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WOMAN: 'Great location here. | 0:01:41 | 0:01:43 | |
'You only say that because you don't have to pay the rent. | 0:01:43 | 0:01:46 | |
'The neighbourhood's yuppie heaven. The place should be a gold mine.' | 0:01:46 | 0:01:49 | |
Yeah, that's what we thought when we took over the place. | 0:01:49 | 0:01:51 | |
-Personally, we'd have been better off with the Medicare crowd. -Yeah. | 0:01:51 | 0:01:55 | |
I guess the only drugs your people are interested in are the, er... | 0:01:55 | 0:01:58 | |
recreational kind. | 0:01:58 | 0:02:00 | |
You are not joking. | 0:02:00 | 0:02:02 | |
They walk in here, bold as can be, | 0:02:02 | 0:02:05 | |
-"Can you sell me a dozen 'ludes?" -THEY LAUGH | 0:02:05 | 0:02:08 | |
Can you? | 0:02:08 | 0:02:09 | |
-I beg your pardon? -You got a supplier? | 0:02:10 | 0:02:13 | |
Er, no, thank you. We're not interested. | 0:02:15 | 0:02:17 | |
-Speak for yourself, Patricia. -Daphne! | 0:02:17 | 0:02:19 | |
I am the one who's got a kid on the way I'm going to have | 0:02:19 | 0:02:21 | |
-to pay for on my own. -I'm so sick of hearing about this baby. | 0:02:21 | 0:02:24 | |
We can have this fight on our own time, thank you. | 0:02:24 | 0:02:26 | |
Supplier? | 0:02:27 | 0:02:29 | |
Mm-hm. | 0:02:32 | 0:02:34 | |
What kind of drugs are we talking about? | 0:02:35 | 0:02:37 | |
How about the prescription kind | 0:02:37 | 0:02:39 | |
without, er, regulations or paperwork? | 0:02:39 | 0:02:41 | |
I've got amphetamines, Phenobarbital, everything in between. | 0:02:41 | 0:02:46 | |
-I don't know. -Patricia! | 0:02:46 | 0:02:48 | |
Who is the one that's always whining about the low profit margin, huh? | 0:02:49 | 0:02:52 | |
The least we can do is listen to the woman. | 0:02:52 | 0:02:54 | |
'Huh? | 0:02:55 | 0:02:56 | |
-'How do you do this? -No risk to you. | 0:02:58 | 0:03:01 | |
'All of the pills have been accounted for... | 0:03:01 | 0:03:03 | |
'(so no-one's going to come looking for them.) | 0:03:03 | 0:03:05 | |
'It's foreign stuff that you smuggle back in, right?' | 0:03:05 | 0:03:08 | |
SHE LAUGHS | 0:03:08 | 0:03:10 | |
-Look, you don't need to know that. -No. | 0:03:10 | 0:03:12 | |
-'I don't need to know that. -And it wouldn't be real smart of me | 0:03:12 | 0:03:15 | |
'to discuss the small strokes with you. | 0:03:15 | 0:03:17 | |
'Are you going to find that necessary for us to do business, Patricia? | 0:03:17 | 0:03:21 | |
-'I could live without it. -Um, no. I'm OK. -Good. | 0:03:21 | 0:03:24 | |
'Then you just tell me what you need. I'll give you a price.' | 0:03:24 | 0:03:28 | |
You give me cash and I can have you supplied the same day. | 0:03:28 | 0:03:33 | |
HE STOPS THE TAPE | 0:03:33 | 0:03:35 | |
The way you worked her was terrific! | 0:03:41 | 0:03:43 | |
You set her up so nicely with that struggling businesswoman routine, | 0:03:43 | 0:03:46 | |
that stuff about the baby, | 0:03:46 | 0:03:47 | |
and you let her make all the moves. | 0:03:47 | 0:03:50 | |
Absolutely perfect. | 0:03:50 | 0:03:51 | |
ISBECKI LAUGHS In fact... | 0:03:53 | 0:03:55 | |
I'll probably use this tape as a training film. | 0:03:55 | 0:03:58 | |
Ladies and gentlemen, thank you. | 0:03:58 | 0:04:00 | |
-Thank you, Lieutenant. -Petrie, Isbecki, nice job on backup. | 0:04:00 | 0:04:03 | |
-A good solid collar. -Thank you. | 0:04:03 | 0:04:05 | |
It was tough turning on the camera, but, er, somebody had to do it. | 0:04:05 | 0:04:08 | |
Oh, ho! Very funny! | 0:04:08 | 0:04:09 | |
You two ever get tired of life at the 14th, | 0:04:09 | 0:04:11 | |
I'd be glad to have you in Narcotics. | 0:04:11 | 0:04:13 | |
-Score one for the good guys. -Thank you, sir. -Yes, thank you. | 0:04:13 | 0:04:16 | |
-Those ladies are hot, huh? -Yeah, they're really good. > | 0:04:18 | 0:04:21 | |
Great job. > | 0:04:21 | 0:04:22 | |
Hey! Hey! | 0:04:25 | 0:04:27 | |
CHEERING | 0:04:27 | 0:04:29 | |
All right, that's it! No, no, no, no! | 0:04:29 | 0:04:31 | |
Don't get up. Sit down. Continue with your work. | 0:04:31 | 0:04:34 | |
We're all adults here. What? Going so soon? | 0:04:34 | 0:04:36 | |
LAUGHTER | 0:04:36 | 0:04:38 | |
Hi! | 0:04:39 | 0:04:40 | |
-Well, how good am I? -Real good, Cagney, real good. | 0:04:40 | 0:04:43 | |
-What did you expect? -Er, a little modesty, Sergeant? | 0:04:43 | 0:04:46 | |
I am very modest, Petrie, on those rare occasions | 0:04:46 | 0:04:49 | |
when I have something to be modest about. | 0:04:49 | 0:04:51 | |
-Hey! -Josie! -You done good, Cagney! -Thank you, Josie! Good eye! | 0:04:51 | 0:04:55 | |
-Thank you, all. -Congratulations. -Why is the applause stopping? | 0:04:55 | 0:04:58 | |
-Congratulations. -Thank you. I enjoyed the applause. | 0:04:58 | 0:05:01 | |
Thank you, thank you for gracing this humble squad room | 0:05:01 | 0:05:03 | |
-with your incredible presence! -You're welcome, welcome! | 0:05:03 | 0:05:06 | |
I would like to take this opportunity to speak for | 0:05:06 | 0:05:09 | |
me, myself, personally and my, er, partner Detective Mary Beth Lacey. | 0:05:09 | 0:05:13 | |
We want you all to know that we will never forget the little people | 0:05:13 | 0:05:16 | |
-who knew us when we started out. -LAUGHTER | 0:05:16 | 0:05:19 | |
You may all applaud again. | 0:05:19 | 0:05:21 | |
Thank you so much! | 0:05:21 | 0:05:23 | |
-So where's Rather? -Rather who? | 0:05:23 | 0:05:25 | |
-Dan Rather! -Yeah, not well, Christine. | 0:05:25 | 0:05:28 | |
Mary Beth, we are newsworthy. | 0:05:28 | 0:05:30 | |
At least Connie Chung! | 0:05:30 | 0:05:32 | |
-Good collar, you two! -Oh, thank you, sir. -Thank you, Lieutenant. | 0:05:32 | 0:05:35 | |
-They're saying good things about you upstairs. -Oh, yeah? | 0:05:35 | 0:05:37 | |
-Like what? And by whom? -Easy, easy, Cagney! | 0:05:37 | 0:05:40 | |
You know, three days minus four bodies made a pretty wild place | 0:05:40 | 0:05:43 | |
around here, so I need sober heads tomorrow, you hear? | 0:05:43 | 0:05:46 | |
-Not too much celebrating tonight, huh? -Yes. | 0:05:46 | 0:05:49 | |
-Congratulations, Lacey. -Thank you. -Good job. | 0:05:50 | 0:05:52 | |
Messages, messages. | 0:05:52 | 0:05:54 | |
-Got two for Cagney. Nothing terrific. -What do you know? -Harvey. Harvey. | 0:05:54 | 0:05:59 | |
Harvey's obstetrician about your checkup. | 0:05:59 | 0:06:01 | |
-Everything moving along OK? -Everything. Thank you so much. | 0:06:01 | 0:06:04 | |
Isbecki, you must be slipping. | 0:06:04 | 0:06:05 | |
And nothing for you, Petrie. | 0:06:05 | 0:06:07 | |
I guess Claudia's studying motel architecture | 0:06:07 | 0:06:09 | |
with her night school teacher or something. | 0:06:09 | 0:06:11 | |
HE LAUGHS | 0:06:11 | 0:06:12 | |
LAUGHTER CONTINUES | 0:06:15 | 0:06:17 | |
Hey, something I said? It was just a joke! | 0:06:24 | 0:06:27 | |
He's so sensitive. | 0:06:27 | 0:06:28 | |
Wish I could say the same for you, Sergeant! | 0:06:28 | 0:06:30 | |
ISBECKI: Mark! | 0:06:33 | 0:06:34 | |
Hey, Petrie, wait a minute! | 0:06:36 | 0:06:38 | |
ENGINE STARTS | 0:06:38 | 0:06:39 | |
-He didn't know what he was talking about! -Get out of here! | 0:06:39 | 0:06:42 | |
-Come on! You don't understand! -Get out of my way! | 0:06:42 | 0:06:44 | |
Hey... Marcus, don't be mad at me! | 0:06:44 | 0:06:46 | |
It's the system that allows you guys to do these kind of things. | 0:06:51 | 0:06:54 | |
-You play on people's greed to get them to commit a crime. -Yeah? | 0:06:54 | 0:06:58 | |
I didn't hear you object when Paul Newman and Robert Redford | 0:06:58 | 0:07:01 | |
-did the same thing in The Sting. -HE LAUGHS | 0:07:01 | 0:07:03 | |
You get inside their heads. | 0:07:03 | 0:07:04 | |
You set them up on the right day at the right time. | 0:07:04 | 0:07:07 | |
Gestapo tactics. | 0:07:09 | 0:07:10 | |
Oh, Harv, you're way off base here. She offered. | 0:07:10 | 0:07:13 | |
We didn't ask. She offered to sell us drugs. | 0:07:13 | 0:07:16 | |
-She had a choice. -No, babe. | 0:07:16 | 0:07:18 | |
She was headed for prison the day she made the list. | 0:07:18 | 0:07:20 | |
-List? What list? -The government wants you, they'll get you. | 0:07:22 | 0:07:25 | |
Daniel Ellsberg, Jean Seberg, DeLorean - it is all the same. | 0:07:25 | 0:07:29 | |
Harvey, I don't think that we can have this conversation. | 0:07:29 | 0:07:31 | |
What about those senators a few years back, huh? Abscam? | 0:07:31 | 0:07:34 | |
What chance did they have? | 0:07:34 | 0:07:36 | |
-A guy comes up to you, he says... -All right, Harv! Listen, I... | 0:07:36 | 0:07:38 | |
I take your point, OK? So let's drop it. | 0:07:38 | 0:07:41 | |
All I am saying is the government has the power | 0:07:42 | 0:07:45 | |
to destroy anybody they want. | 0:07:45 | 0:07:47 | |
-By the way, we're not arguing here. -OK! | 0:07:47 | 0:07:49 | |
You think that the government, and the people I work with, | 0:07:49 | 0:07:52 | |
are out to get innocent citizens, and I do not! | 0:07:52 | 0:07:56 | |
-But we're not arguing? -Of course not. -OK. | 0:07:56 | 0:07:58 | |
-Let's go to sleep. -Good night. | 0:07:59 | 0:08:01 | |
SHE SIGHS | 0:08:05 | 0:08:06 | |
-It started with J Edgar Hoover. -Oh... | 0:08:09 | 0:08:11 | |
-Turned this country into a police state. -Oh, my Lord! -He did. | 0:08:11 | 0:08:15 | |
BUZZ OF CONVERSATION | 0:08:18 | 0:08:20 | |
Been looking all over for you. | 0:08:27 | 0:08:29 | |
Get away from me. | 0:08:31 | 0:08:34 | |
Hey, I'm sorry. | 0:08:34 | 0:08:35 | |
-I'm sorry. -So what? | 0:08:35 | 0:08:37 | |
You're sorry! | 0:08:37 | 0:08:38 | |
I tell you something very private and, the next thing I know, | 0:08:39 | 0:08:42 | |
I'm hearing it back from the biggest mouth on the squad. | 0:08:42 | 0:08:46 | |
Look, Coleman asked me what was wrong with you lately. | 0:08:47 | 0:08:50 | |
Look, all I said was that Claudia was spending | 0:08:50 | 0:08:52 | |
a lot of time in night school. That's it! That's all I said! | 0:08:52 | 0:08:55 | |
Even if I believed you, that's enough! | 0:08:55 | 0:08:57 | |
You shouldn't have even said that! | 0:08:57 | 0:08:59 | |
It was a lucky guess, I swear it. | 0:08:59 | 0:09:02 | |
I can't believe I let you do this to me. | 0:09:02 | 0:09:05 | |
Victor, you're stupid! | 0:09:05 | 0:09:07 | |
An idiot! | 0:09:07 | 0:09:09 | |
But I'm a bigger idiot to think that you were my friend | 0:09:09 | 0:09:12 | |
-or that I could talk to you. -Hey... -Get off me! | 0:09:12 | 0:09:15 | |
I don't like my life aired in that squad room. | 0:09:24 | 0:09:27 | |
If you'd have just laughed, no-one would've known it was the truth. | 0:09:30 | 0:09:34 | |
Everybody would've just thought | 0:09:35 | 0:09:36 | |
you were laughing at one of Coleman's bad jokes. | 0:09:36 | 0:09:39 | |
Of course, it's MY fault. | 0:09:39 | 0:09:41 | |
You're unbelievable. | 0:09:41 | 0:09:42 | |
That's not what I mean. | 0:09:44 | 0:09:46 | |
Marcus, I know I blew it. | 0:09:49 | 0:09:51 | |
I didn't mean to, but I did, and I'm really sorry. | 0:09:51 | 0:09:53 | |
Hell, I felt really special that you even told me. | 0:09:55 | 0:09:57 | |
Marcus, we're friends. | 0:10:01 | 0:10:03 | |
It's water under the bridge. | 0:10:03 | 0:10:06 | |
It won't happen again, I give you my word on it. | 0:10:06 | 0:10:09 | |
I don't need your word, Victor, | 0:10:09 | 0:10:11 | |
because I'm putting in for a new partner tomorrow. | 0:10:11 | 0:10:13 | |
So don't worry about it. | 0:10:13 | 0:10:15 | |
-See you, George. -Good night. | 0:10:17 | 0:10:18 | |
Narcotics has got your back. They turned your sales woman around. | 0:10:26 | 0:10:29 | |
She'll give us a higher-level dealer and Nelman has approved it. | 0:10:29 | 0:10:32 | |
Johnson is expecting you at 1 Police Plaza in half an hour. | 0:10:32 | 0:10:35 | |
-I'd like to be replaced. -Why? | 0:10:35 | 0:10:37 | |
-It's personal. -I don't want to hear personal! | 0:10:37 | 0:10:39 | |
It ticks me off that I'm going to be short-handed here again | 0:10:39 | 0:10:42 | |
and there's nothing I can do about it! | 0:10:42 | 0:10:44 | |
How the hell do they expect me to run a precinct like this? | 0:10:44 | 0:10:47 | |
Go! | 0:10:47 | 0:10:48 | |
MAN: 'The guy shows it to me. He says, "How do you like the yacht?" | 0:10:53 | 0:10:56 | |
'"That's not a yacht," I said. "That's a canoe!"' | 0:10:56 | 0:10:59 | |
LAUGHTER 'I want to sleep six all the way. | 0:10:59 | 0:11:02 | |
-'Try the veal here. You'll love it. -Nothing for me, thanks. | 0:11:02 | 0:11:05 | |
'Say, this is the best Italian food in the city. | 0:11:05 | 0:11:07 | |
'Well, somehow, eating with cops spoils my appetite. | 0:11:07 | 0:11:09 | |
-'Have a nice day, gents. -What do you mean cops? | 0:11:09 | 0:11:11 | |
'Come here! Come back here, will you?' | 0:11:11 | 0:11:13 | |
-HE STOPS THE TAPE -Mistakes? | 0:11:13 | 0:11:15 | |
Overkill on the money talk. Rich dealers don't have to strut it. | 0:11:16 | 0:11:19 | |
No, I think it was a nice set-up, | 0:11:19 | 0:11:21 | |
Mansfield doesn't deal with street soldiers. | 0:11:21 | 0:11:23 | |
-They looked like cops. -Maybe. | 0:11:23 | 0:11:26 | |
Petrie, what do you think? | 0:11:26 | 0:11:28 | |
-I didn't see any mistakes. -Bingo. | 0:11:28 | 0:11:30 | |
Mansfield is shrewd. | 0:11:32 | 0:11:34 | |
We've tried to sting him three times now | 0:11:34 | 0:11:36 | |
and every time he's smelled trouble. | 0:11:36 | 0:11:39 | |
He's very good at playing games. | 0:11:39 | 0:11:41 | |
He'll even try to force you to entrap him. | 0:11:41 | 0:11:43 | |
-Has he ever served time, sir? -Not even an indictment. | 0:11:43 | 0:11:45 | |
From pot to smack and everything in between. | 0:11:45 | 0:11:47 | |
Maybe he's backed by the mob. Maybe he bankrolled the Benedetti murder. | 0:11:47 | 0:11:51 | |
I don't know. He's crud and I would love to get him. | 0:11:51 | 0:11:55 | |
And this time, I think we've got a shot. | 0:11:56 | 0:11:59 | |
He trusts Laura Ferrell. | 0:12:01 | 0:12:02 | |
You two are as good as I've seen and not exactly typical-looking narks. | 0:12:02 | 0:12:06 | |
Lacey, the stomach... | 0:12:06 | 0:12:08 | |
absolutely beautiful. | 0:12:08 | 0:12:10 | |
-Thank you, sir. -Just remember... | 0:12:10 | 0:12:12 | |
He's got to make the first move. | 0:12:13 | 0:12:15 | |
-What are we buying? -Just pills. Large quantity. | 0:12:15 | 0:12:19 | |
This time, you'll be mini moguls from out of town. | 0:12:19 | 0:12:21 | |
The Premiere Towers. | 0:12:23 | 0:12:25 | |
Petrie, Isbecki, the camera and I will be here in room 907. | 0:12:25 | 0:12:28 | |
The sting will be in 909. | 0:12:28 | 0:12:30 | |
The camera will see through this two-way mirror | 0:12:30 | 0:12:33 | |
in the centre of the room. Now, we're using a wide-angle lens, | 0:12:33 | 0:12:36 | |
but you've still got to try to keep the action here in this area. | 0:12:36 | 0:12:39 | |
If you get into the bathroom, the dressing area or at the door, | 0:12:39 | 0:12:42 | |
you're out of frame, so try to keep it tight. | 0:12:42 | 0:12:45 | |
Questions? | 0:12:46 | 0:12:48 | |
OK, folks. Showtime. | 0:12:50 | 0:12:53 | |
SHE LAUGHS | 0:13:49 | 0:13:51 | |
He's smart, Mary Beth. He's sophisticated. | 0:13:58 | 0:14:01 | |
We can't seem too easy or he's not going to buy it. | 0:14:02 | 0:14:04 | |
He's sharp. We've just got to be sharper. | 0:14:05 | 0:14:08 | |
We will be. | 0:14:08 | 0:14:09 | |
It's the big time, Mary Beth. | 0:14:09 | 0:14:12 | |
-It's the fast lane! -Uh-huh. | 0:14:12 | 0:14:14 | |
You gotta know these kind of people. | 0:14:16 | 0:14:18 | |
I can handle him. | 0:14:18 | 0:14:20 | |
Uh-huh. | 0:14:20 | 0:14:21 | |
-Go ahead. -'They are on the way up.' -All right. | 0:14:21 | 0:14:25 | |
TELEPHONE RINGS | 0:14:26 | 0:14:28 | |
-Yeah? -They're on the elevator. | 0:14:34 | 0:14:35 | |
On their way. | 0:14:37 | 0:14:39 | |
KNOCK ON DOOR | 0:14:59 | 0:15:01 | |
-Hi, Laura. -Mary Beth. | 0:15:07 | 0:15:09 | |
Er, Mary Beth, Christine, Bruce. | 0:15:10 | 0:15:13 | |
-Hello. -How do you do? -It's nice to meet you. -And Don. | 0:15:13 | 0:15:15 | |
-Thanks for stopping by. -Oh, it's my pleasure. | 0:15:17 | 0:15:19 | |
I don't like it. It doesn't feel right. | 0:15:27 | 0:15:29 | |
What? | 0:15:29 | 0:15:31 | |
I'm not doing business today. Sorry. | 0:15:31 | 0:15:34 | |
Well, wait a minute. What's the problem? | 0:15:34 | 0:15:36 | |
You could be cops. The room could be bugged. | 0:15:36 | 0:15:38 | |
I follow my instincts. | 0:15:40 | 0:15:42 | |
My instincts tell me no. | 0:15:42 | 0:15:44 | |
Wait a minute. How do we know you're not a cop? | 0:15:46 | 0:15:48 | |
How do we know Laura here isn't an informant? | 0:15:48 | 0:15:50 | |
-NERVOUS LAUGHTER -Yeah! How does one know? | 0:15:50 | 0:15:54 | |
The eyes... | 0:15:54 | 0:15:56 | |
I checked the eyes. A cop's eyes never rest. | 0:15:56 | 0:15:58 | |
Like yours? | 0:15:59 | 0:16:01 | |
-Like yours? -There's a fine line between cops and robbers. -Right. | 0:16:01 | 0:16:05 | |
Which side are you on? | 0:16:05 | 0:16:07 | |
Go to bed with me, both of you. | 0:16:10 | 0:16:13 | |
What is this? | 0:16:13 | 0:16:14 | |
Have sex with me before we do business, | 0:16:15 | 0:16:17 | |
-then I'll know you're not cops. -I'm pregnant, Mr. | 0:16:17 | 0:16:20 | |
Well, that leaves just you and me, kiddo. | 0:16:22 | 0:16:25 | |
-How does having sex with us make you safe? -Precedent. | 0:16:25 | 0:16:29 | |
US vs Simpson. | 0:16:29 | 0:16:31 | |
Out in California. They entrapped Mr Simpson by engaging him in sex - | 0:16:31 | 0:16:36 | |
it's called "outrageous conduct". | 0:16:36 | 0:16:39 | |
Oh, no. | 0:16:40 | 0:16:42 | |
No, thank you... | 0:16:42 | 0:16:43 | |
not today. | 0:16:43 | 0:16:45 | |
Wait. | 0:16:48 | 0:16:49 | |
'Wait!' | 0:16:51 | 0:16:52 | |
Bruce? | 0:16:53 | 0:16:55 | |
Do you...? | 0:16:55 | 0:16:56 | |
Where are you going? I thought we were going to have a good time? | 0:16:56 | 0:16:59 | |
OK. My place. | 0:16:59 | 0:17:01 | |
-If you want to reach me, Laura knows how to get in touch. -Bruce? | 0:17:04 | 0:17:08 | |
Come here. | 0:17:12 | 0:17:14 | |
Look, everybody's tense. | 0:17:21 | 0:17:24 | |
We've been dry for a long time now. | 0:17:25 | 0:17:27 | |
I don't even have anything for myself. | 0:17:27 | 0:17:29 | |
And we've got to score, so if I can't go home | 0:17:30 | 0:17:33 | |
with at least some 'ludes, we're going to be out of business. | 0:17:33 | 0:17:36 | |
You broke my heart. | 0:17:41 | 0:17:43 | |
If that's what it takes. | 0:17:45 | 0:17:47 | |
You're saying that, if I solve your supply problem, | 0:17:47 | 0:17:52 | |
you and I can have a good time? | 0:17:52 | 0:17:54 | |
Yeah, I'd like that. | 0:17:57 | 0:18:00 | |
What exactly do you need? | 0:18:00 | 0:18:03 | |
Ups. 'Ludes. | 0:18:03 | 0:18:05 | |
A couple of thousand more if you've got it. Well, my list is inside. | 0:18:05 | 0:18:09 | |
-Can we do business? -Oh... | 0:18:13 | 0:18:16 | |
After you. | 0:18:20 | 0:18:22 | |
Get on. | 0:18:24 | 0:18:25 | |
Yeah, let me see your list. | 0:18:29 | 0:18:30 | |
I'm sure I can give you everything you need. | 0:18:30 | 0:18:32 | |
-Oh, yeah. I can go 5K on the 'ludes and the ups. -Good. | 0:18:32 | 0:18:36 | |
All units, stand by. | 0:18:36 | 0:18:38 | |
I'm low on tranqs. | 0:18:38 | 0:18:39 | |
When can you make delivery? | 0:18:39 | 0:18:42 | |
Well, if you've got the cash, I can have it for you in 15 minutes. | 0:18:42 | 0:18:46 | |
I've got the cash. | 0:18:46 | 0:18:48 | |
Come on, let's move it. | 0:18:48 | 0:18:50 | |
PEOPLE GASP AND CHATTER OFFICER: Stand back, stand back. | 0:18:50 | 0:18:54 | |
These two get into major cases easy. | 0:18:54 | 0:18:57 | |
For a chance like that, I'd even put on a dress. | 0:18:58 | 0:19:01 | |
And you'd probably look sensational in a pair of high heels. | 0:19:01 | 0:19:05 | |
SIREN WAILS | 0:19:06 | 0:19:08 | |
You remember Michelle the magnificent? | 0:19:24 | 0:19:26 | |
Sure you do. I talk about her all the time. | 0:19:28 | 0:19:30 | |
To tell you the truth... | 0:19:32 | 0:19:34 | |
the first night... | 0:19:34 | 0:19:35 | |
..didn't happen. | 0:19:37 | 0:19:39 | |
-I couldn't, um... -What is this, Victor? | 0:19:39 | 0:19:41 | |
-I don't want to hear this story. -Well, I want to tell you this. | 0:19:41 | 0:19:44 | |
Never happened to me before. | 0:19:44 | 0:19:45 | |
She tried to be nice about it... | 0:19:49 | 0:19:51 | |
..but that made things even worse. | 0:19:52 | 0:19:54 | |
Anyway... | 0:19:58 | 0:20:00 | |
You can tell Cagney or Coleman or send out a newsletter if you want. | 0:20:00 | 0:20:04 | |
-I don't care. I told you... -I know why you told the story... | 0:20:04 | 0:20:07 | |
because you thought it would make us even. | 0:20:07 | 0:20:09 | |
-You embarrass me, I embarrass you. Fair is fair? -Right. -Wrong! | 0:20:09 | 0:20:14 | |
Victor, I... | 0:20:14 | 0:20:16 | |
HE SIGHS | 0:20:16 | 0:20:18 | |
What's the use? | 0:20:18 | 0:20:20 | |
We have different values, interests, everything. | 0:20:20 | 0:20:23 | |
It's a bad match, always has been. | 0:20:23 | 0:20:26 | |
-I think you're blowing this out of proportion, Marcus. -I don't think so. | 0:20:26 | 0:20:30 | |
It's been ten minutes. He's either talking or he isn't. | 0:20:38 | 0:20:41 | |
Maybe he's trying to make up his mind. | 0:20:41 | 0:20:44 | |
I'm going to find out what's taking so long. | 0:20:46 | 0:20:49 | |
Lacey, had the amniocentesis test yet? | 0:20:49 | 0:20:52 | |
Hey, Sergeant, that's none of your business. | 0:20:52 | 0:20:54 | |
Hey, just trying to be helpful. | 0:20:54 | 0:20:57 | |
Sergeant Coleman. | 0:20:57 | 0:20:59 | |
I'm going to tell you something for the last time. | 0:20:59 | 0:21:02 | |
You keep your fat nose out of my personal life. | 0:21:02 | 0:21:04 | |
-Hey, hang on a minute... -I hate that quinella thing in there, | 0:21:04 | 0:21:06 | |
I told you that 100 times. | 0:21:06 | 0:21:08 | |
And now you have the nerve to ask me if I'm going to get a test | 0:21:08 | 0:21:11 | |
so you can get the edge on whether it's a boy or girl? Forget it! | 0:21:11 | 0:21:14 | |
If I have the test, that's between me, my husband, and my doctor. | 0:21:14 | 0:21:18 | |
And if I do, I'm telling the lab I don't want to know the sex. | 0:21:18 | 0:21:21 | |
And, no matter what I do, I would never, | 0:21:21 | 0:21:24 | |
-never help you make money off of my baby. -You've finished? -Yes, sir. | 0:21:24 | 0:21:26 | |
Well, let me tell you something. You think I brought this up | 0:21:26 | 0:21:29 | |
-just to make a few bucks? -Why else bother me? -Because when my wife | 0:21:29 | 0:21:32 | |
and I were expecting a baby, she didn't have the test. | 0:21:32 | 0:21:34 | |
Then, when Betty was born... | 0:21:36 | 0:21:37 | |
Well, she's in a special school now | 0:21:42 | 0:21:44 | |
and it took us a long time to find it. | 0:21:44 | 0:21:45 | |
She's happier there. People don't make fun of her. She's doing OK. | 0:21:45 | 0:21:50 | |
It's just that when she was born, we weren't... | 0:21:50 | 0:21:53 | |
prepared, is all. | 0:21:53 | 0:21:55 | |
Betty's a pretty name. That's short for Elizabeth, right? | 0:21:59 | 0:22:04 | |
We were thinking about Elizabeth, if it's a girl. | 0:22:04 | 0:22:07 | |
-Or Muriel, maybe, which is after Harv's mother. -That's a nice idea. | 0:22:07 | 0:22:12 | |
I just told your partner here the man is mute until his lawyer shows. | 0:22:14 | 0:22:17 | |
-Parker Parker Simonson. -One of the best. | 0:22:17 | 0:22:20 | |
But we've got a good sting on tape plus a suitcase full of pills. | 0:22:20 | 0:22:23 | |
We'll have to account for the time in the hallway, | 0:22:23 | 0:22:26 | |
but I'm sure you didn't say anything that would take the collar? | 0:22:26 | 0:22:29 | |
-You're too smart for that. -Lieutenant, what I said in the hallway... -Cagney, | 0:22:29 | 0:22:32 | |
you don't have to tell me what you said, not right now. | 0:22:32 | 0:22:35 | |
Take the weekend, think about it, go over it between yourselves. | 0:22:35 | 0:22:37 | |
Bring your report on Monday, | 0:22:37 | 0:22:39 | |
we'll get this into the grand jury by Tuesday at the latest. | 0:22:39 | 0:22:41 | |
We made a great collar today. | 0:22:41 | 0:22:43 | |
So, whatever it takes, let's not lose him. | 0:22:43 | 0:22:46 | |
-Fine. Thank you, Lieutenant. -Ladies. | 0:22:46 | 0:22:48 | |
Sergeant... | 0:22:55 | 0:22:57 | |
we're doing the tests next week. | 0:22:57 | 0:22:59 | |
I can't believe I stepped over the line like that. | 0:23:04 | 0:23:07 | |
When I stopped him outside, I could have said something else, anything. | 0:23:07 | 0:23:10 | |
I didn't have to initiate the deal. | 0:23:10 | 0:23:12 | |
We're going to have to come up with something creative on our report. | 0:23:13 | 0:23:17 | |
-What are you talking about? -I entrapped him, Mary Beth. | 0:23:17 | 0:23:20 | |
I was the first one to bring up the subject of drugs. | 0:23:20 | 0:23:23 | |
We put that on the report, Mansfield walks! | 0:23:23 | 0:23:25 | |
-I'm not about to let that happen. -Well, what are we supposed to do? Lie? | 0:23:25 | 0:23:28 | |
It's our word against his. We're not dealing drugs. | 0:23:30 | 0:23:33 | |
What? Come on, sometimes you've got to do whatever it takes. | 0:23:34 | 0:23:38 | |
I'll be damned if a big-time drug dealer's going to walk | 0:23:38 | 0:23:41 | |
cos I didn't say the magic words. | 0:23:41 | 0:23:42 | |
You heard Lieutenant Johnson, he practically ordered us, | 0:23:42 | 0:23:45 | |
ordered us, to lie if we had to. | 0:23:45 | 0:23:46 | |
Well, he's not going to be under oath. | 0:23:46 | 0:23:48 | |
I can't believe he even asked us to do that. | 0:23:48 | 0:23:50 | |
He's supposed to be our superior officer. | 0:23:50 | 0:23:52 | |
-He's just trying to give us a little room. -Yeah, room to hang ourselves. | 0:23:52 | 0:23:55 | |
-He's backing us up! -He's telling us to commit a crime. | 0:23:55 | 0:23:59 | |
Oh, please. Will you come down to Earth with the rest of us? | 0:23:59 | 0:24:02 | |
-How often do you get a shot at a guy like Mansfield? -Not worth it, Chris. | 0:24:02 | 0:24:06 | |
Wait a minute. Mary Beth, we're doing this. | 0:24:08 | 0:24:11 | |
-Your ego's doing all the talking... -Give me a break! | 0:24:11 | 0:24:13 | |
Thinking about promotions and commendations | 0:24:13 | 0:24:15 | |
-and having your picture taken. -That isn't true! It is not true! | 0:24:15 | 0:24:18 | |
-Mansfield stinks and I want him. -I want him as much as you do, | 0:24:18 | 0:24:21 | |
but we have to start all over again. | 0:24:21 | 0:24:23 | |
-We have to admit we made a mistake. -No! | 0:24:23 | 0:24:25 | |
We're going to do this now, Mary Beth. | 0:24:25 | 0:24:27 | |
Please don't fight me on this one because you can't win. | 0:24:27 | 0:24:30 | |
You've got a hell of a nerve, lady. I make my own decisions. | 0:24:30 | 0:24:33 | |
Monday, I'm bringing in the paper | 0:24:33 | 0:24:35 | |
and it's going to say all the right words. | 0:24:35 | 0:24:37 | |
Now, you can either corroborate my testimony, | 0:24:37 | 0:24:40 | |
or you can say you never heard the conversation at all. | 0:24:40 | 0:24:42 | |
I really don't care. | 0:24:42 | 0:24:44 | |
But if you go into the grand jury on Tuesday and call me a liar... | 0:24:44 | 0:24:47 | |
..our partnership's over. | 0:24:50 | 0:24:52 | |
Beauty! Pick it up, baby! | 0:25:18 | 0:25:23 | |
Thank you. | 0:25:23 | 0:25:24 | |
-It's emotional blackmail and I don't like it. -I don't like it either. | 0:25:24 | 0:25:27 | |
Does it all the time, puts you in danger while she does her super cop number. | 0:25:27 | 0:25:30 | |
-I got a spare, Mom. -Spare with...? -Eight. | 0:25:30 | 0:25:34 | |
All right, your turn, kid. Look out for him, Harvey. | 0:25:34 | 0:25:37 | |
You know, when you guys lie in that courtroom and get caught, | 0:25:37 | 0:25:40 | |
the judge is going to come down on you like a ton of bricks. | 0:25:40 | 0:25:43 | |
Not a chance, Harv. | 0:25:43 | 0:25:44 | |
Only three people know what was said in that hallway, | 0:25:44 | 0:25:47 | |
and two of us are officers of the law. | 0:25:47 | 0:25:49 | |
-Hey, Mom! -I'm watching you, sweetheart. Go ahead. | 0:25:49 | 0:25:51 | |
That's all right. Don't worry about it. Go again. | 0:26:00 | 0:26:02 | |
You know, maybe you should call her bluff. You might be better off with another partner. | 0:26:03 | 0:26:07 | |
I don't want to think about that, Harvey. | 0:26:07 | 0:26:09 | |
Anyway, she didn't mean it. | 0:26:09 | 0:26:10 | |
Maybe she did mean it. | 0:26:12 | 0:26:14 | |
I call her a liar in front of the grand jury... | 0:26:14 | 0:26:17 | |
..that's it, it's all over. | 0:26:18 | 0:26:20 | |
-I'm not trying to be self-righteous here, Harv. You know, I... -What? | 0:26:21 | 0:26:27 | |
I don't know what. | 0:26:27 | 0:26:28 | |
One more dealer off the street. | 0:26:31 | 0:26:33 | |
-Lord knows, it couldn't hurt. -Oh, yeah? | 0:26:33 | 0:26:36 | |
You commit perjury, Mary Beth, you go to prison. | 0:26:36 | 0:26:40 | |
Five is good. Good for you. | 0:26:42 | 0:26:46 | |
-Your turn, Papa. -Yeah, my turn. | 0:26:46 | 0:26:49 | |
What the hell does Lacey expect you to do? Let him walk? | 0:26:59 | 0:27:01 | |
Your job is to get the scum off the streets, whatever it takes. | 0:27:01 | 0:27:04 | |
He beat me, Charlie. He baited me and it worked. | 0:27:04 | 0:27:07 | |
-I'm the one who blew it. -You didn't blow anything! | 0:27:07 | 0:27:09 | |
I knew I wouldn't get another chance. | 0:27:09 | 0:27:12 | |
You don't need another chance! You've got him, now! | 0:27:12 | 0:27:14 | |
These things, it looks like a jigsaw puzzle. | 0:27:14 | 0:27:17 | |
Mary Beth has to do everything by the book, | 0:27:17 | 0:27:19 | |
otherwise she doesn't sleep at night. | 0:27:19 | 0:27:21 | |
-Well, then she is in the wrong job. -We're fine. | 0:27:21 | 0:27:24 | |
Listen, Chris. I used to cut corners, bend the rules. | 0:27:24 | 0:27:27 | |
I also lied in court any time it was necessary - we all did. | 0:27:27 | 0:27:31 | |
-I slept like a baby. -Things are different now. | 0:27:31 | 0:27:33 | |
Oh, you can say that again! You guys aren't really cops. | 0:27:33 | 0:27:36 | |
-You're nothing but lawyers with badges. -Thank you(!) | 0:27:36 | 0:27:39 | |
The criminal justice system today stinks! | 0:27:39 | 0:27:41 | |
Even if you've got a solid case, you don't know what's going to happen when you step foot in that courtroom. | 0:27:41 | 0:27:45 | |
I'm glad I'm out of it. I don't worry about it any more, but I'll tell you something. | 0:27:45 | 0:27:49 | |
You better tell your partner she's not living in the real world. | 0:27:49 | 0:27:52 | |
Give me that piece over there, will you? | 0:27:55 | 0:27:57 | |
-Which one? -The one that fits! Give me them both! | 0:27:58 | 0:28:01 | |
Gee, Charlie, I don't know! Take them all! | 0:28:01 | 0:28:03 | |
She has integrity, Pop. | 0:28:07 | 0:28:09 | |
Integrity's also knowing when to sidestep the rules. | 0:28:09 | 0:28:11 | |
And if Mary Beth is a decent partner, she'll go to the wall with you, | 0:28:11 | 0:28:14 | |
no questions asked. | 0:28:14 | 0:28:16 | |
-Hurray, it fits! -Good. You want a soda? | 0:28:18 | 0:28:21 | |
No, I don't want a soda. | 0:28:21 | 0:28:23 | |
When I finish this bookshelf, I want a drink. | 0:28:23 | 0:28:25 | |
I think you could use one, too. | 0:28:25 | 0:28:27 | |
Don't walk away from me. We need to talk! | 0:28:47 | 0:28:51 | |
We've already talked. | 0:28:51 | 0:28:53 | |
It happened. It's over. | 0:28:53 | 0:28:54 | |
-But you're still punishing me. -That's not true. | 0:28:54 | 0:28:57 | |
The hell it isn't! | 0:28:57 | 0:28:58 | |
I'm sorry I hurt you. | 0:29:01 | 0:29:02 | |
I've asked for your forgiveness. What more can I do? | 0:29:02 | 0:29:05 | |
I don't know, Claudia! You're the one who cheated! | 0:29:05 | 0:29:08 | |
Excuse me, I forgot I was talking to Mr Wonderful. | 0:29:08 | 0:29:10 | |
The guy who never makes a mistake. | 0:29:10 | 0:29:12 | |
-The perfect cop. The knight in shining armour! -Claudia, shut up! | 0:29:12 | 0:29:15 | |
Why do I have to push you to a wall before I get your attention? | 0:29:17 | 0:29:21 | |
Marcus, if we can't get past this, we don't have a future. | 0:29:34 | 0:29:37 | |
You finished with Arts and Leisure? | 0:29:52 | 0:29:54 | |
You still have the Home Living section. | 0:30:02 | 0:30:04 | |
What about Sports? | 0:30:13 | 0:30:15 | |
ALARM BUZZES | 0:30:32 | 0:30:33 | |
Oh, gee. I'm sorry, sweetie. I meant to turn it off. | 0:30:33 | 0:30:38 | |
Go back to sleep. | 0:30:38 | 0:30:39 | |
I put the snooze alarm on, you've still got nine minutes. | 0:30:40 | 0:30:44 | |
What are you going to do, babe? | 0:30:45 | 0:30:46 | |
I don't know yet. | 0:30:49 | 0:30:50 | |
Mary Beth, would you sign me in, please? | 0:30:56 | 0:30:59 | |
-Thanks. -You're wrong to put our partnership on the line over this. | 0:31:07 | 0:31:11 | |
I expect you to back me up, Mary Beth. | 0:31:13 | 0:31:16 | |
If you're not willing to do it, we don't have a partnership. | 0:31:16 | 0:31:19 | |
-A partnership is 50-50. -Right. -You owe me my share of any decision. | 0:31:19 | 0:31:23 | |
Instead, you throw your little ultimatum in my face | 0:31:23 | 0:31:25 | |
-and I don't like it. -I'm sorry about that, | 0:31:25 | 0:31:27 | |
-but this is not a negotiable issue for me. -Why not? | 0:31:27 | 0:31:30 | |
-Because you're afraid to admit a mistake? -No! | 0:31:30 | 0:31:33 | |
No. Please, please, you've got to believe me. | 0:31:38 | 0:31:42 | |
I want Mansfield, Mary Beth. I don't want Mansfield | 0:31:42 | 0:31:45 | |
and his two hotshot rich attorneys to get in a chauffeur-driven | 0:31:45 | 0:31:48 | |
limousine and they drive off thumbing their noses at us. | 0:31:48 | 0:31:51 | |
It makes me sick, Mary Beth. | 0:31:54 | 0:31:56 | |
I have a chance to get him and I'm not going to walk away. | 0:32:00 | 0:32:03 | |
I'm sorry about the ultimatum. | 0:32:07 | 0:32:10 | |
-I'm a pushy broad. -True. | 0:32:10 | 0:32:13 | |
Look, if you want to say you never heard the conversation | 0:32:15 | 0:32:18 | |
between Mansfield and me in the hallway, I'll understand. | 0:32:18 | 0:32:20 | |
But I did. No, I'm going to do it, God help me. | 0:32:20 | 0:32:23 | |
OK, I have to take up the damn report. You want to tell me | 0:32:23 | 0:32:27 | |
-what lie I'm...? Morning, sir. -Morning. | 0:32:27 | 0:32:30 | |
I'm swearing too. | 0:32:32 | 0:32:33 | |
Petrie, Isbecki! | 0:32:36 | 0:32:38 | |
Come on in. | 0:32:44 | 0:32:45 | |
Close the door. | 0:32:47 | 0:32:48 | |
-What's this all about? -Did you read it? It's self-explanatory. | 0:32:49 | 0:32:54 | |
Of course I read it. | 0:32:54 | 0:32:56 | |
But I'm not going to give you a new partner without some good reasons. | 0:32:56 | 0:32:59 | |
-Did you know about this? -Yeah. -Well? | 0:32:59 | 0:33:01 | |
Huh? Talk to me... | 0:33:03 | 0:33:05 | |
somebody. I'm listening. | 0:33:05 | 0:33:07 | |
It's my fault, Lieutenant. | 0:33:09 | 0:33:10 | |
I betrayed his trust and it wasn't the first time. | 0:33:10 | 0:33:13 | |
To tell you the truth, I haven't been much of a partner at all. | 0:33:13 | 0:33:15 | |
I'm always late with my paperwork. | 0:33:15 | 0:33:17 | |
He usually has to clean up behind me on the street. | 0:33:17 | 0:33:19 | |
Bottom line is, he's been holding me up for a long time. | 0:33:19 | 0:33:23 | |
All right, Victor, don't go overboard. | 0:33:23 | 0:33:25 | |
He's a good cop, and we've shared the load pretty evenly, | 0:33:27 | 0:33:31 | |
but the problem is that... | 0:33:31 | 0:33:32 | |
..we're not compatible. | 0:33:34 | 0:33:35 | |
I think we would both be better off with new partners. | 0:33:36 | 0:33:39 | |
Do you have problems at home, Petrie? | 0:33:39 | 0:33:41 | |
What would make you think that, Lieutenant? | 0:33:41 | 0:33:44 | |
You've been walking around here eating up | 0:33:44 | 0:33:46 | |
the furniture for the past month now. | 0:33:46 | 0:33:47 | |
You're telling me you didn't hear about it? | 0:33:47 | 0:33:50 | |
What did I miss, a juicy bit of gossip or something? | 0:33:50 | 0:33:53 | |
Maybe I ought to come out of the office more often. | 0:33:53 | 0:33:56 | |
Look, I'm not about to split up one of my best teams without a fight. | 0:33:56 | 0:34:00 | |
Now, we all know that you can be extremely obnoxious from time | 0:34:01 | 0:34:05 | |
to time and that you are too sensitive for your own good. | 0:34:05 | 0:34:08 | |
So I'll tell you what we're going to do. | 0:34:08 | 0:34:11 | |
I want to hear everything. | 0:34:11 | 0:34:13 | |
I want to hear every beef you've got between yous right here and now. | 0:34:13 | 0:34:17 | |
And if we can't find a way to mend fences before this is over, | 0:34:18 | 0:34:22 | |
and we're not leaving here until it is, then I'll grant your request. | 0:34:22 | 0:34:25 | |
You go first, Isbecki. | 0:34:25 | 0:34:27 | |
-Lieutenant... -I'm not fooling around here. | 0:34:27 | 0:34:29 | |
-I don't have a beef with him. -Got to be something. | 0:34:31 | 0:34:34 | |
He's perfect. The guy is perfect. | 0:34:35 | 0:34:39 | |
-That bothers you? -Yeah. | 0:34:39 | 0:34:41 | |
Yeah, it does bother me. | 0:34:44 | 0:34:46 | |
You're always so perfect... | 0:34:47 | 0:34:49 | |
and you don't mind letting me know that you know it. | 0:34:49 | 0:34:52 | |
You don't say it, though, and that's what really irks me. | 0:34:52 | 0:34:55 | |
You've got an attitude, Petrie, a real attitude. | 0:34:56 | 0:34:59 | |
What the hell is wrong with trying to be perfect? | 0:34:59 | 0:35:01 | |
-Sometimes you're not even human. -As defined by you, Victor? | 0:35:01 | 0:35:04 | |
What do you know about human? You do all your thinking with your glands. | 0:35:04 | 0:35:08 | |
-OK, this is good. -And I'm tired of your rooster stories. | 0:35:08 | 0:35:11 | |
You're never on time, you always complain. | 0:35:11 | 0:35:14 | |
-Victor, you talk too much and I'm sick of it. -I told you I was sorry! | 0:35:14 | 0:35:18 | |
-That's supposed to solve everything? -What am I supposed to do? | 0:35:18 | 0:35:21 | |
Keep your sorry and get out of my face! | 0:35:21 | 0:35:23 | |
-Is that human enough for you, Victor? -This is very good. | 0:35:23 | 0:35:25 | |
Petrie, you want to go at it? Let's go at it. | 0:35:25 | 0:35:27 | |
I'm ahead now, I'm right here. | 0:35:27 | 0:35:29 | |
Lovely day for a hearing. | 0:35:31 | 0:35:32 | |
You nervous? | 0:35:34 | 0:35:35 | |
A little. I didn't sleep last night. | 0:35:37 | 0:35:40 | |
Are you expecting sympathy? | 0:35:40 | 0:35:42 | |
-You're doing the right thing, Mary Beth. This one is worth it. -Yeah. | 0:35:42 | 0:35:46 | |
-If we don't do this now, Mansfield goes back on the street. -Enough, OK? | 0:35:51 | 0:35:54 | |
I'm going to do it. | 0:35:54 | 0:35:55 | |
Mary Beth, thank you. | 0:36:01 | 0:36:02 | |
Good-looking suit, Christine. | 0:36:04 | 0:36:06 | |
-ON TAPE: -Before I open the briefcase, I want to see the money. | 0:36:20 | 0:36:23 | |
We'll do it at the same time. | 0:36:23 | 0:36:24 | |
I'll show you mine, you show me yours. | 0:36:24 | 0:36:27 | |
Oh, ladies, that shade of green is my favourite colour. | 0:36:30 | 0:36:33 | |
Donald will want 5,000 'ludes, 3,500 of the barbs... | 0:36:34 | 0:36:38 | |
-What is this? -Bruce, you should have trusted your instincts. | 0:36:41 | 0:36:45 | |
You've just been immortalised on video tape. | 0:36:45 | 0:36:48 | |
-Mr Mansfield, you're under arrest. -Well, it's incredible. | 0:36:48 | 0:36:51 | |
It's incredible. You can stop it now, John. | 0:36:51 | 0:36:55 | |
Incredible. | 0:36:55 | 0:36:56 | |
I haven't seen anything that good on television since The Untouchables. | 0:36:56 | 0:37:00 | |
Anybody like Eliot Ness? | 0:37:00 | 0:37:02 | |
I loved Eliot Ness. | 0:37:02 | 0:37:05 | |
OK, Mr Ackerman, | 0:37:05 | 0:37:06 | |
your side is going to tell us what happened in the hallway, | 0:37:06 | 0:37:09 | |
-is that right? -Yes, Your Honour. | 0:37:09 | 0:37:11 | |
Sergeant Cagney spoke to Mr Mansfield in the hallway | 0:37:11 | 0:37:14 | |
and can tell us what transpired. | 0:37:14 | 0:37:16 | |
Well, by God, on your feet. | 0:37:16 | 0:37:18 | |
Get over there and put the lady under oath. | 0:37:18 | 0:37:20 | |
This is exciting. | 0:37:21 | 0:37:23 | |
Raise your right hand. | 0:37:23 | 0:37:24 | |
Do you promise to tell the truth, the whole truth and nothing but | 0:37:26 | 0:37:29 | |
-the truth so help you God? -I do. | 0:37:29 | 0:37:31 | |
You can sit down again, Sergeant, this is informal. | 0:37:32 | 0:37:35 | |
Thank you, Your Honour. | 0:37:35 | 0:37:37 | |
After Mr Mansfield walked out of the room, | 0:37:45 | 0:37:47 | |
I decided to give it another try, as you saw on the video tape. | 0:37:47 | 0:37:51 | |
When I caught up with him in the hallway, I said, "Please wait." | 0:37:51 | 0:37:55 | |
He turned and sort of smiled at me, and he walked over towards me. | 0:37:55 | 0:37:59 | |
At that time, I said, "I wish you wouldn't go." | 0:37:59 | 0:38:02 | |
-It was obvious he was playing games with me. -Objection, Your Honour. | 0:38:02 | 0:38:06 | |
-That is pure conjecture. -Oh, come on, Mr Parker. This isn't a trial. | 0:38:06 | 0:38:11 | |
Sit down, take a load off, you'll live longer. | 0:38:11 | 0:38:14 | |
Go on, Sergeant. | 0:38:16 | 0:38:17 | |
Anyway, Mr Mansfield said to me, "You're pretty hyper, aren't you?" | 0:38:17 | 0:38:20 | |
I said, "Sometimes." He said, "You need to relax. | 0:38:20 | 0:38:24 | |
"You need a 'lude, don't you? I've got lots of 'ludes." | 0:38:24 | 0:38:26 | |
And I said, "So I understand." | 0:38:26 | 0:38:28 | |
He then smiled again. He said, "I bet if I solve your supply problem, | 0:38:31 | 0:38:34 | |
"you and I could have a good time," and I said, "I'd like that." | 0:38:34 | 0:38:38 | |
At that time he asked me what it was I needed and I told him | 0:38:38 | 0:38:40 | |
I needed a couple of thousand 'ludes and some ups, | 0:38:40 | 0:38:42 | |
and then I pretended that I couldn't remember the rest. | 0:38:42 | 0:38:45 | |
I said I'd left my shopping list inside. | 0:38:45 | 0:38:47 | |
He laughed and said, "What the hell? I know you're not cops. | 0:38:47 | 0:38:50 | |
"I just like to test people. | 0:38:50 | 0:38:52 | |
"We'll do business, then you and I can have some fun." | 0:38:52 | 0:38:55 | |
At that point, we all went back into the room. | 0:38:56 | 0:38:58 | |
That's a nice story, Sergeant, well-told and concise. | 0:38:58 | 0:39:02 | |
Now, you're telling us here | 0:39:05 | 0:39:07 | |
that Mr Mansfield initiated the actual drug deal even though | 0:39:07 | 0:39:10 | |
he had previously expressed an aversion to doing business with you. | 0:39:10 | 0:39:14 | |
-Is that right? -Yes, sir. | 0:39:14 | 0:39:16 | |
I see. | 0:39:16 | 0:39:18 | |
Mm-hm, fine! | 0:39:18 | 0:39:19 | |
Thank you, Sergeant. | 0:39:20 | 0:39:22 | |
Your Honour, my client has an entirely different | 0:39:22 | 0:39:26 | |
-version of that story. -I would hope so, Mr Parker. | 0:39:26 | 0:39:29 | |
I think a 30-minute recess would be pleasant right about now. | 0:39:33 | 0:39:36 | |
When we come back, Mr Mansfield will have a chance to enthral us. | 0:39:36 | 0:39:40 | |
Mr Ackerman, I would like to see you and your group in my chambers | 0:39:40 | 0:39:44 | |
and, Mr Parker, you can come too. | 0:39:44 | 0:39:46 | |
No offence, Mr Ackerman, | 0:39:53 | 0:39:55 | |
but you've got to walk a country mile to believe this lady's story. | 0:39:55 | 0:39:59 | |
Even if I do, who is to say a jury will? | 0:39:59 | 0:40:01 | |
We've got a very strong case, Your Honour. | 0:40:01 | 0:40:03 | |
Predicated on the assumption that our bright young sergeant here | 0:40:03 | 0:40:06 | |
didn't make the first move and entrap pretty boy. | 0:40:06 | 0:40:09 | |
And from where I'm sitting, that is practically impossible to believe. | 0:40:09 | 0:40:13 | |
Are you that good, Sergeant? | 0:40:13 | 0:40:15 | |
I don't know, Your Honour. | 0:40:15 | 0:40:17 | |
I only knew that I couldn't be the first one to bring up | 0:40:17 | 0:40:19 | |
the subject of drugs or deal-making. That would have tainted the collar. | 0:40:19 | 0:40:22 | |
Let me tell you something. Right now you have the luxury of my ear. | 0:40:22 | 0:40:26 | |
This could be considered a misinterpretation of facts. | 0:40:26 | 0:40:30 | |
But if you go back into that hearing room and stick to this story, | 0:40:30 | 0:40:35 | |
I expect Mr Parker is going to land on you so hard | 0:40:35 | 0:40:39 | |
-you'll have to reach up to tie your shoes. -Harder. | 0:40:39 | 0:40:42 | |
And feeling the way I do right now, I'd probably help him. | 0:40:42 | 0:40:46 | |
With all due respect, Your Honour, | 0:40:46 | 0:40:48 | |
-sometimes truth is stranger than fiction. -Oh, I know. | 0:40:48 | 0:40:51 | |
We also have the corroborating testimony of Detective Lacey. | 0:40:51 | 0:40:55 | |
Ah. OK. | 0:40:55 | 0:40:57 | |
-You heard the exchange, Detective? -Yes. Yes, sir. | 0:40:57 | 0:41:01 | |
-And you heard Mansfield initiate the deal? -Yes, sir. He brought it up. | 0:41:01 | 0:41:05 | |
What exactly did he say? | 0:41:05 | 0:41:07 | |
He said exactly what my partner testified that he said, sir. | 0:41:07 | 0:41:10 | |
I want to hear you say it. | 0:41:10 | 0:41:12 | |
But before you continue, do you realise the dire consequences | 0:41:12 | 0:41:17 | |
if I find out you are bending the truth? | 0:41:17 | 0:41:20 | |
Yes, sir. | 0:41:20 | 0:41:21 | |
All right, little lady, let's hear it. | 0:41:22 | 0:41:25 | |
Mr Mansfield walked out of the room, | 0:41:27 | 0:41:30 | |
and my partner and I looked at each other. She went after him. | 0:41:30 | 0:41:33 | |
And she said, "I wish you would not leave." | 0:41:33 | 0:41:36 | |
And then Mr Mansfield said, "You're pretty hyper, aren't you?" | 0:41:36 | 0:41:39 | |
And Sergeant Cagney said, "Sometimes." | 0:41:39 | 0:41:43 | |
And Mr Mansfield said, "You need to relax. You need... | 0:41:43 | 0:41:47 | |
"a 'lude, don't you? | 0:41:47 | 0:41:49 | |
-"I have lots of 'ludes..." -Let me... | 0:41:49 | 0:41:51 | |
Your Honour. | 0:41:53 | 0:41:55 | |
I would like it if Detective Lacey would not continue with her story. | 0:41:55 | 0:41:59 | |
Talk to me, blondie, it's now or never. | 0:41:59 | 0:42:01 | |
I initiated the deal, Your Honour. | 0:42:01 | 0:42:03 | |
I pushed my partner into backing my story up. It is my fault. | 0:42:03 | 0:42:08 | |
-You wear a badge so you're above the law? -No, Your Honour. | 0:42:08 | 0:42:12 | |
Then what the hell did you think you were doing coming into my courtroom and lying? | 0:42:12 | 0:42:18 | |
I know it makes you crazy sometimes. | 0:42:18 | 0:42:20 | |
We expect you to rid the street of drug dealers and then we handcuff | 0:42:20 | 0:42:23 | |
you with a lot of stupid little word games, but that is the way it is. | 0:42:23 | 0:42:26 | |
And if you can't stand the heat, get the hell out of the kitchen! | 0:42:26 | 0:42:30 | |
I'm angry now and I don't like to get angry - life's too short. | 0:42:35 | 0:42:38 | |
I don't know what to do with you two, | 0:42:41 | 0:42:43 | |
other than give you a good sharp slap on the wrists. | 0:42:43 | 0:42:46 | |
What I should do is send you back to history class to learn | 0:42:46 | 0:42:50 | |
something about America. | 0:42:50 | 0:42:51 | |
I'll leave the rest of your punishment to the Department. | 0:42:57 | 0:43:00 | |
I will grant Mr Parker his motion to suppress, | 0:43:01 | 0:43:05 | |
which means you don't have a case... | 0:43:05 | 0:43:06 | |
..and the sleazebag walks. | 0:43:08 | 0:43:10 | |
Hm! Look at this here. | 0:43:20 | 0:43:22 | |
-I was wrong about everything. -Yeah. | 0:43:28 | 0:43:31 | |
And I blew the collar. | 0:43:33 | 0:43:34 | |
-Sergeant Hotshot sure got her wings clipped, didn't she? -Yeah. | 0:43:36 | 0:43:40 | |
Lieutenant Johnson didn't exactly rush to our rescue. | 0:43:42 | 0:43:45 | |
-Did you expect him to? -Well, yes. | 0:43:46 | 0:43:49 | |
I didn't expect an oral reprimand, not from him. | 0:43:49 | 0:43:52 | |
Chris, the man may have hinted at lying but he didn't actually say it. | 0:43:53 | 0:43:58 | |
He didn't entrap us. | 0:43:58 | 0:43:59 | |
Mary Beth, what now? Huh? Where do we go from here? | 0:44:05 | 0:44:09 | |
I don't know, partner. | 0:44:11 | 0:44:12 | |
There is a dope dealer out there, he is about six feet tall, 250lbs. | 0:44:14 | 0:44:19 | |
He wears a pinkie ring. He's a real virus. | 0:44:19 | 0:44:22 | |
And it's not like we would have to look too hard to find him. | 0:44:22 | 0:44:25 | |
A little surveillance maybe, catch him with the goods... | 0:44:25 | 0:44:29 | |
if you're game. | 0:44:29 | 0:44:31 | |
-Hi, ladies, take a pamphlet? -Thank you. | 0:44:33 | 0:44:37 | |
-Thanks. -You're welcome. Goodbye. | 0:44:37 | 0:44:39 | |
You know, I've never even been to the Statue of Liberty. | 0:44:43 | 0:44:46 | |
I've lived in the city most of my life. | 0:44:46 | 0:44:48 | |
Oh, I can't wait till they get her all dolled up so Harv | 0:44:48 | 0:44:51 | |
and I can take the boys out there. They loved it last time. | 0:44:51 | 0:44:54 | |
-Did you ever take that little boat around the island? That's good, too. -Yeah? | 0:44:54 | 0:44:57 | |
You should do it, Christine. | 0:44:58 | 0:45:00 | |
Yeah, maybe I will. Maybe I will. | 0:45:02 | 0:45:05 |