maybe we lose him. What else is new? | 0:25:43 | 0:25:46 | |
I can't believe you just said that. | 0:25:46 | 0:25:48 | |
All you can see is the thing that you want. | 0:25:48 | 0:25:51 | |
Mansfield's got you again. | 0:25:52 | 0:25:53 | |
He made you feel like a fool the last time and you can't let it rest. | 0:25:53 | 0:25:56 | |
-I don't have to take this anymore. -He made us play by his rules | 0:25:56 | 0:25:59 | |
and it blew up in our face. | 0:25:59 | 0:26:00 | |
Admit it and make peace with it. | 0:26:00 | 0:26:02 | |
I am after this man because I hate what he does and I told you that. | 0:26:02 | 0:26:07 | |
He makes these deals, he doesn't give a damn how many lives he destroys! | 0:26:07 | 0:26:10 | |
I want him and I'm going to get him. | 0:26:11 | 0:26:13 | |
No matter what? | 0:26:14 | 0:26:15 | |
You got it. | 0:26:15 | 0:26:17 | |
SHE SLAMS THE DOOR | 0:26:18 | 0:26:20 | |
There, you see? | 0:26:25 | 0:26:27 | |
DROWNED OUT BY PRINTING PRESS | 0:26:34 | 0:26:36 | |
Uh, Mr Polonais, I presume? | 0:26:45 | 0:26:46 | |
Yeah, what can I do for you? | 0:26:46 | 0:26:47 | |
You're under arrest. | 0:26:47 | 0:26:49 | |
At last, you found me! | 0:26:50 | 0:26:52 | |
You have the right to remain silent. If you give up the right to... | 0:26:54 | 0:26:57 | |
Now, I don't need a PR man! | 0:26:57 | 0:26:58 | |
Actually, it was kind of inventive, sir. | 0:27:00 | 0:27:02 | |
See, he paid the derelict to come in here and then | 0:27:02 | 0:27:04 | |
he contacted the press and wrote those letters to the Mayor's office. | 0:27:04 | 0:27:07 | |
He printed the necessary forms himself and | 0:27:07 | 0:27:09 | |
-his friend who works at the morgue... -Put on the toe tag. | 0:27:09 | 0:27:12 | |
Wait a minute. You trying to tell me this joker set this whole thing up as a publicity stunt? | 0:27:12 | 0:27:16 | |
All at the city's expense. | 0:27:16 | 0:27:17 | |
It's too bad his play's still closed. | 0:27:17 | 0:27:18 | |
LAUGHTER Come on, sir, you've got to admit, | 0:27:18 | 0:27:21 | |
-it's pretty funny. -Yeah, sure. | 0:27:21 | 0:27:22 | |
Sure it's funny and I'll be sure to let the inspector know | 0:27:22 | 0:27:25 | |
that you found it amusing, Isbecki. | 0:27:25 | 0:27:27 | |
Maybe you had to be there. | 0:27:28 | 0:27:30 | |
What are you doing? | 0:27:38 | 0:27:39 | |
I'm going to go change. | 0:27:39 | 0:27:40 | |
Harvey Lacey and I have a date tonight which I'm not going to miss. | 0:27:40 | 0:27:43 | |
We've been at it all day, Sergeant, and getting nowhere, I might add, | 0:27:46 | 0:27:49 | |
so please don't start on me with those looks. | 0:27:49 | 0:27:51 | |
There's got to be something here on Martinez. | 0:27:51 | 0:27:54 | |
I agree, but staring at those records all night is not | 0:27:54 | 0:27:57 | |
going to make it appear. | 0:27:57 | 0:27:58 | |
Why don't you go home and get some rest? | 0:27:58 | 0:28:00 | |
I think I'll hang around a while. | 0:28:02 | 0:28:03 | |
A couple more things I'd like to check out. Besides, Hector may call. | 0:28:03 | 0:28:08 | |
Do what you like. | 0:28:08 | 0:28:09 | |
-I will. -Good night. | 0:28:09 | 0:28:11 | |
Good night. | 0:28:13 | 0:28:14 | |
Do you really think you can get this guy? | 0:28:25 | 0:28:27 | |
-She does. -What about you? | 0:28:27 | 0:28:29 | |
I would love some more champagne. | 0:28:30 | 0:28:32 | |
It's good to see you back at work, Mary Beth. | 0:28:37 | 0:28:39 | |
I know how much you missed it. | 0:28:39 | 0:28:40 | |
-Yeah? -Yeah. | 0:28:41 | 0:28:43 | |
You want to know what else I missed? | 0:28:43 | 0:28:44 | |
We got each other for the next three hours all to ourselves. | 0:28:47 | 0:28:49 | |
Here's to tonight... | 0:28:50 | 0:28:52 | |
the most beautiful woman in the world. | 0:28:52 | 0:28:54 | |
HARVEY SIGHS | 0:28:58 | 0:28:59 | |
I love this place. | 0:28:59 | 0:29:00 | |
Oh, Mary Beth, do you see these beautiful Tiffany lamps? | 0:29:02 | 0:29:05 | |
I mean, aren't they beautiful? | 0:29:06 | 0:29:08 | |
-Is that for me or do you want me to get the waiter? -This? | 0:29:12 | 0:29:15 | |
Oh! | 0:29:17 | 0:29:18 | |
Oh, Harvey. | 0:29:23 | 0:29:24 | |
Um, it's a room key for here, but upstairs? | 0:29:25 | 0:29:28 | |
Ready and waiting in our name, babe. | 0:29:29 | 0:29:31 | |
-Honey... -Oh, wait, Mary Beth, hold it. I know what you're going to say. | 0:29:31 | 0:29:34 | |
-"We can't afford it." -I wasn't going to say that. | 0:29:34 | 0:29:36 | |
And I know we only got it for a couple of hours... | 0:29:36 | 0:29:39 | |
but, Mary Beth, I figure we deserve it. | 0:29:39 | 0:29:42 | |
We do, Harvey. | 0:29:42 | 0:29:43 | |
But, taking a room here... | 0:29:45 | 0:29:47 | |
-Harv, you shouldn't have... -I know! | 0:29:47 | 0:29:49 | |
..because I did too. | 0:29:50 | 0:29:52 | |
SHE GIGGLES | 0:29:54 | 0:29:55 | |
Cagney, what are you doing here so late? | 0:30:05 | 0:30:07 | |
Don't tell me. I can guess. | 0:30:07 | 0:30:09 | |
The Mansfield case, huh? | 0:30:09 | 0:30:11 | |
I got the name of the buyer today. | 0:30:11 | 0:30:13 | |
Cagney, I understand how you feel about this one, but... | 0:30:14 | 0:30:17 | |
I can't keep it from Narcotics any longer. | 0:30:17 | 0:30:20 | |
Lieutenant, please, you can't take this away from us now. | 0:30:20 | 0:30:23 | |
I know that the hit on the bodyguard looks like something, but it's not. | 0:30:23 | 0:30:26 | |
It's not enough. | 0:30:28 | 0:30:30 | |
I mean, besides that, what have you got? | 0:30:30 | 0:30:32 | |
All you've got is the unreliable word of an informant. | 0:30:32 | 0:30:34 | |
Who will not deal with Narcotics. | 0:30:34 | 0:30:36 | |
You bring them in here, we're going to lose Hector, Lieutenant. | 0:30:36 | 0:30:38 | |
-Something's happening tomorrow and I know it. -How do you know it? | 0:30:38 | 0:30:41 | |
Because Hector said the buy is going down this week | 0:30:41 | 0:30:44 | |
and that only leaves us tomorrow. | 0:30:44 | 0:30:46 | |
You know, if Hector leads us to Martinez, | 0:30:46 | 0:30:48 | |
then we could sit on him and he'll take us to the buy and to Mansfield. | 0:30:48 | 0:30:51 | |
-You're talking a very long shot here. -I'm talking one more day. | 0:30:51 | 0:30:55 | |
Seeing as you're the sergeant... | 0:30:57 | 0:31:00 | |
you should probably know that occasionally, reports get | 0:31:00 | 0:31:03 | |
put in the wrong pouches. | 0:31:03 | 0:31:04 | |
And then it could take as much as 24 hours before the whole mess | 0:31:06 | 0:31:09 | |
-gets straightened out. -Thank you, Lieutenant. | 0:31:09 | 0:31:12 | |
PHONE RINGS | 0:31:23 | 0:31:25 | |
Hello? | 0:31:26 | 0:31:27 | |
Who? | 0:31:29 | 0:31:30 | |
What have you got? | 0:31:32 | 0:31:33 | |
OK, I'll be right there. | 0:31:35 | 0:31:36 | |
Give me 30 minutes. | 0:31:37 | 0:31:38 | |
Oh! | 0:31:40 | 0:31:41 | |
DOOR BELL RINGS | 0:31:43 | 0:31:44 | |
The runner was going to meet Martinez... | 0:32:20 | 0:32:23 | |
so I followed her to a bar on Havemeyer Street. | 0:32:23 | 0:32:26 | |
Is this where the deal's coming down? | 0:32:26 | 0:32:28 | |
It's his hangout. Our business is now concluded. | 0:32:28 | 0:32:31 | |
Afraid not, Hector. | 0:32:31 | 0:32:33 | |
You were suppsed to find out where the deal is, not where the buyer hangs out. | 0:32:33 | 0:32:37 | |
Maybe you don't hear so good, so I'm going to tell you one more time. | 0:32:39 | 0:32:42 | |
I'm through, Cagney. | 0:32:42 | 0:32:43 | |
Go find yourself another pigeon. | 0:32:43 | 0:32:45 | |
Oh, I'd be happy to, Hector, | 0:32:45 | 0:32:47 | |
as soon as you finish your job. | 0:32:47 | 0:32:49 | |
What is this with you, lady? | 0:33:01 | 0:33:03 | |
-Don't you ever stop? -No. | 0:33:03 | 0:33:04 | |
-Not till I get this man off the streets. -Don't jibe me, Cagney. | 0:33:06 | 0:33:09 | |
-The streets are full of dealers. -I want this one. | 0:33:09 | 0:33:12 | |
This Mansfield, he did something to you. | 0:33:16 | 0:33:19 | |
This is personal. | 0:33:20 | 0:33:22 | |
You and him... | 0:33:23 | 0:33:24 | |
..am I right? | 0:33:25 | 0:33:26 | |
I nailed him once. | 0:33:27 | 0:33:28 | |
I made a mistake though and he walked. | 0:33:32 | 0:33:35 | |
-I'm not going to let that happen again. -Ah, yes. | 0:33:35 | 0:33:37 | |
So, this dude made you look bad in front of all your compadres. | 0:33:38 | 0:33:42 | |
I don't give a damn what it looked like. | 0:33:42 | 0:33:44 | |
-Then why don't you quit? -Because I can't. | 0:33:44 | 0:33:46 | |
Not now. Too close. | 0:33:47 | 0:33:49 | |
I'm a cop, Hector. | 0:33:53 | 0:33:55 | |
That's who I am, and I worked like hell to get here and I'm damn good. | 0:33:55 | 0:33:59 | |
And when I watched that bastard walk and I couldn't touch him... | 0:34:01 | 0:34:05 | |
I don't like to lose. | 0:34:10 | 0:34:11 | |
And I have to believe that I can get him and I | 0:34:16 | 0:34:18 | |
don't think I can get him without your help. | 0:34:18 | 0:34:20 | |
I need your help, Hector. | 0:34:24 | 0:34:25 | |
You know, Cagney... | 0:34:37 | 0:34:38 | |
..you're not an easy lady to say no to. | 0:34:41 | 0:34:43 | |
I have to know where that deal is. | 0:34:55 | 0:34:56 | |
I'll never ask you for anything again. | 0:35:04 | 0:35:06 | |
You have my word. | 0:35:08 | 0:35:09 | |
You forgot your paper. | 0:35:17 | 0:35:18 | |
Good news, Mr Polonais. | 0:36:01 | 0:36:03 | |
You being released on your own recognizance, at least | 0:36:03 | 0:36:05 | |
-until the DA's office decides what to do about... -Wait a second. | 0:36:05 | 0:36:08 | |
What happened to obstructing governmental administration? | 0:36:08 | 0:36:11 | |
-I mean, they can't do this to me... -Do what? -Release me. | 0:36:11 | 0:36:14 | |
-I demand to go to Rikers. -You don't want to spend any time in jail, sir. | 0:36:14 | 0:36:18 | |
-Yes, I do. -Why do you want to go to Rikers? | 0:36:18 | 0:36:20 | |
Research for my next play. | 0:36:22 | 0:36:23 | |
-So? -I talked to Ernesto's wife. | 0:36:37 | 0:36:39 | |
She says Hector took off early this morning | 0:36:39 | 0:36:41 | |
and she hasn't seen him since. | 0:36:41 | 0:36:43 | |
All right. | 0:36:44 | 0:36:45 | |
Looks like this bar's our only lead. | 0:36:59 | 0:37:01 | |
I don't picture... | 0:37:03 | 0:37:05 | |
Mansfield doing business out of a place like that. | 0:37:05 | 0:37:07 | |
He's not going to get his hands dirty here. | 0:37:07 | 0:37:10 | |
He'll let Martinez come to him. | 0:37:10 | 0:37:11 | |
Look, if we have to move on this, be sure and drop far enough behind, OK? | 0:37:16 | 0:37:21 | |
I remember procedure. It hasn't been that long. | 0:37:21 | 0:37:23 | |
Sorry. | 0:37:25 | 0:37:26 | |
Ah, who knows... | 0:37:28 | 0:37:30 | |
if it gets some of the junk off the street, it's worth it. | 0:37:30 | 0:37:33 | |
It's only using informants is all I... | 0:37:34 | 0:37:36 | |
..I never will feel good about it. | 0:37:38 | 0:37:39 | |
I'm starving. You want something? | 0:37:45 | 0:37:46 | |
No. | 0:37:46 | 0:37:48 | |
-Mary Beth... -FOOTSTEPS APPROACH | 0:37:49 | 0:37:51 | |
Martinez? | 0:37:54 | 0:37:55 | |
I don't think so. | 0:37:57 | 0:37:58 | |
It could be a banker. | 0:38:01 | 0:38:03 | |
He could be bringing the money to Martinez. | 0:38:03 | 0:38:05 | |
Oh, get a load of this. | 0:38:09 | 0:38:11 | |
This is it, Chris. | 0:38:13 | 0:38:15 | |
Central, this is detective in car 24 in surveillance of | 0:38:15 | 0:38:18 | |
a black limousine, licence plate number 962, B as in boy, | 0:38:18 | 0:38:21 | |
L as in Larry, A as in Adam, New York, 3824 Havemeyer Street. | 0:38:21 | 0:38:25 | |
RADIO: 10-4, car 24. | 0:38:25 | 0:38:28 | |
Alert all units. Do not intercept. I repeat, do not intercept. | 0:38:28 | 0:38:31 | |
-We'll advise of location. -10-4, car 24. | 0:38:31 | 0:38:34 | |
ENGINE STARTS | 0:38:37 | 0:38:38 | |
Go. | 0:38:41 | 0:38:43 | |
Subject auto leaving now. Proceeding north on Havemeyer. Will advise. | 0:38:43 | 0:38:47 | |
This is car 24 continuing surveillance of limousine now | 0:38:53 | 0:38:56 | |
travelling west on the Brooklyn Bridge. Will keep advised. | 0:38:56 | 0:38:59 | |
RADIO: Central to car 24, 10-4. | 0:38:59 | 0:39:01 | |
Detective car 24, surveillance complete. | 0:39:15 | 0:39:17 | |
Present location 300 block, Vernon. | 0:39:17 | 0:39:20 | |
-Requesting immediate backup. We're going in. -10-4, car 24. | 0:39:29 | 0:39:33 | |
They're in there, Mary Beth. | 0:39:42 | 0:39:43 | |
Nice going, Hector. | 0:39:48 | 0:39:50 | |
SHE SIGHS | 0:39:52 | 0:39:53 | |
So, where in the hell is the backup? | 0:39:57 | 0:39:59 | |
-They should have been closer to us than this! -They'll get here. | 0:39:59 | 0:40:02 | |
-Give them time. -We don't have time. | 0:40:02 | 0:40:04 | |
They're weighing it, testing it, making the exchange. | 0:40:04 | 0:40:07 | |
In one minute, he's going to be gone. | 0:40:07 | 0:40:08 | |
If we go in there without backup, they'll scatter. | 0:40:08 | 0:40:12 | |
So we just go straight for Mansfield. | 0:40:12 | 0:40:14 | |
You got a better idea of weeding him out? | 0:40:17 | 0:40:19 | |
It's the only chance we've got. | 0:40:19 | 0:40:21 | |
Let's go. | 0:40:24 | 0:40:25 | |
Let's go! | 0:40:28 | 0:40:29 | |
ENGINE STARTS | 0:40:33 | 0:40:34 | |
TYRES SCREECH | 0:40:39 | 0:40:40 | |
Police! Drop the gun! | 0:40:51 | 0:40:53 | |
-Hold it right there! -Put that down! | 0:40:53 | 0:40:55 | |
Hands up! | 0:40:57 | 0:40:58 | |
-We got him? -Go! | 0:40:58 | 0:40:59 | |
Back off. Back off it! | 0:41:03 | 0:41:05 | |
Right, lay down on the floor. | 0:41:06 | 0:41:08 | |
On your face and put your hands behind your neck. | 0:41:08 | 0:41:10 | |
Get your hands behind your neck! | 0:41:10 | 0:41:12 | |
GUNSHOT | 0:41:14 | 0:41:15 | |
Police! Freeze! | 0:41:32 | 0:41:33 | |
Very slowly put your gun on the ground. | 0:41:36 | 0:41:38 | |
Don't try it, Mansfield. | 0:41:41 | 0:41:43 | |
Just put the gun down. | 0:41:43 | 0:41:45 | |
Sergeant Cagney! | 0:41:45 | 0:41:47 | |
How nice to see you. | 0:41:47 | 0:41:49 | |
I'm going to ask you one more time. | 0:41:49 | 0:41:51 | |
Put the gun down. | 0:41:53 | 0:41:54 | |
GUN CLATTERS ON GROUND | 0:41:58 | 0:41:59 | |
Kick it towards me. | 0:42:00 | 0:42:02 | |
HE KICKS THE GUN | 0:42:02 | 0:42:03 | |
We've got to stop meeting like this. Don't you agree? | 0:42:06 | 0:42:09 | |
Put your hands up. | 0:42:11 | 0:42:13 | |
Where would you like them? | 0:42:13 | 0:42:14 | |
On the boxes behind you. Turn around. | 0:42:16 | 0:42:18 | |
You're under arrest. | 0:42:27 | 0:42:29 | |
You have the right to remain silent... | 0:42:30 | 0:42:32 | |
Oh, by the book. I'm impressed! SIRENS APPROACH | 0:42:32 | 0:42:35 | |
If you give up the right to remain silent, anything you say can | 0:42:35 | 0:42:39 | |
and will be held against you in a court of law. | 0:42:39 | 0:42:41 | |
-Not bad for your second week back, Lacey! -I've got Dennis | 0:42:42 | 0:42:45 | |
-looking for you. -Not now, Coleman, I'm on a roll here. -Easy. | 0:42:45 | 0:42:48 | |
Put your wallets away, boys! My partner and I are buying! | 0:42:50 | 0:42:53 | |
OK, OK, we'll let you buy. | 0:42:57 | 0:42:59 | |
Make 'em feel better. | 0:43:00 | 0:43:01 | |
Hey, guys! | 0:43:04 | 0:43:05 | |
Don't tell me you didn't hear about what came down? | 0:43:06 | 0:43:09 | |
Oh, we heard about it. | 0:43:09 | 0:43:10 | |
Nice collar. | 0:43:10 | 0:43:12 | |
-Thank you, Marcus. -Nice?! Nice collar?! | 0:43:12 | 0:43:15 | |
Lacey, Cagney, I want the both of yous in my office. | 0:43:15 | 0:43:18 | |
-Is this about the Mansfield collar, sir? -In my office, please. | 0:43:18 | 0:43:21 | |
Hey, Cagney! Hey, Cagney! | 0:43:26 | 0:43:27 | |
I want to talk to you! What did you do to my brother?! | 0:43:29 | 0:43:32 | |
My brother's dead! You killed him! | 0:43:32 | 0:43:34 | |
My brother's dead! | 0:43:34 | 0:43:36 | |
Wait! Wait! | 0:43:36 | 0:43:37 | |
ERNESTO SOBS | 0:43:40 | 0:43:41 | |
Let him go. | 0:43:42 | 0:43:43 | |
What do you get, Cagney? | 0:43:50 | 0:43:52 | |
Huh? | 0:43:53 | 0:43:54 | |
A promotion, maybe? | 0:43:54 | 0:43:56 | |
What about my brother? | 0:43:58 | 0:43:59 | |
What does Hector get? | 0:44:01 | 0:44:02 | |
A bullet in his head and your card stuffed in his mouth! | 0:44:03 | 0:44:06 | |
What is this? | 0:44:10 | 0:44:11 | |
Huh? You paying for the funeral in advance? | 0:44:12 | 0:44:14 | |
We don't want nothing from you. | 0:44:17 | 0:44:19 | |
Nothing. | 0:44:21 | 0:44:22 | |
'Detective Sergeant Christine Cagney, shield number 790, | 0:44:25 | 0:44:29 | |
'has courageously distinguished herself in the line of police duty,' | 0:44:29 | 0:44:34 | |
along with her partner, Detective 3rd Grade Mary Beth Lacey, | 0:44:34 | 0:44:38 | |
who has received a special commendation from this department. | 0:44:38 | 0:44:42 | |
The Police Department of the City of New York... | 0:44:42 | 0:44:44 | |
in keeping with its greatest traditions, | 0:44:44 | 0:44:47 | |
therefore awards to Detective Sergeant Cagney... | 0:44:47 | 0:44:50 | |
this Police Combat Cross. | 0:44:50 | 0:44:52 | |
Congratulations, Detective Sergeant. | 0:44:54 | 0:44:57 | |
APPLAUSE | 0:44:57 | 0:44:58 |