Browse content similar to One Good Turn - Part 2. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes | 0:00:02 | 0:00:04 | |
and some scenes of a sexual nature | 0:00:04 | 0:00:08 | |
-Francis! -They want to take her away from me, Francis. | 0:00:13 | 0:00:15 | |
to take her half way around the world. I can't let her go. | 0:00:15 | 0:00:18 | |
-You have to sign this. -I don't, actually. | 0:00:18 | 0:00:22 | |
-Are you wearing my trousers? -Yeah, well, I pissed my own. | 0:00:22 | 0:00:25 | |
-Boyfriend? -Lover then, that's what we are, lovers. | 0:00:25 | 0:00:28 | |
-You fancy a drink? -Yeah, why not? | 0:00:28 | 0:00:31 | |
No! | 0:00:31 | 0:00:33 | |
Hey! That's enough. | 0:00:33 | 0:00:35 | |
"Nina looked up at the old house... | 0:00:39 | 0:00:41 | |
"I say, you're not seriously going to break in there?" | 0:00:41 | 0:00:45 | |
THEY ARGUE IN NATIVE TONGUE | 0:00:45 | 0:00:48 | |
Myocardial infarction. Massive heart attack. I'm very sorry. | 0:00:49 | 0:00:54 | |
-What does he pay you for? -Slapped hard, tied up. | 0:00:54 | 0:00:58 | |
-Suppose he comes after me? -You'll be fine. | 0:00:58 | 0:01:00 | |
Oh, bollocks. | 0:01:03 | 0:01:06 | |
Explain how you knew Martin Canning. | 0:01:47 | 0:01:49 | |
-I was trying to help him. -He's a client? | 0:01:49 | 0:01:52 | |
-Yeah, well, no, not really, kind of. -Jackson. -I gave him my number. | 0:01:52 | 0:01:56 | |
He stopped someone smashing someone else's head in at a car crash. | 0:01:56 | 0:02:00 | |
-He was scared to testify. -The road rage incident yesterday? | 0:02:00 | 0:02:03 | |
That's who did it, the guy with the bat, I bet my life on it. | 0:02:03 | 0:02:06 | |
-How do you know so much about it? -I was there. -You were there? | 0:02:06 | 0:02:10 | |
So that's what you do? | 0:02:10 | 0:02:12 | |
Travel around finding crimes, generating your own business? | 0:02:12 | 0:02:16 | |
No, I'm just cursed. | 0:02:16 | 0:02:18 | |
Any news? You two turned over Favours yet? | 0:02:19 | 0:02:23 | |
I don't take orders from you. | 0:02:23 | 0:02:26 | |
Two girls dead, might be worth five minutes of your time. | 0:02:26 | 0:02:29 | |
One dead, one possibly a figment of your imagination. | 0:02:29 | 0:02:32 | |
You're not too old for me to give you a spanking. | 0:02:32 | 0:02:35 | |
Stop needling him, he's new. | 0:02:35 | 0:02:37 | |
-What was he like? -He was brave yesterday. | 0:02:43 | 0:02:47 | |
He saved a man's life. | 0:02:47 | 0:02:50 | |
Careful with him. | 0:02:52 | 0:02:53 | |
-He came to my house and attacked me. -Who did? -The bloke. | 0:02:55 | 0:02:59 | |
Jackson! Jackson! | 0:02:59 | 0:03:02 | |
Who's that? | 0:03:02 | 0:03:03 | |
-Someone it can't be. -You're being weird again. | 0:03:03 | 0:03:08 | |
Jackson, it's me. | 0:03:08 | 0:03:10 | |
Stop there. | 0:03:10 | 0:03:12 | |
Jackson. It's me, Martin. | 0:03:18 | 0:03:20 | |
I thought you were dead. | 0:03:20 | 0:03:23 | |
Not quite yet. | 0:03:23 | 0:03:25 | |
Come here. | 0:03:25 | 0:03:27 | |
DI Munroe, Martin Canning. | 0:03:31 | 0:03:33 | |
You're Martin Canning? So who's the... Lift this up. | 0:03:33 | 0:03:38 | |
It's all right, it's all right. Who is it? | 0:03:38 | 0:03:41 | |
-It's Richard Moat. -The comedian? | 0:03:43 | 0:03:46 | |
Who? | 0:03:46 | 0:03:48 | |
-He was staying with me. -How can you tell? | 0:03:48 | 0:03:51 | |
He kept stealing my clothes, and he was wearing my favourite trousers. | 0:03:51 | 0:03:56 | |
Yesterday my watch went missing. | 0:03:56 | 0:04:00 | |
Go on, take him away. | 0:04:00 | 0:04:03 | |
I'm sorry, but we've informed your brother that you're dead. | 0:04:03 | 0:04:06 | |
Christopher? Did he sound upset? | 0:04:06 | 0:04:09 | |
Well, yes, I suppose so, yes. | 0:04:09 | 0:04:12 | |
I'm going to need you to make a statement, Mr Canning. | 0:04:12 | 0:04:16 | |
That was meant for me. That should have been me. | 0:04:16 | 0:04:20 | |
I told you. | 0:04:24 | 0:04:27 | |
It was tucked under a copy of Big Jugs. | 0:04:30 | 0:04:33 | |
You won't remember, | 0:04:33 | 0:04:36 | |
but I bought this for you a couple of birthdays ago. | 0:04:36 | 0:04:40 | |
"My name is Ozymandias, king of kings. | 0:04:42 | 0:04:47 | |
"Look on my works ye mighty and despair." | 0:04:47 | 0:04:52 | |
You looked at the cover, made a face | 0:04:54 | 0:04:58 | |
and stuck another pint of pina colada down your fat throat. | 0:04:58 | 0:05:02 | |
Why did I end up with you, Graham? How did that happen? | 0:05:04 | 0:05:08 | |
I wanted a man who read poetry, and loved me as an equal. | 0:05:10 | 0:05:15 | |
Not a man who read Big Jugs and measured his life in building housing estates. | 0:05:17 | 0:05:23 | |
The king who thought he'd rule forever. | 0:05:28 | 0:05:32 | |
Do you have any reliable witness to this attack on you? | 0:05:32 | 0:05:36 | |
Yeah, my friend, Julia Land. | 0:05:36 | 0:05:39 | |
I think he said reliable, she's an actress. | 0:05:39 | 0:05:42 | |
So this guy is killing people because they witnessed him trying to assault Bradley? | 0:05:42 | 0:05:46 | |
-You got a better idea? -It doesn't make sense. | 0:05:46 | 0:05:49 | |
I didn't say it did. | 0:05:49 | 0:05:51 | |
-He was waiting at your house? -Yeah. -How did he know where you lived? | 0:05:51 | 0:05:54 | |
I don't know. | 0:05:54 | 0:05:55 | |
Why pick on you? Martin stopped him with his computer, | 0:05:55 | 0:05:58 | |
but you? What did you do? | 0:05:58 | 0:06:00 | |
Jackson Brodie, you've been making trouble. | 0:06:02 | 0:06:06 | |
He knew my name. How did he know my name? | 0:06:07 | 0:06:12 | |
You tell me. | 0:06:12 | 0:06:13 | |
My name's Jackson, Jackson Brodie. I'm an investigator. | 0:06:13 | 0:06:16 | |
Oh, that's mad, no, that really doesn't make any sense. | 0:06:19 | 0:06:23 | |
What? | 0:06:23 | 0:06:24 | |
I gave my card to the girl you found dead yesterday. | 0:06:24 | 0:06:27 | |
There was no business card on her. | 0:06:27 | 0:06:30 | |
Jackson? We've found another body. | 0:06:31 | 0:06:34 | |
What if this psycho's connected? | 0:06:39 | 0:06:42 | |
What if he's responsible for the death of the two Russian girls? | 0:06:42 | 0:06:46 | |
That's ridiculous, Jackson. | 0:06:46 | 0:06:48 | |
One we don't have a body for, and one died of an overdose. | 0:06:48 | 0:06:51 | |
I'm just saying what if? | 0:06:51 | 0:06:52 | |
I'm not persuading my boss to pursue a line of enquiry based on your supposition, I can't. | 0:06:52 | 0:06:57 | |
What do we know about this guy? | 0:06:57 | 0:06:58 | |
Presumably his plates didn't check out? Were fake, or what? | 0:06:58 | 0:07:01 | |
From yesterday? We didn't get them. | 0:07:01 | 0:07:05 | |
Our two major witnesses went AWOL before we got statements | 0:07:05 | 0:07:08 | |
and nobody else came forward. | 0:07:08 | 0:07:09 | |
You need to forget about everything and get some sleep, OK? | 0:07:09 | 0:07:14 | |
Jackson? | 0:07:15 | 0:07:17 | |
Yeah, I... er... I should, I will, | 0:07:17 | 0:07:20 | |
I'm knackered, you're right. | 0:07:20 | 0:07:22 | |
Good. Good. | 0:07:22 | 0:07:24 | |
-Jackson, come with me. -No, no! | 0:07:30 | 0:07:32 | |
MOBILE PHONE RINGS | 0:07:41 | 0:07:43 | |
-Hello? -It's me... | 0:07:45 | 0:07:46 | |
-You still got that card I gave you yesterday? Don't take it out. -Yes. | 0:07:46 | 0:07:51 | |
-Don't give the registration number to the police. -Why not? | 0:07:51 | 0:07:55 | |
They'll be running around, I'll find him and take care of him quickly. | 0:07:55 | 0:07:58 | |
-Trust me. -OK. | 0:07:58 | 0:08:01 | |
-Right, call me when you're done. -All right. | 0:08:01 | 0:08:04 | |
The Four Clans where you say you spent the night with Paul Bradley. | 0:08:07 | 0:08:10 | |
Could you stop saying it like that. | 0:08:10 | 0:08:12 | |
It's just there's no sign of your name in the register. | 0:08:12 | 0:08:15 | |
The night porter said it wasn't necessary as I wasn't staying the night. | 0:08:15 | 0:08:18 | |
The night porter doesn't recall seeing you or anyone like you. | 0:08:18 | 0:08:21 | |
It must have been horrible seeing your friend's head all bashed in? | 0:08:21 | 0:08:26 | |
-He wasn't my friend. -Your lover? -No! | 0:08:26 | 0:08:28 | |
Perhaps you rowed with Richard because you went to a hotel with another man? | 0:08:28 | 0:08:32 | |
No! Why aren't you listening to me? | 0:08:32 | 0:08:35 | |
Paul Bradley stole from me, he drugged me, why aren't you asking him? | 0:08:35 | 0:08:40 | |
He's not here and you are. | 0:08:40 | 0:08:41 | |
You don't know where he is. | 0:08:41 | 0:08:43 | |
He gave the hospital a false address. | 0:08:43 | 0:08:45 | |
He's out there, looking for me! | 0:08:45 | 0:08:47 | |
Look, I'm the victim here! | 0:08:47 | 0:08:49 | |
My laptop's broken, my memory stick's gone | 0:08:49 | 0:08:51 | |
along with my new Nina Riley novel. | 0:08:51 | 0:08:54 | |
My wallet's been stolen. | 0:08:54 | 0:08:56 | |
And now there's a washed-up comedian splattered all over my house. | 0:08:56 | 0:08:59 | |
For an innocent man you seem very guilty. | 0:08:59 | 0:09:02 | |
What's your deep, dark secret, Martin? | 0:09:02 | 0:09:04 | |
Where's Jackson? | 0:09:04 | 0:09:07 | |
-How was it? -They've taken a statement. | 0:09:19 | 0:09:22 | |
-You didn't give them the registration? -No. | 0:09:22 | 0:09:24 | |
You've still got that card from yesterday? | 0:09:24 | 0:09:27 | |
Can I stay with you? | 0:09:31 | 0:09:33 | |
Deborah, it's me... Me your boss! | 0:09:33 | 0:09:36 | |
I'll text you a number, tell me who the car's registered to. | 0:09:36 | 0:09:39 | |
Bradley drugged me, suppose he comes after me? | 0:09:39 | 0:09:43 | |
If he wanted to kill you, he'd have done it in the hotel. | 0:09:43 | 0:09:47 | |
Stay with friends. | 0:09:47 | 0:09:48 | |
I've told the police I'm staying with you. | 0:09:48 | 0:09:51 | |
That's not going to work, I'm afraid. | 0:09:51 | 0:09:53 | |
There's people trying to kill me. I want you to protect me. | 0:09:53 | 0:09:56 | |
-I need you to protect me. -Let me make a call to the police. | 0:09:56 | 0:10:00 | |
No, no. Not the police. I want you to be my bodyguard. | 0:10:00 | 0:10:02 | |
I'll speak to DI Munroe, she's a friend of mine... | 0:10:02 | 0:10:06 | |
No! No! Please. Jackson, please. | 0:10:06 | 0:10:09 | |
Be my bodyguard. | 0:10:09 | 0:10:11 | |
What have you got? | 0:10:15 | 0:10:16 | |
Er... | 0:10:16 | 0:10:17 | |
Martin, Deborah. Deborah, Martin. | 0:10:17 | 0:10:19 | |
Right. Julia Land phoned. | 0:10:19 | 0:10:22 | |
-Don't forget, it's her first night tonight. -Fine. | 0:10:22 | 0:10:25 | |
And your wife phoned. | 0:10:25 | 0:10:26 | |
-Ex-wife. -She says, | 0:10:26 | 0:10:28 | |
"You are a bastard. | 0:10:28 | 0:10:30 | |
"A complete, hateful, little shit. | 0:10:30 | 0:10:32 | |
"Bring the permission form around today." | 0:10:32 | 0:10:35 | |
Did you find out who owns the car? | 0:10:35 | 0:10:37 | |
I'm glad you asked me that. | 0:10:37 | 0:10:39 | |
This case is turning out to be like one of those Russian dolls, | 0:10:39 | 0:10:42 | |
a riddle, wrapped in an enigma, shrouded in a mystery. | 0:10:42 | 0:10:45 | |
I finally found out that Favours is registered in the Cayman Islands, | 0:10:45 | 0:10:50 | |
which is a bit strange for a Scottish cleaning company, | 0:10:50 | 0:10:53 | |
Who's the car registered to? | 0:10:53 | 0:10:55 | |
Favours shares its registration address | 0:10:55 | 0:10:58 | |
-with a property development company. -Deborah. | 0:10:58 | 0:11:01 | |
Hatter Homes. | 0:11:01 | 0:11:02 | |
The car is registered to Hatter Homes. | 0:11:02 | 0:11:04 | |
Graham Hatter is the MD, and there is his home address. | 0:11:04 | 0:11:07 | |
Martin, wait here. | 0:11:11 | 0:11:12 | |
But I want to come with you. | 0:11:12 | 0:11:14 | |
SHE MOUTHS | 0:11:16 | 0:11:18 | |
Really? | 0:11:18 | 0:11:20 | |
Where do you think you're going? Stay here and keep warm. | 0:11:31 | 0:11:34 | |
RADIO: 'And later in the programme...' | 0:12:06 | 0:12:08 | |
Hello? | 0:12:08 | 0:12:09 | |
'..their definitive guide to keeping bug and disease-free this winter...' | 0:12:09 | 0:12:14 | |
SHE GASPS | 0:12:36 | 0:12:38 | |
It's all right, there's nothing to be scared of. | 0:12:38 | 0:12:41 | |
I think I'd like you to leave, if you wouldn't mind. | 0:12:41 | 0:12:43 | |
I'm a private investigator. My name is Jackson Brodie. | 0:12:43 | 0:12:47 | |
I'm looking for Graham Hatter. He might want to know | 0:12:51 | 0:12:54 | |
there's a mad man driving a car registered to his company. | 0:12:54 | 0:12:57 | |
This guy, actually. | 0:13:01 | 0:13:02 | |
-His name is Terrence Smith. He's worked for Graham for years. -Graham's your husband? | 0:13:02 | 0:13:07 | |
-Gosh, you're good. -Thank you. | 0:13:07 | 0:13:11 | |
So, any idea where I might find this Smith? | 0:13:11 | 0:13:13 | |
-No, I'm afraid not. -Graham should be able to tell me. | 0:13:13 | 0:13:16 | |
I'm afraid you can't ask him. | 0:13:16 | 0:13:17 | |
Why's that? | 0:13:17 | 0:13:19 | |
PHONE RINGS | 0:13:19 | 0:13:20 | |
No, Murdo. He's still in Thurso. | 0:13:24 | 0:13:26 | |
No, I can't imagine why anyone would want to spend so long there either. | 0:13:27 | 0:13:32 | |
I told you before, Murdo. I don't know when he'll be back. | 0:13:32 | 0:13:36 | |
It's quite a bonfire you've got going. | 0:13:37 | 0:13:39 | |
I'm no expert but they looked like very expensive dresses. | 0:13:39 | 0:13:43 | |
Are you having a clear-out? | 0:13:43 | 0:13:44 | |
Got to make room for the new. | 0:13:44 | 0:13:46 | |
Now, if you don't leave... | 0:13:46 | 0:13:49 | |
A new start is it? Or a new you? | 0:13:49 | 0:13:51 | |
You're leaving me no option. If you're not gone in... | 0:13:51 | 0:13:54 | |
-Your husband will be thrilled when he gets back from Thurso. -Won't he just. | 0:13:54 | 0:13:57 | |
Except he's never coming back from Thurso, is he? | 0:13:57 | 0:14:00 | |
He never went there. | 0:14:00 | 0:14:02 | |
Graham's had a severe heart attack | 0:14:05 | 0:14:08 | |
and he's not expected to pull through. | 0:14:08 | 0:14:10 | |
I'm sorry. | 0:14:10 | 0:14:12 | |
Why would you tell this Murdo bloke that he's in Thurso? | 0:14:12 | 0:14:15 | |
I've been telling everyone he's in Thurso. | 0:14:15 | 0:14:19 | |
Don't know why I chose there, just the first name that came into my head. | 0:14:19 | 0:14:24 | |
I know I'm supposed to tell people, but... | 0:14:24 | 0:14:27 | |
I just can't be bothered somehow. They'll make such a drama of it. | 0:14:27 | 0:14:31 | |
I think it's a thing that goes off better if you're quiet about it. | 0:14:31 | 0:14:35 | |
PHONE BEEPS | 0:14:35 | 0:14:38 | |
Excuse me! | 0:14:38 | 0:14:40 | |
Text. | 0:14:40 | 0:14:42 | |
-Well? -Erm... | 0:14:43 | 0:14:47 | |
-Maggie. -His secretary. | 0:14:47 | 0:14:50 | |
Tell me. I do know she performs other functions. | 0:14:52 | 0:14:57 | |
"Have you done it yet? Have you got rid of the old bag?" | 0:14:59 | 0:15:03 | |
Well, she's not much of a looker herself. | 0:15:06 | 0:15:08 | |
What are you doing? | 0:15:15 | 0:15:16 | |
Sending a reply, | 0:15:16 | 0:15:18 | |
"Sorry, I'm in Thurso. Speak to you as soon as I can." | 0:15:18 | 0:15:24 | |
Put, "Sorry, darling." | 0:15:24 | 0:15:28 | |
-With a kiss? -Not his style. | 0:15:28 | 0:15:32 | |
PHONE RINGS | 0:15:35 | 0:15:36 | |
Christopher! No, that's right, I'm still alive. | 0:15:37 | 0:15:41 | |
Yeah. | 0:15:41 | 0:15:43 | |
Oh, well, sorry. | 0:15:44 | 0:15:46 | |
It is a long way to go for no reason, but... | 0:15:46 | 0:15:49 | |
Look, while you're here, why don't we meet up? | 0:15:51 | 0:15:54 | |
Right. OK. | 0:15:54 | 0:15:57 | |
No, no. Well, have a safe journey home. | 0:15:57 | 0:16:02 | |
Yeah. OK. Bye. | 0:16:02 | 0:16:03 | |
Does the name Favours mean anything to you? | 0:16:08 | 0:16:10 | |
It's one of your husband's companies. | 0:16:10 | 0:16:13 | |
He doesn't keep me appraised of all his activities. | 0:16:13 | 0:16:15 | |
Two girls who worked for Favours are dead. | 0:16:15 | 0:16:19 | |
I think Terence Smith killed them. | 0:16:19 | 0:16:21 | |
-What girls? -Russian girls. | 0:16:21 | 0:16:23 | |
Prostitutes? | 0:16:23 | 0:16:26 | |
Why would you ask that? It's a cleaning company. | 0:16:26 | 0:16:29 | |
I don't know. | 0:16:29 | 0:16:31 | |
I found this, at the back of the wardrobe. | 0:16:33 | 0:16:36 | |
It doesn't mean anything to me. | 0:16:36 | 0:16:39 | |
I don't know if it's of any use. | 0:16:39 | 0:16:41 | |
It's gobbledegook. | 0:16:43 | 0:16:47 | |
But it has an address. | 0:16:47 | 0:16:50 | |
So thank you. | 0:16:50 | 0:16:53 | |
You wouldn't mind opening the gate, would you? | 0:16:53 | 0:16:57 | |
Hello? | 0:17:19 | 0:17:20 | |
Er, don't you need a warrant for that? | 0:17:21 | 0:17:24 | |
Absolutely, good idea if you're a copper. Luckily, I'm not any more. | 0:17:24 | 0:17:28 | |
Don't hang about. | 0:17:30 | 0:17:32 | |
They shut it down. | 0:17:38 | 0:17:40 | |
Something's spooked them. | 0:17:40 | 0:17:43 | |
Overnight by the looks of it. | 0:17:43 | 0:17:45 | |
What was this place? | 0:17:45 | 0:17:47 | |
It was meant to be a booking agency for a cleaning company, | 0:17:47 | 0:17:50 | |
but who knows. | 0:17:50 | 0:17:51 | |
What's that got to do with the guy who's out there trying to kill me? | 0:17:51 | 0:17:54 | |
I'm not sure, Martin. Some connection. | 0:17:54 | 0:17:59 | |
Now the answer is somewhere in here if I can make head or tail of it. | 0:17:59 | 0:18:04 | |
-Can I have a look? -It's in code. | 0:18:04 | 0:18:06 | |
Yeah. I know all about code. | 0:18:06 | 0:18:08 | |
In Death Wore Tweed, when Nina Riley confronts the U-boat commander, | 0:18:08 | 0:18:11 | |
Baron Swartzbard, he has a little... | 0:18:11 | 0:18:13 | |
Real code. Real bad guys. Computers, algorithms, that stuff. | 0:18:13 | 0:18:17 | |
May I? | 0:18:17 | 0:18:18 | |
Drive yourself mad. | 0:18:20 | 0:18:22 | |
Thank you. | 0:18:22 | 0:18:23 | |
Well, it's an Atbash cipher. | 0:18:25 | 0:18:27 | |
Sorry? | 0:18:29 | 0:18:30 | |
These column headings, it's a simple Atbash cipher. | 0:18:30 | 0:18:33 | |
A simple opposite-end substitution code, | 0:18:33 | 0:18:35 | |
-A equals Z, and B equals Y. -I don't care, can you read it? | 0:18:35 | 0:18:38 | |
The first column is girls' names. Second column is passport numbers. | 0:18:38 | 0:18:42 | |
But they're not British. Then we've got cleaning hours. | 0:18:42 | 0:18:46 | |
Money in. Um, other hours, money in. | 0:18:46 | 0:18:50 | |
A lot more money. | 0:18:50 | 0:18:53 | |
Why would you be a cleaner if you were earning that much money? | 0:18:53 | 0:18:56 | |
The reason it's the oldest profession in the world. | 0:18:56 | 0:18:59 | |
-What? -Prostitution. | 0:18:59 | 0:19:01 | |
Someone's making them do it, and they don't keep the money. | 0:19:01 | 0:19:05 | |
Here's the thing, why would you do it? | 0:19:05 | 0:19:07 | |
What? | 0:19:07 | 0:19:08 | |
If it's going that well, why would you kill a successful Russian prostitute? | 0:19:08 | 0:19:12 | |
Martin? | 0:19:14 | 0:19:16 | |
-Sorry. Yes, I... -Hey, here, come, sit down. | 0:19:16 | 0:19:19 | |
What's going on? Martin, talk to me, what's going on? | 0:19:21 | 0:19:25 | |
-Three years ago, I was in Russia. -That's not a crime. | 0:19:26 | 0:19:30 | |
I was spending my first big royalty cheque | 0:19:30 | 0:19:32 | |
on a holiday in Moscow and St Petersburg. | 0:19:32 | 0:19:35 | |
And, erm, I met this girl called Irianna. | 0:19:35 | 0:19:39 | |
She was working in a little concession in the hotel lobby | 0:19:39 | 0:19:44 | |
selling Matryoshka dolls, you know, the Russian dolls within dolls. | 0:19:44 | 0:19:48 | |
Martin, why are you telling me this? | 0:19:48 | 0:19:51 | |
One evening, I was in the hotel bar on my own, | 0:19:51 | 0:19:56 | |
and she came over and started talking to me. | 0:19:56 | 0:19:58 | |
God. Jackson, she was so beautiful. | 0:20:00 | 0:20:04 | |
And we drank a lot of vodka. | 0:20:07 | 0:20:09 | |
A lot of vodka. | 0:20:09 | 0:20:11 | |
And we laughed a lot, | 0:20:11 | 0:20:14 | |
even though we didn't understand what the other one was saying. | 0:20:14 | 0:20:18 | |
And then she was in my hotel room. | 0:20:18 | 0:20:23 | |
SHE SPEAKS IN RUSSIAN | 0:20:25 | 0:20:28 | |
# I feel so wonderful | 0:20:35 | 0:20:37 | |
# Uh-uh-oh, don't let go | 0:20:37 | 0:20:41 | |
# Uh-uh-oh, don't let go | 0:20:41 | 0:20:47 | |
# Two hearts are beating together | 0:20:47 | 0:20:51 | |
# I'm in love, I'm in love | 0:20:51 | 0:20:52 | |
# I'm in love, I'm in love | 0:20:52 | 0:20:55 | |
# Is this for ever and ever? | 0:20:55 | 0:20:58 | |
# I'm in love, I'm in love... # | 0:20:58 | 0:21:03 | |
I was just captivated by her. | 0:21:03 | 0:21:06 | |
Nothing like that had ever happened to me. | 0:21:07 | 0:21:10 | |
HE GRUNTS | 0:21:10 | 0:21:12 | |
Do we need this level of detail, Martin? | 0:21:23 | 0:21:25 | |
Yes, we do. | 0:21:25 | 0:21:28 | |
She wasn't a prostitute. | 0:21:43 | 0:21:45 | |
But it's a very hard country and she could see that I had money. | 0:21:46 | 0:21:51 | |
MOBILE RINGS | 0:21:51 | 0:21:53 | |
Sorry. | 0:21:57 | 0:21:59 | |
I was stupid, wasn't I, | 0:22:01 | 0:22:02 | |
to think that someone like that could be interested in me? | 0:22:02 | 0:22:05 | |
I don't think so, no. | 0:22:06 | 0:22:08 | |
'You have two new messages.' | 0:22:12 | 0:22:15 | |
'Graham, it's Murdo here again. I've had enough. | 0:22:15 | 0:22:18 | |
'The Talling development basically went tits skyward. | 0:22:18 | 0:22:21 | |
'This could be a bigger debacle than the city tram scheme! | 0:22:21 | 0:22:24 | |
'I hope you're dead in a ditch somewhere, you bastard!' | 0:22:24 | 0:22:27 | |
ANSWERING MACHINE BEEPS | 0:22:27 | 0:22:29 | |
'Graham? It's me, Maggie. Things are getting difficult. | 0:22:29 | 0:22:33 | |
'Murdo had a go at me. He said I must know where you are, | 0:22:33 | 0:22:36 | |
'but I don't! Why have you left me?' | 0:22:36 | 0:22:40 | |
ANSWERING MACHINE BEEPS | 0:22:40 | 0:22:43 | |
Tell me if there's enough sugar in it, Terence. | 0:22:45 | 0:22:49 | |
Aye. Very nice, Mrs Hatter. | 0:22:49 | 0:22:51 | |
You going for a run? | 0:22:59 | 0:23:01 | |
It's a leisure suit, it's to relax in. | 0:23:01 | 0:23:04 | |
-You're usually one for the dresses. -Just drink your tea. | 0:23:05 | 0:23:09 | |
He's away on business. I've told you that, Terence. | 0:23:11 | 0:23:14 | |
There's no point endlessly asking the same question. | 0:23:14 | 0:23:17 | |
If Mr Hatter needs you, he will call you. | 0:23:17 | 0:23:20 | |
Is it to do with money? | 0:23:20 | 0:23:22 | |
What? | 0:23:22 | 0:23:24 | |
I mean, pardon? | 0:23:24 | 0:23:26 | |
Does he owe you money? | 0:23:26 | 0:23:28 | |
There's things that need to be sorted out. | 0:23:30 | 0:23:33 | |
-Where is he? -He's not far away. | 0:23:35 | 0:23:37 | |
Time to go, Terence. | 0:23:39 | 0:23:41 | |
I've done a lot of work, Mrs Hatter, and the problem's not fixed yet. | 0:23:49 | 0:23:52 | |
I need to talk to him. | 0:23:52 | 0:23:54 | |
Don't you dare raise your voice to me in my own home, Terence Smith. | 0:23:54 | 0:23:59 | |
Mr Hatter should not treat me like this. | 0:24:12 | 0:24:16 | |
I do not deserve it. | 0:24:16 | 0:24:18 | |
You tell him to meet me at the club tonight! | 0:24:19 | 0:24:24 | |
At eleven! | 0:24:24 | 0:24:26 | |
I need to see him. | 0:24:26 | 0:24:28 | |
What I don't understand is, if you have a talent to write, | 0:24:38 | 0:24:42 | |
no matter how small, | 0:24:42 | 0:24:44 | |
why would you waste that talent writing tatty potboilers? | 0:24:44 | 0:24:50 | |
Well, the Nina Riley mysteries are actually quite popular. | 0:24:50 | 0:24:54 | |
Quite popular...tatty potboilers. | 0:24:54 | 0:24:58 | |
-Jackson! Jackson! -Er...one second. | 0:25:02 | 0:25:05 | |
-Is she here? -Who? -Sorry, Jackson, I couldn't stop her. -Piss off! | 0:25:05 | 0:25:08 | |
-Marlee, I went to get her from school, but she wasn't there. -Did you call the police? | 0:25:08 | 0:25:12 | |
No, I went home hoping she was waiting, | 0:25:12 | 0:25:14 | |
I phoned you, but you never answer. | 0:25:14 | 0:25:16 | |
Call now, say she's been missing for hours, they'll take it seriously. | 0:25:16 | 0:25:20 | |
-This is your fault, playing the victim yesterday! -Did you call her friends? | 0:25:20 | 0:25:24 | |
-Some of them. -You got a class list? -Uh-huh. | 0:25:24 | 0:25:27 | |
Call the rest, go home and wait for her. | 0:25:27 | 0:25:29 | |
OK. Try the park and that pizza place that she sometimes likes. | 0:25:29 | 0:25:34 | |
-Oh, Jackson, if anything happens to her... -Josie, I'll find her. | 0:25:34 | 0:25:39 | |
'Niamh!' | 0:25:54 | 0:25:55 | |
No! Jackson, no! | 0:25:57 | 0:26:01 | |
Come on, think, think. | 0:26:01 | 0:26:04 | |
We better get you home. Your mum's going nuts. | 0:26:56 | 0:26:59 | |
I've made a decision. | 0:26:59 | 0:27:02 | |
-I'm not going to New Zealand. -Why not? | 0:27:04 | 0:27:07 | |
Because I want to stay here with you. | 0:27:09 | 0:27:12 | |
Thanks. | 0:27:14 | 0:27:15 | |
Listen... | 0:27:19 | 0:27:20 | |
-It's not that I won't miss you. -I don't want you to be sad. | 0:27:24 | 0:27:27 | |
Sad? | 0:27:27 | 0:27:29 | |
I'm not sad. | 0:27:30 | 0:27:31 | |
All right, I am a bit sad. | 0:27:34 | 0:27:37 | |
Sometimes everybody is. | 0:27:37 | 0:27:40 | |
I make you laugh, don't I? | 0:27:42 | 0:27:43 | |
Yeah, you do. | 0:27:45 | 0:27:47 | |
So that's why I'm going to stay here with you. | 0:27:47 | 0:27:49 | |
Listen, we'll make a deal. You go to New Zealand with your mum. | 0:27:51 | 0:27:56 | |
-No, Dad. -You haven't heard the end of the deal yet. | 0:27:56 | 0:28:00 | |
You go away to New Zealand and I'll stop being sad. | 0:28:00 | 0:28:04 | |
You know why? | 0:28:05 | 0:28:07 | |
Because I know that you'll be having an amazing adventure, | 0:28:07 | 0:28:10 | |
you'll be somewhere incredible, enjoying yourself, | 0:28:10 | 0:28:15 | |
and that will make me excited and happy. | 0:28:15 | 0:28:20 | |
Honest? | 0:28:20 | 0:28:22 | |
-Honest. -And you won't be sad? | 0:28:22 | 0:28:25 | |
I won't be sad. | 0:28:27 | 0:28:29 | |
Promise? | 0:28:29 | 0:28:31 | |
Promise. | 0:28:37 | 0:28:38 | |
Can you take me home now, Dad? | 0:28:51 | 0:28:53 | |
HE LAUGHS | 0:28:53 | 0:28:55 | |
Yeah, come on. | 0:28:58 | 0:28:59 | |
Oh, thank God! | 0:29:01 | 0:29:03 | |
Oh, baby, I was so frightened. | 0:29:03 | 0:29:05 | |
-Don't you ever do that to me again, OK? -Sorry. | 0:29:05 | 0:29:08 | |
I was so scared, baby. | 0:29:09 | 0:29:12 | |
Are you OK? Where did you go? | 0:29:13 | 0:29:16 | |
It's really not difficult to tell the difference between good literature and bad literature. | 0:29:44 | 0:29:48 | |
A child can do it. | 0:29:48 | 0:29:50 | |
When I was seven I read, The Adventures of Tom Sawyer. | 0:29:50 | 0:29:53 | |
And, no offence, | 0:29:53 | 0:29:55 | |
but why would I read Alex Blake when I could read Mark Twain? | 0:29:55 | 0:29:59 | |
-Is she OK? -She's fine. | 0:30:01 | 0:30:03 | |
He's very good at finding people. | 0:30:03 | 0:30:05 | |
That's what I just told your new client. | 0:30:05 | 0:30:07 | |
Terence Smith came to see me this afternoon. | 0:30:15 | 0:30:17 | |
He frightened me. | 0:30:17 | 0:30:20 | |
Did he threaten you? | 0:30:20 | 0:30:22 | |
He worships my husband, Mr Brodie, and without him... | 0:30:23 | 0:30:27 | |
He did this, didn't he? | 0:30:31 | 0:30:32 | |
I think he did, yes. | 0:30:33 | 0:30:35 | |
There's a place Graham used to go to with Terence, some dive. | 0:30:38 | 0:30:44 | |
Terence would drive him home and pour him out onto the sofa. | 0:30:44 | 0:30:48 | |
He'll be there tonight, 11 o'clock. | 0:30:50 | 0:30:53 | |
Why did you not go to the police with this? | 0:30:55 | 0:30:58 | |
If it's a question of money? | 0:30:58 | 0:31:00 | |
It's not. | 0:31:01 | 0:31:02 | |
You're not telling me everything you know, Gloria. | 0:31:08 | 0:31:11 | |
Of course not. | 0:31:11 | 0:31:12 | |
Birth! | 0:31:30 | 0:31:32 | |
Death! | 0:31:32 | 0:31:34 | |
Give birth to yourself! | 0:31:34 | 0:31:36 | |
Keep looking and you will find the baby's womb. | 0:31:37 | 0:31:42 | |
Birth! | 0:31:42 | 0:31:44 | |
Birth! Birth! | 0:31:44 | 0:31:47 | |
Death! | 0:31:47 | 0:31:48 | |
Death! | 0:31:48 | 0:31:50 | |
Death! | 0:31:50 | 0:31:51 | |
Womb! | 0:31:51 | 0:31:53 | |
Womb! | 0:31:53 | 0:31:54 | |
Womb! | 0:31:54 | 0:31:57 | |
The act of love is the little death. | 0:31:57 | 0:32:00 | |
In the French... | 0:32:01 | 0:32:03 | |
-Le petit mort. -..le petit mort. | 0:32:03 | 0:32:05 | |
Where does lust end and hate begin? | 0:32:06 | 0:32:09 | |
It is impossible to say. | 0:32:11 | 0:32:12 | |
And yet I keep asking the question. Looking for an enigma of an answer. | 0:32:12 | 0:32:20 | |
Hey, terrific. | 0:32:27 | 0:32:29 | |
It was shit. The play is shit. | 0:32:30 | 0:32:32 | |
It was great, you were great. | 0:32:32 | 0:32:34 | |
God, I couldn't concentrate at all, I just... | 0:32:35 | 0:32:38 | |
I can't help thinking about poor Richard. | 0:32:38 | 0:32:40 | |
Well, it didn't show. | 0:32:40 | 0:32:42 | |
Look, I never lie to you, do I? | 0:32:42 | 0:32:43 | |
The play's, kind of challenging, you know, as a fella, | 0:32:43 | 0:32:49 | |
but you're really talented, honestly. | 0:32:49 | 0:32:53 | |
Jackson, I... | 0:32:54 | 0:32:55 | |
I did something bad yesterday. | 0:32:58 | 0:33:01 | |
Oh. | 0:33:07 | 0:33:10 | |
Right. | 0:33:10 | 0:33:12 | |
-Tell me it wasn't him? -It doesn't matter who it was, I was just feeling... | 0:33:16 | 0:33:20 | |
-You didn't call, and... -So it's my fault, is that what you're saying? | 0:33:22 | 0:33:25 | |
Well, what are we really? I mean, it's been six weeks. | 0:33:25 | 0:33:29 | |
Seven, actually. | 0:33:29 | 0:33:30 | |
Who's counting? | 0:33:32 | 0:33:33 | |
You should run a mile. | 0:33:37 | 0:33:38 | |
I'm damaged goods. | 0:33:38 | 0:33:40 | |
We all are, aren't we? | 0:33:42 | 0:33:43 | |
She suddenly realised, "Bertie, this was no accident, this was murder!" | 0:33:57 | 0:34:01 | |
-Where did you get this? -I found it. -You were there, at the road-rage incident? | 0:34:21 | 0:34:25 | |
That was well good. | 0:34:25 | 0:34:26 | |
Jesus, Archie, you're a witness! | 0:34:26 | 0:34:28 | |
-Here, don't touch my stuff. -What did you see? -Just somebody hitting a guy with a baseball bat. | 0:34:28 | 0:34:33 | |
-That's horrible. Do you want to talk about it? -It was quite funny. | 0:34:33 | 0:34:36 | |
-What's happening to you? -I'm going to Hamish's. -I don't think that's a good idea! | 0:34:36 | 0:34:41 | |
Terence Smith! | 0:35:37 | 0:35:38 | |
Terence! | 0:35:40 | 0:35:42 | |
Terence Smith, how are you, man? It's Terence Smith! | 0:35:42 | 0:35:45 | |
Haven't seen you for ages, what's up? | 0:35:45 | 0:35:47 | |
Wait! Wait! | 0:35:47 | 0:35:48 | |
Oh, hey, listen. | 0:35:53 | 0:35:55 | |
Shut up, OK? | 0:35:55 | 0:35:56 | |
-All right, all right, all right. -Who are you? -I'm a friend. | 0:35:56 | 0:35:59 | |
-You are a friend of Terence. -I'm not. I was following him. -Why? | 0:35:59 | 0:36:03 | |
Because, he killed a girl who looked exactly like you. Who was she? | 0:36:03 | 0:36:08 | |
None of your business. | 0:36:08 | 0:36:10 | |
He would have killed you, too. | 0:36:10 | 0:36:12 | |
-I can take care of myself. -I'm trying to help you. | 0:36:12 | 0:36:17 | |
I don't need your help. | 0:36:18 | 0:36:20 | |
Taxi! | 0:36:20 | 0:36:22 | |
Morning. | 0:36:53 | 0:36:55 | |
He's still out there. | 0:36:55 | 0:36:57 | |
I know. | 0:36:57 | 0:36:59 | |
Oh, my God. | 0:37:03 | 0:37:05 | |
It's all right. | 0:37:05 | 0:37:06 | |
Martin, it's... | 0:37:07 | 0:37:10 | |
DOORBELL RINGS | 0:37:10 | 0:37:12 | |
What were you like as a 14-year-old boy, Jackson? | 0:37:19 | 0:37:22 | |
Come in. | 0:37:22 | 0:37:24 | |
Archie saw what you saw at that road rage incident | 0:37:25 | 0:37:28 | |
and didn't bat an eyelid. | 0:37:28 | 0:37:30 | |
When I was his age I nearly ended up in court, I remember that. | 0:37:30 | 0:37:34 | |
What for? | 0:37:34 | 0:37:35 | |
Stealing. | 0:37:35 | 0:37:36 | |
Wow, I'm shocked! | 0:37:36 | 0:37:39 | |
So what happened? | 0:37:41 | 0:37:42 | |
I went in a different direction, didn't I? Joined the army. | 0:37:42 | 0:37:45 | |
I can't see Archie in the army. God, I hope not. | 0:37:45 | 0:37:48 | |
I never thought I'd see the day when you came to me for parenting advice. | 0:37:48 | 0:37:52 | |
Nor did I. | 0:37:54 | 0:37:55 | |
I love him, I do. | 0:37:57 | 0:37:59 | |
But some days I think I might love my cat more. | 0:37:59 | 0:38:03 | |
He's just less trouble. | 0:38:03 | 0:38:05 | |
-So we've got the DNA back from Martin Canning's flat. -And? | 0:38:05 | 0:38:10 | |
Terrence Smith. Criminal record as long as your arm. | 0:38:10 | 0:38:13 | |
Did you find him? | 0:38:11 | 0:38:13 | |
No, he scarpered. We've got a few possible addresses. | 0:38:13 | 0:38:16 | |
He works for a Graham Hatter, who has a connection to Favours. | 0:38:16 | 0:38:19 | |
But Favours has shut down. | 0:38:19 | 0:38:21 | |
This is the bit where you're incredibly impressed. | 0:38:22 | 0:38:26 | |
-You knew, didn't you, you wee shite? -Not all of it. | 0:38:26 | 0:38:30 | |
What do you know about Hatter Homes? | 0:38:32 | 0:38:34 | |
The fraud squad are on to it. | 0:38:34 | 0:38:37 | |
Apparently, Graham Hatter paid a bribe | 0:38:37 | 0:38:39 | |
to get permission to build some hideous housing estate. | 0:38:39 | 0:38:42 | |
But that's just the tip of the iceberg. | 0:38:42 | 0:38:45 | |
They're looking into money laundering, extortion and prostitution. | 0:38:45 | 0:38:49 | |
Mr and Mrs Hatter are going down for a very long time. | 0:38:49 | 0:38:52 | |
Mrs Hatter? | 0:38:52 | 0:38:54 | |
She's co-director. | 0:38:54 | 0:38:55 | |
It looks like she might carry the can because Mr Hatter's done a bunk. | 0:38:55 | 0:38:59 | |
I know where he is. | 0:38:59 | 0:39:00 | |
For Christ's sake, Jackson. Do you get some sadistic pleasure in withholding information? | 0:39:00 | 0:39:06 | |
Please tell me where he is, a few people would like to have a word with him. | 0:39:06 | 0:39:10 | |
Well, don't expect him to talk back. | 0:39:10 | 0:39:12 | |
Wait here. | 0:39:21 | 0:39:22 | |
The police will be on their way to hospital now. | 0:39:27 | 0:39:30 | |
He could do with some company. | 0:39:30 | 0:39:32 | |
Gloria, they'll take it all. | 0:39:32 | 0:39:35 | |
Everything Graham touched. | 0:39:35 | 0:39:36 | |
This place, Hatter Homes, the lot. | 0:39:36 | 0:39:39 | |
I probably deserve it. I knew what he was. | 0:39:41 | 0:39:45 | |
-You didn't do the things he did. -I knew what he was capable of. | 0:39:45 | 0:39:50 | |
And I expect you were terrified of him. | 0:39:50 | 0:39:52 | |
Ask yourself, why didn't you leave him? | 0:39:54 | 0:39:56 | |
He's not the kind of man to let people walk away. | 0:39:56 | 0:39:59 | |
DOOR BUZZES | 0:40:03 | 0:40:05 | |
You'll be all right, I'll help you. | 0:40:05 | 0:40:07 | |
Hello? | 0:40:13 | 0:40:14 | |
I thought you were dead! | 0:40:16 | 0:40:19 | |
Come on, Jackson. Where are you? | 0:40:23 | 0:40:26 | |
-What are you doing here? -What you doing here? | 0:40:34 | 0:40:36 | |
How do you know her? | 0:40:36 | 0:40:37 | |
How do you know her? | 0:40:37 | 0:40:38 | |
Well, she's my husband's dominatrix. Do try and keep up, Jackson. | 0:40:38 | 0:40:42 | |
-Get rid of him, Gloria. We don't need... -Hey! | 0:40:42 | 0:40:45 | |
I can't do that. Mr Brodie works for me. | 0:40:45 | 0:40:48 | |
That's right. | 0:40:48 | 0:40:50 | |
And we want to know | 0:40:50 | 0:40:52 | |
who the girl was | 0:40:52 | 0:40:54 | |
-and what happened to her. -No. | 0:40:54 | 0:40:55 | |
Just tell him. He's like a dog with a bone. | 0:40:55 | 0:40:58 | |
I don't know and I don't say. | 0:40:58 | 0:41:01 | |
You do know and you will say and you'll say now. | 0:41:01 | 0:41:03 | |
Cos you want to tell me, | 0:41:03 | 0:41:05 | |
cos you know she died horribly, | 0:41:05 | 0:41:09 | |
cos you know Smith is a cruel man | 0:41:09 | 0:41:11 | |
and he'd have enjoyed it. | 0:41:11 | 0:41:13 | |
She ended up in the sea, a thousand miles from home. Unwanted, unloved... | 0:41:13 | 0:41:18 | |
Not unloved! | 0:41:18 | 0:41:20 | |
Her name is... | 0:41:24 | 0:41:25 | |
was Sophia Mikhailichenko. | 0:41:25 | 0:41:30 | |
She was 25 years old. | 0:41:33 | 0:41:35 | |
She was born in Ekaterinburg. | 0:41:35 | 0:41:37 | |
Her mother still lives there. | 0:41:37 | 0:41:39 | |
She was your sister? | 0:41:39 | 0:41:41 | |
My baby sister. | 0:41:43 | 0:41:46 | |
Only by five minutes but... | 0:41:46 | 0:41:48 | |
Why did he kill her? | 0:41:49 | 0:41:51 | |
Because she spoke out. | 0:41:52 | 0:41:54 | |
Against the boss, Graham Hatter? | 0:41:54 | 0:41:57 | |
I tried to stop her, I begged her. | 0:41:57 | 0:42:00 | |
So why are you here? | 0:42:03 | 0:42:04 | |
With Graham in a coma, I have no protection. | 0:42:06 | 0:42:09 | |
But I do have this... | 0:42:11 | 0:42:13 | |
What is it? | 0:42:15 | 0:42:16 | |
-It's Graham's memory stick. -Where did you get it? | 0:42:16 | 0:42:19 | |
I stole it from him, stupid, when he was having his heart attack. | 0:42:20 | 0:42:24 | |
And now it is ours, Gloria. Yours and mine. | 0:42:24 | 0:42:27 | |
I have come here to make deal with you. | 0:42:28 | 0:42:31 | |
It has all the bank details of all his companies. | 0:42:33 | 0:42:37 | |
In Scotland, Jersey, Cayman Islands and Switzerland. | 0:42:37 | 0:42:41 | |
You are company director? | 0:42:41 | 0:42:44 | |
The company will have its assets frozen, | 0:42:44 | 0:42:46 | |
probably in a couple of hours. | 0:42:46 | 0:42:48 | |
That's not a problem. I work in bank in Russia. | 0:42:48 | 0:42:50 | |
I understand these things. We need details, password. | 0:42:50 | 0:42:53 | |
I then transfer all money into one of Swiss accounts. | 0:42:53 | 0:42:57 | |
They cannot touch in Switzerland. | 0:42:57 | 0:42:59 | |
Why would we do that? | 0:42:59 | 0:43:00 | |
I think what she's suggesting, Gloria, is that you do a runner. Take all the cash. | 0:43:00 | 0:43:04 | |
It's your choice. You can stay here and fight it | 0:43:06 | 0:43:09 | |
-with the best lawyers you can afford... -Or? | 0:43:09 | 0:43:13 | |
Or live to fight another day. | 0:43:13 | 0:43:15 | |
You can run away with me, Gloria. | 0:43:15 | 0:43:18 | |
I'll pack a bag. | 0:43:20 | 0:43:22 | |
Just grab your passport, you don't have time, the police could turn up... | 0:43:22 | 0:43:25 | |
Lets not forget, Smith's about somewhere. | 0:43:25 | 0:43:28 | |
But you have guard. | 0:43:28 | 0:43:29 | |
What? | 0:43:29 | 0:43:30 | |
Guard. Man in car with gun. | 0:43:30 | 0:43:32 | |
With...? | 0:43:32 | 0:43:34 | |
Jesus! Martin? | 0:43:37 | 0:43:38 | |
Martin, talk to me. | 0:43:38 | 0:43:40 | |
I don't deserve to live. | 0:43:40 | 0:43:42 | |
Of course you do. Don't be ridiculous. Give me that... | 0:43:42 | 0:43:45 | |
No, no, no. | 0:43:45 | 0:43:47 | |
I knew it would come back to haunt me. | 0:43:47 | 0:43:50 | |
I knew it. | 0:43:50 | 0:43:51 | |
The psycho, the girls getting killed, | 0:43:51 | 0:43:55 | |
Paul Bradley, Richard Moat... It's all my fault. | 0:43:55 | 0:43:59 | |
-None of it's your fault. -Yes, yes, it is. | 0:43:59 | 0:44:02 | |
You don't know what I did, you don't know. | 0:44:02 | 0:44:06 | |
I did something terrible. | 0:44:06 | 0:44:08 | |
SIREN WAILS | 0:44:08 | 0:44:10 | |
You like that. Was fun? | 0:44:10 | 0:44:12 | |
-Yes. -You like that enough to maybe give me gift? | 0:44:12 | 0:44:16 | |
A gift? What kind of a gift? | 0:44:18 | 0:44:20 | |
A little money gift? | 0:44:20 | 0:44:22 | |
OK. Um... | 0:44:26 | 0:44:29 | |
Yeah, if that's what you want. | 0:44:29 | 0:44:31 | |
I'll have to go to the hotel reception and get some cash. | 0:44:34 | 0:44:39 | |
-Money now. -No, I have to withdraw some. | 0:44:39 | 0:44:42 | |
No! No cards, cash! | 0:44:42 | 0:44:43 | |
No, I understand but I have to go... | 0:44:43 | 0:44:45 | |
-Money or I scream. -Yeah, I'm going to go to the hotel lobby and get... | 0:44:45 | 0:44:49 | |
SHE SPEAKS IN RUSSIAN | 0:44:49 | 0:44:53 | |
Get off! | 0:44:53 | 0:44:55 | |
Oh, God! | 0:44:56 | 0:44:57 | |
Irianna? | 0:44:59 | 0:45:00 | |
SHE MOANS | 0:45:00 | 0:45:01 | |
Stupid, stupid, stupid girl. | 0:45:24 | 0:45:28 | |
Stupid... I don't know why she did it. | 0:45:28 | 0:45:31 | |
What happened then? | 0:45:31 | 0:45:32 | |
My bedroom was on the sixth floor and they were building some kind of patio thing on the ground floor | 0:45:32 | 0:45:39 | |
and there was a skip below my window. | 0:45:39 | 0:45:42 | |
And the next morning I heard them driving it off | 0:45:42 | 0:45:46 | |
and I went to the airport. | 0:45:46 | 0:45:48 | |
I thought they were going to arrest me. I wanted them to. | 0:45:48 | 0:45:53 | |
And then I found myself at home. | 0:45:53 | 0:45:56 | |
It was an accident, Martin. | 0:45:58 | 0:46:01 | |
I don't know what to do. | 0:46:02 | 0:46:03 | |
Just try and do the right thing. | 0:46:05 | 0:46:07 | |
You're not a mad man, you're a brave man. | 0:46:08 | 0:46:10 | |
Look, you saved a man's life the other day. | 0:46:10 | 0:46:14 | |
I wasn't thinking, I didn't know what I was doing. | 0:46:15 | 0:46:19 | |
You did it, though, didn't you? | 0:46:19 | 0:46:20 | |
Give me the gun. | 0:46:22 | 0:46:25 | |
Come on, just hand it over. | 0:46:25 | 0:46:28 | |
Come on. | 0:46:30 | 0:46:32 | |
Where did you get this? | 0:46:32 | 0:46:34 | |
It's Paul Bradley's. | 0:46:36 | 0:46:40 | |
The shower head was the right kind of bulk and weight and so I put it in the bag. | 0:46:58 | 0:47:04 | |
After he drugged me, he must have just gone away without checking. | 0:47:04 | 0:47:08 | |
What made you take it? | 0:47:08 | 0:47:09 | |
I thought that he was going to use it on me. | 0:47:09 | 0:47:11 | |
What's Paul Bradley doing with a... | 0:47:13 | 0:47:15 | |
an assassin's gun? | 0:47:15 | 0:47:17 | |
Munroe said he's missing, he gave the hospital a false address. | 0:47:17 | 0:47:20 | |
I told you that I thought there was something wrong with him. | 0:47:20 | 0:47:24 | |
He was a hit man, Martin. | 0:47:24 | 0:47:26 | |
He was away to do a job. | 0:47:26 | 0:47:27 | |
What? | 0:47:27 | 0:47:29 | |
Get rid of someone. | 0:47:29 | 0:47:31 | |
Get rid of someone... She said he'd never let anyone walk away. | 0:47:31 | 0:47:36 | |
Who did? | 0:47:36 | 0:47:38 | |
Pop the boot. | 0:47:39 | 0:47:40 | |
Stay here. If anybody comes beep the horn. | 0:47:46 | 0:47:48 | |
S-I-N-A-T-R-A. | 0:47:48 | 0:47:51 | |
No! Sport - what he like? | 0:47:51 | 0:47:54 | |
Ali, Mohammed Ali, worshipped him. | 0:47:56 | 0:47:58 | |
No, wait. Insisted on calling him Clay - Cassius Clay. | 0:47:58 | 0:48:02 | |
-No. Shit! -What are you two doing here? You've got to get going. | 0:48:04 | 0:48:08 | |
We need password. | 0:48:08 | 0:48:09 | |
We've tried everything - his favourite cars, food, music. | 0:48:09 | 0:48:12 | |
Gloria, you're not safe here. | 0:48:12 | 0:48:14 | |
-We're not going without money. -Help us. | 0:48:14 | 0:48:16 | |
-Me? It could be anything, I don't know the bloke. -Please. | 0:48:16 | 0:48:20 | |
Shit, shit! | 0:48:27 | 0:48:28 | |
No, no, think of the opposite of anything you'd expect. | 0:48:40 | 0:48:43 | |
Not who he was but who he wasn't. | 0:48:43 | 0:48:45 | |
The last think you'd expect him to do, the last place you'd expect him to go, | 0:48:45 | 0:48:49 | |
-the last thing he'd ever read... -Oh! -Go on. What? | 0:48:49 | 0:48:53 | |
"King of kings, look on my works, ye mighty, and despair!" | 0:48:56 | 0:49:02 | |
Shelley? | 0:49:02 | 0:49:04 | |
Ozymandias. | 0:49:04 | 0:49:06 | |
Try it. | 0:49:06 | 0:49:08 | |
Type it in. | 0:49:08 | 0:49:10 | |
It worked! | 0:49:17 | 0:49:19 | |
Oh, Graham! | 0:49:21 | 0:49:23 | |
-He reads poetry. -He was probably just looking for the most obscure word he could find. | 0:49:23 | 0:49:27 | |
Money will be moved. | 0:49:27 | 0:49:29 | |
Great. Let's get the two of you to an airport, quick. | 0:49:29 | 0:49:33 | |
He's gone! | 0:49:35 | 0:49:37 | |
I kill them girls for him, he does a runner and he's left me in the shite! | 0:49:37 | 0:49:43 | |
And you... You are going to run off and join him, aren't you? | 0:49:43 | 0:49:48 | |
He's in intensive care. She's got nothing to do with it. | 0:49:48 | 0:49:51 | |
You think I'm stupid, but I am not. | 0:49:51 | 0:49:55 | |
-I want my share of the money. -There's nothing here, Terence. -But I have to get away as well! | 0:49:55 | 0:50:01 | |
Listen to her. Walk away, there's nothing here for you. | 0:50:01 | 0:50:04 | |
Leave it! Back off! The police are onto you, the game's up. | 0:50:07 | 0:50:11 | |
They've got your... No! | 0:50:11 | 0:50:13 | |
You get to die last, smart arse! | 0:50:18 | 0:50:21 | |
It's OK. | 0:50:38 | 0:50:39 | |
Are you all right? | 0:50:43 | 0:50:45 | |
Yeah. | 0:50:45 | 0:50:47 | |
Did you mean to do that? | 0:50:55 | 0:50:57 | |
Yeah. This time I did. | 0:50:58 | 0:51:01 | |
Good job. | 0:51:04 | 0:51:06 | |
Um... | 0:51:11 | 0:51:14 | |
Right, ladies, Martin, it's probably a good time to leave. | 0:51:14 | 0:51:19 | |
No, no. I'm staying. | 0:51:20 | 0:51:21 | |
-The police are on their way. -No. I am sick of running. | 0:51:21 | 0:51:25 | |
Well, what are you going to do? Tell them the truth? | 0:51:25 | 0:51:27 | |
No. | 0:51:27 | 0:51:29 | |
I'm a writer. | 0:51:31 | 0:51:33 | |
No, the only other person to visit him apart from his wife was his prostitute. | 0:51:37 | 0:51:41 | |
The doctor didn't get her real name. | 0:51:41 | 0:51:43 | |
Apparently, she's a Russian dominatrix. | 0:51:43 | 0:51:47 | |
What, just now? | 0:51:47 | 0:51:49 | |
OK, I'm on my way. | 0:51:49 | 0:51:51 | |
There's been a reported shooting. | 0:51:51 | 0:51:52 | |
Good bye, Mr Hatter. | 0:52:03 | 0:52:06 | |
A little present from your wife. | 0:52:06 | 0:52:08 | |
Hey! | 0:52:17 | 0:52:18 | |
Dad! | 0:52:18 | 0:52:19 | |
Did you think I was going to let you go without one last squeeze? | 0:52:21 | 0:52:25 | |
All right, now look, | 0:52:28 | 0:52:30 | |
I'll always be with you, you're never alone. | 0:52:30 | 0:52:34 | |
If that's all right? | 0:52:34 | 0:52:36 | |
Scoop me every day. | 0:52:36 | 0:52:37 | |
Skype. | 0:52:37 | 0:52:38 | |
Skype me every day. Every day. | 0:52:38 | 0:52:41 | |
All right? Come here. | 0:52:41 | 0:52:43 | |
KNOCKING | 0:52:47 | 0:52:50 | |
All right, let me remember that face. | 0:52:52 | 0:52:56 | |
I think I've got it. | 0:52:58 | 0:52:59 | |
See you later, alligator. | 0:53:03 | 0:53:06 | |
In a while, crocodile. | 0:53:06 | 0:53:07 | |
Hey. | 0:53:10 | 0:53:12 | |
Good luck. | 0:53:12 | 0:53:14 | |
Thank you. | 0:53:17 | 0:53:18 | |
SOBBING | 0:53:51 | 0:53:55 | |
I tried to think what you would do. | 0:54:06 | 0:54:09 | |
He began shaking and making this noise. | 0:54:14 | 0:54:19 | |
His legs were jelly. | 0:54:19 | 0:54:21 | |
It was horrible. | 0:54:21 | 0:54:23 | |
I didn't know what to do. Mum? | 0:54:25 | 0:54:29 | |
It's OK. It's OK. | 0:54:29 | 0:54:32 | |
# We'll find a jukebox and see what a quarter will do | 0:54:44 | 0:54:52 | |
# I don't want to talk | 0:54:56 | 0:54:59 | |
# I just want to go back to... # | 0:54:59 | 0:55:04 | |
DOORBELL RINGS | 0:55:04 | 0:55:07 | |
Hi. | 0:55:14 | 0:55:15 | |
-You got Marlee staying over? -No. | 0:55:15 | 0:55:18 | |
You got back together with your ex? | 0:55:18 | 0:55:20 | |
No. | 0:55:20 | 0:55:22 | |
Actresses? | 0:55:22 | 0:55:23 | |
No actresses. | 0:55:23 | 0:55:25 | |
In that case, I'll come in. | 0:55:25 | 0:55:27 | |
How's Martin holding up? | 0:55:34 | 0:55:36 | |
He's a strange one. | 0:55:36 | 0:55:38 | |
I gave him his USB stick back with his new novel on it | 0:55:38 | 0:55:41 | |
and he threw it in the bin, said something about Mark Twain. | 0:55:41 | 0:55:44 | |
Sensitive artist, | 0:55:44 | 0:55:46 | |
although he did all right this afternoon... | 0:55:46 | 0:55:50 | |
from what I heard. | 0:55:50 | 0:55:51 | |
What, killing Smith with his own gun? | 0:55:51 | 0:55:53 | |
Surprisingly so. | 0:55:53 | 0:55:56 | |
Gloria Hatter's vanished. | 0:56:01 | 0:56:03 | |
Looks like she's left the country. | 0:56:03 | 0:56:05 | |
Will she be indicted? | 0:56:05 | 0:56:07 | |
I'd have thought so, seeing as her husband's dead. Just hope she's got the money for a good lawyer. | 0:56:07 | 0:56:11 | |
Dead? | 0:56:11 | 0:56:13 | |
Gone to that big mock-Tudor housing estate in the sky. Case closed. | 0:56:13 | 0:56:17 | |
There's a girl out there somewhere floating around. | 0:56:17 | 0:56:21 | |
Yeah, we found her. | 0:56:21 | 0:56:24 | |
She came ashore. | 0:56:24 | 0:56:26 | |
We still don't know anything about her. No-one's missed her. | 0:56:28 | 0:56:33 | |
Her name's Sophia and I know people who miss her. | 0:56:33 | 0:56:36 | |
She came here from Russia six months ago. | 0:56:38 | 0:56:41 | |
She thought the streets might be paved with gold. They weren't. | 0:56:41 | 0:56:45 | |
These are the details of Lena's. I kind of promised I'd send them home. | 0:56:47 | 0:56:52 | |
OK. | 0:56:56 | 0:56:58 | |
Thank you. | 0:56:58 | 0:57:00 | |
A neighbour of the Hatters' thought she saw a black car parked on their driveway this afternoon. | 0:57:01 | 0:57:07 | |
Oh, yeah, lot of black cars around. | 0:57:07 | 0:57:10 | |
Yeah. Black Alfa Romeo. | 0:57:10 | 0:57:13 | |
Around the time of the break-in and the shooting of Terence Smith. | 0:57:13 | 0:57:16 | |
She couldn't be sure though, | 0:57:19 | 0:57:21 | |
and I decided not to make a note of it. | 0:57:21 | 0:57:24 | |
She was very old. | 0:57:25 | 0:57:27 | |
Ah, well. | 0:57:27 | 0:57:29 | |
Do you fancy getting drunk? | 0:57:31 | 0:57:33 | |
They're on the plane, | 0:57:38 | 0:57:40 | |
on their way to New Zealand and I keep seeing their faces. | 0:57:40 | 0:57:44 | |
OK. | 0:57:48 | 0:57:49 | |
Sorry. | 0:57:49 | 0:57:51 | |
Get some sleep, Jackson. You look like crap. | 0:57:56 | 0:57:58 | |
# The compass of your heart | 0:58:00 | 0:58:03 | |
# Won't fail you now | 0:58:03 | 0:58:07 | |
# Your vessel's made for times like these | 0:58:08 | 0:58:14 | |
# Let your hair down | 0:58:17 | 0:58:19 | |
# Till the morning | 0:58:19 | 0:58:23 | |
# Many loved ones are together | 0:58:25 | 0:58:30 | |
# Here tonight | 0:58:30 | 0:58:32 | |
# In the calm before the storm. # | 0:58:32 | 0:58:39 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:41 | |
Email: [email protected] | 0:58:41 | 0:58:44 |