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This programme contains some violent scenes. | 0:00:02 | 0:00:03 | |
This programme contains some scenes which some viewers may find upsetting. | 0:00:03 | 0:00:07 | |
-Previously on Cardinal... -It's just a normal day. You go to work, get the drugs. | 0:00:07 | 0:00:10 | |
-I'll get the new place set up. -Edie, what's going on? -We're trying to have a kid. | 0:00:10 | 0:00:13 | |
-The joke's on me because I found these. -If this isn't something that you want, you need to say so. | 0:00:13 | 0:00:17 | |
-He got a cop killed. -He tipped them off, Delorme, and he erased the evidence. | 0:00:17 | 0:00:20 | |
-That's the kind of secret that you pay to keep quiet. -You walk out of here with that, | 0:00:20 | 0:00:23 | |
-I never want to see you again. -You find out who this guy is paying off, we got him. | 0:00:23 | 0:00:26 | |
Whatever you think you're looking for, there's nothing to find. | 0:00:26 | 0:00:29 | |
So, we need a vacant space while Eric was working for them. | 0:00:29 | 0:00:31 | |
There can't be that many. | 0:00:31 | 0:00:33 | |
GUNSHOTS | 0:00:33 | 0:00:35 | |
SCREAMING | 0:00:35 | 0:00:36 | |
Where's Keith? | 0:00:37 | 0:00:40 | |
GUNSHOTS | 0:00:40 | 0:00:41 | |
There's no sign of Keith London. We're looking for a body, aren't we? | 0:00:41 | 0:00:45 | |
-They got Eric. -You don't have to do this. | 0:00:45 | 0:00:47 | |
You can let me go. | 0:00:47 | 0:00:49 | |
I can't. | 0:00:49 | 0:00:51 | |
-Urgh! -Argh! | 0:00:51 | 0:00:53 | |
MUSIC: Familiar by Agnes Obel | 0:00:55 | 0:01:00 | |
# We took a walk to the summit at night, you and I | 0:01:00 | 0:01:06 | |
# To burn a hole in the old grip of the familiar, you and I | 0:01:06 | 0:01:12 | |
# And the dark was opening wide Do or die. # | 0:01:12 | 0:01:19 | |
The tools we found at the school had your son's blood on them. | 0:01:47 | 0:01:52 | |
But we are continuing our search. | 0:01:52 | 0:01:54 | |
I have volunteers coming in from Sudbury, | 0:01:54 | 0:01:57 | |
and dog teams are arriving this morning from Toronto. | 0:01:57 | 0:02:00 | |
But it's too late. | 0:02:00 | 0:02:01 | |
That's what you're saying, isn't it? | 0:02:01 | 0:02:04 | |
Keith is gone. | 0:02:04 | 0:02:07 | |
You are going to have to prepare for that possibility. | 0:02:07 | 0:02:10 | |
I'm Detective Delorme with the Algonquin Bay Police. | 0:02:27 | 0:02:30 | |
I'm going to need your guest list | 0:02:30 | 0:02:32 | |
and security footage for the past week. | 0:02:32 | 0:02:34 | |
Did they take your gun? | 0:02:42 | 0:02:45 | |
Ah, a man died. | 0:02:45 | 0:02:47 | |
There's procedures. | 0:02:47 | 0:02:49 | |
He was a serial killer. | 0:02:49 | 0:02:51 | |
You did your job. | 0:02:51 | 0:02:52 | |
They know that. | 0:02:52 | 0:02:55 | |
They should be giving you an award, not a grilling. | 0:02:55 | 0:02:58 | |
Well... | 0:02:58 | 0:02:59 | |
it will be over soon, | 0:02:59 | 0:03:01 | |
and then we can go see Mum. | 0:03:01 | 0:03:03 | |
I told her I was coming this morning. | 0:03:03 | 0:03:05 | |
I'll just take a cab over. | 0:03:06 | 0:03:08 | |
You need to let me be a part of this, Dad. | 0:03:12 | 0:03:15 | |
Can I ask you something? | 0:03:19 | 0:03:20 | |
And I want you to be honest with me. | 0:03:20 | 0:03:22 | |
Is there a dead raccoon in your freezer? | 0:03:32 | 0:03:35 | |
How would you describe your frame of mind yesterday? | 0:03:40 | 0:03:44 | |
Focused. | 0:03:44 | 0:03:46 | |
Nothing preoccupying you? | 0:03:46 | 0:03:48 | |
Nothing causing you undue stress or agitation? | 0:03:48 | 0:03:50 | |
I was fine. Fit for duty. | 0:03:50 | 0:03:52 | |
And how do you feel today? | 0:04:02 | 0:04:04 | |
Today's the day after we lost another kid. | 0:04:04 | 0:04:08 | |
But you caught the killer. | 0:04:08 | 0:04:09 | |
That must be a source of some relief. | 0:04:09 | 0:04:12 | |
Detective, you were involved in another incident | 0:04:16 | 0:04:18 | |
that SIU looked at four years ago. | 0:04:18 | 0:04:21 | |
That's right. | 0:04:21 | 0:04:22 | |
A drug raid in Toronto. | 0:04:22 | 0:04:24 | |
What does that have to do with this? | 0:04:24 | 0:04:25 | |
I see that after the incident you requested some time off. | 0:04:25 | 0:04:29 | |
Citing the emotional toll. | 0:04:29 | 0:04:32 | |
-An officer died. -Of course. | 0:04:32 | 0:04:35 | |
And shortly after, you transferred out of Toronto back here. | 0:04:35 | 0:04:37 | |
Is that right? | 0:04:37 | 0:04:39 | |
Only after answering a thousand questions, | 0:04:39 | 0:04:41 | |
all of them on the record. | 0:04:41 | 0:04:44 | |
I understand and we don't have to rehash it. | 0:04:44 | 0:04:46 | |
We seem to be. | 0:04:48 | 0:04:49 | |
Paul, can you run this plate for me, please? | 0:04:51 | 0:04:54 | |
Detective... | 0:04:54 | 0:04:57 | |
an event like you went through yesterday, | 0:04:57 | 0:04:59 | |
something that violent, | 0:04:59 | 0:05:02 | |
it can call up trauma from past experiences. | 0:05:02 | 0:05:04 | |
Are you aware of the support services available to you? | 0:05:04 | 0:05:07 | |
I am. | 0:05:07 | 0:05:09 | |
Because these things, they stay with you. | 0:05:09 | 0:05:11 | |
Lidstrom? | 0:05:14 | 0:05:16 | |
Got it. Thanks. | 0:05:16 | 0:05:18 | |
I got you, John. | 0:05:36 | 0:05:38 | |
Open the door. | 0:06:05 | 0:06:07 | |
Gran, my hands are full. Do you want your steam or not? | 0:06:08 | 0:06:11 | |
SHE BANGS ON DOOR | 0:06:11 | 0:06:13 | |
'...police have identified the | 0:06:13 | 0:06:15 | |
'deceased as 28-year-old Eric Fraser. | 0:06:15 | 0:06:17 | |
'Fraser is alleged to have committed two murders | 0:06:17 | 0:06:19 | |
'in the Algonquin Bay area and may be connected to more. | 0:06:19 | 0:06:23 | |
'The Coroner's service is working to locate next-of-kin. | 0:06:23 | 0:06:26 | |
'Police confronted Fraser at the abandoned school...' | 0:06:26 | 0:06:29 | |
Did you...did you know? | 0:06:29 | 0:06:32 | |
'Gunfire was exchanged, before Fraser led officers on a high-speed...' | 0:06:32 | 0:06:36 | |
Edie. | 0:06:36 | 0:06:38 | |
SHE GASPS | 0:06:41 | 0:06:43 | |
Can I have a word? | 0:06:53 | 0:06:54 | |
-Yeah, sure. -POLICE RADIO CRACKLES | 0:06:54 | 0:06:57 | |
You're thinking about the meds, right? From Todd Curry's toxicology? | 0:06:57 | 0:07:01 | |
-What about them? -Prescription stuff. Rare. | 0:07:01 | 0:07:04 | |
Where does Eric Fraser get his hands on that? | 0:07:04 | 0:07:06 | |
-Internet? -Maybe, but why the cocktail? | 0:07:06 | 0:07:09 | |
Why not just a simple tranquillizer and be done with it? | 0:07:09 | 0:07:13 | |
Because he's not a doctor, he doesn't know any better. | 0:07:13 | 0:07:15 | |
-What are you saying? -I'm not saying anything. | 0:07:15 | 0:07:18 | |
I'm asking. Are we missing a piece? | 0:07:18 | 0:07:20 | |
You're being investigated for corruption. | 0:07:34 | 0:07:37 | |
That's why I was transferred to CIS. | 0:07:37 | 0:07:39 | |
I told you, | 0:07:43 | 0:07:45 | |
there's nothing to find. | 0:07:45 | 0:07:48 | |
Yesterday, a woman named Tammy Lidstrom visited you. | 0:07:48 | 0:07:52 | |
She's the ex-girlfriend of Delroy Moss. | 0:07:52 | 0:07:55 | |
Delroy was your inside guy in Toronto. | 0:07:57 | 0:08:00 | |
He connects you to Kyle Corbett. | 0:08:00 | 0:08:02 | |
I was investigating Kyle Corbett. | 0:08:04 | 0:08:06 | |
That's no secret. | 0:08:07 | 0:08:09 | |
Lidstrom visits regularly. | 0:08:09 | 0:08:11 | |
She stays at the Chateau Guay Motel under a false name. | 0:08:11 | 0:08:15 | |
You pay her, John, | 0:08:15 | 0:08:17 | |
secret payments in cash. | 0:08:17 | 0:08:19 | |
Money that you launder through Thunderbird Casino. | 0:08:19 | 0:08:22 | |
You tipped off Corbett's people. | 0:08:22 | 0:08:24 | |
As a result, an officer died. | 0:08:24 | 0:08:26 | |
You pay Lidstrom to stay quiet about it. | 0:08:28 | 0:08:31 | |
So, why are you telling me? | 0:08:34 | 0:08:37 | |
Why not just... | 0:08:37 | 0:08:39 | |
file your report? | 0:08:39 | 0:08:41 | |
Because I want to understand. | 0:08:47 | 0:08:48 | |
You won't. | 0:08:50 | 0:08:52 | |
Tell me you didn't know they'd leave explosives. | 0:08:56 | 0:08:58 | |
Tell me you didn't know an officer would die. | 0:08:58 | 0:09:00 | |
Tell me that much. | 0:09:00 | 0:09:02 | |
It sounds like you have your answers. | 0:09:05 | 0:09:07 | |
Why? | 0:09:14 | 0:09:16 | |
Money. | 0:09:19 | 0:09:21 | |
Do what you have to do... | 0:09:26 | 0:09:28 | |
..but let me tell Dorothy Pine that we caught the killer. | 0:09:30 | 0:09:33 | |
I'm filing my report this afternoon. | 0:09:45 | 0:09:47 | |
You have until then. | 0:09:50 | 0:09:53 | |
His name was Eric Fraser, 28-years-old... | 0:10:16 | 0:10:20 | |
..and he won't be harming anyone... any more. | 0:10:23 | 0:10:26 | |
Fraser worked at the store where we believe Katie bought this. | 0:10:32 | 0:10:38 | |
That's where he saw her? | 0:10:40 | 0:10:43 | |
Possibly. | 0:10:43 | 0:10:44 | |
I didn't know if you'd want it back or not. | 0:10:46 | 0:10:48 | |
In the coming days, you'll hear things about me... | 0:11:02 | 0:11:06 | |
..mistakes I made. | 0:11:07 | 0:11:09 | |
But I want you to know... | 0:11:14 | 0:11:17 | |
with Katie... | 0:11:17 | 0:11:19 | |
..I did everything I knew how to do. | 0:11:22 | 0:11:24 | |
Are you hungry? | 0:11:36 | 0:11:38 | |
People keep bringing me food. | 0:11:38 | 0:11:41 | |
I just wanted to let you know, I've completed my investigation. | 0:12:00 | 0:12:03 | |
I'm submitting my report to Sergeant Musgrave this afternoon. | 0:12:03 | 0:12:07 | |
Are you OK? | 0:12:07 | 0:12:09 | |
In Financial, you find someone who broke the law. | 0:12:09 | 0:12:14 | |
You do the math. You nail him. | 0:12:14 | 0:12:17 | |
Black and white. | 0:12:17 | 0:12:18 | |
The task you have been given, you're going to have doubts. | 0:12:18 | 0:12:21 | |
Six months ago, | 0:12:26 | 0:12:28 | |
I called off the search for Katie Pine. | 0:12:28 | 0:12:30 | |
I followed the rules. | 0:12:32 | 0:12:35 | |
I did what I thought was right. | 0:12:35 | 0:12:37 | |
Sometimes that's the only part you get to be sure about. | 0:12:40 | 0:12:43 | |
So, here's what you do. | 0:12:47 | 0:12:49 | |
If you're McLeod, | 0:12:49 | 0:12:51 | |
you go home, you kiss your wife, you have a beer. | 0:12:51 | 0:12:53 | |
And if you're Cardinal, you keep chewing on it | 0:12:55 | 0:12:59 | |
until you're in pieces. | 0:12:59 | 0:13:00 | |
The doubts you have, | 0:13:02 | 0:13:04 | |
can you live with them or not? | 0:13:04 | 0:13:06 | |
Hey. Josh, right? | 0:13:10 | 0:13:12 | |
Yeah. Hi. | 0:13:12 | 0:13:14 | |
Erm... Is Lise here? I was in the neighbourhood. | 0:13:14 | 0:13:17 | |
I think she just left. | 0:13:17 | 0:13:19 | |
You can probably still catch her. | 0:13:19 | 0:13:21 | |
Ah. I'll give her a call. | 0:13:23 | 0:13:25 | |
You must be proud of her. She's done really well, here. | 0:13:25 | 0:13:28 | |
Yeah. I'm a lucky guy. | 0:13:28 | 0:13:30 | |
PHONE RINGS | 0:13:30 | 0:13:32 | |
-I'll catch up with her tonight. -OK. -Yeah. -Good to see you. -Yeah. | 0:13:43 | 0:13:47 | |
No, no, it's in the freezer, | 0:13:49 | 0:13:51 | |
like a Thanksgiving turkey. | 0:13:51 | 0:13:54 | |
What on earth for? | 0:13:54 | 0:13:56 | |
I don't know. He... | 0:13:56 | 0:13:58 | |
found it and didn't want to put it in the trash? | 0:13:58 | 0:14:00 | |
-He hates raccoons. -Not this one. | 0:14:02 | 0:14:05 | |
I said I was going to throw it in the woods. | 0:14:05 | 0:14:07 | |
You should have seen his face. | 0:14:10 | 0:14:12 | |
You know, he didn't want me to come here. | 0:14:18 | 0:14:20 | |
He doesn't think I can handle it. | 0:14:22 | 0:14:24 | |
It's me he's trying to protect. | 0:14:26 | 0:14:28 | |
John, you know you're not supposed to be here. | 0:15:12 | 0:15:14 | |
-Go home. -I'm not staying. | 0:15:14 | 0:15:17 | |
Let SIU do their thing. | 0:15:17 | 0:15:19 | |
I just wanted to say thanks. | 0:15:25 | 0:15:27 | |
You're good at your job, Noelle. | 0:15:27 | 0:15:29 | |
You don't need me to tell you that, but... | 0:15:30 | 0:15:32 | |
Is this the stuff from Eric's van? | 0:15:34 | 0:15:37 | |
The guitar wasn't in there. It wasn't at his house either. | 0:15:39 | 0:15:42 | |
That never bother you? | 0:15:42 | 0:15:44 | |
Maybe he sold it? | 0:15:44 | 0:15:46 | |
The bag from Southridge Pharmacy. | 0:15:46 | 0:15:49 | |
It's a shopping bag. Empty. | 0:15:50 | 0:15:53 | |
Along with about two hundred other items, | 0:15:53 | 0:15:56 | |
and they're not going anywhere. | 0:15:56 | 0:15:59 | |
It's time to clock out, John. | 0:16:02 | 0:16:04 | |
I know it's hard. | 0:16:06 | 0:16:08 | |
Go home. Get some rest. | 0:16:13 | 0:16:16 | |
Yeah. | 0:16:20 | 0:16:22 | |
I'll do that. | 0:16:22 | 0:16:23 | |
You had any medicine go missing recently? | 0:16:44 | 0:16:46 | |
An officer came by a couple days ago. We checked. | 0:16:46 | 0:16:48 | |
There was nothing missing. | 0:16:48 | 0:16:50 | |
Triazolam. You have that? | 0:16:53 | 0:16:55 | |
-Of course. -I'd like to check again. | 0:16:55 | 0:16:57 | |
OK, three bottles, just as there's supposed to be. | 0:17:10 | 0:17:15 | |
And you take meds directly from here to fill prescriptions? | 0:17:15 | 0:17:17 | |
Yeah, that's right, | 0:17:17 | 0:17:19 | |
and then we record it all. | 0:17:19 | 0:17:22 | |
-Let's count them. -What, all of them? | 0:17:22 | 0:17:24 | |
Let's count all of them. | 0:17:24 | 0:17:26 | |
211... | 0:17:26 | 0:17:27 | |
212, 213. | 0:17:27 | 0:17:30 | |
Check that with the inventory. | 0:17:35 | 0:17:38 | |
-What? What is it? -It's supposed to be 218, | 0:17:44 | 0:17:47 | |
but there's five missing. | 0:17:47 | 0:17:48 | |
How would a customer get back here without you noticing? | 0:17:48 | 0:17:51 | |
It wasn't a customer. It was an employee. | 0:17:51 | 0:17:53 | |
-Why do you say that? -Because I saw her. | 0:17:53 | 0:17:56 | |
Edie Soames. | 0:17:56 | 0:17:58 | |
Hey. | 0:19:09 | 0:19:11 | |
So John's not coming. | 0:19:13 | 0:19:15 | |
I'm the one who texted you. | 0:19:15 | 0:19:17 | |
I'm Detective Lise Delorme, Algonquin Bay Police. | 0:19:17 | 0:19:21 | |
I got your number from the Chateau Guay Motel. | 0:19:21 | 0:19:23 | |
I don't like being ambushed. | 0:19:23 | 0:19:25 | |
Tammy, what I'm about to tell you is confidential. | 0:19:26 | 0:19:29 | |
So, if you repeat any of it, | 0:19:29 | 0:19:31 | |
you'll be charged with obstruction of justice. | 0:19:31 | 0:19:33 | |
You understand? | 0:19:33 | 0:19:35 | |
I guess. | 0:19:35 | 0:19:37 | |
You're keeping that purse awfully close. | 0:19:37 | 0:19:40 | |
Anything in there I should be worried about? | 0:19:42 | 0:19:44 | |
What do you take me for? | 0:19:45 | 0:19:46 | |
I don't know you. | 0:19:46 | 0:19:48 | |
I'm investigating John Cardinal | 0:19:54 | 0:19:56 | |
on charges of corruption. I need you to corroborate some information. | 0:19:56 | 0:20:00 | |
I know Cardinal tipped off Corbett. | 0:20:00 | 0:20:02 | |
I know you're extorting him. | 0:20:02 | 0:20:04 | |
So, describe to me, what's your relationship with Cardinal? | 0:20:05 | 0:20:08 | |
Top tier. | 0:20:08 | 0:20:10 | |
How much money did he get for alerting Corbett? | 0:20:12 | 0:20:15 | |
You're bouncing around here. | 0:20:15 | 0:20:17 | |
No. No, I'm not. | 0:20:17 | 0:20:18 | |
No, it's all the same question. | 0:20:18 | 0:20:20 | |
Why would he do it? | 0:20:20 | 0:20:22 | |
His job was to befriend you, to stay close. | 0:20:22 | 0:20:25 | |
Maybe he wasn't doing it for the money at all. | 0:20:25 | 0:20:28 | |
Maybe he wanted to protect you. | 0:20:28 | 0:20:30 | |
You think Cardinal and I had an affair? | 0:20:30 | 0:20:33 | |
I don't know. | 0:20:33 | 0:20:34 | |
All that time together, the lines get blurred. | 0:20:34 | 0:20:37 | |
And what about Catherine? Was he blurry on that subject too? | 0:20:37 | 0:20:41 | |
You're grasping, Detective. | 0:20:41 | 0:20:43 | |
How do you know about Catherine? | 0:20:43 | 0:20:46 | |
How do you even know her name? | 0:20:46 | 0:20:49 | |
Cardinal wouldn't expose his home life to you. | 0:20:49 | 0:20:52 | |
Well, he must have let it slip. | 0:20:52 | 0:20:54 | |
While undercover? No chance. | 0:20:54 | 0:20:56 | |
Well, later then. | 0:20:56 | 0:20:57 | |
-While you were extorting him. -Look, I don't remember. | 0:20:59 | 0:21:02 | |
I got nothing more to say. | 0:21:02 | 0:21:04 | |
'Welcome to Divine Intervention. | 0:22:09 | 0:22:12 | |
'My first guest is certain that after she came out at the age of 57, | 0:22:12 | 0:22:15 | |
'after having a family of her own, | 0:22:15 | 0:22:18 | |
'including children and marriage to a man, | 0:22:18 | 0:22:20 | |
'she was utterly ostracised from her family, | 0:22:20 | 0:22:23 | |
'and it completely upended her life. | 0:22:23 | 0:22:25 | |
'She thinks she's the victim of serious discrimination, | 0:22:25 | 0:22:29 | |
'and it's leading to trauma in new relationships | 0:22:29 | 0:22:31 | |
'that are created and then broken. Let's hear her story. | 0:22:31 | 0:22:34 | |
'I came out at the age of 57. I loved my husband...' | 0:22:34 | 0:22:38 | |
This is Detective John Cardinal. | 0:23:09 | 0:23:11 | |
I have a DB at 212 Leighton in the basement. | 0:23:11 | 0:23:14 | |
I need an IDENT team. I need units, | 0:23:14 | 0:23:17 | |
and we need to lock this entire property down. | 0:23:17 | 0:23:19 | |
The whole place is hot. | 0:23:19 | 0:23:20 | |
This has to do with the Eric Fraser murders. | 0:23:20 | 0:23:22 | |
I need you to put a BOLO out on an Edie Soames, | 0:23:22 | 0:23:25 | |
S-O-A-M-E-S. | 0:23:25 | 0:23:27 | |
If there's a car registered in her name, | 0:23:27 | 0:23:29 | |
call me back. | 0:23:29 | 0:23:30 | |
And check to see who else lives at this address, 212 Leighton. | 0:23:30 | 0:23:34 | |
If there's a car in the owner's name, | 0:23:34 | 0:23:37 | |
BOLO that too. | 0:23:37 | 0:23:39 | |
FAINT METAL CLANKING | 0:23:51 | 0:23:55 | |
-Keith. Keith. Keith. -Don't let her see me. | 0:24:02 | 0:24:04 | |
KEITH MUMBLES INCOHERENTLY | 0:24:04 | 0:24:06 | |
Keith. Just stick with me, Keith. | 0:24:10 | 0:24:12 | |
You'll be fine. | 0:24:14 | 0:24:16 | |
Hold on. | 0:24:16 | 0:24:18 | |
You'll be fine. | 0:24:20 | 0:24:23 | |
You'll be fine. | 0:24:23 | 0:24:25 | |
You'll be fine, son. You're going to be fine. | 0:24:25 | 0:24:27 | |
You'll be fine, son. | 0:24:27 | 0:24:30 | |
You're going to be fine, son. | 0:24:31 | 0:24:34 | |
In you go. There you go. | 0:24:34 | 0:24:36 | |
In you go. | 0:24:36 | 0:24:37 | |
Call regional. | 0:24:40 | 0:24:41 | |
Tell them I'm bringing in a knifing victim. | 0:24:41 | 0:24:43 | |
He's hypothermic. He'll need blood. I'm ten minutes out. | 0:24:43 | 0:24:46 | |
-Get your car out of there now! -Yes, sir! | 0:24:46 | 0:24:49 | |
KNOCKING AT DOOR | 0:24:49 | 0:24:51 | |
Can I help you? | 0:24:59 | 0:25:00 | |
I-I'm looking for Detective Cardinal. | 0:25:00 | 0:25:04 | |
He's not here right now. | 0:25:04 | 0:25:06 | |
I can pass along a message? | 0:25:06 | 0:25:08 | |
Ah, he's been helping me. | 0:25:11 | 0:25:13 | |
Boyfriend problems. | 0:25:13 | 0:25:15 | |
I can give him a call if you want. | 0:25:15 | 0:25:18 | |
It's OK. Don't bother him. | 0:25:18 | 0:25:20 | |
Are you all right? | 0:25:21 | 0:25:23 | |
It's the injury. It makes me dizzy. | 0:25:23 | 0:25:25 | |
If I could just sit down for a minute? | 0:25:25 | 0:25:28 | |
Erm... | 0:25:28 | 0:25:30 | |
yeah, of course. Come in. | 0:25:30 | 0:25:32 | |
-Here. -Thank you. | 0:25:46 | 0:25:48 | |
Are you Detective Cardinal's daughter? | 0:25:56 | 0:26:00 | |
Yeah. Kelly. | 0:26:00 | 0:26:02 | |
-What's your name? -I saw him on TV. | 0:26:02 | 0:26:04 | |
Yeah. He's been in the news lately, | 0:26:06 | 0:26:08 | |
unfortunately. | 0:26:08 | 0:26:10 | |
Did he ask you to come by? | 0:26:12 | 0:26:15 | |
No. | 0:26:15 | 0:26:16 | |
But you've been here before? | 0:26:16 | 0:26:19 | |
You're wondering how I got the address. | 0:26:19 | 0:26:21 | |
I work at a pharmacy. | 0:26:23 | 0:26:25 | |
-He's in the system. -Oh. | 0:26:26 | 0:26:30 | |
Divalproex Sodium. | 0:26:30 | 0:26:32 | |
That's what he got. | 0:26:32 | 0:26:33 | |
-It's a mood stabiliser. -That'd be for my mum. | 0:26:33 | 0:26:36 | |
But should you really be talking about that? | 0:26:37 | 0:26:39 | |
It's kind of private. | 0:26:39 | 0:26:41 | |
Do you think he'll be long, your dad? | 0:26:44 | 0:26:48 | |
Tell you what. Why don't I call him? | 0:26:48 | 0:26:50 | |
-I don't think you should. -No, no, really. It's OK. | 0:26:50 | 0:26:52 | |
I'll just give him a quick ring and see when he's coming home. | 0:26:54 | 0:26:56 | |
Put it down. | 0:26:56 | 0:26:58 | |
PHONE RINGS | 0:27:06 | 0:27:09 | |
'You've reached Detective John Cardinal. Please leave a message.' | 0:27:09 | 0:27:13 | |
Hey, it's me. | 0:27:13 | 0:27:14 | |
I need to talk. | 0:27:14 | 0:27:16 | |
John. Turn on your phone. It's important. | 0:27:16 | 0:27:18 | |
Anything on Edie Soames? | 0:27:44 | 0:27:46 | |
DB was her grandmother. | 0:27:46 | 0:27:48 | |
The BOLO's gone out and roadblocks are in place. | 0:27:49 | 0:27:51 | |
I should get back to the office. | 0:27:54 | 0:27:56 | |
I have very clear instructions from Dyson, | 0:27:56 | 0:27:58 | |
you're to go home. | 0:27:58 | 0:28:00 | |
John, we'll find her. | 0:28:00 | 0:28:03 | |
Go home. Pour yourself a drink. | 0:28:03 | 0:28:05 | |
Save some glory for the rest of us. | 0:28:05 | 0:28:08 | |
Hey. | 0:28:50 | 0:28:52 | |
What? | 0:28:56 | 0:28:58 | |
Oh. | 0:28:58 | 0:29:00 | |
It's...it's not my blood. | 0:29:00 | 0:29:02 | |
Edie. | 0:29:15 | 0:29:16 | |
Edie Soames. | 0:29:18 | 0:29:19 | |
GUNSHOTS | 0:29:19 | 0:29:21 | |
KELLY SCREAMS | 0:29:21 | 0:29:22 | |
Argh! NO, STOP! PLEASE! | 0:29:22 | 0:29:24 | |
Argh! | 0:29:24 | 0:29:26 | |
Do you have a gun? | 0:29:30 | 0:29:32 | |
-No. -Good. | 0:29:35 | 0:29:36 | |
NO! Stop it! Please! | 0:29:36 | 0:29:39 | |
Stop it! Dad! | 0:29:39 | 0:29:41 | |
KELLY SOBS | 0:29:41 | 0:29:43 | |
Please. | 0:29:46 | 0:29:47 | |
You took Eric from me. | 0:29:49 | 0:29:51 | |
Now I'm going to take something from you. | 0:29:51 | 0:29:53 | |
Please. No. No. | 0:30:00 | 0:30:03 | |
She's not... | 0:30:04 | 0:30:06 | |
she's not part of this. | 0:30:06 | 0:30:07 | |
Please. | 0:30:07 | 0:30:10 | |
Look at me, Kelly. | 0:30:10 | 0:30:11 | |
Please. | 0:30:11 | 0:30:13 | |
Hey. | 0:30:18 | 0:30:20 | |
No, you're not dismissed. | 0:30:20 | 0:30:22 | |
You have to watch this. | 0:30:22 | 0:30:25 | |
HE PANTS | 0:30:25 | 0:30:27 | |
I'm going to put a bullet in your daughter's brain. You have to watch. | 0:30:31 | 0:30:35 | |
Hey! You have to watch! | 0:30:37 | 0:30:40 | |
Urgh! | 0:30:40 | 0:30:42 | |
Run, Kelly! | 0:30:44 | 0:30:46 | |
Urgh! | 0:30:48 | 0:30:50 | |
Argh! | 0:30:52 | 0:30:54 | |
You don't have to do this... | 0:31:12 | 0:31:15 | |
for Eric. | 0:31:15 | 0:31:17 | |
I'm not doing this for Eric. | 0:31:20 | 0:31:22 | |
Then why? | 0:31:26 | 0:31:28 | |
Cos it feels good. | 0:31:30 | 0:31:32 | |
GUNSHOTS | 0:31:32 | 0:31:34 | |
John? | 0:31:38 | 0:31:40 | |
John? | 0:31:40 | 0:31:42 | |
THEY PANT | 0:31:42 | 0:31:44 | |
John? | 0:31:44 | 0:31:47 | |
It's OK. Look at me. | 0:31:47 | 0:31:49 | |
It's OK. | 0:31:49 | 0:31:51 | |
Oh, John. | 0:31:51 | 0:31:54 | |
John. | 0:31:57 | 0:31:59 | |
Call 911! Tell them an officer has been shot. | 0:32:01 | 0:32:03 | |
John? | 0:32:05 | 0:32:06 | |
Stay with me. | 0:32:06 | 0:32:08 | |
Oh, no, you can't go anywhere. | 0:32:09 | 0:32:11 | |
John! | 0:32:11 | 0:32:13 | |
I know the truth. | 0:32:15 | 0:32:17 | |
I know what happened in Toronto. | 0:32:17 | 0:32:20 | |
I figured it out. | 0:32:20 | 0:32:21 | |
I know the whole story. | 0:32:21 | 0:32:24 | |
I know. | 0:32:28 | 0:32:30 | |
Hey. | 0:32:51 | 0:32:53 | |
What's that for? | 0:32:58 | 0:33:01 | |
You saved my life. | 0:33:01 | 0:33:03 | |
How's Kelly? | 0:33:04 | 0:33:06 | |
Doing OK. | 0:33:06 | 0:33:08 | |
She's a strong girl. | 0:33:09 | 0:33:11 | |
Can I run something by you? | 0:33:19 | 0:33:22 | |
Before I file my report. | 0:33:22 | 0:33:25 | |
Whatever you have to do. | 0:33:25 | 0:33:26 | |
I just want it to be over. | 0:33:28 | 0:33:31 | |
Your call to Corbett. | 0:33:31 | 0:33:33 | |
You wouldn't record it and then erase it. | 0:33:35 | 0:33:37 | |
It makes no sense. | 0:33:37 | 0:33:39 | |
You'd talk in person. | 0:33:39 | 0:33:42 | |
Leave no trace. | 0:33:42 | 0:33:43 | |
It happened. | 0:33:45 | 0:33:47 | |
You know it did. | 0:33:47 | 0:33:49 | |
How much did he pay you? | 0:33:51 | 0:33:53 | |
Enough. | 0:33:53 | 0:33:55 | |
Criminal conspiracy. | 0:33:55 | 0:33:57 | |
Obstruction of justice. | 0:33:58 | 0:34:00 | |
What was it worth to you? | 0:34:02 | 0:34:04 | |
20 grand? | 0:34:04 | 0:34:06 | |
50? | 0:34:06 | 0:34:08 | |
You can't name a figure, because there isn't one. | 0:34:12 | 0:34:15 | |
You wouldn't do it for money. | 0:34:17 | 0:34:20 | |
It's not who you are. | 0:34:20 | 0:34:22 | |
But you'd do it for Catherine. | 0:34:25 | 0:34:27 | |
She made the call, didn't she? | 0:34:31 | 0:34:33 | |
No. | 0:34:34 | 0:34:36 | |
She was manic. | 0:34:38 | 0:34:39 | |
She got her hands on your burner phone, | 0:34:39 | 0:34:41 | |
dialled the only number in there. | 0:34:41 | 0:34:44 | |
She blew your cover. | 0:34:45 | 0:34:47 | |
-You're wrong. -You found the recording later, | 0:34:48 | 0:34:51 | |
after the raid went bad. | 0:34:51 | 0:34:54 | |
You found it... | 0:34:55 | 0:34:57 | |
and you erased it. | 0:34:57 | 0:34:58 | |
Someone has to pay. | 0:35:00 | 0:35:03 | |
I understand that. | 0:35:03 | 0:35:05 | |
But not her. | 0:35:06 | 0:35:09 | |
She doesn't even remember making the call. | 0:35:10 | 0:35:14 | |
She was confused, delusional. | 0:35:15 | 0:35:18 | |
She called looking for me. | 0:35:19 | 0:35:23 | |
She needed my help and I wasn't there. | 0:35:23 | 0:35:26 | |
If she knew an officer died... | 0:35:29 | 0:35:32 | |
because of her... | 0:35:32 | 0:35:34 | |
..it would kill her. | 0:35:36 | 0:35:39 | |
It's not your job... | 0:35:40 | 0:35:43 | |
to protect her from herself. | 0:35:43 | 0:35:45 | |
Delorme... | 0:35:47 | 0:35:49 | |
..I need her. | 0:35:51 | 0:35:53 | |
Tell them it was me. | 0:35:56 | 0:35:59 | |
Ma'am, I just got back from Cardinal's. | 0:36:15 | 0:36:17 | |
How's it look? | 0:36:17 | 0:36:20 | |
-Erm... -IDENT guys told me to bringthis in. | 0:36:20 | 0:36:23 | |
-What on earth is that? -It's part of the crime. | 0:36:26 | 0:36:29 | |
I didn't ask for details. They told me to put it in the evidence freezer, | 0:36:29 | 0:36:32 | |
said you'd give me the door code. | 0:36:32 | 0:36:34 | |
There's no evidence freezer, is there? | 0:36:36 | 0:36:38 | |
-Get it off my desk, Constable. -Mm-hm. | 0:36:40 | 0:36:42 | |
All right. You called the meeting, Delorme. Talk. | 0:37:00 | 0:37:04 | |
Sir... | 0:37:04 | 0:37:07 | |
Cardinal's not a rat. | 0:37:07 | 0:37:10 | |
There's no connection between him and Corbett. | 0:37:10 | 0:37:12 | |
We're not done looking. | 0:37:12 | 0:37:15 | |
If your unsanctioned investigation into Cardinal continues, | 0:37:16 | 0:37:20 | |
I'll make it known. | 0:37:20 | 0:37:22 | |
Sergeant, with respect, I know you're looking for a reason | 0:37:25 | 0:37:28 | |
you haven't got Corbett all these years, | 0:37:28 | 0:37:31 | |
but it's not Cardinal. | 0:37:31 | 0:37:33 | |
I'm sorry. | 0:37:33 | 0:37:35 | |
You're...sorry. | 0:37:37 | 0:37:40 | |
You're sorry? | 0:37:41 | 0:37:44 | |
Well, that is... | 0:37:44 | 0:37:47 | |
amazing. | 0:37:47 | 0:37:50 | |
Sir. | 0:37:50 | 0:37:52 | |
You really want to make an enemy of me right now? | 0:37:52 | 0:37:54 | |
No. | 0:37:56 | 0:37:58 | |
But you're wasting your time with Cardinal... | 0:37:59 | 0:38:02 | |
..and you need to back off. | 0:38:04 | 0:38:07 | |
DOOR SLAMS | 0:38:16 | 0:38:18 | |
MUSIC: Run Cried The Crawling by Agnes Obel | 0:38:24 | 0:38:27 | |
# Crawling down | 0:38:38 | 0:38:44 | |
# From high hopes to the ground | 0:38:44 | 0:38:50 | |
# Trouble sings along | 0:38:53 | 0:38:59 | |
# In my heart and soul | 0:39:07 | 0:39:11 | |
# A giant in the room | 0:39:11 | 0:39:15 | |
# I left him long ago following you | 0:39:15 | 0:39:22 | |
# Wind heavy on the ground | 0:39:22 | 0:39:26 | |
# A cloak before the moon | 0:39:26 | 0:39:29 | |
# I guess I've never known someone like you | 0:39:29 | 0:39:35 | |
# Falling down | 0:39:51 | 0:39:58 | |
# From high hopes to the ground | 0:39:59 | 0:40:06 | |
# There's no way out | 0:40:06 | 0:40:11 | |
# In my heart and soul | 0:40:21 | 0:40:25 | |
# A giant in the room | 0:40:25 | 0:40:29 | |
# We took the walk alone | 0:40:29 | 0:40:32 | |
# And now we are through | 0:40:32 | 0:40:35 | |
# Wind heavy on the ground | 0:40:35 | 0:40:38 | |
# A cloak before the moon | 0:40:38 | 0:40:43 | |
# I guess I've never known someone like you. # | 0:40:43 | 0:40:48 |