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This programme contains some violent scenes, and some scenes which some viewers may find upsetting | 0:00:02 | 0:00:09 | |
This is the first time we have seen Blue Mouse since Olivia went missing. | 0:00:09 | 0:00:13 | |
My daughter was murdered, Mr Brodie. A man walked in off the street and slaughtered her in broad daylight. | 0:00:13 | 0:00:21 | |
-Where is your sister? Where's Olivia? -I don't know. | 0:00:25 | 0:00:28 | |
-Did your father ever abuse you? -No. He did not. | 0:00:28 | 0:00:31 | |
-What are you doing to him? -Call an ambulance. | 0:00:34 | 0:00:36 | |
I have been hit on by every other man in here. Do you mind if I finish my drink at your table? | 0:00:36 | 0:00:40 | |
Is that your car? | 0:00:40 | 0:00:42 | |
Oh, no. | 0:00:46 | 0:00:47 | |
I've been a fool, Jackson. | 0:01:23 | 0:01:26 | |
If she hadn't been worried about upsetting my stupid feelings... | 0:01:26 | 0:01:29 | |
..she'd still be alive today. | 0:01:31 | 0:01:33 | |
Are you OK to go home? | 0:01:40 | 0:01:42 | |
-Yeah. -Find him, Jackson. | 0:01:42 | 0:01:45 | |
I don't care what you discover about Laura. Just find him. | 0:01:45 | 0:01:50 | |
You know him. Don't ya? | 0:01:55 | 0:01:58 | |
The old geezer? | 0:01:58 | 0:01:59 | |
Yeah, his name's Theo. | 0:01:59 | 0:02:03 | |
-Is he going to be all right? -I think so. | 0:02:03 | 0:02:06 | |
Listen, do us a favour, will you? | 0:02:06 | 0:02:08 | |
-Oh, no! I don't want your money. -It's not for you. It's for him. | 0:02:08 | 0:02:12 | |
Get him some snacks. Fruit and veg and that, something healthy. | 0:02:12 | 0:02:15 | |
-What's you name? -Anna Fields. | 0:02:15 | 0:02:19 | |
What's your name? | 0:02:19 | 0:02:21 | |
-Lily Rose. -All right. | 0:02:21 | 0:02:24 | |
-Thanks, Lily Rose. -All right. | 0:02:24 | 0:02:27 | |
Oi! The shop's this wa.. | 0:02:27 | 0:02:28 | |
-Messages? -'DI Munroe phoned, | 0:02:32 | 0:02:34 | |
'said stop asking for Olivia Land files. The answer is no.' | 0:02:34 | 0:02:38 | |
Tell her I'll buy her lunch. | 0:02:38 | 0:02:39 | |
'You didn't hear her voice. She won't want lunch with you.' | 0:02:39 | 0:02:42 | |
Messages, Deborah! | 0:02:42 | 0:02:43 | |
'Binky Rain phoned seven times.' | 0:02:43 | 0:02:46 | |
Um, tell her I'm...busy. Tell her I'm dead. | 0:02:46 | 0:02:48 | |
'She's your little friend, not mine. | 0:02:48 | 0:02:51 | |
-'And there was one other thing.' -Yes. What? | 0:02:51 | 0:02:54 | |
'You sound crap.' | 0:02:54 | 0:02:55 | |
Tell me it wasn't you who hit me on the head. | 0:03:03 | 0:03:05 | |
Who do you think called the ambulance? | 0:03:05 | 0:03:07 | |
Last night was fun, but I still want you to find my sister. | 0:03:07 | 0:03:11 | |
Then you should make an appointment like everyone else. | 0:03:11 | 0:03:14 | |
I'm sorry. | 0:03:14 | 0:03:16 | |
I'm in a bit of a strange place. | 0:03:16 | 0:03:19 | |
My sister and I were very close. | 0:03:24 | 0:03:26 | |
Everyone thought Michelle was going somewhere, university, but then she got pregnant and had Tanya. | 0:03:26 | 0:03:32 | |
I'm not sure they've got a full case on... | 0:03:32 | 0:03:34 | |
I knew they were having problems. | 0:03:34 | 0:03:37 | |
'Keith wasn't a bad man, but... | 0:03:38 | 0:03:40 | |
'Nothing prepared me for what I walked in on that day. | 0:03:40 | 0:03:44 | |
'Nothing.' | 0:03:44 | 0:03:46 | |
Michelle? It's me. | 0:03:47 | 0:03:48 | |
BABY CRIES | 0:03:48 | 0:03:51 | |
'I can't imagine what poor little Tanya must have seen. | 0:03:51 | 0:03:55 | |
'The blood from Keith's head was everywhere.' | 0:03:55 | 0:03:59 | |
'What happened to Michelle?' | 0:03:59 | 0:04:01 | |
'The last time in ever saw her was in the courtroom the day she was sentenced. | 0:04:01 | 0:04:05 | |
'She refused to see us. | 0:04:05 | 0:04:07 | |
'Refused to read our letters. She refused to see me.' | 0:04:07 | 0:04:11 | |
Not that I blame her, the way we were brought up. | 0:04:14 | 0:04:18 | |
Dad was a drinker. Mum couldn't control a dog. | 0:04:18 | 0:04:22 | |
Baby did Michelle's head in. | 0:04:22 | 0:04:26 | |
Can't control babies. | 0:04:26 | 0:04:27 | |
-Was he violent to her? -Keith? | 0:04:29 | 0:04:32 | |
-Was he? -He wouldn't say boo to a goose. | 0:04:32 | 0:04:35 | |
That was half his problem. | 0:04:35 | 0:04:38 | |
And where's Michelle now? | 0:04:38 | 0:04:40 | |
She was released three years ago, but she never got in touch. | 0:04:40 | 0:04:43 | |
I don't know where she went or what she's doing now. | 0:04:43 | 0:04:46 | |
Look, the point is... | 0:04:46 | 0:04:51 | |
I promised her that I would look after Tanya. | 0:04:51 | 0:04:55 | |
But I was just a kid myself. | 0:04:58 | 0:05:02 | |
I had my whole life ahead of me. | 0:05:02 | 0:05:05 | |
And I failed her. | 0:05:05 | 0:05:06 | |
MOBILE PHONE RINGS | 0:05:06 | 0:05:09 | |
Sorry. | 0:05:10 | 0:05:11 | |
Binky, not now, I'm working. | 0:05:13 | 0:05:15 | |
Yes. Fine. | 0:05:17 | 0:05:19 | |
I'll come round in the morning. Bye. | 0:05:19 | 0:05:21 | |
So, you want me to find your sister? | 0:05:26 | 0:05:28 | |
No. | 0:05:28 | 0:05:30 | |
She has made it obvious she doesn't want to be found. | 0:05:30 | 0:05:33 | |
I want you to find Tanya. | 0:05:35 | 0:05:38 | |
I'm telling you, Jackson, somebody's been going through my papers! | 0:05:44 | 0:05:48 | |
With the greatest of respect, Binky, how would you know? | 0:05:48 | 0:05:52 | |
My papers have been tampered with, my private ones. | 0:05:52 | 0:05:57 | |
-Come on, show me. -No, I am not going to show you. | 0:05:57 | 0:06:00 | |
What do you think the word private means? | 0:06:00 | 0:06:02 | |
I'll step up my nightly patrols. How's that? | 0:06:02 | 0:06:05 | |
That's all I ask. | 0:06:05 | 0:06:07 | |
Put it down, Amelia, I need a rest. This is going to take weeks. | 0:06:11 | 0:06:16 | |
But don't hang around for my sake. | 0:06:16 | 0:06:20 | |
-You go home. -I might stay around for a bit, if that's all right? | 0:06:20 | 0:06:23 | |
-What about Henry? -He can cope. | 0:06:23 | 0:06:26 | |
We'll be like two old maids, rattling around the familial home. | 0:06:26 | 0:06:31 | |
Ladies... | 0:06:31 | 0:06:32 | |
Oh, my hero! | 0:06:32 | 0:06:34 | |
-You two seem suspiciously happy. -I can't help it. | 0:06:35 | 0:06:38 | |
I've got a call-back for a new play. | 0:06:38 | 0:06:41 | |
-Is that good? -If the part absolutely demands it, she'll keep her clothes on. | 0:06:41 | 0:06:46 | |
Put it down. I've got it. | 0:06:46 | 0:06:49 | |
-Listen. -What's happened to your head? | 0:06:55 | 0:06:58 | |
Nothing. Fell over. | 0:06:58 | 0:06:59 | |
You have to look after yourself or find someone who will. | 0:06:59 | 0:07:02 | |
Look, I've done everything I can. The trail's gone cold. | 0:07:05 | 0:07:09 | |
-Please, Mr Brodie. Don't stop looking for our sister. -Please. | 0:07:09 | 0:07:13 | |
Deborah. Where are you on that list of officers | 0:07:16 | 0:07:18 | |
who were on duty the night Olivia Land went missing? | 0:07:18 | 0:07:21 | |
DI Marion Foster, I served under her. Get hold of her for me. | 0:07:27 | 0:07:30 | |
Yes, Mr Brodie. | 0:07:30 | 0:07:32 | |
And, er, when you've done that, Michelle Fletcher. | 0:07:32 | 0:07:35 | |
She went to prison for murdering her husband in 1994. | 0:07:35 | 0:07:38 | |
-She had a daughter called Tanya... -Sugar? | 0:07:38 | 0:07:41 | |
Excuse me? | 0:07:43 | 0:07:44 | |
Mr Brodie, my name is Quintus Rain. | 0:07:47 | 0:07:48 | |
-Rain? -Binky's my great aunt. -Huh. | 0:07:48 | 0:07:51 | |
Two please. | 0:07:51 | 0:07:53 | |
OK. | 0:07:53 | 0:07:55 | |
My father was Binky's nephew. | 0:07:56 | 0:07:57 | |
They weren't particularly close, but he asked that I drop in on her, | 0:07:57 | 0:08:01 | |
make sure there was nothing she wanted. | 0:08:01 | 0:08:02 | |
Nothing a cleaning company couldn't sort out. | 0:08:02 | 0:08:04 | |
I was surprised to find a private detective on my great aunt's payroll. | 0:08:04 | 0:08:07 | |
The woman can hardly pay her gas bill. | 0:08:07 | 0:08:10 | |
-You think I'm ripping Binky off? -Personally, I think cats are the spawn of Satan. | 0:08:10 | 0:08:13 | |
-But that woman loves them. -Deborah. | 0:08:13 | 0:08:15 | |
Kindly tell Quintus how much money we've extorted from his great aunt. | 0:08:19 | 0:08:25 | |
Well, I've sent out six invoices now | 0:08:25 | 0:08:29 | |
covering your man hours on the case, travel, food expenses, VAT... | 0:08:29 | 0:08:35 | |
Deborah, how much? | 0:08:35 | 0:08:38 | |
She hasn't paid a penny, not a bean. | 0:08:38 | 0:08:41 | |
I won't ask you a second time, Brodie... | 0:08:48 | 0:08:50 | |
Stay away from my aunt. | 0:08:52 | 0:08:54 | |
Didn't your assistant tell you? I have absolutely nothing to say to you. | 0:09:02 | 0:09:05 | |
One last teeny little favour, and that'll be it, I swear. | 0:09:05 | 0:09:10 | |
Wanker. | 0:09:12 | 0:09:13 | |
I'll buy you a lovely lunch! | 0:09:14 | 0:09:16 | |
You are such an annoying man. | 0:09:17 | 0:09:19 | |
So I've been told. | 0:09:19 | 0:09:20 | |
So who would want to split your head open, Jackson? | 0:09:22 | 0:09:24 | |
Apart from every officer in the Lothian and Borders force, obviously. | 0:09:24 | 0:09:28 | |
Oh, and your ex-wife. And me. | 0:09:28 | 0:09:31 | |
Ha-ha. A mugging gone wrong. | 0:09:31 | 0:09:34 | |
-But they didn't steal anything, did they? -They got scared. I was lucky. | 0:09:34 | 0:09:38 | |
You're never lucky. | 0:09:38 | 0:09:39 | |
-Can I have a look? -This is the very last time I do this for you. | 0:09:45 | 0:09:48 | |
Absolutely. | 0:09:48 | 0:09:49 | |
Tanya Fletcher was taken into care when her mum got sent down. | 0:09:54 | 0:09:58 | |
Bounced around social services, mostly in England... Minor drug offences. | 0:09:58 | 0:10:01 | |
Affray, cautioned for prostitution. | 0:10:01 | 0:10:03 | |
Did she ever try and look up her mother? | 0:10:03 | 0:10:05 | |
-Not according to her records. -And where is she now? | 0:10:05 | 0:10:08 | |
Computer says...don't know. | 0:10:08 | 0:10:11 | |
-So, tell me, what is it with you and these girls? -Listen, Laura Wyre... | 0:10:11 | 0:10:16 | |
-No, I'm warning you about that. -Listen to me, I think she had an admirer. | 0:10:16 | 0:10:20 | |
She was a pretty girl. You know, we discussed... | 0:10:20 | 0:10:22 | |
A stalker. Someone was giving her presents. | 0:10:22 | 0:10:24 | |
Neither her family or friends mentioned any kind of stalker. | 0:10:24 | 0:10:28 | |
She didn't tell her friends. She didn't want her father to know. | 0:10:28 | 0:10:31 | |
-What kind of presents? -The kind of presents you give if you haven't a clue about women. | 0:10:31 | 0:10:34 | |
-Like what? -Like a big pink fluffy teddy bear. | 0:10:34 | 0:10:39 | |
A man gave me a big pink fluffy teddy bear once. | 0:10:39 | 0:10:42 | |
Mind you, he did live with his mother. | 0:10:42 | 0:10:44 | |
-I found it stuffed at the bottom of her bag. -Who gave it to her? | 0:10:47 | 0:10:51 | |
I asked her that and I got angry with her, but she wouldn't tell me. Said it wasn't worth it. | 0:10:51 | 0:10:56 | |
Ordinary? An ordinary man in a yellow sweater... | 0:10:56 | 0:10:58 | |
He gets a lot of visitors but none are male and none are over 20. | 0:10:58 | 0:11:02 | |
Countdown's on, Mum! > | 0:11:03 | 0:11:05 | |
Excuse me, where are you going? | 0:11:06 | 0:11:08 | |
I want a pudding, you know! | 0:11:09 | 0:11:11 | |
HE RINGS DOORBELL | 0:11:25 | 0:11:27 | |
Yes? | 0:11:34 | 0:11:35 | |
So when did you first meet Laura? | 0:11:40 | 0:11:43 | |
I can't remember. | 0:11:43 | 0:11:45 | |
I'll help you out, Stuart. I'm just trying to get a picture of her in my mind. | 0:11:45 | 0:11:51 | |
She was a memorable girl, right? | 0:11:51 | 0:11:53 | |
Special. | 0:11:53 | 0:11:54 | |
So try and remember when you first saw her. | 0:11:56 | 0:11:59 | |
There's nothing wrong with seeing someone, Stuart. | 0:12:02 | 0:12:04 | |
I was mowing the lawn, and she was in the next door garden with Mr Jessop. | 0:12:06 | 0:12:10 | |
I asked him if he wanted me to mow his lawn too. | 0:12:10 | 0:12:13 | |
-No, Stuart, thank you. -Aw, meanie. | 0:12:13 | 0:12:16 | |
There's something weird about our Stuart. | 0:12:16 | 0:12:18 | |
In his 30s and still living with his mummy. | 0:12:18 | 0:12:20 | |
-He looks harmless. -Aye, those are the ones you need to look out for. | 0:12:20 | 0:12:24 | |
She was nice to you. | 0:12:33 | 0:12:35 | |
-It wasn't just being nice. -An attraction, maybe? | 0:12:35 | 0:12:40 | |
So did you ever go out or anything? | 0:12:40 | 0:12:42 | |
She was too frightened her father would have found out. | 0:12:42 | 0:12:45 | |
Right, but if it hadn't been for her father, you and Laura, who knows? | 0:12:45 | 0:12:50 | |
That's all I know about it, look you have to go now. | 0:12:52 | 0:12:54 | |
Did she like your presents? | 0:12:54 | 0:12:56 | |
-Yes. -Did she? | 0:12:56 | 0:12:58 | |
Please go now. | 0:12:58 | 0:13:00 | |
I don't think she did, did she, Stuart? | 0:13:00 | 0:13:02 | |
If you don't go, I'm phoning my mother. | 0:13:02 | 0:13:05 | |
Listen, it wasn't your fault. She didn't understand, she didn't get it. | 0:13:05 | 0:13:08 | |
It must have been hard for you, wasn't it? | 0:13:08 | 0:13:12 | |
-Stuart! You frightened me. -I don't know why you're ignoring me. -What are you talking about? | 0:13:19 | 0:13:24 | |
Stuart, look I felt sorry for you and I talked to you. | 0:13:28 | 0:13:35 | |
-That's all. -Don't fight it. | 0:13:35 | 0:13:37 | |
I'm not fighting anything. | 0:13:37 | 0:13:39 | |
And please stop buying me presents. | 0:13:42 | 0:13:44 | |
You know there's an incredible bond between us, you shouldn't deny it. | 0:13:44 | 0:13:47 | |
Look, just leave me alone, will you? | 0:13:47 | 0:13:50 | |
My dad's a solicitor and he could make real trouble for you if you keep hassling me like this. | 0:13:50 | 0:13:55 | |
Your father can't stop our love. | 0:13:55 | 0:13:58 | |
Leave me alone. | 0:13:58 | 0:14:00 | |
You took a knife and you went to her father's office. | 0:14:03 | 0:14:06 | |
-Just to frighten him. -No. | 0:14:06 | 0:14:09 | |
They wouldn't let you see him, would they? | 0:14:09 | 0:14:11 | |
They wouldn't let you get to him and that got you angry, didn't it, Stuart? | 0:14:11 | 0:14:15 | |
-No. -You barged in and you were face-to-face | 0:14:15 | 0:14:17 | |
with the man who was getting between you and the person you loved. | 0:14:17 | 0:14:20 | |
You didn't even know she was there. You would never have hurt her, would you? | 0:14:20 | 0:14:24 | |
I want my mum. Now. | 0:14:24 | 0:14:26 | |
Well, you did hurt her didn't you, Stuart? Didn't you? | 0:14:26 | 0:14:32 | |
Louise... I've got something for you. | 0:14:46 | 0:14:49 | |
She's exhausted, poor kid. | 0:15:13 | 0:15:16 | |
-Oh, God. -His name is Stuart Lappin. | 0:15:30 | 0:15:34 | |
The police are questioning him now. | 0:15:34 | 0:15:35 | |
Who is he? | 0:15:35 | 0:15:37 | |
Just a man. A lonely man, | 0:15:39 | 0:15:42 | |
-living next door to one of Laura's teachers. -Why? | 0:15:42 | 0:15:48 | |
Because she was kind, Theo. | 0:15:51 | 0:15:53 | |
Because she was kind. | 0:15:55 | 0:15:56 | |
Inspector Brodie, isn't it? | 0:16:12 | 0:16:14 | |
-Elaine. -Eileen. -Eileen. | 0:16:14 | 0:16:16 | |
I'm looking for Shirley Manning. | 0:16:16 | 0:16:18 | |
-How's the life of a policeman? -Pretty bloody, I should imagine. | 0:16:20 | 0:16:25 | |
Aw, she's with someone. Lucky bitch. | 0:16:25 | 0:16:26 | |
Every woman in here tried to snag him. | 0:16:26 | 0:16:28 | |
-They're a couple? -Professor Welch is her fiance, he's head of paediatrics. | 0:16:30 | 0:16:36 | |
-Gorgeous, kind and rich. -And they're getting married? | 0:16:36 | 0:16:38 | |
I'll let her know you're here. | 0:16:38 | 0:16:42 | |
THEY WHISPER | 0:16:45 | 0:16:48 | |
-Why didn't you tell me you were getting married? -Would it have made a difference? | 0:16:49 | 0:16:54 | |
-Of course. -Christ, what are you, the last man standing? It was just sex, get over it. | 0:16:54 | 0:17:01 | |
Just sex? | 0:17:01 | 0:17:03 | |
What? You care so much about finding Tanya that you'd cheat on your partner? | 0:17:03 | 0:17:07 | |
Look... I gave you the money, you find Tanya. | 0:17:07 | 0:17:10 | |
The rest has got nothing to do with you. | 0:17:10 | 0:17:11 | |
You know what? I looked, I can't find her. | 0:17:11 | 0:17:15 | |
There's no record of her since she left her last care home. | 0:17:15 | 0:17:17 | |
No, please. | 0:17:17 | 0:17:20 | |
There are official channels. | 0:17:20 | 0:17:21 | |
-I've tried those! -What's going on with you? | 0:17:21 | 0:17:25 | |
Why are you so desperate to find her after all this time? | 0:17:25 | 0:17:28 | |
Because I'm getting married. | 0:17:28 | 0:17:31 | |
Because we're talking about starting a family. | 0:17:31 | 0:17:34 | |
-And it made me remember, realise that I have a family. -All right. | 0:17:34 | 0:17:39 | |
I let Tanya down, I know that. | 0:17:39 | 0:17:42 | |
I just want to try and make it up to her, to let her know she's not on her own. | 0:17:42 | 0:17:47 | |
Please, just find her for me. | 0:17:47 | 0:17:50 | |
THEO CRIES QUIETLY | 0:18:09 | 0:18:14 | |
Niamh! | 0:18:30 | 0:18:31 | |
Oh, no. | 0:18:37 | 0:18:39 | |
Have you got your lunch? | 0:18:52 | 0:18:54 | |
Yeah. | 0:18:54 | 0:18:56 | |
Take the whole pack, | 0:19:05 | 0:19:07 | |
just don't get caught. | 0:19:07 | 0:19:08 | |
Thanks. | 0:19:10 | 0:19:13 | |
I should have picked her up from the bus stop. | 0:19:15 | 0:19:18 | |
You know that, don't you? | 0:19:18 | 0:19:21 | |
Yeah. | 0:19:22 | 0:19:24 | |
And you know I love you, tyke, don't you? | 0:19:26 | 0:19:28 | |
Yeah. | 0:19:30 | 0:19:32 | |
Now piss off and learn something. | 0:19:34 | 0:19:36 | |
PHONE RINGS | 0:20:04 | 0:20:07 | |
Amelia...what's dead now? | 0:20:10 | 0:20:12 | |
Because if it's anything smaller than a large horse, | 0:20:12 | 0:20:15 | |
I'd appreciate it if you took care of it yourself... | 0:20:15 | 0:20:17 | |
-'Mr Brodie, come quickly, you've got to come now...' -Calm down, Amelia. | 0:20:17 | 0:20:20 | |
I'm coming. I'll be right there. | 0:20:20 | 0:20:22 | |
Oh, Binky. | 0:20:38 | 0:20:40 | |
In the last 48 hours, someone has coshed you over the head... | 0:21:09 | 0:21:12 | |
-I'm feeling much better, thanks. -..and now one of your clients is found dead in her own garden. | 0:21:12 | 0:21:17 | |
She was in her 80s. Died from natural causes. | 0:21:17 | 0:21:20 | |
The coroner will be the judge of that. | 0:21:20 | 0:21:22 | |
I'm sorry about Mrs Rain. | 0:21:25 | 0:21:27 | |
-Am I free to leave? -Yeah. | 0:21:35 | 0:21:37 | |
Why did you phone Mr Brodie before you phoned the police? | 0:21:46 | 0:21:50 | |
Don't worry, I won't cramp your style. | 0:21:51 | 0:21:54 | |
-Who'd sleep with me when they could have you, anyway? -Amelia. | 0:21:54 | 0:21:58 | |
I'm going to end up like Binky Rain, smelling of cats, face down and dead in my own garden. | 0:21:58 | 0:22:05 | |
-That's never going to happen, Amelia. -Why isn't it? | 0:22:05 | 0:22:08 | |
Because you don't like cats. | 0:22:08 | 0:22:09 | |
Milly... | 0:22:11 | 0:22:13 | |
Thank you both...very kind... | 0:22:16 | 0:22:18 | |
Can I give you a lift somewhere, Jackson? | 0:22:21 | 0:22:24 | |
I've got my car, Theo. You just get off home safe. | 0:22:24 | 0:22:27 | |
Lily Rose? Can I buy you lunch as a thank you? | 0:22:27 | 0:22:30 | |
-Yeah, I'm starving. -In you go. Bit peckish myself. | 0:22:32 | 0:22:36 | |
No fat, no booze, no cheese, no meat. | 0:22:36 | 0:22:39 | |
I don't want to see you back here. | 0:22:39 | 0:22:41 | |
-Hello. -Hello. | 0:22:57 | 0:23:01 | |
It's a beautiful day. | 0:23:01 | 0:23:03 | |
-Yes. -I've seen you here before. | 0:23:03 | 0:23:05 | |
-My name's Jean. Jean Stanton. -Amelia. | 0:23:05 | 0:23:09 | |
Amelia Land. | 0:23:09 | 0:23:11 | |
TV PLAYS | 0:23:13 | 0:23:18 | |
This is so stupid. | 0:23:21 | 0:23:23 | |
'You care so much about finding Tanya that you'd cheat on your partner? | 0:24:45 | 0:24:51 | |
'Look, I gave you the money, you find Tanya. | 0:24:51 | 0:24:53 | |
'The rest has got nothing to do with you. | 0:24:53 | 0:24:55 | |
'I looked. There's no record of her since she left her last care home. | 0:24:55 | 0:24:58 | |
-'No, please. -There are official channels. -I have tried those.' | 0:24:58 | 0:25:02 | |
Come on, Louise, don't let me down. | 0:25:07 | 0:25:11 | |
Yes, you beauty! | 0:25:14 | 0:25:16 | |
Voila. Enchante, madame. | 0:25:25 | 0:25:29 | |
MUSIC PLAYS | 0:25:49 | 0:25:53 | |
-When will we be there? -A few hours yet, it's Yorkshire. | 0:25:54 | 0:25:59 | |
-No Aotearoa ahau. -What? -I am from New Zealand. | 0:26:03 | 0:26:10 | |
It's Maori. | 0:26:10 | 0:26:12 | |
-What do you call a sheep with no head and no legs. -What? -A cloud. | 0:26:16 | 0:26:20 | |
-What do you call a man with no arms and no legs in a swimming pool? -A fish? -Bob. | 0:26:20 | 0:26:25 | |
That's rubbish. Mum said you had to have me back by five. | 0:26:25 | 0:26:29 | |
-I know, I'm just going to be a minute. -But, Dad, you always say that. | 0:26:29 | 0:26:33 | |
And I always mean it. | 0:26:33 | 0:26:35 | |
-Hello. Can I help you? -I'm looking for Michelle. | 0:26:36 | 0:26:41 | |
Michelle Fletcher. | 0:26:41 | 0:26:43 | |
There's no-one here by that name. | 0:26:47 | 0:26:50 | |
-What do you want, Mr... -Brodie. | 0:26:50 | 0:26:53 | |
Jackson Brodie. I'm a private investigator. | 0:26:53 | 0:26:58 | |
Your sister hired me to find Tanya. | 0:26:58 | 0:27:01 | |
-Please leave. -No, it's all right, John. | 0:27:02 | 0:27:06 | |
Come into the house, Mr Brodie. | 0:27:06 | 0:27:08 | |
Where's my sister now? | 0:27:12 | 0:27:14 | |
She's in Edinburgh. She's a nurse. | 0:27:14 | 0:27:17 | |
-And she got in touch with you? -She's got engaged. | 0:27:17 | 0:27:20 | |
She's thinking of starting a family. | 0:27:20 | 0:27:21 | |
-She feels like she let Tanya down. -She did bloody let her down! | 0:27:21 | 0:27:25 | |
She was too young, | 0:27:25 | 0:27:28 | |
-the baby was taken into care. -For a few years, yes. | 0:27:28 | 0:27:32 | |
Then Shirley was going to bring her up. That's what we agreed. | 0:27:32 | 0:27:36 | |
What actually happened that day, Michelle? | 0:27:38 | 0:27:41 | |
I fell in love with Keith when I was 17. | 0:27:47 | 0:27:50 | |
Got pregnant, was convinced I could have a family and a career. | 0:27:50 | 0:27:56 | |
I wasn't convinced for long. | 0:27:56 | 0:27:58 | |
BABY CRIES | 0:27:58 | 0:28:00 | |
Be quiet, will you, bug? Be quiet. | 0:27:59 | 0:28:00 | |
Her name's Tanya. | 0:28:00 | 0:28:03 | |
Why have you started a vegetable patch, Michelle? | 0:28:03 | 0:28:07 | |
Because I want to. Just a few courgettes and coriander is not too much to ask, is it? | 0:28:07 | 0:28:12 | |
We live on a bloody farm, we're surrounded by vegetables. | 0:28:12 | 0:28:15 | |
We live on a bloody potato farm. | 0:28:15 | 0:28:18 | |
Shut up! Please ssh. | 0:28:20 | 0:28:23 | |
Let me have her, you're going to give her brain damage shaking her like that. | 0:28:23 | 0:28:27 | |
No money, a crying baby, you try studying. | 0:28:36 | 0:28:40 | |
BABY CRIES | 0:28:40 | 0:28:45 | |
Ssh! | 0:28:48 | 0:28:51 | |
BABY STOPS CRYING | 0:28:54 | 0:28:56 | |
BANGING, BABY CRIES AGAIN | 0:29:07 | 0:29:10 | |
SHE SCREAMS | 0:29:10 | 0:29:15 | |
Ssh, Tanya, ssh. | 0:29:23 | 0:29:25 | |
Put that down, Michelle. | 0:29:26 | 0:29:27 | |
Why did I do it? | 0:29:30 | 0:29:32 | |
Go on. | 0:29:37 | 0:29:38 | |
What I'm about to tell you... | 0:29:45 | 0:29:47 | |
I've never told another living soul. | 0:29:48 | 0:29:50 | |
Not even John. | 0:29:52 | 0:29:53 | |
Put that down, Michelle. | 0:29:55 | 0:29:57 | |
You stupid, selfish bitch! You could have hit her! | 0:29:57 | 0:30:01 | |
-You stupid cow! -I hate you! | 0:30:01 | 0:30:03 | |
You're nothing! You're not a mother! You stupid... | 0:30:03 | 0:30:09 | |
What are you going to do Michelle? | 0:30:22 | 0:30:24 | |
You've ruined your bloody life. | 0:30:24 | 0:30:26 | |
And Tanya's. | 0:30:26 | 0:30:28 | |
You did it. | 0:30:28 | 0:30:31 | |
He'd have killed you. | 0:30:31 | 0:30:33 | |
I had to. | 0:30:33 | 0:30:35 | |
You go. | 0:30:46 | 0:30:48 | |
What? | 0:30:48 | 0:30:50 | |
Go, Shirley, please. | 0:30:50 | 0:30:51 | |
It's my fault you did this, go! | 0:30:53 | 0:30:58 | |
I promise that I'll look after her for you. | 0:30:58 | 0:31:01 | |
-I know you will. -When I'm old enough, I'll get her and bring her up. | 0:31:05 | 0:31:09 | |
I'm going to phone the police and I'm going to tell them this is how I found you. | 0:31:15 | 0:31:21 | |
All right? | 0:31:21 | 0:31:24 | |
All right, Michelle? | 0:31:24 | 0:31:25 | |
Give her a fresh start, Shirley, be the mother to her that I can't be. | 0:31:28 | 0:31:33 | |
I thought she killed him for me, to protect me. | 0:31:42 | 0:31:48 | |
I thought she did it for Tanya. | 0:31:50 | 0:31:53 | |
All those years in prison... | 0:31:54 | 0:31:57 | |
I thought the one good thing was that Tanya was with Shirley... | 0:31:58 | 0:32:04 | |
having a decent life. | 0:32:04 | 0:32:06 | |
Do you want me to find Tanya? For you? | 0:32:08 | 0:32:11 | |
I never loved my baby, Mr Brodie. | 0:32:14 | 0:32:17 | |
-Does that shock you? -Well, you were very young, you were stressed. -No. | 0:32:17 | 0:32:23 | |
It's better for her this way. | 0:32:23 | 0:32:26 | |
There are indications that her life's not been a bed of roses. | 0:32:28 | 0:32:33 | |
-Drugs, prostitution. -That's not fair! | 0:32:33 | 0:32:35 | |
Don't you bloody dare play God with our lives, Mr Brodie. | 0:32:38 | 0:32:43 | |
You leave me and Tanya in peace. | 0:32:43 | 0:32:46 | |
Your daughter plays a mean game of croquet, Mr Brodie. | 0:32:52 | 0:32:56 | |
Come out and play. It's fun. | 0:32:56 | 0:32:58 | |
I'll make a fresh pot of tea. | 0:33:05 | 0:33:06 | |
Mr Brodie was just going. | 0:33:06 | 0:33:08 | |
Niamh! | 0:33:13 | 0:33:15 | |
Are you all right, Dad? | 0:33:23 | 0:33:24 | |
I'm fine, why do you ask? | 0:33:24 | 0:33:26 | |
I need to stop at one more place on the way home, OK? | 0:33:38 | 0:33:41 | |
Hey, Niamh, this is Marlee, your niece. | 0:33:49 | 0:33:52 | |
MUSIC PLAYS | 0:34:10 | 0:34:13 | |
Do they play croquet in New Zealand? | 0:34:19 | 0:34:21 | |
Only with children's heads, I imagine. | 0:34:21 | 0:34:23 | |
It's probably best not to mention those two, John and Michelle, to your mum. | 0:34:30 | 0:34:34 | |
Why not? | 0:34:34 | 0:34:35 | |
You know... | 0:34:35 | 0:34:38 | |
Oi, out! | 0:34:54 | 0:34:55 | |
Quintus? | 0:34:58 | 0:35:00 | |
It was you. | 0:35:00 | 0:35:01 | |
-I told you I am not taking money off your aunt, all right?! -Sorry. Sorry! | 0:35:01 | 0:35:06 | |
I warned you to stay away from my great aunt. | 0:35:07 | 0:35:09 | |
Dad? > | 0:35:16 | 0:35:17 | |
Get back in the car. | 0:35:18 | 0:35:21 | |
Awesome. | 0:35:21 | 0:35:22 | |
In the car! | 0:35:22 | 0:35:25 | |
-Hi. -Hey. | 0:35:40 | 0:35:41 | |
Oh, my God, what's happened? | 0:35:42 | 0:35:44 | |
I know it looks bad, but... | 0:35:44 | 0:35:47 | |
We went to the graveyard and then I played croquet with a vicar and then Dad beat this man up. | 0:35:47 | 0:35:51 | |
-A client. -OK. | 0:35:51 | 0:35:53 | |
Are you kidding? | 0:35:53 | 0:35:55 | |
You begged me to let you spend quality time with your daughter, | 0:35:55 | 0:35:58 | |
-then you take her to work and put her in danger? -Course I didn't. | 0:35:58 | 0:36:00 | |
But I wasn't in any danger cos Dad broke the man's arm. | 0:36:00 | 0:36:04 | |
-Oh, OK, in you go, sweetheart, in. -He just turned up. -You've blown it. | 0:36:04 | 0:36:11 | |
You broke into CID?! | 0:36:13 | 0:36:15 | |
-I walked in. -You logged in to my computer using my password? | 0:36:15 | 0:36:18 | |
-That's true. -Do you know I could have you arrested! And what really pisses me off | 0:36:18 | 0:36:21 | |
-is that you knew what my password was. -I sat next to you for years. You should have changed it. | 0:36:21 | 0:36:25 | |
Using your son's name and birthday is pathetic. | 0:36:25 | 0:36:27 | |
-What level of security is that? -You're something else, Jackson. | 0:36:27 | 0:36:30 | |
No wonder your wife left you. | 0:36:30 | 0:36:32 | |
That's nice. I suppose you know she's taking Marlee to New Zealand, do you, does everyone know? | 0:36:32 | 0:36:36 | |
Hello, Mr Brodie. I was just passing. | 0:36:36 | 0:36:38 | |
DI Louise Munroe, an old friend, colleague. This is Julia Land. | 0:36:40 | 0:36:44 | |
I'm helping her find out what happened to her sister, Olivia. | 0:36:44 | 0:36:47 | |
I got the part! | 0:36:47 | 0:36:49 | |
-Terrific. -I'll leave you two to it. | 0:36:50 | 0:36:53 | |
Very nice to meet you. | 0:36:53 | 0:36:55 | |
You do know that the chances of finding anything after all these years is very remote. | 0:36:55 | 0:36:58 | |
I have faith in Mr Brodie. | 0:36:58 | 0:37:01 | |
Really? | 0:37:01 | 0:37:02 | |
Amelia looked a lot happier the other day. | 0:37:07 | 0:37:09 | |
That's not happiness, that's hysteria. | 0:37:09 | 0:37:11 | |
-Has she ever had therapy? -That's not really Amelia's style. | 0:37:13 | 0:37:17 | |
Have you ever had therapy? | 0:37:17 | 0:37:20 | |
I'm from Yorkshire, it's illegal. | 0:37:20 | 0:37:22 | |
Poor Amelia. I sometimes think she wishes she was taken, not Olivia. | 0:37:23 | 0:37:27 | |
Do you think she blames herself? | 0:37:27 | 0:37:30 | |
Her life's been on hold since that day. | 0:37:30 | 0:37:31 | |
I hadn't realised quite how much until now. | 0:37:31 | 0:37:33 | |
What was she like growing up? | 0:37:35 | 0:37:37 | |
She always said she was the least loved daughter. | 0:37:38 | 0:37:43 | |
And was she? | 0:37:43 | 0:37:44 | |
I think she probably was. | 0:37:44 | 0:37:46 | |
You're a woman, Julia. | 0:37:51 | 0:37:53 | |
I knew you'd noticed. | 0:37:53 | 0:37:55 | |
I met this woman, name of Michelle, | 0:37:55 | 0:37:57 | |
been in prison and hasn't seen her daughter for 17 years, | 0:37:57 | 0:38:00 | |
and begged me not to find her. | 0:38:00 | 0:38:02 | |
-Do I believe her? -You asked my opinion. -Yeah. | 0:38:04 | 0:38:08 | |
Well, does she want to be found? | 0:38:08 | 0:38:10 | |
Yeah, good question. | 0:38:12 | 0:38:14 | |
I didn't ask you to find Michelle! | 0:38:14 | 0:38:16 | |
She's Tanya's mother, don't you think she's got a right to know you're trying to find her daughter? | 0:38:16 | 0:38:19 | |
She gave up that right the day she killed Tanya's father! | 0:38:19 | 0:38:22 | |
If she killed Tanya's father. | 0:38:22 | 0:38:24 | |
Look, Keith's dead. Nothing's going to bring him back. | 0:38:28 | 0:38:30 | |
Michelle has done the time, society's had its pound of flesh. | 0:38:30 | 0:38:32 | |
Listen, my sister is a very devious person, Jackson. | 0:38:32 | 0:38:35 | |
If she's spun you some line... | 0:38:35 | 0:38:37 | |
Tanya's trying to find you, isn't she? Get in touch with you, isn't she? | 0:38:37 | 0:38:40 | |
-What? -You heard me. | 0:38:40 | 0:38:42 | |
-I think you want me to find her before she finds you. -What are you talking about? | 0:38:42 | 0:38:46 | |
-I think you're worried some junkie's going to ruin your new life, new marriage. -You're mad. | 0:38:46 | 0:38:51 | |
You're a liar, | 0:38:51 | 0:38:52 | |
a selfish manipulative bitch. You think I'm going to help you. | 0:38:52 | 0:38:56 | |
Why are you following me? | 0:39:26 | 0:39:28 | |
-Hey, why? -I'm not. | 0:39:28 | 0:39:30 | |
Then why are you running away? | 0:39:30 | 0:39:32 | |
You were chasing me. | 0:39:32 | 0:39:34 | |
Don't lie. Why are you following me? | 0:39:34 | 0:39:36 | |
-Piss off! -You're not going anywhere. | 0:39:36 | 0:39:38 | |
I want an answer. Why are you following me? | 0:39:38 | 0:39:41 | |
Tell me. Why? | 0:39:41 | 0:39:43 | |
I wasn't following you, I was following her! | 0:39:43 | 0:39:47 | |
-Shirley Manning? -Yeah. | 0:39:48 | 0:39:52 | |
Tanya...? | 0:39:52 | 0:39:53 | |
Are you? | 0:39:56 | 0:39:58 | |
I started off being fostered, but it didn't work out. | 0:40:01 | 0:40:05 | |
Then care homes. | 0:40:05 | 0:40:07 | |
Did you know what your mother had done? | 0:40:09 | 0:40:10 | |
They thought that was well funny. | 0:40:15 | 0:40:19 | |
Your mum's a murderer and even she don't wanna see you. | 0:40:19 | 0:40:22 | |
And then you came to Edinburgh to find your aunt? | 0:40:26 | 0:40:28 | |
What do you make of her? | 0:40:31 | 0:40:32 | |
Dunno. | 0:40:34 | 0:40:36 | |
What do you make of her? | 0:40:36 | 0:40:38 | |
I don't know either. | 0:40:38 | 0:40:41 | |
Let's not do anything for a while. | 0:40:41 | 0:40:43 | |
We'll think on it. | 0:40:43 | 0:40:44 | |
So...what's it to be in the meantime? | 0:40:46 | 0:40:52 | |
Lily Rose or Tanya? | 0:40:52 | 0:40:54 | |
-Lily Rose. -Lily Rose it is. | 0:40:56 | 0:41:00 | |
-Shirley Manning phoned and said she doesn't want to speak to you ever again. -Result! | 0:41:03 | 0:41:08 | |
Mrs Rain's solicitor phoned again... | 0:41:08 | 0:41:11 | |
and said if you don't start returning his calls he's going to subpoena you. | 0:41:11 | 0:41:15 | |
I made that last bit up. But it is urgent and he does want to see you. | 0:41:16 | 0:41:20 | |
Brodie! Stand up straight, man! | 0:41:20 | 0:41:23 | |
Superintendent Marion Foster. | 0:41:23 | 0:41:25 | |
-Ma'am. -My God. Is this what you've become? | 0:41:25 | 0:41:29 | |
Get the Superintendent a coffee, Deborah. Black, two sugars. | 0:41:29 | 0:41:32 | |
-Actually, I was just finishing some... -Now. Please. | 0:41:32 | 0:41:35 | |
Ummm... Right, yes, Sir, Ma'am. | 0:41:35 | 0:41:38 | |
Olivia Land? Were you ever close to catching anyone? | 0:41:40 | 0:41:43 | |
Briefly. We thought it was an opportunistic snatch. | 0:41:43 | 0:41:47 | |
A couple of neighbours had seen a strange man hanging about the place. But his alibi checked out. | 0:41:47 | 0:41:52 | |
What about closer to home. Did you consider the family? | 0:41:52 | 0:41:55 | |
I was present at the interviews with the Land girls, | 0:41:55 | 0:41:58 | |
but I doubt I've got anything to add to what you already know. | 0:41:58 | 0:42:01 | |
Tell me about the father, Victor. | 0:42:01 | 0:42:03 | |
Oh, he was a cold fish. | 0:42:03 | 0:42:06 | |
Controlled and controlling. | 0:42:06 | 0:42:08 | |
The rest of them were a mess, the mother, the girls. | 0:42:08 | 0:42:12 | |
-I've forgotten their names now. -Sylvia, Julia and Amelia. | 0:42:12 | 0:42:17 | |
They were strange little girls. | 0:42:17 | 0:42:19 | |
-Sylvia was the weirdest, although it was quite a contest. -In what way weird? | 0:42:19 | 0:42:24 | |
She would start to disassociate if you questioned her too closely. | 0:42:24 | 0:42:28 | |
-She's a nun now. -Hmmm. | 0:42:28 | 0:42:30 | |
The father just died and I found this in his possession. | 0:42:33 | 0:42:39 | |
Blue Mouse! | 0:42:40 | 0:42:42 | |
I asked you not to come here again. | 0:42:51 | 0:42:53 | |
I showed Blue Mouse to a retired police officer today, very experienced, seen it all. | 0:42:53 | 0:42:59 | |
-Do you know what happened, Sylvia? -My name is Sister Mary Luke. | 0:43:00 | 0:43:04 | |
She was shocked and deeply moved. | 0:43:04 | 0:43:07 | |
-But when I showed it to you... -You know nothing about me. | 0:43:07 | 0:43:10 | |
Nothing. | 0:43:10 | 0:43:11 | |
You must have been very angry at your God, Sylvia. | 0:43:12 | 0:43:15 | |
He's not my God. | 0:43:15 | 0:43:16 | |
He's the Everlasting Father and I will not have you using His name in vain in this place. | 0:43:16 | 0:43:21 | |
SIT DOWN! | 0:43:21 | 0:43:24 | |
Please leave me alone. Nothing good can come of... | 0:43:34 | 0:43:38 | |
I saw it in your sisters' eyes the first time I met them. | 0:43:38 | 0:43:41 | |
The horror of not knowing what happened. | 0:43:41 | 0:43:44 | |
Of blaming themselves for not saving her, destroying themselves. | 0:43:45 | 0:43:50 | |
And poor little Olivia. | 0:43:52 | 0:43:55 | |
No grave her anyone to pray over, | 0:43:55 | 0:43:58 | |
nowhere to bring her flowers on her birthday for all these years. | 0:43:58 | 0:44:02 | |
-Please... -Amelia is broken, you know. | 0:44:02 | 0:44:06 | |
Julia's lost. | 0:44:06 | 0:44:09 | |
And you | 0:44:09 | 0:44:11 | |
have it in your gift, | 0:44:11 | 0:44:13 | |
Sister Mary Luke...to heal. | 0:44:13 | 0:44:17 | |
Binky Rain lived next door to us. | 0:44:31 | 0:44:34 | |
We used to sneak into her garden and tease Olivia she was a witch. | 0:44:34 | 0:44:39 | |
My father was not everything he appeared to be. | 0:44:58 | 0:45:01 | |
On his desk, he had a statue of Saint Joan. | 0:45:25 | 0:45:29 | |
He started looking at Olivia in the same way he looked at me. | 0:45:44 | 0:45:49 | |
Olivia. Olivia. | 0:45:56 | 0:45:59 | |
Get up, come on. | 0:45:59 | 0:46:02 | |
Ssh. Don't wake her. I'm the oldest, I should have been here with you. | 0:46:02 | 0:46:09 | |
You don't need slippers. | 0:46:09 | 0:46:11 | |
Just feel the wet grass between your toes. | 0:46:11 | 0:46:14 | |
Come on, quickly this way... I want to take you to see someone. | 0:46:17 | 0:46:23 | |
Come with me quickly. You don't have to do everything Mummy and Daddy tell you. | 0:46:23 | 0:46:30 | |
Especially Daddy. | 0:46:33 | 0:46:36 | |
Except me, because I'm going to protect you. | 0:46:36 | 0:46:40 | |
I don't want to go to the witch's house. | 0:46:41 | 0:46:44 | |
Don't be silly, Mrs Rain isn't really a witch, that's just a game we play. | 0:46:44 | 0:46:52 | |
Joan. Behold, Olivia. | 0:46:57 | 0:47:01 | |
-OLIVIA SCREAMS -Shut up, Olivia, you'll wake up Mrs Rain. | 0:47:07 | 0:47:10 | |
What do I do? | 0:47:10 | 0:47:13 | |
Sylvia. | 0:48:13 | 0:48:14 | |
What's the matter? | 0:48:18 | 0:48:20 | |
Oh... | 0:49:45 | 0:49:47 | |
-I'll get Julia. -It wasn't your fault, Amelia. | 0:49:47 | 0:49:53 | |
Sylvia did this? | 0:50:22 | 0:50:26 | |
No one needs to know. | 0:50:31 | 0:50:34 | |
So, it was just instinct that made you look there? | 0:51:04 | 0:51:08 | |
Uncanny isn't it? It's a gift. And a couple of things Marion Foster said. | 0:51:08 | 0:51:15 | |
And you have no idea how she died or who killed her? | 0:51:15 | 0:51:18 | |
No. Can I go? | 0:51:19 | 0:51:22 | |
You did a good job, Jackson. | 0:51:22 | 0:51:24 | |
-By the way, I investigated your Quintus Rain. -And? | 0:51:26 | 0:51:30 | |
Mrs Rain told him that he was being cut out of the will and being replaced by you. | 0:51:30 | 0:51:34 | |
That's insane. | 0:51:34 | 0:51:35 | |
Not really. You see Binky Rain was worth a bit, it turns out. | 0:51:35 | 0:51:38 | |
And Quintus was right to be worried, you see, Binky changed her will only last week. | 0:51:38 | 0:51:44 | |
-In your favour, Jackson. -How much? | 0:51:44 | 0:51:49 | |
Two million pounds... | 0:51:49 | 0:51:54 | |
goes to the Edinburgh Cats And Dogs Home. | 0:51:54 | 0:51:57 | |
But she left you her most precious possession, | 0:51:57 | 0:52:01 | |
"to Jackson for his kindness". | 0:52:01 | 0:52:06 | |
CAT MEOWS | 0:52:06 | 0:52:08 | |
-She doesn't know that we're coming, does she? -Course she doesn't. | 0:52:19 | 0:52:22 | |
That's it... | 0:52:31 | 0:52:32 | |
right there in the left. | 0:52:32 | 0:52:34 | |
Is that her? | 0:52:37 | 0:52:40 | |
That's your mum. | 0:52:40 | 0:52:42 | |
What's she like? | 0:52:45 | 0:52:47 | |
I don't really know. | 0:52:47 | 0:52:49 | |
She made a big mistake once | 0:52:51 | 0:52:54 | |
a long time ago. | 0:52:54 | 0:52:56 | |
I thought she was all right. | 0:53:00 | 0:53:01 | |
What do you want to do? | 0:53:01 | 0:53:05 | |
We could go over and meet her? | 0:53:07 | 0:53:08 | |
No. No, I'm not ready. | 0:53:10 | 0:53:14 | |
OK. | 0:53:16 | 0:53:18 | |
Shall we go? | 0:53:20 | 0:53:22 | |
Are you all right, darling? | 0:53:41 | 0:53:43 | |
Yes. Yes, I am. | 0:53:44 | 0:53:48 | |
KNOCKING | 0:53:51 | 0:53:54 | |
-Just checking up on you. -Well, come in. | 0:54:12 | 0:54:15 | |
Amelia. You're beautiful. | 0:54:29 | 0:54:31 | |
I want to talk to you... | 0:54:32 | 0:54:34 | |
about Henry. | 0:54:34 | 0:54:36 | |
I know, you want to get back to him. I understand. | 0:54:36 | 0:54:38 | |
He doesn't exist, Julia. | 0:54:38 | 0:54:41 | |
You were always banging on about all your men and about me being left on the shelf, so... | 0:54:41 | 0:54:49 | |
..I made him up. | 0:54:51 | 0:54:52 | |
Amelia. | 0:54:56 | 0:54:57 | |
There is no Henry. | 0:54:57 | 0:55:00 | |
There is no anybody... | 0:55:00 | 0:55:03 | |
never has been. | 0:55:03 | 0:55:04 | |
Shall we go? | 0:55:08 | 0:55:11 | |
Thank you, Mr Brodie. | 0:56:44 | 0:56:47 | |
You found our lost girl. | 0:56:48 | 0:56:50 | |
Take the whole pack. | 0:57:05 | 0:57:06 | |
SHOUTING | 0:57:36 | 0:57:38 | |
Francis. | 0:57:41 | 0:57:43 | |
Francis! | 0:57:53 | 0:57:55 | |
Subtitles by Red Bee Media Ltd | 0:58:16 | 0:58:20 | |
E-mail [email protected] | 0:58:23 | 0:58:26 |