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This programme contains some violent scenes and some scenes which some viewers may find upsetting | 0:00:02 | 0:00:09 | |
KNOCKING | 0:01:59 | 0:02:01 | |
You're not answering your phone. | 0:02:05 | 0:02:07 | |
It's off. | 0:02:07 | 0:02:08 | |
Were you sleeping? | 0:02:08 | 0:02:10 | |
No. | 0:02:10 | 0:02:11 | |
Dyson sent me. | 0:02:11 | 0:02:12 | |
They found a body. | 0:02:14 | 0:02:15 | |
Where's McLeod? | 0:02:17 | 0:02:18 | |
No, she doesn't want McLeod. | 0:02:18 | 0:02:20 | |
She wants you. | 0:02:21 | 0:02:23 | |
Look at this, Delorme. | 0:02:23 | 0:02:25 | |
A young couple gets a new TV set. You'd think it'd be a happy day. | 0:02:25 | 0:02:28 | |
These two hate each other right now. | 0:02:28 | 0:02:31 | |
Cardinal. | 0:02:31 | 0:02:32 | |
It's not my department anymore. | 0:02:34 | 0:02:36 | |
It's a child. | 0:02:43 | 0:02:45 | |
They think it might be her. | 0:02:45 | 0:02:46 | |
I thought you were in exile. | 0:03:14 | 0:03:16 | |
So did I. | 0:03:16 | 0:03:17 | |
You got the call on this? | 0:03:18 | 0:03:19 | |
Yeah. First on the scene was one of ours. | 0:03:19 | 0:03:21 | |
Gentlemen, who's been inside? | 0:03:21 | 0:03:23 | |
Collier and our civilian. | 0:03:23 | 0:03:25 | |
The guy was here stripping wire. | 0:03:25 | 0:03:27 | |
I took a look inside too, sir. | 0:03:27 | 0:03:28 | |
I thought I'd get a little jump on things. | 0:03:28 | 0:03:30 | |
OK. | 0:03:30 | 0:03:31 | |
All right. | 0:03:32 | 0:03:33 | |
Gentlemen, suit up. In you go. Let me know what you need. | 0:03:33 | 0:03:36 | |
-Fox, come here. -Yeah. | 0:03:36 | 0:03:38 | |
There's a lot of snow to cull here. | 0:03:38 | 0:03:40 | |
We're gonna need tents, generators, the whole circus. | 0:03:40 | 0:03:42 | |
I mean, I can put in the call if you like. | 0:03:42 | 0:03:44 | |
Constable, I'm gonna need your boots. | 0:03:44 | 0:03:46 | |
-My boots? -And then I want you to go home. | 0:03:46 | 0:03:48 | |
You're dismissed. | 0:03:48 | 0:03:49 | |
Sir. | 0:03:50 | 0:03:51 | |
You have kids? Pets? | 0:03:51 | 0:03:53 | |
Carpet in your TV room? | 0:03:53 | 0:03:54 | |
I have... two kids. | 0:03:54 | 0:03:56 | |
Their DNA is now contaminating the crime scene, | 0:03:56 | 0:03:58 | |
the unprocessed crime scene | 0:03:58 | 0:04:01 | |
-that you chose to enter. -Sir, I swear, I... | 0:04:01 | 0:04:03 | |
Let me tell you something. | 0:04:03 | 0:04:05 | |
If one day we're lucky enough to get this guy, | 0:04:05 | 0:04:07 | |
I can't have you serving up freebies to his defence attorney. | 0:04:07 | 0:04:11 | |
So... | 0:04:11 | 0:04:14 | |
off they come. | 0:04:14 | 0:04:15 | |
Facial features partially obliterated, | 0:04:25 | 0:04:27 | |
and likely by animal interference. | 0:04:27 | 0:04:30 | |
Left eye missing. | 0:04:30 | 0:04:31 | |
Right eye damaged but intact. | 0:04:31 | 0:04:35 | |
Body is clothed. | 0:04:35 | 0:04:36 | |
Denim jeans cover the lower portion. | 0:04:36 | 0:04:39 | |
Torn away at the left leg. | 0:04:39 | 0:04:42 | |
There's a spot up top where it looks like water collects. | 0:04:42 | 0:04:45 | |
I bet she's resting on a drain. | 0:04:46 | 0:04:48 | |
Partially detached from her skull. | 0:04:48 | 0:04:51 | |
Filled up around her. | 0:04:51 | 0:04:53 | |
Froze solid. | 0:04:53 | 0:04:54 | |
It's her. | 0:04:59 | 0:05:00 | |
You're sure? | 0:05:01 | 0:05:03 | |
Blue hoodie. | 0:05:03 | 0:05:04 | |
She was wearing it when she disappeared. | 0:05:04 | 0:05:06 | |
OK. Well, let's do this then. | 0:05:06 | 0:05:08 | |
Let's have our moment. | 0:05:08 | 0:05:10 | |
I'm serious, John. | 0:05:10 | 0:05:11 | |
If you want to say I told you so, now's your chance. | 0:05:11 | 0:05:14 | |
I don't have anything to say. | 0:05:14 | 0:05:15 | |
She could have run away. | 0:05:15 | 0:05:17 | |
She could have been with some cousin in Temiskaming. | 0:05:17 | 0:05:19 | |
We didn't know. | 0:05:19 | 0:05:20 | |
That's why you keep looking. | 0:05:20 | 0:05:21 | |
We tried. We failed. | 0:05:21 | 0:05:23 | |
We moved on. | 0:05:23 | 0:05:24 | |
You should put on that on the crest. | 0:05:24 | 0:05:26 | |
If I make you the lead on this, | 0:05:28 | 0:05:30 | |
I need to know that you're not gonna drift. | 0:05:30 | 0:05:32 | |
Yeah. | 0:05:37 | 0:05:39 | |
So McLeod can't be your second. | 0:05:39 | 0:05:41 | |
He's in court all month. | 0:05:41 | 0:05:42 | |
Who then? | 0:05:42 | 0:05:43 | |
You're kidding. She just transferred. | 0:05:46 | 0:05:48 | |
Lucky her. She gets to learn from the best. | 0:05:48 | 0:05:50 | |
I'm glad to be working on this with you. | 0:05:53 | 0:05:55 | |
MUSIC: Familiar by Agnes Obel | 0:06:33 | 0:06:36 | |
# We took a walk to the summit at night, you and I | 0:06:39 | 0:06:45 | |
# To burn a hole in the old grip of the familiar, you and I | 0:06:45 | 0:06:52 | |
# And the dark was opening wide Do or die. # | 0:06:52 | 0:06:58 | |
How long were you in Financial Crimes? | 0:07:06 | 0:07:08 | |
Five years. | 0:07:09 | 0:07:11 | |
Any homicide rotations? | 0:07:11 | 0:07:13 | |
Scene work? Anything? | 0:07:13 | 0:07:15 | |
No. | 0:07:16 | 0:07:17 | |
But look, I know this case. | 0:07:17 | 0:07:19 | |
I know the history. | 0:07:19 | 0:07:20 | |
Everyone thought Katie Pine ran away, except you. | 0:07:20 | 0:07:23 | |
Lot of good that did her. | 0:07:23 | 0:07:25 | |
How'd you know she'd been abducted? What was your thinking? | 0:07:25 | 0:07:28 | |
You want to be careful. | 0:07:28 | 0:07:29 | |
Those questions got me kicked off homicide. | 0:07:29 | 0:07:31 | |
I thought yelling at your Sergeant got you kicked off homicide. | 0:07:34 | 0:07:38 | |
Is that what you heard? | 0:07:38 | 0:07:40 | |
What I heard is that you ran through a year's manpower | 0:07:40 | 0:07:43 | |
on this one case, | 0:07:43 | 0:07:44 | |
ran everyone ragged | 0:07:44 | 0:07:46 | |
and then fell asleep driving home one night, | 0:07:46 | 0:07:49 | |
crashed into a dumpster. | 0:07:49 | 0:07:51 | |
Wrong. | 0:07:51 | 0:07:52 | |
It was a hydro box. | 0:07:54 | 0:07:55 | |
Much more expensive. | 0:07:55 | 0:07:57 | |
Here's what I need you to do. | 0:07:57 | 0:07:59 | |
As my new partner, I need you to cover off my active cases, | 0:07:59 | 0:08:02 | |
unsolved B&Es, dozens of them, stretching back a year. | 0:08:02 | 0:08:05 | |
Get up to speed. | 0:08:06 | 0:08:08 | |
OK. | 0:08:08 | 0:08:09 | |
See, the thing with John is two-fold. | 0:08:12 | 0:08:15 | |
First, whatever you do, stand up to him | 0:08:15 | 0:08:17 | |
and don't be a yes man. | 0:08:17 | 0:08:19 | |
I'm not. | 0:08:19 | 0:08:20 | |
And second? | 0:08:20 | 0:08:22 | |
Never disagree with him. | 0:08:22 | 0:08:23 | |
Huh. | 0:08:24 | 0:08:25 | |
Sure. | 0:08:26 | 0:08:27 | |
Katie's remains have been transported | 0:08:46 | 0:08:49 | |
to the forensics lab in Toronto. | 0:08:49 | 0:08:51 | |
OK. | 0:08:51 | 0:08:52 | |
It'll take a few days and then we'll release her to you. | 0:08:52 | 0:08:55 | |
There will be more questions | 0:08:57 | 0:08:59 | |
and we'll have to go over some ground we've already covered. | 0:08:59 | 0:09:02 | |
I'm sorry to put you through that again. | 0:09:02 | 0:09:05 | |
We're gonna throw everything we have at this, Dorothy. | 0:09:08 | 0:09:10 | |
You said that before. | 0:09:13 | 0:09:15 | |
Then you stopped looking. | 0:09:15 | 0:09:17 | |
There'll be a fire later for Katie. | 0:09:40 | 0:09:42 | |
You're welcome to come if you want. | 0:09:42 | 0:09:43 | |
I don't know, Jerry. It wouldn't feel right. | 0:09:43 | 0:09:46 | |
Hey, John. | 0:09:47 | 0:09:48 | |
People are gonna think what they think. | 0:09:50 | 0:09:53 | |
But I know you did everything you could for Katie. | 0:09:53 | 0:09:55 | |
PHONE VIBRATES | 0:10:09 | 0:10:11 | |
Delorme here. | 0:10:19 | 0:10:20 | |
Katie Pine wasn't this guy's first victim. | 0:10:20 | 0:10:23 | |
You wanted to know my thinking. There it is. | 0:10:23 | 0:10:26 | |
He's a predator. She didn't know him. | 0:10:26 | 0:10:28 | |
A little girl gets murdered, you look close. | 0:10:29 | 0:10:34 | |
A neighbour. An uncle. | 0:10:34 | 0:10:35 | |
I looked, Delorme. | 0:10:35 | 0:10:38 | |
Babysitters, band mates, cousins. I talked to them all. | 0:10:38 | 0:10:41 | |
I know her life inside and out. | 0:10:41 | 0:10:43 | |
Favourite song was Shake It Off. Favourite food, canned peaches. | 0:10:43 | 0:10:47 | |
Best friend, Tina. Boyfriend, Arnold. | 0:10:47 | 0:10:50 | |
I know Katie Pine | 0:10:50 | 0:10:52 | |
and this guy is not from her world. | 0:10:52 | 0:10:56 | |
He stalked her. | 0:10:56 | 0:10:57 | |
He picked his moment and he struck. | 0:10:57 | 0:10:59 | |
And who does that? | 0:10:59 | 0:11:00 | |
A repeater. | 0:11:01 | 0:11:03 | |
But there's just one small problem. | 0:11:03 | 0:11:05 | |
No more bodies. | 0:11:05 | 0:11:07 | |
Unless we missed it. | 0:11:07 | 0:11:09 | |
When I first took this case, another file caught my eye. | 0:11:09 | 0:11:12 | |
Billy LaBelle. Age ten. | 0:11:13 | 0:11:16 | |
He drowned in the lake. You remember? | 0:11:16 | 0:11:18 | |
Yeah. An accident. | 0:11:18 | 0:11:19 | |
There were witnesses. | 0:11:21 | 0:11:22 | |
No. LaBelle's mom went for smokes. | 0:11:22 | 0:11:25 | |
When she came back, Billy was dead. No-one saw it happen. | 0:11:26 | 0:11:31 | |
No-one saw what happen? | 0:11:31 | 0:11:33 | |
A serial killer swoop in at that exact moment? | 0:11:33 | 0:11:36 | |
LaBelle was found face up in the water. | 0:11:36 | 0:11:38 | |
I talked to three different coroners. | 0:11:38 | 0:11:41 | |
They all say that's unusual. | 0:11:41 | 0:11:43 | |
The weight of your limbs keeps you face down. | 0:11:43 | 0:11:48 | |
Unless it wasn't an accident. | 0:11:48 | 0:11:52 | |
Young kid. All alone. | 0:11:52 | 0:11:55 | |
Small. Vulnerable. | 0:11:55 | 0:11:58 | |
That's how these guys start. | 0:11:58 | 0:12:00 | |
He holds LaBelle under until his lungs fill. | 0:12:02 | 0:12:07 | |
Looks him in the eye while he does it. | 0:12:07 | 0:12:09 | |
The biggest thrill of his life. | 0:12:10 | 0:12:12 | |
What does Dyson think? | 0:12:15 | 0:12:17 | |
Forget Dyson. I'm asking you. | 0:12:17 | 0:12:19 | |
It's a stretch. | 0:12:21 | 0:12:23 | |
LaBelle's mom was right there. | 0:12:23 | 0:12:25 | |
The timing doesn't work. | 0:12:27 | 0:12:28 | |
I'll see you in the morning. | 0:12:31 | 0:12:32 | |
We're done? | 0:12:33 | 0:12:35 | |
Goodnight. | 0:12:35 | 0:12:36 | |
And that's the new partner? | 0:12:39 | 0:12:40 | |
What did he want? | 0:12:42 | 0:12:43 | |
He wanted to hear himself talk. | 0:12:44 | 0:12:46 | |
Westbrook building is clear. | 0:13:11 | 0:13:12 | |
-I'm gonna head to Chalmers Street. Yeah. -Copy that. | 0:13:12 | 0:13:16 | |
Who are you? | 0:13:16 | 0:13:17 | |
Mrs LaBelle, I am Detective John Cardinal. | 0:13:17 | 0:13:20 | |
I told him not to go in. | 0:13:20 | 0:13:22 | |
Told him to wait until I got back but, you know, | 0:13:22 | 0:13:25 | |
he's such a water rat. | 0:13:25 | 0:13:27 | |
That's all he ever wanted to do. | 0:13:27 | 0:13:29 | |
So you're there, uh, for about an hour | 0:13:29 | 0:13:32 | |
and then you go back up to the car for cigarettes. | 0:13:32 | 0:13:35 | |
Is that right? | 0:13:35 | 0:13:36 | |
And how far away was the car, would you say? | 0:13:37 | 0:13:40 | |
I don't know. Five minutes, if that. | 0:13:40 | 0:13:42 | |
Is there something wrong? | 0:13:43 | 0:13:45 | |
I told all this to the other cop a bunch of times. | 0:13:45 | 0:13:47 | |
Mrs LaBelle, I know this is difficult. | 0:13:47 | 0:13:49 | |
I'm just, uh, | 0:13:49 | 0:13:50 | |
I'm just doing some follow-up. | 0:13:50 | 0:13:52 | |
So, uh, gone ten minutes | 0:13:54 | 0:13:57 | |
and when you come back that's... | 0:13:57 | 0:14:00 | |
that's when you see Billy in the water. | 0:14:00 | 0:14:02 | |
And that was about 10am? | 0:14:03 | 0:14:05 | |
Yeah. | 0:14:06 | 0:14:07 | |
Mrs LaBelle, I spoke with your friend Rosalyn | 0:14:09 | 0:14:15 | |
this morning, Rosalyn Garret. | 0:14:15 | 0:14:17 | |
She was with you the night before Billy died. | 0:14:19 | 0:14:21 | |
Do you remember that? You were at the legion together. | 0:14:21 | 0:14:23 | |
Sounds about right. | 0:14:25 | 0:14:26 | |
And you stayed pretty late, closed the place down. | 0:14:26 | 0:14:30 | |
What's this got to do with Billy? | 0:14:30 | 0:14:31 | |
I'm just, I'm just trying to get the timeline straight here. | 0:14:31 | 0:14:34 | |
So up until 2am, uh, having a good time | 0:14:34 | 0:14:38 | |
and then first thing next morning with your son at the beach. | 0:14:38 | 0:14:43 | |
Mrs LaBelle, I couldn't help but notice | 0:14:48 | 0:14:51 | |
in the pictures of the scene, | 0:14:51 | 0:14:53 | |
I didn't see anything like a blanket or a picnic basket. | 0:14:53 | 0:14:57 | |
Picnic basket? | 0:14:57 | 0:14:58 | |
Sorry. I don't own a picnic basket. | 0:14:58 | 0:15:00 | |
Mrs LaBelle, I know this is difficult. | 0:15:01 | 0:15:04 | |
I know you've been through a lot | 0:15:04 | 0:15:05 | |
and I'm not here to add to your pain. | 0:15:05 | 0:15:07 | |
My son is dead. | 0:15:07 | 0:15:10 | |
What do you think you can add? | 0:15:10 | 0:15:11 | |
If you weren't with him that morning, | 0:15:13 | 0:15:16 | |
if you were sleeping it off | 0:15:16 | 0:15:17 | |
and he was out there on his own, | 0:15:17 | 0:15:21 | |
I need to know that. | 0:15:21 | 0:15:22 | |
I want you to go. | 0:15:34 | 0:15:35 | |
PHONE RINGS | 0:15:45 | 0:15:48 | |
Uh, McLeod, you got a minute? It's forensics on the line. | 0:15:48 | 0:15:52 | |
I could use an extra brain in the room. | 0:15:52 | 0:15:53 | |
SHE MUTTERS | 0:16:03 | 0:16:05 | |
Len, it's John. | 0:16:09 | 0:16:11 | |
I've got, uh, Detective McLeod with me. | 0:16:11 | 0:16:14 | |
We're ready when you are. | 0:16:14 | 0:16:16 | |
All right. It's all very preliminary so bear with me. | 0:16:16 | 0:16:20 | |
SHE CLEARS HER THROAT | 0:16:20 | 0:16:22 | |
Doctor? | 0:16:22 | 0:16:23 | |
Before you start, I wanted to introduce myself. | 0:16:23 | 0:16:25 | |
I'm Detective Lise Delorme. | 0:16:25 | 0:16:28 | |
I'm second on the case. | 0:16:28 | 0:16:29 | |
You guys want to call me back when you're all sorted? | 0:16:29 | 0:16:31 | |
That's everyone, Len. Go ahead. | 0:16:31 | 0:16:34 | |
OK. A lot of animal predation so there's lots we can't know, | 0:16:34 | 0:16:38 | |
but wrists and ankles have ligature marks | 0:16:38 | 0:16:41 | |
so she was tied up. | 0:16:41 | 0:16:42 | |
Petechial haemorrhaging in her remaining eye | 0:16:42 | 0:16:45 | |
shows that she suffocated, | 0:16:45 | 0:16:46 | |
and we can thank the ice for that detail. | 0:16:46 | 0:16:48 | |
-Strangled? -Maybe. | 0:16:48 | 0:16:50 | |
Not enough neck tissue to be sure. | 0:16:50 | 0:16:52 | |
Stomach, empty. | 0:16:52 | 0:16:54 | |
She hadn't eaten in at least 24 hours. | 0:16:54 | 0:16:56 | |
As for the killer, no blood, no hair. | 0:16:56 | 0:17:00 | |
Toxicology is positive for benzodiazepine | 0:17:00 | 0:17:04 | |
but, and I can't say this with certainty, | 0:17:04 | 0:17:06 | |
there's no indication of sexual activity. | 0:17:06 | 0:17:09 | |
Now, her right eye, this is a little different, | 0:17:09 | 0:17:12 | |
four abrasions, two upper, two lower. | 0:17:12 | 0:17:15 | |
Leukotriene B4 is present | 0:17:15 | 0:17:17 | |
and what that means is that there's inflammation | 0:17:17 | 0:17:20 | |
and, uh, those injuries came before she died. | 0:17:20 | 0:17:22 | |
-And what do you make of that? -Could be some random injuries. | 0:17:22 | 0:17:26 | |
Certainly can't rule that out. | 0:17:26 | 0:17:28 | |
Or they could be from a speculum to keep her eyes open. | 0:17:28 | 0:17:31 | |
And that, for now, is all that I have for you. | 0:17:33 | 0:17:36 | |
-Thanks, Len. -Sure. | 0:17:41 | 0:17:43 | |
Hmm. | 0:17:43 | 0:17:44 | |
He wanted her to see him. | 0:17:44 | 0:17:46 | |
Just like Billy LaBelle, face up in the water. | 0:17:46 | 0:17:48 | |
Oh Jesus. Here we go. | 0:17:48 | 0:17:51 | |
He tell you his repeater theory? | 0:17:51 | 0:17:52 | |
Maureen LaBelle lied, Ian. | 0:17:52 | 0:17:54 | |
Billy was unattended the morning he died. | 0:17:54 | 0:17:56 | |
John, you want my advice? | 0:17:56 | 0:17:58 | |
You have a victim. | 0:17:58 | 0:18:00 | |
Don't go looking for more. | 0:18:00 | 0:18:01 | |
Stay on the B&Es. | 0:18:07 | 0:18:09 | |
Mare? | 0:18:18 | 0:18:20 | |
I'm gonna need all the uncleared missing person files | 0:18:20 | 0:18:22 | |
dating back two years, starting with minors. | 0:18:22 | 0:18:25 | |
You want locals or just passing through? | 0:18:25 | 0:18:27 | |
All of them. | 0:18:27 | 0:18:28 | |
-And Mary, do me a favour. -Hmm? | 0:18:28 | 0:18:30 | |
Keep this between us. | 0:18:30 | 0:18:32 | |
Hi. It's Detective John Cardinal with the Algonquin Bay Police. | 0:18:37 | 0:18:40 | |
I'm calling about a missing person. | 0:18:40 | 0:18:42 | |
Uh, yeah, thanks for getting back to me. | 0:18:42 | 0:18:44 | |
Question about a find... | 0:18:44 | 0:18:46 | |
17. | 0:18:46 | 0:18:47 | |
I'm wondering if there's any new information since? | 0:18:47 | 0:18:49 | |
I see. So he was seen in St John's? | 0:18:49 | 0:18:51 | |
I'm gonna show you some pictures. Can you tell me if...? | 0:18:51 | 0:18:54 | |
Well, if you hear anything more, will you let me know right away? | 0:18:54 | 0:18:56 | |
Yeah. I know it's an Alberta case but... | 0:18:56 | 0:18:58 | |
I see, so there's a history of... | 0:18:58 | 0:19:00 | |
Can you call me at this number when you have a minute? | 0:19:00 | 0:19:03 | |
Yeah. Hi. It's Detective John Cardinal. | 0:19:03 | 0:19:05 | |
She may have been... | 0:19:07 | 0:19:09 | |
Stir plate, gone. | 0:19:18 | 0:19:20 | |
Grain mill, gone. | 0:19:20 | 0:19:22 | |
Six brand-new ball-lock kegs. | 0:19:22 | 0:19:24 | |
He took them all. | 0:19:24 | 0:19:26 | |
And insult to injury, | 0:19:26 | 0:19:27 | |
look at this. | 0:19:27 | 0:19:28 | |
Didn't touch the beer. | 0:19:30 | 0:19:31 | |
Maybe he prefers lager. | 0:19:31 | 0:19:33 | |
I've won awards with this beer. | 0:19:33 | 0:19:34 | |
He was a finalist once. | 0:19:34 | 0:19:36 | |
I got a friend at the paper | 0:19:38 | 0:19:39 | |
says, uh, houses are getting robbed all over town. Is that true? | 0:19:39 | 0:19:42 | |
Let her do her job, Phil. | 0:19:42 | 0:19:43 | |
Says it's been going on for months and you guys are nowhere on it. | 0:19:43 | 0:19:46 | |
Oh, I'm afraid I can't talk about other cases. | 0:19:46 | 0:19:49 | |
Guess everyone'll be focused on Katie Pine now. | 0:19:49 | 0:19:52 | |
Kinda surprised you're here at all. | 0:19:52 | 0:19:54 | |
What goes there? | 0:19:56 | 0:19:58 | |
Microwave. | 0:19:58 | 0:19:59 | |
I just got the thing. | 0:19:59 | 0:20:00 | |
I didn't even get a chance to install it. | 0:20:00 | 0:20:02 | |
And when was that? | 0:20:05 | 0:20:06 | |
Wednesday. | 0:20:06 | 0:20:07 | |
Is that important? | 0:20:09 | 0:20:10 | |
The fire will burn for four days | 0:20:16 | 0:20:18 | |
while Katie's spirit walks the world. | 0:20:18 | 0:20:20 | |
Miss Pine, | 0:20:30 | 0:20:31 | |
I'm Noelle Dyson with the Algonquin Bay Police. | 0:20:31 | 0:20:34 | |
I'm so sorry for what you're going through. | 0:20:34 | 0:20:36 | |
I've, um, | 0:20:43 | 0:20:45 | |
I've come with a message from my fellow officers. | 0:20:45 | 0:20:48 | |
I understand that you intend to give Katie a Christian service? | 0:20:48 | 0:20:52 | |
That's right. | 0:20:52 | 0:20:53 | |
On behalf of the police and the mayor's office, | 0:20:55 | 0:20:59 | |
we'd like to offer you the use of the St Francis church. | 0:20:59 | 0:21:02 | |
We'll cover the costs. | 0:21:02 | 0:21:04 | |
Why? | 0:21:05 | 0:21:06 | |
Miss Pine, there are so many people | 0:21:07 | 0:21:11 | |
feeling your pain right now. | 0:21:11 | 0:21:13 | |
I know that they would be very grateful | 0:21:15 | 0:21:17 | |
for an opportunity to pay their respects. | 0:21:17 | 0:21:19 | |
Oh, man. | 0:22:27 | 0:22:29 | |
Good to see you too, Francis. | 0:23:39 | 0:23:41 | |
What happened to your truck? | 0:23:41 | 0:23:42 | |
I hit a squirrel. | 0:23:42 | 0:23:44 | |
Why so much this time? | 0:23:45 | 0:23:47 | |
You're not gonna count it? | 0:23:48 | 0:23:50 | |
I trust ya. | 0:23:50 | 0:23:51 | |
Heard they found that dead girl. | 0:23:54 | 0:23:56 | |
Night, Detective. | 0:24:01 | 0:24:02 | |
KNOCKING | 0:24:24 | 0:24:26 | |
Your phone is off again. | 0:24:31 | 0:24:33 | |
I have news on the B&E file. | 0:24:34 | 0:24:36 | |
Well, this is nice. | 0:24:41 | 0:24:42 | |
What happened to your face? | 0:24:44 | 0:24:45 | |
I was in the crawl space. | 0:24:47 | 0:24:49 | |
I hit it on a pipe. | 0:24:50 | 0:24:52 | |
What's your news, Lise? | 0:24:55 | 0:24:57 | |
Well, starts with a microwave oven, | 0:24:59 | 0:25:03 | |
brand-new, bought four days ago. | 0:25:03 | 0:25:06 | |
Stolen the night before last. | 0:25:06 | 0:25:08 | |
Something about it rang a bell, so I went back and checked. | 0:25:10 | 0:25:13 | |
Every one of the B&Es, there's always something new stolen, | 0:25:13 | 0:25:18 | |
a computer, a stereo, something right out of the box. | 0:25:18 | 0:25:23 | |
And all of them were bought at one of the two | 0:25:25 | 0:25:28 | |
big box electronics stores. | 0:25:28 | 0:25:30 | |
And what does that tell ya? | 0:25:30 | 0:25:32 | |
Our thief is staking out these stores. | 0:25:32 | 0:25:34 | |
He follows his targets home with their new stuff. | 0:25:34 | 0:25:37 | |
Then he hits their house later. | 0:25:37 | 0:25:39 | |
That's what you were doing when I found you spacing out by the mall. | 0:25:41 | 0:25:45 | |
You were looking for this guy. | 0:25:45 | 0:25:47 | |
Hm. | 0:25:47 | 0:25:49 | |
Whenever somebody left with a big ticket item, | 0:25:49 | 0:25:51 | |
I noted their licence plate and the licence plates of anyone | 0:25:51 | 0:25:54 | |
who followed them out of the lot. | 0:25:54 | 0:25:56 | |
There you go. Last night's victim. | 0:25:59 | 0:26:01 | |
Let's see here. | 0:26:02 | 0:26:04 | |
Left 4:30pm with his microwave. | 0:26:08 | 0:26:11 | |
Followed out by five cars. | 0:26:11 | 0:26:13 | |
So one of these is our thief. | 0:26:13 | 0:26:15 | |
-There you go. -Hmm. | 0:26:19 | 0:26:21 | |
When were you planning on sharing this? | 0:26:21 | 0:26:24 | |
I didn't know it would amount to anything. | 0:26:24 | 0:26:26 | |
I'll go meet the candidates. | 0:26:27 | 0:26:29 | |
-Delorme. -Hey. | 0:26:35 | 0:26:37 | |
Check this out. | 0:26:37 | 0:26:38 | |
Who's he? | 0:26:39 | 0:26:40 | |
Malcolm Musgrave, RCMP Staff Sergeant. | 0:26:40 | 0:26:44 | |
To what do we owe the honour? | 0:26:44 | 0:26:45 | |
That's what I'm trying to figure out. | 0:26:45 | 0:26:47 | |
I mean, there's a rumour our department's under investigation. | 0:26:47 | 0:26:49 | |
What for? | 0:26:51 | 0:26:52 | |
Well, if they brought in the horsemen, it's gotta be a dirty cop | 0:26:52 | 0:26:54 | |
or we'd handle it internally. | 0:26:54 | 0:26:56 | |
Well, that's just what we need right now. | 0:27:01 | 0:27:03 | |
Oh. | 0:27:11 | 0:27:13 | |
This fellow here, | 0:27:13 | 0:27:15 | |
yeah, yeah, he stayed with us. | 0:27:15 | 0:27:16 | |
-Todd Curry. You're sure? -Uh-huh. | 0:27:16 | 0:27:18 | |
Can you tell me, uh, when that was? | 0:27:18 | 0:27:20 | |
Uh, you'll have to forgive me. We still do this by hand. | 0:27:20 | 0:27:24 | |
We upgraded the system a while ago, | 0:27:25 | 0:27:27 | |
but I found our guests weren't crazy about being keyed into a computer. | 0:27:27 | 0:27:31 | |
There we go. | 0:27:31 | 0:27:32 | |
Let's see. | 0:27:37 | 0:27:39 | |
Todd Curry. | 0:27:39 | 0:27:40 | |
Stayed with us the night of January the 7th. Hasn't been back. | 0:27:40 | 0:27:44 | |
Do you know where he was going? If he was travelling with anyone? | 0:27:44 | 0:27:47 | |
Well, like I say, we try to keep them fed and warm, | 0:27:47 | 0:27:49 | |
no questions asked. | 0:27:49 | 0:27:50 | |
I recognise you, don't I? | 0:27:52 | 0:27:53 | |
You attended service for a while? | 0:27:55 | 0:27:56 | |
My wife and I. | 0:27:59 | 0:28:00 | |
Didn't stick. | 0:28:00 | 0:28:01 | |
I figure it's best to keep my attention where my work is, | 0:28:03 | 0:28:05 | |
right down here in the dirt. | 0:28:05 | 0:28:07 | |
And your wife, um, Catherine Cardinal. Right? | 0:28:07 | 0:28:12 | |
She came to us at a difficult time. | 0:28:12 | 0:28:14 | |
I hope we were able to provide some comfort. | 0:28:16 | 0:28:19 | |
She wanted to believe that faith could heal her, and you let her. | 0:28:21 | 0:28:25 | |
Keep 'em. | 0:28:30 | 0:28:31 | |
If any of those kids come through, please call me. | 0:28:31 | 0:28:36 | |
-Right away. -Of course. | 0:28:36 | 0:28:38 | |
You look tired. | 0:29:04 | 0:29:06 | |
You know what I need? | 0:29:06 | 0:29:07 | |
Tea. From a Styrofoam cup. | 0:29:08 | 0:29:12 | |
I need to call work, make sure everything's going OK. | 0:29:12 | 0:29:15 | |
Catherine. | 0:29:15 | 0:29:16 | |
I spoke to them last week. Your students are covered. | 0:29:17 | 0:29:20 | |
-Everything's good. -We need more firewood at the house. | 0:29:20 | 0:29:24 | |
I'll take care of it. | 0:29:24 | 0:29:25 | |
Well, I gotta get in touch with my dad about their visit. | 0:29:25 | 0:29:27 | |
I can't remember if I did. | 0:29:27 | 0:29:28 | |
Catherine. | 0:29:28 | 0:29:29 | |
I should come home. | 0:29:33 | 0:29:35 | |
Excuse me. | 0:29:59 | 0:30:00 | |
We could have used all this manpower when Katie Pine was still alive. | 0:30:02 | 0:30:06 | |
This is not the time. | 0:30:06 | 0:30:08 | |
The killer's still out there | 0:30:08 | 0:30:09 | |
and you've got half the force doing theatre. | 0:30:09 | 0:30:12 | |
We are paying our respects to a grieving mother. | 0:30:12 | 0:30:14 | |
Is that what this is? | 0:30:14 | 0:30:16 | |
Indeed. | 0:30:16 | 0:30:17 | |
Dorothy Pine's not coming. | 0:30:57 | 0:30:59 | |
Why? | 0:31:02 | 0:31:03 | |
Maybe she had better things to do. | 0:31:05 | 0:31:07 | |
THEY CHANT | 0:31:25 | 0:31:27 | |
Detective, it's Father Presnell. | 0:31:39 | 0:31:41 | |
I was just speaking with one of our volunteers who remembers Todd Curry. | 0:31:41 | 0:31:46 | |
Turns out he did come back. | 0:31:46 | 0:31:48 | |
To stay. | 0:31:48 | 0:31:49 | |
No, no. He came to borrow a sleeping bag. | 0:31:49 | 0:31:52 | |
He found a place to squat. One of the kids went to visit him. | 0:31:52 | 0:31:56 | |
You know where? | 0:31:56 | 0:31:57 | |
Uh, it's an abandoned house. | 0:31:57 | 0:31:58 | |
Uh, from the description, it sounds like the one on Sparhawk Street. | 0:31:58 | 0:32:02 | |
-Do you know that? -Yeah, I do, I do. Thank you. | 0:32:02 | 0:32:05 | |
First Billy LaBelle, and now Todd Curry. | 0:32:27 | 0:32:29 | |
17 years old, last seen at that address. | 0:32:29 | 0:32:32 | |
If I can get in there, have a look around, maybe I can track him down. | 0:32:32 | 0:32:35 | |
No judge will grant this warrant. | 0:32:37 | 0:32:38 | |
They will if you back me. | 0:32:38 | 0:32:40 | |
And when this kid shows up alive and well, what then? | 0:32:40 | 0:32:44 | |
You gonna move down your list | 0:32:44 | 0:32:45 | |
until you've cleared every missing person in the province? | 0:32:45 | 0:32:47 | |
If this is real, we need to catch the guy | 0:32:47 | 0:32:49 | |
and to catch the guy we need to act like it's real. | 0:32:49 | 0:32:52 | |
The Chief is considering handing Katie Pine over to the OPD. | 0:32:54 | 0:32:58 | |
-What? -We've got a murdered indigenous girl | 0:32:58 | 0:33:01 | |
who has slipped through the cracks. Everybody is watching. | 0:33:01 | 0:33:04 | |
I am trying to give you a chance here, | 0:33:06 | 0:33:09 | |
but you are gonna have to work the case that is in front of you | 0:33:09 | 0:33:12 | |
or you are going to lose it. | 0:33:12 | 0:33:14 | |
Again. | 0:33:14 | 0:33:15 | |
So, you decide. | 0:33:18 | 0:33:22 | |
Get me the warrant. | 0:33:24 | 0:33:25 | |
Hi. | 0:33:49 | 0:33:50 | |
I'm Detective Delorme. | 0:33:50 | 0:33:51 | |
I'm here about a noise complaint. | 0:33:51 | 0:33:54 | |
OK. | 0:33:54 | 0:33:54 | |
Now we have reports... | 0:33:54 | 0:33:56 | |
-Hi. -Hi. -Of a loud engine sound. | 0:33:56 | 0:33:59 | |
We're trying to locate the source. | 0:33:59 | 0:34:00 | |
Oh, no. We haven't heard anything, Detective. | 0:34:00 | 0:34:02 | |
Are you sure? | 0:34:04 | 0:34:06 | |
Nothing unusual? | 0:34:06 | 0:34:08 | |
No. | 0:34:08 | 0:34:09 | |
I mean a noise like that, it'd wake the boy | 0:34:09 | 0:34:11 | |
and then we'd know about it, that's for sure. | 0:34:11 | 0:34:14 | |
Is it just the two of you here? | 0:34:16 | 0:34:18 | |
With the boy. | 0:34:18 | 0:34:19 | |
Maybe someone else has heard something? | 0:34:19 | 0:34:21 | |
No. Just us. | 0:34:21 | 0:34:23 | |
I noticed all the skis. | 0:34:24 | 0:34:26 | |
Oh. Well, oh, they're mine. | 0:34:27 | 0:34:30 | |
Three different sizes. | 0:34:31 | 0:34:33 | |
Different conditions. | 0:34:33 | 0:34:35 | |
Well, if you do hear that noise, Mr...? | 0:34:38 | 0:34:44 | |
I will call you, Detective. | 0:34:45 | 0:34:50 | |
Good luck with, uh, the noise complaint. | 0:34:50 | 0:34:53 | |
Shit. | 0:35:16 | 0:35:18 | |
PHONE RINGS | 0:36:30 | 0:36:32 | |
Cardinal. | 0:36:37 | 0:36:38 | |
Woodrow "Woody" Baldwin. | 0:36:38 | 0:36:40 | |
He did three months in Drumheller for auto theft. | 0:36:40 | 0:36:43 | |
He's our guy. | 0:36:43 | 0:36:44 | |
-I can feel it. -Good work. | 0:36:44 | 0:36:45 | |
You should see him. | 0:36:45 | 0:36:47 | |
Thinks he can charm his way out of anything. | 0:36:47 | 0:36:50 | |
All right, listen, well, we'll put a patrol on him. | 0:36:50 | 0:36:55 | |
Lise, I gotta call you back. | 0:37:03 | 0:37:05 | |
I'll call when I know more. | 0:38:08 | 0:38:10 | |
-McLeod. -Yeah? | 0:38:10 | 0:38:11 | |
Your three favourite detectives on the OPD side. | 0:38:11 | 0:38:13 | |
Grab a pen, write them down. We're gonna need help. | 0:38:13 | 0:38:15 | |
-And I don't want their dregs. -Got it. | 0:38:15 | 0:38:17 | |
-Lise? -Yeah? Yeah. | 0:38:17 | 0:38:20 | |
You're not coming on scene, you're needed elsewhere. | 0:38:20 | 0:38:22 | |
-Now? -Yeah. Now. | 0:38:24 | 0:38:26 | |
Don't keep 'em waiting. | 0:38:26 | 0:38:27 | |
I'm sorry to pull you away. I know it's not a good time. | 0:38:52 | 0:38:56 | |
He suspect anything? | 0:38:56 | 0:38:58 | |
No. He's focused on Katie Pine. | 0:38:58 | 0:39:00 | |
OK. | 0:39:02 | 0:39:03 | |
I know it's early, but give me your generals. | 0:39:03 | 0:39:06 | |
Well, he's stubborn. | 0:39:06 | 0:39:08 | |
Smart. | 0:39:08 | 0:39:09 | |
Thinks he knows better. | 0:39:09 | 0:39:11 | |
He never would have found that second body | 0:39:11 | 0:39:14 | |
if he'd done what he was told. | 0:39:14 | 0:39:15 | |
And? | 0:39:15 | 0:39:17 | |
And... | 0:39:17 | 0:39:18 | |
I don't trust him. | 0:39:19 | 0:39:21 | |
What's discussed in here can't leave these walls. | 0:39:28 | 0:39:32 | |
Not to your Sergeant, not to your spouse. | 0:39:32 | 0:39:36 | |
Not even to members of my team. | 0:39:36 | 0:39:39 | |
We clear? | 0:39:39 | 0:39:40 | |
You'll know the name Kyle Corbett, | 0:39:41 | 0:39:43 | |
Sudbury-based, came up in the '90s, | 0:39:43 | 0:39:45 | |
controls the bulk of the drug trade north of Toronto. | 0:39:45 | 0:39:49 | |
Among his greatest hits, | 0:39:49 | 0:39:50 | |
2011, he blew up a rival's garage in Val-d'Or. | 0:39:50 | 0:39:53 | |
Killed an 11-year-old boy. | 0:39:53 | 0:39:55 | |
We have reason to believe that someone from our side | 0:39:57 | 0:40:00 | |
is feeding Corbett information | 0:40:00 | 0:40:02 | |
and we believe that that person | 0:40:02 | 0:40:04 | |
is Detective John Cardinal | 0:40:04 | 0:40:06 | |
of the Algonquin Bay Police Department. | 0:40:06 | 0:40:08 | |
Delorme's been transferred to Cardinal's section at my request. | 0:40:08 | 0:40:11 | |
She's our inside guy. | 0:40:11 | 0:40:13 | |
Hansen, I brought you in to work the Sudbury side. | 0:40:13 | 0:40:15 | |
The job is to draw a line between the two. | 0:40:15 | 0:40:19 | |
You find the link between Cardinal and Corbett. | 0:40:19 | 0:40:23 | |
Questions? | 0:40:23 | 0:40:24 | |
You know John Cardinal? | 0:40:25 | 0:40:26 | |
Not well. | 0:40:26 | 0:40:28 | |
Do you think he's the kind of guy who'd do this? | 0:40:28 | 0:40:31 | |
I don't find that question to be especially useful. | 0:40:34 | 0:40:37 | |
Did he? | 0:40:39 | 0:40:40 | |
That's all that matters. | 0:40:42 | 0:40:43 |