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This programme contains some violent scenes, some strong language and some scenes viewers may find upsetting. | 0:00:02 | 0:00:09 | |
Lay down, then. I'll wake you when it's time. | 0:00:11 | 0:00:13 | |
One! Two! I saved your life. | 0:00:13 | 0:00:15 | |
You're bound to me - can only be released by reciprocation. | 0:00:15 | 0:00:18 | |
'I'm worried about Dr Hunter and a baby, Gabriel. Mr Hunter said she's at a sick aunt's.' | 0:00:20 | 0:00:24 | |
Agnes Barker in South Queensferry, Your Honour. | 0:00:24 | 0:00:27 | |
-Mrs Barker's been dead for eight months. -Where is she? | 0:00:27 | 0:00:30 | |
-I don't know where she is. -I will find her. | 0:00:30 | 0:00:32 | |
-Hey. -I love you. | 0:00:32 | 0:00:35 | |
How dare you speak to me like that in there? | 0:00:35 | 0:00:38 | |
I think you were right. | 0:00:38 | 0:00:40 | |
Your wife's having an affair. | 0:00:40 | 0:00:42 | |
To do this to the kids at Christmas. | 0:00:42 | 0:00:44 | |
We haven't got kids. Did he tell you we've got kids? | 0:00:44 | 0:00:47 | |
'Bastard.' | 0:00:48 | 0:00:50 | |
-We can't rent a car, my licence was in my wallet. -We've got Andrew Jones's. | 0:00:50 | 0:00:54 | |
Andrew Jones, I'm arresting you for failure to comply with the terms of your parole. | 0:00:54 | 0:00:58 | |
That's police brutality! | 0:00:58 | 0:01:00 | |
Leave him alone, he's got a bad arm! | 0:01:00 | 0:01:02 | |
'I love you, Jackson.' | 0:01:40 | 0:01:41 | |
-Goodbye, Jackson. -Bye. | 0:01:52 | 0:01:54 | |
'Jackson?' | 0:02:02 | 0:02:03 | |
Ah, you. | 0:02:13 | 0:02:14 | |
Ah, me. | 0:02:14 | 0:02:16 | |
-Got my message, then? -Unfortunately. | 0:02:16 | 0:02:18 | |
-I've got better things to do with my time than come down here and sort you out. -Any charges? | 0:02:18 | 0:02:23 | |
No, despite the fact that you resisted arrest and assaulted a police officer. | 0:02:23 | 0:02:27 | |
-Thank you. -Aye, well, don't thank me. | 0:02:27 | 0:02:29 | |
Thank your lost wee girl. She said they threw the first punch. | 0:02:29 | 0:02:33 | |
Reggie. It's all right, it's me. | 0:02:41 | 0:02:44 | |
Come on, we've got to go. | 0:02:44 | 0:02:47 | |
-Where's that rental car? -Back where it belongs. | 0:03:01 | 0:03:04 | |
-Lend us £10. -I'll drop you at the hospital. | 0:03:04 | 0:03:05 | |
Ah, it's Jackson Brodie, it's not a psychopathic maniac at all. | 0:03:05 | 0:03:10 | |
I'm not putting you in my scrapbook. | 0:03:10 | 0:03:12 | |
-I can smell chips. Can we have some chips? I've not had breakfast. -You're not eating in my car. | 0:03:12 | 0:03:16 | |
I've not had breakfast, either. | 0:03:16 | 0:03:18 | |
I'm starving. | 0:03:18 | 0:03:19 | |
Chips for breakfast, then! | 0:03:23 | 0:03:25 | |
You look even worse than you did in hospital. | 0:03:30 | 0:03:33 | |
How do you know, you didn't see me in hospital? | 0:03:33 | 0:03:35 | |
You spoke to me. Don't you remember? | 0:03:35 | 0:03:38 | |
About what? | 0:03:38 | 0:03:40 | |
How the hell did you end up with Andrew Jones's driving license? | 0:03:43 | 0:03:47 | |
It was in my pocket, after the crash. | 0:03:48 | 0:03:50 | |
-What happened to your stuff? -Gone. | 0:03:50 | 0:03:52 | |
Wallet, phone, everything. | 0:03:52 | 0:03:55 | |
So Andrew Jones could be using your identity? | 0:03:55 | 0:03:57 | |
Will you check something for me? | 0:04:01 | 0:04:03 | |
-What? -What little Joanna Mason's called nowadays? | 0:04:03 | 0:04:06 | |
She's called Joanna Hunter. | 0:04:06 | 0:04:08 | |
I knew it. | 0:04:10 | 0:04:12 | |
That's Reggie's boss. She's gone missing. | 0:04:12 | 0:04:14 | |
The same week Andrew Jones gets out of prison. | 0:04:14 | 0:04:17 | |
OK, right, we'll check that out. | 0:04:17 | 0:04:18 | |
He must've been on that train, saw me lying there, reckoned I was a goner. | 0:04:20 | 0:04:25 | |
Wanted to play dead himself, swapped wallets with you. | 0:04:25 | 0:04:28 | |
What's Andrew Jones doing on a train to Edinburgh? | 0:04:28 | 0:04:31 | |
Who is Andrew Jones? | 0:04:31 | 0:04:33 | |
There is something about Dr Hunter you don't know. | 0:04:37 | 0:04:40 | |
CHILDREN LAUGH | 0:04:45 | 0:04:48 | |
What shall we do on your birthday, then, wee man? | 0:04:50 | 0:04:53 | |
Your first birthday, it's special. | 0:04:53 | 0:04:56 | |
-Make a face. -I think we should put that one there. | 0:04:56 | 0:05:00 | |
Come on, then, girls. Time and tide wait for no one. Let's go. | 0:05:01 | 0:05:04 | |
Let's go, I said! | 0:05:12 | 0:05:13 | |
-Now! -Found one! | 0:05:17 | 0:05:19 | |
Come on! | 0:05:19 | 0:05:21 | |
CHILD SCREAMS | 0:05:21 | 0:05:24 | |
Run! Run! | 0:05:35 | 0:05:38 | |
'She was the only survivor. | 0:05:48 | 0:05:50 | |
'I found her eight hours later. She was still hiding in the dunes. | 0:05:51 | 0:05:54 | |
'Her face was everywhere, all over the papers.' | 0:05:54 | 0:05:57 | |
Dr Hunter? | 0:06:00 | 0:06:01 | |
Back then, she was Joanna Mason. | 0:06:01 | 0:06:04 | |
Little Joanna Mason. | 0:06:04 | 0:06:06 | |
I remember watching it on TV when I was small. | 0:06:06 | 0:06:10 | |
My mum cried. | 0:06:10 | 0:06:12 | |
She got a new identity | 0:06:12 | 0:06:14 | |
and Jones got 30 years. | 0:06:14 | 0:06:16 | |
-We need to get you to hospital, Jackson. -I'm fine. You need to call MAPPA. | 0:06:21 | 0:06:25 | |
Joanna Hunter had their number. And then call Stenbridge Prison. | 0:06:25 | 0:06:28 | |
I know, these things had crossed my mind. | 0:06:28 | 0:06:31 | |
-You all right? -He's taken her, hasn't he? | 0:06:41 | 0:06:43 | |
There's no reason to think that. | 0:06:43 | 0:06:44 | |
She probably find out he got out, had a shock, decided to lay low for a few days. | 0:06:45 | 0:06:51 | |
Told her husband not to tell anyone. | 0:06:51 | 0:06:53 | |
Or she didn't tell him anything. | 0:06:53 | 0:06:55 | |
Either way, the police will track her down now. | 0:06:56 | 0:06:59 | |
You said you would. | 0:07:00 | 0:07:02 | |
-What about Reggie? -I'll take her home. | 0:07:26 | 0:07:28 | |
Go on. | 0:07:42 | 0:07:43 | |
-Ah. -How are you doing? | 0:07:50 | 0:07:52 | |
I wasn't expecting to see you again, not alive at least. | 0:07:52 | 0:07:56 | |
A patient walks out on me, stays walked out, usually. Open wide. | 0:07:56 | 0:08:00 | |
Why am I different? | 0:08:00 | 0:08:01 | |
Your colleague. | 0:08:02 | 0:08:04 | |
-Deborah? -Deborah? Who's Deborah? | 0:08:04 | 0:08:08 | |
Any nausea? Dizziness? | 0:08:08 | 0:08:12 | |
-No, I'm fine. -We need to check your haemoglobin levels. | 0:08:12 | 0:08:16 | |
Let's take some blood, | 0:08:16 | 0:08:18 | |
see how anaemic you are. | 0:08:18 | 0:08:20 | |
I've got quite an urgent job on. | 0:08:20 | 0:08:22 | |
Yes, staying alive. | 0:08:22 | 0:08:23 | |
I'll sort a bed out. | 0:08:23 | 0:08:25 | |
Yep, absolutely. | 0:08:43 | 0:08:45 | |
I'll be sure to give him the message. | 0:08:45 | 0:08:47 | |
Thank you. | 0:08:47 | 0:08:49 | |
Happy Christmas to you, too. | 0:08:49 | 0:08:51 | |
"WALKING IN A WINTER WONDERLAND" PLAYS ON STEREO | 0:08:52 | 0:08:55 | |
-What the bloody hell's all this? -You know, I just did some... -What? | 0:09:00 | 0:09:07 | |
Oh, come on! The place reeks of clinical depression the other eleven and half months of the year. | 0:09:07 | 0:09:13 | |
(And speaking of clinical depression...) | 0:09:13 | 0:09:17 | |
-Mr Moore. -Mr Brodie. | 0:09:22 | 0:09:24 | |
-I don't work for clients who lie to me. -Ah, yeah... | 0:09:24 | 0:09:27 | |
Look, I'm sorry about that. | 0:09:27 | 0:09:29 | |
-But you found her? Haven't you? You found her? -We're done. You know where the door is. | 0:09:29 | 0:09:33 | |
-I'm going crazy. I'm... -Yeah, I found her. | 0:09:33 | 0:09:36 | |
She wants a break from you. I can't say I blame her. | 0:09:36 | 0:09:38 | |
-I'm sure she'll be back for Christmas. -Where did she go? | 0:09:38 | 0:09:41 | |
I'm not going to tell you. | 0:09:41 | 0:09:43 | |
Did she get to you? Did you sleep with her? | 0:09:44 | 0:09:47 | |
-Think about what you're saying. -Did you? | 0:09:47 | 0:09:49 | |
-Did you screw her?! -That's enough! | 0:09:49 | 0:09:51 | |
Now go home and calm down. | 0:09:53 | 0:09:55 | |
PHONE RINGS | 0:09:59 | 0:10:01 | |
-Yes? -'How's the hospital?' | 0:10:03 | 0:10:06 | |
-Eh... Yeah, lovely. -I spoke to Stenbridge Prison. | 0:10:06 | 0:10:10 | |
Jones only had two visitors in the last 18 months. | 0:10:10 | 0:10:13 | |
'A Catholic priest who came every week and Joanna Hunter.' | 0:10:13 | 0:10:18 | |
You're kidding! How many times? | 0:10:18 | 0:10:21 | |
Just the once, about a month before he was released. | 0:10:21 | 0:10:24 | |
We spoke to Neil Hunter. | 0:10:24 | 0:10:25 | |
Apparently, she told him she just needed to get away for a few days. | 0:10:25 | 0:10:29 | |
-She's just laying low, Jackson. She's fine. -Yeah. | 0:10:29 | 0:10:33 | |
I remember it, don't you? | 0:11:05 | 0:11:06 | |
I was only small, but I wasn't allowed to play out until... | 0:11:06 | 0:11:12 | |
Do you remember it? | 0:11:12 | 0:11:13 | |
This makes sense of a lot of stuff. | 0:11:14 | 0:11:17 | |
I had no idea. | 0:11:17 | 0:11:19 | |
That brave wee girl. | 0:11:22 | 0:11:24 | |
No idea I actually married her. | 0:11:27 | 0:11:29 | |
So you don't know where she is? | 0:11:29 | 0:11:31 | |
She's allowed to lay low, isn't she? | 0:11:32 | 0:11:34 | |
-Well, she's not gone to visit her aunt, has she? -What? | 0:11:34 | 0:11:39 | |
Well, you told your nanny she's gone to visit an aunt, but she hasn't. | 0:11:39 | 0:11:43 | |
Why would you tell her that? | 0:11:45 | 0:11:46 | |
Reggie told the police? | 0:11:51 | 0:11:54 | |
Well, she was worried. | 0:11:54 | 0:11:56 | |
Well? | 0:11:56 | 0:11:58 | |
Jo had to get away, didn't she? I covered for her. | 0:11:59 | 0:12:02 | |
I'm confused. | 0:12:02 | 0:12:04 | |
You were covering for her before you knew you had a reason? | 0:12:04 | 0:12:08 | |
I was just embarrassed, as far as Reggie was concerned. | 0:12:08 | 0:12:12 | |
Me and Jo had had a row, you know? | 0:12:13 | 0:12:15 | |
I guess she must've provoked it, so I wouldn't wonder why she went. | 0:12:18 | 0:12:22 | |
And Reggie's so attached to Jo, anyway. She looks at me like I'm shite. | 0:12:25 | 0:12:29 | |
Mr Hunter, | 0:12:29 | 0:12:30 | |
do you, or do you not, know where your wife is? | 0:12:30 | 0:12:34 | |
No. | 0:12:35 | 0:12:36 | |
She's not committed any crime, has she? | 0:12:36 | 0:12:39 | |
-She just didn't want to be around when Andrew Jones came out. -Are you not concerned? -Aye! | 0:12:39 | 0:12:44 | |
But she's her own woman, you know? | 0:12:47 | 0:12:49 | |
And she's tough. | 0:12:51 | 0:12:52 | |
Jo can take care of herself. | 0:12:52 | 0:12:54 | |
Happy birthday, darling. | 0:13:05 | 0:13:07 | |
That's it. Gabriel will never be a baby again. | 0:13:07 | 0:13:10 | |
Reggie, do you think that you can make people do things that they don't want to do? | 0:13:14 | 0:13:18 | |
-Yeah, of course you can. -If somebody asked you to harm yourself, would you do it? | 0:13:18 | 0:13:23 | |
-Are you still here? -No. | 0:13:26 | 0:13:29 | |
Would you mind if I stashed my presents in here? | 0:13:32 | 0:13:34 | |
Fine. | 0:13:35 | 0:13:36 | |
Jackson, what are you going to do on the 25th? | 0:13:42 | 0:13:44 | |
-Whisky, probably. -Nice(!) | 0:13:44 | 0:13:47 | |
Have you at least thought about what to get Marlee? | 0:13:47 | 0:13:50 | |
Not yet, no. | 0:13:52 | 0:13:54 | |
Well, the bank called earlier and your new credit cards are ready to pick up, so there's no excuse. | 0:13:54 | 0:13:59 | |
Jackson? | 0:14:06 | 0:14:07 | |
Jackson? | 0:14:08 | 0:14:09 | |
See you tomorrow. | 0:14:12 | 0:14:14 | |
What should we do on your birthday, then, wee man? | 0:14:45 | 0:14:47 | |
ECHOING: Run, Joanna! Run! | 0:15:05 | 0:15:07 | |
ECHOING: Run, Joanna! | 0:15:14 | 0:15:16 | |
PHONE RINGS | 0:16:01 | 0:16:03 | |
-Leave it! -No, it might be Archie. | 0:16:03 | 0:16:05 | |
-Oh. -Wait. | 0:16:05 | 0:16:07 | |
Is it Archie? | 0:16:14 | 0:16:15 | |
This had better be bloody good, Jackson. | 0:16:16 | 0:16:18 | |
So, clearly a little bit of difficulty adjusting to his new-found freedom. | 0:16:28 | 0:16:32 | |
-We'll find out where he got the gun. -Suicide, you reckon? | 0:16:32 | 0:16:35 | |
30 years of loneliness, guilt. | 0:16:36 | 0:16:39 | |
I told you he converted to Catholicism. | 0:16:39 | 0:16:42 | |
He goes back to the scene of the crime and blows his brains out. | 0:16:42 | 0:16:46 | |
-And Joanna Hunter went to see him a month ago. -Aye, that's right. | 0:16:46 | 0:16:49 | |
And then what? | 0:16:49 | 0:16:51 | |
That was his last visit. | 0:16:51 | 0:16:53 | |
'But if somebody asked you' | 0:16:53 | 0:16:54 | |
to harm yourself, would you? | 0:16:54 | 0:16:56 | |
-Where is she now? -She manufactured an argument with her husband. | 0:16:56 | 0:17:01 | |
She's just gone away for a couple of days. She's hiding, like she did all those years ago, Jackson. | 0:17:01 | 0:17:06 | |
-And do you know what? I don't really blame her. -Maybe. | 0:17:06 | 0:17:08 | |
You look very, uh... | 0:17:10 | 0:17:11 | |
..dressed. | 0:17:13 | 0:17:14 | |
-Did I interrupt something? -You always interrupt something, Jackson. | 0:17:15 | 0:17:18 | |
'Are you sure it was' | 0:17:23 | 0:17:24 | |
your husband, Mrs Moore? | 0:17:24 | 0:17:25 | |
-Yeah. -Did he threaten you? | 0:17:25 | 0:17:27 | |
Well, I had my headphones in and then I just came straight in here. | 0:17:27 | 0:17:30 | |
But he banged on that door for a while and was swearing and stuff, so I thought I should call you. | 0:17:30 | 0:17:35 | |
OK. | 0:17:35 | 0:17:37 | |
Look, I'm sorry, Michelle, but there's no actual crime. | 0:17:38 | 0:17:43 | |
I know it's worrying for you... | 0:17:43 | 0:17:45 | |
No, it is worrying. The guy got a private detective after me. | 0:17:45 | 0:17:48 | |
-It's not Jackson Brodie? -Yeah. | 0:17:48 | 0:17:50 | |
Right...I'll give you my number. | 0:17:52 | 0:17:54 | |
If he shows up again, just call me, OK? Whenever. | 0:17:55 | 0:17:59 | |
-There you go. -Thanks. -No problem. | 0:18:01 | 0:18:03 | |
Right, Neil Hunter. | 0:18:03 | 0:18:07 | |
He owns or part-owns three amusement arcades, two health clubs, | 0:18:07 | 0:18:12 | |
-a fleet of private hire vehicles and pays the lease for a couple of "beauticians". -Criminal record? | 0:18:12 | 0:18:19 | |
Nope. Couple of parking fines. | 0:18:19 | 0:18:22 | |
-One of his places burnt down a few years ago, but it wasn't suspicious. Just an electrical fault. -Right. | 0:18:22 | 0:18:27 | |
-And Mr Moore phoned again - three times. -What's he want? | 0:18:27 | 0:18:32 | |
Well, first, he said that he'd found his wife, without your help. | 0:18:32 | 0:18:36 | |
Then he said he wanted to talk, man to man, and would you go for a drink with him. Then he started crying. | 0:18:36 | 0:18:42 | |
Billy's not here. I haven't seen him for ages. | 0:20:13 | 0:20:15 | |
We're dealing with him. We're looking for a guy - Reggie. | 0:20:15 | 0:20:18 | |
Never heard of him, swear to God. | 0:20:19 | 0:20:21 | |
-What flat is this? -Four. | 0:20:23 | 0:20:25 | |
Number four, aye. | 0:20:25 | 0:20:27 | |
Billy stashed some stuff of ours here. Reggie took it. | 0:20:27 | 0:20:30 | |
I never heard of him. | 0:20:30 | 0:20:32 | |
Tell him we'll be back...bitch. | 0:20:32 | 0:20:35 | |
Oi, come here! | 0:20:56 | 0:20:59 | |
Oi, you little shit! | 0:20:59 | 0:21:00 | |
THEY LAUGH | 0:21:06 | 0:21:08 | |
-Come on, then, granddad! -Oh, dear, dear, dear. | 0:21:08 | 0:21:10 | |
Wanker. | 0:21:10 | 0:21:11 | |
'So what were they after?' | 0:21:14 | 0:21:16 | |
I don't know. | 0:21:16 | 0:21:17 | |
Did they say anything? | 0:21:17 | 0:21:19 | |
-OK, let's call your mum. -She's on holiday. | 0:21:22 | 0:21:25 | |
"Dear Reggie. Hotel very nice and clean, food plentiful. | 0:21:29 | 0:21:33 | |
"Our waiter's Manuel, like in Fawlty Towers. | 0:21:33 | 0:21:35 | |
"Drinking lots of sangria - naughty, naughty! | 0:21:35 | 0:21:38 | |
"Missing you loads. | 0:21:39 | 0:21:40 | |
"Take good care of your brother, OK? "Back soon. | 0:21:40 | 0:21:44 | |
"Love, Mum. xxx". | 0:21:44 | 0:21:46 | |
Do you remember everything? | 0:21:49 | 0:21:51 | |
-Important stuff. -Right. | 0:21:51 | 0:21:53 | |
-Well, let's call Louise. -No! I don't want the police involved. | 0:21:53 | 0:21:56 | |
-Mum'll go mad! -All right. | 0:21:56 | 0:21:59 | |
-Where's this brother of yours? -Let me just clear up! | 0:21:59 | 0:22:01 | |
I'm fine, I'll be OK. | 0:22:01 | 0:22:03 | |
You came about Jo, right? | 0:22:06 | 0:22:07 | |
Yeah. | 0:22:09 | 0:22:10 | |
Erm... Andrew Jones is dead. | 0:22:10 | 0:22:12 | |
-He killed himself, looks like. -Looks like? | 0:22:12 | 0:22:15 | |
Either way, I'm sure Dr Hunter will be home soon. | 0:22:15 | 0:22:18 | |
Why did you join the police, Marcus? | 0:22:36 | 0:22:38 | |
Oh, eh... | 0:22:39 | 0:22:41 | |
Usual reasons, really. | 0:22:42 | 0:22:43 | |
Erm... Public sector pension. | 0:22:43 | 0:22:46 | |
Wanted to try and make a difference. | 0:22:46 | 0:22:48 | |
What about you, boss? | 0:22:48 | 0:22:50 | |
I wanted to hit people with a stick. | 0:22:50 | 0:22:52 | |
TEXT ALERT TONE | 0:22:52 | 0:22:55 | |
Bloody woman! | 0:22:57 | 0:22:58 | |
Who's that? | 0:22:58 | 0:22:59 | |
Mrs Michelle Moore. | 0:23:00 | 0:23:03 | |
She's run off with some bloke from accounts and her husband's taken it badly. | 0:23:03 | 0:23:07 | |
He's one of Brodie's lunatics. | 0:23:07 | 0:23:09 | |
You gave her your mobile. | 0:23:09 | 0:23:11 | |
-He was stalking her. -Marcus, you shouldn't do that. | 0:23:12 | 0:23:15 | |
Yeah, I know, sorry. It was... Stupid Damsel in Distress Syndrome. | 0:23:15 | 0:23:20 | |
Not our problem. Pass it to uniform. | 0:23:20 | 0:23:21 | |
Yes, boss. | 0:23:23 | 0:23:24 | |
Hit people with a stick, Marcus. | 0:23:25 | 0:23:26 | |
And don't give them your mobile. | 0:23:29 | 0:23:31 | |
# Seems like to me | 0:23:40 | 0:23:43 | |
# Stars don't shine so bright | 0:23:43 | 0:23:45 | |
# Seems like to me | 0:23:47 | 0:23:50 | |
# The sun has lost its light | 0:23:50 | 0:23:53 | |
# Seems like to me | 0:23:55 | 0:23:58 | |
# There's nothing going right | 0:23:58 | 0:24:01 | |
# Since you went away | 0:24:04 | 0:24:07 | |
# Seems like to me | 0:24:10 | 0:24:13 | |
# The sky ain't half so blue | 0:24:13 | 0:24:16 | |
# Seems like to me | 0:24:18 | 0:24:21 | |
# That everything wants you | 0:24:21 | 0:24:23 | |
# Seems like to me | 0:24:25 | 0:24:29 | |
# I don't know what to do | 0:24:29 | 0:24:31 | |
# Since you went away | 0:24:35 | 0:24:37 | |
# Since you went away. # | 0:24:42 | 0:24:45 | |
Oww! | 0:24:50 | 0:24:52 | |
Now, look, that one is pretty. | 0:24:52 | 0:24:56 | |
-Too short. -Right, well, what are you going to buy her, Jackson? | 0:24:56 | 0:25:00 | |
KNOCKING | 0:25:00 | 0:25:01 | |
Early Christmas present. | 0:25:01 | 0:25:03 | |
Thank you, Santa. | 0:25:04 | 0:25:05 | |
There might be a weird message on your phone from me. | 0:25:05 | 0:25:09 | |
Just delete it. I was very drunk. | 0:25:09 | 0:25:11 | |
So I asked around about your new friends. | 0:25:12 | 0:25:14 | |
The ginger one's Ian, the tattooed one Craig. | 0:25:14 | 0:25:17 | |
Knuckledraggers who work drugs, around Reggie's estate. | 0:25:17 | 0:25:19 | |
-Reggie's not into drugs. -How the hell would you know? | 0:25:19 | 0:25:22 | |
Because I know. | 0:25:22 | 0:25:24 | |
Nobody knows anybody Jackson. You told me that. | 0:25:24 | 0:25:26 | |
-Still there. -Well, Andrew Jones | 0:25:29 | 0:25:31 | |
only used your ID to hire a car, so I figure you're about even. | 0:25:31 | 0:25:34 | |
-Mr Brodie. -Out there. | 0:25:34 | 0:25:37 | |
-Mr Brodie, she called the police. She's not coming... -Wait out there. | 0:25:37 | 0:25:40 | |
We still don't know how he got the gun, but he's an ex con, it can't be that tough. | 0:25:44 | 0:25:48 | |
-Russian's down the pub would have sold him one for 50 quid. -You should tell a policeman about that. -Guys. | 0:25:48 | 0:25:53 | |
Mr Moore, am I going to have to ask | 0:25:56 | 0:25:59 | |
this police officer here to escort you from the premises? | 0:25:59 | 0:26:02 | |
-Have you missed me? -Not really. It's been really peaceful, actually. | 0:26:08 | 0:26:13 | |
Course I have, you idiot! Every minute of every day. | 0:26:13 | 0:26:15 | |
So what have you been up to? Finding people? | 0:26:15 | 0:26:18 | |
Trying to find people. | 0:26:18 | 0:26:20 | |
Trying not to lose any more. | 0:26:20 | 0:26:22 | |
Listen, I wanted to talk about what you've been up to, OK? | 0:26:22 | 0:26:26 | |
I've not been up to much. Just having fun. | 0:26:28 | 0:26:30 | |
I mean, it's fun out here. | 0:26:30 | 0:26:31 | |
That's what I'm talking about. Surfing, for instance, is dangerous. | 0:26:31 | 0:26:35 | |
-You need proper instruction. -I've got proper instruction, Dad. | 0:26:35 | 0:26:38 | |
-From who? That bloke? -Stuart? | 0:26:38 | 0:26:42 | |
Yeah, who's Stuart? | 0:26:42 | 0:26:44 | |
He's a neighbour. He's teaching me how to surf. He's a one-parent family, as well. | 0:26:44 | 0:26:48 | |
We're not a one-parent family. I'm your dad! | 0:26:48 | 0:26:51 | |
As soon as I can, I'll come down and remind you what I look like. | 0:26:52 | 0:26:55 | |
Marlee! | 0:26:55 | 0:26:56 | |
Coming! Right, got to go, Dad. | 0:26:56 | 0:26:58 | |
-Love you. -Well, hold on! | 0:26:58 | 0:26:59 | |
Great. "You have 12 million voicemails." | 0:27:16 | 0:27:19 | |
'Where are you, Jackson? | 0:27:28 | 0:27:30 | |
'Last seen in the company of a teenage girl. | 0:27:30 | 0:27:34 | |
'Do you know, I bloody despair of you, man, I do? | 0:27:34 | 0:27:36 | |
'Jackson, how dare you walk out of hospital in your state? | 0:27:37 | 0:27:41 | |
'And how dare you speak to me like that in there? | 0:27:43 | 0:27:45 | |
It's not cooked, is it? | 0:27:54 | 0:27:55 | |
No, the outside...is cooked. | 0:27:57 | 0:27:59 | |
So, 50% of it is cooked! | 0:27:59 | 0:28:02 | |
The wine's good. | 0:28:04 | 0:28:06 | |
That's only because you brought it. | 0:28:06 | 0:28:07 | |
Yes, well, | 0:28:09 | 0:28:11 | |
-I've got a terrible confession to make. -What? | 0:28:11 | 0:28:14 | |
I didn't come here for the food. | 0:28:14 | 0:28:17 | |
KNOCKING | 0:28:25 | 0:28:26 | |
-Oh, bloody Archie. -Ignore it. | 0:28:26 | 0:28:28 | |
No, I can't leave him out there. I can't? | 0:28:28 | 0:28:30 | |
Oh, piss off! | 0:28:33 | 0:28:34 | |
Sorry, I know it's late. | 0:28:34 | 0:28:36 | |
That would be why I told you to piss off. That and few thousand | 0:28:36 | 0:28:39 | |
other reasons, which I can't go into now. | 0:28:39 | 0:28:41 | |
Yeah. What did I say to you at the hosp-... | 0:28:41 | 0:28:44 | |
Hey! | 0:28:46 | 0:28:47 | |
What are you doing here? | 0:28:48 | 0:28:49 | |
Oddly enough, that was exactly what I was thinking. | 0:28:49 | 0:28:53 | |
Are you coming in? | 0:28:55 | 0:28:56 | |
Erm... | 0:28:56 | 0:28:58 | |
SHE SILENTLY MOUTHS | 0:28:58 | 0:28:59 | |
I've brought some rather nice wine around for Louise and I to share. | 0:29:01 | 0:29:05 | |
-Can I get you a little? -Er... | 0:29:05 | 0:29:08 | |
-Great. -She's made some souffle, they're very nice. | 0:29:10 | 0:29:15 | |
-Have one. -Have them all. | 0:29:15 | 0:29:17 | |
Thanks. | 0:29:19 | 0:29:20 | |
Look... I... | 0:29:23 | 0:29:25 | |
I wanted to talk to you about Joanna Hunter. | 0:29:27 | 0:29:29 | |
I couldn't get you at the office. | 0:29:29 | 0:29:31 | |
Yeah? | 0:29:31 | 0:29:32 | |
-We should look for her harder. -Is this for Reggie's sake? | 0:29:35 | 0:29:37 | |
-I'm doing it because her husband lied about her disappearing, when he had no reason to. -Oh, God. | 0:29:37 | 0:29:42 | |
Yeah. | 0:29:43 | 0:29:45 | |
Even in the best of marriages, a few white lies are necessary to make life bearable. | 0:29:45 | 0:29:49 | |
Really? Your wife disappeared, has she? Are you an expert? | 0:29:49 | 0:29:53 | |
My wife died three years ago. Cancer. | 0:29:53 | 0:29:57 | |
-Oh... -I can tell you're feeling better, Jackson. | 0:29:58 | 0:30:00 | |
Sorry. | 0:30:02 | 0:30:03 | |
-I didn't mean to... -Just piss off, like I asked you to. | 0:30:03 | 0:30:06 | |
Yep. | 0:30:09 | 0:30:10 | |
I talked to that lady detective, she said you're nothing to do with the police. | 0:30:22 | 0:30:26 | |
Sorry you got that impression. I've been engaged privately. | 0:30:26 | 0:30:29 | |
By who? By the nanny? Come off it! | 0:30:29 | 0:30:31 | |
It doesn't matter who, what matters is where she is. | 0:30:31 | 0:30:34 | |
Look, she just called me, Jo. I just spoke to her. | 0:30:34 | 0:30:36 | |
She's in the countryside, so you and Reggie can back off. | 0:30:36 | 0:30:39 | |
-When did she call? -Just now. | 0:30:39 | 0:30:41 | |
-I was about to call the police. The real police. -So where is she? | 0:30:41 | 0:30:44 | |
Friends of ours. | 0:30:46 | 0:30:47 | |
-Who? What's the address? -Look, she's fine. It's got nothing to do with you. Goodbye. | 0:30:47 | 0:30:52 | |
MOBILE RINGS | 0:30:54 | 0:30:55 | |
Oh, shit. | 0:30:55 | 0:30:56 | |
Louise. Listen, I'm sorry. | 0:30:58 | 0:31:00 | |
-I really am sorry. -'It's Marcus. | 0:31:00 | 0:31:02 | |
'Barracuda Chippy. | 0:31:02 | 0:31:03 | |
'Ginger and Tattoo Man hang out there, making deals. | 0:31:03 | 0:31:06 | |
'Louise wishes me to tell you that this is the last thing she does for you.' | 0:31:06 | 0:31:10 | |
-Oh, well, tell her thanks. But make sure she knows I'm sorry. -'I don't think cares.' | 0:31:10 | 0:31:16 | |
Hello, boys. | 0:31:26 | 0:31:27 | |
Remember me, do you? | 0:31:28 | 0:31:29 | |
Aye, you're the tranny who won Big Brother. | 0:31:29 | 0:31:32 | |
-Piss off. -Pleasure. | 0:31:33 | 0:31:35 | |
Right after you tell me why you trashed my friend's flat. | 0:31:35 | 0:31:38 | |
Suck your balls, you English prick. | 0:31:38 | 0:31:40 | |
What do you want with Reggie? | 0:31:41 | 0:31:43 | |
Reggie? | 0:31:43 | 0:31:45 | |
You know where Reggie is? | 0:31:45 | 0:31:47 | |
You'd better tell me... | 0:31:47 | 0:31:48 | |
-Leave him! -Back off! | 0:31:48 | 0:31:50 | |
-Get off my balls! -Give me an answer. | 0:31:51 | 0:31:53 | |
We just want what's ours. | 0:31:54 | 0:31:56 | |
Which is? | 0:31:56 | 0:31:57 | |
Our gear. | 0:31:57 | 0:31:58 | |
-Billy didn't pay for it. -Billy who? | 0:32:00 | 0:32:02 | |
Billy Teague. Please. | 0:32:02 | 0:32:05 | |
-It's our gear. -What did I tell you? | 0:32:05 | 0:32:07 | |
Why do you think Reggie's got it? | 0:32:08 | 0:32:10 | |
He took it, didn't he? | 0:32:10 | 0:32:11 | |
So says Billy. | 0:32:13 | 0:32:15 | |
Now you listen to me, you little prick. | 0:32:16 | 0:32:18 | |
You go near Reggie or that flat again and I'll have these for earrings. Do you understand? | 0:32:18 | 0:32:23 | |
Yeah. | 0:32:23 | 0:32:24 | |
I might not be able to have kids now! | 0:32:29 | 0:32:31 | |
That's a shame. | 0:32:31 | 0:32:32 | |
You've not been telling me the whole truth, Reggie. | 0:32:33 | 0:32:36 | |
I have, swear to God. | 0:32:36 | 0:32:37 | |
Those lads are drug dealers. | 0:32:39 | 0:32:41 | |
They said you took drugs from "Billy Teague". Who's that, your brother? | 0:32:42 | 0:32:46 | |
He's an arsehole. | 0:32:46 | 0:32:47 | |
So, are you involved in drugs, in some way? | 0:32:49 | 0:32:54 | |
How dare you? | 0:32:56 | 0:32:57 | |
I'm a nanny, I work in a supermarket, I do ironing | 0:32:58 | 0:33:01 | |
and, on Sundays, I work in Mr Akbar's paper shop. | 0:33:01 | 0:33:04 | |
How dare you think I do drugs? I've got no time! | 0:33:04 | 0:33:07 | |
-I've been doing studies and stuff. -All right. | 0:33:07 | 0:33:09 | |
Look, where is your mum? | 0:33:12 | 0:33:14 | |
She's on holiday. | 0:33:14 | 0:33:15 | |
That postcard was sent over a year ago. | 0:33:16 | 0:33:18 | |
Come on...where is she? | 0:33:18 | 0:33:21 | |
SNIFFLING | 0:33:22 | 0:33:24 | |
She's dead. | 0:33:24 | 0:33:26 | |
I'm sorry. | 0:33:29 | 0:33:30 | |
She drowned in the pool. | 0:33:32 | 0:33:34 | |
Her hair got sucked into the pump. | 0:33:34 | 0:33:36 | |
I got that postcard three days after they told me. | 0:33:38 | 0:33:41 | |
But why would you...? | 0:33:46 | 0:33:47 | |
I've been trying to act like we're all sticking together, | 0:33:48 | 0:33:52 | |
like we did when Mum was here. | 0:33:52 | 0:33:54 | |
And Billy? | 0:33:56 | 0:33:57 | |
He's my brother. He's all I've got now. | 0:33:59 | 0:34:02 | |
Well, he's not much of a brother, if you ask me, | 0:34:02 | 0:34:04 | |
sending those two round here, | 0:34:04 | 0:34:07 | |
saying you got his drugs. | 0:34:07 | 0:34:09 | |
I do. | 0:34:11 | 0:34:13 | |
Ms McDonald was coaching me for my A levels. | 0:34:13 | 0:34:16 | |
Left me here to study on my own sometimes. | 0:34:16 | 0:34:19 | |
Wow. | 0:34:23 | 0:34:25 | |
It was in my Mum's room. I couldn't have them there. | 0:34:25 | 0:34:28 | |
Ms McDonald can't reach there. | 0:34:28 | 0:34:31 | |
OUTER DOOR OPENS | 0:34:32 | 0:34:34 | |
He's here. | 0:34:34 | 0:34:35 | |
Where the hell are they? | 0:34:39 | 0:34:40 | |
Know what they've done to me? Where have you been? | 0:34:40 | 0:34:43 | |
-You're an arsehole, Billy. -Billy, so glad you could make it. | 0:34:43 | 0:34:46 | |
Who's he? | 0:34:46 | 0:34:48 | |
This what you're looking for? | 0:34:48 | 0:34:50 | |
That's my property. | 0:34:51 | 0:34:53 | |
Who the hell do you think you are? | 0:34:53 | 0:34:55 | |
-Morgan Freeman. -What? | 0:34:55 | 0:34:57 | |
You should never have taken that stuff, Reggie. | 0:34:57 | 0:34:59 | |
-You should never have put it in Mum's room. -What's the difference? | 0:34:59 | 0:35:03 | |
Not like she'll find it. | 0:35:03 | 0:35:04 | |
It's all that we have of her! It was, until they trashed it. | 0:35:04 | 0:35:07 | |
-Mum was an old tart. -Shut your mouth. | 0:35:07 | 0:35:10 | |
She was an old tart. You never seen it. I did. | 0:35:10 | 0:35:16 | |
You don't bloody see people. Like Dr Hunter, she's so perfect, eh? | 0:35:16 | 0:35:22 | |
-I could tell you a thing or... -Hey! What do you know about her? | 0:35:22 | 0:35:25 | |
Give us that and you'll find out. | 0:35:25 | 0:35:27 | |
Tell me...and I might. | 0:35:27 | 0:35:29 | |
She's married to a crook. | 0:35:31 | 0:35:32 | |
He invited me in once, when I was waiting for Reggie. | 0:35:32 | 0:35:36 | |
Asked me to burn down an amusement arcade. | 0:35:36 | 0:35:39 | |
-He seemed pretty desperate. -Did you do it? | 0:35:39 | 0:35:41 | |
That would be telling. | 0:35:41 | 0:35:43 | |
-Just piss off, Billy. -Give us that, then. | 0:35:43 | 0:35:45 | |
Your brother, your call. | 0:35:49 | 0:35:50 | |
Christ's sake, they'll kill me. | 0:35:56 | 0:35:58 | |
-Enough's enough. -You'd better get out of town, Billy - and quick. | 0:35:59 | 0:36:03 | |
-And where am I meant to go? -I don't know. | 0:36:03 | 0:36:05 | |
I don't care. Anywhere. Away from me. | 0:36:05 | 0:36:09 | |
Are you going to have a go? | 0:36:13 | 0:36:15 | |
Go on, give me an excuse. | 0:36:16 | 0:36:17 | |
Right, I've had enough of this shite. Get the hell out. | 0:36:25 | 0:36:29 | |
You lied about Joanna. You had one of your buildings deliberately burnt down. Is someone threatening you? | 0:36:29 | 0:36:34 | |
-This is bollocks. I'll call the police. -Go on. I've got them on speed dial. | 0:36:34 | 0:36:38 | |
Here you go. | 0:36:38 | 0:36:39 | |
Turn it off. | 0:36:41 | 0:36:42 | |
-It's ringing. -Turn it off! | 0:36:42 | 0:36:43 | |
-You've got to go. I can sort this myself, please. -Whatever it is, I can help you. | 0:36:45 | 0:36:50 | |
I don't want your help. | 0:36:50 | 0:36:52 | |
This is my family, I can sort it myself. | 0:36:53 | 0:36:56 | |
Jesus Christ! I can protect my own family! | 0:36:56 | 0:36:58 | |
Where is she, then?! | 0:36:58 | 0:37:00 | |
She's with... | 0:37:05 | 0:37:06 | |
She's with Michael Anderson. | 0:37:08 | 0:37:10 | |
-Oh, shit. -Who's he? | 0:37:12 | 0:37:14 | |
He's a gangster, | 0:37:15 | 0:37:17 | |
from Glasgow. | 0:37:17 | 0:37:19 | |
Come on, darling. Come on. | 0:37:21 | 0:37:24 | |
BABY WHIMPERS | 0:37:24 | 0:37:27 | |
Mummy's here. OK, darling. It's OK. | 0:37:27 | 0:37:31 | |
NOISE OF CAR ENGINE | 0:37:31 | 0:37:34 | |
Why? | 0:37:36 | 0:37:37 | |
I borrowed from him. I couldn't pay it back. | 0:37:40 | 0:37:42 | |
I torched the arcade, but there wasn't enough in the settlement. | 0:37:42 | 0:37:47 | |
Then the other night, I get back, there's a note from Jo. If I sign over the businesses, | 0:37:47 | 0:37:51 | |
I can have her and the baby back in time for Christmas. | 0:37:51 | 0:37:54 | |
And you didn't sign straight away?! | 0:37:54 | 0:37:56 | |
I was trying to find the money! I was trying to be the man, you know? | 0:37:56 | 0:37:59 | |
It is not my house. I don't make the decisions. | 0:37:59 | 0:38:02 | |
-Don't you make out I don't care about my family. -Where are they now? | 0:38:02 | 0:38:05 | |
He's not going to hurt her, you know? | 0:38:07 | 0:38:11 | |
He's just... | 0:38:11 | 0:38:13 | |
-He's on his way over. You've got to go. -Show me the note. | 0:38:13 | 0:38:17 | |
-It doesn't sound like they're not going to hurt her. -He's just... | 0:38:31 | 0:38:35 | |
He's just trying to scare me, you know? Rough me up. | 0:38:35 | 0:38:39 | |
KNOCK AT DOOR | 0:38:39 | 0:38:41 | |
Christ, they're here. | 0:38:41 | 0:38:43 | |
Right, listen to me. You tell them you need proof of life, | 0:38:43 | 0:38:46 | |
right? Resist at first and then tell them you'll sign everything | 0:38:46 | 0:38:50 | |
if they give you proof Joanna is still alive. Neil? | 0:38:50 | 0:38:52 | |
-Will you do that? -Aye, OK. OK. | 0:38:54 | 0:38:57 | |
I'm trying to raise the money. | 0:39:14 | 0:39:17 | |
I'm almost there. | 0:39:17 | 0:39:20 | |
I can't just click my fingers. | 0:39:20 | 0:39:22 | |
Then sign over your businesses. | 0:39:22 | 0:39:24 | |
I need to know she's still alive. | 0:39:26 | 0:39:28 | |
Sign them over, and you'll know. | 0:39:28 | 0:39:33 | |
I need to know before. | 0:39:33 | 0:39:35 | |
Then I'll talk to my lawyers. | 0:39:35 | 0:39:37 | |
What sort of man are you? Hmm? | 0:39:40 | 0:39:43 | |
Twat. | 0:39:46 | 0:39:47 | |
Look, I've told you I'll find the money, all right? | 0:39:54 | 0:39:58 | |
I just need to know she's alive. | 0:39:58 | 0:40:01 | |
Give me a day. A couple more days, eh? | 0:40:01 | 0:40:05 | |
It's all right, Reggie, they'll be OK. | 0:40:36 | 0:40:38 | |
It's right out in the middle of nowhere. | 0:40:38 | 0:40:41 | |
She won't be dead, will she? | 0:41:33 | 0:41:34 | |
She'll be fine. | 0:41:34 | 0:41:37 | |
You stay here, Reggie. Promise me you'll stay in here. | 0:41:37 | 0:41:41 | |
Promise. | 0:41:41 | 0:41:43 | |
What if you don't come back? | 0:41:45 | 0:41:46 | |
Well, then, you run. | 0:41:48 | 0:41:49 | |
BABY WHIMPERING | 0:41:56 | 0:41:58 | |
Your husband's still thinking about whether he wants to play. | 0:42:04 | 0:42:08 | |
He must love you both very much. | 0:42:10 | 0:42:13 | |
So you, you need to write him another note. | 0:42:15 | 0:42:19 | |
-What do I write? -Tell him it'll be you first, | 0:42:27 | 0:42:31 | |
and then the baby. | 0:42:31 | 0:42:33 | |
I can't write with my hands tied. | 0:42:38 | 0:42:41 | |
How's that? | 0:43:04 | 0:43:06 | |
AAARGH! AAARGH! | 0:43:12 | 0:43:14 | |
Hello? Hello? | 0:43:43 | 0:43:46 | |
He's just collapsed. I don't know what... | 0:43:49 | 0:43:52 | |
I think he's fainted. | 0:43:52 | 0:43:55 | |
Aaagh! | 0:43:55 | 0:43:57 | |
What the fuck? | 0:44:09 | 0:44:12 | |
I know who you are, Joanna. | 0:44:18 | 0:44:19 | |
Who you really are. | 0:44:19 | 0:44:21 | |
I've come to get you. | 0:44:21 | 0:44:23 | |
Are you going to help me? | 0:44:27 | 0:44:28 | |
I don't want my baby growing up with this. Do you understand me? Not like I had. | 0:44:31 | 0:44:35 | |
Yeah. | 0:44:39 | 0:44:40 | |
What happened? | 0:44:44 | 0:44:45 | |
Take her back to the car. | 0:44:45 | 0:44:48 | |
-Joanna! -Hello, Reggie. | 0:44:48 | 0:44:51 | |
We missed you. | 0:44:51 | 0:44:52 | |
BABY CRIES | 0:44:52 | 0:44:54 | |
-Are you OK? -Uh-huh. Come on. | 0:44:54 | 0:44:58 | |
This way. | 0:44:58 | 0:44:59 | |
That's better. Yeah. | 0:45:32 | 0:45:34 | |
When I saw my family after what he'd done to them, I swore that I'd never run away again. | 0:45:42 | 0:45:47 | |
I'd stay. Protect. | 0:45:47 | 0:45:49 | |
-Sometimes you can't protect people. -I can. That's what I do. | 0:45:51 | 0:45:55 | |
I feel guilty that I'm still alive. Every day I feel guilty. | 0:46:00 | 0:46:03 | |
He's dead now, anyway, Andrew Jones. | 0:46:07 | 0:46:10 | |
So, it's all over. | 0:46:12 | 0:46:14 | |
Do I know you? | 0:46:22 | 0:46:23 | |
You survived, Joanna. | 0:46:26 | 0:46:28 | |
You've got a beautiful baby. | 0:46:30 | 0:46:31 | |
You can get on with your life now, move on. | 0:46:34 | 0:46:39 | |
So you were just wandering around for about a week? | 0:47:12 | 0:47:16 | |
I was upset when they told me Jones was coming out. | 0:47:16 | 0:47:19 | |
Mmm-hmm. Where were you? | 0:47:19 | 0:47:22 | |
I can't remember. | 0:47:23 | 0:47:25 | |
"Disassociative fugue state", it's called. | 0:47:25 | 0:47:29 | |
Temporary loss of memory due to the memory of a previous trauma. | 0:47:29 | 0:47:32 | |
I came to my senses and I came home. | 0:47:35 | 0:47:37 | |
Right. | 0:47:39 | 0:47:40 | |
PHONE RINGS | 0:47:44 | 0:47:47 | |
Jackson Brodie. | 0:47:47 | 0:47:48 | |
'Mr Brodie, it's Gary Moore here.' | 0:47:48 | 0:47:51 | |
You've been told not to call, Gary. | 0:47:51 | 0:47:53 | |
'I'm just ringing to say sorry. | 0:47:53 | 0:47:55 | |
'And thanks. And sorry I was a pest.' | 0:47:55 | 0:48:00 | |
-It's all right. -'I've got it all sorted out now. | 0:48:00 | 0:48:04 | |
'Everything's going to be all right, you'll see.' | 0:48:04 | 0:48:06 | |
Good. | 0:48:06 | 0:48:07 | |
PHONE DISCONNECTS | 0:48:07 | 0:48:09 | |
-Jackson Brodie's at the bottom of this, I know it. -Well, she's back. | 0:48:24 | 0:48:28 | |
Aye, all wrapped up in a nice, tidy bundle. | 0:48:28 | 0:48:30 | |
The kind you wouldn't want to tread in. | 0:48:30 | 0:48:33 | |
Strathclyde are asking about a crook called Anderson. | 0:48:33 | 0:48:37 | |
He's gone missing, they think over here. | 0:48:37 | 0:48:39 | |
I've never heard of him. | 0:48:39 | 0:48:40 | |
-MOBILE PHONE RINGS -Sorry. | 0:48:40 | 0:48:43 | |
Hello? | 0:48:45 | 0:48:46 | |
OK, just calm down. | 0:48:47 | 0:48:50 | |
I'm sure he's only saying that to... | 0:48:50 | 0:48:53 | |
Don't go down there yourself, Michelle. | 0:48:53 | 0:48:56 | |
What's that? | 0:48:57 | 0:48:58 | |
My damsel in distress. | 0:49:01 | 0:49:04 | |
Don't you run around after her! | 0:49:06 | 0:49:08 | |
-Just open the door! -You're an embarrassment to yourself, and to me. | 0:49:15 | 0:49:19 | |
You're a walking embarrassment. Forgive him, | 0:49:19 | 0:49:21 | |
-he's mental. -You're a wee slut! -Did you just call me a slut? -Open the door! | 0:49:21 | 0:49:25 | |
I'm your husband, I'm ordering you to open the door! | 0:49:25 | 0:49:29 | |
No, no, no, no, get back in the car. | 0:49:31 | 0:49:34 | |
-Let me handle this. -Taxi for Mr Moore! | 0:49:34 | 0:49:36 | |
This is police business. Mr Moore, you shouldn't be here. | 0:49:36 | 0:49:40 | |
My wife's here, why should I not be here? | 0:49:40 | 0:49:43 | |
-Gary... -Jackson, leave it! It's time to go, sir. | 0:49:43 | 0:49:46 | |
-I'm going nowhere. -Go on then, off you pop. | 0:49:46 | 0:49:48 | |
I'm not going to ask you a second time, go home. | 0:49:48 | 0:49:50 | |
I recognise you. I saw you, I saw what you did. | 0:49:50 | 0:49:55 | |
I saw you coming out of that house. | 0:49:55 | 0:49:57 | |
-What? -I saw you! -Gary! | 0:49:57 | 0:50:00 | |
Call an ambulance! | 0:50:10 | 0:50:13 | |
I'm here! Look at me, you're all right, you're going to be OK. | 0:50:16 | 0:50:20 | |
You're OK. I'm here. | 0:50:22 | 0:50:24 | |
You'll be all right. I've got you. | 0:50:24 | 0:50:26 | |
All right? You're all right, you're all right, Marcus. | 0:50:26 | 0:50:30 | |
MUSIC: "Mercy Now" by Mary Gauthier | 0:50:30 | 0:50:33 | |
# My father could use a little mercy now | 0:50:33 | 0:50:35 | |
# The fruits of his labour | 0:50:40 | 0:50:43 | |
# Fall and rot slowly on the ground | 0:50:43 | 0:50:48 | |
# His work is almost over | 0:50:53 | 0:50:56 | |
# It won't be long he won't be around | 0:50:56 | 0:51:00 | |
# I love my father | 0:51:05 | 0:51:09 | |
# He could use some mercy now | 0:51:09 | 0:51:13 | |
# My brother could use a little mercy now | 0:51:19 | 0:51:26 | |
# He's a stranger to freedom | 0:51:30 | 0:51:34 | |
# He's shackled to his fear and his doubt | 0:51:34 | 0:51:38 | |
# The pain that he lives in... # | 0:51:44 | 0:51:47 | |
Goodbye, Ms MacDonald. | 0:51:47 | 0:51:49 | |
# I love my brother | 0:51:55 | 0:51:59 | |
# He could use some mercy now... # | 0:51:59 | 0:52:03 | |
I'm sorry. | 0:52:03 | 0:52:04 | |
# My church and my country could use a little mercy now... # | 0:52:08 | 0:52:16 | |
-LAPTOP VIDEO PHONE RINGS -Oh! | 0:52:16 | 0:52:19 | |
Hey! Merry Christmas, gorgeous! | 0:52:20 | 0:52:23 | |
Merry Christmas, Dad! It's really sunny here! | 0:52:23 | 0:52:26 | |
It's miserable here. | 0:52:26 | 0:52:30 | |
Thanks for this! Not sure it's true! | 0:52:30 | 0:52:32 | |
You're a bit of a strange kind of dad, but, still, you're the best. | 0:52:32 | 0:52:36 | |
-Did you get mine? -Yeah, thanks for the surfboard! | 0:52:36 | 0:52:39 | |
-It's fantastic. -You enjoy it. | 0:52:39 | 0:52:42 | |
And I will be careful. | 0:52:42 | 0:52:44 | |
I know you will. | 0:52:44 | 0:52:47 | |
All right, go on, you wish Merry Christmas to your mum, | 0:52:47 | 0:52:50 | |
and anyone who's there, all right? | 0:52:50 | 0:52:52 | |
OK. | 0:52:52 | 0:52:54 | |
-I love you. -Love you. | 0:52:54 | 0:52:57 | |
Ah, look, do you know what it is? Do you know what that is? | 0:53:04 | 0:53:08 | |
It is so funny! | 0:53:08 | 0:53:11 | |
This is for Neil. | 0:53:11 | 0:53:13 | |
Well... just put it with his other stuff there. | 0:53:13 | 0:53:18 | |
-There we go. -DOORBELL RINGS | 0:53:19 | 0:53:21 | |
-I'll get it. -Thanks, Reggie. | 0:53:21 | 0:53:23 | |
Who's my boy? | 0:53:25 | 0:53:27 | |
You are lucky boy, aren't you, eh? Look! | 0:53:27 | 0:53:31 | |
-Hello. -Hello. | 0:53:35 | 0:53:37 | |
I really can't stay, I just popped by to give you that. | 0:53:37 | 0:53:41 | |
Thank you very much. | 0:53:41 | 0:53:44 | |
-Ah-ha! -I've heard it's quite good. -I'll go and get yours. | 0:53:44 | 0:53:48 | |
Catholics aren't allowed to kill themselves, are they? | 0:54:00 | 0:54:02 | |
-What? -I spoke to Jones's priest. He stopped taking the sacrament | 0:54:02 | 0:54:07 | |
after you visited. | 0:54:07 | 0:54:10 | |
What did you say to him? | 0:54:10 | 0:54:12 | |
I said this and that. You know how it is. | 0:54:12 | 0:54:16 | |
Not really, I can't imagine how it is. | 0:54:16 | 0:54:18 | |
Well, maybe when he saw me all grown up and with the baby, | 0:54:18 | 0:54:23 | |
maybe he thought that's what he deserved. | 0:54:23 | 0:54:26 | |
Hmm. | 0:54:26 | 0:54:28 | |
He took your baby. | 0:54:30 | 0:54:31 | |
Here it is. | 0:54:33 | 0:54:35 | |
Here you go. | 0:54:35 | 0:54:37 | |
-Very kind. -Stay for dinner, eh? Jackson, my Jackson? There's plenty. Home grown, except the turkey. | 0:54:37 | 0:54:42 | |
-Yes, do. -Ah, I... | 0:54:42 | 0:54:46 | |
-Oh, come on. You've no family. You're going nowhere today. Come on. -I do have a family. | 0:54:46 | 0:54:50 | |
-In New Zealand! There's nobody here that loves you as much as us. -There's somewhere I've got to be, | 0:54:50 | 0:54:55 | |
but thanks for this. You have a great day. | 0:54:55 | 0:54:59 | |
OK. | 0:54:59 | 0:55:00 | |
Merry Christmas, thank you very much. | 0:55:02 | 0:55:05 | |
Merry Christmas, you. | 0:55:05 | 0:55:07 | |
I do know you, don't I? From somewhere? | 0:55:13 | 0:55:16 | |
I've just got one of those faces. | 0:55:18 | 0:55:21 | |
KNOCK AT DOOR Oh. | 0:55:29 | 0:55:32 | |
Hey. | 0:55:36 | 0:55:37 | |
-Merry Christmas. -Hello. | 0:55:37 | 0:55:40 | |
Same to you. | 0:55:40 | 0:55:42 | |
Do you want come in? | 0:55:42 | 0:55:43 | |
No, you're all right. Is Patrick here? | 0:55:43 | 0:55:47 | |
No, he's at his brother's. | 0:55:47 | 0:55:50 | |
What do you want? | 0:55:53 | 0:55:55 | |
I was just wondering... | 0:55:55 | 0:55:58 | |
About? | 0:55:58 | 0:56:00 | |
The hospital. What I said to you. | 0:56:00 | 0:56:03 | |
It was nothing. | 0:56:03 | 0:56:05 | |
Nothing important, anyway. | 0:56:05 | 0:56:07 | |
Right, if it was nothing important, | 0:56:07 | 0:56:10 | |
then what was it? | 0:56:10 | 0:56:12 | |
You were rambling, | 0:56:12 | 0:56:15 | |
and you told me you loved me. | 0:56:15 | 0:56:17 | |
Good. | 0:56:20 | 0:56:22 | |
That's about right, then. | 0:56:26 | 0:56:28 | |
OK. | 0:56:33 | 0:56:35 | |
Is it? | 0:56:35 | 0:56:36 | |
OK. | 0:56:41 | 0:56:43 | |
Do you want to come in? | 0:56:46 | 0:56:47 | |
Have we got time? | 0:56:50 | 0:56:52 | |
I don't want to interrupt anything. | 0:56:53 | 0:56:55 | |
You're always interrupting something, Jackson. | 0:56:55 | 0:56:59 | |
Merry Christmas. | 0:57:02 | 0:57:03 | |
I do know you, don't I? From somewhere? | 0:57:21 | 0:57:24 | |
'Joanna! Joanna, come on! | 0:57:31 | 0:57:34 | |
'You should be down there to the right. | 0:57:37 | 0:57:39 | |
'You stay with me.' | 0:57:39 | 0:57:40 | |
Over here! Over here, sir! I've found her. | 0:57:40 | 0:57:44 | |
Brodie's found her! | 0:57:46 | 0:57:47 | |
-She's alive. -You're safe now. | 0:57:47 | 0:57:50 | |
-Brodie's found her! -She's alive! | 0:57:50 | 0:57:52 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:53 | |
E-mail [email protected] | 0:58:53 | 0:58:56 |