Browse content similar to One Good Turn - Part 1. Check below for episodes and series from the same categories and more!
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-I've been offered a job. -What? | 0:00:03 | 0:00:04 | |
-New Zealand. -Marlee's staying with me. -Don't be ridiculous! | 0:00:04 | 0:00:08 | |
You can hardly take care of yourself, never mind her. | 0:00:08 | 0:00:11 | |
I'm going to allow you to buy me dinner. | 0:00:11 | 0:00:13 | |
I thought I was persona non grata. | 0:00:13 | 0:00:15 | |
You do look very good in a suit, Mr Brodie. | 0:00:15 | 0:00:18 | |
You begged me to spend quality time with your daughter, then you take her to work and put her in danger. | 0:00:18 | 0:00:23 | |
You blew it. | 0:00:23 | 0:00:25 | |
Happy birthday, love. | 0:00:27 | 0:00:33 | |
# There's a long and winding river | 0:01:11 | 0:01:17 | |
# From the darkness to the dawn | 0:01:17 | 0:01:24 | |
# It will carry and deliver you | 0:01:24 | 0:01:30 | |
# When you walk on | 0:01:31 | 0:01:35 | |
# No-one here can say for certain | 0:01:38 | 0:01:43 | |
# What lies in the great beyond | 0:01:43 | 0:01:48 | |
# You'll pass through that parted curtain... # | 0:01:50 | 0:01:54 | |
Niamh! | 0:02:11 | 0:02:13 | |
Niamh! | 0:02:13 | 0:02:15 | |
Niamh! | 0:02:22 | 0:02:23 | |
No! Jackson, no! | 0:02:52 | 0:02:54 | |
Oh, DC Stewart, welcome. | 0:03:29 | 0:03:30 | |
Call me Marcus, ma'am. | 0:03:30 | 0:03:33 | |
Only if you don't call me ma'am. | 0:03:33 | 0:03:35 | |
-What you got there? -Your... mother. | 0:03:35 | 0:03:39 | |
The funeral director was leaving her at the front desk. | 0:03:39 | 0:03:42 | |
-He said that he'd tried calling. -Right. | 0:03:42 | 0:03:45 | |
I'm very sorry for your loss. | 0:03:45 | 0:03:48 | |
-My own mum... -Are you labouring on the side? | 0:03:48 | 0:03:51 | |
No, no. I've just moved into a new house on the Kinloch Estates. | 0:03:51 | 0:03:55 | |
-Hatter Homes? -Ah, "real homes for real people." | 0:03:55 | 0:03:58 | |
Part of the bathroom ceiling came down on Holly, my fiancee, this morning. | 0:03:58 | 0:04:02 | |
-God. Is she hurt? -No, no. | 0:04:02 | 0:04:04 | |
PHONE RINGS | 0:04:04 | 0:04:06 | |
Sorry. Munroe. | 0:04:06 | 0:04:08 | |
Jackson Brodie? Where? | 0:04:08 | 0:04:11 | |
-What have we got? -Female, early 20s. | 0:04:22 | 0:04:26 | |
5'5", 5'6", 120 lbs. | 0:04:26 | 0:04:30 | |
Earrings in the shape of a crucifix. | 0:04:30 | 0:04:33 | |
I couldn't get a really good look but no sign of injury. | 0:04:33 | 0:04:37 | |
This is Mr Brodie. | 0:04:37 | 0:04:38 | |
He used to be in the police force until we got rid of him. | 0:04:38 | 0:04:41 | |
-This is DC Marcus Stewart. -Has anyone reported a girl missing? | 0:04:41 | 0:04:45 | |
-You OK? -Maybe she was drunk, fell in, but why would she come down here? | 0:04:47 | 0:04:50 | |
Well, maybe... she probably topped herself. | 0:04:50 | 0:04:53 | |
Or killer pushes her in, waits for the tide to carry her out, but I get here too soon. | 0:04:53 | 0:04:58 | |
-We don't know she was killed. -We need the RNLI, RAF, divers. | 0:04:58 | 0:05:02 | |
No, I can't just whistle up resources just like that. You know the score. | 0:05:02 | 0:05:04 | |
You can, it's a phone call. | 0:05:04 | 0:05:06 | |
No, I can't justify calling in hardware on the basis of one sighting. | 0:05:06 | 0:05:09 | |
-One sighting! -If they find something suspicious on the beach, | 0:05:09 | 0:05:12 | |
or if a description of that missing girl comes up, fair enough. | 0:05:12 | 0:05:15 | |
Hey, she's out there. Why did you bother coming down? | 0:05:15 | 0:05:17 | |
I'm freezing my arse off. There's a girl out there who | 0:05:17 | 0:05:19 | |
needs our help, and you come down here telling me I'm making it up. | 0:05:19 | 0:05:23 | |
-It's unbelievable. -Why are you being so bloody unreasonable? I'll do what I can. | 0:05:23 | 0:05:26 | |
Have you seen my watch, Richard? | 0:05:36 | 0:05:38 | |
What? | 0:05:38 | 0:05:40 | |
It's a gift from my agent, it's quite a nice one. | 0:05:41 | 0:05:44 | |
PHONE RINGS | 0:05:44 | 0:05:45 | |
Ah, that'll be the twat from the venue looking to have a moan. | 0:05:49 | 0:05:54 | |
Reviews! | 0:05:54 | 0:05:56 | |
That's why I don't read 'em. | 0:05:56 | 0:05:58 | |
Yeah, good idea. I never do. | 0:05:58 | 0:06:00 | |
"Richard Moat's humour creaks with banality these days. | 0:06:00 | 0:06:03 | |
"He hashes up the same..." | 0:06:03 | 0:06:05 | |
Hashes up? Hashes up?! You prick. | 0:06:05 | 0:06:09 | |
"He rehashes the same tired old material that he was using ten years ago." Hmm? | 0:06:09 | 0:06:15 | |
-Bloody Scotsman, got it wrong. Again. -Er, we said not in the house. | 0:06:17 | 0:06:22 | |
Your mate Dave Bell, | 0:06:23 | 0:06:25 | |
-he said that you were a good bloke. -Well, I don't know how he could remember. | 0:06:25 | 0:06:29 | |
I've only spoken to him a couple of times since we sat our O levels. | 0:06:29 | 0:06:32 | |
He said, and I quote, "Your time with Martin will be chilled out." | 0:06:32 | 0:06:36 | |
Yeah, and a good deal cheaper than a motel. | 0:06:36 | 0:06:39 | |
What, you want some rent? | 0:06:39 | 0:06:42 | |
Nah, course you don't, eh? Because you're not that pathetic, are you? | 0:06:43 | 0:06:49 | |
Just joking. | 0:06:49 | 0:06:51 | |
-Er, are you wearing my trousers? -Yeah. Oh, yeah. Well, I pissed me own, didn't I? | 0:06:55 | 0:06:59 | |
Listen mate, you ain't got anything else besides beige chinos? | 0:06:59 | 0:07:04 | |
They're light chestnut, actually. | 0:07:04 | 0:07:06 | |
You see, the reason they're all like this, is because me, I'm just too sexy for them. | 0:07:06 | 0:07:10 | |
I attack the puritanical element. | 0:07:10 | 0:07:14 | |
That's the problem with this city of yours, mate. | 0:07:14 | 0:07:17 | |
It's got no libido. | 0:07:17 | 0:07:20 | |
-Personally I blame Knox. -You blame John Knox? | 0:07:20 | 0:07:23 | |
Yeah. I mean, think about it. | 0:07:23 | 0:07:24 | |
If this was Rio De Janeiro or San Paulo, well, it'd be totally different, wouldn't it? | 0:07:24 | 0:07:29 | |
Are you likely to play Rio? | 0:07:29 | 0:07:32 | |
I'm loving your book. | 0:07:34 | 0:07:36 | |
It'd be great if you could clean up some of this "stuff" | 0:07:36 | 0:07:40 | |
before you go to bed. | 0:07:40 | 0:07:42 | |
Here you are, look. "Something's up, Bertie," she... oh, she whispered, | 0:07:42 | 0:07:47 | |
as she balanced on Bertie's shoulders to get a good view | 0:07:47 | 0:07:52 | |
of Lord Carstairs in the palm-filled conservatory of Dunwrath Castle. | 0:07:52 | 0:07:56 | |
You're shit | 0:08:00 | 0:08:03 | |
and you know you are. | 0:08:03 | 0:08:05 | |
You're shit | 0:08:05 | 0:08:07 | |
and you know you are. | 0:08:07 | 0:08:09 | |
Nice towel. | 0:08:17 | 0:08:19 | |
It's Marlee's. | 0:08:19 | 0:08:21 | |
How is she? Still going to New Zealand? | 0:08:21 | 0:08:23 | |
And how's your actress? Never had you down as the arty type. | 0:08:24 | 0:08:27 | |
-I've hidden depths. -Serious? | 0:08:27 | 0:08:30 | |
-What do you care. -What's she like? | 0:08:31 | 0:08:34 | |
-You've met her. -Briefly. | 0:08:35 | 0:08:37 | |
She's an actress. | 0:08:41 | 0:08:42 | |
Wow, you gave a better description of the dead girl. | 0:08:42 | 0:08:45 | |
I'll phone in a statement. | 0:08:45 | 0:08:47 | |
If she turns up, let me know. | 0:08:47 | 0:08:50 | |
But I'm working outside of the house today. Yeah. | 0:09:04 | 0:09:07 | |
Because I've got a friend of an old school friend staying, and it's not a very good place to be. | 0:09:08 | 0:09:12 | |
Yeah. Well, barring a few tweaks, I'll have it for you by the weekend. | 0:09:12 | 0:09:17 | |
That's fine, that's fine. | 0:09:23 | 0:09:25 | |
CAR HORN BEEPS | 0:09:29 | 0:09:31 | |
-Shit. -Yer swine, yer. | 0:09:41 | 0:09:44 | |
Sorry man, my fault. | 0:09:46 | 0:09:47 | |
We don't need to make a big thing out of it. | 0:09:47 | 0:09:50 | |
-Yer stupid ballbag, yer... -I'll hold. | 0:09:50 | 0:09:53 | |
Eh? | 0:09:53 | 0:09:54 | |
Eh? Eh? | 0:09:54 | 0:09:56 | |
No, no, no... | 0:09:56 | 0:09:58 | |
-How you going to drive now, yer posh faggot? -No! | 0:09:58 | 0:10:02 | |
Hey, that's enough! | 0:10:05 | 0:10:07 | |
Here. Just relax. | 0:10:23 | 0:10:25 | |
-I'm fine. -Don't move, all right? | 0:10:25 | 0:10:27 | |
Don't move your head. You've been hit. Give us that. What's that? | 0:10:27 | 0:10:30 | |
-Cigarettes, keys. Is he alright? -Push it on there. | 0:10:30 | 0:10:33 | |
-Press it as hard as you can. Don't be shy. Can you breathe? -Yeah. | 0:10:33 | 0:10:36 | |
All right. Well, keep calm until help gets here. | 0:10:36 | 0:10:39 | |
Call an ambulance and the police. | 0:10:39 | 0:10:41 | |
Are you all right? | 0:10:43 | 0:10:45 | |
You OK? | 0:10:47 | 0:10:49 | |
You OK? | 0:10:49 | 0:10:51 | |
Yeah, yeah... | 0:10:51 | 0:10:53 | |
He was going at him with a bat, and I threw my laptop at him and he stopped. | 0:10:53 | 0:10:58 | |
Yeah, I saw. It was very brave. Not a lot of people would have done that. | 0:10:58 | 0:11:02 | |
I didn't mean to do it. | 0:11:02 | 0:11:05 | |
What happens now? | 0:11:05 | 0:11:07 | |
You tell the police everything you saw when they get here, and they'll take care of it. | 0:11:07 | 0:11:12 | |
But no, the guy, he looked at me. Suppose he comes after me? | 0:11:12 | 0:11:15 | |
No, no, you'll be fine. Look. You see? Have a look. Down there. | 0:11:15 | 0:11:19 | |
See that? It's a red Honda, that's the number plate, all right? | 0:11:19 | 0:11:22 | |
You tell them that and everything you saw, and they'll take care of it, they'll catch him for you. | 0:11:22 | 0:11:25 | |
-Wait. You're a detective? -Yeah. | 0:11:25 | 0:11:27 | |
Then you can protect me. | 0:11:27 | 0:11:28 | |
You don't need protecting. You should get yourself checked out. | 0:11:28 | 0:11:31 | |
No, no, no, look, I'm a writer. I'm a writer. I write crime fiction. | 0:11:31 | 0:11:34 | |
You can be like a consultant. | 0:11:34 | 0:11:36 | |
-One second... -You could advise me. -That's not really what I do. | 0:11:36 | 0:11:38 | |
You should go to hospital with him and get yourself checked out. You're in a bit of shock. | 0:11:38 | 0:11:42 | |
No, no, I'll pay you. | 0:11:42 | 0:11:43 | |
We'll see. | 0:11:43 | 0:11:45 | |
Well done. | 0:11:45 | 0:11:47 | |
Tony. Thanks for calling me back. | 0:11:47 | 0:11:49 | |
Listen, I need your help. | 0:11:49 | 0:11:50 | |
Tidal movements. Low tide was at 0440. | 0:11:50 | 0:11:56 | |
My question is this, if a body washed up at Cramond at 0700, then where might it have entered | 0:11:56 | 0:12:01 | |
the water, and where and when might it wash up again? | 0:12:01 | 0:12:04 | |
Yeah, that's all right. Don't call me back, I'll... | 0:12:04 | 0:12:06 | |
Where were you this morning? | 0:12:08 | 0:12:10 | |
-That nine o'clock waited for over an hour. -I found a dead woman. | 0:12:10 | 0:12:14 | |
Oh, that's terrible. Is she paying cash or credit card? | 0:12:14 | 0:12:17 | |
Your sympathy does you great credit, Deborah. | 0:12:17 | 0:12:19 | |
I'll remember that when I find you floating upside down in the Firth of Forth. | 0:12:19 | 0:12:23 | |
You will not find me floating upside down in the Firth of Forth. | 0:12:23 | 0:12:26 | |
That's right, you've got an art history degree. Nothing bad'll ever happen to you. | 0:12:26 | 0:12:29 | |
If she's dead, she's not a client, it's a job for the police. | 0:12:29 | 0:12:32 | |
-It's the living you need to worry about. -You're all heart. | 0:12:32 | 0:12:34 | |
-Hi. -Hey. | 0:12:34 | 0:12:37 | |
No school? | 0:12:37 | 0:12:39 | |
No. We are going shopping for summer clothes, aren't we? | 0:12:39 | 0:12:43 | |
Oh. I went to New Zealand on my gap year. | 0:12:43 | 0:12:45 | |
It's amazing, you're going to love it. | 0:12:45 | 0:12:47 | |
Work, work. | 0:12:47 | 0:12:50 | |
Er, since we were already in town, I thought I'd get you to sign the form. | 0:12:50 | 0:12:54 | |
I've got a copy, thanks. | 0:12:57 | 0:13:00 | |
Yeah, I know, but... | 0:13:00 | 0:13:02 | |
it'd be really helpful if you could just sign it now. It'll only take a minute. | 0:13:02 | 0:13:06 | |
Well, I'm busy, and... | 0:13:06 | 0:13:08 | |
I don't think it's the best time to talk about it, do you? | 0:13:08 | 0:13:10 | |
I'll pop round tonight. | 0:13:13 | 0:13:14 | |
We're packing tonight. | 0:13:14 | 0:13:17 | |
Jackson, I've bought the tickets. | 0:13:17 | 0:13:21 | |
The house is rented. We're going. | 0:13:21 | 0:13:24 | |
Look, all I need is your parental consent. | 0:13:24 | 0:13:26 | |
I know what you want. | 0:13:26 | 0:13:28 | |
You have to sign this. | 0:13:28 | 0:13:31 | |
I don't, actually. | 0:13:31 | 0:13:34 | |
-No, I don't have to sign it. -For Christ's sake. What you doing? | 0:13:34 | 0:13:38 | |
We knew that this was going to happen at some point, whether it was New Zealand or Newcastle. | 0:13:38 | 0:13:43 | |
I can get to Newcastle in a couple of hours. I can take care of her. | 0:13:43 | 0:13:46 | |
You don't take care of her, I do. | 0:13:46 | 0:13:49 | |
Dad. I could help if you're busy. | 0:13:49 | 0:13:51 | |
It's OK, I've got boring stuff to do. | 0:13:59 | 0:14:01 | |
-Why don't you go out shopping with your mum? You'll have more fun, all right. -OK. | 0:14:01 | 0:14:06 | |
Tonight! | 0:14:12 | 0:14:14 | |
Come on, let's go. | 0:14:18 | 0:14:20 | |
Can I get you something? | 0:14:28 | 0:14:31 | |
-Hello? -Hiya, you OK? School OK? | 0:14:54 | 0:14:57 | |
-Awesome, as ever. -What have you been up to? | 0:14:57 | 0:14:59 | |
Dunno. Er, my history essay. | 0:14:59 | 0:15:01 | |
-On? -What the Nazis did for us. | 0:15:01 | 0:15:03 | |
I think you've got that wrong! Look, I'm sorry, you're probably | 0:15:03 | 0:15:07 | |
going to have to heat up last night's pie tonight, it's going to be a late one here. | 0:15:07 | 0:15:11 | |
-I'm a neglected child, you know that? -And I'm a neglected mum. | 0:15:11 | 0:15:14 | |
I love you. | 0:15:16 | 0:15:18 | |
Yeah. | 0:15:18 | 0:15:20 | |
Nina looked up at the old house. | 0:15:23 | 0:15:26 | |
I say, Nina. | 0:15:26 | 0:15:28 | |
You're not seriously going to break in there? | 0:15:28 | 0:15:32 | |
There's been a road-rage incident. A guy's been attacked with a baseball bat and taken to hospital. | 0:15:38 | 0:15:43 | |
-Nasty head injury, apparently. -The assailant? -Escaped. -Great. | 0:15:43 | 0:15:46 | |
All right, in the meantime, make sure we've distributed the description of Jackson's girl as widely as possible. | 0:15:46 | 0:15:52 | |
-Some of the guys... -What about some of the guys? | 0:15:52 | 0:15:55 | |
They say that Jackson bloke's a bit of a nutter. | 0:15:56 | 0:15:59 | |
Yeah, that Jackson bloke is THE most irritating man north of Hadrian's Wall. | 0:15:59 | 0:16:04 | |
-That's what they said. -And a better copper than any of them. | 0:16:04 | 0:16:06 | |
-Distribute the description of the girl. -Ma'am... Boss. | 0:16:06 | 0:16:09 | |
Hello? Gloria Hatter speaking. | 0:16:26 | 0:16:29 | |
No. Sorry, there's been some mistake... | 0:16:31 | 0:16:33 | |
Graham's away at a work thing. | 0:16:33 | 0:16:35 | |
He's due back... | 0:16:35 | 0:16:38 | |
Oh, I see. | 0:16:38 | 0:16:41 | |
I'll be right there. | 0:16:41 | 0:16:43 | |
-Feeling better? -Er, still a bit shaky. | 0:16:51 | 0:16:55 | |
That's adrenaline for you. | 0:16:55 | 0:16:57 | |
I hear you're a bit of a hero. | 0:16:57 | 0:17:00 | |
I don't know what came over me. I've never tried to save anybody in my life. | 0:17:00 | 0:17:04 | |
How's he doing? | 0:17:04 | 0:17:05 | |
He's still a little groggy, but he wants to be discharged. | 0:17:05 | 0:17:09 | |
I've got his bag. | 0:17:09 | 0:17:10 | |
It's really heavy, like it's got a brick in it or something. | 0:17:10 | 0:17:13 | |
You seem familiar, Mr Canning. | 0:17:13 | 0:17:15 | |
Are you famous or something? | 0:17:15 | 0:17:18 | |
Um... Not really. | 0:17:18 | 0:17:20 | |
I'm a writer, a novelist. I do... | 0:17:20 | 0:17:25 | |
what they call soft-boiled crime. | 0:17:25 | 0:17:27 | |
-Alex Blake. -I've always wondered about writers. | 0:17:27 | 0:17:30 | |
Where do you get your ideas from? | 0:17:30 | 0:17:33 | |
Excuse me, you can't smoke in here. | 0:17:42 | 0:17:45 | |
This is waiting room. | 0:17:45 | 0:17:47 | |
When I wait, I smoke. | 0:17:47 | 0:17:49 | |
Then you'll have to do both outside. | 0:17:49 | 0:17:52 | |
-Money or I scream. -Yeah, I'm going to go to the hotel lobby and get... | 0:17:52 | 0:17:56 | |
PHONE RINGS | 0:18:20 | 0:18:22 | |
Jackson Brodie. Hold on. Where? | 0:18:22 | 0:18:25 | |
Yeah. What time? | 0:18:27 | 0:18:29 | |
Can't you be more precise than that? | 0:18:31 | 0:18:33 | |
All right, no, thanks a lot. | 0:18:33 | 0:18:36 | |
-Jackson? -What? -You said to remind you. | 0:18:39 | 0:18:42 | |
You're having lunch with Julia. | 0:18:42 | 0:18:44 | |
Oh, shit. | 0:18:44 | 0:18:45 | |
Er, right. Do you mind? | 0:19:05 | 0:19:08 | |
Ah. | 0:19:08 | 0:19:10 | |
It's by a Czech writer. Or maybe he's Slovakian. | 0:19:10 | 0:19:14 | |
Anyway, it's an existentialist, abstract piece. | 0:19:14 | 0:19:18 | |
Oh right, that means there won't be anything about Greenland or the equator on it then. | 0:19:18 | 0:19:22 | |
I'm just keeping my fingers crossed that it speaks to an audience. | 0:19:22 | 0:19:26 | |
Oh right, you care about audiences, do you? | 0:19:26 | 0:19:29 | |
Well, you shouldn't, because they're all bastards. | 0:19:29 | 0:19:31 | |
My first night, right, I'm on stage. | 0:19:31 | 0:19:33 | |
Belter, absolute belter. | 0:19:33 | 0:19:35 | |
Door opens, fat bastard wanders - waddles in, right? | 0:19:35 | 0:19:38 | |
You could hear the shockwaves in Leith. | 0:19:38 | 0:19:40 | |
Anyway, he's wandering down the side of the theatre like this. | 0:19:40 | 0:19:43 | |
I said "Oi, you corpulent pig, | 0:19:43 | 0:19:45 | |
"do you mind walking down the middle? There's a bit of a tilt on the building." | 0:19:45 | 0:19:49 | |
I'm sorry I haven't had chance to come and see it. How were the reviews? | 0:19:50 | 0:19:54 | |
Pff, I don't know. Don't read them, do I? | 0:19:54 | 0:19:57 | |
Mind you, having said that, if I did, and if I ever caught hold | 0:19:57 | 0:20:00 | |
of that bastard from the Scotsman, he's going to regret the moment that he learnt to spell banality. | 0:20:00 | 0:20:05 | |
-You're late. -I'm sorry, I got caught up. | 0:20:05 | 0:20:08 | |
-Jackson Brodie. -Hi, how are you? | 0:20:08 | 0:20:10 | |
-Richard. Richard Moat. -Yeah... | 0:20:10 | 0:20:13 | |
Comic viagra for the mind, eh? | 0:20:13 | 0:20:15 | |
Right, I'm off. | 0:20:15 | 0:20:17 | |
Get my head down, bit knackered. | 0:20:17 | 0:20:19 | |
Last night, first night with my new Thai bride. | 0:20:19 | 0:20:22 | |
Anyway, lying in bed there, you know, very intensive foreplay, | 0:20:22 | 0:20:26 | |
just giving her a lovely blow job and I thought, hang on a minute! | 0:20:26 | 0:20:29 | |
Right. So maybe see you both tomorrow. | 0:20:29 | 0:20:33 | |
-Hilarious. It's a wonder he's still not on telly! -Don't be cruel. | 0:20:37 | 0:20:40 | |
Where are you taking me? | 0:20:40 | 0:20:42 | |
-Nerves make me ravenous. -I'm really sorry, I've got to duck out. | 0:20:42 | 0:20:45 | |
I found a girl drowned this morning. | 0:20:45 | 0:20:48 | |
I've got stuff to do. | 0:20:48 | 0:20:50 | |
I should probably rehearse some more anyway. | 0:20:50 | 0:20:52 | |
The journey through the birthing canal just isn't resonating for me. | 0:20:52 | 0:20:56 | |
Yeah, I hate it when that happens. | 0:20:56 | 0:20:58 | |
Nerves also make me very frisky, Mr Brodie! | 0:21:03 | 0:21:07 | |
-Ten minutes? -I really can't. | 0:21:07 | 0:21:09 | |
Sorry. I've got... | 0:21:09 | 0:21:12 | |
PHONE RINGS | 0:21:12 | 0:21:13 | |
I'll call you later. | 0:21:13 | 0:21:15 | |
-Jackson Brodie. -Mr Brodie, | 0:21:15 | 0:21:17 | |
it's Martin Canning. The road rage incident? | 0:21:17 | 0:21:20 | |
Yeah, Martin. How are you? They're going to catch that bloke? | 0:21:20 | 0:21:24 | |
Er, probably. I, er... | 0:21:24 | 0:21:27 | |
Listen, I need your advice. | 0:21:27 | 0:21:29 | |
The man who was attacked, they're about to discharge him and they want | 0:21:29 | 0:21:32 | |
me to go with him and watch him for the next 24 hours. | 0:21:32 | 0:21:35 | |
It's a head injury. They want to see if he's got brain damage. | 0:21:35 | 0:21:38 | |
Yeah, but I don't even know him! | 0:21:38 | 0:21:40 | |
Well, don't go then. | 0:21:40 | 0:21:42 | |
But I can't... | 0:21:42 | 0:21:44 | |
I don't... | 0:21:44 | 0:21:46 | |
The thing is, I write about a detective, an amateur sleuth... | 0:21:46 | 0:21:51 | |
and I think I'm feeling sort of empathetic, | 0:21:51 | 0:21:56 | |
you know, because you're a detective. | 0:21:56 | 0:21:59 | |
Well, as a detective, Martin, you've got to learn to follow your nose, you know. | 0:21:59 | 0:22:03 | |
So maybe go with him and, er, see where it takes you. | 0:22:03 | 0:22:06 | |
Ah, there you are, Martin. Your friend's been discharged. | 0:22:11 | 0:22:13 | |
He's ready to go. | 0:22:13 | 0:22:15 | |
Myocardial infarction. | 0:22:21 | 0:22:23 | |
Massive heart attack. I'm very sorry. | 0:22:23 | 0:22:26 | |
It doesn't seem like it's really Graham. | 0:22:28 | 0:22:31 | |
Graham's always talking. | 0:22:31 | 0:22:33 | |
Who found him? | 0:22:33 | 0:22:36 | |
-Has no one told you? -Obviously not. | 0:22:36 | 0:22:39 | |
Perhaps we should move out of the room. Graham may be able to hear. | 0:22:39 | 0:22:43 | |
I don't suppose you're telling him anything he doesn't know already. | 0:22:43 | 0:22:47 | |
A woman called Jojo, I believe. | 0:22:47 | 0:22:50 | |
-Jojo? -A call girl. | 0:22:50 | 0:22:53 | |
-She did try to resuscitate him. -A prostitute? | 0:22:53 | 0:22:57 | |
He might have revived quicker if he hadn't been... tied up. | 0:22:57 | 0:23:02 | |
Have you been married long? | 0:23:04 | 0:23:06 | |
39 years. | 0:23:06 | 0:23:08 | |
Sometimes I feel I went straight from being young to being old. | 0:23:08 | 0:23:13 | |
Missed out the good bits. | 0:23:13 | 0:23:16 | |
Och, they're all tossers, if you ask me. | 0:23:16 | 0:23:19 | |
Will he pull through? | 0:23:19 | 0:23:21 | |
I'm afraid I can't say at this stage. We'll have to wait for the results of the scans. | 0:23:21 | 0:23:24 | |
PAGER BEEPS | 0:23:24 | 0:23:25 | |
Sorry. | 0:23:25 | 0:23:27 | |
What profiteth it a man | 0:23:34 | 0:23:36 | |
if he gaineth the whole world | 0:23:36 | 0:23:40 | |
but loseth his soul? | 0:23:40 | 0:23:42 | |
Answer me that one, Graham. | 0:23:42 | 0:23:45 | |
Tosser. | 0:23:48 | 0:23:49 | |
Hi. You're a girl, Deborah. | 0:24:03 | 0:24:07 | |
-I think "woman" is the term you're looking for. -Right. | 0:24:07 | 0:24:10 | |
She's wearing distinctive earrings. | 0:24:10 | 0:24:12 | |
Crucifixes with three bars across them. Eastern orthodox, I think. Where would she get them from? | 0:24:12 | 0:24:18 | |
Well, they sound a bit tacky. | 0:24:18 | 0:24:19 | |
I'm not interested if you would buy them, Deborah. | 0:24:19 | 0:24:22 | |
Get us a list of jewellers that specialise in religious memorabilia. | 0:24:22 | 0:24:26 | |
I'm going to check out the Russian cafes. | 0:24:26 | 0:24:29 | |
OK, will do. Oh, Jackson, how was lunch? | 0:24:29 | 0:24:32 | |
Jackson? | 0:24:34 | 0:24:36 | |
I'm Gloria, the wife. | 0:25:00 | 0:25:03 | |
I know. | 0:25:03 | 0:25:04 | |
Graham talk about you. | 0:25:04 | 0:25:07 | |
Before, during or after? | 0:25:07 | 0:25:10 | |
Not during. | 0:25:10 | 0:25:13 | |
Gag. | 0:25:13 | 0:25:14 | |
PHONE RINGS | 0:25:18 | 0:25:20 | |
What? | 0:25:27 | 0:25:29 | |
Mr Canning? | 0:25:29 | 0:25:31 | |
Hang on. | 0:25:31 | 0:25:34 | |
Mr Canning? | 0:25:34 | 0:25:36 | |
Yeah, hang on. I told you I was not to be disturbed. | 0:25:36 | 0:25:40 | |
Yeah, I'm a police officer. DI Louise Munroe. | 0:25:40 | 0:25:44 | |
Well, in that case, my dear, | 0:25:44 | 0:25:47 | |
I am not Mr Canning. | 0:25:47 | 0:25:49 | |
My name is Richard Moat. Comedy Viagra. | 0:25:49 | 0:25:52 | |
Well, I need to speak to him. He's an important witness. | 0:25:52 | 0:25:55 | |
Do you know where he is? | 0:25:55 | 0:25:58 | |
Er, no. | 0:25:58 | 0:26:00 | |
Well, when you see him, can you get him to phone me at the station? | 0:26:00 | 0:26:04 | |
Urgently. | 0:26:04 | 0:26:06 | |
I certainly will... | 0:26:06 | 0:26:08 | |
Miss Piggy. | 0:26:08 | 0:26:10 | |
I don't have sex with him. | 0:26:12 | 0:26:14 | |
I am a lucky one. | 0:26:14 | 0:26:16 | |
I'm not a whore. | 0:26:16 | 0:26:19 | |
Last time Graham and I had sex was in the Maldives. | 0:26:19 | 0:26:22 | |
There's not a lot to do in the Maldives. | 0:26:22 | 0:26:25 | |
What does he pay you for, exactly? | 0:26:27 | 0:26:30 | |
Slapped hard, tied up, | 0:26:32 | 0:26:34 | |
made to do things. | 0:26:34 | 0:26:37 | |
What sort of things? | 0:26:37 | 0:26:38 | |
Lick my boots, | 0:26:38 | 0:26:41 | |
crawl on floor. | 0:26:41 | 0:26:44 | |
Nothing useful, like hoovering? | 0:26:44 | 0:26:47 | |
He likes to be submissive. | 0:26:51 | 0:26:54 | |
Powerful men, they're all the same. | 0:26:54 | 0:26:57 | |
Graham and his... friends. | 0:26:57 | 0:27:01 | |
The board of Hatter's Homes. | 0:27:01 | 0:27:03 | |
They're all at it? | 0:27:03 | 0:27:06 | |
The entire board? | 0:27:06 | 0:27:07 | |
Real homes for... | 0:27:07 | 0:27:09 | |
...Real people. | 0:27:09 | 0:27:12 | |
Idiots. | 0:27:12 | 0:27:13 | |
Where's your accent from? | 0:27:15 | 0:27:17 | |
Russia. | 0:27:17 | 0:27:20 | |
My proper name is Tatiana. | 0:27:20 | 0:27:24 | |
I love your earrings. | 0:27:27 | 0:27:29 | |
Are you religious? | 0:27:32 | 0:27:35 | |
Faith? | 0:27:35 | 0:27:37 | |
You take it where you can. | 0:27:37 | 0:27:40 | |
This is not how I saw my life. | 0:27:40 | 0:27:43 | |
Me neither. | 0:27:43 | 0:27:45 | |
This was a surprise for you. | 0:27:47 | 0:27:49 | |
Well, yes, you could say that. | 0:27:49 | 0:27:54 | |
I always imagined him going on the golf course. | 0:27:54 | 0:27:57 | |
Well, not that he's actually gone yet. | 0:27:57 | 0:28:00 | |
-Don't worry, Gloria. He will soon. -You think? | 0:28:00 | 0:28:04 | |
Trust me. | 0:28:04 | 0:28:06 | |
Goodbye. | 0:28:06 | 0:28:08 | |
Hey! | 0:28:30 | 0:28:31 | |
Hey wait! | 0:28:33 | 0:28:35 | |
Any luck? | 0:28:54 | 0:28:56 | |
Yeah, yeah. I saw the dead girl in the street, | 0:28:56 | 0:28:59 | |
which is obviously impossible, but that's what I did. Or very similar. | 0:28:59 | 0:29:04 | |
-Same earrings, everything. -A dead ringer. | 0:29:04 | 0:29:06 | |
I'd swear it was her. | 0:29:06 | 0:29:09 | |
-So is she dead or alive? -Or sisters? | 0:29:09 | 0:29:11 | |
Sisters? | 0:29:11 | 0:29:14 | |
What's this? | 0:29:14 | 0:29:16 | |
I found it when I was looking for the body. | 0:29:16 | 0:29:19 | |
Half a name, FA, and half a number. | 0:29:19 | 0:29:23 | |
There were cards like this floating near the dead girl. | 0:29:23 | 0:29:25 | |
I get dozens of these cards through the letter-box. | 0:29:25 | 0:29:28 | |
She's not a man with a van, is she? An Italian restaurant? | 0:29:28 | 0:29:30 | |
-A dry cleaner? -Gardeners? -It's pink. | 0:29:30 | 0:29:33 | |
It's going to be a personal service of some kind. | 0:29:33 | 0:29:36 | |
She's Eastern European, so what do they do? | 0:29:36 | 0:29:38 | |
It's like massages, cleaning... | 0:29:38 | 0:29:40 | |
Well, I wouldn't know anything about that with the wages you pay me. | 0:29:40 | 0:29:43 | |
It's not going to be on there, it's local. | 0:29:43 | 0:29:45 | |
Go get all the local giveaways, anything with small ads. Buy all the local papers. | 0:29:45 | 0:29:49 | |
And a latte. | 0:29:49 | 0:29:51 | |
When we've found her, on your way home and with your own money. | 0:29:51 | 0:29:54 | |
Really, Martin, you can get off now. | 0:29:59 | 0:30:02 | |
No, I couldn't forgive myself if you... | 0:30:02 | 0:30:05 | |
If something happened to you in a strange hotel room, away from home and family. | 0:30:05 | 0:30:10 | |
-I'm not going to die, Martin. -Doctor said I had to keep an eye on you. | 0:30:10 | 0:30:14 | |
-You can't sleep for another couple of hours, the doctor said. -I'm beat. | 0:30:14 | 0:30:17 | |
Then I have to wake you up every two hours to see that you're OK. | 0:30:17 | 0:30:20 | |
If you absolutely insist. | 0:30:20 | 0:30:23 | |
I'll take the chair. | 0:30:23 | 0:30:25 | |
Not many people like you around any more, are there? | 0:30:27 | 0:30:30 | |
So I've realised. | 0:30:30 | 0:30:32 | |
OK, have it your own way. | 0:30:34 | 0:30:36 | |
Fancy a drink? | 0:30:36 | 0:30:38 | |
-Um... won't that make you a bit sleepy? -Not what I've got in mind. | 0:30:38 | 0:30:42 | |
Er, you probably shouldn't have any alcohol, not in your... | 0:30:42 | 0:30:46 | |
Whiskey and ginger. | 0:30:46 | 0:30:48 | |
-First had it when I was stationed up here. -Were you in the army? Sorry, I didn't mean to pry. | 0:30:48 | 0:30:54 | |
That's OK, I've got nothing to hide. I was in the navy, actually. SBS. | 0:30:54 | 0:30:59 | |
Now I'm just a desk jockey, pushing pieces of paper about. | 0:30:59 | 0:31:01 | |
It's very dull. | 0:31:01 | 0:31:03 | |
I'll just find some glasses. | 0:31:03 | 0:31:05 | |
There we go. Try that. | 0:31:15 | 0:31:17 | |
All right? | 0:31:20 | 0:31:22 | |
Er, yeah, it's good. | 0:31:22 | 0:31:24 | |
-So, have you served in the forces, then? -No, no. | 0:31:31 | 0:31:33 | |
My father was a CSM. | 0:31:33 | 0:31:36 | |
Brought us up in a sort of domestic boot camp. | 0:31:36 | 0:31:39 | |
-Us? -Um, my brother and me. | 0:31:39 | 0:31:43 | |
Christopher. | 0:31:43 | 0:31:44 | |
-Are you two close? -No, not really. | 0:31:44 | 0:31:49 | |
Shall I put the TV on, maybe help keep you awake a bit longer? | 0:31:49 | 0:31:54 | |
Tell you what, Martin, don't bother. | 0:31:54 | 0:31:57 | |
I'm done in. | 0:31:57 | 0:31:59 | |
Hello, darlink. | 0:32:09 | 0:32:11 | |
-You give me a raise, yes? -Just keep working, will you, Deborah? | 0:32:11 | 0:32:15 | |
Hello, can I do you a favour? | 0:32:15 | 0:32:19 | |
You could stop trying to sound Welsh. | 0:32:19 | 0:32:21 | |
"Favours. We do what you want us to do". | 0:32:21 | 0:32:25 | |
-It's the FA. -It's what? | 0:32:25 | 0:32:28 | |
It's a slogan. Favours is a cleaning company. | 0:32:28 | 0:32:31 | |
-You were right. -Did you get an address? | 0:32:31 | 0:32:34 | |
That's the thing. There isn't one, but the telephone number matches. | 0:32:34 | 0:32:37 | |
All right, you're calling in. | 0:32:37 | 0:32:39 | |
-And saying what? -That your name is Olga, and you can't remember where you're working today. | 0:32:39 | 0:32:46 | |
-What if they speak Russian? -You speak Russian, it's on your CV. | 0:32:46 | 0:32:49 | |
I went on a school trip to Moscow. I'm not exactly fluent. | 0:32:49 | 0:32:52 | |
You mean you lied? | 0:32:52 | 0:32:53 | |
I'm sure this isn't in my job description. Hello. | 0:32:53 | 0:32:57 | |
My name is Olga. | 0:32:57 | 0:33:00 | |
I forget where I clean today. | 0:33:00 | 0:33:03 | |
-Ya, Olga. -Da. | 0:33:05 | 0:33:07 | |
Da. Pravilno... | 0:33:07 | 0:33:10 | |
Da. | 0:33:10 | 0:33:12 | |
Thank you. | 0:33:13 | 0:33:15 | |
Bye bye. | 0:33:15 | 0:33:17 | |
Deborah, it actually physically pains me to say this... | 0:33:19 | 0:33:22 | |
What? | 0:33:22 | 0:33:24 | |
You did all right. | 0:33:24 | 0:33:26 | |
Seriously? What about that pay rise? | 0:33:26 | 0:33:28 | |
Seriously? Not that all right. | 0:33:28 | 0:33:31 | |
Udachi. | 0:33:34 | 0:33:35 | |
-"Good luck" in Russian. -Tidy up. | 0:33:35 | 0:33:38 | |
Hello. | 0:33:59 | 0:34:02 | |
Who are you? | 0:34:02 | 0:34:03 | |
I just need to ask you a couple of questions. | 0:34:03 | 0:34:07 | |
It's all right, I'm not the police. | 0:34:07 | 0:34:09 | |
-You have to phone office. -I will, I will. | 0:34:09 | 0:34:13 | |
Just help me out for a second. | 0:34:13 | 0:34:16 | |
Tell me if you know a girl who wears earnings like these. | 0:34:16 | 0:34:19 | |
I think she works for Favours. | 0:34:19 | 0:34:22 | |
You do, don't you? | 0:34:22 | 0:34:24 | |
-When did you last see her? -I call owner. Go. | 0:34:26 | 0:34:28 | |
-Just tell me her name? -I don't know anything. | 0:34:28 | 0:34:32 | |
She's dead. The girl who wears these, she's dead. | 0:34:32 | 0:34:36 | |
How do you know? Did you see her? | 0:34:37 | 0:34:39 | |
Yeah. I saw her, | 0:34:40 | 0:34:42 | |
and I saw another girl who looked just like her. | 0:34:42 | 0:34:45 | |
Maybe her sister. Expensive clothes. Who would that be? | 0:34:45 | 0:34:48 | |
It's bad for me to talk to you. | 0:34:48 | 0:34:51 | |
I can see you're frightened. Here, look. | 0:34:51 | 0:34:54 | |
My name's Jackson, Jackson Brodie. I'm an investigator. | 0:34:54 | 0:34:58 | |
-You call me later. Anything that happens between us is private. -Go. | 0:34:58 | 0:35:02 | |
What's your name? | 0:35:02 | 0:35:04 | |
Please go. | 0:35:04 | 0:35:07 | |
Call me later, OK? | 0:35:09 | 0:35:10 | |
I need someone to come and help me pack. | 0:35:32 | 0:35:35 | |
Why does Dad work all the time? | 0:35:35 | 0:35:38 | |
People need him, I guess. | 0:35:39 | 0:35:42 | |
But we need him tonight. | 0:35:42 | 0:35:44 | |
Come on. | 0:35:49 | 0:35:51 | |
Jellybean. | 0:36:01 | 0:36:03 | |
Is that you, Mum? | 0:36:10 | 0:36:12 | |
What's that? | 0:36:17 | 0:36:19 | |
"Hello, Mum, how was your day?" | 0:36:19 | 0:36:21 | |
"Long and knackering, thanks for asking." | 0:36:21 | 0:36:24 | |
"Would you like a bucket of wine?" | 0:36:24 | 0:36:26 | |
"That would be wonderful, beloved offspring, thank you." | 0:36:26 | 0:36:29 | |
-What have you been up to? -Nothing. | 0:36:29 | 0:36:32 | |
-Is that Gran? -What's left of her, yeah. | 0:36:32 | 0:36:35 | |
Cool. Can I have it? | 0:36:35 | 0:36:37 | |
KNOCK AT THE DOOR | 0:36:37 | 0:36:38 | |
For Christ's sake. | 0:36:38 | 0:36:40 | |
What the hell do you want? | 0:36:45 | 0:36:48 | |
This is my home, Jackson, it's not a bloody office that you can just drop by. | 0:36:48 | 0:36:51 | |
I think she was working for a company called Favours. | 0:36:51 | 0:36:53 | |
How do you know she worked for a cleaning company? | 0:36:53 | 0:36:56 | |
Because I was talking to a girl who was working there and she obviously knew her, I could tell. | 0:36:56 | 0:36:59 | |
-Oh, you could tell. -She was terrified of speaking to me. | 0:36:59 | 0:37:02 | |
What was the girl's name? | 0:37:02 | 0:37:04 | |
-I don't know. -Where does she live? -I don't know. | 0:37:04 | 0:37:06 | |
-Do you have an address? -Yeah, I've got a phone number. | 0:37:06 | 0:37:08 | |
-Oh, good. -All you've got to do is find out where they've got a booking. | 0:37:08 | 0:37:11 | |
-Turn up. Wait for the van to arrive. -What planet are you on, Jackson? | 0:37:11 | 0:37:14 | |
You didn't see how frightened this girl was when she was talking to me. | 0:37:14 | 0:37:17 | |
-Trust me, it's a murder. -We don't even have a body. | 0:37:17 | 0:37:19 | |
Not even a reported crime, not even a reported missing person. | 0:37:19 | 0:37:22 | |
-You're a police officer, aren't you? You have statutory... -Don't you bloody lecture me! | 0:37:22 | 0:37:25 | |
I'm not saying you're not a good copper, you are. | 0:37:25 | 0:37:28 | |
I'm saying we should look further in a case like this. | 0:37:28 | 0:37:30 | |
Why don't you take a look at yourself? | 0:37:30 | 0:37:32 | |
Your daughter's flying to the other side of the world, and you're chasing shadows. | 0:37:32 | 0:37:35 | |
-What's that got to do with anything? -Just get out. | 0:37:35 | 0:37:38 | |
I'm sorry I barged in here, all right? I'm... | 0:37:38 | 0:37:40 | |
No, you're not sorry. This is what you do, what you always do. | 0:37:40 | 0:37:43 | |
Christ, Jackson, you've lost your job, your wife and now Marlee. | 0:37:43 | 0:37:46 | |
And you will not stop. Now, I want to help you, but you make it impossible... | 0:37:46 | 0:37:49 | |
Shit. | 0:37:51 | 0:37:53 | |
-Let me clear it up. -Just leave it. | 0:37:57 | 0:37:59 | |
Who is it? | 0:38:05 | 0:38:07 | |
Get out. | 0:38:07 | 0:38:09 | |
PHONE RINGS | 0:39:39 | 0:39:42 | |
Hello. | 0:39:42 | 0:39:44 | |
'Gloria! It's Murdo. Sorry to bother you so late. | 0:39:44 | 0:39:46 | |
'I've been trying to get Graham on his mobile. | 0:39:46 | 0:39:48 | |
'We were supposed to have a meeting this morning, but he didn't turn up. | 0:39:48 | 0:39:51 | |
-'Is he there?' -No, he's in Thurso. | 0:39:51 | 0:39:54 | |
'Thurso! You're joking. What do you mean, Thurso? | 0:39:54 | 0:39:57 | |
What's he doing there, for Christ's sake?' | 0:39:57 | 0:40:00 | |
-He's building an estate up there. -'Since when?' -Since now. | 0:40:00 | 0:40:04 | |
-'Why he's not answering his phone?' -He forgot it. | 0:40:04 | 0:40:07 | |
-'Graham forgot his phone?' -Hard to believe, I know. | 0:40:07 | 0:40:10 | |
OTHER PHONE RINGS | 0:40:10 | 0:40:11 | |
I thought it was surgically attached to his ear. | 0:40:11 | 0:40:14 | |
See? I told you he forgot it. | 0:40:14 | 0:40:17 | |
HE HANGS UP | 0:40:17 | 0:40:18 | |
Some people have no manners. | 0:40:18 | 0:40:21 | |
Arse, arse, arse. | 0:40:26 | 0:40:28 | |
Memory stick, memory stick, memory stick. | 0:40:56 | 0:41:00 | |
Oh, my book, my book. | 0:41:02 | 0:41:04 | |
Surely not. | 0:41:18 | 0:41:20 | |
PHONE RINGS | 0:42:38 | 0:42:40 | |
'This is Jackson Brodie. | 0:42:40 | 0:42:43 | |
'Please leave me a message, and I'll get back to you as soon as I can.' | 0:42:43 | 0:42:46 | |
Bloody hell, Jackson, where are you? | 0:42:46 | 0:42:48 | |
I've just sat through two hours of Richard Moat. | 0:42:48 | 0:42:51 | |
I'd rather have my fillings removed with a rusty nail. | 0:42:51 | 0:42:55 | |
Where are you? I'm bored. | 0:42:55 | 0:42:58 | |
-Oi-oi. -Hey. There he is! The man himself. | 0:43:00 | 0:43:05 | |
You were brilliant, darling. I only hope mine goes half as well. | 0:43:05 | 0:43:08 | |
Yeah, you know, I thought it went all right. I mean, it went really well. | 0:43:08 | 0:43:13 | |
You fancy a drink? | 0:43:13 | 0:43:15 | |
Yeah. Why not? | 0:43:15 | 0:43:18 | |
Yeah, I thought the African village/water pump routine went down well, didn't it? | 0:43:18 | 0:43:24 | |
Niamh? | 0:44:32 | 0:44:33 | |
Niamh? | 0:44:33 | 0:44:35 | |
Niamh! | 0:44:53 | 0:44:54 | |
Jackson, no! | 0:45:18 | 0:45:20 | |
Jackson, no! | 0:45:20 | 0:45:21 | |
Have you got your lunch? | 0:46:00 | 0:46:01 | |
Yeah. | 0:46:03 | 0:46:05 | |
Take the whole pack. | 0:46:12 | 0:46:14 | |
Just don't get caught. | 0:46:14 | 0:46:17 | |
Thanks. | 0:46:17 | 0:46:18 | |
I should have picked her up from the bus stop. | 0:46:25 | 0:46:28 | |
You know that, don't you? | 0:46:28 | 0:46:30 | |
Yeah. | 0:46:33 | 0:46:35 | |
And you know I love you, tyke, don't you? | 0:46:35 | 0:46:38 | |
Yeah. | 0:46:40 | 0:46:42 | |
Piss off and learn something. | 0:46:45 | 0:46:47 | |
'I should have picked her up from the bus stop. | 0:47:13 | 0:47:16 | |
You know that, don't you?' | 0:47:16 | 0:47:19 | |
Francis? | 0:47:24 | 0:47:25 | |
Francis, stop mucking about. | 0:47:28 | 0:47:30 | |
Francis! | 0:47:35 | 0:47:37 | |
All right, big man? | 0:48:20 | 0:48:22 | |
There you go. | 0:48:28 | 0:48:30 | |
Started smoking again. | 0:48:50 | 0:48:53 | |
That's your bloody fault. | 0:48:53 | 0:48:56 | |
You're looking good. | 0:49:03 | 0:49:04 | |
I've just got older. | 0:49:06 | 0:49:07 | |
You should see Marlee, she's a giant. | 0:49:09 | 0:49:12 | |
I should have brought her to see you. | 0:49:18 | 0:49:21 | |
I will. Yeah, I will. | 0:49:21 | 0:49:25 | |
You'd like her, she's... | 0:49:25 | 0:49:28 | |
She's amazing. | 0:49:29 | 0:49:32 | |
She's funny, she's smart, she's kind. | 0:49:32 | 0:49:37 | |
She's nothing like her dad. | 0:49:37 | 0:49:39 | |
They want to take her away from me, Francis. | 0:49:49 | 0:49:53 | |
They want to take her halfway around the world. | 0:49:53 | 0:49:56 | |
No. I can't let her go. | 0:49:58 | 0:50:00 | |
I cannot let that happen. | 0:50:00 | 0:50:03 | |
You get it, don't you? | 0:50:03 | 0:50:05 | |
You've got to keep the people you love right there where you can see them, | 0:50:06 | 0:50:10 | |
so you can protect 'em, eh? | 0:50:10 | 0:50:14 | |
Eh? What do you think? | 0:50:19 | 0:50:22 | |
Oh, I'm so tired. | 0:50:39 | 0:50:41 | |
I love you, big man. | 0:51:11 | 0:51:13 | |
Archie, for the hundredth time, get up! | 0:51:24 | 0:51:26 | |
To think you were inside me for nine months. | 0:51:34 | 0:51:37 | |
To think you actually ever had sex. | 0:51:37 | 0:51:40 | |
So, what are you reading lately? | 0:51:42 | 0:51:45 | |
Bit of Japanese philosophy. | 0:51:45 | 0:51:47 | |
Only when I came home last night... | 0:51:48 | 0:51:49 | |
Who was that guy who came here? Are you sleeping with him? | 0:51:49 | 0:51:52 | |
No, and don't change the subject. | 0:51:52 | 0:51:54 | |
PHONE RINGS | 0:51:54 | 0:51:55 | |
DI Munroe. | 0:51:55 | 0:51:57 | |
Marcus. | 0:51:57 | 0:51:59 | |
Do we know who she is? | 0:51:59 | 0:52:02 | |
All right, I'm on my way. | 0:52:02 | 0:52:04 | |
I have to go. | 0:52:04 | 0:52:06 | |
-There's been an incident. -Is somebody dead? | 0:52:06 | 0:52:09 | |
Jellybean needs feeding, with the special stuff. | 0:52:10 | 0:52:13 | |
You can manage that, can you? | 0:52:13 | 0:52:16 | |
If you get bored, talk to Gran. | 0:52:16 | 0:52:18 | |
She liked you. | 0:52:18 | 0:52:20 | |
She had no ID on her, but they think she might have been a prostitute. | 0:52:27 | 0:52:30 | |
Why? | 0:52:30 | 0:52:32 | |
There's evidence of recent sexual activity, £40 in cash in her pocket, and it looks like she was a junkie. | 0:52:32 | 0:52:37 | |
It'll be an OD. | 0:52:37 | 0:52:39 | |
Although we won't know for sure until the toxicology reports come back. | 0:52:39 | 0:52:43 | |
Thought you might want to have a look before DI Tucker takes over. | 0:52:45 | 0:52:48 | |
'Jackson? We've found another body. | 0:52:53 | 0:52:56 | |
-'Jackson? Are you all right?' -Yeah. | 0:52:58 | 0:53:02 | |
I'll see you there. | 0:53:02 | 0:53:04 | |
Oh, Jesus. | 0:53:20 | 0:53:22 | |
It's her. | 0:53:22 | 0:53:25 | |
-The cleaner. -You're absolutely sure? | 0:53:25 | 0:53:27 | |
She said she'd get in trouble for talking to me. | 0:53:29 | 0:53:31 | |
There's nothing to indicate she was murdered. | 0:53:31 | 0:53:34 | |
Yeah, but you know she was, that's why you called me. | 0:53:34 | 0:53:37 | |
It's a double murder now. | 0:53:40 | 0:53:43 | |
Except we don't have a body for the drowned girl. | 0:53:43 | 0:53:45 | |
Don't. | 0:53:45 | 0:53:47 | |
I don't think Mr Brodie likes you very much, Marcus. | 0:53:47 | 0:53:50 | |
Right, you'd better find out where Favours is as quick as possible and turn it over. | 0:53:50 | 0:53:53 | |
You don't decide what we do, Brodie. | 0:53:53 | 0:53:55 | |
I do, though. Go and find the cleaning company. | 0:53:55 | 0:53:58 | |
Ma'am. | 0:53:58 | 0:54:00 | |
I'm sorry about the urn. | 0:54:10 | 0:54:12 | |
My mother? | 0:54:12 | 0:54:14 | |
I wouldn't worry about it. It's probably the most fun she's had in years. | 0:54:14 | 0:54:18 | |
You've not been home yet, have you? | 0:54:18 | 0:54:20 | |
-Where have you been all night, or shouldn't I ask? -Yorkshire. | 0:54:20 | 0:54:24 | |
I went to see my brother. | 0:54:24 | 0:54:26 | |
And how was that? | 0:54:28 | 0:54:30 | |
Yeah. | 0:54:30 | 0:54:33 | |
He set me straight on a few things. | 0:54:33 | 0:54:35 | |
Hey. | 0:54:55 | 0:54:57 | |
Hey. You said you didn't mind if I stayed over. | 0:54:57 | 0:55:01 | |
-I don't. -Where have you been? | 0:55:01 | 0:55:04 | |
Can we talk about it later? | 0:55:04 | 0:55:05 | |
I'm intrigued. | 0:55:05 | 0:55:07 | |
My boyfriend stays out all night, and I'm wondering where he was. | 0:55:07 | 0:55:09 | |
Boyfriend? | 0:55:09 | 0:55:11 | |
Is that what I am now? | 0:55:11 | 0:55:13 | |
I thought you said we weren't a couple. You said we were... | 0:55:13 | 0:55:18 | |
what was it? | 0:55:18 | 0:55:21 | |
You and me, that's what you called us. | 0:55:21 | 0:55:23 | |
Lover, then. | 0:55:23 | 0:55:25 | |
That's what we are, lovers. | 0:55:25 | 0:55:27 | |
-So? -So, can we talk about it later, please? | 0:55:27 | 0:55:32 | |
Come to bed. | 0:55:33 | 0:55:34 | |
-I've got to go out. -What's so important? | 0:55:36 | 0:55:38 | |
Has someone died? Or just said, "Help me, Jackson?" | 0:55:38 | 0:55:42 | |
I've got to go and see Marlee. | 0:55:42 | 0:55:45 | |
-You have remembered my play? You are coming? -Yes, of course. | 0:55:46 | 0:55:50 | |
Good luck. | 0:55:54 | 0:55:57 | |
Or break a leg, or whatever. | 0:55:57 | 0:56:01 | |
Jackson Brodie? | 0:56:13 | 0:56:15 | |
You've been making trouble. | 0:56:18 | 0:56:20 | |
You should have kept your nose out, son. | 0:56:20 | 0:56:23 | |
Stop! Stop it! | 0:56:30 | 0:56:33 | |
I'm calling the police. | 0:56:33 | 0:56:37 | |
That's not right. | 0:56:37 | 0:56:39 | |
That's dirty behaviour! | 0:56:39 | 0:56:41 | |
-Are you all right? -I'm fine. | 0:56:49 | 0:56:52 | |
-Hello. -'Louise, it's Jackson'. | 0:56:55 | 0:56:57 | |
-Hiya. -I need you to go to Martin Canning's house. | 0:56:57 | 0:57:00 | |
-What, the author? -'Yes, the author.' | 0:57:00 | 0:57:03 | |
-How do you know him? -Because I think he's in danger. | 0:57:03 | 0:57:05 | |
Would you stop giving me orders? | 0:57:05 | 0:57:08 | |
'I just wish you'd do something I ask of you, for once,' | 0:57:08 | 0:57:11 | |
as a favour. | 0:57:11 | 0:57:13 | |
I'll see what I can do. | 0:57:13 | 0:57:14 | |
Oh, bollocks. | 0:58:27 | 0:58:29 | |
# The world you leave behind you | 0:58:31 | 0:58:37 | |
# Will become a distant sun | 0:58:38 | 0:58:42 | |
# Every soul you loved will find you | 0:58:44 | 0:58:49 | |
# When you walk on. # | 0:58:50 | 0:58:56 | |
Subtitles by Red Bee Media Ltd | 0:58:56 | 0:58:58 | |
Email [email protected] | 0:58:58 | 0:59:00 |