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I've nothing against Germans. | 0:00:02 | 0:00:04 | |
We had a couple in the Foreign Legion. | 0:00:04 | 0:00:07 | |
Helmut and Klaus. I was in the Paras before. | 0:00:07 | 0:00:11 | |
Couldn't handle it. Joined the Legion. | 0:00:11 | 0:00:13 | |
You ever thought about joining? | 0:00:16 | 0:00:18 | |
Sure. | 0:00:19 | 0:00:21 | |
Why didn't you? | 0:00:21 | 0:00:22 | |
Still thinking. | 0:00:24 | 0:00:25 | |
That them? | 0:00:29 | 0:00:31 | |
No. | 0:00:31 | 0:00:33 | |
PHONE RINGS | 0:00:35 | 0:00:37 | |
Is that your daughter? | 0:00:42 | 0:00:44 | |
I don't see my kid. | 0:00:47 | 0:00:49 | |
Saddest day of my life, the day I got divorced. | 0:00:49 | 0:00:52 | |
That's them. | 0:00:56 | 0:00:58 | |
What's that for? | 0:01:00 | 0:01:01 | |
I know what I'm doing. | 0:01:01 | 0:01:03 | |
Hey, she's a nanny. | 0:01:05 | 0:01:06 | |
Hey, come... | 0:01:12 | 0:01:14 | |
Bleiben Sie wo Sie sind! | 0:01:15 | 0:01:17 | |
THEY ARGUE IN GERMAN | 0:01:17 | 0:01:20 | |
Get against the gate! | 0:01:20 | 0:01:21 | |
Mama, Mama! | 0:01:21 | 0:01:23 | |
CHILD SCREAMS | 0:01:27 | 0:01:29 | |
Come here, it's OK. | 0:01:29 | 0:01:30 | |
SHE SCREAMS | 0:01:30 | 0:01:31 | |
Mummy! Mum! Mummy, Mummy! | 0:01:31 | 0:01:34 | |
Mama, Mama! | 0:01:34 | 0:01:37 | |
SHE SCREAMS | 0:01:37 | 0:01:39 | |
GUNSHOT | 0:01:39 | 0:01:40 | |
My daughter! | 0:01:40 | 0:01:42 | |
GUNSHOT | 0:01:42 | 0:01:43 | |
SHE SCREAMS | 0:01:43 | 0:01:45 | |
Mama! | 0:01:47 | 0:01:49 | |
It's OK. My name's Jackson. | 0:01:54 | 0:01:56 | |
I'm going to take care of you. I promise. | 0:01:56 | 0:01:58 | |
PHONE RINGS | 0:02:51 | 0:02:53 | |
Where's her mother? | 0:04:01 | 0:04:02 | |
Sichern off. | 0:04:02 | 0:04:04 | |
Hey, I'm meant to be handing her over to her mum. Hey! | 0:04:04 | 0:04:07 | |
Wir werden es von hier. Mach dir keine Sorgen ueber das Maedchen. | 0:04:07 | 0:04:10 | |
HE SIGHS | 0:04:39 | 0:04:40 | |
Tracy, can you go and speak to Superdrug Charlotte? | 0:05:07 | 0:05:10 | |
She's missing about 18 boxes of tampons. | 0:05:10 | 0:05:13 | |
Tracy? | 0:05:18 | 0:05:19 | |
You what? | 0:05:19 | 0:05:21 | |
Tampons, Superdrug. | 0:05:21 | 0:05:23 | |
I heard you the first time, Rod, | 0:05:23 | 0:05:25 | |
there's no need to shout "tampons" at me all morning. | 0:05:25 | 0:05:28 | |
# Up above the world so high | 0:05:41 | 0:05:44 | |
# Like a diamond in the sky | 0:05:44 | 0:05:49 | |
# Twinkle, twinkle, little star | 0:05:49 | 0:05:53 | |
Hello. | 0:05:53 | 0:05:55 | |
# How I wonder what you are | 0:05:55 | 0:05:57 | |
On your own? Y'can't be sitting there on your own, kidder. | 0:05:57 | 0:06:00 | |
# Twinkle, twinkle, little star... # | 0:06:00 | 0:06:03 | |
Courtney! You're really gettin' on my wick. | 0:06:03 | 0:06:06 | |
C'mon! C'mon! | 0:06:08 | 0:06:11 | |
C'mon! | 0:06:13 | 0:06:15 | |
RADIO STATIC, FAINT SPEECH | 0:06:20 | 0:06:23 | |
Look, no, no, babe, it's his freezer! | 0:06:36 | 0:06:40 | |
There's no way I'm movin' his freezer! | 0:06:40 | 0:06:43 | |
Ah, get lost. | 0:06:43 | 0:06:46 | |
Come on, you, ya wee shite! | 0:06:46 | 0:06:48 | |
Oy! | 0:06:48 | 0:06:49 | |
Come on. Oy! | 0:06:49 | 0:06:51 | |
If I was you, Mr Brodie, | 0:06:51 | 0:06:53 | |
I'd be more concerned about the mess you made of things. | 0:06:53 | 0:06:55 | |
Yeah, well, you're not me, are you? | 0:06:55 | 0:06:57 | |
You get your colleague's share as well, | 0:07:01 | 0:07:04 | |
since I doubt he'll be in a position to collect it any time soon. | 0:07:04 | 0:07:08 | |
I hope it'll ease your mind. | 0:07:08 | 0:07:10 | |
She was crying for her mum. | 0:07:12 | 0:07:14 | |
You told me I was taking her to her mum. | 0:07:14 | 0:07:16 | |
Which is what I was told. So it was the father. | 0:07:17 | 0:07:20 | |
Custody battles are always ugly. | 0:07:22 | 0:07:24 | |
Our job was to collect the child from the location and deliver her, | 0:07:25 | 0:07:29 | |
which you did. | 0:07:29 | 0:07:30 | |
I'm going to look into every bloody detail of this. | 0:07:33 | 0:07:36 | |
You won't find them. | 0:07:36 | 0:07:38 | |
I couldn't find them, even if I tried. | 0:07:38 | 0:07:40 | |
They'll have new identities by now. It's just the way it works. | 0:07:40 | 0:07:44 | |
You did a job, I did a job. We move on. | 0:07:46 | 0:07:50 | |
I did not sign up to take a child from her mother. | 0:07:50 | 0:07:53 | |
I don't recall you being very specific about what | 0:07:56 | 0:07:58 | |
sort of job you were looking for when you contacted me. | 0:07:58 | 0:08:01 | |
You would do anything, I thought. I presumed you needed the money. | 0:08:01 | 0:08:05 | |
Flights to New Zealand don't come cheap. | 0:08:06 | 0:08:09 | |
I do my research, Mr Brodie. | 0:08:09 | 0:08:12 | |
Your daughter Marlee is 12 years old, | 0:08:12 | 0:08:15 | |
she lives with her mother in Wellington, New Zealand. | 0:08:15 | 0:08:18 | |
Get on with your everyday life, Mr Brodie. | 0:08:19 | 0:08:22 | |
If you have one. | 0:08:26 | 0:08:27 | |
Until next time. | 0:08:27 | 0:08:29 | |
C'mon! | 0:08:43 | 0:08:45 | |
Hey, you shouldn't be treating a dog like that. | 0:08:47 | 0:08:51 | |
What's your problem? You're nothing but a pest. | 0:08:51 | 0:08:55 | |
C'mon, you little shite, you! What's your problem? | 0:08:55 | 0:08:58 | |
Hey! En garde! | 0:08:58 | 0:09:00 | |
What? | 0:09:00 | 0:09:01 | |
Colin. You ever do that to anything or anyone ever again, | 0:09:06 | 0:09:10 | |
I'll find you and I'll kill you, got it? | 0:09:10 | 0:09:14 | |
All right, man. All right. | 0:09:14 | 0:09:15 | |
What about the wee dog? | 0:09:28 | 0:09:30 | |
You can have it. Merry Christmas. | 0:09:30 | 0:09:33 | |
You're doing my head in! I've had it! | 0:09:41 | 0:09:43 | |
-Courtney. -Oi! | 0:09:46 | 0:09:48 | |
-Oi what?! -What do you think, oi what? | 0:09:48 | 0:09:51 | |
Kiss my arse. | 0:09:51 | 0:09:53 | |
What did you say? Come here! | 0:09:53 | 0:09:56 | |
-Get your hands off me. -Hey, hey, hey! | 0:09:56 | 0:09:58 | |
Get off! | 0:09:58 | 0:09:59 | |
Hey, hey, hey, ho. | 0:09:59 | 0:10:02 | |
Don't touch me. | 0:10:02 | 0:10:03 | |
Somebody like you doesn't deserve to have kids. | 0:10:04 | 0:10:07 | |
SHE SPITS | 0:10:07 | 0:10:08 | |
Find out how long this skip's been here. | 0:10:20 | 0:10:22 | |
Door to door on anywhere tonight with a view, OK? | 0:10:22 | 0:10:25 | |
Barry? | 0:10:25 | 0:10:26 | |
Uh, aye, sorry. I was miles away. | 0:10:26 | 0:10:30 | |
Door to door, yeah? | 0:10:34 | 0:10:36 | |
Do you think it was the same fella who killed the last one? | 0:10:36 | 0:10:39 | |
She was a good-time girl as well, eh? | 0:10:39 | 0:10:42 | |
We're not in the '70s, Barry, come on. | 0:10:42 | 0:10:44 | |
Hi. | 0:10:57 | 0:10:59 | |
How's Marlee? | 0:10:59 | 0:11:00 | |
Yeah, better. I threw her bike in the lake. | 0:11:00 | 0:11:04 | |
She was not chuffed. | 0:11:04 | 0:11:06 | |
You fall off your bike as well? | 0:11:06 | 0:11:08 | |
New Zealand must be a dangerous place. | 0:11:08 | 0:11:10 | |
No, eh, this is from Germany. | 0:11:10 | 0:11:13 | |
Gosh, Jackson, it's hard to keep up with you. | 0:11:13 | 0:11:17 | |
Look, I need your help. | 0:11:19 | 0:11:22 | |
You can't have it. | 0:11:22 | 0:11:23 | |
You don't even know what I need your help for. | 0:11:23 | 0:11:26 | |
I don't care what you need help for. | 0:11:26 | 0:11:27 | |
Louise... | 0:11:27 | 0:11:29 | |
Bye. | 0:11:29 | 0:11:30 | |
Hey, move across. | 0:11:43 | 0:11:44 | |
What's your name? The Ambassador. | 0:11:46 | 0:11:49 | |
Fair enough. Move. | 0:11:51 | 0:11:54 | |
PHONE RINGS | 0:11:56 | 0:11:58 | |
Jackson Brodie. | 0:12:01 | 0:12:03 | |
'You're in trouble, pal.' | 0:12:03 | 0:12:04 | |
Oh, yeah, why's that? | 0:12:04 | 0:12:07 | |
'Stop asking about Carol Braithwaite.' | 0:12:07 | 0:12:09 | |
Who? | 0:12:09 | 0:12:10 | |
'Carol Braithwaite. You heard.' | 0:12:10 | 0:12:12 | |
Apparently we're in trouble. | 0:12:16 | 0:12:18 | |
DOG BARKS | 0:12:26 | 0:12:28 | |
Hey. | 0:12:49 | 0:12:51 | |
Where have you been? | 0:12:51 | 0:12:52 | |
Yeah, I'm all right, thanks. How've you been? | 0:12:52 | 0:12:54 | |
Where have you been?! | 0:12:54 | 0:12:56 | |
New Zealand, where do you think? Looking after Marlee. | 0:12:56 | 0:12:58 | |
You have not been in New bloody Zealand. | 0:12:58 | 0:13:00 | |
You disappeared after a couple of months. | 0:13:00 | 0:13:02 | |
I went walkabout. | 0:13:02 | 0:13:04 | |
So why not answer your phone for the last three weeks? | 0:13:04 | 0:13:06 | |
-The charger broke. -You left New Zealand three weeks ago. | 0:13:06 | 0:13:09 | |
Right. | 0:13:09 | 0:13:11 | |
Slink off somewhere else to lick your wounds, | 0:13:11 | 0:13:13 | |
because Louise wants to marry someone nice? | 0:13:13 | 0:13:15 | |
-I was working, actually. -Did you get paid for it? | 0:13:15 | 0:13:18 | |
DOG BARKS | 0:13:18 | 0:13:21 | |
What is that? | 0:13:21 | 0:13:22 | |
The Ambassador. Do you want him? | 0:13:22 | 0:13:24 | |
What's he eat? Ferrero Rocher? | 0:13:24 | 0:13:25 | |
Patrick's not nice and reliable. Why would you say that? | 0:13:25 | 0:13:28 | |
He's a bit of a tit, if you ask me. | 0:13:28 | 0:13:30 | |
Don't touch my computer. Did you get paid for it? | 0:13:30 | 0:13:34 | |
Hey, my laptop is charging. | 0:13:34 | 0:13:35 | |
You won't have a laptop in a few weeks, Jackson. | 0:13:35 | 0:13:39 | |
-Do you know what I have been having to do? -What? | 0:13:39 | 0:13:41 | |
I've been working as you. | 0:13:41 | 0:13:43 | |
Unless you want to extract your thumb from your anus | 0:13:43 | 0:13:46 | |
and come up with some ideas... KNOCK ON DOOR | 0:13:46 | 0:13:48 | |
Mr Brodie? Have I come at a bad time? | 0:13:48 | 0:13:51 | |
BOTH: No! | 0:13:51 | 0:13:52 | |
You're right on the minute, Miss McMaster. | 0:13:52 | 0:13:55 | |
Come in and make yourself at home. | 0:13:55 | 0:13:57 | |
Client. I booked her in. | 0:13:59 | 0:14:00 | |
We need to have a serious financial talk...and behavioural. | 0:14:00 | 0:14:03 | |
Any chance of a cup of tea? | 0:14:03 | 0:14:06 | |
Glass of water? For the client. | 0:14:07 | 0:14:09 | |
Mum, my adoptive mum, was a model during the '70s. | 0:14:13 | 0:14:19 | |
She was...her name was Kitty Winfield. | 0:14:19 | 0:14:22 | |
Gorgeous. | 0:14:24 | 0:14:25 | |
She was. She gave it up. Came home, gave it up to be a good wife. | 0:14:25 | 0:14:30 | |
Dad was a police surgeon in Edinburgh. | 0:14:30 | 0:14:33 | |
They couldn't have kids, broke their heart. | 0:14:33 | 0:14:36 | |
Have you got kids? | 0:14:36 | 0:14:38 | |
Daughter. | 0:14:39 | 0:14:41 | |
But then I came along, like a gift. | 0:14:42 | 0:14:45 | |
It's why they called me Hope. | 0:14:45 | 0:14:47 | |
When were you born? When did you come along? | 0:14:47 | 0:14:50 | |
Beginning of 1979. They got the news at a Hogmanay Ball. | 0:14:50 | 0:14:56 | |
Vicars and tarts. | 0:14:56 | 0:14:58 | |
Not long after, they took me to Australia. | 0:14:59 | 0:15:02 | |
Dad died, 1997. | 0:15:02 | 0:15:06 | |
Mum last year. | 0:15:06 | 0:15:08 | |
-Sorry. -I nursed both of them. | 0:15:08 | 0:15:10 | |
If you've been given away, you see, even for the best of reasons... | 0:15:12 | 0:15:16 | |
You have a...you don't stop grieving for it. | 0:15:18 | 0:15:22 | |
Hmmmm. | 0:15:24 | 0:15:27 | |
If I have a mum here, I want to know. | 0:15:27 | 0:15:32 | |
Did you, they, keep in touch with anyone from back here? | 0:15:32 | 0:15:37 | |
Always got a Christmas card from Ray and Margaret. | 0:15:37 | 0:15:40 | |
Ray and Margaret? | 0:15:40 | 0:15:41 | |
Don't know the last name. Scottish stamp though. | 0:15:43 | 0:15:46 | |
Little lion in the corner. | 0:15:46 | 0:15:48 | |
I've got to say to you what I say to a lot of people in your situation. | 0:15:48 | 0:15:52 | |
Apart from the fact that I may not come up with anything - | 0:15:52 | 0:15:55 | |
it doesn't necessarily always end in a happy ending. | 0:15:55 | 0:15:59 | |
Happy or not, I want to know. | 0:16:00 | 0:16:02 | |
I did it in the microwave, is that OK? | 0:16:30 | 0:16:33 | |
Only don't have it straightaway cos somebody said | 0:16:33 | 0:16:37 | |
it keeps on cooking in your stomach. | 0:16:37 | 0:16:39 | |
Tummy. | 0:16:42 | 0:16:43 | |
I don't really know much about microwaves. | 0:16:44 | 0:16:47 | |
Yeah. | 0:16:54 | 0:16:55 | |
Shut up. | 0:17:33 | 0:17:34 | |
We knew Kitty and John from work dos and things. | 0:17:36 | 0:17:40 | |
-Work? -Ray was a policeman. -Oh, right. | 0:17:40 | 0:17:43 | |
I mean to say, we were little more than acquaintances, y'know. | 0:17:43 | 0:17:46 | |
I don't know why you're here asking. | 0:17:46 | 0:17:50 | |
Did you send them Christmas cards? | 0:17:50 | 0:17:52 | |
-No. -No. -Oh. | 0:17:52 | 0:17:53 | |
We never had their address. I remember they got a baby, but... | 0:17:53 | 0:18:00 | |
Where were they, New Zealand? | 0:18:00 | 0:18:02 | |
Australia. | 0:18:02 | 0:18:04 | |
They would get a baby, of course. | 0:18:04 | 0:18:07 | |
Kitty had everything, pretty much. | 0:18:07 | 0:18:11 | |
What did they end up calling her? | 0:18:11 | 0:18:13 | |
Hope. | 0:18:13 | 0:18:15 | |
So do you remember any of the circumstances | 0:18:16 | 0:18:20 | |
in which they got the baby? | 0:18:20 | 0:18:21 | |
They got her and they moved. | 0:18:21 | 0:18:23 | |
And the real parents, the birth parents? | 0:18:23 | 0:18:26 | |
Car crash. | 0:18:26 | 0:18:27 | |
Don't suppose you remember their name? | 0:18:27 | 0:18:30 | |
They always had the luck. | 0:18:31 | 0:18:34 | |
Ray and I, we'd thought about adoption, but... | 0:18:35 | 0:18:39 | |
I'd had trouble with my nerves, you see, | 0:18:39 | 0:18:41 | |
and, eh, myself and Ray were...they turned us down. | 0:18:41 | 0:18:47 | |
You said the word "depression" in those days and folk'd run a mile. | 0:18:47 | 0:18:51 | |
Now it's almost compulsory. | 0:18:51 | 0:18:55 | |
We've managed all right. | 0:18:58 | 0:19:00 | |
I'm a lot better now. | 0:19:00 | 0:19:01 | |
Good. Look, I'll leave my card. | 0:19:01 | 0:19:04 | |
If you do remember anything at all, | 0:19:04 | 0:19:07 | |
please don't hesitate to give us a ring. | 0:19:07 | 0:19:10 | |
I wish I'd been born Kitty Winfield sometimes. | 0:19:10 | 0:19:14 | |
I wouldn't have swapped you for every Kitty Winfield in the world, Maggie. | 0:19:14 | 0:19:19 | |
I've tried my best. | 0:19:19 | 0:19:21 | |
Aye. | 0:19:21 | 0:19:22 | |
Well, I'll let myself out. | 0:19:22 | 0:19:24 | |
These look nice? What size are they? | 0:19:33 | 0:19:36 | |
I can't tell what size anybody's supposed to be. Kids. All so fat. | 0:19:36 | 0:19:40 | |
How old are you, Courtney? | 0:19:41 | 0:19:44 | |
Are you four? | 0:19:44 | 0:19:45 | |
Or are you a bit older, are you five? | 0:19:47 | 0:19:50 | |
Courtney? | 0:19:50 | 0:19:52 | |
Cut your leg off and count the rings. | 0:19:52 | 0:19:55 | |
Do you want some crisps? | 0:19:57 | 0:19:59 | |
Here you go. | 0:19:59 | 0:20:01 | |
Hey, that's the pig off your rucksack. | 0:20:01 | 0:20:04 | |
Will we get him? Yeah, will we get him? | 0:20:04 | 0:20:08 | |
Huh, yeah. | 0:20:08 | 0:20:09 | |
We're not really going to cut your legs off. | 0:20:11 | 0:20:14 | |
Tracy didn't mean it. | 0:20:14 | 0:20:17 | |
Tracy didn't bloody mean it. | 0:20:17 | 0:20:19 | |
PHONE RINGS | 0:20:22 | 0:20:24 | |
What's up, Trace? | 0:20:24 | 0:20:25 | |
This and that. What's up with you? | 0:20:25 | 0:20:27 | |
Same old thing. Sunshine and rainbows. | 0:20:27 | 0:20:31 | |
Listen, have any kids been reported missing? | 0:20:31 | 0:20:36 | |
You've retired. Have you not? | 0:20:36 | 0:20:38 | |
Tracy? | 0:20:38 | 0:20:40 | |
Hey, come here. Sit, sit. There you go, stay right there. | 0:20:48 | 0:20:54 | |
And bugger off as well. | 0:20:54 | 0:20:56 | |
Can I help? | 0:21:06 | 0:21:07 | |
I'm a private investigator. My name's Jackson. | 0:21:07 | 0:21:11 | |
-Aren't you supposed to be meeting her at 2.00? -Eh? | 0:21:11 | 0:21:15 | |
Your appointment's not till 2.00. | 0:21:15 | 0:21:17 | |
Eh, I didn't... | 0:21:17 | 0:21:19 | |
Oh, well, go in, I'll see if I can find her, OK? | 0:21:19 | 0:21:22 | |
Help yourself to her tea, if you like that kind of thing. | 0:21:22 | 0:21:25 | |
Tastes like cobwebs to me but there you go, each to their own. | 0:21:25 | 0:21:28 | |
Carol Braithwaite. | 0:21:42 | 0:21:44 | |
Oh, hey, hey! | 0:22:00 | 0:22:02 | |
Stay there. Stay. Stay! Shut up. | 0:22:04 | 0:22:07 | |
DOG WHIMPERS | 0:22:07 | 0:22:09 | |
Genius. | 0:22:12 | 0:22:14 | |
Braithwaite. | 0:22:27 | 0:22:29 | |
WPC Tracy Waterhouse, 1979. Hmmm. | 0:22:30 | 0:22:34 | |
Smile. | 0:22:36 | 0:22:38 | |
VOICES APPROACH | 0:22:44 | 0:22:47 | |
Come here, come on, come here. Get under there. Go on, get under there. | 0:22:47 | 0:22:52 | |
Go on. Go on. You'll get me in trouble, go on. | 0:22:52 | 0:22:55 | |
She's at a sexual harassment seminar. | 0:22:57 | 0:23:01 | |
PHONE BEEPS | 0:23:01 | 0:23:02 | |
Well, huh, oh, all right. | 0:23:02 | 0:23:05 | |
Ummm, thanks. | 0:23:05 | 0:23:08 | |
I'm allergic. Just so you know. | 0:23:08 | 0:23:10 | |
See me, I'm going to look like pink porridge oats in about two minutes. | 0:23:10 | 0:23:15 | |
Guess you don't want him then? | 0:23:15 | 0:23:17 | |
No, thanks. | 0:23:17 | 0:23:19 | |
All right, come on. | 0:23:19 | 0:23:21 | |
PHONE RINGS | 0:23:25 | 0:23:26 | |
Hey. | 0:23:26 | 0:23:27 | |
(DEBORAH) 'Hi.' | 0:23:27 | 0:23:28 | |
Can you look up a Tracy Waterhouse for me? | 0:23:28 | 0:23:31 | |
Police or ex. Edinburgh. | 0:23:31 | 0:23:33 | |
'You've got £20,000 in a bag here.' | 0:23:33 | 0:23:35 | |
Yeah. | 0:23:35 | 0:23:36 | |
'Can I bank it?' | 0:23:36 | 0:23:38 | |
No, you can't. Don't touch it. | 0:23:38 | 0:23:40 | |
'Why? Where's it from?' | 0:23:40 | 0:23:42 | |
You're not still making appointments? | 0:23:42 | 0:23:45 | |
Working as me, are you? | 0:23:45 | 0:23:47 | |
'No, and don't change the subject. | 0:23:47 | 0:23:49 | |
'OK, Tracy Waterhouse is at 67 Burnside Road. | 0:23:49 | 0:23:53 | |
'Where is this money from if I can't put it in the bank? | 0:23:53 | 0:23:56 | |
'What's wrong with it, Jackson?' | 0:23:56 | 0:23:58 | |
DOORBELL RINGS | 0:24:21 | 0:24:23 | |
OK, so what we're going to do is, we're going to play hide-and-seek, | 0:24:32 | 0:24:35 | |
which is a really brilliant game, OK? | 0:24:35 | 0:24:37 | |
Right, you're going to get in the cupboard, | 0:24:37 | 0:24:39 | |
go on, get in the cupboard, and then you've won the game, all right? | 0:24:39 | 0:24:42 | |
Sorry. | 0:24:42 | 0:24:43 | |
What the frig are you doing larking about out there? | 0:24:57 | 0:24:59 | |
Who are you? | 0:24:59 | 0:25:00 | |
It's all right, Tracy, I'm a private detective. | 0:25:00 | 0:25:03 | |
You called. I'm not interested in private detectives. | 0:25:03 | 0:25:06 | |
It's about a young child you may have been in contact with. | 0:25:06 | 0:25:09 | |
Right. | 0:25:13 | 0:25:14 | |
Carol Braithwaite. | 0:25:21 | 0:25:22 | |
What? | 0:25:25 | 0:25:26 | |
1979. Carol Braithwaite. Ring a bell? | 0:25:26 | 0:25:29 | |
Yeah...why ask about her? She wasn't a kid. | 0:25:29 | 0:25:34 | |
-Why you asking about her? -Who was she? | 0:25:34 | 0:25:37 | |
Well, she was a good-time girl. | 0:25:38 | 0:25:39 | |
The kind of good time that lasts for about five minutes | 0:25:39 | 0:25:42 | |
and sets you back a couple of quid. She was killed. | 0:25:42 | 0:25:45 | |
And there was a kid? | 0:25:46 | 0:25:48 | |
She'd been done about three weeks before. January. | 0:25:54 | 0:25:58 | |
It really stank in there. Even in winter, it really stank. | 0:25:58 | 0:26:02 | |
I hadn't been long in the job. | 0:26:03 | 0:26:05 | |
Me and Barry were always getting that kind of thing, | 0:26:05 | 0:26:08 | |
newspapers jammed in letterboxes and flies swarming about. | 0:26:08 | 0:26:11 | |
TV PLAYS FAINTLY | 0:26:23 | 0:26:25 | |
Aw, Christ! Tracy. | 0:26:28 | 0:26:31 | |
Some bastard had locked it in with its mum for three weeks. Michael. | 0:26:52 | 0:26:57 | |
Michael? A little boy? | 0:27:00 | 0:27:03 | |
I think he must have gone out of his mind, he was only about three. | 0:27:04 | 0:27:07 | |
He must have gone off his head, I mean, | 0:27:07 | 0:27:09 | |
he didn't cry or anything, he was just like a stone. | 0:27:09 | 0:27:12 | |
It's like the lights were off. | 0:27:13 | 0:27:16 | |
Is it him you're working for? | 0:27:16 | 0:27:18 | |
No, I'm looking for the parents of a little girl, but it's 1979, | 0:27:18 | 0:27:21 | |
so I thought maybe... | 0:27:21 | 0:27:23 | |
DOG BARKS | 0:27:23 | 0:27:25 | |
Hiya. Who's this? | 0:27:25 | 0:27:28 | |
Eh...this is Courtney. I'm Courtney's nana. | 0:27:28 | 0:27:32 | |
Hi, Courtney. | 0:27:32 | 0:27:34 | |
Courtney, um, do remember you had that pizza before? | 0:27:34 | 0:27:36 | |
Should we have another one? Let's go in the house. | 0:27:36 | 0:27:39 | |
SHE MOANS | 0:27:39 | 0:27:40 | |
No, come on. Don't be silly. Let's go in, no? | 0:27:40 | 0:27:43 | |
What you got there? | 0:27:49 | 0:27:50 | |
Give us a look. | 0:27:53 | 0:27:54 | |
Can I have a peek? | 0:27:56 | 0:27:58 | |
Wow, is that off a silver tree? | 0:28:03 | 0:28:05 | |
Courtney, do you want a biscuit? Yeah, come on. | 0:28:05 | 0:28:08 | |
It's the only thing that keeps her quiet. | 0:28:08 | 0:28:11 | |
Shame it wasn't Michael. | 0:28:16 | 0:28:18 | |
Yeah. | 0:28:18 | 0:28:20 | |
'Hi, you've reached Hope McMaster. | 0:28:20 | 0:28:21 | |
'Please leave a message and I'll call you back.' | 0:28:21 | 0:28:24 | |
Hope, it's Jackson. | 0:28:24 | 0:28:25 | |
You haven't hired another investigator, have you? | 0:28:25 | 0:28:29 | |
Look, uh...I need to come and see you in the morning. | 0:28:29 | 0:28:33 | |
Don't get too excited. | 0:28:34 | 0:28:36 | |
I was going to take you to Robin Hood's Bay. | 0:29:02 | 0:29:05 | |
I've got a little cottage booked there. | 0:29:05 | 0:29:07 | |
Go there for me holidays. Y'ever been to the seaside? | 0:29:07 | 0:29:11 | |
Courtney? | 0:29:14 | 0:29:15 | |
No, I suppose not. Right, well, we'd better get going. | 0:29:21 | 0:29:26 | |
Or I don't suppose you ever will get to the seaside. | 0:29:26 | 0:29:30 | |
She'll never take you. Come on. | 0:29:30 | 0:29:33 | |
(ON TV) 'Police are hunting a serial killer after a body of a prostitute | 0:29:38 | 0:29:41 | |
'was found in the city's West Linton area this morning. | 0:29:41 | 0:29:45 | |
'It's the third woman to be slain in the city in the last month alone. | 0:29:45 | 0:29:49 | |
KNOCK ON DOOR | 0:29:49 | 0:29:50 | |
'Police have appealed for any members of the public...' | 0:29:50 | 0:29:53 | |
Len, there's that Jackson man to see you again. | 0:29:53 | 0:29:55 | |
'..With any suspicious people in their area.' | 0:29:55 | 0:29:57 | |
Tell him to sod off. | 0:29:57 | 0:29:59 | |
Says to tell you it's about Carol Braithwaite. | 0:29:59 | 0:30:02 | |
When's that Pointless on, eh? I don't want to watch this crap. | 0:30:02 | 0:30:06 | |
It's the news, Len. | 0:30:06 | 0:30:08 | |
I saw the news yesterday. Right, I'm away oot. | 0:30:08 | 0:30:13 | |
Right, will I call you a taxi? | 0:30:13 | 0:30:16 | |
Aye, you call me a taxi to mind-your-own-business-Helen. | 0:30:16 | 0:30:20 | |
WATER RUNNING | 0:30:25 | 0:30:27 | |
LOUD THUD | 0:30:28 | 0:30:29 | |
Maggie! | 0:30:31 | 0:30:33 | |
Maggie! | 0:30:41 | 0:30:43 | |
Maggie! | 0:30:48 | 0:30:50 | |
HE GROANS | 0:30:52 | 0:30:54 | |
Maggie! | 0:30:58 | 0:31:00 | |
Help! | 0:31:04 | 0:31:06 | |
Help! | 0:31:08 | 0:31:10 | |
Please! | 0:31:10 | 0:31:12 | |
I'm here to help, Ray. | 0:31:12 | 0:31:14 | |
What's the problem? | 0:31:14 | 0:31:16 | |
All right. | 0:31:37 | 0:31:38 | |
You're a brave man showing your face in here. | 0:31:44 | 0:31:47 | |
Brave or stupid. | 0:31:47 | 0:31:49 | |
The two aren't mutually exclusive, are they? | 0:31:49 | 0:31:51 | |
I thought you did a good thing. | 0:31:51 | 0:31:54 | |
Too many bad apples round here. | 0:31:54 | 0:31:56 | |
Shouldn't have been you that got the sack. | 0:31:56 | 0:31:59 | |
Thanks. Listen, eh, can I ask you about Tracy, Tracy Waterhouse? | 0:31:59 | 0:32:05 | |
What about Tracy? | 0:32:05 | 0:32:07 | |
She used to be your partner, right? | 0:32:07 | 0:32:09 | |
Yeah, until she retired. So what? | 0:32:09 | 0:32:11 | |
She got any grandchildren? | 0:32:11 | 0:32:13 | |
No, she doesn't have any children. Neither do I. | 0:32:13 | 0:32:16 | |
Any kids she takes care of or anything? | 0:32:16 | 0:32:19 | |
HE CHUCKLES | 0:32:19 | 0:32:20 | |
Tracy? She's a spinster of the parish. | 0:32:20 | 0:32:23 | |
I don't understand what this has to do with Carol Braithwaite. | 0:32:23 | 0:32:26 | |
Eh? | 0:32:26 | 0:32:27 | |
You left a message. You working for Michael? | 0:32:27 | 0:32:30 | |
No. | 0:32:32 | 0:32:33 | |
Who're you working for then? | 0:32:33 | 0:32:35 | |
Someone called Hope. | 0:32:35 | 0:32:36 | |
Hope. That's a woman's name. | 0:32:36 | 0:32:39 | |
That is because she's a woman. | 0:32:39 | 0:32:42 | |
Look, do me a favour. Lay off Tracy. You'll only upset her. | 0:32:43 | 0:32:47 | |
Why? | 0:32:47 | 0:32:49 | |
Well, because after we found Michael, they took him away, | 0:32:49 | 0:32:51 | |
put him into care. | 0:32:51 | 0:32:53 | |
Tracy, she wanted to follow up, make sure he was OK, | 0:32:53 | 0:32:57 | |
but you know what it's like, you don't want to let go. | 0:32:57 | 0:33:02 | |
Don't you? | 0:33:02 | 0:33:04 | |
Hey. | 0:33:16 | 0:33:18 | |
What? | 0:33:18 | 0:33:19 | |
Nothing, I'm not here to see you. | 0:33:19 | 0:33:21 | |
Oh. | 0:33:21 | 0:33:23 | |
Oh, can you stop harassing these people, by the way? | 0:33:23 | 0:33:28 | |
What people? Who am I harassing? | 0:33:28 | 0:33:30 | |
I'm getting angry phone calls from Lomax. | 0:33:30 | 0:33:33 | |
Eh? Len Lomax? Bent ex-Chief Constable Len Lomax? | 0:33:33 | 0:33:38 | |
-Aye, nothing was proved, yeah. -He's calling about me? | 0:33:38 | 0:33:41 | |
Aye. | 0:33:41 | 0:33:43 | |
What's he calling you for? | 0:33:43 | 0:33:45 | |
Maybe he thinks we're friends. | 0:33:45 | 0:33:47 | |
Huh. | 0:33:47 | 0:33:49 | |
Just stop harassing him, eh? | 0:33:49 | 0:33:51 | |
I think someone's pretending to be me. | 0:33:52 | 0:33:54 | |
Who the hell would want to do that? | 0:33:54 | 0:33:56 | |
Sie ist meine Tochter! | 0:34:25 | 0:34:28 | |
Mama! | 0:34:30 | 0:34:32 | |
SHE SCREAMS | 0:34:32 | 0:34:34 | |
-KNOCK ON DOOR -Excuse me. | 0:35:02 | 0:35:04 | |
This room's off limits to the general public. It's top secret. | 0:35:04 | 0:35:07 | |
I'm looking for Tracy Waterhouse. | 0:35:07 | 0:35:10 | |
-Ah, Mr Jackson. -Jackson...is my first name. | 0:35:10 | 0:35:14 | |
-Your first name's Brian. -No, no, my first name's Jackson. | 0:35:14 | 0:35:17 | |
Jackson Brian? | 0:35:17 | 0:35:18 | |
There's only one man who can get off with having a first name as a | 0:35:18 | 0:35:21 | |
surname and a surname as a first name, and that's Elton John, pal. | 0:35:21 | 0:35:25 | |
My name's Jackson Brodie. | 0:35:25 | 0:35:27 | |
Private detective. You've been leaving messages. | 0:35:27 | 0:35:30 | |
I'm getting pissing well fed up with this! | 0:35:30 | 0:35:32 | |
Well, pissing piss, you've just missed her again, Brian. | 0:35:34 | 0:35:37 | |
She's been in and out. She's away on leave. | 0:35:37 | 0:35:40 | |
What was she doing here? | 0:35:40 | 0:35:41 | |
She wanted an address. | 0:35:41 | 0:35:43 | |
Whose? | 0:35:43 | 0:35:45 | |
I'm not prepared to divulge that kind of information. | 0:35:45 | 0:35:48 | |
50 quid. | 0:35:48 | 0:35:49 | |
All right then. | 0:35:52 | 0:35:54 | |
-Kelly Cross. -Who's that? | 0:35:57 | 0:35:59 | |
One of our regular shoplifters. Prozzie. | 0:35:59 | 0:36:03 | |
She'll steal anything, from tampons to wheelbarrows. | 0:36:03 | 0:36:06 | |
Why did Tracy want her address? | 0:36:06 | 0:36:08 | |
Don't know. | 0:36:08 | 0:36:10 | |
She got any kids, this Kelly? | 0:36:14 | 0:36:16 | |
She's always got one tagging along. | 0:36:16 | 0:36:18 | |
Right, ta. | 0:36:18 | 0:36:20 | |
My name's Rod, by the way. | 0:36:20 | 0:36:22 | |
Sorry? | 0:36:22 | 0:36:23 | |
You never asked my name. That's no' very polite. | 0:36:23 | 0:36:26 | |
My name's Rod. As in Rod Stewart. | 0:36:26 | 0:36:28 | |
You've let yourself go a bit, Rod. | 0:36:28 | 0:36:31 | |
Any other time I can help you, Brian, | 0:36:33 | 0:36:35 | |
do feel free to pop in and kiss my arse. | 0:36:35 | 0:36:37 | |
Hey, hey, hey! Hold on. | 0:36:53 | 0:36:56 | |
Hello? | 0:36:56 | 0:36:57 | |
DOG BARKS | 0:37:00 | 0:37:01 | |
Stay. | 0:37:01 | 0:37:03 | |
HE GROANS | 0:37:19 | 0:37:20 | |
PHONE RINGS | 0:37:42 | 0:37:44 | |
Hey. | 0:37:48 | 0:37:50 | |
Oh, Jackson. What were you doing here? | 0:37:50 | 0:37:52 | |
I was looking for Tracy Waterhouse. | 0:37:52 | 0:37:55 | |
What, the police officer? Perpetual Tracy? Why? | 0:37:56 | 0:38:00 | |
I saw her this morning, she had a kid with her. | 0:38:00 | 0:38:03 | |
I don't think it was hers. It might have been Kelly Cross's. | 0:38:03 | 0:38:06 | |
What, you saw Tracy here? Tracy was here? | 0:38:06 | 0:38:08 | |
No, we need to find out if Kelly Cross had a kid | 0:38:08 | 0:38:11 | |
and if Tracy's got an alibi. | 0:38:11 | 0:38:13 | |
Would you recognise the kid? | 0:38:13 | 0:38:14 | |
Yeah. | 0:38:14 | 0:38:16 | |
All right, meet me at the office. Is that your dog? | 0:38:16 | 0:38:18 | |
No. Why? Do you want him? | 0:38:18 | 0:38:20 | |
No, park it before you come and see me. | 0:38:20 | 0:38:23 | |
No, of course, I completely understand. | 0:38:26 | 0:38:28 | |
We're here to ensure that marriage can be built on trust. | 0:38:28 | 0:38:32 | |
Yeah, you will receive a full written report, photographs, | 0:38:32 | 0:38:36 | |
and if... | 0:38:36 | 0:38:37 | |
S-s-sorry. | 0:38:40 | 0:38:42 | |
Of course, of course! Take your time. | 0:38:43 | 0:38:47 | |
OK, OK, bye. | 0:38:47 | 0:38:49 | |
DOG BARKS | 0:38:51 | 0:38:54 | |
Hey, come here. | 0:38:54 | 0:38:56 | |
Hi. | 0:38:57 | 0:38:58 | |
Border terrier. That's a nice dog. | 0:38:58 | 0:39:01 | |
Ever been to the Borders? Just down the A68. | 0:39:01 | 0:39:04 | |
I don't drive. | 0:39:04 | 0:39:05 | |
I think they're even more beautiful than the West Coast. | 0:39:05 | 0:39:08 | |
Mr Brodie's dog? | 0:39:08 | 0:39:10 | |
-Yes, can I help with anything? -He's not here then? | 0:39:10 | 0:39:13 | |
No, no, he's not. Can I help with anything? | 0:39:13 | 0:39:15 | |
I think I can find him myself. Thank you, Deborah. | 0:39:15 | 0:39:18 | |
Sorry, have we met? Hello! | 0:39:20 | 0:39:23 | |
Hi! Excuse me! | 0:39:23 | 0:39:25 | |
What is going on? | 0:39:29 | 0:39:32 | |
PHONE BEEPS | 0:39:32 | 0:39:34 | |
Kelly had one daughter. Courtney. | 0:39:43 | 0:39:45 | |
Any news on Tracy? | 0:39:45 | 0:39:47 | |
She's still not home. | 0:39:47 | 0:39:49 | |
But she was at work during the other murders, so it's not her. | 0:39:49 | 0:39:53 | |
Whatever you say. | 0:39:53 | 0:39:55 | |
I feel like you want an apology from me, Jackson. | 0:40:09 | 0:40:12 | |
I've said nothing. | 0:40:12 | 0:40:13 | |
I don't need to apologise, I don't need to explain myself. | 0:40:14 | 0:40:18 | |
Did I ask for either? | 0:40:18 | 0:40:20 | |
It takes more than half a sentence on my doorstep on Christmas Day. | 0:40:22 | 0:40:26 | |
It wasn't me who said it. | 0:40:27 | 0:40:29 | |
SHE LAUGHS | 0:40:29 | 0:40:31 | |
You made me say it. You made me say it to you. | 0:40:31 | 0:40:35 | |
I'm just saying, it wasn't me, was it? | 0:40:35 | 0:40:37 | |
Then you bugger off for two months to New Zealand. | 0:40:37 | 0:40:40 | |
Because my daughter broke her arm, had an accident, so you want me...? | 0:40:40 | 0:40:44 | |
Mmmmm, OK, it's just I called you. | 0:40:44 | 0:40:47 | |
When did you call me? | 0:40:49 | 0:40:51 | |
OK, look, that's Tracy Waterhouse with Kelly Cross. | 0:40:55 | 0:40:59 | |
And that's the kid I saw. | 0:40:59 | 0:41:01 | |
Did she just buy that child? | 0:41:09 | 0:41:11 | |
Yeah. | 0:41:13 | 0:41:14 | |
Why do you always have to complicate things? | 0:41:17 | 0:41:21 | |
I don't mean to. | 0:41:21 | 0:41:22 | |
Well, could you just maybe leave it with me now? | 0:41:23 | 0:41:27 | |
Sure. | 0:41:27 | 0:41:28 | |
Cos you're good at leaving things with me. | 0:41:29 | 0:41:32 | |
Put that money away. | 0:42:03 | 0:42:05 | |
Tracy Waterhouse, where would she run to? | 0:42:05 | 0:42:08 | |
Friends, family, bank accounts, previous holidays, | 0:42:08 | 0:42:11 | |
that kind of thing. | 0:42:11 | 0:42:12 | |
-Jennifer. Munich. Kidnap. -Not now. | 0:42:12 | 0:42:15 | |
Jackson, what did you do? | 0:42:15 | 0:42:16 | |
Well, you're a detective, aren't you? Work it out. | 0:42:16 | 0:42:19 | |
Well, did you kidnap someone? | 0:42:19 | 0:42:21 | |
I did a job. I took someone from somewhere to somewhere else. | 0:42:25 | 0:42:28 | |
All right? Against their will? | 0:42:28 | 0:42:30 | |
-I don't know, I'm not sure, maybe. -What do you mean "maybe"? | 0:42:31 | 0:42:34 | |
I mean I don't know if...I did the right thing. | 0:42:34 | 0:42:39 | |
Jackson, this isn't your sort of job. | 0:42:39 | 0:42:41 | |
Well, it's done now, I can't change it, | 0:42:41 | 0:42:44 | |
so just forget it and put that away. | 0:42:44 | 0:42:45 | |
What, but we could call... | 0:42:45 | 0:42:47 | |
No, there is nothing to be done. Just leave it. | 0:42:47 | 0:42:50 | |
-Well, I... -Bloody leave it, will you! | 0:42:50 | 0:42:52 | |
DOG WHIMPERS | 0:42:52 | 0:42:55 | |
I'm going home. | 0:42:57 | 0:42:58 | |
# I'll pay the rent | 0:43:15 | 0:43:19 | |
# You pay the ransom if you can | 0:43:22 | 0:43:27 | |
# Cos by accident | 0:43:29 | 0:43:31 | |
RINGING | 0:43:31 | 0:43:33 | |
# We're down | 0:43:36 | 0:43:38 | |
# We're down to our last cent | 0:43:38 | 0:43:42 | |
RINGING CONTINUES | 0:43:42 | 0:43:44 | |
# The money ain't coming in like I hoped | 0:43:44 | 0:43:49 | |
# And all this smoke is like a hammer in my throat... # | 0:43:49 | 0:43:55 | |
Hey, hiya. | 0:43:55 | 0:43:57 | |
Where the hell have you been? | 0:43:57 | 0:44:00 | |
Up to no good. | 0:44:00 | 0:44:01 | |
Surprise, surprise. | 0:44:01 | 0:44:04 | |
Thing is, when you say that, you actually mean it, don't you? | 0:44:04 | 0:44:09 | |
So what have you got to tell me? What's going on? | 0:44:09 | 0:44:12 | |
Well, Mum is a bitch. | 0:44:12 | 0:44:14 | |
Excuse me? | 0:44:14 | 0:44:16 | |
She's a bitch. And Stuart's a dick. | 0:44:16 | 0:44:19 | |
You wash your mouth. | 0:44:19 | 0:44:20 | |
You think he's a dick. | 0:44:20 | 0:44:22 | |
That's not the point, I don't go around saying it, do I? | 0:44:22 | 0:44:26 | |
Why... She's not, but why would you call your mum that? | 0:44:28 | 0:44:32 | |
Cos she grounded me. | 0:44:32 | 0:44:34 | |
You never grounded me, Dad. | 0:44:35 | 0:44:37 | |
-No. -I miss you. | 0:44:38 | 0:44:41 | |
I miss you too. Wish you were here. | 0:44:44 | 0:44:47 | |
I don't like it here. | 0:44:47 | 0:44:49 | |
I know and I'm sorry. It's just the way things are. | 0:44:49 | 0:44:52 | |
It's Stuart, he beats me, Dad. | 0:44:54 | 0:44:58 | |
No, he doesn't. | 0:44:58 | 0:45:00 | |
Well, I still don't like it. | 0:45:00 | 0:45:02 | |
Look, I've got to go. | 0:45:04 | 0:45:05 | |
-No, no, hold on! -Bye. | 0:45:05 | 0:45:07 | |
DOG BARKS | 0:45:14 | 0:45:17 | |
# Seems like to me the stars don't shine so bright | 0:45:17 | 0:45:20 | |
# Seems like to me the sun has lost its light | 0:45:23 | 0:45:29 | |
# Seems like to me there's nothing going right | 0:45:30 | 0:45:37 | |
# Since you went away | 0:45:40 | 0:45:43 | |
# Seems like to me the sky ain't half so blue | 0:45:46 | 0:45:53 | |
# Seems like to me that everything wants you... # | 0:45:53 | 0:45:58 | |
No, no, no, no, hey, hey! No dogs allowed. Come on. | 0:45:58 | 0:46:02 | |
# Seems like to me I don't know what to do | 0:46:02 | 0:46:08 | |
# Since you went away. # | 0:46:11 | 0:46:14 | |
It's not you, it's a little boy. | 0:46:19 | 0:46:21 | |
What? | 0:46:23 | 0:46:24 | |
Yeah, his name's Michael, I made a mistake. | 0:46:24 | 0:46:27 | |
It was 1979, he went missing, he...so I thought... | 0:46:30 | 0:46:36 | |
Are you sure it's not me though? | 0:46:37 | 0:46:39 | |
It's really not you. | 0:46:39 | 0:46:42 | |
It's the same look in the eyes, though. | 0:46:42 | 0:46:44 | |
Look, I hate saying this but I don't think there is anything | 0:46:46 | 0:46:50 | |
I can do for you. | 0:46:50 | 0:46:52 | |
It's only been a day. | 0:46:52 | 0:46:54 | |
I know, your adoption papers | 0:46:54 | 0:46:56 | |
and your birth certificate are forgeries. | 0:46:56 | 0:46:59 | |
So you don't have any official records | 0:46:59 | 0:47:02 | |
and I've explored the one thing I could. | 0:47:02 | 0:47:04 | |
I don't want to take your money for no reason. | 0:47:04 | 0:47:07 | |
Honestly, Hope, I think the best thing you could do for yourself | 0:47:07 | 0:47:11 | |
is work out how to get on with your life. | 0:47:11 | 0:47:14 | |
Sorry. | 0:47:22 | 0:47:24 | |
No. | 0:47:24 | 0:47:25 | |
Night shifts. We had a nasty suicide. | 0:47:25 | 0:47:29 | |
I'll keep thinking. | 0:47:29 | 0:47:31 | |
And if there is any other angle, anything, I'll call you, I promise. | 0:47:33 | 0:47:37 | |
You don't want a dog, do you? | 0:47:39 | 0:47:42 | |
SHE LAUGHS | 0:47:42 | 0:47:44 | |
No, I want a mother. | 0:47:44 | 0:47:47 | |
Yeah, I'm sorry I couldn't help. | 0:47:50 | 0:47:53 | |
I guess that couldn't have been me anyway in the photograph, | 0:47:55 | 0:47:58 | |
I would have been a baby then. | 0:47:58 | 0:48:00 | |
Oh, yeah. | 0:48:00 | 0:48:02 | |
Good luck. | 0:48:03 | 0:48:05 | |
Oi, baw heid! | 0:48:17 | 0:48:18 | |
You talking to me? | 0:48:18 | 0:48:20 | |
Can you no' take a telling? | 0:48:20 | 0:48:22 | |
Eh, do you know why I'm here? | 0:48:22 | 0:48:24 | |
No, Mr Lomax, I've no idea and I don't care. | 0:48:24 | 0:48:27 | |
Ray Strickland. | 0:48:27 | 0:48:28 | |
What's he got to do with anything? | 0:48:28 | 0:48:30 | |
His wife killed herself. | 0:48:30 | 0:48:32 | |
Eh? | 0:48:32 | 0:48:34 | |
He was lying in the hall like an upturned beetle! | 0:48:34 | 0:48:36 | |
And she's lying in the bath bleeding to death. | 0:48:36 | 0:48:38 | |
Jesus! | 0:48:38 | 0:48:39 | |
You went round there, | 0:48:39 | 0:48:41 | |
stirring up shite about Carol Braithwaite of all people! | 0:48:41 | 0:48:44 | |
I did not go there to... Do you know what? | 0:48:44 | 0:48:47 | |
It's none of your business why I went there. | 0:48:47 | 0:48:49 | |
Tell him I'm sorry for his loss, will you? | 0:48:49 | 0:48:53 | |
I'll tell him friggin' nothing. Who put you up to this? | 0:48:53 | 0:48:57 | |
No-one put me up to anything. | 0:48:57 | 0:49:00 | |
Barry Crawford? | 0:49:01 | 0:49:03 | |
What? | 0:49:03 | 0:49:04 | |
You walk away from this. | 0:49:04 | 0:49:06 | |
Get your hands off me. I don't take orders from you. | 0:49:06 | 0:49:09 | |
Wait. That's it. Last one. | 0:49:23 | 0:49:29 | |
Oh, no, hang one, there's another one. | 0:49:29 | 0:49:32 | |
Got it, right, let's have a look, very good. | 0:49:32 | 0:49:37 | |
Now, don't be asking me to put plaits in, because I'm | 0:49:37 | 0:49:40 | |
rubbish with plaits, I've always had fingers like sausages. | 0:49:40 | 0:49:45 | |
Doesn't mean you can eat 'em. | 0:49:45 | 0:49:48 | |
Well, look at you. You look lovely. | 0:49:48 | 0:49:52 | |
Do you want to see? | 0:49:53 | 0:49:56 | |
What do you think, Mrs Shiny Hair? | 0:49:56 | 0:49:58 | |
Mirror, mirror on the wall, who is the fairest? | 0:49:58 | 0:50:02 | |
It's got to be Courtney, hasn't it? | 0:50:02 | 0:50:05 | |
Fingernails. | 0:50:05 | 0:50:06 | |
Oooh, look at them. What's under there? | 0:50:07 | 0:50:12 | |
You could grow potatoes under there! Do you like potatoes? | 0:50:12 | 0:50:16 | |
DOORBELL RINGS | 0:50:16 | 0:50:18 | |
Do you want to have some potatoes? | 0:50:18 | 0:50:20 | |
-Barry. -Hi, how you doing? | 0:50:22 | 0:50:24 | |
Good. | 0:50:24 | 0:50:26 | |
Great. | 0:50:26 | 0:50:27 | |
Can I come in? | 0:50:27 | 0:50:29 | |
I'd like a bit more about the Braithwaites. | 0:50:29 | 0:50:33 | |
Can I come in? | 0:50:33 | 0:50:34 | |
Barry, sorry, I was just going to say, y'got any spuds? | 0:50:34 | 0:50:37 | |
Did you kill Kelly Cross? | 0:50:41 | 0:50:43 | |
Course I didn't. I see why you got the sack. Bloody rubbish detective you'd make. | 0:50:43 | 0:50:47 | |
But you did kidnap her daughter, didn't you? | 0:50:47 | 0:50:49 | |
-I paid for her daughter. -What, fair and square? | 0:50:49 | 0:50:53 | |
Oh, shut up! I was taking her back. | 0:50:53 | 0:50:55 | |
That's what I was doing there, I was taking her back. | 0:50:55 | 0:50:58 | |
Why would you take her in the first place? What were you thinking? | 0:50:58 | 0:51:01 | |
I wasn't thinking! | 0:51:01 | 0:51:03 | |
Her mother was knocking seven shades of shit out of her | 0:51:03 | 0:51:06 | |
and I was trying to stop her. Which I did. I happened to have a load of money in my bag, | 0:51:06 | 0:51:09 | |
as I'm having a new kitchen put in. I had £3,000 right there. | 0:51:09 | 0:51:13 | |
It was a moment of madness. | 0:51:13 | 0:51:14 | |
You could have called Social Services. | 0:51:14 | 0:51:17 | |
Look, I just wanted to get her away. For a bit. | 0:51:17 | 0:51:20 | |
Show her life wasn't all... | 0:51:20 | 0:51:23 | |
And I was going to give her back but when we got there, | 0:51:23 | 0:51:25 | |
her mam was dead. I mean, properly dead. Courtney didn't see. | 0:51:25 | 0:51:29 | |
I just...I called Barry. | 0:51:29 | 0:51:31 | |
She did. | 0:51:31 | 0:51:32 | |
So what, you can't just buy a kid. | 0:51:32 | 0:51:34 | |
He's right, Tracy. | 0:51:34 | 0:51:36 | |
But if I hadn't, if she'd been in that flat 24 hours later, | 0:51:36 | 0:51:39 | |
she'd have been dead too! | 0:51:39 | 0:51:41 | |
So I've made my bed, I'm going to have to lie in it. | 0:51:41 | 0:51:44 | |
What does that mean? Eh? | 0:51:44 | 0:51:46 | |
Think about it, what do you think is going to happen now? | 0:51:47 | 0:51:51 | |
Look, Tracy, Barry said you were very affected by what | 0:51:51 | 0:51:57 | |
happened with Michael Braithwaite. | 0:51:57 | 0:51:59 | |
-This is nothing to do with Michael Braithwaite. -Well... | 0:51:59 | 0:52:02 | |
What happened to him? | 0:52:03 | 0:52:04 | |
What? Tracy? | 0:52:08 | 0:52:11 | |
Len Lomax turned up first. | 0:52:18 | 0:52:20 | |
He went in the ambulance with Michael. | 0:52:20 | 0:52:22 | |
He was such a little thing, you know, | 0:52:22 | 0:52:24 | |
being in there all that time, weeks and weeks, with his...mum. | 0:52:24 | 0:52:29 | |
He should have had help, you know, counselling you call it now, | 0:52:29 | 0:52:33 | |
but then... | 0:52:33 | 0:52:35 | |
Len Lomax? | 0:52:43 | 0:52:45 | |
You know, what happened, it knocked us sideways, didn't it, both of us. | 0:52:45 | 0:52:49 | |
Finding Michael like that, then losing him... | 0:52:49 | 0:52:51 | |
We went the next day to find him cos they said he was in the children's hospital. | 0:52:51 | 0:52:55 | |
But that was it, he'd gone. He'd just disappeared. | 0:52:55 | 0:52:57 | |
What do you mean? Did you try and find him? | 0:52:57 | 0:53:01 | |
Yeah, but nobody had any paperwork on him, | 0:53:01 | 0:53:03 | |
not the adoption, not Social Services. | 0:53:03 | 0:53:06 | |
What about the police? What was Len Lomax doing there? | 0:53:06 | 0:53:09 | |
In those days, y'didn't ask, | 0:53:09 | 0:53:11 | |
you didn't barge intae a chief superintendent's... | 0:53:11 | 0:53:14 | |
No, but maybe we should have. | 0:53:14 | 0:53:16 | |
DOORBELL RINGS | 0:53:16 | 0:53:17 | |
Get the kid away. | 0:53:22 | 0:53:23 | |
Now hold on a second, ho, hey, just wait a second. | 0:53:23 | 0:53:25 | |
-BANGING ON DOOR -Come on, down you get, get your bag, get your things. | 0:53:25 | 0:53:28 | |
Hey, Alpha, round the front. | 0:53:28 | 0:53:31 | |
Now stay there. Hey, you, Brodie. | 0:53:33 | 0:53:36 | |
Come here! | 0:53:36 | 0:53:38 | |
Hey, you. | 0:53:39 | 0:53:41 | |
Where do you think you're going? | 0:53:55 | 0:53:57 | |
GRUNTING AND GROANS | 0:53:58 | 0:54:01 | |
DOG BARKS | 0:54:16 | 0:54:18 | |
Mr Brodie, I presume? | 0:54:31 | 0:54:34 | |
My name's Jackson. | 0:54:34 | 0:54:37 | |
I'm a private investigator. | 0:54:37 | 0:54:40 | |
I think this was meant for you. | 0:54:43 | 0:54:45 | |
HE GRUNTS | 0:54:49 | 0:54:51 | |
I got your dog some sausages as well. I hope you don't mind. | 0:54:58 | 0:55:01 | |
Aw, thanks. | 0:55:01 | 0:55:02 | |
What's he called? | 0:55:02 | 0:55:04 | |
The Ambassador. | 0:55:04 | 0:55:05 | |
That's an unusual name. | 0:55:07 | 0:55:08 | |
I thought that was a name for a bigger dog. | 0:55:08 | 0:55:10 | |
Aye, well, he's big inside, I suppose. | 0:55:10 | 0:55:12 | |
I have a very normal name. I'm called Brian Jackson. | 0:55:12 | 0:55:15 | |
I guess that's where some of the misunderstanding might have come from. | 0:55:15 | 0:55:18 | |
Two private investigators called Jackson. | 0:55:18 | 0:55:20 | |
Asking about Carol Braithwaite? | 0:55:20 | 0:55:22 | |
Hmmm. | 0:55:22 | 0:55:23 | |
So who's your client? | 0:55:26 | 0:55:27 | |
He's a man who was...he grew up in children's homes, fostering. | 0:55:29 | 0:55:33 | |
I traced that he came from Scotland, | 0:55:33 | 0:55:35 | |
but there wasn't much to go on, records... | 0:55:35 | 0:55:37 | |
Do you think it's Michael? | 0:55:37 | 0:55:39 | |
Yeah, might be, he can't remember much about where he came from. | 0:55:39 | 0:55:41 | |
One thing he does remember is a mother. | 0:55:41 | 0:55:44 | |
Couldn't put a face to her, he remembers her being very sick. | 0:55:44 | 0:55:47 | |
He remembers watching Play School when some policemen came. | 0:55:47 | 0:55:50 | |
Y'know she was murdered, don't you? | 0:55:50 | 0:55:51 | |
Little Michael sat in the flat with her for three weeks with the body. | 0:55:51 | 0:55:55 | |
Yeah. | 0:55:55 | 0:55:56 | |
Well, he's not going to find his mum then, is he? | 0:55:56 | 0:55:59 | |
He's not looking for his mum. | 0:55:59 | 0:56:01 | |
What's all this? This all yours? | 0:56:04 | 0:56:06 | |
Oh, yes, indeed. | 0:56:06 | 0:56:08 | |
Where do you get it all from? | 0:56:08 | 0:56:09 | |
Catalogues. You must get the catalogues. | 0:56:09 | 0:56:12 | |
They go out to all the BAPD members. | 0:56:12 | 0:56:14 | |
The what? | 0:56:14 | 0:56:15 | |
BAPD. You not a member? | 0:56:15 | 0:56:17 | |
I'm not much of a joiner-in. How much do you charge then? | 0:56:17 | 0:56:21 | |
200 an hour, plus expenses. | 0:56:21 | 0:56:23 | |
Christ on a bucket. | 0:56:23 | 0:56:25 | |
Well, if you stretch it out, these things can add up. | 0:56:25 | 0:56:27 | |
I'll bet. | 0:56:27 | 0:56:29 | |
So you weren't asking about Carol Braithwaite at all then? | 0:56:29 | 0:56:32 | |
No, no, so, if he's not looking for his mum, who's he looking for? | 0:56:32 | 0:56:36 | |
Oh, I forgot the receipt. | 0:56:37 | 0:56:39 | |
What? | 0:56:39 | 0:56:40 | |
Breakfast. It's an expense, isn't it? Back in a jiff. | 0:56:40 | 0:56:43 | |
You sneaky little bastard. | 0:57:01 | 0:57:04 | |
Hey, come here. | 0:57:09 | 0:57:10 | |
Hey, come here! Come here. Get in, go on. | 0:57:29 | 0:57:34 | |
Oi, oi, oi, oi. | 0:57:39 | 0:57:41 | |
Actually, I'll take one of them an' all. | 0:58:08 | 0:58:10 | |
-I'll take one of those lollies. -Thank you. -Thank you. | 0:58:10 | 0:58:14 | |
There we go. | 0:58:19 | 0:58:21 | |
There's your ice cream. Oh, and I got you that. | 0:58:21 | 0:58:23 | |
Don't you like whistles? You can eat it. | 0:58:29 | 0:58:32 | |
You know, I was brought up round here. | 0:58:35 | 0:58:37 | |
When we were little, we used to go to all the rock pools. | 0:58:37 | 0:58:41 | |
And you could see little starfishes in them, | 0:58:41 | 0:58:44 | |
and sea anemomes...amemonomes... | 0:58:44 | 0:58:46 | |
Anyway, the little red wavy things. | 0:58:46 | 0:58:48 | |
Courtney, if you could have anything you wanted, | 0:58:53 | 0:58:56 | |
like you could have any treat | 0:58:56 | 0:58:58 | |
and it might be the last time anybody asked you, | 0:58:58 | 0:59:00 | |
what would you have? | 0:59:00 | 0:59:02 | |
LOLLY WHISTLES | 0:59:02 | 0:59:04 | |
I'm not 100% sure what we're going to do. | 0:59:09 | 0:59:12 | |
I've got me house. I could sell me house. | 0:59:12 | 0:59:14 | |
Maybe we could go to Argentina like the Nazis used to. | 0:59:14 | 0:59:17 | |
Don't know why I mentioned Nazis, | 0:59:17 | 0:59:19 | |
I don't suppose you even know what Nazis are. | 0:59:19 | 0:59:21 | |
Skipping rope. | 0:59:24 | 0:59:25 | |
What did you say? | 0:59:27 | 0:59:28 | |
Skipping rope. Red. | 0:59:28 | 0:59:31 | |
OK, yeah, I think we can manage that. | 0:59:35 | 0:59:39 | |
DOOR OPENS | 0:59:40 | 0:59:42 | |
Or maybe not. | 0:59:43 | 0:59:44 | |
You can't do it, Tracy. | 0:59:49 | 0:59:51 | |
Why can't I? What sort of life would she have had? | 0:59:51 | 0:59:53 | |
That's not the point, I'm not going to let you. | 0:59:53 | 0:59:56 | |
But you're not a copper any more, any more than I am. | 0:59:56 | 0:59:59 | |
Here, boy! | 0:59:59 | 1:00:00 | |
Let's take her back to Edinburgh and give her back to her family. | 1:00:00 | 1:00:04 | |
I'm not going back to Edinburgh, I know where I need to be, and it's here, near her. | 1:00:04 | 1:00:07 | |
-She's got a father, she has to have a dad. -You think? | 1:00:07 | 1:00:11 | |
Where's this dad when the mum was knocking hell out of her? | 1:00:11 | 1:00:13 | |
She was covered in bruises. You really think she's got some granny at home, | 1:00:13 | 1:00:17 | |
getting the dirt out of her fingernails and reading her bedtime stories and putting her to bed? | 1:00:17 | 1:00:21 | |
She's got nobody. | 1:00:21 | 1:00:22 | |
You don't know that. | 1:00:22 | 1:00:24 | |
I do. Barry checked, they are either dead or they're in prison. | 1:00:24 | 1:00:27 | |
You're not thinking clearly. | 1:00:30 | 1:00:32 | |
Look at the two of you, you're not going to go on the run, are you? | 1:00:32 | 1:00:36 | |
You're not going to make a kid disappear. | 1:00:36 | 1:00:38 | |
No? | 1:00:38 | 1:00:39 | |
If this is about Michael... | 1:00:40 | 1:00:42 | |
No, I keep telling you, it's not about Michael. | 1:00:42 | 1:00:44 | |
Well, it's got to be. Be honest with yourself, it must be, right? | 1:00:44 | 1:00:48 | |
You walked away with someone else's kid, that's not normal. | 1:00:48 | 1:00:53 | |
All right, I know what you are trying to get me to say. | 1:00:53 | 1:00:55 | |
-I was bothered about Michael. -Which is OK. | 1:00:55 | 1:00:58 | |
Yeah, but Barry kept saying I was too naive | 1:00:58 | 1:01:01 | |
and it wasn't our job to... | 1:01:01 | 1:01:04 | |
-And I just wanted to make things different. -I get it. | 1:01:04 | 1:01:07 | |
No, when I saw her, I just wanted things to end differently and | 1:01:07 | 1:01:11 | |
I know that was probably wrong and I...I'm not a bad person. | 1:01:11 | 1:01:16 | |
I never said you were. You're not a bad person, come on. | 1:01:16 | 1:01:19 | |
Tracy! | 1:01:19 | 1:01:20 | |
What, pet? | 1:01:22 | 1:01:24 | |
Look, the dog! Here, boy. | 1:01:24 | 1:01:27 | |
I know, I know, it's his doggy. | 1:01:28 | 1:01:32 | |
Here, boy. Here, boy. | 1:01:38 | 1:01:41 | |
She's got nobody. I can love her. I can love her. | 1:01:41 | 1:01:46 | |
All right, stay here and I'll see if I can sort something out. | 1:01:53 | 1:01:57 | |
What? | 1:01:57 | 1:01:58 | |
I don't know. Something. Everything, maybe nothing. | 1:01:58 | 1:02:02 | |
I'll find you. You've got money? Don't use your card. | 1:02:04 | 1:02:08 | |
No, no, I had thought of that. | 1:02:08 | 1:02:09 | |
Where's my car? | 1:02:12 | 1:02:14 | |
It's up there in that car park, it's a bit dirty, sorry. | 1:02:14 | 1:02:18 | |
Hey, Courtney, we need to take the dog back. | 1:02:29 | 1:02:34 | |
Why, eh? Why did this happen? | 1:03:20 | 1:03:22 | |
Where's Tracy and the kid? | 1:03:22 | 1:03:24 | |
Come on, you know something, don't you? Something you never | 1:03:24 | 1:03:27 | |
told about Michael Braithwaite or Carol. What is it? | 1:03:27 | 1:03:30 | |
-Aye, you're right. -What is it? -Where is Tracy? | 1:03:32 | 1:03:35 | |
She's somewhere and I can look after her, if you tell me | 1:03:35 | 1:03:39 | |
what is going on. | 1:03:39 | 1:03:41 | |
What happened? | 1:03:43 | 1:03:44 | |
It was a rotten place back then, a rotten place to work in. | 1:03:48 | 1:03:51 | |
I was always so close to saying something, like you said something. | 1:03:53 | 1:03:57 | |
What happened? | 1:03:58 | 1:03:59 | |
It was the Policeman's Ball, Hogmanay, 1978. | 1:04:04 | 1:04:09 | |
I was on taxi duty, just to avoid any drink-driving scandal. | 1:04:09 | 1:04:15 | |
Not that that mattered a big deal. | 1:04:15 | 1:04:18 | |
Come on, ya stupid bitch! | 1:04:18 | 1:04:20 | |
Who do you think you are? | 1:04:20 | 1:04:22 | |
Ray Strickland, he was a complicated guy. | 1:04:22 | 1:04:25 | |
He was well on with the drink. I was a constable, he was my sergeant. | 1:04:25 | 1:04:30 | |
-Come on, I need a lift. -Aye, all right. Calm down, eh. | 1:04:30 | 1:04:33 | |
So he nabbed me. | 1:04:37 | 1:04:39 | |
And, eh, he got me to drive him somewhere. | 1:04:39 | 1:04:41 | |
Carol Braithwaite's place. | 1:04:51 | 1:04:52 | |
He came out of there in some state. | 1:04:54 | 1:04:56 | |
So I took him back to the party and Ray and Len talked | 1:04:58 | 1:05:03 | |
and they told me to beat it. | 1:05:03 | 1:05:05 | |
Three weeks later... | 1:05:05 | 1:05:08 | |
I thought... Ach, I don't know what I thought. | 1:05:11 | 1:05:17 | |
Len and Ray weren't saying anything so I asked, I asked Len. | 1:05:17 | 1:05:22 | |
I said, "What happened with the boy? Did you leave the boy in that flat? | 1:05:22 | 1:05:26 | |
"And the mother, who killed the mother?" | 1:05:26 | 1:05:30 | |
And? | 1:05:30 | 1:05:32 | |
He tore a strip off me. | 1:05:32 | 1:05:33 | |
He says if I thought he'd left the little boy there to die, | 1:05:33 | 1:05:37 | |
I must be mad, and the mother, she was a prostitute... | 1:05:37 | 1:05:40 | |
Ray'd just fancied...it was well known back then | 1:05:40 | 1:05:44 | |
that he put it about a bit. | 1:05:44 | 1:05:46 | |
He'd just...he'd gone in there, found her there and he panicked. | 1:05:46 | 1:05:51 | |
So Len went back with him, they cleaned up, they locked up, | 1:05:52 | 1:05:56 | |
left it for some other poor bugger to find her. | 1:05:56 | 1:05:59 | |
You know, the ones that always deal with the swarms of flies. | 1:05:59 | 1:06:02 | |
And he told me there's no point getting Ray mixed up in it. | 1:06:02 | 1:06:07 | |
Did Tracy know? Did you tell her? | 1:06:07 | 1:06:09 | |
It's eating me up, this is eating me up. | 1:06:16 | 1:06:19 | |
They said to me, "If you value your livelihood, shut it, forget it. | 1:06:21 | 1:06:26 | |
"If you value your family's house and the meals, you forget it. | 1:06:26 | 1:06:30 | |
"You tell Tracy to forget it too. You get that to happen. | 1:06:30 | 1:06:34 | |
"If you feel anything for her." Which I did, which I do. | 1:06:34 | 1:06:37 | |
So I try my best to... | 1:06:38 | 1:06:41 | |
..bury it. | 1:06:45 | 1:06:46 | |
He's alive, Michael Braithwaite. | 1:06:53 | 1:06:57 | |
He's back and he wants some answers. | 1:06:57 | 1:07:00 | |
-Uh, Tracy Waterhouse... -Doesn't matter. | 1:07:30 | 1:07:34 | |
-No friends, no family, no holidays. -Don't need it. | 1:07:34 | 1:07:38 | |
Find me everything you can on Carol Braithwaite's murder, | 1:07:38 | 1:07:42 | |
police statements, press clippings, anything, e-mail it to me. | 1:07:42 | 1:07:46 | |
Sorry. | 1:07:50 | 1:07:52 | |
Huh, it's my job. | 1:07:52 | 1:07:54 | |
No, I meant about before, blowing up here. I'm sorry. | 1:07:54 | 1:08:00 | |
I'd already forgotten about it. | 1:08:01 | 1:08:03 | |
Thanks. | 1:08:04 | 1:08:06 | |
SOFT MUSIC PLAYS | 1:09:01 | 1:09:04 | |
What am I missing? Eh? | 1:09:04 | 1:09:07 | |
I'm missing something. | 1:09:11 | 1:09:14 | |
HE SIGHS | 1:09:14 | 1:09:15 | |
# It will carry and deliver you | 1:09:15 | 1:09:20 | |
# When you walk on | 1:09:20 | 1:09:25 | |
# No-one here can say for certain | 1:09:27 | 1:09:33 | |
# What lies in the great beyond... # | 1:09:33 | 1:09:39 | |
Get some grub before the vultures descend, eh? | 1:09:39 | 1:09:42 | |
This is where we had the Policeman's Ball. | 1:09:42 | 1:09:44 | |
Aye, aye, it's free. I still know some people. | 1:09:44 | 1:09:48 | |
Hi, how you doing? | 1:09:50 | 1:09:51 | |
My condolences, Mr Strickland. | 1:09:55 | 1:09:57 | |
Piss off! | 1:09:57 | 1:09:59 | |
There was a little girl there, wasn't there? | 1:09:59 | 1:10:02 | |
Did you not hear what I said? | 1:10:02 | 1:10:04 | |
New Year's Eve, 1978. Carol Braithwaite's flat. | 1:10:04 | 1:10:06 | |
Would you like the rest of your face rearranged, pal? | 1:10:06 | 1:10:09 | |
Can we go into another room? | 1:10:11 | 1:10:14 | |
We're not going in any other room. | 1:10:14 | 1:10:15 | |
She's your daughter, isn't she, Ray? Eh? | 1:10:16 | 1:10:21 | |
You took your little baby girl out with her and you kept her safe. | 1:10:21 | 1:10:25 | |
Well, she's all grown up now. | 1:10:25 | 1:10:27 | |
She's about ten there. She's a woman now. | 1:10:30 | 1:10:35 | |
She wants to know where she comes from, | 1:10:35 | 1:10:37 | |
she wants to know what happened to her mum and dad. | 1:10:37 | 1:10:40 | |
What should I tell her? Ray? | 1:10:40 | 1:10:44 | |
What shall I tell her? | 1:10:44 | 1:10:46 | |
So you were having a thing with Carol Braithwaite, right? | 1:10:50 | 1:10:55 | |
Probably let her off a bust in return for favours. | 1:10:55 | 1:10:58 | |
Isn't that how it works? | 1:10:58 | 1:11:00 | |
Then you got her pregnant, right? | 1:11:00 | 1:11:02 | |
-Carol Braithwaite was a whore. -So she got what she deserved? | 1:11:02 | 1:11:06 | |
Going to give us break, you two? Gie's a break! | 1:11:06 | 1:11:09 | |
I'm keeping that bastard off yer back, Ray. | 1:11:09 | 1:11:11 | |
Like I've been keeping the bastards off yer back this past 40 years! | 1:11:11 | 1:11:15 | |
Did you kill her? | 1:11:15 | 1:11:16 | |
-Ray! -Did you kill Carol Braithwaite? | 1:11:16 | 1:11:20 | |
She had a wee girl. Francesca. | 1:11:22 | 1:11:26 | |
I didnae want to see Carol. | 1:11:30 | 1:11:32 | |
But... | 1:11:33 | 1:11:36 | |
Maggie and I didn't have any bairns, no matter how... | 1:11:36 | 1:11:41 | |
I tried not to, but I couldn't stop myself from seeing Francesca. | 1:11:48 | 1:11:55 | |
The baby. | 1:11:55 | 1:11:58 | |
You know. | 1:11:58 | 1:11:59 | |
I couldn't stop thinking about her, she was so, so... | 1:12:02 | 1:12:07 | |
She had such...she had such blue eyes. | 1:12:09 | 1:12:14 | |
Right. Enough. | 1:12:14 | 1:12:17 | |
But Carol, see, Carol wanted money. | 1:12:17 | 1:12:23 | |
And it got to so that she said she'd tell Maggie if I didn't... | 1:12:23 | 1:12:28 | |
And she'd...she'd stop me seeing Francesca. | 1:12:28 | 1:12:34 | |
I got so steamed up and drunk that Hogmanay. | 1:12:36 | 1:12:42 | |
That's it, Ray, get out, you're never coming back here. | 1:12:42 | 1:12:47 | |
Get out my house! | 1:12:47 | 1:12:50 | |
INDISTINCT ARGUMENT | 1:12:50 | 1:12:52 | |
He sorted it. | 1:13:06 | 1:13:07 | |
That's the last of it. | 1:13:11 | 1:13:13 | |
You cannae keep her, Ray. Talk sense! | 1:13:13 | 1:13:17 | |
You cannae keep her, it's no' right. Now get in the car. | 1:13:17 | 1:13:22 | |
Ray! | 1:13:22 | 1:13:23 | |
John and Kitty did all right by her. Sure they did. | 1:13:27 | 1:13:30 | |
Me and Maggie would have done all right by her. | 1:13:30 | 1:13:34 | |
Aye, you'd just killed her mother. | 1:13:34 | 1:13:36 | |
If you'd been smart about it, you could've had your whore | 1:13:36 | 1:13:39 | |
and your daughter on the side, if that's what you needed. | 1:13:39 | 1:13:43 | |
We all had whores on the side. | 1:13:43 | 1:13:46 | |
What? | 1:13:46 | 1:13:47 | |
Present for you, Kitty. From Len Lomax. | 1:13:47 | 1:13:52 | |
Hi. | 1:13:52 | 1:13:54 | |
Oh, my God. She's beautiful. | 1:13:54 | 1:13:58 | |
Aye, aye, she is. | 1:13:59 | 1:14:01 | |
Did you tell your wife? | 1:14:11 | 1:14:14 | |
I told her the day I saw you. | 1:14:14 | 1:14:15 | |
Why? | 1:14:20 | 1:14:22 | |
I couldnae've... | 1:14:22 | 1:14:24 | |
I could have loved it. I could've learned to love it. | 1:14:25 | 1:14:30 | |
-Maggie... -Oh, God! | 1:14:30 | 1:14:32 | |
We could have had a life, Ray! | 1:14:34 | 1:14:37 | |
There could have been life. | 1:14:37 | 1:14:40 | |
There could've been colour. We could've laughed. | 1:14:40 | 1:14:46 | |
There could've been wax crayons and... | 1:14:48 | 1:14:52 | |
There could have been just something, Ray. | 1:14:52 | 1:14:55 | |
SHE SOBS | 1:14:55 | 1:14:58 | |
-Ah, Christ, Christ, Christ. -Maggie! | 1:14:58 | 1:15:02 | |
Anything but the life I've had. | 1:15:02 | 1:15:06 | |
WATER RUNS | 1:15:08 | 1:15:09 | |
Maggie! | 1:15:12 | 1:15:14 | |
You think you're going to be a daddy now, after all this? | 1:15:16 | 1:15:19 | |
You've always been too soft, Ray. Always have been. | 1:15:19 | 1:15:23 | |
The two of you just left a little boy in there, did you? | 1:15:23 | 1:15:26 | |
Just locked him in with the body? | 1:15:26 | 1:15:28 | |
What kind of men do you think we are? | 1:15:28 | 1:15:30 | |
I thought he was with his father, that's what we thought. | 1:15:30 | 1:15:34 | |
We didn't think it was going to take three weeks to find the body. That was police incompetence. | 1:15:34 | 1:15:38 | |
Where's my daughter? Can I see her? | 1:15:38 | 1:15:41 | |
HE LAUGHS | 1:15:41 | 1:15:43 | |
Well, that will be up to her. | 1:15:43 | 1:15:44 | |
What are you gonnae do? Brodie? | 1:15:48 | 1:15:52 | |
Brodie! What are you gonnae do?! | 1:15:52 | 1:15:55 | |
Thank you. | 1:16:19 | 1:16:21 | |
Ah, Mr Brodie. So... what can I do for you? | 1:16:35 | 1:16:38 | |
I was hoping you might be able to arrange, um... | 1:16:38 | 1:16:44 | |
I need some new passports, identities, sale of the house | 1:16:44 | 1:16:48 | |
and the money to be moved untraceably. | 1:16:48 | 1:16:50 | |
-The whole thing, basically. -For who? | 1:16:50 | 1:16:53 | |
-For a couple of friends of mine. -It's very costly. | 1:16:53 | 1:16:57 | |
20 grand cover it? | 1:16:57 | 1:16:59 | |
No. | 1:16:59 | 1:17:00 | |
That's all I've got. | 1:17:03 | 1:17:05 | |
Then maybe we can come to some other arrangement? | 1:17:05 | 1:17:08 | |
Like what? | 1:17:09 | 1:17:10 | |
20,000, Mr Brodie. Plus an acknowledgement that you owe me. | 1:17:10 | 1:17:15 | |
And that one day I'll give you a call. | 1:17:15 | 1:17:19 | |
No, I'm not working for you again. | 1:17:19 | 1:17:23 | |
I can have two whole new identities for you in 24 hours. | 1:17:23 | 1:17:27 | |
Bank accounts. Social security. For anywhere in the world. | 1:17:27 | 1:17:31 | |
In 24 hours. | 1:17:31 | 1:17:32 | |
Fine. | 1:17:39 | 1:17:40 | |
Thank you, Mr Brodie. | 1:17:40 | 1:17:42 | |
You've got my number. | 1:17:46 | 1:17:48 | |
I certainly have. | 1:17:48 | 1:17:50 | |
Mama! Mama! Mama! | 1:18:04 | 1:18:08 | |
-Where's her mother? -Sichern off. | 1:18:08 | 1:18:11 | |
Hey, I'm meant to be handing her over to her mum. Hey! | 1:18:11 | 1:18:14 | |
Wir werden es von hier. Mach dir keine Sorgen ueber das Maedchen. | 1:18:14 | 1:18:17 | |
Hi, Michael. | 1:18:50 | 1:18:51 | |
-What's she called? -Hope. | 1:19:12 | 1:19:14 | |
I'm glad he found her. | 1:19:14 | 1:19:16 | |
Can you tell Michael that he wasn't forgotten? | 1:19:16 | 1:19:20 | |
Yeah. | 1:19:20 | 1:19:21 | |
Hey. Think you've forgotten something. | 1:19:21 | 1:19:25 | |
Thank you. | 1:19:28 | 1:19:29 | |
I'll make sure the money from the house gets to you. | 1:19:29 | 1:19:32 | |
Yeah, and I know how much those houses go for, so don't try diddling me. | 1:19:32 | 1:19:35 | |
-I wouldn't dare. -Anyway, thanks. | 1:19:35 | 1:19:38 | |
Say goodbye to Jackson, Courtney. | 1:19:41 | 1:19:43 | |
Goodbye. | 1:19:43 | 1:19:45 | |
Bye. Lucy. It's the name on the passport, like you asked for. | 1:19:45 | 1:19:48 | |
Do you like Lucy? | 1:19:48 | 1:19:50 | |
Lucy. | 1:19:50 | 1:19:51 | |
If I was going to have a little girl, I was going to call her Lucy. | 1:19:51 | 1:19:55 | |
And what am I called? | 1:19:55 | 1:19:57 | |
Michaela. | 1:19:57 | 1:19:59 | |
Bloody hell! | 1:19:59 | 1:20:01 | |
Michaela! And Lucy. | 1:20:01 | 1:20:03 | |
Yeah, well, I'll have to get some leopard-skin leggings. | 1:20:03 | 1:20:07 | |
-Good luck. -Come on. | 1:20:10 | 1:20:12 | |
Yes, m'lady? | 1:20:42 | 1:20:44 | |
Ah, I just wanted to know if you'd got anywhere with | 1:20:44 | 1:20:48 | |
Tracy and Courtney Cross. | 1:20:48 | 1:20:51 | |
It's just that they've both disappeared. | 1:20:51 | 1:20:53 | |
And apparently Tracy's house is up for sale. | 1:20:53 | 1:20:55 | |
No, nothing, trail went cold. | 1:20:55 | 1:20:58 | |
Could you look in my eyes and tell me that? | 1:20:59 | 1:21:02 | |
Louise. I've got nothing, the trail went cold. | 1:21:02 | 1:21:05 | |
OK. | 1:21:07 | 1:21:08 | |
Is that why you called me in? | 1:21:08 | 1:21:10 | |
It is. | 1:21:10 | 1:21:12 | |
You got him then? | 1:21:14 | 1:21:16 | |
Yes, serial killer. | 1:21:16 | 1:21:18 | |
Good job. You look knackered. | 1:21:18 | 1:21:20 | |
-Ach, well, there's a reason for that. -Anyway, congratulations. | 1:21:20 | 1:21:24 | |
Thank you. Do you want a drink? | 1:21:24 | 1:21:28 | |
Don't mind if I do. Bit of old-fashioned police work. | 1:21:28 | 1:21:31 | |
Rough justice. | 1:21:42 | 1:21:44 | |
Married life. | 1:21:44 | 1:21:45 | |
So what's he like then, your Patrick? | 1:21:53 | 1:21:56 | |
Seems a bit boring to me. | 1:21:56 | 1:21:58 | |
Well, Patrick is funny and thoughtful, | 1:22:00 | 1:22:04 | |
and a very good doctor, and he's clever and he makes me | 1:22:04 | 1:22:08 | |
feel better than anyone's ever made me feel before. | 1:22:08 | 1:22:12 | |
-HE SCOFFS -Well. | 1:22:12 | 1:22:14 | |
And anyway, I'm not so interesting myself. | 1:22:14 | 1:22:18 | |
You found out all that pretty quick, didn't you? | 1:22:18 | 1:22:21 | |
And what is it that you think you are, Jackson? | 1:22:22 | 1:22:25 | |
Are you enthralling? | 1:22:25 | 1:22:27 | |
Well, you'll never know, will you? Couldn't take the chance. | 1:22:29 | 1:22:32 | |
SHE LAUGHS | 1:22:32 | 1:22:33 | |
That's not a chance, Jackson, that's Russian roulette! | 1:22:33 | 1:22:36 | |
Sounds exciting. | 1:22:36 | 1:22:38 | |
You're not exciting. | 1:22:38 | 1:22:41 | |
You're boring. It's boring. This is boring. | 1:22:41 | 1:22:44 | |
And now I'm going home to my fiance. | 1:22:46 | 1:22:48 | |
Congratulations. | 1:22:51 | 1:22:52 | |
Well done on the case. | 1:22:54 | 1:22:56 | |
# I will be the answer | 1:23:05 | 1:23:08 | |
RINGING | 1:23:08 | 1:23:10 | |
# At the end of the line | 1:23:10 | 1:23:13 | |
# I will be there for you | 1:23:13 | 1:23:18 | |
# While you take the time... # | 1:23:18 | 1:23:22 | |
Hi, Dad, it's me. Missed you. | 1:23:22 | 1:23:26 | |
Hey, how's it going? | 1:23:26 | 1:23:29 | |
Yeah, I'm good. | 1:23:29 | 1:23:31 | |
How's it going with...? | 1:23:31 | 1:23:33 | |
OK. Great, in fact. Mum's got the sack. | 1:23:33 | 1:23:37 | |
You what? | 1:23:37 | 1:23:38 | |
Her firm's moving to China. | 1:23:38 | 1:23:41 | |
Oh, that's terrible. | 1:23:41 | 1:23:43 | |
Wha.. She...she's not going to China, is she? | 1:23:43 | 1:23:46 | |
No. She's moving back to Edinburgh. | 1:23:46 | 1:23:49 | |
With you? | 1:23:49 | 1:23:51 | |
What do you think? | 1:23:51 | 1:23:53 | |
That's fantastic. When is that happening? | 1:23:53 | 1:23:56 | |
In a month, but I told Mum I didn't want to wait, | 1:23:57 | 1:24:00 | |
I want to come back sooner, so I can stay with you. | 1:24:00 | 1:24:03 | |
-HE CHUCKLES -What did she say to that? | 1:24:03 | 1:24:06 | |
She said it was a mad idea, and that I wouldn't like it. | 1:24:06 | 1:24:09 | |
I said I would like it and wanted to stay with you for ever | 1:24:09 | 1:24:12 | |
and see her at the weekends when she got back. | 1:24:12 | 1:24:14 | |
Then she got all upset or pretended to, but then she said I could. | 1:24:14 | 1:24:19 | |
She said I could, Dad. | 1:24:19 | 1:24:20 | |
What do you mean? Well, I bet she was upset. | 1:24:24 | 1:24:28 | |
She was a bit, she said it will all go wrong and I will come | 1:24:28 | 1:24:32 | |
running back to her but she's wrong, it won't, will it, Dad? | 1:24:32 | 1:24:36 | |
Well...oh... | 1:24:36 | 1:24:37 | |
You could be a bit happier. | 1:24:39 | 1:24:41 | |
No, I am. Look, I am. It's amazing. | 1:24:41 | 1:24:45 | |
It'll be brilliant. I can take care of you. | 1:24:46 | 1:24:49 | |
You don't have to take care of me, sweetheart, that's my job, | 1:24:49 | 1:24:53 | |
to take care of you. | 1:24:53 | 1:24:54 | |
So, OK if I tell Mum? | 1:24:56 | 1:24:58 | |
Yeah, of course, what you do you think? | 1:25:03 | 1:25:06 | |
Yeah, yeah, get her to call me. | 1:25:06 | 1:25:11 | |
Amazing. Right, I'm going to go pack. Love you. | 1:25:11 | 1:25:17 | |
Love you too. | 1:25:17 | 1:25:18 | |
# If it takes my whole life | 1:25:22 | 1:25:28 | |
# I won't break, I won't bend | 1:25:28 | 1:25:32 | |
# It'll all be worth | 1:25:32 | 1:25:36 | |
# Worth it in the end | 1:25:36 | 1:25:39 | |
# Cos I can only tell you what I know | 1:25:39 | 1:25:44 | |
# That I need you in my life | 1:25:44 | 1:25:49 | |
# And when the stars have all gone out | 1:25:49 | 1:25:52 | |
# You'll still be burning so bright... # | 1:25:52 | 1:26:00 | |
Jackson Brodie. | 1:26:03 | 1:26:05 | |
I can't let you put £1,500 on that horse, Brodie. | 1:26:05 | 1:26:08 | |
Why not? | 1:26:08 | 1:26:09 | |
Did you have another child while I was away, Dad? | 1:26:11 | 1:26:14 | |
What the hell do you think you're doing? | 1:26:14 | 1:26:17 | |
I don't know what you want from me! | 1:26:17 | 1:26:18 | |
-Mum says you have intimacy issues. -Intimacy issues? | 1:26:18 | 1:26:22 | |
-I don't go home with drunk men. -Neither do I. | 1:26:22 | 1:26:25 | |
Jackson, have you been following us? | 1:26:25 | 1:26:27 | |
HE GROANS | 1:26:27 | 1:26:28 | |
What's going on? Be honest with me. | 1:26:28 | 1:26:31 | |
# There's a long and winding river | 1:26:38 | 1:26:44 | |
# From the darkness to the dawn... # | 1:26:44 | 1:26:50 | |
Subtitles by Red Bee Media Ltd | 1:26:51 | 1:26:54 |