Browse content similar to Woody. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains prolonged violent scenes | 0:00:02 | 0:00:04 | |
and scenes which some viewers may find upsetting. | 0:00:04 | 0:00:07 | |
What's the story here, Francis? | 0:00:07 | 0:00:09 | |
None of your business. | 0:00:09 | 0:00:10 | |
I shouldn't have told your mum | 0:00:10 | 0:00:11 | |
that we're trying to have a baby. | 0:00:11 | 0:00:13 | |
I'm sorry. | 0:00:13 | 0:00:14 | |
Speaking of which, shouldn't we know something? | 0:00:14 | 0:00:15 | |
No. I found out a couple days ago. | 0:00:15 | 0:00:17 | |
My wife has bipolar disorder. | 0:00:17 | 0:00:20 | |
Our thief is staking out these stores. | 0:00:20 | 0:00:23 | |
He follows his targets home with their new stuff, | 0:00:23 | 0:00:25 | |
then he hits their house later. | 0:00:25 | 0:00:27 | |
Melissa and Douglas London. | 0:00:27 | 0:00:28 | |
Their son, Keith, was supposed to arrive home last night | 0:00:28 | 0:00:31 | |
and never turned up. | 0:00:31 | 0:00:32 | |
He has his next victim. | 0:00:32 | 0:00:34 | |
This is Edie's show now. | 0:00:34 | 0:00:36 | |
I know she doesn't look like much, | 0:00:36 | 0:00:38 | |
but she's ready. | 0:00:38 | 0:00:39 | |
GUNSHOT | 0:00:39 | 0:00:40 | |
I made him bleed. | 0:00:42 | 0:00:44 | |
For you. | 0:00:44 | 0:00:45 | |
# We took a walk to the summit at night, you and I | 0:00:52 | 0:00:57 | |
# To burn a hole in the old grip of the familiar, you and I | 0:00:57 | 0:01:05 | |
# And the dark was opening wide, do or die. # | 0:01:06 | 0:01:11 | |
That is something you, | 0:01:20 | 0:01:21 | |
you learn very early on, | 0:01:21 | 0:01:23 | |
not to, ah, judge by volume. | 0:01:23 | 0:01:26 | |
That... | 0:01:26 | 0:01:28 | |
that could be a laptop, | 0:01:28 | 0:01:30 | |
or maybe it's just a blender. | 0:01:30 | 0:01:32 | |
Yeah, oh, it's funny, you know, people, | 0:01:34 | 0:01:36 | |
they ask me that all the time. | 0:01:36 | 0:01:37 | |
They do. Everybody wants to know | 0:01:37 | 0:01:39 | |
how you stayed in the game for so long? | 0:01:39 | 0:01:41 | |
Well, I don't mind answering. | 0:01:41 | 0:01:42 | |
It's a good question. People think it's a lot of ducking around | 0:01:42 | 0:01:44 | |
and diving and all that stuff but it's not. | 0:01:44 | 0:01:46 | |
It's-it's waiting. | 0:01:46 | 0:01:49 | |
And now, | 0:01:49 | 0:01:51 | |
do we really believe that | 0:01:51 | 0:01:52 | |
White Trash Johnny's got that boutique guitar? | 0:01:52 | 0:01:55 | |
Man, that is like a sieve. | 0:02:14 | 0:02:15 | |
I could get in and out of there so fast. | 0:02:15 | 0:02:18 | |
Nobody is watching this. | 0:02:23 | 0:02:27 | |
ECHOING: Where's Keith? | 0:03:01 | 0:03:03 | |
Where's Keith? | 0:03:06 | 0:03:08 | |
Where's Keith? | 0:03:13 | 0:03:14 | |
-Hey. -Hey. | 0:03:41 | 0:03:43 | |
I can't stay. I'm on my way in. | 0:03:44 | 0:03:47 | |
John. | 0:03:47 | 0:03:48 | |
You didn't say that you found Katie Pine. | 0:03:50 | 0:03:53 | |
Who told you about that? | 0:03:54 | 0:03:55 | |
You shouldn't be thinking about that. | 0:03:55 | 0:03:57 | |
Hey. | 0:03:57 | 0:03:58 | |
All right, come here. | 0:03:58 | 0:04:00 | |
PHONES RING | 0:04:45 | 0:04:46 | |
Well, that looks fun. | 0:04:49 | 0:04:51 | |
Yeah, all hands on deck. | 0:04:51 | 0:04:52 | |
Yeah, word got out the killer's got another victim. | 0:04:54 | 0:04:56 | |
Phones have been ringing off the hook. | 0:04:56 | 0:04:58 | |
Now we've got press coming from all over. | 0:04:58 | 0:05:00 | |
Commanda? | 0:05:10 | 0:05:11 | |
Hold up. | 0:05:11 | 0:05:12 | |
Hey. | 0:05:14 | 0:05:16 | |
Question for you. | 0:05:17 | 0:05:19 | |
Do you have any reason to believe | 0:05:19 | 0:05:20 | |
there is money being laundered | 0:05:20 | 0:05:21 | |
through Thunderbird Casino? | 0:05:21 | 0:05:23 | |
Well, nothing organized, just small stuff. | 0:05:23 | 0:05:25 | |
You know who's doing it? | 0:05:27 | 0:05:28 | |
Point you in a direction. | 0:05:29 | 0:05:31 | |
Is this a factor in the killings? | 0:05:32 | 0:05:34 | |
A loose end from when I was at Financial. | 0:05:34 | 0:05:37 | |
My old sergeant's leaning on me, | 0:05:37 | 0:05:39 | |
which is why I was hoping | 0:05:39 | 0:05:40 | |
I could ask a favour. | 0:05:40 | 0:05:41 | |
My suspect cashed in chips four nights ago. | 0:05:41 | 0:05:43 | |
Knowing that do you think you could | 0:05:45 | 0:05:46 | |
get your hands on some of the money | 0:05:46 | 0:05:48 | |
he used to buy them? | 0:05:48 | 0:05:49 | |
Get my hands on it. | 0:05:49 | 0:05:50 | |
Just some serial numbers. | 0:05:52 | 0:05:53 | |
A sample. | 0:05:54 | 0:05:55 | |
If I can trace the money back to its source, | 0:05:55 | 0:05:57 | |
it could help me. | 0:05:57 | 0:05:58 | |
I don't suppose you're going to tell me who your suspect is. | 0:06:00 | 0:06:02 | |
I don't want to implicate anyone if this doesn't prove out. | 0:06:02 | 0:06:05 | |
If it does you'll hear all about it. | 0:06:05 | 0:06:07 | |
Delorme? Keith London came by bus. | 0:06:08 | 0:06:12 | |
His parents confirmed it. | 0:06:12 | 0:06:13 | |
Does he know you're working two jobs? | 0:06:15 | 0:06:18 | |
He'd kill me. | 0:06:18 | 0:06:20 | |
Keep it to yourself? | 0:06:20 | 0:06:21 | |
I'll see what I can do. | 0:06:23 | 0:06:24 | |
So what was that all about? | 0:06:32 | 0:06:34 | |
You and Commanda? | 0:06:35 | 0:06:36 | |
I worked with him on the Latraverse case. | 0:06:37 | 0:06:39 | |
He was our point man on the reserve. | 0:06:39 | 0:06:41 | |
Just catching up. | 0:06:42 | 0:06:44 | |
PHONE BUZZES | 0:06:44 | 0:06:45 | |
I'm sorry, I gotta take this. | 0:06:45 | 0:06:46 | |
Yeah? | 0:06:48 | 0:06:49 | |
OK. | 0:06:51 | 0:06:53 | |
Yeah, I will. | 0:06:54 | 0:06:56 | |
..No, Josh, I will. | 0:06:56 | 0:06:58 | |
Sorry. | 0:07:00 | 0:07:01 | |
It's fine. | 0:07:01 | 0:07:03 | |
Hasn't been easy for him, | 0:07:08 | 0:07:10 | |
my transfer from Financial. | 0:07:10 | 0:07:12 | |
The different pace. | 0:07:12 | 0:07:14 | |
Yeah, well, it's... | 0:07:14 | 0:07:15 | |
it's not always this way. | 0:07:15 | 0:07:17 | |
But this is what I always wanted... | 0:07:19 | 0:07:20 | |
..to be homicide. | 0:07:22 | 0:07:23 | |
I mean, no one grows up hoping to investigate real estate fraud. | 0:07:26 | 0:07:29 | |
So how'd you end up there? | 0:07:30 | 0:07:31 | |
I was good at it. | 0:07:33 | 0:07:34 | |
Doors kept opening. | 0:07:37 | 0:07:38 | |
I was there. It was easy. | 0:07:41 | 0:07:43 | |
Do you know anything about audio-visual equipment? | 0:07:47 | 0:07:49 | |
I can't get it to play. | 0:07:50 | 0:07:52 | |
I know it works. I've played it before. | 0:07:53 | 0:07:55 | |
Edie, uh, she still has this manual. | 0:07:57 | 0:07:59 | |
It's sort of classic Edie when you think about it, | 0:08:01 | 0:08:03 | |
keeping this filed away. | 0:08:03 | 0:08:04 | |
I think it has like some sort of sentimental value to it, | 0:08:05 | 0:08:08 | |
Cos her mum bought it in some sort of | 0:08:08 | 0:08:10 | |
rare spasm of sobriety. | 0:08:10 | 0:08:13 | |
Some friend bought them a VHS tape about a skin thing, | 0:08:13 | 0:08:17 | |
some sort of | 0:08:17 | 0:08:19 | |
new abrasion laser thing for the eczema | 0:08:19 | 0:08:21 | |
and it just sat there for months | 0:08:21 | 0:08:24 | |
unwatched like some sort of beacon. | 0:08:24 | 0:08:27 | |
That's how Edie puts it, like a beacon of hope. | 0:08:27 | 0:08:29 | |
But also if you think about it, | 0:08:29 | 0:08:31 | |
it was like a beacon of neglect, right? | 0:08:31 | 0:08:33 | |
Like by her mum, | 0:08:33 | 0:08:34 | |
to just let it sit there? | 0:08:34 | 0:08:36 | |
And, anyways, through the right combination of | 0:08:36 | 0:08:39 | |
Edie's begging | 0:08:39 | 0:08:40 | |
and, ah, some sort of uptick in maternal hormones, | 0:08:40 | 0:08:44 | |
she stepped up | 0:08:44 | 0:08:46 | |
and bought this very VCR | 0:08:46 | 0:08:49 | |
so they could watch it together and, uh, | 0:08:49 | 0:08:51 | |
that's what they did. | 0:08:51 | 0:08:52 | |
And what happened? | 0:08:54 | 0:08:56 | |
What do you mean? That's the end of the story. | 0:08:56 | 0:08:58 | |
6.30 from Sudbury two nights ago. | 0:09:03 | 0:09:05 | |
Yeah, to be honest, so many people come through. | 0:09:05 | 0:09:08 | |
Does that camera work? | 0:09:08 | 0:09:09 | |
-Imagine so. -Call your boss, | 0:09:10 | 0:09:13 | |
tell him we need tapes from every camera | 0:09:13 | 0:09:15 | |
in the station, all right? Tell him if the system erases on a loop | 0:09:15 | 0:09:18 | |
that it needs to be stopped instantly. | 0:09:18 | 0:09:21 | |
Do I need to say any of that again? | 0:09:21 | 0:09:23 | |
I'll call my boss. | 0:09:23 | 0:09:24 | |
And we need to know if there is any unclaimed luggage | 0:09:24 | 0:09:26 | |
from that bus. | 0:09:26 | 0:09:27 | |
They're checking surrounding businesses for CCTV. | 0:09:34 | 0:09:37 | |
Yeah, well, there's nothing in here to indicate he was | 0:09:37 | 0:09:39 | |
meeting anyone. | 0:09:39 | 0:09:41 | |
Guitar supplies but | 0:09:41 | 0:09:42 | |
no guitar. | 0:09:42 | 0:09:44 | |
No, he'd take it with him. | 0:09:44 | 0:09:45 | |
If he has a guitar, he wouldn't check it. | 0:09:45 | 0:09:47 | |
Have you never dated a musician? | 0:09:50 | 0:09:51 | |
No. You? | 0:09:51 | 0:09:53 | |
One or two. | 0:09:53 | 0:09:55 | |
So he, um, | 0:09:56 | 0:09:58 | |
takes his guitar | 0:09:58 | 0:10:00 | |
into the night... | 0:10:00 | 0:10:01 | |
..planning to be back for the ten o'clock to Toronto. | 0:10:02 | 0:10:06 | |
-Yeah. -Where do you go | 0:10:06 | 0:10:08 | |
in Algonquin Bay to kill three hours? | 0:10:08 | 0:10:10 | |
Let's do Willow Street, work our way downtown. | 0:10:14 | 0:10:16 | |
Yeah. | 0:10:16 | 0:10:17 | |
The killer had Katie Pine for over a week, | 0:10:19 | 0:10:22 | |
finished off Curry in just four days. | 0:10:22 | 0:10:23 | |
Might be nothing. | 0:10:27 | 0:10:28 | |
Might be situational. | 0:10:28 | 0:10:30 | |
Or he's accelerating. | 0:10:30 | 0:10:32 | |
Isn't that how these guys work? | 0:10:32 | 0:10:34 | |
It takes more and more to get them excited so | 0:10:34 | 0:10:36 | |
they speed up through their routines. | 0:10:36 | 0:10:38 | |
He might be tired of Keith already. | 0:10:40 | 0:10:42 | |
Drink. | 0:11:02 | 0:11:04 | |
OK, Keith, | 0:11:14 | 0:11:16 | |
this is going to be very hard to watch | 0:11:16 | 0:11:19 | |
but I need you to watch it. | 0:11:19 | 0:11:20 | |
So if you can't keep your eyes open... | 0:11:23 | 0:11:25 | |
..I can help you. | 0:11:27 | 0:11:28 | |
Let me know what you think. | 0:11:42 | 0:11:44 | |
'Hey, hey, hey, wake up. | 0:12:03 | 0:12:07 | |
'Wake up, come on. | 0:12:07 | 0:12:09 | |
'Hey, it's OK. It's OK. | 0:12:09 | 0:12:12 | |
'It's OK. It's OK.' | 0:12:12 | 0:12:14 | |
Here we are, we are, | 0:12:45 | 0:12:46 | |
the people of Babel. | 0:12:46 | 0:12:47 | |
We're just, you know, around, | 0:12:47 | 0:12:49 | |
going about our business. | 0:12:49 | 0:12:50 | |
Oh, no. | 0:12:50 | 0:12:51 | |
It's God | 0:12:51 | 0:12:53 | |
and God is not happy. | 0:12:53 | 0:12:56 | |
Na-ha. | 0:12:56 | 0:12:57 | |
-Nah-ha. I'm not happy. -Hello, boys. | 0:12:57 | 0:12:59 | |
Not happy at all. | 0:12:59 | 0:13:01 | |
-Hi. -Hi. Nooo! | 0:13:02 | 0:13:04 | |
You have smitten us down. | 0:13:04 | 0:13:05 | |
-Whatcha doin'? -I'm just, uh, | 0:13:05 | 0:13:07 | |
teaching Aiden the fine art of smiting the people. | 0:13:07 | 0:13:11 | |
So I, uh, | 0:13:13 | 0:13:14 | |
I ran into Don today. | 0:13:14 | 0:13:16 | |
He said that you should come by. | 0:13:17 | 0:13:19 | |
Hey. | 0:13:19 | 0:13:20 | |
OK. Right. | 0:13:22 | 0:13:24 | |
Yeah, today at four. He said that he's had some turnover lately | 0:13:24 | 0:13:26 | |
and he could probably get you some shifts. | 0:13:26 | 0:13:28 | |
Hi! | 0:13:28 | 0:13:29 | |
Jesus Christ. | 0:13:30 | 0:13:32 | |
Oh, just go by. | 0:13:32 | 0:13:33 | |
See what he has to say. | 0:13:33 | 0:13:35 | |
Ahh! | 0:13:35 | 0:13:36 | |
Did you run into him or did you call him? | 0:13:36 | 0:13:39 | |
Did you call him? | 0:13:40 | 0:13:42 | |
The police were at our door, Woody. | 0:13:42 | 0:13:44 | |
Listen, it is a real job | 0:13:44 | 0:13:46 | |
with a real wage and a regular shift. | 0:13:46 | 0:13:48 | |
Yeah, and all I have to do is | 0:13:48 | 0:13:50 | |
kiss your brother's ass. | 0:13:50 | 0:13:51 | |
He's trying to help. | 0:13:51 | 0:13:52 | |
He doesn't have to help. | 0:13:52 | 0:13:54 | |
Why does he think he needs to help us? | 0:13:54 | 0:13:56 | |
Perhaps because you undermine me in front of him. | 0:13:56 | 0:13:58 | |
Is that what I'm doing? I'm undermining you? | 0:13:58 | 0:14:00 | |
Baby, I just need you to have faith in me, OK? | 0:14:00 | 0:14:03 | |
This is who I am. | 0:14:03 | 0:14:05 | |
You knew that when you met me. | 0:14:05 | 0:14:07 | |
Yeah, well, things change. | 0:14:08 | 0:14:10 | |
Oh. | 0:14:13 | 0:14:14 | |
Today at four. | 0:14:14 | 0:14:16 | |
I'll know if you don't turn up. | 0:14:16 | 0:14:18 | |
Yeah, the kid with a guitar. | 0:14:23 | 0:14:25 | |
He was here? | 0:14:25 | 0:14:27 | |
Are you sure? | 0:14:28 | 0:14:29 | |
He got sick. | 0:14:29 | 0:14:30 | |
I remember people who get sick. | 0:14:30 | 0:14:32 | |
What? He threw up? | 0:14:32 | 0:14:33 | |
Two beers in. | 0:14:33 | 0:14:35 | |
So either he got started before he got here or | 0:14:35 | 0:14:37 | |
I don't know, maybe he had some sort of stomach thing. | 0:14:37 | 0:14:40 | |
Did he come alone? | 0:14:40 | 0:14:41 | |
It was a busy night. | 0:14:42 | 0:14:43 | |
Did he talk with anyone? | 0:14:43 | 0:14:45 | |
Leave with anyone? | 0:14:45 | 0:14:46 | |
Look, I'm sorry. | 0:14:46 | 0:14:48 | |
Your staff that night. | 0:14:48 | 0:14:50 | |
Names and numbers. | 0:14:50 | 0:14:51 | |
Write 'em down, please. | 0:14:51 | 0:14:53 | |
And any customers you recall, any regulars. | 0:14:53 | 0:14:54 | |
-Are you serious? -Yeah, write those down too. | 0:14:54 | 0:14:57 | |
And then we'll be out of your hair. | 0:14:57 | 0:14:58 | |
Toxicology says Todd Curry had a, | 0:14:58 | 0:15:01 | |
a cocktail of drugs in his system, | 0:15:01 | 0:15:03 | |
prescription stuff, stuff a doctor wouldn't mix. | 0:15:03 | 0:15:05 | |
No, cos it will make you sick. | 0:15:05 | 0:15:07 | |
You see Keith at the bar. | 0:15:08 | 0:15:10 | |
At the bus station, either way. | 0:15:10 | 0:15:12 | |
You follow him. You see he's alone. | 0:15:12 | 0:15:14 | |
You spike his drink. | 0:15:14 | 0:15:15 | |
He gets sick, he gets weak. | 0:15:15 | 0:15:18 | |
You scoop him up. | 0:15:18 | 0:15:19 | |
-Let's put together a canvass. -Yeah. | 0:15:19 | 0:15:21 | |
Clinics, pharmacies, veterinarians. | 0:15:21 | 0:15:23 | |
Anyone who might stock this stuff. | 0:15:23 | 0:15:25 | |
Find out if there's been any, uh, | 0:15:25 | 0:15:27 | |
thefts or any break-ins. | 0:15:27 | 0:15:29 | |
Someone you know? | 0:15:36 | 0:15:37 | |
No. | 0:15:40 | 0:15:41 | |
Ah, come on. | 0:15:59 | 0:16:00 | |
Can I come in? | 0:16:00 | 0:16:02 | |
I got nothing to say to you. | 0:16:02 | 0:16:03 | |
That's OK, I'll do the talking. | 0:16:03 | 0:16:05 | |
I wanted to talk about a client of yours. | 0:16:07 | 0:16:09 | |
I don't have clients, A, | 0:16:09 | 0:16:11 | |
and, B, it's not against the law to have poker chips. | 0:16:11 | 0:16:14 | |
We went through that just last visit. | 0:16:14 | 0:16:16 | |
Is there coffee I smell? | 0:16:17 | 0:16:19 | |
It's old. | 0:16:19 | 0:16:21 | |
Hours or days? | 0:16:21 | 0:16:22 | |
This morning. | 0:16:22 | 0:16:23 | |
May I? | 0:16:23 | 0:16:25 | |
Knock yourself out. | 0:16:25 | 0:16:26 | |
So, uh, | 0:16:34 | 0:16:36 | |
a few nights ago | 0:16:36 | 0:16:38 | |
a client of yours cashed out, | 0:16:38 | 0:16:40 | |
which means that you probably sold him some chips recently. | 0:16:40 | 0:16:43 | |
Would you happen to have any of that | 0:16:45 | 0:16:47 | |
money left that he paid? | 0:16:47 | 0:16:48 | |
Is this a shakedown? | 0:16:51 | 0:16:52 | |
No. | 0:16:52 | 0:16:53 | |
Because look around, | 0:16:53 | 0:16:54 | |
there's not a lot you can pull out of me here. | 0:16:54 | 0:16:57 | |
This is not a shakedown, Francis. | 0:16:57 | 0:16:59 | |
If you'd open your eyes, | 0:16:59 | 0:17:00 | |
you'd see that something positive was happening here. | 0:17:00 | 0:17:03 | |
How's that? | 0:17:03 | 0:17:04 | |
Well I'm coming for your help, which means I'm not coming for you. | 0:17:04 | 0:17:07 | |
If I had a client | 0:17:07 | 0:17:08 | |
and if I sold him chips, | 0:17:08 | 0:17:10 | |
which I didn't, you'll never get him. | 0:17:10 | 0:17:13 | |
Hm. | 0:17:13 | 0:17:14 | |
So what tells you that? | 0:17:19 | 0:17:20 | |
All of history. | 0:17:22 | 0:17:23 | |
Some types you just don't catch, | 0:17:24 | 0:17:27 | |
let's put it that way. | 0:17:27 | 0:17:28 | |
Well, maybe we need to change that. | 0:17:28 | 0:17:31 | |
I scheduled a press conference this evening. | 0:17:35 | 0:17:37 | |
-I want you there. -To say what? | 0:17:37 | 0:17:39 | |
That we're nowhere? | 0:17:39 | 0:17:40 | |
It comes from above. | 0:17:40 | 0:17:42 | |
People need to know that action is being taken. | 0:17:42 | 0:17:44 | |
People do? | 0:17:44 | 0:17:45 | |
Or management does? | 0:17:45 | 0:17:47 | |
Mr and Mrs London, | 0:17:55 | 0:17:56 | |
I'm Detective Sergeant Noelle Dyson. | 0:17:56 | 0:17:59 | |
The police in Toronto have shared with us that Keith | 0:18:01 | 0:18:04 | |
was in constant contact with his girlfriend, Claire, | 0:18:04 | 0:18:08 | |
but that you haven't spoken to him in over a week? | 0:18:08 | 0:18:11 | |
That's right. | 0:18:11 | 0:18:12 | |
Well, the last message | 0:18:12 | 0:18:14 | |
sent from Keith's phone... | 0:18:14 | 0:18:15 | |
..was this picture. | 0:18:17 | 0:18:19 | |
Does that seem | 0:18:21 | 0:18:23 | |
out of character for your son? | 0:18:23 | 0:18:24 | |
Well, yes. | 0:18:24 | 0:18:26 | |
Why would he send that? | 0:18:26 | 0:18:28 | |
It's possible he didn't. | 0:18:28 | 0:18:30 | |
That's what we're trying to find out. | 0:18:30 | 0:18:33 | |
We know when the message was sent. | 0:18:33 | 0:18:35 | |
What we're trying to work out is from where. | 0:18:35 | 0:18:37 | |
This man has been in your town for months, | 0:18:37 | 0:18:41 | |
hunting. | 0:18:41 | 0:18:43 | |
Is that true? | 0:18:43 | 0:18:44 | |
Yes. | 0:18:47 | 0:18:49 | |
How do you let that happen? | 0:18:49 | 0:18:50 | |
Keith never should have been here. | 0:18:52 | 0:18:55 | |
It's my fault. | 0:18:55 | 0:18:57 | |
What do you mean? | 0:18:57 | 0:18:58 | |
We told him after high school he could travel. | 0:18:58 | 0:19:01 | |
We thought he'd go overseas. | 0:19:01 | 0:19:03 | |
He wanted to go out west | 0:19:04 | 0:19:05 | |
and see his friends... | 0:19:05 | 0:19:07 | |
..and write music. | 0:19:08 | 0:19:09 | |
I fought him. | 0:19:10 | 0:19:12 | |
Told him it was a waste of time... | 0:19:13 | 0:19:15 | |
..insisted he come home. | 0:19:17 | 0:19:18 | |
He refused so I cut off his credit card... | 0:19:21 | 0:19:24 | |
..to force him back. | 0:19:25 | 0:19:27 | |
He was on that bus because of me. | 0:19:29 | 0:19:32 | |
Hey. | 0:19:44 | 0:19:45 | |
You were right. We need to have a press conference. | 0:19:47 | 0:19:49 | |
Well, thank you. | 0:19:49 | 0:19:51 | |
It's not up for debate. | 0:19:51 | 0:19:52 | |
Why the change of heart? | 0:19:52 | 0:19:54 | |
We need to get the word out, | 0:19:54 | 0:19:56 | |
what we know. | 0:19:56 | 0:19:57 | |
Stop. | 0:20:13 | 0:20:15 | |
What's with you? | 0:20:16 | 0:20:17 | |
Don't talk about my mother. | 0:20:19 | 0:20:21 | |
This is the VCR thing? | 0:20:23 | 0:20:25 | |
It's not his business. | 0:20:26 | 0:20:28 | |
Yeah, well, it's not like he's going to tell anybody. | 0:20:28 | 0:20:31 | |
Well, | 0:20:33 | 0:20:34 | |
I don't like it, Eric, | 0:20:34 | 0:20:35 | |
so don't do it. | 0:20:35 | 0:20:36 | |
Hey. | 0:20:36 | 0:20:38 | |
Hey. | 0:20:38 | 0:20:39 | |
Your mother is nothing, Edie. | 0:20:40 | 0:20:42 | |
She's a hole in the air. | 0:20:42 | 0:20:44 | |
I want you to think about | 0:20:48 | 0:20:49 | |
how you're going to finish Keith off, OK? | 0:20:49 | 0:20:52 | |
Picture it. | 0:20:52 | 0:20:54 | |
Cos once you do it, | 0:20:54 | 0:20:56 | |
no one's going to hurt you again. | 0:20:56 | 0:20:58 | |
Hey. | 0:21:01 | 0:21:03 | |
Tonight you say goodbye to the little girl | 0:21:04 | 0:21:07 | |
who your mum shat on | 0:21:07 | 0:21:09 | |
and say hello | 0:21:09 | 0:21:10 | |
to whoever you want to be. | 0:21:10 | 0:21:12 | |
I can't wait. | 0:21:16 | 0:21:17 | |
I got a truck with a busted transmission | 0:21:57 | 0:21:59 | |
and I'm down a driver to the flu, so... | 0:21:59 | 0:22:01 | |
..clients calling left and right. | 0:22:03 | 0:22:04 | |
Heavy is the head that wears the crown, eh? | 0:22:10 | 0:22:12 | |
Have a seat. | 0:22:13 | 0:22:15 | |
So, I ran into my sister. | 0:22:17 | 0:22:19 | |
That's OK, Don. I know she called you, you don't have to pretend. | 0:22:19 | 0:22:22 | |
Well, look, | 0:22:24 | 0:22:25 | |
I do have some hours if this is something you're interested in. | 0:22:25 | 0:22:28 | |
You comfortable with a plough rig? | 0:22:28 | 0:22:30 | |
You know, | 0:22:30 | 0:22:31 | |
got a steering wheel, I can drive it. | 0:22:31 | 0:22:33 | |
And you're OK with the early mornings? | 0:22:33 | 0:22:35 | |
If I haven't smoked too much meth the night before. | 0:22:36 | 0:22:38 | |
Woody, look, | 0:22:42 | 0:22:44 | |
I know you got it in your head that... | 0:22:44 | 0:22:46 | |
I don't know... | 0:22:47 | 0:22:49 | |
I may not think highly of you. | 0:22:49 | 0:22:50 | |
But I'm telling you this, | 0:22:52 | 0:22:54 | |
I just want to help my sister. | 0:22:54 | 0:22:56 | |
Now, do you want this or not? | 0:22:56 | 0:22:58 | |
I do. | 0:23:03 | 0:23:06 | |
OK. | 0:23:06 | 0:23:07 | |
You start tomorrow, 5am. | 0:23:07 | 0:23:09 | |
Great. | 0:23:09 | 0:23:10 | |
There is the issue | 0:23:10 | 0:23:11 | |
of the other stuff, | 0:23:11 | 0:23:13 | |
the way of life. | 0:23:13 | 0:23:14 | |
That's going to have to end, Woody, 100%. | 0:23:14 | 0:23:17 | |
I'm sorry. I-I don't know what you're talking about. | 0:23:19 | 0:23:22 | |
I have a reputation in this community | 0:23:22 | 0:23:23 | |
and I can't have one of my guys | 0:23:23 | 0:23:25 | |
caught up in that. | 0:23:25 | 0:23:26 | |
It has to stop. | 0:23:26 | 0:23:28 | |
That's why I'm here. | 0:23:30 | 0:23:32 | |
Good. | 0:23:32 | 0:23:33 | |
I'm relieved. | 0:23:33 | 0:23:35 | |
I know Kristen's relieved | 0:23:35 | 0:23:36 | |
and, hey, | 0:23:36 | 0:23:37 | |
we all have to grow up eventually, right? | 0:23:37 | 0:23:39 | |
Good evening. | 0:23:51 | 0:23:53 | |
This will be a brief statement | 0:23:53 | 0:23:55 | |
and we aren't taking any questions at this time. | 0:23:55 | 0:23:57 | |
'Seven days ago, | 0:23:57 | 0:23:58 | |
'the body of Katie Pine, 13, | 0:23:58 | 0:24:00 | |
'of the Nipissing First Nations, | 0:24:00 | 0:24:03 | |
'was found on Windigo Island. | 0:24:03 | 0:24:05 | |
'Two days later, on March 8th, | 0:24:05 | 0:24:07 | |
'we discovered the body of Todd Curry, 17, | 0:24:07 | 0:24:10 | |
'of Sudbury. | 0:24:10 | 0:24:11 | |
'We have reason to suspect foul play in both instances' | 0:24:11 | 0:24:15 | |
and we have reason to believe that they are connected. | 0:24:15 | 0:24:17 | |
We also believe that a third person | 0:24:17 | 0:24:19 | |
may be in jeopardy. | 0:24:19 | 0:24:21 | |
Detective John Cardinal | 0:24:21 | 0:24:23 | |
is the chief investigator. | 0:24:23 | 0:24:24 | |
'We are appealing to the public | 0:24:30 | 0:24:32 | |
'for information about Keith Russell London. | 0:24:32 | 0:24:35 | |
'He's 19, | 0:24:35 | 0:24:37 | |
'from Toronto. | 0:24:37 | 0:24:38 | |
'He's six foot tall, | 0:24:38 | 0:24:40 | |
'brown hair, hazel eyes | 0:24:40 | 0:24:42 | |
'and he may | 0:24:42 | 0:24:43 | |
'be in possession of a guitar. | 0:24:43 | 0:24:46 | |
'He travelled to Algonquin Bay by bus. | 0:24:47 | 0:24:50 | |
'He arrived the night before last.' | 0:24:50 | 0:24:52 | |
How do they know about him? | 0:24:52 | 0:24:53 | |
Shhh. | 0:24:53 | 0:24:54 | |
'Anyone who might have spoken to, | 0:24:54 | 0:24:56 | |
'might have seen Keith Russell London | 0:24:56 | 0:24:58 | |
'is urged to come forward | 0:24:58 | 0:25:00 | |
'and contact us.' | 0:25:00 | 0:25:01 | |
Keith's mother, | 0:25:07 | 0:25:08 | |
Melissa London, | 0:25:08 | 0:25:10 | |
would now like to say a few words. | 0:25:10 | 0:25:11 | |
'I am Keith's mum... | 0:25:20 | 0:25:22 | |
'and I, uh... | 0:25:23 | 0:25:24 | |
'Tell them about your son, | 0:25:26 | 0:25:27 | |
'Mrs London. | 0:25:27 | 0:25:28 | |
'He's a good young man. | 0:25:32 | 0:25:34 | |
'He's a bright... | 0:25:35 | 0:25:37 | |
'..loving young man | 0:25:38 | 0:25:40 | |
'and we, we... | 0:25:42 | 0:25:43 | |
'Tell them how you wanted him to come home. | 0:25:43 | 0:25:45 | |
'He wanted to travel more. | 0:25:49 | 0:25:51 | |
'But I just wanted my boy to come home.' | 0:25:56 | 0:25:59 | |
We have no further comment. | 0:26:02 | 0:26:03 | |
What the hell is wrong with you? | 0:26:07 | 0:26:09 | |
You don't think this woman is going through enough? | 0:26:09 | 0:26:11 | |
The killer gets off on his victim's pain. | 0:26:11 | 0:26:12 | |
Now he gets to toy with the family too. | 0:26:12 | 0:26:15 | |
Well, how good of you | 0:26:15 | 0:26:16 | |
to provide him with that opportunity. | 0:26:16 | 0:26:18 | |
-Did you know about this? -No. It was my call. | 0:26:19 | 0:26:21 | |
This is new ground for him. | 0:26:21 | 0:26:22 | |
He'll savour it. It buys us time | 0:26:22 | 0:26:25 | |
and if I'd asked you wouldn't have let me bring her on stage. | 0:26:25 | 0:26:28 | |
You're damn right I wouldn't have. | 0:26:28 | 0:26:29 | |
Because you just might have given this guy the climax | 0:26:29 | 0:26:32 | |
that he was after | 0:26:32 | 0:26:34 | |
and now he's going to finish the kid off. | 0:26:34 | 0:26:36 | |
We can share this. | 0:26:49 | 0:26:50 | |
You don't have to carry the whole thing. | 0:26:53 | 0:26:54 | |
Your parents are in town. | 0:27:03 | 0:27:04 | |
How do you know that? | 0:27:04 | 0:27:06 | |
I saw your mum on TV just now. | 0:27:07 | 0:27:09 | |
Uh, she's not holding up very well. | 0:27:09 | 0:27:11 | |
What did she say? | 0:27:13 | 0:27:14 | |
Kind of hard to make out the words. | 0:27:14 | 0:27:16 | |
Just please tell me why you're doing this. | 0:27:23 | 0:27:25 | |
Tell him, Edie. | 0:27:28 | 0:27:29 | |
We don't ask why. | 0:27:34 | 0:27:36 | |
Is there anything you want to tell your parents? | 0:27:40 | 0:27:42 | |
What do you mean? | 0:27:45 | 0:27:46 | |
Like if you, | 0:27:46 | 0:27:48 | |
like if you could talk to them. | 0:27:48 | 0:27:50 | |
What would you say? | 0:27:50 | 0:27:51 | |
Would you say you love them? | 0:27:55 | 0:27:57 | |
WHAT ELSE? | 0:28:07 | 0:28:08 | |
We're going to give them something! | 0:28:09 | 0:28:11 | |
We're going to give them a message. | 0:28:12 | 0:28:13 | |
Give it some thought. | 0:28:15 | 0:28:16 | |
I'm not going to let you torture them. | 0:28:18 | 0:28:20 | |
It's too late for that. | 0:28:20 | 0:28:21 | |
Well, I'm not going to help you make them suffer. | 0:28:21 | 0:28:23 | |
We're either going to send them a message | 0:28:26 | 0:28:28 | |
or we're going to send them a piece. | 0:28:28 | 0:28:29 | |
What would be better, huh? | 0:28:29 | 0:28:32 | |
A chunk of Keith? | 0:28:32 | 0:28:34 | |
KEITH SCREAMS | 0:28:34 | 0:28:36 | |
Keith? | 0:28:38 | 0:28:39 | |
So, just come up | 0:28:59 | 0:29:01 | |
with those thoughtful little words of yours. | 0:29:01 | 0:29:03 | |
You should be happy. | 0:29:05 | 0:29:07 | |
You were going to die tonight. | 0:29:08 | 0:29:10 | |
What about the police? | 0:29:23 | 0:29:24 | |
You saw them. | 0:29:24 | 0:29:26 | |
They're nowhere. | 0:29:26 | 0:29:28 | |
If Detective John Cardinal had the first clue about us, | 0:29:30 | 0:29:32 | |
he would have knocked down our door already. | 0:29:32 | 0:29:34 | |
Do you think he liked being on TV? | 0:29:37 | 0:29:38 | |
What, the detective? | 0:29:38 | 0:29:39 | |
Yeah, most of them like it, | 0:29:39 | 0:29:41 | |
even when they pretend they don't. | 0:29:41 | 0:29:43 | |
I couldn't tell with him. | 0:29:44 | 0:29:45 | |
What are you doing? | 0:30:01 | 0:30:02 | |
Come on. | 0:30:04 | 0:30:06 | |
Take up some space with me. | 0:30:06 | 0:30:07 | |
-You're ridiculous. -Oh, yeah? | 0:30:10 | 0:30:12 | |
You ever tried it? | 0:30:12 | 0:30:13 | |
Come on. | 0:30:16 | 0:30:18 | |
Come out here. | 0:30:18 | 0:30:19 | |
Spread your legs. | 0:30:32 | 0:30:33 | |
Put your arms out. | 0:30:35 | 0:30:37 | |
Take a deep breath. | 0:30:39 | 0:30:40 | |
Yeah. Serial numbers from six different bills, | 0:30:59 | 0:31:02 | |
all fifties. | 0:31:02 | 0:31:03 | |
I'll get you back. | 0:31:03 | 0:31:04 | |
Be careful. | 0:31:08 | 0:31:10 | |
What does that mean? | 0:31:14 | 0:31:15 | |
You're young and hungry | 0:31:17 | 0:31:20 | |
and you're good. | 0:31:20 | 0:31:21 | |
Sometimes the reward for that | 0:31:23 | 0:31:24 | |
can be cases you can't win. | 0:31:24 | 0:31:26 | |
If this is nothing, | 0:31:30 | 0:31:33 | |
no one will be more relieved than me. | 0:31:33 | 0:31:35 | |
Who's there? | 0:31:49 | 0:31:50 | |
Josh? | 0:31:52 | 0:31:54 | |
Ha, John Cardinal. | 0:31:54 | 0:31:57 | |
Can we talk? We need to talk. | 0:31:59 | 0:32:00 | |
We had a thing tonight. | 0:32:02 | 0:32:03 | |
I cooked. | 0:32:06 | 0:32:08 | |
And she promised she'd be there | 0:32:08 | 0:32:09 | |
and then she didn't turn up. | 0:32:09 | 0:32:11 | |
She has a lot going on. | 0:32:12 | 0:32:14 | |
Oh, I know. | 0:32:14 | 0:32:16 | |
No one's work is as important as yours, | 0:32:16 | 0:32:18 | |
God knows. | 0:32:18 | 0:32:19 | |
Which is sort of the point. Why did she promise to come? | 0:32:20 | 0:32:23 | |
-To your dinner? -To my dinner. | 0:32:25 | 0:32:27 | |
Knowing how busy she is. It's like she set it up to fail. | 0:32:28 | 0:32:31 | |
We're trying to have a kid. | 0:32:37 | 0:32:39 | |
She tell you that? | 0:32:39 | 0:32:40 | |
That's none of my business. | 0:32:40 | 0:32:42 | |
Yeah, well, | 0:32:42 | 0:32:44 | |
here's something detective-y for ya. | 0:32:44 | 0:32:46 | |
I was searching for her cigarette stash, I know she's smoking again, | 0:32:46 | 0:32:49 | |
which I'm thinking it's not cool, right, | 0:32:49 | 0:32:52 | |
for the baby but, the joke's on me because | 0:32:52 | 0:32:54 | |
I didn't find any cigarettes, I found these. | 0:32:54 | 0:32:56 | |
You're drunk. | 0:32:59 | 0:33:00 | |
You want to think about what you're doing. | 0:33:00 | 0:33:02 | |
Are you two having an affair? | 0:33:02 | 0:33:03 | |
No. Right. | 0:33:07 | 0:33:09 | |
To be honest, I half hoped you were | 0:33:13 | 0:33:15 | |
because if this isn't about another guy, | 0:33:15 | 0:33:17 | |
I don't know what to make of it. | 0:33:17 | 0:33:20 | |
She says things will return to normal when she's back in Financial, | 0:33:20 | 0:33:22 | |
but I don't know how you come back from this. | 0:33:22 | 0:33:24 | |
What do you mean when she's back in Financial? | 0:33:25 | 0:33:28 | |
The transfer to CIS, it's temporary. | 0:33:28 | 0:33:30 | |
It's some assignment. You didn't know that? | 0:33:30 | 0:33:32 | |
Where is she, anyway? | 0:33:33 | 0:33:35 | |
If her case is so full on, | 0:33:35 | 0:33:36 | |
why aren't you with her? | 0:33:36 | 0:33:38 | |
Ugh. I don't feel very good. | 0:33:42 | 0:33:43 | |
-Hannam? -Yeah. | 0:33:45 | 0:33:46 | |
Can you run some bills for me? | 0:33:47 | 0:33:49 | |
On Katie Pine? | 0:33:49 | 0:33:50 | |
Nah, it's a different thing. | 0:33:50 | 0:33:52 | |
I need to know if this money | 0:33:52 | 0:33:53 | |
is associated with any criminal activity. | 0:33:53 | 0:33:56 | |
Nope. These are new bills. | 0:34:05 | 0:34:06 | |
But they can't be. | 0:34:07 | 0:34:09 | |
Look at the issue dates. | 0:34:09 | 0:34:10 | |
That's fresh money, straight from the bank. | 0:34:10 | 0:34:13 | |
Someone laundered this money. | 0:34:13 | 0:34:15 | |
Why would you launder new bills? | 0:34:15 | 0:34:17 | |
Hey. | 0:34:27 | 0:34:29 | |
Hey. | 0:34:29 | 0:34:31 | |
I ran into Josh. | 0:34:31 | 0:34:33 | |
He's had a bit to drink. | 0:34:33 | 0:34:34 | |
Managed to get him in the door before the | 0:34:36 | 0:34:38 | |
barfing started. | 0:34:38 | 0:34:40 | |
But he's fine now. | 0:34:41 | 0:34:42 | |
You cleaned up. | 0:34:46 | 0:34:48 | |
It's done. It was nothing. | 0:34:48 | 0:34:49 | |
It was fluids mostly. | 0:34:50 | 0:34:52 | |
Where did you run into him? | 0:34:55 | 0:34:56 | |
In a bar. | 0:34:58 | 0:34:59 | |
You could have called me. I would have... | 0:35:01 | 0:35:03 | |
I didn't want to | 0:35:03 | 0:35:05 | |
interrupt whatever you were doing. | 0:35:05 | 0:35:07 | |
I-I was just catching up on paperwork. | 0:35:12 | 0:35:14 | |
Thank you. | 0:35:21 | 0:35:22 | |
Yeah. | 0:35:22 | 0:35:24 | |
I know a lot of people, | 0:35:33 | 0:35:35 | |
they don't approve of what I do. | 0:35:35 | 0:35:37 | |
You can't listen to that, though, I mean, | 0:35:38 | 0:35:40 | |
you can't do this job without a thick skin, right? | 0:35:40 | 0:35:42 | |
And you know what? Those people are just... | 0:35:42 | 0:35:45 | |
..you know, they're envious of me. | 0:35:46 | 0:35:47 | |
They, um... | 0:35:47 | 0:35:49 | |
TV ON | 0:36:16 | 0:36:18 | |
Hello? | 0:36:32 | 0:36:33 | |
Hel-lo! | 0:36:35 | 0:36:37 | |
Bingo. | 0:37:07 | 0:37:08 | |
OK, OK, OK, OK. | 0:37:32 | 0:37:33 | |
OK. OK. OK. | 0:37:33 | 0:37:35 | |
Shh-shh-shh. | 0:37:35 | 0:37:36 | |
Please be quiet. | 0:37:40 | 0:37:41 | |
Let's be quiet now. | 0:37:41 | 0:37:43 | |
-Shh-shh-shh. -Untie me! Untie me! | 0:37:43 | 0:37:44 | |
-OK. -Oh, my God. Before they come. | 0:37:44 | 0:37:46 | |
There's a woman upstairs sleeping upstairs. | 0:37:46 | 0:37:47 | |
-Unite me. Untie me. -Be quiet. | 0:37:47 | 0:37:49 | |
-Please! Please! Please! -You gotta be quiet now. | 0:37:52 | 0:37:55 | |
DOOR SHUTS | 0:37:55 | 0:37:56 | |
Please hurry! | 0:37:56 | 0:37:58 | |
Please hurry. Hurry. | 0:37:58 | 0:38:00 | |
Oh! Ah! | 0:38:04 | 0:38:05 | |
Shut up. Or I'm out. | 0:38:05 | 0:38:07 | |
FOOTSTEPS ABOVE | 0:38:07 | 0:38:10 | |
Shh-shh. | 0:38:18 | 0:38:19 | |
FOOTSTEPS ON STAIRS | 0:38:19 | 0:38:20 | |
OK, so, let's, uh... | 0:38:26 | 0:38:29 | |
..let's just be calm. | 0:38:30 | 0:38:32 | |
ERIC! | 0:38:32 | 0:38:34 | |
No need-no need for anybody to | 0:38:36 | 0:38:38 | |
freak out here. | 0:38:38 | 0:38:39 | |
Stop. | 0:38:41 | 0:38:42 | |
OK. | 0:38:42 | 0:38:44 | |
Who are you? | 0:38:44 | 0:38:45 | |
-How'd you find us? -I didn't, uh, | 0:38:45 | 0:38:48 | |
I didn't find you, uh... | 0:38:48 | 0:38:49 | |
Let's just take a breath here, OK? | 0:38:51 | 0:38:53 | |
Shoot him. | 0:38:53 | 0:38:54 | |
No, no. No, no. I-I... | 0:38:54 | 0:38:56 | |
I picked the wrong house. | 0:38:57 | 0:38:59 | |
OK? That's what's happening here. | 0:38:59 | 0:39:00 | |
I-I came for the guitar. | 0:39:00 | 0:39:02 | |
Eric, you have to shoot him! | 0:39:02 | 0:39:03 | |
You're a burglar? | 0:39:05 | 0:39:06 | |
Well done, burglar. | 0:39:11 | 0:39:12 | |
-Jackpot. -Shoot him! | 0:39:12 | 0:39:14 | |
I got a lookout waiting outside in the car. | 0:39:14 | 0:39:16 | |
He's waiting for me. | 0:39:20 | 0:39:22 | |
If you fire the gun, | 0:39:22 | 0:39:23 | |
he hears it. | 0:39:23 | 0:39:24 | |
You're lying. What's his name? | 0:39:25 | 0:39:28 | |
Aiden. | 0:39:28 | 0:39:29 | |
It's Aiden. | 0:39:29 | 0:39:30 | |
You know how I know you're not telling the truth? | 0:39:30 | 0:39:32 | |
Ah! | 0:39:32 | 0:39:33 | |
HE LAUGHS | 0:39:48 | 0:39:50 | |
I swear I will kill her. | 0:39:52 | 0:39:53 | |
There's no one outside, Keith. | 0:39:54 | 0:39:57 | |
You know how I know? | 0:39:57 | 0:39:59 | |
"I picked the wrong house" | 0:39:59 | 0:40:01 | |
and then he switched. | 0:40:01 | 0:40:02 | |
Then he switched to "we". | 0:40:02 | 0:40:03 | |
But there is no "we" Keith, so I can shoot | 0:40:03 | 0:40:05 | |
and no one will hear. | 0:40:05 | 0:40:07 | |
I swear. | 0:40:07 | 0:40:09 | |
Move back or I'll kill her. | 0:40:09 | 0:40:11 | |
I wonder if you've got the strength to do that, Keith. | 0:40:11 | 0:40:13 | |
In your state? | 0:40:13 | 0:40:15 | |
To push that screwdriver through her neck? | 0:40:15 | 0:40:18 | |
It's tougher than you think, flesh is. | 0:40:18 | 0:40:20 |