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-Previously... -Just please tell me why you're doing this. | 0:00:02 | 0:00:04 | |
You should be happy. You were going to die tonight. | 0:00:04 | 0:00:08 | |
That's Katie's. Where did you find it? | 0:00:08 | 0:00:10 | |
On Windigo Island, near the mineshaft. | 0:00:10 | 0:00:12 | |
She promised things would return to normal when she's back in Financial. | 0:00:12 | 0:00:15 | |
What do you mean, when she's back in Financial? | 0:00:15 | 0:00:17 | |
Her transfer to CIS, it's some assignment. | 0:00:17 | 0:00:18 | |
You didn't know that? | 0:00:18 | 0:00:20 | |
My suspect cashed in chips four nights ago. | 0:00:20 | 0:00:22 | |
Do you think you could get your hands on some of the money? | 0:00:22 | 0:00:24 | |
Just some serial numbers. | 0:00:24 | 0:00:26 | |
That's fresh money, straight from the bank. | 0:00:26 | 0:00:28 | |
-Why would you launder new bills? -My wife has bipolar disorder. | 0:00:28 | 0:00:30 | |
It's hard for Kelly to see her like this. | 0:00:30 | 0:00:32 | |
This programme contains some violent scenes and some scenes which some viewers may find upsetting | 0:00:32 | 0:00:38 | |
Woodrow "Woody" Baldwin. Our thief follows his targets home | 0:00:38 | 0:00:40 | |
with their new stuff, then he hits their house later. | 0:00:40 | 0:00:42 | |
-Untie me! Untie me! -Shh, shh, shh. | 0:00:42 | 0:00:44 | |
ERIC! | 0:00:44 | 0:00:46 | |
I came for the guitar. | 0:00:46 | 0:00:48 | |
Ugh! | 0:00:48 | 0:00:50 | |
GRUNTING | 0:00:50 | 0:00:51 | |
THUMP | 0:00:51 | 0:00:53 | |
MUSIC: Familiar by Agnes Obel | 0:01:01 | 0:01:03 | |
# Took a walk to the summit at night | 0:01:03 | 0:01:06 | |
# You and I | 0:01:06 | 0:01:09 | |
# To burn a hole in the old grip of the familiar | 0:01:09 | 0:01:13 | |
# You and I | 0:01:13 | 0:01:16 | |
# And the dark was opening wide | 0:01:16 | 0:01:20 | |
# Do or die... # | 0:01:20 | 0:01:23 | |
SCRUBBING | 0:01:31 | 0:01:33 | |
HEAVY BREATHING | 0:01:41 | 0:01:43 | |
HEAVY BREATHING CONTINUES | 0:01:46 | 0:01:48 | |
SCRUBBING | 0:01:51 | 0:01:53 | |
KEYS JIGGLING | 0:01:53 | 0:01:54 | |
Found his truck. | 0:01:54 | 0:01:55 | |
Edie. | 0:01:58 | 0:02:00 | |
It's OK. Hey. | 0:02:02 | 0:02:03 | |
Nothing changes. | 0:02:04 | 0:02:06 | |
We're still going to finish Keith. | 0:02:06 | 0:02:08 | |
We just can't do it here. | 0:02:12 | 0:02:14 | |
Why not? | 0:02:14 | 0:02:15 | |
Because of him. | 0:02:15 | 0:02:17 | |
If someone misses him, | 0:02:17 | 0:02:18 | |
if someone knows where he went last night... | 0:02:18 | 0:02:20 | |
Maybe someone saw his truck out front. | 0:02:20 | 0:02:23 | |
Can't take that chance. | 0:02:23 | 0:02:24 | |
What are you looking at, Keith? | 0:02:26 | 0:02:28 | |
Where will we go? | 0:02:28 | 0:02:29 | |
I know a place. I do my photos there. | 0:02:33 | 0:02:35 | |
It's safe. It's clean. | 0:02:35 | 0:02:36 | |
No-one's there. | 0:02:36 | 0:02:38 | |
Eric? | 0:02:41 | 0:02:43 | |
Eric. | 0:02:43 | 0:02:45 | |
Maybe we should just stop. | 0:02:45 | 0:02:46 | |
Maybe we should just be done. | 0:02:48 | 0:02:50 | |
How does that go? | 0:02:53 | 0:02:55 | |
I mean, how-how does that go? | 0:02:56 | 0:02:57 | |
How does that go? | 0:02:57 | 0:02:59 | |
We just wipe the slate clean? | 0:02:59 | 0:03:01 | |
Just keep your head. | 0:03:47 | 0:03:48 | |
It's just a normal day. | 0:03:49 | 0:03:51 | |
You go to work, get the drugs. | 0:03:51 | 0:03:53 | |
I'll get the new place set up. | 0:03:53 | 0:03:54 | |
We'll take Keith there tonight, after dark, OK? | 0:03:54 | 0:03:56 | |
There's no excuse, | 0:04:00 | 0:04:03 | |
but right when we decided to start trying... | 0:04:03 | 0:04:07 | |
I got this assignment. | 0:04:07 | 0:04:09 | |
I knew the transfer was coming. | 0:04:09 | 0:04:11 | |
New department. | 0:04:13 | 0:04:15 | |
New partner. | 0:04:15 | 0:04:16 | |
It all felt like too much. | 0:04:20 | 0:04:21 | |
So you started taking them again? | 0:04:25 | 0:04:26 | |
I never stopped. | 0:04:31 | 0:04:32 | |
I know it's wrong. | 0:04:41 | 0:04:43 | |
You could have said no to the assignment. | 0:04:45 | 0:04:48 | |
It's a delay. | 0:04:48 | 0:04:49 | |
That's all. | 0:04:50 | 0:04:52 | |
Just to get through this. | 0:04:52 | 0:04:53 | |
I'm tired of being the one fighting for us, Lise. | 0:04:58 | 0:05:01 | |
If this isn't something that you want, | 0:05:05 | 0:05:07 | |
you need to say so. | 0:05:07 | 0:05:08 | |
It is. | 0:05:13 | 0:05:14 | |
I ran the numbers twice. | 0:05:20 | 0:05:22 | |
The money Cardinal used to buy chips is straight from the bank. | 0:05:22 | 0:05:25 | |
It doesn't come from Corbett. | 0:05:25 | 0:05:27 | |
He's laundering his own money? | 0:05:27 | 0:05:29 | |
Clean money? | 0:05:29 | 0:05:30 | |
Why? | 0:05:30 | 0:05:31 | |
Same reason you'd launder dirty money. | 0:05:31 | 0:05:34 | |
You disrupt the connection to the source. | 0:05:36 | 0:05:37 | |
It means he's not getting payoffs. | 0:05:37 | 0:05:39 | |
No, it means he's paying someone, | 0:05:39 | 0:05:42 | |
someone he doesn't want to be associated with. | 0:05:42 | 0:05:45 | |
So he's covering his tracks. | 0:05:45 | 0:05:48 | |
God, this is good, Delorme. | 0:05:48 | 0:05:50 | |
This is confirmation. | 0:05:50 | 0:05:51 | |
I don't see it. | 0:05:51 | 0:05:52 | |
Look, Cardinal tipped off Corbett. | 0:05:52 | 0:05:54 | |
That part we know. | 0:05:54 | 0:05:56 | |
He got a cop killed. | 0:05:56 | 0:05:57 | |
That's a hell of a secret. | 0:05:57 | 0:05:58 | |
That's the kind of secret that you pay to keep quiet. | 0:05:58 | 0:06:01 | |
Come on, what is it? | 0:06:04 | 0:06:06 | |
I don't know. | 0:06:06 | 0:06:07 | |
I've worked with Cardinal now. | 0:06:10 | 0:06:11 | |
I wonder if he'd do it. | 0:06:18 | 0:06:19 | |
You said it yourself - | 0:06:19 | 0:06:21 | |
"would he" doesn't matter. | 0:06:21 | 0:06:22 | |
-WHISPERING: -Because he did. | 0:06:31 | 0:06:32 | |
You did good work, Delorme. | 0:06:32 | 0:06:35 | |
You find out who this guy is paying off, we've got him. | 0:06:35 | 0:06:37 | |
John. | 0:06:59 | 0:07:01 | |
You know how stupid it is to come here? | 0:07:04 | 0:07:06 | |
How'd you find my house? | 0:07:08 | 0:07:10 | |
Followed you from the station yesterday. | 0:07:10 | 0:07:14 | |
Drove all over this pretty little town. | 0:07:14 | 0:07:16 | |
Do you even know how to use that thing? | 0:07:18 | 0:07:20 | |
I don't think it's very complicated. | 0:07:21 | 0:07:23 | |
What's this? | 0:07:59 | 0:08:00 | |
Everything I could manage short of selling my house. | 0:08:00 | 0:08:03 | |
Will you walk out of here with that? | 0:08:04 | 0:08:07 | |
I never want to see you again. | 0:08:07 | 0:08:08 | |
I didn't agree to a buy-out. | 0:08:11 | 0:08:13 | |
Six months ago... | 0:08:13 | 0:08:15 | |
..I caught this case. | 0:08:17 | 0:08:19 | |
Katie Pine, a missing 12-year-old girl - | 0:08:20 | 0:08:23 | |
it was my job to find her. | 0:08:23 | 0:08:27 | |
But I didn't ask the right questions, | 0:08:29 | 0:08:31 | |
didn't look in the right corners. | 0:08:31 | 0:08:33 | |
And the man who did that... | 0:08:36 | 0:08:38 | |
..hasn't stopped. | 0:08:41 | 0:08:42 | |
Are you trying to put this on me? | 0:08:45 | 0:08:48 | |
I can't do this any more. | 0:08:55 | 0:08:56 | |
What about the dead cop? | 0:08:58 | 0:09:00 | |
You don't care about him any more? | 0:09:00 | 0:09:01 | |
More than you'll ever know. | 0:09:04 | 0:09:06 | |
So you'll keep paying, | 0:09:06 | 0:09:09 | |
or I'll tell the world. | 0:09:09 | 0:09:10 | |
My partner's investigating me. | 0:09:10 | 0:09:13 | |
If we keep this up, | 0:09:13 | 0:09:15 | |
we'll be caught. | 0:09:15 | 0:09:17 | |
I have no doubt. | 0:09:17 | 0:09:18 | |
Is he any good? | 0:09:18 | 0:09:19 | |
She is, yeah. | 0:09:21 | 0:09:23 | |
You know, for a second there, | 0:09:27 | 0:09:29 | |
I thought you were making a plea from the heart, | 0:09:29 | 0:09:32 | |
but you're just afraid of getting caught, | 0:09:32 | 0:09:34 | |
just like everybody else. | 0:09:34 | 0:09:36 | |
Take the money. | 0:09:36 | 0:09:38 | |
Never come back. | 0:09:38 | 0:09:40 | |
DOOR CLOSES | 0:09:59 | 0:10:01 | |
HE EXHALES | 0:10:03 | 0:10:05 | |
GUNSHOT ECHOES | 0:10:13 | 0:10:15 | |
PHONE RINGS | 0:10:50 | 0:10:52 | |
Hey, kiddo. | 0:10:57 | 0:10:58 | |
What? You're here? You're here now? | 0:11:00 | 0:11:03 | |
Well, I don't understand. I thought you were... | 0:11:04 | 0:11:06 | |
What about class? | 0:11:06 | 0:11:09 | |
Well, sure, sure. | 0:11:09 | 0:11:10 | |
I'll-I'll-I'll come pick you up. I'll be right there. | 0:11:10 | 0:11:12 | |
-Hey. -Hey. | 0:11:13 | 0:11:16 | |
You should have told me you were coming. | 0:11:16 | 0:11:18 | |
I'd have got you a flight. | 0:11:18 | 0:11:19 | |
You would have said not to come. | 0:11:19 | 0:11:21 | |
That's OK. | 0:11:21 | 0:11:22 | |
Anyway, I like the bus. | 0:11:22 | 0:11:23 | |
Well, it's just, uh, it's not a great time, Kel. | 0:11:23 | 0:11:26 | |
I know. | 0:11:26 | 0:11:27 | |
I saw the news. | 0:11:27 | 0:11:29 | |
I thought you could use some company. | 0:11:29 | 0:11:32 | |
Hey, what's a Form 1? | 0:11:32 | 0:11:33 | |
Why do you ask? | 0:11:33 | 0:11:36 | |
Cos that's what Mum is. | 0:11:36 | 0:11:37 | |
According to the nurse who wouldn't let me speak to her, | 0:11:37 | 0:11:40 | |
she's a Form 1. | 0:11:40 | 0:11:41 | |
It's just, uh, | 0:11:45 | 0:11:47 | |
it's just the way they-they keep track. | 0:11:47 | 0:11:49 | |
Dad, I came all the way here. | 0:11:49 | 0:11:52 | |
Form 1 means that she's a... | 0:11:55 | 0:11:59 | |
a danger to herself and possibly to other people. | 0:11:59 | 0:12:02 | |
So she's in the hospital involuntarily. | 0:12:02 | 0:12:06 | |
So is it as bad as it's ever been? | 0:12:08 | 0:12:10 | |
That's not what you said. | 0:12:11 | 0:12:12 | |
PHONE RINGS | 0:12:12 | 0:12:15 | |
I want to see her. | 0:12:15 | 0:12:16 | |
PHONE CONTINUES RINGING | 0:12:16 | 0:12:20 | |
Cardinal. | 0:12:20 | 0:12:21 | |
White male, 40s, | 0:12:21 | 0:12:23 | |
dumped sometime last night or early this morning. | 0:12:23 | 0:12:25 | |
Well, that's way too old to be Keith London, | 0:12:25 | 0:12:28 | |
so who is this? | 0:12:28 | 0:12:29 | |
No ID yet, | 0:12:29 | 0:12:30 | |
but I'm guessing it's connected to the burnt-out truck | 0:12:30 | 0:12:33 | |
my boys found off Mukwa Road. | 0:12:33 | 0:12:35 | |
Any sign of torture? | 0:12:35 | 0:12:37 | |
It's hard to say yet. | 0:12:37 | 0:12:38 | |
He's wrapped up pretty good, | 0:12:38 | 0:12:41 | |
but it does look like he was tortured. | 0:12:41 | 0:12:43 | |
IDENT found it nearby. | 0:12:46 | 0:12:47 | |
Our corpse has all ten of his, so they're running the print. | 0:12:49 | 0:12:53 | |
Tell me you're up for this right now, John. | 0:13:01 | 0:13:03 | |
What's on your mind, Jer? | 0:13:09 | 0:13:11 | |
If more had been done to stop this guy | 0:13:13 | 0:13:15 | |
back when it was just an Indian girl, | 0:13:15 | 0:13:17 | |
none of this would be happening. | 0:13:17 | 0:13:18 | |
I defended you more times than you know, | 0:13:20 | 0:13:23 | |
even when it cost me. | 0:13:23 | 0:13:24 | |
I said you were one of the good ones, clean... | 0:13:24 | 0:13:28 | |
Maybe I'm a fool. | 0:13:29 | 0:13:30 | |
Your partner's here. | 0:13:38 | 0:13:39 | |
Cardinal? | 0:14:04 | 0:14:07 | |
It's our B&E suspect. | 0:14:07 | 0:14:08 | |
It's Woody Baldwin. | 0:14:13 | 0:14:15 | |
MACHINE CREAKS | 0:14:17 | 0:14:19 | |
Damn it. | 0:14:59 | 0:15:01 | |
FOOTSTEPS THUMP | 0:15:01 | 0:15:03 | |
Edie, what's going on? | 0:15:11 | 0:15:13 | |
I... I dropped my earring. | 0:15:13 | 0:15:15 | |
Jesus. | 0:15:16 | 0:15:18 | |
There it is. | 0:15:18 | 0:15:20 | |
What happened to you? | 0:15:20 | 0:15:21 | |
Oh, it's, uh, it's stupid, I tripped on the steps at my house. | 0:15:21 | 0:15:26 | |
I, um, hit my head on the railing. | 0:15:26 | 0:15:30 | |
You need to see a doctor. | 0:15:30 | 0:15:33 | |
I did. | 0:15:33 | 0:15:34 | |
He said I'm fine. | 0:15:34 | 0:15:35 | |
You should go home. | 0:15:35 | 0:15:37 | |
Rest. | 0:15:37 | 0:15:38 | |
I'll get someone to cover for you. | 0:15:38 | 0:15:40 | |
OK. | 0:15:40 | 0:15:41 | |
CAMERA SHUTTER CLICKS | 0:15:46 | 0:15:48 | |
KNOCKING | 0:15:50 | 0:15:52 | |
Hello, hello. | 0:15:52 | 0:15:53 | |
Here you go. | 0:15:57 | 0:15:58 | |
I have some good news. | 0:16:00 | 0:16:01 | |
Your daughter called. | 0:16:02 | 0:16:04 | |
She's coming by. | 0:16:04 | 0:16:05 | |
Kelly's here? | 0:16:06 | 0:16:08 | |
And the doctor thinks | 0:16:08 | 0:16:10 | |
it'll be nice for you to spend some time together. | 0:16:10 | 0:16:13 | |
She sounds so grown-up. | 0:16:16 | 0:16:19 | |
How old is she now? | 0:16:19 | 0:16:20 | |
Um, 16? | 0:16:20 | 0:16:21 | |
Catherine. | 0:16:24 | 0:16:26 | |
Uh, she's 17. | 0:16:26 | 0:16:27 | |
Well... | 0:16:29 | 0:16:33 | |
it'll be nice to see her. | 0:16:33 | 0:16:35 | |
CAMERA SHUTTER CLICKS | 0:16:35 | 0:16:37 | |
Yeah, thanks. | 0:16:37 | 0:16:38 | |
The finger belongs to Keith London. | 0:16:41 | 0:16:42 | |
Make this make sense to me. | 0:16:42 | 0:16:44 | |
Woody was on the job. He hit the wrong house. | 0:16:46 | 0:16:48 | |
He paid with his life. | 0:16:48 | 0:16:50 | |
This is a quick kill, hasty disposal. | 0:16:50 | 0:16:53 | |
I think the killer was surprised | 0:16:53 | 0:16:56 | |
and he's off-plan. | 0:16:56 | 0:16:57 | |
He'll make a mistake. | 0:16:57 | 0:16:58 | |
Talk to Woody Baldwin's wife. | 0:16:59 | 0:17:01 | |
I'm so sorry about last night. | 0:17:07 | 0:17:10 | |
I don't know what Josh was thinking, coming to your place. | 0:17:10 | 0:17:13 | |
He told me he, um... | 0:17:14 | 0:17:16 | |
He shared some stuff. | 0:17:16 | 0:17:18 | |
It's none of my business. | 0:17:18 | 0:17:20 | |
You must think I'm an asshole. | 0:17:20 | 0:17:22 | |
Whatever else is going on in your life, | 0:17:22 | 0:17:26 | |
park it. | 0:17:26 | 0:17:27 | |
TRAIN WHISTLES | 0:17:28 | 0:17:31 | |
CAR DOORS CLOSE | 0:17:31 | 0:17:33 | |
Mrs Baldwin, I'm Detective Cardinal and this is Detective Delorme. | 0:17:54 | 0:17:58 | |
SHE SOBS | 0:17:58 | 0:18:00 | |
When he didn't come home, I, uh... | 0:18:04 | 0:18:06 | |
We had had a disagreement, | 0:18:09 | 0:18:11 | |
and I just thought that he was blowing off steam. | 0:18:11 | 0:18:14 | |
Do you have any idea where he went last night? | 0:18:15 | 0:18:18 | |
No, no... | 0:18:18 | 0:18:20 | |
Mrs Baldwin, | 0:18:22 | 0:18:25 | |
we think your husband was working last night, | 0:18:25 | 0:18:28 | |
that he was robbing houses. | 0:18:28 | 0:18:30 | |
I don't know, I just... | 0:18:32 | 0:18:33 | |
Mrs Baldwin, we need to find who did this. | 0:18:33 | 0:18:38 | |
I begged him to stop. I-I did, I just... | 0:18:42 | 0:18:44 | |
We think it's possible | 0:18:44 | 0:18:46 | |
that your husband broke into that person's house. | 0:18:46 | 0:18:49 | |
He checked things online. | 0:18:57 | 0:18:59 | |
He researched them to see what they were worth. | 0:18:59 | 0:19:01 | |
OK, here we are. | 0:19:01 | 0:19:02 | |
Yesterday's history. | 0:19:02 | 0:19:04 | |
A whole bunch of searches for Ovation, | 0:19:05 | 0:19:07 | |
Keith's guitar. | 0:19:07 | 0:19:08 | |
OK, so he spots Keith with the guitar | 0:19:08 | 0:19:10 | |
or spots the killer himself | 0:19:10 | 0:19:11 | |
who's taken the guitar from Keith. | 0:19:11 | 0:19:13 | |
Follows him home. | 0:19:13 | 0:19:14 | |
We know Woody found his targets at the mall. | 0:19:14 | 0:19:16 | |
Why does the killer take the guitar to the mall? | 0:19:16 | 0:19:19 | |
Try to resell it? Get it appraised? | 0:19:19 | 0:19:21 | |
There's a music store at the South Ridge Mall. | 0:19:22 | 0:19:25 | |
-KNOCKING -Catherine? | 0:19:25 | 0:19:28 | |
You have a special visitor. | 0:19:28 | 0:19:30 | |
-Catherine? -KNOCKING | 0:19:32 | 0:19:35 | |
Maybe she's in the common room? | 0:19:46 | 0:19:47 | |
No, I was just there. | 0:19:47 | 0:19:49 | |
Catherine, are you in there? | 0:19:53 | 0:19:54 | |
HE SIGHS | 0:20:04 | 0:20:07 | |
What? What is it? | 0:20:07 | 0:20:08 | |
Her coat and boots are gone. | 0:20:08 | 0:20:10 | |
-Hi. Can I help you? -Hi. | 0:20:15 | 0:20:16 | |
I'm Detective Delorme. Detective Cardinal. | 0:20:16 | 0:20:19 | |
We need to know if a customer brought in | 0:20:19 | 0:20:21 | |
an Ovation guitar last night, maybe to sell or repair. | 0:20:21 | 0:20:24 | |
No. Well, not a customer. | 0:20:24 | 0:20:26 | |
Well, you've seen one? | 0:20:26 | 0:20:28 | |
Yeah. One of my staff just bought one, brought it in to restring it. | 0:20:28 | 0:20:30 | |
-Why? What's up? -An employee? What's his name? | 0:20:30 | 0:20:33 | |
Eric Fraser. | 0:20:33 | 0:20:35 | |
Ah, the guitar's hot, isn't it? | 0:20:35 | 0:20:37 | |
Is, uh, Eric here? | 0:20:37 | 0:20:39 | |
No. Not till tomorrow. | 0:20:39 | 0:20:40 | |
Look, I'm going to need you to call him | 0:20:40 | 0:20:42 | |
and tell him he has to come in to... | 0:20:42 | 0:20:44 | |
to fill in for someone. | 0:20:44 | 0:20:45 | |
I can't. He doesn't believe in cellphones. | 0:20:45 | 0:20:48 | |
Some kind of, I don't know, philosophical objection. | 0:20:48 | 0:20:51 | |
-We'll need his address. -Yeah, sure. Give me a sec. | 0:20:51 | 0:20:53 | |
Look, I'm going to post someone here. | 0:20:53 | 0:20:56 | |
If Eric happens to come before the officer arrives, | 0:20:56 | 0:20:59 | |
I want you not to tell him we were here. | 0:20:59 | 0:21:01 | |
Do you understand? | 0:21:01 | 0:21:02 | |
You just step away and call me. | 0:21:02 | 0:21:04 | |
All right, I'll get a patrol here. | 0:21:06 | 0:21:08 | |
Call Flower, see what CPIC has on Fraser. | 0:21:08 | 0:21:11 | |
What? | 0:21:17 | 0:21:18 | |
Katie Pine was here. | 0:21:22 | 0:21:23 | |
We've got him. | 0:21:29 | 0:21:30 | |
Good afternoon. | 0:21:30 | 0:21:31 | |
We begin this hour with breaking news. | 0:21:31 | 0:21:33 | |
Algonquin Bay Police are investigating a suspicious death | 0:21:33 | 0:21:37 | |
following the discovery of a man's body this morning. | 0:21:37 | 0:21:39 | |
The man was found in the woods near Hartley Road around 9am | 0:21:39 | 0:21:43 | |
and was pronounced dead at the scene. | 0:21:43 | 0:21:45 | |
The victim's identity is being withheld, | 0:21:45 | 0:21:47 | |
but an ABPD spokesman described him as known to police. | 0:21:47 | 0:21:51 | |
How could this happen? | 0:21:51 | 0:21:52 | |
Don't worry, OK? | 0:21:52 | 0:21:54 | |
We're going to find her. | 0:21:54 | 0:21:55 | |
Hey. I checked around the building. | 0:21:56 | 0:21:58 | |
She's not on the grounds. | 0:21:58 | 0:21:59 | |
Your mum's been doing really well. She'll be OK. | 0:22:00 | 0:22:03 | |
Yeah, well, she couldn't have gone far, | 0:22:03 | 0:22:04 | |
but I'll drive around, take a look around. | 0:22:04 | 0:22:06 | |
I'm coming with you. | 0:22:06 | 0:22:07 | |
Eric Fraser, two charges of mischief, | 0:22:09 | 0:22:11 | |
one in Sault Ste Marie and one in Markham, | 0:22:11 | 0:22:14 | |
and two years ago a theft charge, Markham again. | 0:22:14 | 0:22:17 | |
It got him 90 days in Algoma. | 0:22:19 | 0:22:22 | |
Family? | 0:22:22 | 0:22:23 | |
None listed. | 0:22:23 | 0:22:24 | |
You've done this before? | 0:22:28 | 0:22:30 | |
Lots of times... | 0:22:30 | 0:22:33 | |
at the range. | 0:22:33 | 0:22:34 | |
Yeah, saw him come in earlier. | 0:22:34 | 0:22:36 | |
Why? Is he in, uh... Is he in some kind of trouble? | 0:22:36 | 0:22:38 | |
He's right up there. | 0:22:44 | 0:22:45 | |
Number four. | 0:22:45 | 0:22:46 | |
-The doorbell doesn't work. -OK. | 0:22:48 | 0:22:50 | |
Mr Fraser? | 0:22:56 | 0:22:57 | |
Mr Fraser! | 0:23:01 | 0:23:03 | |
No? | 0:23:21 | 0:23:22 | |
No. | 0:23:24 | 0:23:26 | |
It's too small. | 0:23:31 | 0:23:33 | |
There's not enough space. | 0:23:33 | 0:23:34 | |
No, and too public. | 0:23:34 | 0:23:36 | |
Up and down those stairs with his victims... | 0:23:36 | 0:23:39 | |
No. He must have another space. | 0:23:39 | 0:23:42 | |
Get a BOLO out. | 0:23:42 | 0:23:44 | |
Yeah. | 0:23:44 | 0:23:45 | |
PHONE RINGS | 0:23:45 | 0:23:47 | |
Hello? | 0:23:52 | 0:23:54 | |
Is the basement clean? | 0:23:54 | 0:23:56 | |
Yeah. | 0:23:56 | 0:23:57 | |
You flushed the drains? You did everything I said? | 0:23:57 | 0:23:59 | |
Yeah. I did. | 0:23:59 | 0:24:01 | |
Listen to me... | 0:24:01 | 0:24:02 | |
What's wrong? | 0:24:02 | 0:24:03 | |
You need to get Keith out of your house. | 0:24:03 | 0:24:05 | |
What? | 0:24:05 | 0:24:07 | |
They found the thief's body. | 0:24:07 | 0:24:09 | |
How? | 0:24:11 | 0:24:12 | |
I don't know, | 0:24:12 | 0:24:14 | |
but it could lead the police to your place. | 0:24:14 | 0:24:16 | |
Edie. | 0:24:18 | 0:24:20 | |
Edie... | 0:24:20 | 0:24:22 | |
It doesn't matter, because they won't find anything, | 0:24:22 | 0:24:24 | |
because you're going to get him out of there. | 0:24:24 | 0:24:26 | |
I can't. | 0:24:26 | 0:24:28 | |
I can't lift him. | 0:24:28 | 0:24:29 | |
I'm 20 minutes away from your place. | 0:24:31 | 0:24:34 | |
This has to happen now. | 0:24:34 | 0:24:36 | |
You can do it. | 0:24:36 | 0:24:37 | |
I... | 0:24:37 | 0:24:39 | |
I believe in you. | 0:24:39 | 0:24:41 | |
You can't blame yourself for this. | 0:24:51 | 0:24:53 | |
I stress her out. | 0:24:53 | 0:24:55 | |
Hey, everyone stresses out their mum. | 0:24:55 | 0:24:58 | |
I know I do. | 0:24:58 | 0:25:00 | |
Does your mum run off into the snow? | 0:25:00 | 0:25:02 | |
Sorry. It's just... | 0:25:07 | 0:25:10 | |
everyone thinks that they have advice. | 0:25:10 | 0:25:12 | |
Fraser drives a red van. | 0:25:15 | 0:25:17 | |
BOLO's gone out with the tags. | 0:25:17 | 0:25:19 | |
Do you want an IDENT team here? | 0:25:19 | 0:25:21 | |
Yeah. | 0:25:21 | 0:25:22 | |
Why don't we park the whole circus out front | 0:25:22 | 0:25:24 | |
so he can see us from blocks away(?) | 0:25:24 | 0:25:26 | |
Any other bright ideas? | 0:25:26 | 0:25:27 | |
Hey. I'm just as frustrated as you are. | 0:25:29 | 0:25:32 | |
Somehow I doubt it. | 0:25:32 | 0:25:33 | |
Is there something on your mind? | 0:25:38 | 0:25:40 | |
Yeah. That kid out there, who's probably already dead, | 0:25:40 | 0:25:43 | |
and I'm going to carry that around for the rest of my days. | 0:25:43 | 0:25:46 | |
Are you? Or are you moving on? | 0:25:46 | 0:25:48 | |
What is this, a pain contest? | 0:25:48 | 0:25:49 | |
Because I concede. | 0:25:50 | 0:25:52 | |
You are an asshole, | 0:25:52 | 0:25:53 | |
to answer your question. | 0:25:53 | 0:25:55 | |
You don't back into this job, Delorme. | 0:25:56 | 0:25:58 | |
You don't half-ass it until something better comes along. | 0:25:58 | 0:26:01 | |
Maybe that worked in Financial, maybe it works at home, | 0:26:01 | 0:26:05 | |
but not here. | 0:26:05 | 0:26:07 | |
Because your focus is 100%(!) | 0:26:08 | 0:26:10 | |
Whatever you think you're looking for, | 0:26:13 | 0:26:17 | |
there's nothing to find. | 0:26:17 | 0:26:18 | |
Where are you going? | 0:26:21 | 0:26:23 | |
To call Eric Fraser's parole officer. | 0:26:23 | 0:26:25 | |
SHE SPEAKS OWN LANGUAGE | 0:26:27 | 0:26:29 | |
EDIE GRUNTS | 0:26:31 | 0:26:33 | |
GRUNTING | 0:26:40 | 0:26:42 | |
SHE BREATHES HEAVILY | 0:26:46 | 0:26:48 | |
HEARBEAT THUMPS | 0:27:26 | 0:27:30 | |
All right, you've got it. | 0:27:30 | 0:27:31 | |
What's this? | 0:27:35 | 0:27:37 | |
One batch labelled "October" - | 0:27:38 | 0:27:40 | |
that's Katie Pine. | 0:27:40 | 0:27:43 | |
One labelled "January" - | 0:27:43 | 0:27:45 | |
Todd Curry. | 0:27:45 | 0:27:46 | |
Nothing for this month. | 0:27:49 | 0:27:51 | |
No Keith. | 0:27:51 | 0:27:52 | |
He hasn't finished with him yet. | 0:27:53 | 0:27:55 | |
And they're all close-ups - | 0:27:59 | 0:28:00 | |
could be taken anywhere. | 0:28:00 | 0:28:01 | |
Yeah, but where does he process them? | 0:28:01 | 0:28:03 | |
He needs space, power, water... | 0:28:03 | 0:28:06 | |
Not some hole in the ground. | 0:28:06 | 0:28:07 | |
What? | 0:28:09 | 0:28:11 | |
The parole officer said he worked at the music store | 0:28:11 | 0:28:13 | |
for the last eight months, and before that | 0:28:13 | 0:28:16 | |
as a night guard at Holder Security. | 0:28:16 | 0:28:18 | |
That's the same company as Maureen LaBelle. | 0:28:20 | 0:28:22 | |
That's where he spotted Billy LaBelle. | 0:28:22 | 0:28:24 | |
And he'd have access to properties, | 0:28:24 | 0:28:27 | |
empty buildings, warehouses... | 0:28:27 | 0:28:29 | |
So we need a vacant space that was under contract to Holder Security | 0:28:29 | 0:28:33 | |
while Eric was working for them. | 0:28:33 | 0:28:36 | |
There can't be that many. | 0:28:36 | 0:28:37 | |
KEITH WHIMPERS | 0:28:39 | 0:28:41 | |
Please make it stop. | 0:28:45 | 0:28:46 | |
Please. I'm scared. | 0:28:48 | 0:28:50 | |
HE WHIMPERS | 0:28:50 | 0:28:52 | |
There. Stop. That's her. | 0:28:59 | 0:29:00 | |
Mum? | 0:29:09 | 0:29:11 | |
Honey? | 0:29:12 | 0:29:14 | |
What are you doing here? | 0:29:14 | 0:29:15 | |
Mum, you scared me. | 0:29:15 | 0:29:17 | |
I just... I wanted to clear my head. | 0:29:19 | 0:29:22 | |
I couldn't talk myself into going back. | 0:29:22 | 0:29:24 | |
Your hands must be freezing. | 0:29:27 | 0:29:28 | |
Restraints... | 0:29:34 | 0:29:37 | |
from when they brought me in. | 0:29:37 | 0:29:38 | |
You shouldn't have to see me like this. | 0:29:40 | 0:29:42 | |
How's the ice this year? | 0:29:53 | 0:29:55 | |
It was late. | 0:29:59 | 0:30:01 | |
Fishing huts didn't go out till the end of January. | 0:30:01 | 0:30:04 | |
It looks solid now. | 0:30:06 | 0:30:08 | |
He's here. | 0:30:40 | 0:30:41 | |
Dispatch, this is DC Delorme. | 0:30:44 | 0:30:46 | |
We need all available units to the Brandell School on Kildare Avenue. | 0:30:46 | 0:30:49 | |
Armed subject, possible hostage. | 0:30:49 | 0:30:51 | |
We need full ERT. | 0:30:51 | 0:30:53 | |
DISPATCH RADIO CHATTER | 0:30:53 | 0:30:55 | |
DOOR CREAKS | 0:31:14 | 0:31:16 | |
HE BREATHES HEAVILY | 0:31:50 | 0:31:52 | |
DOOR HANDLE CLANKS | 0:32:56 | 0:32:58 | |
-KEITH: -Please make it stop. | 0:33:24 | 0:33:25 | |
Please. | 0:33:26 | 0:33:28 | |
Please, I'm scared. | 0:33:38 | 0:33:40 | |
Please stop. | 0:33:41 | 0:33:43 | |
KEITH WHIMPERS | 0:33:43 | 0:33:45 | |
Please... | 0:33:48 | 0:33:49 | |
KEITH SOBS | 0:33:58 | 0:34:00 | |
Please, I'm scared. | 0:34:06 | 0:34:08 | |
Please stop. | 0:34:09 | 0:34:12 | |
KEITH WHIMPERS | 0:34:12 | 0:34:13 | |
-GUNSHOTS AND SCREAMS -Ah! | 0:34:13 | 0:34:16 | |
GUNSHOTS | 0:34:16 | 0:34:17 | |
Ah, it's in the vest! | 0:34:17 | 0:34:18 | |
Go! Go! | 0:34:18 | 0:34:19 | |
HE BREATHES HEAVILY | 0:34:21 | 0:34:23 | |
GUNSHOTS | 0:34:24 | 0:34:26 | |
HE PANTS | 0:34:28 | 0:34:30 | |
GUNSHOTS | 0:34:44 | 0:34:46 | |
HE BREATHES HEAVILY | 0:34:46 | 0:34:48 | |
GUNSHOT | 0:34:58 | 0:35:00 | |
HE PANTS | 0:35:13 | 0:35:15 | |
THUMPING | 0:35:20 | 0:35:22 | |
GUNSHOTS | 0:35:40 | 0:35:42 | |
GUNSHOTS AND MOANING | 0:35:51 | 0:35:54 | |
ENGINE STARTS | 0:35:54 | 0:35:56 | |
Ugh! | 0:35:56 | 0:35:57 | |
ENGINE REVS | 0:35:57 | 0:35:58 | |
GRUNTING | 0:35:58 | 0:36:00 | |
Ugh! | 0:36:02 | 0:36:03 | |
GUNSHOT | 0:36:03 | 0:36:05 | |
ENGINE REVS | 0:36:05 | 0:36:07 | |
GROANING | 0:36:09 | 0:36:12 | |
SCREAMING | 0:36:12 | 0:36:15 | |
STEAM HISSES | 0:36:15 | 0:36:17 | |
ERIC SPLUTTERS | 0:36:21 | 0:36:23 | |
Eric. | 0:36:30 | 0:36:31 | |
Where's Keith? | 0:36:34 | 0:36:36 | |
Where's Keith? | 0:36:42 | 0:36:43 | |
GUNSHOT | 0:36:53 | 0:36:54 | |
CARDINAL GRUNTS | 0:36:56 | 0:36:59 | |
-DELORME: -John! | 0:37:19 | 0:37:21 | |
We checked every inch of the school. | 0:37:34 | 0:37:37 | |
There's no sign of Keith London. | 0:37:37 | 0:37:38 | |
We're looking for a body, aren't we? | 0:37:40 | 0:37:41 | |
You should go to the hospital, | 0:37:44 | 0:37:46 | |
and get that looked at. | 0:37:46 | 0:37:47 | |
Are you OK? | 0:37:56 | 0:37:58 | |
Yeah. Nothing broken. | 0:37:58 | 0:37:59 | |
He's going to need a change of clothes. | 0:38:03 | 0:38:05 | |
Yeah. I'll get it. | 0:38:05 | 0:38:06 | |
SHE SOBS | 0:38:42 | 0:38:44 | |
Chateau Guay Motel... | 0:39:34 | 0:39:36 | |
CAMERA CLICKS | 0:39:40 | 0:39:42 | |
What happened? | 0:40:02 | 0:40:04 | |
They got Eric. | 0:40:04 | 0:40:06 | |
You don't have to do this. | 0:40:11 | 0:40:12 | |
I could tell them that he hurt you. | 0:40:15 | 0:40:16 | |
You can let me go. | 0:40:20 | 0:40:21 | |
Please... OK? You can let me go. | 0:40:26 | 0:40:28 | |
Please... | 0:40:30 | 0:40:31 | |
No. | 0:40:40 | 0:40:42 | |
I can't. | 0:40:42 | 0:40:44 | |
KEITH GROANS | 0:40:44 | 0:40:46 |