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I just don't want you to be sad. | 0:00:02 | 0:00:03 | |
-You go to New Zealand with your mum and I will stop being sad. -Promise? | 0:00:03 | 0:00:07 | |
Promise. | 0:00:07 | 0:00:09 | |
This programme contains some strong language | 0:00:09 | 0:00:14 | |
-You'll have to heat up last night's pie. It'll be a late one here. -I'm a neglected child. | 0:00:14 | 0:00:19 | |
-I don't take orders from you. -You're not too old put over my knee | 0:00:19 | 0:00:22 | |
-and give you a spanking. -Stop needling him, he's new. | 0:00:22 | 0:00:25 | |
-You got back together with your ex? -No. | 0:00:25 | 0:00:27 | |
In that case, I'll come in. | 0:00:27 | 0:00:29 | |
Do you fancy getting drunk? | 0:00:29 | 0:00:31 | |
They're on the plane. | 0:00:31 | 0:00:33 | |
On their way to New Zealand and I keep seeing their faces. | 0:00:33 | 0:00:36 | |
CHILDREN LAUGH | 0:01:27 | 0:01:29 | |
CAMERA CLICKS | 0:02:13 | 0:02:15 | |
MOBILE PHONE BUZZES | 0:02:18 | 0:02:21 | |
Oh, hey. | 0:02:21 | 0:02:23 | |
-Hey! -'Dad!' -Hello, gorgeous. | 0:02:24 | 0:02:26 | |
'Dad, you look like a ninja.' | 0:02:26 | 0:02:28 | |
-What's going on? -'Just rang to say I can't ring. I'm going surfing. | 0:02:28 | 0:02:32 | |
-'The waves are really big.' -What do you mean surfing? Who with? -'Marlee, time to go.' -Who's that? -'Stuart.' | 0:02:32 | 0:02:37 | |
-Who's Stuart? -'Marlee!' -Marlee, it's dangerous. I don't want... | 0:02:37 | 0:02:41 | |
'Got to go, Dad. See you later. Bye!' | 0:02:41 | 0:02:42 | |
MOBILE PHONE BUZZES | 0:02:57 | 0:02:59 | |
Ah! | 0:02:59 | 0:03:01 | |
Oh. Mr Moore. | 0:03:02 | 0:03:04 | |
Yeah, I'm looking at her now, | 0:03:04 | 0:03:06 | |
but you've got to give me a couple of minutes. | 0:03:06 | 0:03:09 | |
Yes. Listen, Mr Moore, please let me do my job and I'll get back to you. | 0:03:09 | 0:03:13 | |
Fine. | 0:03:13 | 0:03:14 | |
CAMERA SNAPPING | 0:03:18 | 0:03:21 | |
A-ha. | 0:03:21 | 0:03:22 | |
WOMAN SPEAKING FOREIGN LANGUAGE | 0:03:27 | 0:03:29 | |
Ah, check the state of this! | 0:03:36 | 0:03:40 | |
Bastard. | 0:04:54 | 0:04:56 | |
Little bastard. | 0:04:56 | 0:04:59 | |
RECORDING: 'Quand j'ai fini ma glace, je vais aller me baigner.' | 0:04:59 | 0:05:02 | |
When I finish my ice cream, I will go for a swim. | 0:05:02 | 0:05:05 | |
MOBILE PHONE RINGS | 0:05:24 | 0:05:27 | |
Oh, sod off. | 0:05:27 | 0:05:30 | |
CAR ENGINE STARTS AND FAILS | 0:05:33 | 0:05:36 | |
SHEEP BLEAT | 0:05:36 | 0:05:39 | |
Come on. | 0:05:40 | 0:05:42 | |
Don't do this. | 0:05:42 | 0:05:44 | |
Come on, you bastard. | 0:05:44 | 0:05:46 | |
Come on! | 0:05:46 | 0:05:48 | |
'Pendant une telle journee, c'est bon d'etre vivant.' | 0:05:53 | 0:05:58 | |
On such a day, it is good to be alive. | 0:05:58 | 0:06:02 | |
Honestly, it's no bother. Really. | 0:06:02 | 0:06:05 | |
It's an old recipe, I've been doing it for ages. | 0:06:05 | 0:06:09 | |
Well, I used to go grape picking in France during the summer. | 0:06:09 | 0:06:14 | |
OK, fair enough. | 0:06:16 | 0:06:20 | |
Saves me having to fill my house with smelly French cheese. | 0:06:20 | 0:06:24 | |
The Italian place? That sounds great. | 0:06:24 | 0:06:26 | |
I'll see you there. | 0:06:26 | 0:06:29 | |
Ciao, bella yourself! | 0:06:29 | 0:06:31 | |
Cheerio. | 0:06:33 | 0:06:34 | |
Yep. | 0:06:39 | 0:06:40 | |
Does he have surgeon's hands, your doctor? | 0:06:42 | 0:06:44 | |
I don't know, Detective. He's never tried to operate on me. | 0:06:44 | 0:06:48 | |
You at least on the waiting list? | 0:06:48 | 0:06:50 | |
TELEPHONE RINGS | 0:06:50 | 0:06:52 | |
SHE SIGHS | 0:06:52 | 0:06:55 | |
Jackson Brodie! Thank God you called. Life can begin again! | 0:06:56 | 0:07:00 | |
Are you interfering with sheep? | 0:07:00 | 0:07:03 | |
-Ever been to Paris? -I have not, as a matter of fact. Will that be all? | 0:07:04 | 0:07:08 | |
I'm saving up. | 0:07:08 | 0:07:10 | |
A trip. | 0:07:10 | 0:07:11 | |
Maybe take a friend. | 0:07:11 | 0:07:13 | |
That's why I cancelled my AA subscription. | 0:07:13 | 0:07:17 | |
And you've broken down and you want me to send you a squad car? | 0:07:17 | 0:07:20 | |
Well, that would be generous. Really, I phoned to talk to you about Paris. | 0:07:20 | 0:07:25 | |
Goodbye, Jackson. | 0:07:26 | 0:07:28 | |
Oh, it was you! I thought it was you. | 0:07:49 | 0:07:53 | |
Hello, Miss MacDonald. | 0:07:53 | 0:07:54 | |
Yes, indeed, exactly. But it's not Saturday morning. | 0:07:54 | 0:07:58 | |
Is it? | 0:08:02 | 0:08:03 | |
Read around the subject. | 0:08:05 | 0:08:08 | |
Oh, set text! | 0:08:08 | 0:08:11 | |
I just want to pass my exams. | 0:08:11 | 0:08:13 | |
Reggie! | 0:08:13 | 0:08:15 | |
You ARE going to pass your exams. | 0:08:15 | 0:08:17 | |
You're going to pass them with flying colours. | 0:08:17 | 0:08:21 | |
You got your scholarship, didn't you? | 0:08:21 | 0:08:23 | |
Not many girls get that. | 0:08:23 | 0:08:25 | |
Certainly not... | 0:08:25 | 0:08:27 | |
FAINT RUMBLING | 0:08:27 | 0:08:29 | |
Certainly not gir... | 0:08:29 | 0:08:32 | |
LOUDER RUMBLING | 0:08:32 | 0:08:34 | |
Oh, the 4.10pm from Aberdeen. | 0:08:34 | 0:08:39 | |
It disturbs the putty with a particular rhythm all of its own. | 0:08:39 | 0:08:43 | |
I have to go to Musselburgh. | 0:08:45 | 0:08:47 | |
To get to my meeting. | 0:08:49 | 0:08:52 | |
Are you all right to drive, with your...? | 0:08:53 | 0:08:55 | |
With my delicate constitution? Of course. | 0:08:55 | 0:08:58 | |
They are going to pray for me tonight, Reggie. | 0:08:58 | 0:09:02 | |
And the dead and Christ shall rise first. | 0:09:02 | 0:09:05 | |
Then we shall gather together with them | 0:09:05 | 0:09:08 | |
in the clouds to meet with our Lord in the air. | 0:09:08 | 0:09:12 | |
-Sounds pretty bracing, doesn't it? -Mm-hm. | 0:09:12 | 0:09:15 | |
All that movement and fresh air. Huh! | 0:09:15 | 0:09:20 | |
Oh, stay if you like, take some books. | 0:09:28 | 0:09:32 | |
Give them some air. I can't reach them anymore. | 0:09:32 | 0:09:35 | |
Read around the subject, Reggie. | 0:09:37 | 0:09:40 | |
Read around. | 0:09:40 | 0:09:42 | |
SINGING TO HERSELF | 0:10:15 | 0:10:18 | |
Hello! | 0:10:43 | 0:10:46 | |
SCREECHING BRAKES | 0:10:47 | 0:10:48 | |
Oi! | 0:10:48 | 0:10:50 | |
CRASHES AND THUDDING | 0:10:55 | 0:10:59 | |
Hello! | 0:11:28 | 0:11:30 | |
Can you hear me? Can you move? | 0:11:30 | 0:11:34 | |
Ah! | 0:11:55 | 0:11:57 | |
Urgh! | 0:11:58 | 0:11:59 | |
Come on. | 0:12:01 | 0:12:02 | |
I've got you, here we go. | 0:12:04 | 0:12:06 | |
TRAIN HORN BLARING | 0:12:10 | 0:12:13 | |
Excellent. | 0:12:13 | 0:12:16 | |
Ah! | 0:12:16 | 0:12:17 | |
Urgh! | 0:12:17 | 0:12:18 | |
Come on. | 0:12:20 | 0:12:21 | |
Hnngh! | 0:12:21 | 0:12:22 | |
That's it. | 0:12:27 | 0:12:29 | |
TRAIN HORN BLARING | 0:12:31 | 0:12:32 | |
Oh, come on! | 0:12:32 | 0:12:34 | |
-Goodbye, Jackson. -Bye. | 0:12:43 | 0:12:44 | |
TRAIN BRAKES SCREECHING | 0:12:46 | 0:12:48 | |
-That would be nice, but my son's at home, so I don't know. -I'd love to meet him. | 0:12:58 | 0:13:05 | |
There'd be no ulterior motive other than coming home to meet your son. | 0:13:05 | 0:13:09 | |
Well, the thing is he's being a bit of a little shit at the moment. | 0:13:09 | 0:13:13 | |
I love him more than anything, but he is being a bit of a little shit. | 0:13:13 | 0:13:17 | |
I don't know how he'd be. | 0:13:19 | 0:13:21 | |
Never thought I'd go on a date again. | 0:13:23 | 0:13:26 | |
I was rusty enough at it at 15. | 0:13:26 | 0:13:28 | |
Aye, well, you're doing OK. You're keeping the conversation alive, | 0:13:28 | 0:13:33 | |
you're relatively charming | 0:13:33 | 0:13:35 | |
and you haven't tried to stick your hand up my jumper, | 0:13:35 | 0:13:38 | |
-which is what all the boys did when I was 15. -Clever boys. -Mm. | 0:13:38 | 0:13:42 | |
-Did you let them? -Never. | 0:13:42 | 0:13:44 | |
Well, maybe next time, you can make me that souffle. | 0:13:46 | 0:13:50 | |
-Tell me about France. -What? | 0:13:52 | 0:13:55 | |
-Grape picking. That's apparently what you did. -Oh, aye. Well, I think France is overrated. | 0:13:55 | 0:14:00 | |
I've only ever been to Paris. | 0:14:01 | 0:14:03 | |
Paris is good. | 0:14:05 | 0:14:06 | |
PHONE RINGS | 0:14:08 | 0:14:09 | |
Oh! Sorry. | 0:14:09 | 0:14:11 | |
Hello? Aye. | 0:14:12 | 0:14:15 | |
PAGER BEEPS | 0:14:15 | 0:14:17 | |
-Train crash. -Yes. | 0:14:17 | 0:14:19 | |
Can we, um...? | 0:14:19 | 0:14:21 | |
AMBULANCE SIRENS | 0:14:31 | 0:14:33 | |
-Can someone help? -Can I ask you to keep a distance from the accident? | 0:14:38 | 0:14:41 | |
-I've got you. -The ambulance and police are on the way. | 0:14:41 | 0:14:44 | |
If you could move down the track. | 0:14:44 | 0:14:47 | |
BABY CRYING | 0:14:47 | 0:14:49 | |
Try and relax, try and relax. | 0:14:53 | 0:14:56 | |
AMBULANCE SIRENS | 0:14:56 | 0:14:58 | |
OK, everybody. Move down the track. Move down the track, everybody. | 0:15:04 | 0:15:08 | |
Niamh? | 0:15:32 | 0:15:35 | |
There you are. | 0:15:35 | 0:15:37 | |
I'm tired, Niamh. | 0:15:41 | 0:15:43 | |
I'm so tired. | 0:15:43 | 0:15:45 | |
Lay down, then. | 0:15:45 | 0:15:47 | |
I'll wake you when it's time. | 0:15:50 | 0:15:53 | |
You promise? | 0:15:53 | 0:15:54 | |
Promise. | 0:15:54 | 0:15:56 | |
Jackson? | 0:16:33 | 0:16:35 | |
Two. Three. | 0:16:35 | 0:16:36 | |
One. Two. Three. | 0:16:40 | 0:16:42 | |
One. Two. Three. | 0:16:44 | 0:16:47 | |
One. Two. | 0:16:55 | 0:16:59 | |
Three. Live, you bugger, live! | 0:16:59 | 0:17:02 | |
I love you, Jackson. | 0:17:05 | 0:17:06 | |
-Niamh. -Come on! | 0:17:06 | 0:17:09 | |
No! | 0:17:09 | 0:17:11 | |
DOCTORS CHATTER | 0:17:14 | 0:17:18 | |
We need to get his fluids up. | 0:17:19 | 0:17:21 | |
Clear this area, please. | 0:17:21 | 0:17:23 | |
DOCTORS CHATTER | 0:17:23 | 0:17:28 | |
Niamh. | 0:17:56 | 0:17:57 | |
Is it time? | 0:17:58 | 0:18:00 | |
-Mr Jones? -Jones? | 0:18:07 | 0:18:14 | |
Yeah, that's you. | 0:18:14 | 0:18:17 | |
Says so on your driving licence. | 0:18:17 | 0:18:20 | |
Brones... | 0:18:21 | 0:18:23 | |
Jones? | 0:18:26 | 0:18:30 | |
I think I'm a policeman. | 0:18:33 | 0:18:35 | |
I'll just go and get somebody for you now. | 0:18:37 | 0:18:39 | |
One. Two. | 0:18:45 | 0:18:48 | |
Three. | 0:18:48 | 0:18:50 | |
Come on. | 0:18:50 | 0:18:52 | |
Hey. | 0:18:55 | 0:18:57 | |
If I'd have known you were going to make such a song and dance about it, | 0:19:00 | 0:19:04 | |
I'd have come and picked you up myself. | 0:19:04 | 0:19:06 | |
Who are you? | 0:19:06 | 0:19:08 | |
Who are you? | 0:19:08 | 0:19:11 | |
And what were you doing in a train crash, Mr Jones? | 0:19:11 | 0:19:14 | |
Bloody hell, you're beautiful. | 0:19:20 | 0:19:22 | |
Right, well, you've had a wee bang on the head there. | 0:19:22 | 0:19:25 | |
I love you. | 0:19:29 | 0:19:30 | |
Look, I can understand that you would cover for him, but Michelle didn't come home last night! | 0:20:07 | 0:20:12 | |
Mr Moore, let me get you a tea. | 0:20:12 | 0:20:16 | |
It's hard. I know for Brodie it's a profession, but this is my life, my heart. | 0:20:16 | 0:20:23 | |
I've been calling ever since he left the hotel. | 0:20:23 | 0:20:25 | |
No, of course, I completely understand, but Jackson is a total professional. | 0:20:25 | 0:20:30 | |
If we can't reach him, it's probably because he's working on your case right now. | 0:20:30 | 0:20:34 | |
-So, if you just sit down... -I don't want to make a nuisance of myself. | 0:20:34 | 0:20:37 | |
If you sit down, I'll make you a cup of tea and give Jackson another try, OK? | 0:20:37 | 0:20:42 | |
OK. | 0:20:44 | 0:20:46 | |
This is Jackson Brodie. Please leave your message and I'll get back to you as soon as I can. | 0:20:49 | 0:20:53 | |
Get your unreliable, unprofessional arse back into your office right now | 0:20:53 | 0:20:57 | |
or you won't have an office to come back to! | 0:20:57 | 0:20:59 | |
Or an assistant because I am not a bloody agony aunt! | 0:20:59 | 0:21:02 | |
-Hello. -Hi. | 0:21:17 | 0:21:20 | |
You all right? | 0:21:20 | 0:21:23 | |
You don't remember me, do you? | 0:21:23 | 0:21:26 | |
You're not my daughter. | 0:21:26 | 0:21:29 | |
-I'm praying to God you're not my girlfriend. -You're a policeman? | 0:21:29 | 0:21:33 | |
I'm a private detective. | 0:21:35 | 0:21:38 | |
I saved your life. | 0:21:38 | 0:21:39 | |
Cheers. | 0:21:46 | 0:21:48 | |
You cut your arm right down to the bone. | 0:21:48 | 0:21:51 | |
You had a blood transfusion. | 0:21:51 | 0:21:52 | |
HE GROANS | 0:21:52 | 0:21:54 | |
Sorry, I cracked your ribs. | 0:21:54 | 0:21:56 | |
Your heart stopped. | 0:21:56 | 0:21:59 | |
Dr Hunter taught me how to do CPR in case anything happened to their baby. | 0:21:59 | 0:22:03 | |
They think you might have brain damage. | 0:22:04 | 0:22:07 | |
Excellent. | 0:22:08 | 0:22:10 | |
Policeman, private detective, soldier... | 0:22:10 | 0:22:13 | |
You're a soldier, right? Your blood type's tattooed, | 0:22:15 | 0:22:18 | |
like my Da. Except it didn't do him any good. | 0:22:18 | 0:22:21 | |
Were you in the Gulf War? | 0:22:21 | 0:22:23 | |
He was in the second. | 0:22:23 | 0:22:25 | |
Friendly fire. | 0:22:25 | 0:22:27 | |
Never even met him, anyway. | 0:22:27 | 0:22:30 | |
I bought you some new clothes because your others were shredded | 0:22:30 | 0:22:33 | |
and they were covered in blood and guts and stuff so I threw them away. | 0:22:33 | 0:22:36 | |
Where's my stuff? My mobile? | 0:22:36 | 0:22:38 | |
No mobile, but your wallet. | 0:22:38 | 0:22:41 | |
It's not mine. Why did they give you my things? | 0:22:43 | 0:22:48 | |
I told them I was your daughter. | 0:22:48 | 0:22:50 | |
It's just simpler to tell people simple stories. | 0:22:52 | 0:22:54 | |
Did you ever seen Robin Hood, Prince Of Thieves? | 0:22:54 | 0:22:58 | |
With Kevin Costner? My mum's favourite film. | 0:22:58 | 0:23:00 | |
Do you remember the bit where Kevin Costner, Robin of Locksley, saved Morgan Freeman's life? | 0:23:00 | 0:23:05 | |
I haven't got a bloody clue what you're talking about. | 0:23:05 | 0:23:09 | |
-Can I borrow your phone? -Well, Morgan Freeman was bound to | 0:23:09 | 0:23:12 | |
Kevin Costner then, until the debt was repaid. | 0:23:12 | 0:23:15 | |
Same kind of situation now, isn't it? | 0:23:15 | 0:23:17 | |
I saved your life. You're bound to me. | 0:23:17 | 0:23:19 | |
You can only be released by reciprocation. | 0:23:21 | 0:23:23 | |
PHONE RINGS | 0:23:30 | 0:23:33 | |
'...message and I'll get back to you as soon as I can. | 0:23:47 | 0:23:50 | |
'Mail box full.' | 0:23:50 | 0:23:52 | |
How long have I been here? | 0:23:52 | 0:23:53 | |
Two days. | 0:23:53 | 0:23:55 | |
Going somewhere nice? | 0:24:11 | 0:24:13 | |
I've got to get back to work. | 0:24:13 | 0:24:15 | |
-I'm feeling a lot better. -Aww, what a tribute to my skills. | 0:24:17 | 0:24:20 | |
-It's a miracle. -Really? | 0:24:20 | 0:24:22 | |
-Yeah, thanks. -You missed the sarcastic inflection. | 0:24:22 | 0:24:26 | |
Listen again. "Really?" | 0:24:26 | 0:24:29 | |
The old woman in the car, | 0:24:31 | 0:24:33 | |
-what happened to her? -She was dead. | 0:24:33 | 0:24:36 | |
Like you will be if I let you go. | 0:24:36 | 0:24:38 | |
Do you even know who you are yet? | 0:24:38 | 0:24:40 | |
Unfortunately, I do. | 0:24:40 | 0:24:42 | |
My name's Jackson Brodie. | 0:24:42 | 0:24:44 | |
PAGER BEEPS | 0:24:44 | 0:24:47 | |
Get back into bed. | 0:24:47 | 0:24:49 | |
-Oh, my God, Jackson! -You should've seen the train. | 0:25:25 | 0:25:28 | |
What? You weren't... That crash? | 0:25:28 | 0:25:30 | |
You weren't on the train? | 0:25:30 | 0:25:33 | |
-Bloody good view, though. -Mr Brodie. | 0:25:33 | 0:25:36 | |
Mr Moore. | 0:25:36 | 0:25:39 | |
Err, I've been in an accident. | 0:25:39 | 0:25:43 | |
Look, Michelle didn't come back from that work do. | 0:25:43 | 0:25:47 | |
-Right. -I called her. | 0:25:47 | 0:25:49 | |
We had a row. Do you know where she is? | 0:25:49 | 0:25:51 | |
Would you just give us a minute? | 0:25:51 | 0:25:53 | |
Just one minute. | 0:25:53 | 0:25:56 | |
I had to let him wait in there, he wouldn't stop. | 0:25:56 | 0:26:00 | |
Anything urgent? | 0:26:04 | 0:26:06 | |
-Yeah, Marlee phoned. -Shit. | 0:26:07 | 0:26:10 | |
Wants to know what you want for Christmas. | 0:26:10 | 0:26:11 | |
What time is it in New Zealand now? | 0:26:13 | 0:26:15 | |
About 1953. | 0:26:15 | 0:26:18 | |
Please. | 0:26:18 | 0:26:20 | |
OK, coming. | 0:26:20 | 0:26:22 | |
I'm sorry, | 0:26:27 | 0:26:29 | |
I think you were right, your wife's having an affair. | 0:26:29 | 0:26:33 | |
Is it just a case of, "you think"? | 0:26:35 | 0:26:40 | |
You could be wrong. | 0:26:40 | 0:26:41 | |
I saw them kissing. | 0:26:41 | 0:26:44 | |
Kissing doesn't... | 0:26:44 | 0:26:46 | |
There's plenty of people give each other a friendly kiss at Christmas. | 0:26:46 | 0:26:52 | |
It wasn't that type of kiss. | 0:26:52 | 0:26:54 | |
Was it a long kiss? | 0:26:54 | 0:26:56 | |
A short one? A peck on the cheek? | 0:26:56 | 0:26:58 | |
He had his hand on her breasts. | 0:26:58 | 0:27:01 | |
If she didn't come home last night, if you had a row, | 0:27:05 | 0:27:10 | |
she's probably with him. | 0:27:10 | 0:27:11 | |
I want you to find out where she is. | 0:27:11 | 0:27:13 | |
I'm not sure that's a good idea. | 0:27:13 | 0:27:15 | |
-Is this your daughter? -Yes. | 0:27:19 | 0:27:22 | |
Marlee? | 0:27:22 | 0:27:24 | |
That's right. | 0:27:24 | 0:27:25 | |
I don't believe Michelle's doing this. | 0:27:29 | 0:27:32 | |
Not because... Well, I don't mind what she does to me, but to do this to the kids at Christmas. | 0:27:33 | 0:27:39 | |
Could you get hold of her and just ask her to speak to the kids? | 0:27:42 | 0:27:47 | |
Just to think about the kids? | 0:27:47 | 0:27:49 | |
Hello? | 0:28:08 | 0:28:11 | |
Mr Hunter? | 0:28:28 | 0:28:30 | |
I've been trying to call you. | 0:28:32 | 0:28:33 | |
She's not... Is your mobile off? | 0:28:33 | 0:28:35 | |
I've been in hospital, visiting. | 0:28:35 | 0:28:37 | |
-Oh, dear, is it anyone...? -No. | 0:28:37 | 0:28:40 | |
Where is she? | 0:28:40 | 0:28:41 | |
-She said for me to come in today. -No. No, she's gone away for a wee bit. | 0:28:41 | 0:28:45 | |
She didn't call. She always calls. | 0:28:45 | 0:28:48 | |
Well, your mobile's been off. | 0:28:48 | 0:28:51 | |
She didn't leave a message. Where's she gone? | 0:28:51 | 0:28:53 | |
She going to be away for Christmas? | 0:28:53 | 0:28:56 | |
Well, maybe. We don't... | 0:28:56 | 0:28:59 | |
You know she's got an aunt in the family who's ill? | 0:29:00 | 0:29:03 | |
She lives on her own in South Queensferry. | 0:29:03 | 0:29:07 | |
-An aunt? -Aye, she drove down there last night. | 0:29:07 | 0:29:11 | |
So, we're not going to need you for... | 0:29:11 | 0:29:13 | |
Well, I suppose we won't be needing you until after Christmas, OK? | 0:29:13 | 0:29:18 | |
Yeah. | 0:29:20 | 0:29:22 | |
'This is Dr Joanna Hunter. Please leave a message after the beep.' | 0:29:40 | 0:29:44 | |
Jackson? | 0:29:53 | 0:29:55 | |
Grapes. Why do people always bring grapes? | 0:29:55 | 0:29:57 | |
You can go a year without eating grapes. Bananas are better for you. | 0:29:57 | 0:30:01 | |
-Hello. -Hey. Sorry, there was a guy here in this... | 0:30:01 | 0:30:05 | |
Yes, he checked himself out. | 0:30:05 | 0:30:07 | |
-Right. -I told him not to. | 0:30:07 | 0:30:09 | |
He'd no idea he was expecting such an attractive visitor. | 0:30:09 | 0:30:12 | |
He's just a colleague from the police. | 0:30:12 | 0:30:15 | |
-That's where you work? -Aye, indeed. | 0:30:15 | 0:30:17 | |
Good. | 0:30:17 | 0:30:19 | |
TYPING | 0:30:46 | 0:30:48 | |
Oh. | 0:30:55 | 0:30:56 | |
Ah. | 0:30:57 | 0:30:59 | |
The fragrant Mrs Moore. | 0:30:59 | 0:31:03 | |
Now, where's the chap that was grabbing you? | 0:31:03 | 0:31:08 | |
Hm. | 0:31:08 | 0:31:10 | |
Hello, old boy. | 0:31:10 | 0:31:12 | |
Dougal. | 0:31:12 | 0:31:14 | |
Oh! | 0:31:14 | 0:31:16 | |
HE YAWNS | 0:31:18 | 0:31:19 | |
Ah! | 0:31:21 | 0:31:23 | |
DOORBELL RINGING | 0:31:23 | 0:31:27 | |
-Morgan Freeman. -No, you're Morgan Freeman. I'm Kevin Costner. | 0:31:30 | 0:31:35 | |
How did you get my address, Mr Costner? | 0:31:35 | 0:31:37 | |
I found this postcard in your old clothes | 0:31:38 | 0:31:41 | |
when I was throwing them away. What's Marlee doing in New Zealand? | 0:31:41 | 0:31:44 | |
-She on holiday? -Mind you own bloody business. | 0:31:44 | 0:31:47 | |
You didn't happen to see my wallet when you went through my pockets? | 0:31:47 | 0:31:51 | |
I told you in hospital, I'm not a thief. I'm a nanny. | 0:31:51 | 0:31:55 | |
Well, I was at school. | 0:31:55 | 0:31:57 | |
I'm still studying. I want to go to university. | 0:31:57 | 0:31:59 | |
I'm a nanny now, though, as a sort of temporary narrow definition. | 0:31:59 | 0:32:03 | |
-Dr Hunter doesn't like the word. -Don't feel responsible for me. | 0:32:03 | 0:32:06 | |
I don't. You're responsible for me. I'm Kevin Costner. | 0:32:06 | 0:32:10 | |
-Is that the only film you've seen? -I'm more of a reader. I read widely. | 0:32:13 | 0:32:18 | |
You're a private detective, right? | 0:32:22 | 0:32:24 | |
-You find people? -Some I find, some I lose. | 0:32:24 | 0:32:27 | |
I'm worried about Dr Hunter and her baby, Gabriel. | 0:32:27 | 0:32:30 | |
Mr Hunter says she's at a sick aunt's, but that's crap | 0:32:30 | 0:32:34 | |
because Dr Hunter told me loads of times she doesn't have any family. | 0:32:34 | 0:32:38 | |
-I don't know where she's gone. -What's your name? | 0:32:38 | 0:32:40 | |
Reggie. | 0:32:40 | 0:32:42 | |
Well, Regina. But if you say to someone your name's Regina, | 0:32:42 | 0:32:45 | |
they tend to say, "Wow, that rhymes with vagina!" Which it does, but... | 0:32:45 | 0:32:49 | |
We should start with the aunt, in South Queensferry. | 0:32:49 | 0:32:53 | |
Who is Dr Hunter? | 0:32:53 | 0:32:54 | |
Joanna Hunter. | 0:32:54 | 0:32:56 | |
My friend. My boss. | 0:32:56 | 0:32:59 | |
Gabriel's mother. Mr Hunter's wife. | 0:32:59 | 0:33:02 | |
When did you last see her? | 0:33:07 | 0:33:09 | |
Gabriel's first birthday. | 0:33:09 | 0:33:12 | |
And how was she then? | 0:33:12 | 0:33:15 | |
A little bit sad. | 0:33:15 | 0:33:19 | |
Pensive. | 0:33:19 | 0:33:21 | |
Wistful. | 0:33:21 | 0:33:23 | |
BABY LAUGHING | 0:33:25 | 0:33:26 | |
Imagine eating ice-cream for the first time, Reggie. | 0:33:28 | 0:33:32 | |
All right, mister. what have we got for you? | 0:33:32 | 0:33:35 | |
One. | 0:33:35 | 0:33:37 | |
That's it. Gabriel will never be a baby again. | 0:33:37 | 0:33:42 | |
Where's his da? | 0:33:42 | 0:33:43 | |
Oh, I don't know. Performing some service to the leisure industry. | 0:33:43 | 0:33:47 | |
But it's Gabriel's first birthday. | 0:33:47 | 0:33:50 | |
Are you not furious? Are you not incandescent? | 0:33:50 | 0:33:53 | |
Why should I be? It's better that he's not here. | 0:33:55 | 0:33:58 | |
Oh, it's not too cold, is it? | 0:34:01 | 0:34:05 | |
-Are they not close, her and her husband? -Indifferent, I would say. | 0:34:05 | 0:34:08 | |
And do they fight? | 0:34:09 | 0:34:11 | |
No, she basically ignores him. Lets him do his stuff. | 0:34:11 | 0:34:16 | |
She once told me she was happiest when Gabriel was inside her belly. | 0:34:16 | 0:34:20 | |
She didn't even tell him if Gabriel was a boy or girl. | 0:34:20 | 0:34:23 | |
-Does he mind? -No. | 0:34:24 | 0:34:26 | |
He's always busy. | 0:34:26 | 0:34:29 | |
He's something to do with amusements or hotels. | 0:34:29 | 0:34:34 | |
I can't tell you categorically. | 0:34:34 | 0:34:36 | |
He's nearly always on the phone. Running propositions by people. | 0:34:36 | 0:34:39 | |
Facilitating idea showers. | 0:34:39 | 0:34:42 | |
-It's not up to me to take the piss out of someone's idiom, is it? -Reggie... | 0:34:42 | 0:34:46 | |
What are you telling me? | 0:34:47 | 0:34:49 | |
-Their marriage isn't great, but that happens. -Yeah, but there's more. | 0:34:49 | 0:34:53 | |
You didn't see her when she was on her way to work. | 0:34:53 | 0:34:56 | |
Reggie, do you think you can make people do things | 0:34:56 | 0:34:59 | |
-that they don't want to do? -Yeah, course you can. | 0:34:59 | 0:35:02 | |
But if somebody asked you to harm yourself, would you do it? | 0:35:02 | 0:35:05 | |
No. Why would anybody do that? | 0:35:05 | 0:35:08 | |
Ah, well, life can be very complicated, Reggie. | 0:35:08 | 0:35:11 | |
There's no template, no pattern that we're supposed to follow. | 0:35:11 | 0:35:17 | |
We just... | 0:35:17 | 0:35:19 | |
make it up as we go along. | 0:35:19 | 0:35:22 | |
Oh. | 0:35:22 | 0:35:23 | |
He loves that, doesn't he, eh? The wee dog. | 0:35:26 | 0:35:30 | |
"Knowing that when light is gone, love remains for shining." | 0:35:31 | 0:35:36 | |
Isn't that lovely? Elizabeth Barrett Browning wrote that for her dog. | 0:35:36 | 0:35:40 | |
Oh. | 0:35:40 | 0:35:41 | |
CROW CALLING | 0:35:41 | 0:35:43 | |
WINGS FLUTTERING | 0:35:43 | 0:35:46 | |
Come on, shall we? | 0:35:51 | 0:35:53 | |
Come on, wee man. | 0:35:53 | 0:35:54 | |
You think somebody's trying to hurt her? | 0:35:57 | 0:35:59 | |
Or make her hurt herself, maybe. | 0:35:59 | 0:36:04 | |
-She was scared, I think. -Was she often scared? | 0:36:04 | 0:36:07 | |
No and she'd never go away. | 0:36:07 | 0:36:10 | |
-Not without saying. Not to me. -Well, she's just your boss. | 0:36:10 | 0:36:14 | |
She's my friend. | 0:36:14 | 0:36:15 | |
She's gone, doesn't answer her mobile, left the baby's comforter. | 0:36:15 | 0:36:19 | |
She'd never leave that. He'd scream and scream. | 0:36:19 | 0:36:22 | |
You have to help me. | 0:36:22 | 0:36:24 | |
Fine, | 0:36:30 | 0:36:31 | |
I'll see what I can do. | 0:36:31 | 0:36:32 | |
Tomorrow. | 0:36:32 | 0:36:34 | |
ELECTRONIC BEEP | 0:36:56 | 0:36:58 | |
Go on! | 0:37:36 | 0:37:38 | |
-Hello, Michelle. My name's Jackson Brodie. -Yeah? | 0:37:52 | 0:37:56 | |
I'm a private investigator. | 0:37:56 | 0:37:58 | |
Arrgh! Ah! | 0:37:58 | 0:37:59 | |
He called me last night. Told me he knew exactly what I was up to. | 0:38:04 | 0:38:08 | |
-Told me he'd sent someone to watch me. -That'll be me. | 0:38:08 | 0:38:13 | |
I suppose you were just skulking in the bushes, taking photos? | 0:38:13 | 0:38:16 | |
-Pretty much. -Not a very nice way to make a living, is it? | 0:38:16 | 0:38:20 | |
There are worse ways and there are better. | 0:38:20 | 0:38:23 | |
Well, that was the last straw. | 0:38:23 | 0:38:27 | |
I'm not staying with a man that sends a private detective after me. | 0:38:27 | 0:38:30 | |
-The basis of a marriage is trust. -You are having an affair, aren't you? | 0:38:30 | 0:38:34 | |
Gary doesn't give me space. I need space. | 0:38:36 | 0:38:39 | |
He gets that Presbyterian look in his eye, and it's like... | 0:38:39 | 0:38:42 | |
He wouldn't even let me phone my friends after we got married. | 0:38:42 | 0:38:45 | |
If I want to go out, even just pilates or something | 0:38:45 | 0:38:48 | |
like that, it becomes... Look, all I want | 0:38:48 | 0:38:51 | |
is a wee bit of fresh air. | 0:38:51 | 0:38:53 | |
Just someone to make me feel good. Someone that's not... | 0:38:53 | 0:38:56 | |
Whatever. Why don't you just tell him you're safe? | 0:38:56 | 0:38:59 | |
Because he won't take it. He'll come after me. | 0:38:59 | 0:39:01 | |
I can't face it. Look, all I want is a few days peace. | 0:39:01 | 0:39:05 | |
-Just a bollocks-free Christmas for a change. -What about the kids? | 0:39:06 | 0:39:10 | |
What kids? | 0:39:10 | 0:39:11 | |
I think the kids deserve to know you're all right. | 0:39:11 | 0:39:14 | |
We haven't got kids. | 0:39:14 | 0:39:15 | |
Did he tell you that we've got kids? | 0:39:17 | 0:39:20 | |
Right. I'll tell him you're safe. | 0:39:21 | 0:39:24 | |
-No, don't tell him anything. -I won't tell him anything, I'm done. | 0:39:24 | 0:39:28 | |
You enjoy your Christmas. | 0:39:28 | 0:39:31 | |
You won't see me again. | 0:39:31 | 0:39:35 | |
ANSWERPHONE: Hi, this is Reggie. | 0:40:00 | 0:40:03 | |
Bitch! | 0:40:03 | 0:40:05 | |
BURGLAR ALARM BEEPING | 0:40:10 | 0:40:12 | |
They're not rich. | 0:40:12 | 0:40:14 | |
Dr H got an inheritance and used it all | 0:40:14 | 0:40:17 | |
to buy this heinously expensive place. | 0:40:17 | 0:40:19 | |
-Her words. She uses a lot of good words. Like atavistic. -Reggie. | 0:40:19 | 0:40:24 | |
-What? -Could you just talk less, please? | 0:40:24 | 0:40:28 | |
I've got a head injury. | 0:40:28 | 0:40:30 | |
Kitchen. | 0:40:32 | 0:40:34 | |
Told you. The wee doggy. They'd never leave without it. | 0:40:42 | 0:40:45 | |
Right. You go upstairs and see if she's packed any clothes, | 0:40:47 | 0:40:50 | |
-contact lenses or anything. -What are you going to do? | 0:40:50 | 0:40:53 | |
Never mind about me. | 0:40:53 | 0:40:56 | |
OK. | 0:40:57 | 0:40:59 | |
Jackson? Jackson! | 0:42:05 | 0:42:09 | |
She's still wearing her suit. | 0:42:09 | 0:42:11 | |
She has three identical suits for work. There's only two. | 0:42:11 | 0:42:14 | |
As soon as she gets home, she's out of the suit. | 0:42:14 | 0:42:17 | |
Means she's still wearing it, hasn't been home. | 0:42:17 | 0:42:19 | |
Means she hasn't been home since! | 0:42:19 | 0:42:21 | |
-Do you know her maiden name? -No. Why? -We could look up her aunt. | 0:42:23 | 0:42:27 | |
There isn't an aunt. There is no family. | 0:42:27 | 0:42:30 | |
Garage? | 0:42:33 | 0:42:34 | |
It's hers. | 0:42:41 | 0:42:43 | |
Well, maybe she didn't drive. | 0:42:43 | 0:42:45 | |
Neil said she did. | 0:42:45 | 0:42:48 | |
She could have rented a car. The battery might be flat. | 0:42:48 | 0:42:51 | |
Try it, then. | 0:42:57 | 0:43:00 | |
ENGINE STARTS | 0:43:08 | 0:43:11 | |
All right, let's have a quick peak. | 0:43:13 | 0:43:16 | |
God, no. | 0:43:24 | 0:43:26 | |
No, nothing. | 0:43:36 | 0:43:39 | |
CAR APPROACHING | 0:43:39 | 0:43:40 | |
MOBILE PHONE RINGING | 0:43:47 | 0:43:50 | |
-It's Neil. -Hello? | 0:43:50 | 0:43:52 | |
-He'll go mad! What do we do? -Tell him you're worried sick. | 0:43:52 | 0:43:56 | |
You've been up all night. | 0:43:56 | 0:43:58 | |
Get a name for this aunt. A number, if you can. | 0:43:58 | 0:44:00 | |
-I'll be outside, don't worry. -OK. | 0:44:00 | 0:44:04 | |
Urrgh. | 0:44:09 | 0:44:12 | |
Guh! | 0:44:12 | 0:44:13 | |
HE VOMITS | 0:44:13 | 0:44:15 | |
Hi Deborah, it's Louise. There's no one in your office. | 0:44:15 | 0:44:18 | |
No. I'm doing Christmas shopping and Jackson's on a job. | 0:44:18 | 0:44:21 | |
But he's OK though, is he? | 0:44:21 | 0:44:22 | |
-Spiritually or bodily? -Bodily. | 0:44:22 | 0:44:26 | |
Cuts and bruises. He's fine. | 0:44:26 | 0:44:28 | |
Bodily, more than OK, if you like that sort of thing. | 0:44:28 | 0:44:32 | |
Yeah, well he's not at home and he's not answering his phone. | 0:44:32 | 0:44:35 | |
He lost it in the accident. | 0:44:35 | 0:44:37 | |
Well, could you get him to give me a ring when he gets in please? | 0:44:37 | 0:44:41 | |
OK. | 0:44:41 | 0:44:42 | |
Bloody idiot. | 0:44:42 | 0:44:43 | |
-You said it. -Cheers. | 0:44:43 | 0:44:45 | |
Christ, I'm bleeding to death here. | 0:45:04 | 0:45:06 | |
Have you any idea how hard I've worked? | 0:45:06 | 0:45:08 | |
Look, Mark, I'm begging you. | 0:45:08 | 0:45:11 | |
What the hell are you doing here? | 0:45:11 | 0:45:14 | |
Mark? | 0:45:16 | 0:45:18 | |
Mark? | 0:45:18 | 0:45:20 | |
Fuck! | 0:45:20 | 0:45:21 | |
Look, I've told you they're not here! You're not needed. | 0:45:23 | 0:45:26 | |
What are you doing? I've a good mind to take that key away. | 0:45:26 | 0:45:29 | |
Reggie, I'm sorry. | 0:45:33 | 0:45:35 | |
Bad day at black rock, you know? | 0:45:37 | 0:45:39 | |
Don't tell Jo you saw me smoking, I'll not hear the end of it. | 0:45:42 | 0:45:45 | |
I was just wondering if they were back yet? | 0:45:45 | 0:45:47 | |
Like I said, I'll let you know. | 0:45:47 | 0:45:49 | |
Yeah. | 0:45:49 | 0:45:52 | |
But, the thing is, it's the third week of the month and she hasn't paid me yet. | 0:45:52 | 0:45:57 | |
Oh right. Sorry, Reggie, I didn't know. | 0:45:57 | 0:45:59 | |
I don't know what Jo gives you. | 0:46:01 | 0:46:04 | |
Yeah, this... This aunt. | 0:46:04 | 0:46:09 | |
Maternal or paternal? Is she on her mum's side or her dad's? | 0:46:09 | 0:46:12 | |
It's Agnes Barker in South Queensferry, Your Honour. | 0:46:12 | 0:46:18 | |
Have you got a number? | 0:46:18 | 0:46:19 | |
-OK? -Yeah. | 0:46:19 | 0:46:23 | |
I'll see you when she gets back. | 0:46:25 | 0:46:28 | |
What are you doing? | 0:46:50 | 0:46:52 | |
-Are you OK? -I'm fine. | 0:46:52 | 0:46:54 | |
We need to borrow a car. Shall we hire one? He just gave me some cash. | 0:46:55 | 0:46:59 | |
Did you not get a number? | 0:46:59 | 0:47:01 | |
No. Agnes Barker, that's the name of the aunt. | 0:47:01 | 0:47:04 | |
There can't be many Agnes Barkers in South Queensferry. | 0:47:04 | 0:47:07 | |
Maybe he was telling the truth, but... | 0:47:07 | 0:47:08 | |
Well, she did always tell me that she didn't have any family. | 0:47:08 | 0:47:12 | |
And suppose it's just an aunt, maybe she's not genetically related. | 0:47:12 | 0:47:16 | |
Maybe she's just married to an uncle or... | 0:47:16 | 0:47:18 | |
Listen, we can't rent a car. | 0:47:18 | 0:47:20 | |
My licence was in my wallet. | 0:47:20 | 0:47:22 | |
We got Andrew Jones'. | 0:47:22 | 0:47:24 | |
Great. | 0:47:26 | 0:47:28 | |
You're joking! | 0:47:56 | 0:47:58 | |
What do you think this is, Antiques Roadshow? You could be anyone. | 0:47:58 | 0:48:03 | |
I'm not though. I'm Andrew Jones. | 0:48:03 | 0:48:06 | |
You look like you're on the run, pal. | 0:48:06 | 0:48:09 | |
Photo ID and credit card. | 0:48:11 | 0:48:13 | |
I've lost my wallet. | 0:48:13 | 0:48:15 | |
I was in an accident. | 0:48:15 | 0:48:17 | |
What, a car accident? | 0:48:17 | 0:48:19 | |
There was a Nissan Micra involved, yeah. | 0:48:19 | 0:48:22 | |
And a train, | 0:48:22 | 0:48:24 | |
you might have seen it on the news. | 0:48:24 | 0:48:26 | |
My gran's dying. His mum. | 0:48:26 | 0:48:29 | |
We want to see her before she passes over. | 0:48:29 | 0:48:33 | |
You know, if you're telling lies, | 0:48:33 | 0:48:35 | |
you should really only tell one at a time. | 0:48:35 | 0:48:38 | |
It's Christmas, Joy. | 0:48:38 | 0:48:41 | |
Uh, what do I care? | 0:48:44 | 0:48:45 | |
They handed me my notice yesterday. | 0:48:45 | 0:48:48 | |
It was a Nissan Micra? | 0:48:58 | 0:49:00 | |
Yeah. | 0:49:00 | 0:49:03 | |
I want to make a detour. | 0:49:03 | 0:49:04 | |
-Where are we going? -Right, right. | 0:49:10 | 0:49:11 | |
I mean left, left! | 0:49:11 | 0:49:14 | |
Second, second! | 0:49:14 | 0:49:15 | |
-Hello, Marcus. -What are you doing here? | 0:49:50 | 0:49:54 | |
-I'm with her. -Well, what's she doing here? | 0:49:55 | 0:49:58 | |
Was it her, in the car? | 0:49:58 | 0:50:00 | |
You know Mrs MacDonald? | 0:50:00 | 0:50:01 | |
Ms. | 0:50:01 | 0:50:03 | |
I'm very sorry. | 0:50:03 | 0:50:05 | |
Are you family? | 0:50:08 | 0:50:10 | |
I'm a pupil. She was my teacher. | 0:50:12 | 0:50:15 | |
And you are...? | 0:50:15 | 0:50:16 | |
Reggie Teague. | 0:50:16 | 0:50:18 | |
You don't know if she's been depressed lately, do you, Reggie? | 0:50:18 | 0:50:21 | |
She had a brain tumour the size of a mushroom, you idiot. | 0:50:21 | 0:50:25 | |
She shouldn't have been driving. | 0:50:25 | 0:50:27 | |
Because of the tumour? | 0:50:27 | 0:50:29 | |
No, because she was a bloody awful driver. | 0:50:29 | 0:50:33 | |
What are you doing? Leave her stuff alone, stop going through that. | 0:50:33 | 0:50:36 | |
We just need to... | 0:50:36 | 0:50:39 | |
-You don't know if she had any kids, do you, Reggie? -No. | 0:50:39 | 0:50:43 | |
She was a spinster and she was an only child. | 0:50:43 | 0:50:46 | |
We need someone to identify the body. | 0:50:46 | 0:50:48 | |
Not now, Marcus, use a bit of tact. | 0:50:48 | 0:50:52 | |
I'll call you later. | 0:50:52 | 0:50:54 | |
OK. | 0:50:54 | 0:50:56 | |
OK, Mike, that's us done here. | 0:50:57 | 0:50:59 | |
You just keep turning up, don't you, Jackson? | 0:51:04 | 0:51:07 | |
I'm beginning to think you're my nemesis. | 0:51:10 | 0:51:13 | |
She used to teach me at the posh school. | 0:51:18 | 0:51:22 | |
She was helping me through my A levels. | 0:51:22 | 0:51:24 | |
-I have to do them in my spare time. -Why did you leave? | 0:51:24 | 0:51:27 | |
What? | 0:51:27 | 0:51:28 | |
School. Why didn't you stay on? | 0:51:28 | 0:51:31 | |
-Too expensive. -No chance of a scholarship or anything? | 0:51:31 | 0:51:37 | |
I had a scholarship, but... | 0:51:37 | 0:51:39 | |
..I had to work. | 0:51:42 | 0:51:44 | |
Hey...you all right? | 0:51:51 | 0:51:55 | |
Everyone's dead. | 0:51:56 | 0:51:59 | |
No they're not. You're not, are you? | 0:51:59 | 0:52:01 | |
I'm not, thanks to you. | 0:52:01 | 0:52:03 | |
Come on. | 0:52:05 | 0:52:08 | |
Dr Hunter better bloody well not be, either. | 0:52:12 | 0:52:14 | |
It's not exactly a hotbed of crime, is it? | 0:52:27 | 0:52:29 | |
This is it. | 0:52:31 | 0:52:32 | |
Here goes. | 0:52:41 | 0:52:43 | |
-Yes? -Sorry to bother you. Could we have a quick word with Agnes Barker? | 0:52:48 | 0:52:52 | |
Have you got a Ouija board handy? | 0:52:52 | 0:52:54 | |
She's dead? | 0:52:55 | 0:52:57 | |
-And who would you be? -I'm the woman who bought her house. | 0:52:58 | 0:53:01 | |
What's it to you? | 0:53:01 | 0:53:03 | |
We're friends of her niece, Joanna Hunter. | 0:53:03 | 0:53:06 | |
Mrs Barker's been dead for eight months. | 0:53:06 | 0:53:08 | |
I don't know anything about any niece. | 0:53:08 | 0:53:11 | |
I told you. | 0:53:13 | 0:53:16 | |
OK. So either she lied to her husband or her husband lied to you. | 0:53:16 | 0:53:20 | |
Well, where is she, then? | 0:53:20 | 0:53:21 | |
-Where is she? -It's all right. It's going to be all right. | 0:53:21 | 0:53:24 | |
-No, it's not going to be all right, I don't know where she is. -I will find her. | 0:53:24 | 0:53:28 | |
I promise. It's what I do. | 0:53:28 | 0:53:30 | |
Come on. | 0:53:30 | 0:53:33 | |
Oh, bollocks! | 0:53:41 | 0:53:42 | |
Come on, you perfect, smug faced bitch! | 0:53:46 | 0:53:49 | |
-Shouldn't be long. -Yes, please. | 0:53:59 | 0:54:01 | |
-You ever killed anyone on the operating table? -Archie! | 0:54:08 | 0:54:10 | |
Well, I like to keep it down to one or two a week. | 0:54:10 | 0:54:12 | |
It depends how pissed I've been the night before. | 0:54:12 | 0:54:14 | |
So, are you a football or a rugby man, Archie? | 0:54:14 | 0:54:18 | |
-I hate sport. -Archie's an emo. | 0:54:18 | 0:54:21 | |
No, I'm not. | 0:54:21 | 0:54:23 | |
So, what passes for emo nowadays? | 0:54:23 | 0:54:25 | |
Jawbreaker? Sunny Day Real Estate? | 0:54:25 | 0:54:28 | |
I saw Sunny Day Real Estate live in San Francisco. | 0:54:28 | 0:54:31 | |
-Were they good? -Good? They were great. | 0:54:31 | 0:54:35 | |
How long ago? | 0:54:35 | 0:54:37 | |
It was about a year ago. | 0:54:37 | 0:54:38 | |
I was out there working, somebody invited me along. | 0:54:38 | 0:54:41 | |
I'd never heard of them before, but it was good. | 0:54:41 | 0:54:44 | |
SLOW COUNTRY MUSIC PLAYS | 0:54:50 | 0:54:55 | |
This music's depressing. | 0:54:55 | 0:54:57 | |
That's what my daughter says. | 0:54:57 | 0:54:59 | |
Why's she in New Zealand? | 0:54:59 | 0:55:01 | |
Why's she not with you? Is she filming The Hobbit? | 0:55:01 | 0:55:04 | |
No, she's not filming The Hobbit. | 0:55:06 | 0:55:09 | |
It's a long and painful story. | 0:55:11 | 0:55:14 | |
We've got a long and painful drive. | 0:55:14 | 0:55:16 | |
SIREN WAILS | 0:55:18 | 0:55:20 | |
Oh, God! | 0:55:20 | 0:55:23 | |
Trouble likes you, doesn't it? | 0:55:23 | 0:55:26 | |
We have been acquainted. | 0:55:26 | 0:55:28 | |
Second gear. | 0:55:29 | 0:55:31 | |
This is Jackson Brodie. | 0:55:47 | 0:55:49 | |
Please leave me a message and I'll get back to you as soon as I can. | 0:55:49 | 0:55:52 | |
Where are you, Jackson? | 0:55:52 | 0:55:55 | |
Last seen in the company of a teenage girl. | 0:55:55 | 0:55:58 | |
Do you know, I bloody despair of you, man, I do. | 0:55:58 | 0:56:01 | |
Jackson... | 0:56:02 | 0:56:04 | |
How dare you not answer your phone to me? | 0:56:04 | 0:56:10 | |
And how dare you walk out of the hospital in your state? | 0:56:10 | 0:56:13 | |
And how dare you speak to me like that in there? | 0:56:14 | 0:56:17 | |
-Leave him alone. He's a Gulf War hero. -It's all right, Reggie. | 0:56:28 | 0:56:32 | |
Well, he was driving as if he was pished. | 0:56:32 | 0:56:34 | |
-Cause he's only got one arm! -Reggie! | 0:56:34 | 0:56:37 | |
Please, give us a break. I'm ex job. | 0:56:38 | 0:56:41 | |
Oh, aye? What force? | 0:56:41 | 0:56:44 | |
Your know what? Lothian and Borders. | 0:56:44 | 0:56:46 | |
Jackson, what's going on? | 0:56:53 | 0:56:55 | |
It's all right. | 0:56:55 | 0:56:57 | |
What's the problem? | 0:56:59 | 0:57:00 | |
-Argh! Take it easy! -Ex job, my arse! | 0:57:00 | 0:57:02 | |
-You are lucky to be alive, sweetheart. -What's going on? | 0:57:02 | 0:57:05 | |
Andrew Jones, I'm arresting you for failure to comply with the terms of your parole. | 0:57:05 | 0:57:09 | |
Listen, I'm not Andrew Jones. | 0:57:09 | 0:57:10 | |
-30 years not enough for you, you murdering piece of shit. -Get off me! | 0:57:10 | 0:57:13 | |
-Argh! Listen to me! -Jackson! | 0:57:13 | 0:57:15 | |
Jackson! Get off me! Let me go! | 0:57:15 | 0:57:17 | |
That's police brutality. Get off him! | 0:57:17 | 0:57:19 | |
Leave him alone! | 0:57:19 | 0:57:21 | |
He's got a bad arm. Leave me alone. | 0:57:21 | 0:57:24 | |
Get off him! Let me go! | 0:57:24 | 0:57:27 | |
Subtitles by Red Bee Media Ltd | 0:57:47 | 0:57:50 | |
E-mail [email protected] | 0:57:50 | 0:57:53 |