Browse content similar to Delorme. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some violent scenes and scenes which some viewers may find upsetting. | 0:00:02 | 0:00:09 | |
You said that before. Then you gave up. | 0:00:10 | 0:00:13 | |
If I make you the lead on this, I | 0:00:13 | 0:00:14 | |
need to know that you're not gonna drift. | 0:00:14 | 0:00:17 | |
Now her right eye, four abrasions, two upper, two lower. | 0:00:17 | 0:00:20 | |
They could be from a speculum | 0:00:20 | 0:00:22 | |
to keep her eyes open. | 0:00:22 | 0:00:24 | |
Katie Pine wasn't this guy's first victim. | 0:00:24 | 0:00:26 | |
He stalked her. | 0:00:26 | 0:00:27 | |
And who does that? | 0:00:27 | 0:00:29 | |
A repeater. | 0:00:29 | 0:00:30 | |
I should come home. | 0:00:30 | 0:00:32 | |
Catherine. | 0:00:32 | 0:00:34 | |
Why so much this time? | 0:00:36 | 0:00:37 | |
I mean, there's a rumour our department's under investigation. | 0:00:41 | 0:00:44 | |
There's gotta be a dirty cop or we'd handle it internally. | 0:00:44 | 0:00:47 | |
You'll know the name Kyle Corbett, | 0:00:47 | 0:00:48 | |
controls the bulk of the drug trade north of Toronto. | 0:00:48 | 0:00:51 | |
Someone from our side is feeding Corbett information. | 0:00:51 | 0:00:54 | |
Find the link | 0:00:54 | 0:00:55 | |
between Cardinal and Corbett. | 0:00:55 | 0:00:57 | |
# Took a walk to the summit at night | 0:01:05 | 0:01:09 | |
# You and I | 0:01:09 | 0:01:11 | |
# To burn a hole in the old grip of the familiar | 0:01:11 | 0:01:15 | |
# You and I | 0:01:15 | 0:01:17 | |
# And the dark was opening wide | 0:01:19 | 0:01:22 | |
# Do or die . # | 0:01:22 | 0:01:25 | |
Listen, we don't know Cardinal's done anything wrong. | 0:02:04 | 0:02:07 | |
That's right. | 0:02:09 | 0:02:10 | |
If he's dirty, | 0:02:10 | 0:02:12 | |
I'm not getting in your way | 0:02:12 | 0:02:13 | |
but right now, | 0:02:13 | 0:02:15 | |
this nightmare... | 0:02:15 | 0:02:17 | |
whatever else Musgrave has you doing, | 0:02:17 | 0:02:20 | |
this is your priority. | 0:02:20 | 0:02:21 | |
Clear? | 0:02:21 | 0:02:23 | |
I need to go to Toronto for the autopsy. | 0:02:30 | 0:02:32 | |
I'll come with you. | 0:02:32 | 0:02:34 | |
It's not necessary. | 0:02:34 | 0:02:36 | |
You've been up all night. | 0:02:36 | 0:02:38 | |
You could use a co-pilot. | 0:02:38 | 0:02:39 | |
We leave in half an hour. | 0:02:43 | 0:02:45 | |
OK. | 0:02:45 | 0:02:47 | |
What do I tell your mom? She keeps calling. | 0:02:47 | 0:02:49 | |
I can't go. I won't be back in time. | 0:02:49 | 0:02:51 | |
All right. Just the whole clan will be there. | 0:02:51 | 0:02:53 | |
-She made that clear. All the cousins. -I know. | 0:02:53 | 0:02:56 | |
Sugar shack, sing-alongs, mulled wine. | 0:02:56 | 0:02:58 | |
We don't drink mulled wine. | 0:03:00 | 0:03:02 | |
So what do I tell her? | 0:03:03 | 0:03:05 | |
Tell her someone's murdering children. | 0:03:05 | 0:03:09 | |
It's my job to stop them. | 0:03:09 | 0:03:10 | |
Busy at work. I'll let her know. | 0:03:10 | 0:03:13 | |
Since when do you want to see my family? | 0:03:16 | 0:03:18 | |
I don't know. It's been a while. It might do you some good. | 0:03:18 | 0:03:21 | |
-Me? -And me. Us. | 0:03:21 | 0:03:24 | |
Speaking of which, shouldn't we know something? | 0:03:24 | 0:03:26 | |
Oh. Sorry. | 0:03:28 | 0:03:30 | |
I-I should have told you. | 0:03:30 | 0:03:32 | |
Um, no. | 0:03:32 | 0:03:33 | |
No. I found out a couple days ago. | 0:03:34 | 0:03:36 | |
So we keep trying. | 0:03:37 | 0:03:39 | |
As tortuous as that process is for me. | 0:03:40 | 0:03:43 | |
It's not mulled wine. | 0:03:47 | 0:03:49 | |
It's got whisky in it. | 0:03:49 | 0:03:50 | |
It's called caribou. | 0:03:51 | 0:03:53 | |
-Bye. -Bye. | 0:03:56 | 0:03:57 | |
So your daughter lives in Toronto, right? | 0:04:04 | 0:04:06 | |
That's gotta be hard, being so far apart. | 0:04:10 | 0:04:12 | |
She grew up there. She wanted to stay. | 0:04:12 | 0:04:14 | |
You didn't? | 0:04:16 | 0:04:17 | |
Algonquin Bay's my home. | 0:04:18 | 0:04:19 | |
Yeah but I mean you spent, what, | 0:04:21 | 0:04:23 | |
ten years over there. | 0:04:23 | 0:04:25 | |
Decorated big city detective. That's a lot to leave behind. | 0:04:25 | 0:04:28 | |
It was easy. | 0:04:28 | 0:04:29 | |
What does your wife do? | 0:04:34 | 0:04:35 | |
Hey. If you don't want to talk, suits me. | 0:04:38 | 0:04:41 | |
Or I could tell you what day Katie Pine was killed. | 0:04:43 | 0:04:45 | |
I was thinking about it last night. | 0:04:49 | 0:04:51 | |
The coroner said the petechial haemorrhaging was preserved | 0:04:51 | 0:04:54 | |
because the tissue was frozen | 0:04:54 | 0:04:56 | |
but we know from the melt water that | 0:04:56 | 0:04:58 | |
it was above zero when Katie was dumped. | 0:04:58 | 0:05:00 | |
So it must have snapped cold soon after within | 0:05:00 | 0:05:03 | |
three days or the tissue would have degraded. | 0:05:03 | 0:05:07 | |
I checked the weather records starting October 29th, | 0:05:07 | 0:05:09 | |
the date she went missing. | 0:05:09 | 0:05:11 | |
It dropped below freezing on the 11th of November. | 0:05:11 | 0:05:15 | |
So sometime between the eighth and the 11th... | 0:05:17 | 0:05:19 | |
..Katie was killed and dumped. | 0:05:21 | 0:05:23 | |
He had her a week before he killed her. | 0:05:25 | 0:05:27 | |
Uh huh. | 0:05:30 | 0:05:31 | |
Are both your parents French? | 0:05:38 | 0:05:40 | |
-Interesting. -Hmm? | 0:05:41 | 0:05:43 | |
Rule of thumb. | 0:05:45 | 0:05:46 | |
If I ask a guy five questions before he asks one back, | 0:05:46 | 0:05:49 | |
well then he's a douche | 0:05:49 | 0:05:51 | |
and you just squeaked in under the wire. | 0:05:51 | 0:05:53 | |
What is your rule about answering? | 0:05:58 | 0:06:00 | |
Both French. | 0:06:02 | 0:06:03 | |
You want a coffee? | 0:06:05 | 0:06:07 | |
Yeah, black. | 0:06:07 | 0:06:08 | |
There. That's two questions that I asked. | 0:06:09 | 0:06:11 | |
I forgot money. | 0:06:50 | 0:06:52 | |
Hmm? | 0:06:52 | 0:06:53 | |
Yeah, right. | 0:06:54 | 0:06:55 | |
Lise Delorme, Dr Len Torres. | 0:07:16 | 0:07:18 | |
Nice to meet you. | 0:07:18 | 0:07:19 | |
What happened there? | 0:07:20 | 0:07:21 | |
I was fixing a frozen pipe and I smacked my head. | 0:07:22 | 0:07:25 | |
This way. They're just pulling up. | 0:07:28 | 0:07:30 | |
You know that's not an issue anymore, right? | 0:07:33 | 0:07:35 | |
Frozen pipes? | 0:07:35 | 0:07:36 | |
Something the modern world has solved. | 0:07:36 | 0:07:38 | |
I had a raccoon | 0:07:38 | 0:07:40 | |
in my crawl space and it tore out the insulation. | 0:07:40 | 0:07:42 | |
Now you're just making my point for me. | 0:07:43 | 0:07:45 | |
We leave them wrapped | 0:08:10 | 0:08:11 | |
so we catch anything that might still be in the material, | 0:08:11 | 0:08:14 | |
bullet fragments, weapons. | 0:08:14 | 0:08:16 | |
This is Dr Torres. | 0:08:16 | 0:08:17 | |
Preliminary scan of subject 20089. | 0:08:17 | 0:08:20 | |
Multiple fractures to the seventh, | 0:08:20 | 0:08:22 | |
fifth and fourth ribs. | 0:08:22 | 0:08:25 | |
Fractures of the ulna and the wrist bone. | 0:08:25 | 0:08:28 | |
They look like defensive wounds. | 0:08:28 | 0:08:30 | |
Did you get this? | 0:08:30 | 0:08:31 | |
Open fracture to the left collarbone. | 0:08:32 | 0:08:34 | |
Hmm. | 0:08:37 | 0:08:38 | |
Foreign objects entering the parietal bone, | 0:08:39 | 0:08:42 | |
penetrating clear down and out the temporal. | 0:08:42 | 0:08:44 | |
Blunt force trauma to the skull. | 0:08:47 | 0:08:49 | |
Multiple blows. | 0:08:49 | 0:08:50 | |
What is this? | 0:08:53 | 0:08:54 | |
Your guess is as good as mine. | 0:08:58 | 0:09:00 | |
You OK? | 0:09:03 | 0:09:05 | |
Yeah. | 0:09:05 | 0:09:06 | |
It gets worse from here. | 0:09:07 | 0:09:09 | |
I'll be fine. | 0:09:11 | 0:09:12 | |
Lacerations on the thigh and upper leg on the right side. | 0:09:27 | 0:09:30 | |
Could be the work of pliers or wire cutters. | 0:09:30 | 0:09:34 | |
Some of this was frenzy violence but | 0:09:34 | 0:09:36 | |
some if it was purposeful. | 0:09:36 | 0:09:38 | |
He was experimenting. | 0:09:38 | 0:09:39 | |
A spike in his head, pounded in, broken off. | 0:09:49 | 0:09:52 | |
Excuse me. | 0:09:56 | 0:09:57 | |
Audio tape. | 0:10:13 | 0:10:14 | |
My first time here | 0:10:28 | 0:10:30 | |
was a subway jumper, | 0:10:30 | 0:10:32 | |
woman in her 50s. | 0:10:32 | 0:10:33 | |
She got corkscrewed up under the wheels. | 0:10:35 | 0:10:38 | |
Legs backward, her whole side sheared off. | 0:10:39 | 0:10:43 | |
Are you trying to settle my stomach? | 0:10:43 | 0:10:46 | |
I gutted my way through the autopsy like a champion | 0:10:47 | 0:10:51 | |
until... | 0:10:51 | 0:10:52 | |
..e found a piece of litter... | 0:10:55 | 0:10:56 | |
..one of those orange juice caps that | 0:10:58 | 0:11:01 | |
pops when you, when you open it. | 0:11:01 | 0:11:03 | |
It had been driven through her cheek... | 0:11:05 | 0:11:09 | |
..so it was half in, half... | 0:11:10 | 0:11:14 | |
half out of her mouth. | 0:11:14 | 0:11:15 | |
And that's, uh, that's when I lost it. | 0:11:17 | 0:11:20 | |
Then you got sick? | 0:11:22 | 0:11:24 | |
Oh, I passed out, hit the floor. | 0:11:24 | 0:11:26 | |
You didn't. | 0:11:26 | 0:11:28 | |
Ask Len. Woke up with him flicking water in my face. | 0:11:28 | 0:11:33 | |
Listen. We can't do the internal work, uh, | 0:11:37 | 0:11:40 | |
until the body's thawed so you should go back to the hotel and get some sleep. | 0:11:40 | 0:11:45 | |
And what about you? | 0:11:45 | 0:11:47 | |
Oh. I uh... Daughter hotline. | 0:11:47 | 0:11:50 | |
She's-she's found some time in her busy schedule. | 0:11:50 | 0:11:54 | |
Are you here to see me or a dead body? | 0:12:05 | 0:12:08 | |
Why not both? | 0:12:08 | 0:12:09 | |
-Hi. -Mm. | 0:12:10 | 0:12:11 | |
Let's have a look. | 0:12:14 | 0:12:15 | |
Can we not here? Really? | 0:12:15 | 0:12:16 | |
Let me see. Let me see. | 0:12:16 | 0:12:18 | |
Happy? | 0:12:24 | 0:12:25 | |
I'm fine. Seriously. | 0:12:25 | 0:12:27 | |
You hungry? | 0:12:28 | 0:12:29 | |
Uh, yeah. | 0:12:29 | 0:12:31 | |
When do you think she'll get out? | 0:12:31 | 0:12:33 | |
Soon. | 0:12:33 | 0:12:34 | |
You don't, you don't need to worry about that. | 0:12:34 | 0:12:37 | |
You know, she was feeling, uh, | 0:12:38 | 0:12:39 | |
a little out of balance but she caught it in time. | 0:12:39 | 0:12:41 | |
We're just, we're just being careful. | 0:12:41 | 0:12:43 | |
She called me, you know. | 0:12:45 | 0:12:47 | |
A couple weeks ago before she went in. | 0:12:47 | 0:12:49 | |
She called the school in the middle of the day | 0:12:49 | 0:12:51 | |
and they pulled me out of class. | 0:12:51 | 0:12:52 | |
Thought it was an emergency but | 0:12:52 | 0:12:56 | |
she just wanted to talk about plans for the spring. | 0:12:56 | 0:12:58 | |
A hike she wanted to take and some mural she wants to paint? | 0:12:59 | 0:13:04 | |
She was all over the place. | 0:13:04 | 0:13:05 | |
I should have known that she was in trouble. | 0:13:08 | 0:13:09 | |
That's not her. | 0:13:10 | 0:13:12 | |
Yeah, I know. | 0:13:12 | 0:13:14 | |
She won't even remember making the call. | 0:13:14 | 0:13:16 | |
I don't know how you stay so patient. | 0:13:19 | 0:13:21 | |
PHONE RINGS | 0:13:21 | 0:13:23 | |
They got something off the audio tape. I'll pick you up. | 0:13:25 | 0:13:28 | |
Is that your new partner? | 0:13:33 | 0:13:34 | |
Yeah. | 0:13:35 | 0:13:37 | |
Dad, she's hot. | 0:13:37 | 0:13:39 | |
That's... She's, she's... | 0:13:40 | 0:13:41 | |
Hi. | 0:13:41 | 0:13:42 | |
Uh, Kelly, this is Delorme. | 0:13:45 | 0:13:48 | |
-Lise. -Lise. Nice to meet you. | 0:13:48 | 0:13:50 | |
My pleasure. | 0:13:50 | 0:13:52 | |
-OK. -Yeah. | 0:13:52 | 0:13:54 | |
Bye. | 0:13:54 | 0:13:55 | |
Hey, you should start running again. | 0:13:57 | 0:13:59 | |
Why? | 0:13:59 | 0:14:01 | |
'Cause you like it. | 0:14:01 | 0:14:02 | |
OK, bye. | 0:14:05 | 0:14:06 | |
There's a male's voice on the tape. | 0:14:08 | 0:14:11 | |
They think it's the killer. | 0:14:11 | 0:14:12 | |
Why do they think that? | 0:14:14 | 0:14:15 | |
There's a young girl's voice, too. | 0:14:17 | 0:14:18 | |
GIRL WHIMPERING ON TAPE | 0:14:20 | 0:14:23 | |
MALE WHISPERS | 0:14:23 | 0:14:26 | |
LENS SHUTTER CLICKING | 0:14:26 | 0:14:28 | |
He's taking pictures. | 0:14:29 | 0:14:31 | |
An SLR. Film. | 0:14:32 | 0:14:33 | |
Not digital. | 0:14:33 | 0:14:35 | |
-GIRL ON TAPE: -Please... | 0:14:38 | 0:14:39 | |
MALE WHISPERING | 0:14:41 | 0:14:43 | |
BEEPING | 0:14:44 | 0:14:47 | |
What is that? What's that noise? | 0:14:47 | 0:14:49 | |
Just let me go. | 0:14:50 | 0:14:51 | |
-MALE ON TAPE: -Look at me, Katie. | 0:14:52 | 0:14:54 | |
Look right here. | 0:14:54 | 0:14:56 | |
Please don't... | 0:14:56 | 0:14:58 | |
trying to be nice. | 0:14:58 | 0:14:59 | |
KATIE SCREAMS | 0:15:03 | 0:15:04 | |
That's all we got. | 0:15:06 | 0:15:07 | |
It gives us his voice. | 0:15:11 | 0:15:12 | |
It connects the killings. | 0:15:14 | 0:15:15 | |
Why would he do that? | 0:15:17 | 0:15:18 | |
Maybe a mistake. | 0:15:22 | 0:15:23 | |
He didn't think we'd recover it. | 0:15:23 | 0:15:24 | |
Uh... | 0:15:24 | 0:15:25 | |
Or he's escalating. | 0:15:28 | 0:15:29 | |
He wants to flaunt it. | 0:15:30 | 0:15:31 | |
My wife has bipolar disorder. | 0:15:39 | 0:15:41 | |
That's why we moved back. | 0:15:43 | 0:15:44 | |
I thought the slower pace would be good for her. | 0:15:44 | 0:15:46 | |
You were asking before. | 0:15:48 | 0:15:50 | |
I'm sorry. I had no idea that... | 0:15:51 | 0:15:53 | |
HORN | 0:16:40 | 0:16:42 | |
When Todd Curry went missing, | 0:17:00 | 0:17:02 | |
he said he was going to visit his uncle, | 0:17:02 | 0:17:04 | |
but the uncle down in Hamilton said | 0:17:04 | 0:17:06 | |
there was no such arrangement, | 0:17:06 | 0:17:07 | |
hadn't talked to Curry in months. | 0:17:07 | 0:17:09 | |
Why the lie? | 0:17:10 | 0:17:11 | |
The officer in charge was Detective Peters. | 0:17:11 | 0:17:14 | |
If he knows then he didn't put it in his report. | 0:17:14 | 0:17:16 | |
We'll have to ask him. | 0:17:20 | 0:17:21 | |
He was classic runaway material. | 0:17:22 | 0:17:24 | |
I mean, drugs, troubles in school, | 0:17:24 | 0:17:27 | |
no mom in the house. | 0:17:27 | 0:17:28 | |
Yeah but if you're running away, why make up a story? | 0:17:28 | 0:17:31 | |
How do you mean? | 0:17:33 | 0:17:34 | |
The cover story about going to his uncle's. | 0:17:35 | 0:17:37 | |
If the plan is not to come back, you don't need a cover story. | 0:17:37 | 0:17:41 | |
You just go. | 0:17:41 | 0:17:42 | |
Tell me your name again. | 0:17:42 | 0:17:44 | |
Lise Delorme. | 0:17:45 | 0:17:47 | |
Well, Lise, maybe he wanted to buy some time to get out of town. | 0:17:47 | 0:17:51 | |
Yeah. | 0:17:53 | 0:17:54 | |
Or maybe he wasn't planning on being gone for long | 0:17:54 | 0:17:56 | |
but he was doing something he wasn't supposed to, so he lied. | 0:17:56 | 0:17:59 | |
What were his interests? | 0:18:01 | 0:18:02 | |
Concert in Toronto? Out of town girlfriend? | 0:18:02 | 0:18:04 | |
Lucky for everyone involved you're on the case now. | 0:18:06 | 0:18:09 | |
Detective Peters didn't have any details about | 0:18:17 | 0:18:20 | |
how Todd was killed. | 0:18:20 | 0:18:21 | |
Well we're just learning that. | 0:18:23 | 0:18:24 | |
Yep, but I mean, you must have some indication. | 0:18:26 | 0:18:29 | |
You're-you're the one who found him, right? | 0:18:29 | 0:18:31 | |
Yes. | 0:18:32 | 0:18:33 | |
Detective, don't make me fill in the blanks. | 0:18:34 | 0:18:37 | |
Early indications are that your son... | 0:18:41 | 0:18:43 | |
..was harmed before he died. | 0:18:46 | 0:18:48 | |
What does that mean? Harmed? | 0:18:50 | 0:18:51 | |
There are signs that... | 0:18:54 | 0:18:55 | |
Mr Curry... | 0:18:59 | 0:19:00 | |
..it's easy to believe | 0:19:02 | 0:19:03 | |
that these details will help you to move forward but | 0:19:03 | 0:19:06 | |
that's not always the case. | 0:19:06 | 0:19:08 | |
That's not for you to decide. | 0:19:08 | 0:19:09 | |
I'm just suggesting that until we know more, | 0:19:11 | 0:19:14 | |
-you take the time... -Listen to me. | 0:19:14 | 0:19:16 | |
You tell me what you know. | 0:19:16 | 0:19:17 | |
You tell me right now. | 0:19:18 | 0:19:20 | |
He was tortured. | 0:19:21 | 0:19:22 | |
And beaten. | 0:19:24 | 0:19:25 | |
And degraded. | 0:19:25 | 0:19:27 | |
We don't know the precise cause of death | 0:19:32 | 0:19:34 | |
because your son received so many injuries. | 0:19:34 | 0:19:37 | |
If you're taking off for good... | 0:19:48 | 0:19:50 | |
..you bring your laptop. | 0:19:52 | 0:19:53 | |
I'm telling you, this kid didn't run away, | 0:19:56 | 0:19:58 | |
he went to do something. | 0:19:58 | 0:20:00 | |
Or meet someone. | 0:20:00 | 0:20:01 | |
-Pack it up. -Yeah. | 0:20:03 | 0:20:04 | |
Thanks. | 0:20:09 | 0:20:10 | |
I used to be good at that. | 0:20:11 | 0:20:12 | |
Talking to people about their dead. | 0:20:14 | 0:20:15 | |
The killer got Katie Pine out to Windigo Island | 0:20:47 | 0:20:50 | |
before the lake froze. | 0:20:50 | 0:20:51 | |
So, Hannam, | 0:20:51 | 0:20:52 | |
check the marinas, all right? | 0:20:52 | 0:20:54 | |
Maybe he owns a boat. More likely he wouldn't use his own so, | 0:20:54 | 0:20:57 | |
something stolen, rentals. | 0:20:57 | 0:20:59 | |
Ask around see what pops up. | 0:20:59 | 0:21:01 | |
McLeod, pathology reports on Pine and Curry. | 0:21:01 | 0:21:06 | |
I want you to handle ViCLAS personally. | 0:21:06 | 0:21:09 | |
Compare it to past cases, | 0:21:09 | 0:21:10 | |
anything with a torture element. | 0:21:10 | 0:21:12 | |
Start provincial then widen out, going back 20 years. | 0:21:12 | 0:21:14 | |
20? | 0:21:14 | 0:21:16 | |
20. This guy's tech is old, so maybe he is too. | 0:21:16 | 0:21:19 | |
Could be this isn't his first foray. | 0:21:19 | 0:21:21 | |
Last piece. Uh, the audio guys pulled more detail | 0:21:23 | 0:21:26 | |
out of the Katie Pine tape. | 0:21:26 | 0:21:28 | |
They've isolated the chirping | 0:21:28 | 0:21:29 | |
of a seeing impaired traffic signal. | 0:21:29 | 0:21:31 | |
Delorme and I are on that. | 0:21:31 | 0:21:33 | |
Now listen, two victims, | 0:21:33 | 0:21:36 | |
one from out of town, one local, | 0:21:36 | 0:21:38 | |
no indication they knew each other, but somehow they were chosen. | 0:21:38 | 0:21:42 | |
Right? | 0:21:42 | 0:21:44 | |
So no clue too small. Anywhere these kids might have gone, | 0:21:44 | 0:21:47 | |
anyone they might have talked to, | 0:21:47 | 0:21:48 | |
let's write it down, stick it on the board | 0:21:48 | 0:21:51 | |
so we can find some crossover. | 0:21:51 | 0:21:52 | |
Late night, Fox? | 0:21:52 | 0:21:54 | |
Hmm? Uh, sorry sir. Kid's got croup. | 0:21:54 | 0:21:58 | |
Yeah. Well keep it in here. | 0:21:58 | 0:22:00 | |
And that goes for the rest of us. | 0:22:01 | 0:22:03 | |
All right? Out there, no yawning, no laughing, | 0:22:03 | 0:22:06 | |
no checking Facebook on your break. | 0:22:06 | 0:22:08 | |
These people are grieving and they're scared | 0:22:10 | 0:22:12 | |
and they're looking to us. | 0:22:12 | 0:22:14 | |
So let's be the cops they need to see. | 0:22:16 | 0:22:18 | |
I need you to go downtown | 0:22:23 | 0:22:25 | |
and get a map of all the seeing impaired traffic signals. | 0:22:25 | 0:22:27 | |
-Yeah. -Uh... | 0:22:27 | 0:22:29 | |
Lise? | 0:22:29 | 0:22:30 | |
-Hey. -Hey. | 0:22:30 | 0:22:32 | |
What are you doing here? | 0:22:32 | 0:22:33 | |
Uh, I had a meeting in the area. | 0:22:34 | 0:22:37 | |
Thought I'd take a chance, see if you were free? | 0:22:37 | 0:22:39 | |
I'm on my way out. | 0:22:40 | 0:22:42 | |
Um, Josh, John Cardinal. | 0:22:42 | 0:22:44 | |
Ah. The new partner. | 0:22:44 | 0:22:47 | |
I gotta say I had a different picture in my mind. | 0:22:47 | 0:22:49 | |
-Oh yeah? -Lise said that you seemed older than your years, | 0:22:49 | 0:22:52 | |
but I don't know, you don't look that old. | 0:22:52 | 0:22:54 | |
Cheers. | 0:22:54 | 0:22:55 | |
I'll walk you out. I'll just grab my coat. | 0:22:57 | 0:22:59 | |
Yeah. I used to come visit her at work all the time | 0:23:04 | 0:23:06 | |
when we first started dating. Yeah. I'd bring her lunches, | 0:23:06 | 0:23:09 | |
-like hot lunches in those tiffin carriers. You know those things? -No. | 0:23:09 | 0:23:12 | |
-Like the-like those stacking, like metal tins from India? -No? | 0:23:12 | 0:23:14 | |
Well, uh, I-I was learning how to cook | 0:23:16 | 0:23:17 | |
and she's my best client. | 0:23:17 | 0:23:19 | |
You're a, a chef? | 0:23:19 | 0:23:21 | |
No, no, no, no. Hydrologist. | 0:23:21 | 0:23:24 | |
So how'd you end up partners anyway? | 0:23:25 | 0:23:27 | |
Did you decide that? | 0:23:27 | 0:23:29 | |
No. That, uh, that comes from above. | 0:23:29 | 0:23:31 | |
Ah, nice meeting you, John. | 0:23:34 | 0:23:36 | |
And you. | 0:23:36 | 0:23:37 | |
I noticed him when I was cooking dinner. | 0:23:46 | 0:23:48 | |
Didn't think much of it | 0:23:48 | 0:23:49 | |
but then I looked half an hour later, | 0:23:49 | 0:23:50 | |
he was still standing here. | 0:23:50 | 0:23:52 | |
-Where exactly? -Right there. | 0:23:52 | 0:23:54 | |
Right about there. | 0:23:54 | 0:23:55 | |
That's when I realized he was staring into Dorothy's window. | 0:23:57 | 0:24:00 | |
I didn't want to worry her with it but I thought with everything I should call you. | 0:24:00 | 0:24:03 | |
Did you get a look at his face? | 0:24:05 | 0:24:07 | |
When I came out, he got on his machine and took off. | 0:24:07 | 0:24:09 | |
He was pulling a sled. | 0:24:09 | 0:24:11 | |
Should we tell Dorothy? | 0:24:12 | 0:24:13 | |
I'll take care of it. | 0:24:20 | 0:24:22 | |
OK. Thank you. | 0:24:22 | 0:24:23 | |
Hey. We're going to grab a bite to eat. You in? | 0:24:29 | 0:24:32 | |
I can't go until he does. | 0:24:32 | 0:24:33 | |
Well, that could take a while. | 0:24:33 | 0:24:35 | |
Home life can't be real enticing for him these days. | 0:24:35 | 0:24:37 | |
And you know about that? | 0:24:39 | 0:24:41 | |
Yeah. I was there. | 0:24:41 | 0:24:42 | |
Call came in, ADP down at Memorial, a couple weeks ago. | 0:24:42 | 0:24:45 | |
I pull up expecting to see some old lady in a robe, | 0:24:45 | 0:24:47 | |
instead it's Catherine Cardinal. | 0:24:47 | 0:24:49 | |
Nice clothes, hair brushed but not well. | 0:24:49 | 0:24:52 | |
What kind of not well? | 0:24:52 | 0:24:54 | |
Delusional, agitated, | 0:24:55 | 0:24:57 | |
not making any sense and... | 0:24:57 | 0:24:59 | |
..not happy to see me. | 0:25:00 | 0:25:01 | |
Did you bring her in? | 0:25:01 | 0:25:03 | |
No, are you kidding? No. I called Cardinal | 0:25:03 | 0:25:05 | |
and I tried to keep her off the ice till he got there. | 0:25:05 | 0:25:08 | |
He had to put her in a bear hug to get her in the car. | 0:25:08 | 0:25:10 | |
-Jesus. -Yeah. | 0:25:12 | 0:25:13 | |
He asked me to keep this off the books so... | 0:25:14 | 0:25:17 | |
..I got a bottle of scotch out of the deal anyway. | 0:25:19 | 0:25:21 | |
What's this? | 0:26:02 | 0:26:03 | |
Uh, your mom dropped that by. | 0:26:05 | 0:26:07 | |
Yeah, why did my mom bring us a teddy bear? | 0:26:07 | 0:26:09 | |
I might have let it slip we're trying. | 0:26:13 | 0:26:16 | |
She was coming at me, Lise. She was guilting me out about | 0:26:16 | 0:26:18 | |
never visiting. You know how she is, I panicked. I | 0:26:18 | 0:26:20 | |
just wanted the encounter to end. | 0:26:20 | 0:26:21 | |
Everyone's gonna know now. | 0:26:23 | 0:26:24 | |
Yeah, well is that the worst thing in the world? | 0:26:24 | 0:26:26 | |
What if it doesn't work? | 0:26:26 | 0:26:28 | |
Now we have to have that conversation 25 times. | 0:26:28 | 0:26:31 | |
It'll work. | 0:26:31 | 0:26:32 | |
This isn't your thing, Josh. | 0:26:32 | 0:26:33 | |
You don't make the decisions on your own. | 0:26:33 | 0:26:35 | |
Seriously? You're leaving? | 0:26:37 | 0:26:39 | |
Yeah. I need some air. | 0:26:39 | 0:26:40 | |
Dee, come on. | 0:26:40 | 0:26:41 | |
Where you off to, Ronnie? | 0:26:56 | 0:26:57 | |
Hey. | 0:26:58 | 0:26:59 | |
I just keep seeing her face... | 0:27:02 | 0:27:03 | |
..staring up out of that ice. | 0:27:05 | 0:27:07 | |
I dream about her, too. | 0:27:10 | 0:27:12 | |
Except then she's moving and | 0:27:13 | 0:27:15 | |
trying to claw her way out. | 0:27:15 | 0:27:16 | |
Like she's angry. | 0:27:19 | 0:27:20 | |
How's her mom do it, Jerry? | 0:27:23 | 0:27:25 | |
How does she survive a thing like that? | 0:27:25 | 0:27:27 | |
Well, she's already been through hell, Ron. | 0:27:30 | 0:27:32 | |
You need to respect her space. | 0:27:34 | 0:27:36 | |
I just, | 0:27:40 | 0:27:41 | |
I don't know. | 0:27:41 | 0:27:43 | |
I want to keep an eye on her, you know? | 0:27:45 | 0:27:47 | |
I want to see her live through it. | 0:27:48 | 0:27:50 | |
You've already met Katie's spirit. | 0:27:53 | 0:27:54 | |
You need to honour her other half. | 0:27:56 | 0:27:58 | |
The girl she was. | 0:28:01 | 0:28:02 | |
This is soil from the fairgrounds. | 0:28:10 | 0:28:13 | |
The last place where she was seen alive. | 0:28:15 | 0:28:17 | |
I want you to keep it. | 0:28:18 | 0:28:19 | |
PHONE VIBRATING | 0:29:28 | 0:29:30 | |
Go. | 0:29:36 | 0:29:37 | |
Yeah, sorry Sergeant. I wouldn't have called if it wasn't important. | 0:29:37 | 0:29:40 | |
Just talk, Delorme. | 0:29:40 | 0:29:42 | |
Well our favourite detective | 0:29:42 | 0:29:43 | |
is running some kind of 2am errand | 0:29:43 | 0:29:46 | |
and I'm tailing him. | 0:29:46 | 0:29:48 | |
Why? | 0:29:48 | 0:29:49 | |
I couldn't sleep. I was out driving. | 0:29:49 | 0:29:51 | |
I just saw him go by. | 0:29:51 | 0:29:52 | |
OK, where are you? | 0:29:52 | 0:29:54 | |
Uh, travelling north on Highway 12. | 0:29:54 | 0:29:56 | |
We just passed Tilden Lake. | 0:29:56 | 0:29:57 | |
He's alone. What should I do? | 0:29:59 | 0:30:01 | |
Back off. | 0:30:02 | 0:30:03 | |
Stop the car and turn around. It's too risky. | 0:30:04 | 0:30:06 | |
-What? -A single person tailing a trained detective. He'll spot you. | 0:30:06 | 0:30:10 | |
You're gonna tank the investigation. | 0:30:10 | 0:30:11 | |
Sergeant. | 0:30:13 | 0:30:14 | |
-Stop the car and turn around, Delorme. Those are your orders. -Yes, sir. | 0:30:14 | 0:30:18 | |
Hi. | 0:32:08 | 0:32:09 | |
The guy who was just here, he was making eyes at me all night. | 0:32:09 | 0:32:14 | |
Do you see him in here often? | 0:32:14 | 0:32:15 | |
I'm not supposed to talk about the clientele. Gotcha. | 0:32:15 | 0:32:18 | |
He kept calling me his lucky charm. | 0:32:19 | 0:32:22 | |
I'm not here to be any arm candy, | 0:32:22 | 0:32:24 | |
I'm here to win. | 0:32:24 | 0:32:25 | |
So just tell me this. | 0:32:25 | 0:32:27 | |
I'm up 2,000 tonight. | 0:32:28 | 0:32:29 | |
Is he walking out of here with more than that? | 0:32:30 | 0:32:33 | |
'Fraid so. | 0:32:33 | 0:32:34 | |
By quite a bit. | 0:32:34 | 0:32:35 | |
Did you want to cash out? | 0:32:37 | 0:32:38 | |
Thanks. | 0:32:40 | 0:32:41 | |
I couldn't have been clearer! | 0:32:51 | 0:32:53 | |
I know, sir. I'm sorry. I made a call. | 0:32:53 | 0:32:55 | |
Five years of my life I've been going after Corbett. When I started my kid couldn't walk. | 0:32:55 | 0:32:59 | |
-Now she rides a bike. -I understand. | 0:32:59 | 0:33:01 | |
So for you to just parachute in and jeopardize the whole goddamn thing, it displeases me. | 0:33:01 | 0:33:05 | |
Do you have a cigarette? | 0:33:08 | 0:33:10 | |
-I don't smoke. -Bullshit. | 0:33:10 | 0:33:12 | |
I have a good nose. | 0:33:12 | 0:33:14 | |
It did pay off, though. | 0:33:18 | 0:33:19 | |
Last night, it shows how Cardinal launders his rat money. | 0:33:22 | 0:33:26 | |
He buys black market chips, cashes them in. | 0:33:26 | 0:33:29 | |
It's good! | 0:33:29 | 0:33:30 | |
Without a connection to Corbett, | 0:33:30 | 0:33:32 | |
it's nothing. | 0:33:32 | 0:33:33 | |
-No... -It's zero. | 0:33:33 | 0:33:34 | |
Why didn't you tell me his wife was sick? | 0:33:38 | 0:33:41 | |
What difference does it make? | 0:33:41 | 0:33:42 | |
I don't know. I'm trying to get in the guy's head. | 0:33:42 | 0:33:44 | |
His bank deposits, it could help. Did you look? | 0:33:46 | 0:33:49 | |
No, not an option. | 0:33:49 | 0:33:50 | |
The timing could help. Let's get a warrant, check his accounts. | 0:33:50 | 0:33:53 | |
Delorme, no warrants! | 0:33:53 | 0:33:54 | |
I'll manage the case. | 0:33:56 | 0:33:58 | |
Stick to your job. | 0:33:58 | 0:33:59 | |
I gotta go. Cardinal is waiting for me. | 0:34:02 | 0:34:04 | |
Oh good, you can, I don't know, talk to him. | 0:34:04 | 0:34:07 | |
Make him your pal, Delorme. | 0:34:07 | 0:34:09 | |
-Open him. Do you understand? -Hey! Yes! | 0:34:09 | 0:34:11 | |
Do you understand how big this is? | 0:34:11 | 0:34:13 | |
I do. | 0:34:13 | 0:34:15 | |
Look... | 0:34:24 | 0:34:25 | |
..if this goes well... | 0:34:27 | 0:34:29 | |
..it's gonna be good for you. | 0:34:30 | 0:34:31 | |
Hm. | 0:34:34 | 0:34:36 | |
I'll see to it. | 0:34:36 | 0:34:38 | |
-Hey. -Hey. | 0:34:41 | 0:34:43 | |
I don't know what your secret is. | 0:34:43 | 0:34:45 | |
-What do you mean? -Cardinal. You've turned him right around. | 0:34:45 | 0:34:48 | |
He called you a promising young detective. | 0:34:48 | 0:34:50 | |
He did? | 0:34:53 | 0:34:54 | |
No, but he said you're not a complete waste of a badge. | 0:34:55 | 0:34:57 | |
It's a shame you're only here temporarily. We could use more like you. | 0:34:59 | 0:35:02 | |
Struck by inspiration? | 0:35:11 | 0:35:12 | |
I was thinking about it. | 0:35:14 | 0:35:15 | |
You should come over to our place one night. | 0:35:15 | 0:35:17 | |
Josh is a pretty good cook. | 0:35:17 | 0:35:19 | |
This is your car. | 0:35:19 | 0:35:20 | |
Yeah. | 0:35:20 | 0:35:22 | |
Why? | 0:35:23 | 0:35:24 | |
You're gonna want to remove all the identifying features. | 0:35:24 | 0:35:27 | |
You make enemies in this job. | 0:35:28 | 0:35:30 | |
You don't want anything on your car might catch somebody's eye. | 0:35:30 | 0:35:33 | |
Do you mean that? | 0:35:33 | 0:35:35 | |
My whole league has those. | 0:35:36 | 0:35:38 | |
You see them everywhere. | 0:35:38 | 0:35:40 | |
Why'd you leave Financial Crimes? | 0:35:40 | 0:35:42 | |
You never did tell me. | 0:35:44 | 0:35:46 | |
Just grew out of it. | 0:35:46 | 0:35:47 | |
You won't see much of your team this season. | 0:35:50 | 0:35:53 | |
You're gonna have to clear your calendar. | 0:35:53 | 0:35:55 | |
Understood. | 0:35:58 | 0:35:59 | |
'Cause he won't stop, Delorme, | 0:36:00 | 0:36:03 | |
not until we stop him. | 0:36:03 | 0:36:05 | |
Nothing else matters. | 0:36:09 | 0:36:10 | |
Thanks. | 0:37:08 | 0:37:09 | |
CAR REVVING | 0:37:23 | 0:37:26 | |
Is that your guitar? | 0:37:36 | 0:37:38 | |
Yeah. | 0:37:38 | 0:37:39 | |
-You play it? -Yeah. | 0:37:39 | 0:37:40 | |
Of course you do. Sorry. Stupid question. | 0:37:42 | 0:37:44 | |
He's not interested, mutt. | 0:37:47 | 0:37:49 | |
Hey dude, come on. | 0:37:49 | 0:37:50 | |
Oh, you are interested? | 0:37:51 | 0:37:53 | |
My mistake. | 0:37:53 | 0:37:54 | |
What is that on your face? | 0:37:56 | 0:37:58 | |
Is that some kind of burn? | 0:38:03 | 0:38:04 | |
Hey man, mind your own business. | 0:38:04 | 0:38:06 | |
All right. | 0:38:07 | 0:38:08 | |
You're awfully concerned about her man, maybe you should be more worried about yourself. | 0:38:09 | 0:38:13 | |
Could be contagious. | 0:38:14 | 0:38:16 | |
Look, nobody was talking to you. | 0:38:16 | 0:38:17 | |
All right. OK. Come on. | 0:38:24 | 0:38:27 | |
Have a good night, kids. | 0:38:28 | 0:38:29 | |
Thank you. | 0:38:42 | 0:38:43 | |
I seem to bring it out in people. | 0:38:45 | 0:38:47 | |
No, don't blame yourself, that guy was a head case. | 0:38:47 | 0:38:50 | |
Have a good night. | 0:38:52 | 0:38:53 | |
Can I ask you a favour? | 0:39:06 | 0:39:08 | |
I don't want to be here anymore. | 0:39:09 | 0:39:10 | |
Could you walk me home? | 0:39:10 | 0:39:12 | |
-Ah... -I don't feel safe with that guy out there. | 0:39:14 | 0:39:17 | |
I-I just... | 0:39:18 | 0:39:20 | |
My place isn't far. | 0:39:20 | 0:39:22 | |
I just ordered this drink. I'm sorry. | 0:39:25 | 0:39:27 | |
I could call you a cab if you want. | 0:39:27 | 0:39:28 | |
Don't bother. | 0:39:31 | 0:39:32 | |
Where's your friend? | 0:39:58 | 0:39:59 | |
You thought he was gonna walk you home like a gentleman. | 0:40:03 | 0:40:06 | |
Is that impossible to imagine? | 0:40:07 | 0:40:09 | |
You're asking the wrong questions. | 0:40:11 | 0:40:13 | |
It doesn't matter how nice he is. | 0:40:14 | 0:40:15 | |
-It matters to me. -It shouldn't. | 0:40:15 | 0:40:18 | |
It can't. | 0:40:19 | 0:40:20 | |
Did you give it to him? | 0:40:24 | 0:40:25 | |
While you were insulting me. | 0:40:28 | 0:40:30 | |
We can still drive away... | 0:40:31 | 0:40:32 | |
..leave him behind. | 0:40:34 | 0:40:35 | |
Is that what you want? | 0:40:37 | 0:40:38 | |
We're doing this. | 0:40:46 | 0:40:47 |