Browse content similar to Nobody's Darling. Check below for episodes and series from the same categories and more!
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MUSIC: "In The Hearts Of Men" by First Aid Kit | 0:00:34 | 0:00:37 | |
# In the hearts of men | 0:00:48 | 0:00:50 | |
# In the arms of mothers | 0:00:52 | 0:00:55 | |
# In the parts we play | 0:00:55 | 0:00:59 | |
# To convince others | 0:00:59 | 0:01:02 | |
# We know what we're doing | 0:01:03 | 0:01:07 | |
# We're doing it right | 0:01:07 | 0:01:10 | |
# May have written books on the subject | 0:01:10 | 0:01:13 | |
# But then you may still be surprised | 0:01:13 | 0:01:17 | |
# By your tone over the phone | 0:01:17 | 0:01:21 | |
# To your sister while waiting in line | 0:01:21 | 0:01:26 | |
# At the shopping mall just outside of town | 0:01:26 | 0:01:32 | |
# Ooo-ooo | 0:01:32 | 0:01:37 | |
# Ooo-ooo | 0:01:37 | 0:01:41 | |
# Ooo-ooo | 0:01:41 | 0:01:43 | |
# Ooo-ooo | 0:01:43 | 0:01:46 | |
# In the hands of teachers | 0:01:49 | 0:01:53 | |
# In the books you read...# | 0:01:53 | 0:01:55 | |
Welcome home, love. | 0:01:55 | 0:01:57 | |
It's, um...it's looking good, Dad. | 0:02:02 | 0:02:07 | |
I've made some space upstairs. | 0:02:07 | 0:02:09 | |
What? I can't have your room, it's not fair. | 0:02:09 | 0:02:12 | |
You're getting a bit too big for us to share. | 0:02:12 | 0:02:15 | |
Well, maybe we should think about somewhere else to stay. | 0:02:15 | 0:02:18 | |
A two bedroom maybe? | 0:02:18 | 0:02:19 | |
Maybe we should take it one step at a time. | 0:02:19 | 0:02:22 | |
If I'm going to live here, we'll need more space. | 0:02:22 | 0:02:25 | |
Did you have another child while I was away, Dad? | 0:02:29 | 0:02:31 | |
You don't like it. | 0:02:31 | 0:02:33 | |
No, I like it, it's, um...it's pink. | 0:02:34 | 0:02:38 | |
Yep. | 0:02:38 | 0:02:40 | |
Thanks, Dad. It's lovely. | 0:02:40 | 0:02:42 | |
We can take it all back if you want, get Goth black. | 0:02:42 | 0:02:46 | |
It's all right. It'll be good for me to have a change from everything | 0:02:46 | 0:02:49 | |
all white and perfect the way Mum likes it. | 0:02:49 | 0:02:52 | |
Now, I got you this so you can always tell me where you are | 0:02:52 | 0:02:55 | |
and if you need picking up or whatever. | 0:02:55 | 0:02:58 | |
I just need to get a SIM with an international package. | 0:02:58 | 0:03:00 | |
I've looked up some good deals. | 0:03:00 | 0:03:02 | |
We'll get that sorted. | 0:03:02 | 0:03:03 | |
And I also need to get a bus pass | 0:03:03 | 0:03:06 | |
so I can go out, see my friends after school and stuff. | 0:03:06 | 0:03:08 | |
I can pick you up, drive you round. | 0:03:08 | 0:03:11 | |
It's all right, Dad, I'll get the bus. All my friends do. | 0:03:11 | 0:03:14 | |
We'll talk about it tomorrow. | 0:03:14 | 0:03:16 | |
You hungry? I've got, er...cinnamon toast, I've got crumpets. | 0:03:16 | 0:03:20 | |
I can't eat all that. I'm all bloated, Dad. I've got my period. | 0:03:20 | 0:03:23 | |
OK. | 0:03:25 | 0:03:27 | |
I get my periods now, you know. | 0:03:27 | 0:03:28 | |
No...yeah, I did know. | 0:03:28 | 0:03:30 | |
Right. | 0:03:32 | 0:03:34 | |
OK, so first off I just need some basic information. | 0:03:35 | 0:03:39 | |
Hobbies, interests, that kind of thing. | 0:03:39 | 0:03:41 | |
Mm-hm. And Second Life is what? | 0:03:43 | 0:03:46 | |
Avatar? | 0:03:48 | 0:03:49 | |
Right. Uh-huh. Yeah. | 0:03:50 | 0:03:53 | |
Um...are you sure he's actually into real women? | 0:03:53 | 0:03:57 | |
Anyway, you...yes, think about it and get back to me. Thank you. 'Bye. | 0:03:57 | 0:04:02 | |
Woo, you're in before ten! | 0:04:03 | 0:04:05 | |
Eight hours sleep. | 0:04:05 | 0:04:06 | |
I cooked my daughter a wholesome breakfast, | 0:04:06 | 0:04:08 | |
dropped her off at the school gate, thank you very much. | 0:04:08 | 0:04:11 | |
So, what, now you're, like, Father of the Year? | 0:04:11 | 0:04:14 | |
What was all that about? On the phone. | 0:04:15 | 0:04:18 | |
Oh, my new honey-trapping sideline. | 0:04:18 | 0:04:21 | |
Wives call me, I then accidentally on purpose | 0:04:21 | 0:04:24 | |
bump into their husband in a bar, | 0:04:24 | 0:04:26 | |
I talk to them about what they like, flirt with them a bit, | 0:04:26 | 0:04:29 | |
then suggest I'm into no-strings sex | 0:04:29 | 0:04:31 | |
and when they bite, I'm out of there and file my report to their spouse. | 0:04:31 | 0:04:35 | |
What if they don't bite? | 0:04:35 | 0:04:36 | |
Oh, come on! | 0:04:36 | 0:04:38 | |
Right. Not out of my office, not in my name. | 0:04:39 | 0:04:42 | |
Well, you can't pay my wages, Jackson, | 0:04:42 | 0:04:45 | |
because you're not collecting fees for work you've already done. | 0:04:45 | 0:04:49 | |
This one for Mackie has been outstanding since you disappeared. | 0:04:49 | 0:04:52 | |
I've left him ten messages with zero returns. | 0:04:52 | 0:04:55 | |
He's a bookie, he doesn't like to pay out. | 0:04:55 | 0:04:57 | |
Collect the money, Jackson. | 0:04:57 | 0:04:59 | |
HE SIGHS | 0:05:00 | 0:05:01 | |
PHONE RINGS | 0:05:03 | 0:05:05 | |
Investigations. No. No, we don't do entrapment. | 0:05:05 | 0:05:10 | |
I don't care what it says in the advert. It's wrong. | 0:05:10 | 0:05:12 | |
KNOCK AT DOOR | 0:05:14 | 0:05:17 | |
Did I startle you? It was open. | 0:05:17 | 0:05:19 | |
No, no, we're open. I am open. | 0:05:19 | 0:05:22 | |
-Jackson Brodie. -Rachel Stewart. | 0:05:23 | 0:05:25 | |
For now Stewart, I will be Marshall. | 0:05:25 | 0:05:28 | |
Come in. Sit down. | 0:05:28 | 0:05:30 | |
How can I help you, Rachel? | 0:05:34 | 0:05:35 | |
I'm worried about my fiance. | 0:05:35 | 0:05:37 | |
-OK. -Our big day is three weeks from Sunday. | 0:05:37 | 0:05:42 | |
We're moving to Lancaster, a new house and everything. | 0:05:42 | 0:05:46 | |
And I'm committing myself for life to this man | 0:05:46 | 0:05:49 | |
and all of a sudden, I don't know if he loves me any more. | 0:05:49 | 0:05:51 | |
And I am loveable. | 0:05:51 | 0:05:54 | |
I'm practically Maria von Trapp, for God's sake. | 0:05:54 | 0:05:57 | |
Except without the guitar. | 0:05:57 | 0:05:59 | |
You know, the woman who married a widower, | 0:05:59 | 0:06:02 | |
made a sad house into a happy home. | 0:06:02 | 0:06:04 | |
The Sound Of Music. | 0:06:04 | 0:06:06 | |
I was Freddie's... | 0:06:06 | 0:06:08 | |
his son's nanny after his wife died. | 0:06:08 | 0:06:12 | |
And now Andy and I are getting married. | 0:06:12 | 0:06:15 | |
-At least we're supposed to be getting married. -Rachel? | 0:06:15 | 0:06:17 | |
This sounds very difficult for you, but...I'm not a marriage counsellor. | 0:06:19 | 0:06:23 | |
But something's changed. | 0:06:23 | 0:06:26 | |
Andy's never been very... | 0:06:26 | 0:06:29 | |
he doesn't like sharing his feelings. | 0:06:29 | 0:06:30 | |
But lately, he's been so distant. | 0:06:30 | 0:06:33 | |
Sometimes he doesn't even look at me. | 0:06:33 | 0:06:36 | |
And I just want to get it back to how it was. | 0:06:36 | 0:06:39 | |
Do you think he's having an affair or something? | 0:06:39 | 0:06:41 | |
Are there any unexplained absences or lies? | 0:06:41 | 0:06:45 | |
Last Wednesday, he was missing for six hours. | 0:06:45 | 0:06:49 | |
He says he was at work, but I rang his office and there was no answer. | 0:06:49 | 0:06:52 | |
Friday, all afternoon, his mobile was off. The following Tuesday, it was the same story. | 0:06:52 | 0:06:57 | |
He missed dinner and I called his office, but there was no answer. | 0:06:57 | 0:07:00 | |
I'd follow him myself, but I'm looking after Freddie | 0:07:00 | 0:07:03 | |
and it's not exactly convenient stalking someone. | 0:07:03 | 0:07:06 | |
I shouldn't have to, that's your job. | 0:07:06 | 0:07:09 | |
Thanks. | 0:07:10 | 0:07:11 | |
How long has this been going on? | 0:07:14 | 0:07:16 | |
A few months... Ever since we decided to get married, really. | 0:07:16 | 0:07:21 | |
It's ironic, I guess. | 0:07:23 | 0:07:25 | |
Ever since we got engaged, I've never felt so alone. | 0:07:25 | 0:07:28 | |
OK. | 0:07:33 | 0:07:35 | |
DOORBELL RINGS | 0:07:35 | 0:07:37 | |
KNOCKING | 0:07:37 | 0:07:38 | |
Jackson Brodie. | 0:07:42 | 0:07:44 | |
I thought you were Down Under. | 0:07:44 | 0:07:46 | |
-I was. I'm back. -So I see. | 0:07:46 | 0:07:49 | |
I've come for my money, Mackie. | 0:07:49 | 0:07:51 | |
Well, you're just in time. Because there's more work to do. | 0:07:51 | 0:07:54 | |
-You'd better come in. -What you talking about? | 0:07:54 | 0:07:57 | |
My case, you numpty. The thieving of Ian Mackie. | 0:07:59 | 0:08:03 | |
You sure didnae solve it. | 0:08:03 | 0:08:05 | |
Hold on, we caught that bloke, that Joe Burns, red-handed. | 0:08:07 | 0:08:12 | |
-Aye, but money's still gone missing from the shop. -You sure? | 0:08:12 | 0:08:15 | |
Joe Burns reckons I'm not wise in the head. Don't you join him. | 0:08:15 | 0:08:19 | |
Why would you assume it's him? | 0:08:19 | 0:08:20 | |
You've got ten people working for you between the track and the shop. | 0:08:20 | 0:08:23 | |
Only one who vowed to pan ma windies. | 0:08:23 | 0:08:26 | |
Mention my name to him. I'm sure he'll tell you all about it. | 0:08:26 | 0:08:30 | |
Now, you go and have a sniff around. Where are you going? | 0:08:30 | 0:08:33 | |
-Out. -Can I remind you, you're scheduled to work the shop at four. | 0:08:33 | 0:08:36 | |
I made the bloody schedule, Ian. I'll be there. | 0:08:36 | 0:08:39 | |
She sure took a fancy to you. | 0:08:42 | 0:08:43 | |
That's the first time I've seen her teeth since about 1992. | 0:08:43 | 0:08:47 | |
Mackie, I want paying for the work I've done. | 0:08:47 | 0:08:49 | |
You carry on with the case and I'll see you at the track tomorrow. | 0:08:49 | 0:08:53 | |
Come on. | 0:08:53 | 0:08:54 | |
MUSIC: "Car Wheels On A Gravel Road" by Lucinda Williams | 0:08:56 | 0:09:00 | |
# Sitting in the kitchen | 0:09:08 | 0:09:11 | |
# A house in Macon | 0:09:11 | 0:09:13 | |
# Loretta's singing on the radio | 0:09:13 | 0:09:18 | |
# Smell of coffee, eggs and bacon | 0:09:18 | 0:09:22 | |
# Car wheels on a gravel road | 0:09:22 | 0:09:27 | |
# Pull the curtains back and look outside | 0:09:27 | 0:09:33 | |
# Somebody somewhere I don't know... # | 0:09:33 | 0:09:36 | |
What you doing? | 0:09:36 | 0:09:37 | |
# Come on now, child... # | 0:09:37 | 0:09:40 | |
Come on, do something. | 0:09:40 | 0:09:42 | |
# Car wheels on a gravel road | 0:09:42 | 0:09:47 | |
# Car wheels on a gravel road | 0:09:47 | 0:09:51 | |
# Car wheels on a gravel road | 0:09:51 | 0:09:56 | |
# Can't find a damn thing in this place | 0:10:09 | 0:10:14 | |
# Nothing's where I left it before | 0:10:14 | 0:10:19 | |
# Set of keys and a dusty suitcase | 0:10:19 | 0:10:23 | |
# Car wheels on a gravel road | 0:10:23 | 0:10:29 | |
# There goes the screen door slamming shut | 0:10:29 | 0:10:33 | |
# You better do what you're told... # | 0:10:33 | 0:10:37 | |
(Hey.) | 0:10:37 | 0:10:38 | |
(Hey. Hey.) | 0:10:38 | 0:10:41 | |
(Hey. There you go.) | 0:10:41 | 0:10:43 | |
(You're gorgeous, aren't you?) | 0:10:43 | 0:10:45 | |
Hello, mate. What's your name? | 0:10:47 | 0:10:49 | |
WHINNIES | 0:10:49 | 0:10:50 | |
Hey, it's all right. | 0:10:50 | 0:10:52 | |
HE CHUCKLES | 0:10:55 | 0:10:57 | |
-SHE COCKS GUN -You're trespassing. | 0:11:25 | 0:11:27 | |
Hey-hey, it's all right. | 0:11:28 | 0:11:30 | |
I'm sorry, I'm from Edinburgh, I just got lost. | 0:11:30 | 0:11:33 | |
You don't sound like you're from Edinburgh. | 0:11:33 | 0:11:35 | |
Yeah, well, I need to know where I am, that's all. | 0:11:35 | 0:11:39 | |
Give me your wallet. | 0:11:39 | 0:11:41 | |
Just...just keep calm, that's all. | 0:11:41 | 0:11:43 | |
There's nothing funny going on. | 0:11:44 | 0:11:46 | |
Jackson Brodie - private investigator? | 0:11:52 | 0:11:56 | |
That's why I was embarrassed to say I was lost. | 0:11:56 | 0:11:58 | |
So, what ARE you doing here? | 0:11:58 | 0:12:01 | |
I just want to find my way home, honestly. | 0:12:01 | 0:12:05 | |
You didn't...come about Isobel? | 0:12:07 | 0:12:11 | |
No. Who's Isobel? | 0:12:13 | 0:12:15 | |
My daughter. She died. | 0:12:15 | 0:12:18 | |
I'm sorry. | 0:12:18 | 0:12:19 | |
The procurator fiscal ruled it was death by misadventure. | 0:12:19 | 0:12:23 | |
She was beautiful, talented. A force of nature. | 0:12:24 | 0:12:28 | |
You thought I was here to investigate her death. Why? | 0:12:30 | 0:12:34 | |
I was driving home, was on the track near here, | 0:12:34 | 0:12:38 | |
and there he was. | 0:12:38 | 0:12:39 | |
Ollie, Isobel's horse. | 0:12:43 | 0:12:45 | |
I just knew something was wrong. | 0:12:45 | 0:12:48 | |
I rushed back here and there was Andy. | 0:12:48 | 0:12:51 | |
Her husband. | 0:12:51 | 0:12:52 | |
He'd found her and called the ambulance. | 0:12:52 | 0:12:54 | |
I still thought she just might be OK. | 0:12:54 | 0:12:57 | |
It's not like she hadn't been thrown before. | 0:12:57 | 0:12:59 | |
Isobel? | 0:13:00 | 0:13:01 | |
It says she wasn't wearing a hat. | 0:13:09 | 0:13:11 | |
That's what made me suspicious. | 0:13:11 | 0:13:14 | |
Ollie's a wild one. A really powerful horse. | 0:13:14 | 0:13:17 | |
She wouldn't even walk him around the ring without wearing a hat. | 0:13:17 | 0:13:21 | |
So, you think it wasn't an accident? | 0:13:21 | 0:13:23 | |
I don't believe it. | 0:13:23 | 0:13:25 | |
What about, er...Andy? | 0:13:25 | 0:13:28 | |
What does he think? | 0:13:28 | 0:13:29 | |
Oh, he'd just arrived, so he says. | 0:13:29 | 0:13:32 | |
I sometimes looked after Freddie, my grandson. | 0:13:32 | 0:13:35 | |
He'd called round to ask me to babysit. | 0:13:35 | 0:13:38 | |
But he didn't have Freddie with him. So, why didn't he phone? | 0:13:38 | 0:13:42 | |
Look, this article's from five years ago. | 0:13:42 | 0:13:46 | |
-Did the police investigate your concerns at the time? -No. | 0:13:46 | 0:13:50 | |
No...what? No, they didn't investigate | 0:13:50 | 0:13:54 | |
or no...you didn't mention anything? | 0:13:54 | 0:13:57 | |
You didn't, did you? Why not? | 0:13:58 | 0:14:02 | |
I just couldn't. | 0:14:02 | 0:14:03 | |
-What does that mean? -You're a detective. | 0:14:03 | 0:14:07 | |
You could talk to Andy. | 0:14:07 | 0:14:09 | |
But there isn't much time. | 0:14:09 | 0:14:11 | |
He's leaving Scotland in three weeks. | 0:14:11 | 0:14:13 | |
He just came round to tell me it's all been finalised. | 0:14:13 | 0:14:16 | |
He's taking my grandson to Lancaster. | 0:14:16 | 0:14:19 | |
I'm not sure there's anything I can do. | 0:14:19 | 0:14:21 | |
I just know my daughter was murdered. | 0:14:21 | 0:14:24 | |
Let me see if I can find anything out. | 0:14:31 | 0:14:34 | |
What are his tastes? What should I wear? | 0:14:35 | 0:14:38 | |
Should I wear heels, or...? | 0:14:38 | 0:14:40 | |
Right. Well, what would you wear? | 0:14:42 | 0:14:44 | |
Really? | 0:14:46 | 0:14:48 | |
Have you thought about an image change? | 0:14:48 | 0:14:51 | |
Oh, God, no, no! | 0:14:51 | 0:14:53 | |
God, no, I'm not suggesting you dress like a prostitute. I'm... | 0:14:53 | 0:14:57 | |
No. No, excuse me, just because | 0:14:57 | 0:14:59 | |
a woman wears a tight dress and a pair of heels doesn't make her... | 0:14:59 | 0:15:02 | |
Hello? | 0:15:02 | 0:15:03 | |
Hello? | 0:15:03 | 0:15:04 | |
Winning manner with the clients there, Deborah. | 0:15:04 | 0:15:07 | |
Surprised there aren't queues around the block(!) | 0:15:07 | 0:15:09 | |
It'll pick up. | 0:15:10 | 0:15:12 | |
Who's this? | 0:15:16 | 0:15:18 | |
Isobel Baker-Marshall, | 0:15:18 | 0:15:20 | |
the ex-wife, dead wife, | 0:15:20 | 0:15:23 | |
of the bloke who's the fiance of the woman who was sitting here | 0:15:23 | 0:15:26 | |
who wants to see if he's having an affair, | 0:15:26 | 0:15:28 | |
but her mother wants to see if he killed her, murdered her. | 0:15:28 | 0:15:31 | |
-And you're working for both of them. -That I am. | 0:15:31 | 0:15:34 | |
-That'll be fun(!) -Hm. | 0:15:34 | 0:15:36 | |
PHONE RINGS | 0:15:36 | 0:15:38 | |
Hello. Jackson Brodie's office. Can I help? | 0:15:44 | 0:15:46 | |
"Hello, can I speak to Jackson, please?" | 0:15:46 | 0:15:49 | |
Oh, yes, you're in luck. He's right here. | 0:15:49 | 0:15:51 | |
-Phone call for you, Mr Brodie. -Thank you. | 0:15:51 | 0:15:53 | |
-Rachel. -Any news? | 0:15:56 | 0:15:58 | |
Nothing yet, I'm afraid. Bit too soon. | 0:16:00 | 0:16:02 | |
OK. I'm sure you know what you're doing. | 0:16:02 | 0:16:05 | |
-Yeah. -Maybe follow him tomorrow. Not today because... | 0:16:05 | 0:16:09 | |
after school, I've got my class, he'll be with Freddie. | 0:16:09 | 0:16:12 | |
Talk to you soon. | 0:16:12 | 0:16:14 | |
MUSIC BLASTS | 0:16:20 | 0:16:22 | |
Joe Burns? | 0:16:26 | 0:16:27 | |
Do I know you? | 0:16:27 | 0:16:29 | |
Jackson Brodie. Caught you stealing from your boss. | 0:16:29 | 0:16:32 | |
You're the one who grassed on me? | 0:16:32 | 0:16:34 | |
Mackie hired me. | 0:16:34 | 0:16:36 | |
Stinking ball bag! | 0:16:36 | 0:16:37 | |
I told him I'd pan his windies in. | 0:16:37 | 0:16:40 | |
He hired you? What, like a henchman? | 0:16:40 | 0:16:43 | |
Like a detective. | 0:16:43 | 0:16:46 | |
So it wasnae Marie? | 0:16:46 | 0:16:48 | |
Look, we didn't hand you over to the police first time. | 0:16:48 | 0:16:51 | |
He's not going to go so easy on you this time. | 0:16:51 | 0:16:53 | |
What are you talking about? I haven't even been near the shop. | 0:16:53 | 0:16:57 | |
The track? I cannae go there. | 0:16:57 | 0:16:59 | |
-Why not? -Pain. | 0:16:59 | 0:17:01 | |
I'm detoxing from that scene. | 0:17:01 | 0:17:02 | |
Money's still going missing, Joe, | 0:17:04 | 0:17:06 | |
so whoever you're working with, whatever you've got going on, | 0:17:06 | 0:17:09 | |
now's the time to talk up when it's just between us. | 0:17:09 | 0:17:11 | |
It's got nothing to do with me. | 0:17:11 | 0:17:13 | |
-Why did you think Mrs Mackie was on to you? -Dunno. | 0:17:13 | 0:17:17 | |
-Well, why would you say it? -I dunno. | 0:17:17 | 0:17:20 | |
Maybe she saw I was dressing a bit flash. | 0:17:20 | 0:17:23 | |
She was suspicious, you know. | 0:17:23 | 0:17:26 | |
But this is just how I dress. | 0:17:26 | 0:17:28 | |
I like to look smart. | 0:17:28 | 0:17:29 | |
Yeah. You've pulled it off, big time. | 0:17:29 | 0:17:33 | |
JACKSON SIGHS | 0:17:40 | 0:17:42 | |
PHONE RINGS OUT | 0:17:44 | 0:17:45 | |
-Hello, Jackson. -How you doing? | 0:17:47 | 0:17:49 | |
Er...I'm great. And late. What can I do for you? | 0:17:49 | 0:17:53 | |
You still got a gift list? | 0:17:53 | 0:17:54 | |
I just got your thank you card and I haven't actually sent a present yet. | 0:17:54 | 0:17:57 | |
I wouldn't worry about it. You didn't turn up to the wedding. | 0:17:57 | 0:18:00 | |
Yeah, I'm sorry about that, too. | 0:18:00 | 0:18:02 | |
Marlee's come to live with me, so I couldn't get away. | 0:18:02 | 0:18:04 | |
-She's living with you? By yourself? -Yeah. | 0:18:04 | 0:18:07 | |
Well, that's never going to work. | 0:18:07 | 0:18:08 | |
Thanks for that. How's married life? | 0:18:09 | 0:18:12 | |
It's excellent. Very sociable. | 0:18:12 | 0:18:13 | |
In fact, I'm having a wee drinks thing this afternoon | 0:18:13 | 0:18:16 | |
at Patrick's...my...our house. | 0:18:16 | 0:18:19 | |
A drinks thing? What, like a cocktail party? | 0:18:19 | 0:18:22 | |
No, it's a gathering of friends. Patrick's colleagues. | 0:18:22 | 0:18:26 | |
-People that couldn't make it to the wedding. -Like me. | 0:18:26 | 0:18:28 | |
No, not like you. Civilised people. | 0:18:28 | 0:18:30 | |
I'm not civilised enough to mix with Patrick's friends. | 0:18:30 | 0:18:33 | |
Well, do you want to come? | 0:18:33 | 0:18:36 | |
I might pop in. What time? | 0:18:36 | 0:18:38 | |
Well...it's 4pm, which is why I have to go. | 0:18:38 | 0:18:41 | |
All right. Okey-doke. | 0:18:41 | 0:18:43 | |
(Shit!) | 0:18:43 | 0:18:45 | |
-Oh, hi, Louise, hi. -Hi, there. Hi, there. | 0:18:48 | 0:18:50 | |
Hi! I'm back, I'm back. Sorry, I got stuck at work. I've got everything. | 0:18:50 | 0:18:54 | |
It's all right. Patrick and I have got it all under control. | 0:18:54 | 0:18:57 | |
If I had a kitchen like this, it would make me make something other than toast. | 0:18:57 | 0:19:01 | |
Jackson Brodie was our first guest and he's been kindly helping me with the food ever since. | 0:19:01 | 0:19:05 | |
Well, so you've got everything. | 0:19:05 | 0:19:07 | |
No, no, no, you can never have too many mini quiches. | 0:19:07 | 0:19:10 | |
I'll go and offer this lot round, make room on the plate for more. | 0:19:10 | 0:19:13 | |
Yeah. | 0:19:13 | 0:19:14 | |
He invited himself. | 0:19:16 | 0:19:17 | |
It's fine. I was just surprised to see him at the door, that's all. | 0:19:17 | 0:19:20 | |
Whose is all this? | 0:19:23 | 0:19:25 | |
Silver forks? I've never seen these before in my life. | 0:19:25 | 0:19:28 | |
-Well, they're mine...ours. -Ah! | 0:19:28 | 0:19:32 | |
The spoils of your former marriage. | 0:19:32 | 0:19:34 | |
My stuff like a refugee's compared to your stuff, you know. | 0:19:36 | 0:19:40 | |
A refugee who spends a lot of time in Ikea. | 0:19:40 | 0:19:43 | |
Well, if it makes you happy, I'll replace every last teaspoon | 0:19:43 | 0:19:45 | |
in the house with their latest range. How's that? | 0:19:45 | 0:19:48 | |
ANIMATED CHATTER | 0:19:58 | 0:20:00 | |
LAUGHTER | 0:20:00 | 0:20:03 | |
Hey. Want a hand? | 0:20:08 | 0:20:11 | |
Why is everything so bloody mini? | 0:20:11 | 0:20:14 | |
So you don't have a mouthful of food when it's time for witty banter. | 0:20:14 | 0:20:19 | |
Can you pass me those skewers, please? | 0:20:19 | 0:20:21 | |
-What, the mini skewers(?) -Toothpicks. | 0:20:21 | 0:20:24 | |
Thank you. | 0:20:24 | 0:20:25 | |
It's all right! Don't panic. | 0:20:25 | 0:20:28 | |
You're all right. Patrick's friends are all right. | 0:20:35 | 0:20:39 | |
Why wouldn't they be? | 0:20:39 | 0:20:41 | |
Thanks. | 0:20:43 | 0:20:45 | |
So, what are we going to hit them with now? | 0:20:45 | 0:20:47 | |
Mini pizzas, mini sausages? Pizza? Sausage? | 0:20:47 | 0:20:51 | |
There's a lot of pressure to this married life, eh, Mrs C? | 0:20:51 | 0:20:54 | |
Don't do that. | 0:20:54 | 0:20:55 | |
You're not Mrs Carter? | 0:20:55 | 0:20:57 | |
Miss Munroe? | 0:20:57 | 0:21:00 | |
Mrs Munroe-Carter. How about that? Very posh. | 0:21:00 | 0:21:02 | |
Piss off. | 0:21:02 | 0:21:03 | |
-Pissing off with the...mini pizzas. -Hey. | 0:21:04 | 0:21:08 | |
INDISTINCT CHATTER | 0:21:13 | 0:21:16 | |
LAUGHTER | 0:21:18 | 0:21:20 | |
He says, "How do I know it's you?" | 0:21:20 | 0:21:22 | |
So Louise tells the filthiest joke you've ever heard in your life | 0:21:22 | 0:21:27 | |
and he goes, "Oh, yeah, I remember you." | 0:21:27 | 0:21:30 | |
Now, which one of her three filthy jokes did she tell? | 0:21:30 | 0:21:32 | |
Patrick? Have you got a minute? | 0:21:34 | 0:21:36 | |
Excuse me. | 0:21:37 | 0:21:39 | |
What the hell do you think you're doing? | 0:21:56 | 0:21:58 | |
Trying to see if you're all right. | 0:21:58 | 0:21:59 | |
No, what are you doing here in my house, in my life, with my husband?! | 0:21:59 | 0:22:03 | |
I'm trying to be civilised. | 0:22:03 | 0:22:05 | |
-Make things normal. -Normal?! | 0:22:07 | 0:22:08 | |
You're NOT normal! This is NOT normal! | 0:22:08 | 0:22:11 | |
"Can I help you in the kitchen, Mrs Carter? | 0:22:11 | 0:22:13 | |
"Oh jolly japes with PC Louise on the street." | 0:22:13 | 0:22:16 | |
Is this some sort of joke to you? How dare you?! | 0:22:16 | 0:22:19 | |
Of course it's not a joke. | 0:22:19 | 0:22:20 | |
I'm trying to...move on. | 0:22:21 | 0:22:24 | |
I don't know what you want from me. | 0:22:24 | 0:22:26 | |
Piss off, Jackson. | 0:22:34 | 0:22:36 | |
Just go. | 0:22:36 | 0:22:39 | |
Oh, God, I'm going to be sick. | 0:22:40 | 0:22:42 | |
Just go! Please go home! | 0:22:43 | 0:22:47 | |
OK, just go like this. | 0:22:51 | 0:22:53 | |
Perfect. | 0:22:53 | 0:22:55 | |
Oh, that's perfect on you. | 0:22:55 | 0:22:58 | |
MOBILE PHONE RINGS | 0:22:58 | 0:22:59 | |
-Hi, Dad. -Hi. How's it going over there? What you doing? | 0:23:01 | 0:23:05 | |
Deborah's just helping me with my homework. | 0:23:05 | 0:23:08 | |
She's all right, Deborah, isn't she? | 0:23:08 | 0:23:10 | |
-Yeah. -All right, good. | 0:23:10 | 0:23:12 | |
Listen, there's one more place I've got to go, then I'll be back. | 0:23:12 | 0:23:16 | |
-OK, then. see you later. 'Bye. -See ya. | 0:23:16 | 0:23:20 | |
Another healthy snack? | 0:23:22 | 0:23:24 | |
OK. | 0:23:26 | 0:23:27 | |
# I live only here between your eyes and you | 0:23:27 | 0:23:32 | |
# But I live in this world | 0:23:37 | 0:23:40 | |
# What do I do? | 0:23:40 | 0:23:42 | |
# Collect no interest | 0:23:47 | 0:23:49 | |
# Otherwise what I can. # | 0:23:49 | 0:23:52 | |
It's so nice to hear from a friend of Isobel's. | 0:23:56 | 0:23:58 | |
You used to ride together? | 0:23:58 | 0:24:00 | |
Well, when I was a kid. | 0:24:00 | 0:24:02 | |
We moved to away, but I never forgot her | 0:24:02 | 0:24:04 | |
and I thought I'd look her up now we've moved back. | 0:24:04 | 0:24:07 | |
I couldn't believe it. | 0:24:07 | 0:24:09 | |
Please do come in. | 0:24:09 | 0:24:11 | |
If you could remove your shoes, please. | 0:24:11 | 0:24:14 | |
The highest percentage of lead content in a home | 0:24:14 | 0:24:17 | |
-is dragged in with dirt. -Is that right? | 0:24:17 | 0:24:19 | |
Yeah, believe it or not. | 0:24:19 | 0:24:21 | |
It's just to the left there. | 0:24:21 | 0:24:23 | |
Straight through. | 0:24:23 | 0:24:24 | |
OK, Freddie, physics homework. Come on. | 0:24:28 | 0:24:31 | |
I don't mean to be rude, Dad, but when are we eating? | 0:24:31 | 0:24:33 | |
When you've done your homework. This is Jackson, by the way. | 0:24:33 | 0:24:36 | |
He knew your mum when she was a little girl. This is Freddie. | 0:24:36 | 0:24:39 | |
-Hi, Jackson. -How do you do? -Good. | 0:24:39 | 0:24:42 | |
Come on, it's this way. | 0:24:42 | 0:24:43 | |
-He's a good boy. -Yes. | 0:24:49 | 0:24:50 | |
He's obsessed with the Multiverse. Have you heard of it? | 0:24:50 | 0:24:53 | |
Er...it's a world just like this one where I shake your hand, | 0:24:53 | 0:24:58 | |
and there's another world where I stab you | 0:24:58 | 0:25:01 | |
and there's a world for every different thing I could do to you. | 0:25:01 | 0:25:05 | |
It's...rather tricky to get your head around. | 0:25:05 | 0:25:07 | |
-Is this Isobel? -Er...yes, aye. | 0:25:08 | 0:25:11 | |
Yes, I'm the geek who got to marry the world's most beautiful woman. | 0:25:11 | 0:25:16 | |
Very sorry to hear about the accident. | 0:25:19 | 0:25:21 | |
Aye, five years now. March 12th. | 0:25:21 | 0:25:23 | |
She was such a great rider, as I remember it. | 0:25:25 | 0:25:27 | |
-How could it happen? -Well, she was. The horse bolted and threw her. | 0:25:27 | 0:25:30 | |
And by all accounts, it was over in a matter of seconds. | 0:25:30 | 0:25:33 | |
To look at her, you wouldn't have known. She was still so...perfect. | 0:25:33 | 0:25:37 | |
You know, she just looked like she was sleeping. | 0:25:37 | 0:25:40 | |
The main damage was to the brain, | 0:25:40 | 0:25:42 | |
sustained on impact as her head hit the... | 0:25:42 | 0:25:45 | |
..hit the tarmac. | 0:25:47 | 0:25:48 | |
-And you found her? -Aye, I did. | 0:25:51 | 0:25:53 | |
"Do not trust the horse." | 0:25:55 | 0:25:57 | |
I-I think Virgil said that. | 0:25:59 | 0:26:00 | |
You weren't at the funeral. | 0:26:02 | 0:26:04 | |
Oh, of course you weren't at the funeral. | 0:26:04 | 0:26:06 | |
It was a beautiful service. | 0:26:06 | 0:26:08 | |
Humanist, of course. In fact, I've got a programme here somewhere. | 0:26:08 | 0:26:12 | |
Hello! | 0:26:12 | 0:26:13 | |
Zumba was cancelled. | 0:26:13 | 0:26:15 | |
Have they finally all died of heart attacks? | 0:26:15 | 0:26:17 | |
This is a friend of Isobel's, Jackson. This is my fiancee, Rachel. | 0:26:17 | 0:26:21 | |
-How do you do? -Nice to meet you. | 0:26:21 | 0:26:23 | |
Let it get all dusty. | 0:26:27 | 0:26:29 | |
It's a nice one, isn't it? | 0:26:29 | 0:26:31 | |
She was just the same in real life. | 0:26:31 | 0:26:34 | |
-Impossibly perfect. -Ah, found it. | 0:26:34 | 0:26:36 | |
Rachel, I've started the tea, | 0:26:37 | 0:26:39 | |
but the potatoes are being obstinate. | 0:26:39 | 0:26:42 | |
-I will beat them into submission. -Aye. | 0:26:42 | 0:26:44 | |
Hello, monkey. You must be hungry. | 0:26:46 | 0:26:48 | |
-We're having chicken and mash. -OK. | 0:26:48 | 0:26:49 | |
Why don't you join us for dinner? | 0:26:50 | 0:26:53 | |
Oh, no, thanks very much. You should be with your family. | 0:26:53 | 0:26:55 | |
I've got to go. I just wanted to come by, really, to say sorry. | 0:26:55 | 0:27:00 | |
Yeah, well, it was extremely good of you to do that. | 0:27:02 | 0:27:04 | |
-Thanks, Jackson. And please, do come any time. -Thank you. | 0:27:04 | 0:27:07 | |
-'Bye, Jackson. -Good night. | 0:27:11 | 0:27:13 | |
What are you doing here? I told you he was looking after Freddie. | 0:27:25 | 0:27:28 | |
Well, sometimes it pays not to take the obvious line of investigation. | 0:27:28 | 0:27:32 | |
You said you were going to be out. | 0:27:32 | 0:27:34 | |
I know, I know, I'm sorry, I just... | 0:27:34 | 0:27:35 | |
All this, it's rather unsettling. | 0:27:35 | 0:27:37 | |
I just want a normal life. A normal family life. | 0:27:37 | 0:27:42 | |
-How long have you and Andy been together? -Why? | 0:27:44 | 0:27:46 | |
There's a picture on the wall of you and Isobel with Freddie. | 0:27:46 | 0:27:49 | |
You were the nanny before she died, right? | 0:27:49 | 0:27:51 | |
Were you having an affair then? | 0:27:53 | 0:27:55 | |
We fell in love. | 0:27:57 | 0:27:58 | |
Rather unsavoury, isn't it? | 0:27:59 | 0:28:02 | |
Less Maria von Trapp, more the scarlet woman. | 0:28:02 | 0:28:04 | |
Can't control your heart, can you? | 0:28:06 | 0:28:08 | |
-Did Isobel find out? -No. No. | 0:28:11 | 0:28:13 | |
I'm sorry, I should have told you earlier, I was embarrassed. | 0:28:15 | 0:28:18 | |
You will keep following him, won't you? | 0:28:20 | 0:28:22 | |
Find out what's going on. | 0:28:22 | 0:28:23 | |
Sure. | 0:28:25 | 0:28:27 | |
Ah, she lives! The creature lives! | 0:28:42 | 0:28:44 | |
How we doing? | 0:28:44 | 0:28:46 | |
Mm-hm. | 0:28:46 | 0:28:48 | |
Listen, I, er...I've got to work tonight. Sorry. | 0:28:48 | 0:28:52 | |
It's OK, Dad. I'm old enough to look after myself. | 0:28:52 | 0:28:55 | |
No, you're old enough to think you can look after yourself. | 0:28:55 | 0:28:58 | |
You're not actually old enough. | 0:28:58 | 0:28:59 | |
Here you are. Come on. Get that down you. | 0:28:59 | 0:29:03 | |
Is there any Vegemite, Dad? | 0:29:06 | 0:29:08 | |
Do they even sell that here? | 0:29:10 | 0:29:12 | |
You don't have to take me to school all the time, Dad. | 0:29:16 | 0:29:19 | |
I like taking you to school. | 0:29:19 | 0:29:20 | |
But you're helicoptering me and it's not healthy. | 0:29:20 | 0:29:23 | |
I'm what? "Helicoptering you"? | 0:29:23 | 0:29:25 | |
Hovering about me. I've got friends, I can walk with them. | 0:29:25 | 0:29:29 | |
Well, I don't know them. Who are they? | 0:29:29 | 0:29:30 | |
Emma and Sophie. | 0:29:30 | 0:29:33 | |
I'm going to Sophie's after school for dinner. | 0:29:33 | 0:29:35 | |
Hang on, I've got to call Sophie's mum and make an arrangement. | 0:29:35 | 0:29:38 | |
Dad, it's all organised, OK? | 0:29:38 | 0:29:40 | |
Give me my bag. | 0:29:40 | 0:29:42 | |
You stay here and I'll be fine, OK? | 0:29:45 | 0:29:46 | |
All right. | 0:29:47 | 0:29:48 | |
Have fun! | 0:29:50 | 0:29:51 | |
Morning, boss. I took the liberty of ordering you a coffee. | 0:29:56 | 0:29:59 | |
I don't know what you like, so I got you a cappuccino. I hope that's OK. | 0:29:59 | 0:30:02 | |
I did tell them to hold the chocolate sprinkle because to me, | 0:30:02 | 0:30:05 | |
you didn't seem to be to be a chocolate sprinkle kind of person. | 0:30:05 | 0:30:08 | |
Not that I know you from a bar of soap. | 0:30:08 | 0:30:10 | |
Well, actually, I do now, obviously. | 0:30:10 | 0:30:12 | |
Lol! | 0:30:12 | 0:30:13 | |
If you don't like cappuccinos, you can totally have my peppermint tea. | 0:30:13 | 0:30:16 | |
Not a problem. | 0:30:16 | 0:30:18 | |
I don't usually do caffeine as a rule, boss, makes me a bit manic. | 0:30:18 | 0:30:22 | |
Actually, makes me a bit funny in the head. | 0:30:22 | 0:30:23 | |
Just like to be clearheaded at work, just be... | 0:30:23 | 0:30:26 | |
Who are you? | 0:30:26 | 0:30:27 | |
Zoe Chalmers, boss, your new DS. | 0:30:27 | 0:30:29 | |
We've not met yet. | 0:30:29 | 0:30:31 | |
Well, obviously, we have now. | 0:30:31 | 0:30:33 | |
MOBILE PHONE RINGS | 0:30:33 | 0:30:35 | |
-Oh! Tell him to go away. -Excuse me, boss? | 0:30:35 | 0:30:38 | |
Go away, just like that. "Go away, Jackson," into the phone. | 0:30:38 | 0:30:41 | |
Detective Inspector Munroe's phone. DS Chalmers speaking. | 0:30:41 | 0:30:44 | |
Er...Louise, please. | 0:30:44 | 0:30:47 | |
Go away, Jackson. | 0:30:47 | 0:30:49 | |
Can I have a quick word with her, please. | 0:30:51 | 0:30:53 | |
Tell her I'd like to ask her a favour. | 0:30:53 | 0:30:55 | |
Go away, Jackson! | 0:30:55 | 0:30:58 | |
DIALLING TONE | 0:30:58 | 0:31:00 | |
Zoe, you're going to be quite useful after all. | 0:31:00 | 0:31:02 | |
HE CLEARS THROAT | 0:31:12 | 0:31:14 | |
DS Chalmers, please. | 0:31:16 | 0:31:17 | |
PHONE RINGS | 0:31:17 | 0:31:19 | |
-CID. -Is that DS Chalmers? | 0:31:19 | 0:31:22 | |
-Yes, sir. -You're new, aren't you? | 0:31:22 | 0:31:24 | |
-Yes. -Aye, this is Detective Superintendent Fraser. | 0:31:24 | 0:31:28 | |
I'd like you to run a PNC on a man called Andrew Marshall for me. | 0:31:28 | 0:31:32 | |
Born June 7th 1974. | 0:31:32 | 0:31:34 | |
Er...well, sir, he is mentioned | 0:31:36 | 0:31:40 | |
in the fatal accident report of his wife. | 0:31:40 | 0:31:43 | |
Filed 2007. | 0:31:43 | 0:31:45 | |
Ruled misadventure. | 0:31:45 | 0:31:47 | |
Anything else? | 0:31:47 | 0:31:49 | |
Nope, nothing. | 0:31:49 | 0:31:50 | |
Anything on a Miriam Baker, | 0:31:53 | 0:31:56 | |
born sometime 1945 to 1955? | 0:31:56 | 0:32:01 | |
Er...yes, sir. One conviction from 1969. | 0:32:04 | 0:32:08 | |
Tell me about James Garrick. | 0:32:25 | 0:32:27 | |
What's that got to with anything? | 0:32:28 | 0:32:30 | |
You threw a brick through his windscreen, | 0:32:30 | 0:32:32 | |
and one through his sitting room window, narrowly missing his wife. | 0:32:32 | 0:32:35 | |
That's ancient history. | 0:32:35 | 0:32:36 | |
1969. Three months after Isobel was born. | 0:32:36 | 0:32:39 | |
I'm not the one under investigation here. | 0:32:39 | 0:32:41 | |
-Miriam? -Brandy? | 0:32:41 | 0:32:43 | |
Miriam! | 0:32:43 | 0:32:44 | |
You asked me to look into something that might have been a murder. | 0:32:44 | 0:32:48 | |
I have, I've found nothing. | 0:32:48 | 0:32:49 | |
The only person with history of criminal activity is you. | 0:32:49 | 0:32:52 | |
So, what's going on? Be honest with me. | 0:32:52 | 0:32:54 | |
He was Isobel's father. Yes? | 0:32:54 | 0:32:57 | |
-So? -So, is that relevant? | 0:32:57 | 0:33:00 | |
He abandoned you? | 0:33:01 | 0:33:02 | |
He should never have abandoned her. | 0:33:03 | 0:33:05 | |
Instead, he went straight back to his wife and left us. | 0:33:05 | 0:33:09 | |
I was 19. A girl needs a father. | 0:33:09 | 0:33:12 | |
Kids need their mothers, too. | 0:33:12 | 0:33:14 | |
Mm. A decent bloody mother. I was useless. | 0:33:14 | 0:33:17 | |
I didn't have the first idea how to raise a child. | 0:33:17 | 0:33:21 | |
And she knew it, too, obviously, | 0:33:21 | 0:33:23 | |
because she never stopped screaming at me. | 0:33:23 | 0:33:25 | |
All my friends were off travelling the world | 0:33:25 | 0:33:27 | |
and there was I in a tiny flat with a baby. | 0:33:27 | 0:33:29 | |
I'm sure you did your best. | 0:33:29 | 0:33:31 | |
Maybe. | 0:33:32 | 0:33:34 | |
I thought as she got older, it might change. | 0:33:34 | 0:33:36 | |
That she might soften, stop screaming at me, stop punishing me. | 0:33:36 | 0:33:40 | |
But even when she had a child of her own, she was so cold. | 0:33:40 | 0:33:44 | |
She could be so cruel. | 0:33:45 | 0:33:46 | |
Is that why you didn't say anything? | 0:33:46 | 0:33:48 | |
Didn't voice your suspicions when she died? | 0:33:48 | 0:33:50 | |
It was wrong, but it was easier. | 0:33:50 | 0:33:52 | |
And it also meant that I could see Freddie. | 0:33:54 | 0:33:56 | |
How do you mean? | 0:33:56 | 0:33:58 | |
Last time I talked to her, she told me with some glee | 0:34:00 | 0:34:03 | |
that she'd made a new will. | 0:34:03 | 0:34:05 | |
So that if anything would happen to her and Andy, | 0:34:05 | 0:34:09 | |
Freddie would go to Andy's brother. | 0:34:09 | 0:34:11 | |
She explicitly said she did not want ME to take care of him. | 0:34:11 | 0:34:15 | |
That I would ruin him. | 0:34:17 | 0:34:19 | |
So you thought if Andy got convicted of murder, | 0:34:19 | 0:34:22 | |
you wouldn't see Freddie again and you kept quiet. | 0:34:22 | 0:34:25 | |
I'll tell you what I think. I don't think there was a murder. | 0:34:27 | 0:34:30 | |
I think you kept quiet the first time to keep hold of Freddie | 0:34:30 | 0:34:32 | |
and this time, you're speaking out, you're lashing out, | 0:34:32 | 0:34:35 | |
doing anything you can to stop losing him again. And I won't be part of it. | 0:34:35 | 0:34:39 | |
-No, it wasn't like that! -That's how it looks to me. | 0:34:39 | 0:34:42 | |
I didn't like Isobel very much, but I did love her. | 0:34:42 | 0:34:45 | |
And I did nothing for all that time. And for what?! | 0:34:46 | 0:34:50 | |
I'm still going to lose Freddie. | 0:34:50 | 0:34:52 | |
Then you turn up on my doorstep and... | 0:34:52 | 0:34:55 | |
I just couldn't ignore it. | 0:34:55 | 0:34:57 | |
So if there is anything you can do, anything left you can try, | 0:34:57 | 0:35:00 | |
do it, please, not for my sake, but for Isobel. | 0:35:00 | 0:35:03 | |
She deserves that. | 0:35:05 | 0:35:06 | |
All right. | 0:35:10 | 0:35:12 | |
SHE SIGHS | 0:35:15 | 0:35:17 | |
INDISTINCT COMMENTARY | 0:35:19 | 0:35:21 | |
-You got a tip for me? -Jackson. | 0:35:34 | 0:35:36 | |
Thought I'd whetted your appetite the other day. | 0:35:36 | 0:35:38 | |
It's not Joe Burns. | 0:35:38 | 0:35:40 | |
-Then who is it? -I don't know. | 0:35:40 | 0:35:43 | |
-Did you put CCTV in the shop like I told you, after we caught him? -Aye. | 0:35:43 | 0:35:47 | |
-Twenty number two. -Twenty number two. | 0:35:47 | 0:35:49 | |
Aye. Been glued to it like a bug-eyed nutter. | 0:35:49 | 0:35:52 | |
Nothing to see there. | 0:35:52 | 0:35:53 | |
-Could it have gone missing between here, the shop and the bank? -No. | 0:35:53 | 0:35:57 | |
-That cheeky water you were wanting? -Thanks. | 0:35:59 | 0:36:02 | |
-What is all this? -It's Jackson Brodie. | 0:36:02 | 0:36:04 | |
The private investigator I was telling you about. | 0:36:04 | 0:36:06 | |
-I thought that was all solved. -Well, it's bloody not. | 0:36:06 | 0:36:08 | |
Let me guess, we owe you money. | 0:36:08 | 0:36:10 | |
Er...yeah. | 0:36:10 | 0:36:13 | |
How much do we owe you, Mr Brodie? | 0:36:13 | 0:36:15 | |
1,900 quid. Call it 1,500. | 0:36:15 | 0:36:18 | |
MACKIE COUGHS | 0:36:18 | 0:36:20 | |
He's saving up to be a miser. | 0:36:20 | 0:36:22 | |
Stop your blethering, woman. I'll do it myself. | 0:36:22 | 0:36:25 | |
I'll head to the shops, as you seem to be managing fine on your own. | 0:36:25 | 0:36:29 | |
No. You're going to stay here. | 0:36:29 | 0:36:31 | |
Somebody's got to man the stand | 0:36:31 | 0:36:33 | |
while I give the big man a look at the horses. | 0:36:33 | 0:36:35 | |
I think she's cheating on me. | 0:36:38 | 0:36:40 | |
What, the money? | 0:36:40 | 0:36:42 | |
With a fella. | 0:36:42 | 0:36:45 | |
She's always going out with her sister and that. | 0:36:45 | 0:36:49 | |
Last year, she couldn't abide her face. | 0:36:49 | 0:36:51 | |
Now she's there three nights a week. What's that all about? | 0:36:51 | 0:36:55 | |
Whoa-whoa-whoa! | 0:36:55 | 0:36:56 | |
You're asking the wrong person. | 0:36:58 | 0:37:00 | |
You'll have to ask her. | 0:37:00 | 0:37:02 | |
She's there and there and every which where, | 0:37:02 | 0:37:05 | |
but here with her man, where she should be. | 0:37:05 | 0:37:09 | |
Women, eh? Incomprehensible as racehorses. | 0:37:09 | 0:37:13 | |
INDISTINCT COMMENTARY | 0:37:13 | 0:37:16 | |
SHOUTS OF ENCOURAGEMENT | 0:37:18 | 0:37:20 | |
Remember, pal, scared money doesnae win. | 0:37:31 | 0:37:36 | |
And never stake more than you can afford to lose. | 0:37:36 | 0:37:39 | |
You want a horse with good odds. | 0:37:41 | 0:37:42 | |
Good jockey, fair shot. | 0:37:42 | 0:37:45 | |
That's me, right there. | 0:37:46 | 0:37:49 | |
I cannae let you put 1,500 quid on that horse, Brodie. | 0:37:49 | 0:37:52 | |
-Why not? -Look at his odds against, you numpty. | 0:37:52 | 0:37:55 | |
Look at his form figures. He's a 40-1 no-hoper. | 0:37:55 | 0:37:58 | |
Go for a sure thing. | 0:37:58 | 0:37:59 | |
I love a long shot, me. Nobody's Darling. | 0:37:59 | 0:38:02 | |
-What?! -He's drunk. You said you wouldn't keep doing this. | 0:38:02 | 0:38:05 | |
Doing what? If he wants to throw away 1,500 quid, that's his business. | 0:38:05 | 0:38:09 | |
-It's our business! -No, it's my business. It's my money. | 0:38:09 | 0:38:12 | |
Fine. | 0:38:12 | 0:38:14 | |
£1,500 on number eight, please. | 0:38:14 | 0:38:17 | |
1,500 on number eight. | 0:38:17 | 0:38:20 | |
STARTER GUN FIRES | 0:38:28 | 0:38:29 | |
'They're off. | 0:38:29 | 0:38:31 | |
'And straight into the lead goes the 2-1 on favourite, Morning Star... | 0:38:31 | 0:38:35 | |
'He's followed by Equaliser... and Gerry Jackson on My Good Friend. | 0:38:35 | 0:38:39 | |
'These four ahead by two lengths... | 0:38:39 | 0:38:41 | |
'..and Morning Star has opened a lead of two lengths. | 0:38:43 | 0:38:45 | |
'My Good Friend is in second place... | 0:38:45 | 0:38:47 | |
'These four are now pulling away from the chasing group... | 0:38:47 | 0:38:49 | |
'with Dark Cloudings and Harry Hotspur falling further back, | 0:38:49 | 0:38:52 | |
'and the 40-1 outsider Nobody's Darling picking up the rear...' | 0:38:52 | 0:38:55 | |
-How am I doing? -You're losing. | 0:38:55 | 0:38:57 | |
'..It's still Morning Star by a length. | 0:38:57 | 0:38:59 | |
'And with two furlongs to go, Morning Star in the lead by a short head. | 0:39:01 | 0:39:05 | |
'These two are pulling away from the field, but look at this! | 0:39:05 | 0:39:07 | |
-'Nobody's Darling is making a strong run from the back...' -How am I doing? | 0:39:07 | 0:39:11 | |
'He's moving up. Passing Gloomy Monday and look at him go! | 0:39:11 | 0:39:14 | |
'He's pounding through the chasing pack. | 0:39:14 | 0:39:16 | |
'This is amazing, an astonishing run from the outsider....' | 0:39:16 | 0:39:19 | |
SHOUTS OF ENCOURAGEMENT | 0:39:19 | 0:39:22 | |
'It's going to be very close as they head for the line. | 0:39:22 | 0:39:25 | |
'Nobody's Darling making a final push...' | 0:39:25 | 0:39:27 | |
SHOUTS OF ENCOURAGEMENT | 0:39:27 | 0:39:30 | |
'..and at the line it's Nobody's Darling by a short head from Morning Star...' | 0:39:30 | 0:39:34 | |
It's impossible. | 0:39:34 | 0:39:35 | |
-Eh? -You psychic or something, pal? | 0:39:35 | 0:39:38 | |
-Did I win? -Aye. | 0:39:43 | 0:39:45 | |
-Did I win?! -Aye. | 0:39:45 | 0:39:47 | |
JACKSON LAUGHS | 0:39:47 | 0:39:50 | |
H-H-How much did I win? | 0:39:50 | 0:39:51 | |
61,500. | 0:39:51 | 0:39:55 | |
Sorry. | 0:39:55 | 0:39:56 | |
It's all yours. | 0:39:57 | 0:40:00 | |
What's going on? Where are you going? | 0:40:00 | 0:40:03 | |
-To see my sister. -Oh, your sister, eh? | 0:40:03 | 0:40:05 | |
Going to buy her another fancy supper, are you? | 0:40:05 | 0:40:07 | |
See what I telt you. I telt you that it's not on, not on. | 0:40:07 | 0:40:11 | |
Thanks, sorry, thanks. | 0:40:11 | 0:40:14 | |
Oh, hey, excuse me. | 0:40:21 | 0:40:22 | |
Oh, thank you, wouldn't want to leave that behind. You're very kind. | 0:40:24 | 0:40:27 | |
You're not leaving, are you? Right now. | 0:40:27 | 0:40:30 | |
Yeah, it was a work bonding day. It's hard work, bonding. | 0:40:30 | 0:40:33 | |
I need some food and some proper wine | 0:40:33 | 0:40:35 | |
and I really need to get out of here. | 0:40:35 | 0:40:38 | |
Oh, I'd love a glass of wine. | 0:40:38 | 0:40:40 | |
Oh, yeah? | 0:40:40 | 0:40:42 | |
I would like to take you for a glass of white wine, | 0:40:42 | 0:40:45 | |
although possibly in a taxi, I think I've drunk too much. | 0:40:45 | 0:40:48 | |
-Yeah, I'd second that. -But it could be fun. | 0:40:48 | 0:40:52 | |
I don't go home with drunk men. | 0:40:52 | 0:40:54 | |
Neither do I. | 0:40:54 | 0:40:55 | |
How about some food? That might sober me up. | 0:40:55 | 0:41:00 | |
Thimble full of wine. | 0:41:00 | 0:41:02 | |
I've got a car. Just don't puke in it. | 0:41:03 | 0:41:06 | |
I liaise between the exhibitions, the historians and the archives. | 0:41:10 | 0:41:15 | |
My job is to collect the assets. | 0:41:15 | 0:41:18 | |
Sounds very cloak and dagger. The assets. | 0:41:18 | 0:41:21 | |
So it's like the photographs that are mounted in an exhibition, | 0:41:21 | 0:41:26 | |
or a sample of cutlery that was used in an old house. | 0:41:26 | 0:41:30 | |
I collect all the work | 0:41:30 | 0:41:31 | |
and then I get the documentation to prove it's authentic. | 0:41:31 | 0:41:35 | |
It's like the evidence of the exhibition, | 0:41:35 | 0:41:39 | |
to speak in private detective lingo. | 0:41:39 | 0:41:42 | |
Thank you for that. I wouldn't have understood that otherwise. | 0:41:42 | 0:41:45 | |
And you, Jackson, what cases are driving you to distraction? | 0:41:45 | 0:41:49 | |
-Are you ready to order? -Oh, er... | 0:41:49 | 0:41:51 | |
Can I have spaghetti alle vongole and I'll have double the vongole. | 0:41:51 | 0:41:56 | |
And for dessert, I'll have the tiramisu. | 0:41:56 | 0:42:00 | |
-You've ordered the dessert? -Yeah, it's the best bit. | 0:42:00 | 0:42:04 | |
Thanks very much. | 0:42:04 | 0:42:05 | |
My humble abode. | 0:42:14 | 0:42:16 | |
It's going through a bit of a reimagining moment. | 0:42:19 | 0:42:25 | |
-Coffee? -Yeah, black and sweet. | 0:42:25 | 0:42:29 | |
Hello, Father! | 0:42:36 | 0:42:38 | |
Oh hey, Marlee is...back. | 0:42:38 | 0:42:42 | |
-You didn't mention you had a daughter. -He does. | 0:42:42 | 0:42:46 | |
I do and that's her and her name is Marlee and this lady's name | 0:42:46 | 0:42:49 | |
is Charlotte and she very kindly gave me a lift home. | 0:42:49 | 0:42:52 | |
-Hi. -Hi | 0:42:52 | 0:42:54 | |
What do you want for your dinner? | 0:42:54 | 0:42:56 | |
I've already had dinner at Sophie's, Dad. | 0:42:56 | 0:42:58 | |
At Sophie's. | 0:42:58 | 0:43:00 | |
Are you drunk, Dad? | 0:43:00 | 0:43:02 | |
What kind of thing is that to say? | 0:43:02 | 0:43:05 | |
-Marlee's just started S1. -S1? I hated S1, girls are so mean. | 0:43:05 | 0:43:12 | |
Can't believe you were mean. | 0:43:12 | 0:43:13 | |
-I was mean to the boys. -Now that I can believe. | 0:43:13 | 0:43:17 | |
I'm going to go back upstairs and finish off my homework. | 0:43:17 | 0:43:20 | |
I'll only be about an hour. | 0:43:20 | 0:43:22 | |
So tell me when it's safe to come down, Dad, yeah? | 0:43:22 | 0:43:25 | |
There's no need for that, thank you. | 0:43:25 | 0:43:27 | |
Her mum's in New Zealand. | 0:43:33 | 0:43:35 | |
Good. | 0:43:35 | 0:43:37 | |
Good, that you said good. | 0:43:37 | 0:43:39 | |
I like that. | 0:43:39 | 0:43:41 | |
I should go home, Jackson | 0:43:49 | 0:43:51 | |
-Oh, that is mean. -I have rules. | 0:43:51 | 0:43:53 | |
-Oh, yeah? -Yeah, we haven't shared enough cultural events together yet. | 0:43:53 | 0:43:57 | |
THEY LAUGH | 0:43:57 | 0:43:59 | |
Are you going to expand my mind? | 0:43:59 | 0:44:01 | |
Maybe. | 0:44:01 | 0:44:02 | |
-Good night. -I'll see you. | 0:44:07 | 0:44:09 | |
PHONE RINGS | 0:44:12 | 0:44:15 | |
Allo, Mackie, me old mate. | 0:44:15 | 0:44:19 | |
How did you know that horse would win? | 0:44:19 | 0:44:22 | |
I liked the name. I'm Nobody's Darling. | 0:44:22 | 0:44:25 | |
At 40-1, rank outsider, never won a race in his bloody life, | 0:44:25 | 0:44:28 | |
you expect me to believe you didn't know. | 0:44:28 | 0:44:30 | |
I didn't know. | 0:44:30 | 0:44:32 | |
Well you did something cos that wasn't a lucky bet. | 0:44:32 | 0:44:35 | |
The other bookies think so too. | 0:44:35 | 0:44:37 | |
What other bookies? | 0:44:37 | 0:44:38 | |
I've called the BHA. | 0:44:38 | 0:44:40 | |
And the bloody SID. There were other bets. | 0:44:40 | 0:44:43 | |
So there's going to be an inquiry. | 0:44:43 | 0:44:47 | |
You know, you switched horses or something. | 0:44:47 | 0:44:51 | |
Don't you think you're going to keep my money, pal. | 0:44:51 | 0:44:54 | |
MUSIC: "Ooo Baby Baby" by Smokey Robinson | 0:45:01 | 0:45:03 | |
# I did you wrong... # | 0:45:07 | 0:45:10 | |
TV PLAYS, HE SNORES | 0:45:10 | 0:45:12 | |
# I lost you | 0:45:14 | 0:45:18 | |
# What a price to pay | 0:45:18 | 0:45:23 | |
# I'm cryin' | 0:45:25 | 0:45:28 | |
# Oooh, baby, baby | 0:45:28 | 0:45:34 | |
# Oooh, baby, baby... # | 0:45:35 | 0:45:42 | |
What are we doing here, Dad? | 0:45:44 | 0:45:46 | |
We are just talking a walk. | 0:45:46 | 0:45:49 | |
Are you buying me a horse? | 0:45:49 | 0:45:51 | |
Funny. I'm trying to find something to do together. | 0:45:51 | 0:45:55 | |
You used to love animals when you were little. | 0:45:55 | 0:45:57 | |
Yeah, Stuart took me riding a couple of times in New Zealand. | 0:45:57 | 0:46:01 | |
-Did he? -Yeah. | 0:46:01 | 0:46:02 | |
That was nice of him. Good old Stuart. Did you like it? | 0:46:02 | 0:46:05 | |
I loved it. | 0:46:05 | 0:46:06 | |
Jackson! Jackson! | 0:46:08 | 0:46:10 | |
Dad, you're going deaf! | 0:46:11 | 0:46:14 | |
Hey, how you doing? | 0:46:15 | 0:46:17 | |
Good. Are you coming to Pony Club? | 0:46:17 | 0:46:20 | |
-No. -Yeah! | 0:46:20 | 0:46:22 | |
-Hi, I'm Freddie. -Marlee. -We're just leaving, love. | 0:46:22 | 0:46:26 | |
No, we're not, we just got here. | 0:46:26 | 0:46:27 | |
How about you go do whatever you came here to do | 0:46:27 | 0:46:30 | |
and I'll stay here with Freddie. | 0:46:30 | 0:46:33 | |
Where's the owner? | 0:46:33 | 0:46:34 | |
In that shed over there. | 0:46:34 | 0:46:37 | |
I'll be back in a minute. | 0:46:37 | 0:46:38 | |
Come on then. | 0:46:38 | 0:46:40 | |
Isobel? She wasn't exactly a friend. | 0:46:43 | 0:46:46 | |
She wasn't one of those friends you could just ring up and chat to. | 0:46:46 | 0:46:50 | |
I'm getting the idea that she preferred horses to people. | 0:46:50 | 0:46:52 | |
Yes, exactly. | 0:46:52 | 0:46:54 | |
People didn't always...get her. | 0:46:56 | 0:46:59 | |
Why not? | 0:46:59 | 0:47:00 | |
Personally, I think they were jealous, | 0:47:00 | 0:47:02 | |
you know, of how beautiful she was, winning everything. | 0:47:02 | 0:47:05 | |
But she just needed to be challenged. | 0:47:05 | 0:47:07 | |
I think that's why she was moving. | 0:47:07 | 0:47:10 | |
Moving where? Leaving Andy? | 0:47:10 | 0:47:14 | |
Well, I don't think she'd had a chance to... | 0:47:15 | 0:47:19 | |
I don't think she'd figured it all out. | 0:47:19 | 0:47:22 | |
It was kind of spontaneous. She was like that. | 0:47:22 | 0:47:25 | |
She had a thing about the Borders. | 0:47:25 | 0:47:27 | |
She asked me to look after her horses | 0:47:28 | 0:47:30 | |
until she could move down there. | 0:47:30 | 0:47:31 | |
I think she didn't want to deal with her mother. | 0:47:33 | 0:47:35 | |
But that's all a secret. I really shouldn't be saying anything. | 0:47:35 | 0:47:40 | |
Right, she's not coming back, Sasha. | 0:47:40 | 0:47:42 | |
I know, but she didn't want to tell anybody. | 0:47:42 | 0:47:45 | |
Did Andy know? | 0:47:45 | 0:47:47 | |
I don't know. | 0:47:48 | 0:47:49 | |
Good? | 0:47:52 | 0:47:54 | |
Did you know, at my school there are no girls? | 0:47:57 | 0:47:59 | |
There's loads of girls at my school. They're all horrible though. | 0:47:59 | 0:48:02 | |
You should come there. | 0:48:02 | 0:48:04 | |
Come on, let's go. | 0:48:04 | 0:48:06 | |
But, Dad, I need to take back my things. | 0:48:06 | 0:48:08 | |
No, it's fine, I can take them if you want. | 0:48:08 | 0:48:10 | |
Thank you, Freddie | 0:48:10 | 0:48:11 | |
Just ignore him, he's always like that. Come on. | 0:48:11 | 0:48:14 | |
Hey! | 0:48:14 | 0:48:15 | |
Freddie! | 0:48:15 | 0:48:17 | |
-Jackson. -Rachel. | 0:48:19 | 0:48:21 | |
What are you doing here? | 0:48:21 | 0:48:23 | |
I've brought my daughter, she's been riding. | 0:48:23 | 0:48:26 | |
You've been following us? | 0:48:26 | 0:48:27 | |
No, no. It's just...one of those weird coincidences. | 0:48:27 | 0:48:32 | |
Well? | 0:48:34 | 0:48:35 | |
Well, I don't think now is a good time for a chat, is it. | 0:48:35 | 0:48:38 | |
If you know something, you should tell me. | 0:48:38 | 0:48:40 | |
Is there ever going to be a good time to find out | 0:48:40 | 0:48:43 | |
that my fiance is having an affair? | 0:48:43 | 0:48:45 | |
He's not. He's not having an affair. | 0:48:48 | 0:48:51 | |
Are you sure? | 0:48:51 | 0:48:53 | |
Yeah. | 0:48:53 | 0:48:54 | |
What's he doing? Where's he going? | 0:48:56 | 0:48:58 | |
He's not going anywhere. | 0:48:58 | 0:48:59 | |
Was does that mean? | 0:48:59 | 0:49:01 | |
He went to see his ex mother-in-law. | 0:49:01 | 0:49:04 | |
And other times he's just, he's just sitting around. | 0:49:04 | 0:49:09 | |
I don't understand why. | 0:49:09 | 0:49:11 | |
He doesn't want to come home. | 0:49:13 | 0:49:15 | |
Bloody Miriam's been getting in his ear again, telling him | 0:49:15 | 0:49:18 | |
not to get married, telling him not to move to Lancaster, | 0:49:18 | 0:49:21 | |
saying it's not good for Freddie. | 0:49:21 | 0:49:23 | |
It's exactly what Freddie needs, it's a fresh start. | 0:49:23 | 0:49:26 | |
It's exactly what we need. Do you understand? | 0:49:28 | 0:49:31 | |
Rachel? | 0:49:31 | 0:49:32 | |
Andy. | 0:49:34 | 0:49:35 | |
Hey. | 0:49:35 | 0:49:36 | |
Hi, Dad. | 0:49:39 | 0:49:40 | |
This is my daughter. | 0:49:40 | 0:49:42 | |
Freddie's going to teach me how to groom a horse first. | 0:49:42 | 0:49:45 | |
Not today he's not, love. Come on. Let's go. | 0:49:45 | 0:49:47 | |
Yes, he is. We'll only be ten minutes. You'll just have to wait. | 0:49:47 | 0:49:50 | |
-I said, let's go. -Why? | 0:49:50 | 0:49:51 | |
Because I said so. Now say goodbye. | 0:49:51 | 0:49:54 | |
First of all, you bring me here, which I know was for work, | 0:49:54 | 0:49:56 | |
and then when I start having fun you tell me we're leaving. | 0:49:56 | 0:49:59 | |
It's not fair. | 0:49:59 | 0:50:00 | |
-We'll see ya. -Come on. | 0:50:00 | 0:50:02 | |
MUSIC: "We Are Never Getting Back Together" by Taylor Swift | 0:50:05 | 0:50:07 | |
# Ooooh, we called it off again last night | 0:50:07 | 0:50:10 | |
# But oooh oooh oooh ooh ooh... # | 0:50:10 | 0:50:12 | |
FAINT MUSIC FROM HEADPHONES | 0:50:12 | 0:50:14 | |
# I'm telling you, I'm telling you | 0:50:14 | 0:50:16 | |
# We are never ever, ever | 0:50:16 | 0:50:19 | |
# Getting back together | 0:50:19 | 0:50:21 | |
# We are never ever, ever | 0:50:21 | 0:50:24 | |
# Getting back together | 0:50:24 | 0:50:27 | |
# You go talk to your friends | 0:50:27 | 0:50:28 | |
# Talk to my friends | 0:50:28 | 0:50:30 | |
# Talk to me... # | 0:50:30 | 0:50:33 | |
What are we even doing here, Dad? | 0:50:33 | 0:50:35 | |
You're going to stop sulking. | 0:50:35 | 0:50:36 | |
We're going to have some cake and start enjoying ourselves, all right? | 0:50:36 | 0:50:40 | |
-What do you want? -Anything? -You can have it all until you're sick | 0:50:40 | 0:50:43 | |
as long as you give us a smile, for God's sake. | 0:50:43 | 0:50:46 | |
I'm sorry, all right, I'm here now, we'll have a good time. | 0:50:46 | 0:50:50 | |
PHONE RINGS | 0:50:50 | 0:50:51 | |
Go on, I know you want to, Dad. | 0:50:53 | 0:50:56 | |
No, no. Right, what are we having? | 0:50:56 | 0:50:59 | |
-Piece of chocolate cake. -Love it. | 0:50:59 | 0:51:01 | |
And a scone and a couple of rolls to share? | 0:51:01 | 0:51:05 | |
Is that all? | 0:51:05 | 0:51:07 | |
PHONE RINGS | 0:51:07 | 0:51:08 | |
-I'll just get rid of it. -Dad, leave it. | 0:51:08 | 0:51:09 | |
I'll just take a minute. She'll call all day. | 0:51:09 | 0:51:11 | |
You said, you would leave it, Dad! | 0:51:11 | 0:51:13 | |
Miriam. | 0:51:15 | 0:51:16 | |
'Any news?' | 0:51:16 | 0:51:18 | |
Can I come and see you tomorrow? It's not the best time. | 0:51:18 | 0:51:22 | |
I'd really like to know what you've got now. Tell me, please. | 0:51:22 | 0:51:26 | |
All right. | 0:51:27 | 0:51:28 | |
I think Isobel was leaving Andy when she died. | 0:51:30 | 0:51:34 | |
With Freddie? | 0:51:36 | 0:51:38 | |
I assume so. | 0:51:38 | 0:51:39 | |
I see. Yes, of course, that makes sense. Thank you. | 0:51:40 | 0:51:45 | |
'Let's not get ahead of ourselves. It's not proof.' | 0:51:45 | 0:51:49 | |
Love you. | 0:51:56 | 0:51:57 | |
And some juice or something. | 0:51:57 | 0:51:59 | |
Bye. | 0:51:59 | 0:52:01 | |
Hey, who you talking to? | 0:52:01 | 0:52:04 | |
-Mum. -What about? | 0:52:04 | 0:52:06 | |
What do you think? | 0:52:06 | 0:52:08 | |
I don't know. | 0:52:08 | 0:52:10 | |
About how you're always working all the time, OK? | 0:52:10 | 0:52:13 | |
Marlee, I'm a grown up and grownups work, that's what we do for money. | 0:52:13 | 0:52:17 | |
I don't have the money to pay for everything you do. | 0:52:17 | 0:52:19 | |
Mum says it wasn't about that though. | 0:52:19 | 0:52:21 | |
She says that you have intimacy issues. | 0:52:21 | 0:52:23 | |
Intimacy issues. | 0:52:23 | 0:52:25 | |
She says you can't love anyone cos your mum never loved you. | 0:52:25 | 0:52:28 | |
And that's why you got divorced. | 0:52:28 | 0:52:29 | |
Christ, right, first of all, my mother did love me. | 0:52:29 | 0:52:35 | |
And secondly, yeah, she wasn't well and I learnt to take | 0:52:35 | 0:52:39 | |
care of myself and that's not a bad thing. | 0:52:39 | 0:52:41 | |
Not like you having me running around cooking for you, | 0:52:41 | 0:52:44 | |
washing and cleaning and everything. I was independent. | 0:52:44 | 0:52:46 | |
You don't let me do anything on my own though. | 0:52:46 | 0:52:48 | |
Like what, what do you want to do? | 0:52:48 | 0:52:49 | |
-Go to the mall, the movies... -What, now? -Yeah. | 0:52:49 | 0:52:52 | |
By yourself? | 0:52:52 | 0:52:53 | |
No, with my friends. I'm not five any more, Dad. | 0:52:53 | 0:52:57 | |
All right, OK, I'll give you a lift. | 0:53:01 | 0:53:04 | |
Give me money and I'll get the bus. | 0:53:04 | 0:53:06 | |
-I'm driving that way. -I want to get the bus, Dad. | 0:53:06 | 0:53:08 | |
Here. | 0:53:13 | 0:53:14 | |
Do you want to...? | 0:53:16 | 0:53:18 | |
PHONE RINGS | 0:53:23 | 0:53:24 | |
Charlotte. | 0:53:29 | 0:53:30 | |
I hope this counts as a cultural event. | 0:53:48 | 0:53:50 | |
Oh, it definitely counts. | 0:53:50 | 0:53:52 | |
This is the biggest privately-owned collection of art in Scotland. | 0:53:54 | 0:53:59 | |
They've got Rubens, Titian, Murillo, Raeburns. | 0:53:59 | 0:54:05 | |
In fact, a couple of years ago | 0:54:06 | 0:54:08 | |
they sold a Tintoretto for 10 million just to fix the roof. | 0:54:08 | 0:54:11 | |
Got some Polish mates who would've given them a deal. | 0:54:12 | 0:54:16 | |
Just think, these walls are worth millions. | 0:54:18 | 0:54:21 | |
How would you like that in your bedroom? | 0:54:22 | 0:54:24 | |
What is it? | 0:54:29 | 0:54:31 | |
Nothing. I'll be back in a sec. | 0:54:31 | 0:54:33 | |
HE GASPS AND GROANS | 0:55:04 | 0:55:06 | |
Andy? | 0:55:08 | 0:55:10 | |
I think you've broken it! Go away! | 0:55:10 | 0:55:12 | |
All right, all right. | 0:55:12 | 0:55:14 | |
Put that up against it. | 0:55:14 | 0:55:17 | |
HE MOANS | 0:55:17 | 0:55:18 | |
What are you following me for? | 0:55:18 | 0:55:20 | |
I want to know what you said to Rachel, why she is so upset. | 0:55:23 | 0:55:27 | |
-What did you say to her? -Talk to her. | 0:55:27 | 0:55:30 | |
I'm asking you! Who are you? Why did you come to my house? | 0:55:30 | 0:55:35 | |
You're better off talking to Rachel. | 0:55:35 | 0:55:38 | |
You don't even know Isobel, do you? | 0:55:38 | 0:55:40 | |
No, I didn't. | 0:55:41 | 0:55:43 | |
-Hey. -Bastard! -Hey, calm down. Calm down. | 0:55:46 | 0:55:49 | |
Get off me. Get off me. | 0:55:49 | 0:55:51 | |
Calm down, I'm not going to hit you. Now stop it, all right? | 0:55:51 | 0:55:55 | |
All right. | 0:55:55 | 0:55:56 | |
Jesus. | 0:55:57 | 0:55:59 | |
HE PANTS | 0:55:59 | 0:56:00 | |
She was upset because I told her you weren't having an affair. | 0:56:00 | 0:56:03 | |
(LAUGHING) What? | 0:56:06 | 0:56:07 | |
-She hired me. I'm an investigator. -You're a bloody arsehole. | 0:56:07 | 0:56:11 | |
Now I'm going to let go of you, don't do anything silly. | 0:56:11 | 0:56:14 | |
God. | 0:56:20 | 0:56:21 | |
She was right to be worried though, wasn't she? | 0:56:25 | 0:56:27 | |
You've been avoiding her. You can't blame her for being suspicious. | 0:56:29 | 0:56:34 | |
Given she was the affair when you first started, wasn't she? | 0:56:34 | 0:56:39 | |
How did you know that? | 0:56:39 | 0:56:40 | |
I know a lot more than you think, Andy. | 0:56:40 | 0:56:43 | |
TOILET FLUSHES | 0:56:43 | 0:56:44 | |
I was reckless. | 0:56:59 | 0:57:00 | |
I know it wasn't fair on Rachel, | 0:57:06 | 0:57:10 | |
I wanted to make it obvious, | 0:57:10 | 0:57:13 | |
get noticed, make Isobel jealous. | 0:57:13 | 0:57:17 | |
A waste of time. | 0:57:17 | 0:57:20 | |
She never even looked in the right direction. | 0:57:20 | 0:57:22 | |
That must've been very upsetting. | 0:57:24 | 0:57:26 | |
She wanted to leave, I would've been furious. | 0:57:28 | 0:57:30 | |
What are you talking about? She didn't want to leave. | 0:57:30 | 0:57:34 | |
Who told you that? Rachel? | 0:57:34 | 0:57:36 | |
I never said Isobel wanted to go. Why would she? | 0:57:36 | 0:57:40 | |
Rachel sees what she wants to see sometimes. | 0:57:42 | 0:57:47 | |
She's a good person, she's great with Freddie | 0:57:48 | 0:57:52 | |
and he dotes on her. | 0:57:54 | 0:57:56 | |
I should never have told her I loved her. | 0:58:01 | 0:58:03 | |
I should never have let it get this far. | 0:58:03 | 0:58:06 | |
Ow! I'm sorry. | 0:58:08 | 0:58:12 | |
Yeah, me too. | 0:58:12 | 0:58:14 | |
I bring peas. | 0:58:31 | 0:58:32 | |
-OK, put it on. -Ahh. That's really cold. | 0:58:34 | 0:58:38 | |
Now can you see me? Are you seeing double? | 0:58:38 | 0:58:40 | |
I can't even breathe. | 0:58:40 | 0:58:41 | |
SHE LAUGHS | 0:58:41 | 0:58:43 | |
I can't breathe. | 0:58:43 | 0:58:45 | |
Is that cold? | 0:58:45 | 0:58:46 | |
Yes, very cold. | 0:58:46 | 0:58:48 | |
Where's Marlee? | 0:58:50 | 0:58:51 | |
She's out, she's out with her mates, she'll be ages. | 0:58:51 | 0:58:54 | |
We've got a 66-year-old male found dead outside his house. | 0:59:05 | 0:59:08 | |
His name is Ian Thomas Mackie, he's a bookmaker at Musselburgh. | 0:59:08 | 0:59:12 | |
We've got trauma to the head commensurate with | 0:59:12 | 0:59:14 | |
a fall from that balcony up there, boss. | 0:59:14 | 0:59:16 | |
Of course, the question is, did he fall or was he pushed? | 0:59:16 | 0:59:19 | |
-Who called it in? -His wife, Marie Mackie, | 0:59:19 | 0:59:21 | |
although she said she saw nothing, heard nothing. | 0:59:21 | 0:59:24 | |
Found him dead this morning. | 0:59:24 | 0:59:26 | |
-Where is she, this Mrs Mackie? -Inside. | 0:59:26 | 0:59:28 | |
Did you hear any disturbance last night, anything at all? | 0:59:30 | 0:59:33 | |
I said, I was at my sister Kath's house. | 0:59:33 | 0:59:35 | |
And you were with Kath until? | 0:59:35 | 0:59:37 | |
About 11.00, our television programme finishes at 11.00. | 0:59:37 | 0:59:41 | |
And then what did you do? | 0:59:41 | 0:59:43 | |
I came home and went to my bed. | 0:59:43 | 0:59:45 | |
Where did you think your husband was when you went to bed? | 0:59:45 | 0:59:48 | |
I told that girl, we sleep separately. Ian snores. | 0:59:48 | 0:59:51 | |
Can you think of anyone that would wish to harm your husband, | 0:59:51 | 0:59:54 | |
any enemies? | 0:59:54 | 0:59:55 | |
Take your pick. | 0:59:55 | 0:59:56 | |
There's no sign of a forced entry. | 0:59:56 | 0:59:58 | |
Your husband may have known his killer. | 0:59:58 | 1:00:00 | |
Maybe he fell. | 1:00:00 | 1:00:02 | |
Pretty difficult to accidentally tip over that balustrade. | 1:00:02 | 1:00:05 | |
He was a clumsy drunk and he was usually drunk. | 1:00:05 | 1:00:08 | |
Did that bother you? | 1:00:08 | 1:00:09 | |
None of my business. | 1:00:10 | 1:00:12 | |
KNOCK ON DOOR | 1:00:17 | 1:00:19 | |
Oh, shit. Marlee. | 1:00:19 | 1:00:21 | |
-Louise. -Can I come in? | 1:00:29 | 1:00:31 | |
What do you want? | 1:00:31 | 1:00:33 | |
Ahh. | 1:00:34 | 1:00:36 | |
This is Charlotte, a friend of mine, this is DI Munroe, an old colleague. | 1:00:36 | 1:00:41 | |
-Come in. You're not old. -Stop talking. | 1:00:43 | 1:00:46 | |
Are we in trouble, Detective? | 1:00:47 | 1:00:49 | |
I need to talk to you about Ian Mackie. | 1:00:51 | 1:00:53 | |
Your number was found in his phone records. | 1:00:53 | 1:00:55 | |
You spoke to him yesterday. When did you last see him? | 1:00:55 | 1:00:57 | |
At the track yesterday. | 1:00:57 | 1:00:58 | |
And I did some detective work for him before that. | 1:00:58 | 1:01:01 | |
He's an old drunk, you know. | 1:01:01 | 1:01:02 | |
Well, he's dead, Jackson. | 1:01:02 | 1:01:04 | |
Eh? What happened? | 1:01:05 | 1:01:07 | |
Yeah, I'm going to need to you to come down and make a statement. | 1:01:07 | 1:01:10 | |
-What, now? -Well, as soon as you can. | 1:01:10 | 1:01:12 | |
Sure. | 1:01:12 | 1:01:13 | |
Nice to meet you. | 1:01:14 | 1:01:15 | |
Mm-hmm. | 1:01:15 | 1:01:16 | |
-You all right? -Yeah. | 1:01:27 | 1:01:30 | |
THUNDERCLAP | 1:01:31 | 1:01:32 | |
I'd better call Marlee, see if she's all right. | 1:01:34 | 1:01:37 | |
Yep, yep. | 1:01:37 | 1:01:39 | |
Come on, pick up. Pick up. | 1:01:39 | 1:01:42 | |
Hey, where are you? | 1:01:45 | 1:01:47 | |
What are you doing? Why did I have to call you? | 1:02:03 | 1:02:07 | |
I was trying to be independent, Dad. | 1:02:09 | 1:02:10 | |
Well, how did that work out for you? | 1:02:10 | 1:02:12 | |
If you're so independent, why didn't you get the right bus home? | 1:02:12 | 1:02:15 | |
I've no money left. | 1:02:15 | 1:02:17 | |
You spent the whole lot, the whole 20 quid. On what? | 1:02:17 | 1:02:21 | |
Stuff with my friends. | 1:02:22 | 1:02:24 | |
HE SIGHS | 1:02:24 | 1:02:26 | |
I got you this. | 1:02:34 | 1:02:37 | |
I thought you'd like it. | 1:02:37 | 1:02:38 | |
Ya daft idiot. Now come here. | 1:02:45 | 1:02:48 | |
MUSIC: "Hardly Speaking A Word" by Lori McKenna | 1:02:48 | 1:02:50 | |
# Well, I know your life has been hard | 1:02:50 | 1:02:55 | |
# I see it in your eyes and I feel it in your heart | 1:02:55 | 1:03:01 | |
# When your eyes move down to the floor | 1:03:01 | 1:03:05 | |
# And your mouth changes shape, and your voice sounds sore | 1:03:07 | 1:03:13 | |
# I can hold you close in my arms | 1:03:13 | 1:03:18 | |
# And tell you that you're... # | 1:03:20 | 1:03:23 | |
There you are. | 1:03:23 | 1:03:25 | |
Rachel, I'm so sorry. I can't go through with this. | 1:03:26 | 1:03:33 | |
Oh, no. | 1:03:36 | 1:03:38 | |
# But I'm hardly speaking a word... # | 1:03:41 | 1:03:46 | |
SHE SOBS | 1:03:46 | 1:03:48 | |
# Hardly speaking a word... # | 1:03:48 | 1:03:52 | |
You don't have to move out straight away or anything, | 1:03:52 | 1:03:55 | |
you can stay until you get yourself sorted out. | 1:03:55 | 1:03:59 | |
# But I'm hardly speaking a word... # | 1:03:59 | 1:04:04 | |
I'm sorry. | 1:04:04 | 1:04:05 | |
# And your struggle never changes me | 1:04:11 | 1:04:17 | |
# I'll never be able to see the things you see | 1:04:17 | 1:04:23 | |
# They say that you see things differently | 1:04:23 | 1:04:29 | |
# Just because it's different doesn't mean it can't be free | 1:04:29 | 1:04:37 | |
# But I'm hardly speaking a word... # | 1:04:37 | 1:04:42 | |
Mum! | 1:04:42 | 1:04:44 | |
# I'm hardly speaking a word | 1:04:44 | 1:04:49 | |
# So I wonder what do they know... # | 1:04:49 | 1:04:54 | |
Morning | 1:04:56 | 1:04:57 | |
-You look terrible. -Thanks very much. | 1:04:58 | 1:05:00 | |
Shouldn't you be discussing Man United and fishnets somewhere? | 1:05:00 | 1:05:03 | |
Yeah, well, I've been there, done that and I did not want the T-shirt. | 1:05:03 | 1:05:06 | |
Anything on Rachel Stewart? | 1:05:08 | 1:05:09 | |
Ah yes, now, listen, Rachel Stewart has a postgraduate degree | 1:05:09 | 1:05:15 | |
in Irish Literature but has only ever worked as a nanny. | 1:05:15 | 1:05:18 | |
Anything on the family? | 1:05:18 | 1:05:19 | |
Yeah. | 1:05:19 | 1:05:21 | |
She lived with an aunt after both parents were killed in a car crash | 1:05:21 | 1:05:24 | |
and when she was 15 she lived with a school friend's family | 1:05:24 | 1:05:27 | |
so she has no family. | 1:05:27 | 1:05:29 | |
PHONE RINGS | 1:05:33 | 1:05:35 | |
Rachel? | 1:05:35 | 1:05:36 | |
'What did you say to Andy?' | 1:05:36 | 1:05:37 | |
He said the wedding's off. That he never loved me | 1:05:37 | 1:05:42 | |
This wasn't what I asked you to do. | 1:05:42 | 1:05:44 | |
Look, try and calm down. | 1:05:44 | 1:05:46 | |
I'm sorry about that but isn't it better that he tells you now | 1:05:46 | 1:05:49 | |
rather than later? | 1:05:49 | 1:05:50 | |
No, no, it's not. You ruined my life. | 1:05:50 | 1:05:54 | |
It's better the truth comes out now, Rachel, about everything. | 1:05:54 | 1:05:57 | |
You've not been entirely honest yourself, have you? | 1:05:57 | 1:06:00 | |
Let's meet for a chat. Come on. | 1:06:00 | 1:06:03 | |
I don't want to talk any more, Jackson. | 1:06:03 | 1:06:05 | |
I want to go home. I just want to go home. | 1:06:07 | 1:06:10 | |
-Brodie? -What do you want? -Jackson Brodie. | 1:06:24 | 1:06:26 | |
We've got some questions for you about allegations of fraud | 1:06:26 | 1:06:29 | |
-in connection with the death of Ian Mackie. -What? | 1:06:29 | 1:06:31 | |
You can answer those questions at the station, let's go. | 1:06:31 | 1:06:33 | |
I'm dealing with something urgent. I'll come in later. | 1:06:33 | 1:06:36 | |
No, you'll come now. Let's go. | 1:06:36 | 1:06:37 | |
I'm not under arrest, I'll come in, in my own time. | 1:06:37 | 1:06:39 | |
It's not an invitation, Brodie. I want to talk to you now. | 1:06:39 | 1:06:42 | |
-All right. I'm picking up my daughter. -No, you're coming in. | 1:06:42 | 1:06:44 | |
-Get off me. -Jackson Brodie, you've now assaulted a police officer | 1:06:44 | 1:06:48 | |
-and you're under a arrest. -Don't be an idiot. | 1:06:48 | 1:06:50 | |
You're not obliged to say anything but anything you do say... | 1:06:50 | 1:06:52 | |
Put him in the car, he knows how it works. | 1:06:52 | 1:06:54 | |
You know, you could have a lawyer. You don't want a lawyer then? | 1:06:57 | 1:07:01 | |
Just get on with it. | 1:07:01 | 1:07:02 | |
-HE LAUGHS -You can have a lawyer, you know. | 1:07:02 | 1:07:05 | |
PHONE RINGS Yep. | 1:07:05 | 1:07:06 | |
Oh, Marlee. | 1:07:06 | 1:07:08 | |
-Give me that. -Marlee, it's Marlee | 1:07:08 | 1:07:10 | |
Let me get that. It's my daughter, give us the phone. | 1:07:10 | 1:07:14 | |
Let's go. | 1:07:16 | 1:07:17 | |
SHOUTS | 1:07:19 | 1:07:21 | |
Ian Mackie's my case, what the hell do you think you're doing? | 1:07:44 | 1:07:46 | |
Well, we have reason to suspect that Brodie's involved in a | 1:07:46 | 1:07:49 | |
horse racing scam and he assaulted an officer. | 1:07:49 | 1:07:52 | |
Oh, you're not serious. | 1:07:52 | 1:07:54 | |
Well, if it bothers you that much you can sit in during the interview. | 1:07:54 | 1:07:57 | |
I told you, I liked the name. | 1:08:02 | 1:08:05 | |
What name? | 1:08:05 | 1:08:06 | |
Nobody's Darling. | 1:08:07 | 1:08:09 | |
You know, most people wouldn't bet £1,500 on a horse | 1:08:09 | 1:08:12 | |
with that record unless they believed that horse would win | 1:08:12 | 1:08:14 | |
so tell me, why did you bet on that horse? | 1:08:14 | 1:08:16 | |
If I knew it would win, I'd have put more money on it, wouldn't I? | 1:08:16 | 1:08:20 | |
I would have sold my house and put that on it, I was just lucky. | 1:08:20 | 1:08:23 | |
So you were willing, expecting even to lose £1,500? | 1:08:23 | 1:08:27 | |
I was drunk. | 1:08:27 | 1:08:29 | |
What? During the day? | 1:08:29 | 1:08:30 | |
Yeah, sorry, Mum, is that all right? I was very bothered. | 1:08:30 | 1:08:33 | |
-About what? -A case. | 1:08:33 | 1:08:36 | |
We believe you are involved in a scam to rob | 1:08:36 | 1:08:38 | |
Ian Mackie of thousands of pounds and now he is dead. | 1:08:38 | 1:08:41 | |
-Well, I didn't kill him. -You were the last person he called. | 1:08:41 | 1:08:44 | |
Do you remember what you said to each other on that call? | 1:08:44 | 1:08:47 | |
-Yeah, he was annoyed that I had won all that money. -What? | 1:08:47 | 1:08:49 | |
He was annoyed hours after the event, not when you actually won it? | 1:08:49 | 1:08:52 | |
He found out that a bunch of other people had put | 1:08:52 | 1:08:54 | |
bets on the same horse. | 1:08:54 | 1:08:55 | |
That's a pretty reasonable thing to be annoyed about. | 1:08:55 | 1:08:58 | |
Or were those bets just coincidences too? | 1:08:58 | 1:08:59 | |
I don't know. | 1:08:59 | 1:09:01 | |
Why don't you go and find those people and ask them? | 1:09:01 | 1:09:03 | |
Let's get back to the point here, | 1:09:03 | 1:09:04 | |
nobody in their right mind is going to put £1,500 | 1:09:04 | 1:09:07 | |
on a losing horse unless they know the horse is going to win. | 1:09:07 | 1:09:09 | |
Well, maybe I wasn't in my right mind, maybe I was pissed | 1:09:09 | 1:09:12 | |
and I wanted to give my money away. | 1:09:12 | 1:09:13 | |
It's none of your sodding business. It's not illegal. | 1:09:13 | 1:09:16 | |
Now you were working for Mackie. | 1:09:16 | 1:09:18 | |
You've got the inside trade into his business, you put | 1:09:18 | 1:09:20 | |
a bet on a horse with extraordinary odds stacked against it, | 1:09:20 | 1:09:24 | |
your last phone call made by a man who's now dead, | 1:09:24 | 1:09:26 | |
thought to be murdered. | 1:09:26 | 1:09:28 | |
And all you can give me is - I was pissed. | 1:09:28 | 1:09:30 | |
Mackie just fired an employee for stealing from him. | 1:09:30 | 1:09:33 | |
The same guy has been ranting all over town he's going to | 1:09:33 | 1:09:36 | |
get his revenge on him, no matter what comes. | 1:09:36 | 1:09:38 | |
-Who? -Joe Burns. | 1:09:38 | 1:09:40 | |
And that Mrs Mackie knows more than she's letting on as well. | 1:09:40 | 1:09:44 | |
Well, Marie Mackie was at her sister's house in Leith | 1:09:44 | 1:09:46 | |
from 5.00pm the night Mackie was murdered. | 1:09:46 | 1:09:48 | |
That's weird. I saw her in the New Town about 6.30, | 1:09:48 | 1:09:51 | |
dressed up to the nines and she wasn't going to her sister's. | 1:09:51 | 1:09:55 | |
Well, the betting committee has declared all bets are void. | 1:09:55 | 1:09:58 | |
We'll be freezing access to the money in your account | 1:09:58 | 1:10:00 | |
while this case is pending. | 1:10:00 | 1:10:02 | |
Great. I feel better when I'm broke. | 1:10:02 | 1:10:04 | |
PHONE RINGS | 1:10:07 | 1:10:09 | |
Yeah? | 1:10:11 | 1:10:13 | |
Hey. How's Marlee? | 1:10:13 | 1:10:15 | |
Yeah, great. | 1:10:15 | 1:10:16 | |
Er, we are actually sick of the office and going to the movies. | 1:10:16 | 1:10:20 | |
Your daughter is tired of watching me work. | 1:10:20 | 1:10:22 | |
I'll take her home and you can pick her up later. | 1:10:22 | 1:10:24 | |
Right, thanks. | 1:10:24 | 1:10:26 | |
You can get into a 15, right? | 1:10:26 | 1:10:28 | |
'Hello, this is Rachel. Please leave a message.' | 1:10:31 | 1:10:34 | |
Rachel, it's Jackson. I'm worried about you. | 1:10:34 | 1:10:36 | |
I think we should talk. | 1:10:36 | 1:10:38 | |
Give us a ring as soon as you get this. | 1:10:38 | 1:10:40 | |
He was a dead ringer, boss. | 1:10:47 | 1:10:49 | |
Nobody's Darling was switched for a very fast horse called | 1:10:49 | 1:10:52 | |
Jupiter's Rings. | 1:10:52 | 1:10:53 | |
Racing paperwork's forged and falsely licensed. | 1:10:53 | 1:10:56 | |
Also the BHA's been getting calls all over the place. | 1:10:56 | 1:10:58 | |
They just got a complaint from another bookie who lost money too. | 1:10:58 | 1:11:02 | |
So Mackie wasn't being targeted. | 1:11:02 | 1:11:03 | |
No, ma'am. | 1:11:03 | 1:11:05 | |
That was the maitre d' at the Sky Bar at the Point Hotel. | 1:11:05 | 1:11:07 | |
According to their credit card receipts, | 1:11:07 | 1:11:09 | |
Mrs Mackie was there that night but she left at 8.00pm. | 1:11:09 | 1:11:12 | |
So the sister lied. She doesn't have an alibi. | 1:11:12 | 1:11:14 | |
It would certainly seem that way. | 1:11:14 | 1:11:15 | |
And the thing is, she was there by herself. | 1:11:15 | 1:11:17 | |
She ordered a bottle of champagne, drank it and then left. | 1:11:17 | 1:11:20 | |
Maybe she got stood up. | 1:11:20 | 1:11:21 | |
Or maybe she was celebrating her freedom | 1:11:21 | 1:11:23 | |
while her lover bumped off her husband. | 1:11:23 | 1:11:25 | |
Either way, she's been lying. | 1:11:25 | 1:11:26 | |
GUNSHOT | 1:11:33 | 1:11:35 | |
ARGUING, INDISTINCT | 1:11:36 | 1:11:38 | |
Miriam, Miriam, put the gun down. | 1:11:49 | 1:11:52 | |
This is between me and Andy. It's been a long time coming. | 1:11:52 | 1:11:55 | |
You've got it wrong, I promise you, | 1:11:55 | 1:11:58 | |
you've got it completely wrong. Put it down. | 1:11:58 | 1:12:00 | |
Not until he tells me what he did to Isobel. | 1:12:00 | 1:12:02 | |
I want to hear him say it. | 1:12:02 | 1:12:04 | |
Nothing, I told you, she fell off her horse. I didn't do anything. | 1:12:04 | 1:12:08 | |
Liar, you killed her, say it! | 1:12:08 | 1:12:11 | |
It was Rachel. | 1:12:11 | 1:12:12 | |
What? | 1:12:14 | 1:12:15 | |
It wasn't him, it was Rachel. | 1:12:17 | 1:12:20 | |
It wasn't an accident? | 1:12:23 | 1:12:25 | |
I don't think so. | 1:12:26 | 1:12:28 | |
You were right about that. | 1:12:28 | 1:12:30 | |
You've got the wrong person. | 1:12:30 | 1:12:32 | |
She's got Freddie. | 1:12:36 | 1:12:37 | |
What do you mean? | 1:12:37 | 1:12:39 | |
No, no, you were supposed to pick Freddie up from chess club. | 1:12:39 | 1:12:41 | |
No, she called, she was picking him up straight after school, | 1:12:41 | 1:12:46 | |
club was cancelled. She's got him. | 1:12:46 | 1:12:47 | |
I'm going to call the police. | 1:12:47 | 1:12:49 | |
Hold on, she's not going to do anything to Freddie. | 1:12:49 | 1:12:51 | |
I'll call the school. | 1:12:51 | 1:12:52 | |
Hello! | 1:12:52 | 1:12:53 | |
What's going on? | 1:12:57 | 1:12:58 | |
Oh, thank God. | 1:13:00 | 1:13:01 | |
Where were you? | 1:13:01 | 1:13:03 | |
Rachel took me for an ice cream. She gave me this. | 1:13:03 | 1:13:06 | |
A present for me. | 1:13:06 | 1:13:07 | |
For the wedding, it was her dad's. | 1:13:07 | 1:13:11 | |
Did she drop you off? | 1:13:11 | 1:13:12 | |
No. I took the bus. | 1:13:12 | 1:13:14 | |
Do you know where she was going, where she is? | 1:13:14 | 1:13:16 | |
No, why? What's the matter, Dad? | 1:13:16 | 1:13:18 | |
Nothing, sweetheart. | 1:13:18 | 1:13:19 | |
-Come on, come on, let's go. -Why? What's happening? | 1:13:19 | 1:13:22 | |
Let's get some tea. I'll explain. Let's go and get some tea. | 1:13:22 | 1:13:25 | |
I can't believe it. | 1:13:25 | 1:13:27 | |
Sorry. | 1:13:27 | 1:13:28 | |
Can you give her a call? | 1:13:29 | 1:13:31 | |
Yeah. | 1:13:31 | 1:13:32 | |
She said she was going home. | 1:13:33 | 1:13:36 | |
-You haven't seen her all day, she didn't come home? -No. | 1:13:36 | 1:13:39 | |
PHONE RINGS | 1:13:39 | 1:13:40 | |
'Hello, it's Rachel. Please leave a message.' | 1:13:44 | 1:13:46 | |
Rachel, where are you? | 1:13:48 | 1:13:51 | |
Please, call me when you get this message. | 1:13:51 | 1:13:54 | |
Anything? | 1:13:55 | 1:13:57 | |
No, no answer. | 1:13:57 | 1:13:59 | |
-Where are you going? -I've got an idea. | 1:14:01 | 1:14:03 | |
What is she doing here? | 1:14:22 | 1:14:23 | |
Maybe she's meeting a man. | 1:14:26 | 1:14:28 | |
Not very romantic, is it? | 1:14:28 | 1:14:30 | |
MUSIC: "Where Did Our Love Go?" by The Supremes | 1:14:33 | 1:14:35 | |
# I've got this burning, burning | 1:14:35 | 1:14:36 | |
# Yearning feelin' inside me | 1:14:36 | 1:14:39 | |
# Ooh, deep inside me | 1:14:39 | 1:14:43 | |
# And it hurts so bad... # | 1:14:43 | 1:14:46 | |
Where do you get the money for all these dresses? | 1:14:46 | 1:14:49 | |
-The business. -Your husband's business? | 1:14:49 | 1:14:52 | |
-Our business. -You were a partner in it, were you? | 1:14:52 | 1:14:55 | |
No, but I should have been. | 1:14:55 | 1:14:57 | |
That's what marriage is about, isn't it? | 1:14:57 | 1:15:00 | |
What's mine is yours et cetera. | 1:15:00 | 1:15:02 | |
I've earned more than enough for all this. | 1:15:02 | 1:15:05 | |
But you didn't use your wages to pay for it, though, did you? | 1:15:05 | 1:15:08 | |
No, I took the money out of the till. As was my right. | 1:15:08 | 1:15:11 | |
Did he catch you? Is that what you fought about? | 1:15:13 | 1:15:15 | |
We never fought. | 1:15:15 | 1:15:16 | |
I told you where I was. | 1:15:18 | 1:15:19 | |
Yeah, you did. But you weren't at your sister's, were you? | 1:15:19 | 1:15:24 | |
I've got a receipt from the Point Hotel showing that you were there, | 1:15:24 | 1:15:28 | |
drinking champagne till 8.00pm. | 1:15:28 | 1:15:31 | |
OK, so I was there. | 1:15:32 | 1:15:34 | |
So why would you lie? | 1:15:34 | 1:15:37 | |
Who was the champagne for? | 1:15:37 | 1:15:39 | |
Who were you meant to meet at the hotel? Was it a man? | 1:15:39 | 1:15:43 | |
Why do people always think that? | 1:15:43 | 1:15:44 | |
What people? Did your husband think you were having an affair? | 1:15:44 | 1:15:49 | |
I didn't care what he thought. | 1:15:49 | 1:15:51 | |
You don't seem to care that your husband's dead. | 1:15:51 | 1:15:54 | |
You have no idea what I care about. | 1:15:56 | 1:15:58 | |
And you have no idea what it's like to be trapped with someone | 1:16:00 | 1:16:04 | |
who doesn't care about you at all for more than 30 years. | 1:16:04 | 1:16:09 | |
Is that why you killed him? | 1:16:09 | 1:16:11 | |
That's why I went to classy bars by myself in lovely posh frocks | 1:16:12 | 1:16:18 | |
that I bought for myself, got my hair and nails done, | 1:16:18 | 1:16:23 | |
had a glass of fizz, treated myself like I was something special, | 1:16:23 | 1:16:27 | |
just so someone did something nice for me, | 1:16:27 | 1:16:32 | |
just occasionally. | 1:16:33 | 1:16:34 | |
And I didn't tell you because it's mine, | 1:16:36 | 1:16:41 | |
it's nobody else's business. | 1:16:41 | 1:16:43 | |
I think you came back from that hotel and he confronted you. | 1:16:45 | 1:16:50 | |
He found out that you were treating yourself with money | 1:16:50 | 1:16:53 | |
that he didn't think you deserved. | 1:16:53 | 1:16:55 | |
He was going to stop the one thing in your life that | 1:16:55 | 1:16:58 | |
made your marriage bearable. | 1:16:58 | 1:17:00 | |
You started fighting. | 1:17:00 | 1:17:02 | |
So did you push him, did he fall? | 1:17:04 | 1:17:08 | |
Is that how it happened, Marie? | 1:17:09 | 1:17:11 | |
I found him in the morning. | 1:17:14 | 1:17:17 | |
That's what happened. | 1:17:18 | 1:17:19 | |
And unless Mackie has returned from the grave to contradict me, | 1:17:20 | 1:17:24 | |
you're going to have to believe me. | 1:17:26 | 1:17:28 | |
Is there anything else I can do for you? | 1:17:31 | 1:17:34 | |
No. | 1:17:34 | 1:17:36 | |
It's a delight. | 1:17:42 | 1:17:44 | |
MUSIC: "Slip Of The Tongue" by Mary Gauthier | 1:17:47 | 1:17:50 | |
# Honey, sit down I've got something to say | 1:17:50 | 1:17:54 | |
# Last night I drowned I got carried away | 1:17:56 | 1:18:01 | |
# Swept up in the feelings... # | 1:18:01 | 1:18:05 | |
PHONE RINGS | 1:18:05 | 1:18:07 | |
# The words poured out of me | 1:18:07 | 1:18:11 | |
# My heart moves | 1:18:18 | 1:18:21 | |
# With the morning sun | 1:18:21 | 1:18:24 | |
# It's not ready to set for anyone | 1:18:31 | 1:18:37 | |
# When I said, "I love you" | 1:18:46 | 1:18:50 | |
# It was a slip of the tongue | 1:18:50 | 1:18:56 | |
# I didn't lie but it wasn't the truth | 1:19:00 | 1:19:04 | |
# I know it's not right | 1:19:07 | 1:19:10 | |
# But what can I do? # | 1:19:10 | 1:19:12 | |
Rachel, Rachel, don't. Stop it. Stop it. | 1:19:14 | 1:19:19 | |
# They never let me go... # | 1:19:19 | 1:19:22 | |
Come here. Give me that, give me that, | 1:19:22 | 1:19:25 | |
Get off me. | 1:19:25 | 1:19:27 | |
-Spit it out, spit it out. -Get off me. | 1:19:27 | 1:19:30 | |
SHE SCREAMS | 1:19:30 | 1:19:32 | |
Open up. | 1:19:42 | 1:19:44 | |
SHE VOMITS | 1:19:44 | 1:19:46 | |
Right, have a drink. | 1:19:54 | 1:19:56 | |
SHE COUGHS | 1:19:56 | 1:19:58 | |
Why can't you just leave me alone? | 1:20:16 | 1:20:20 | |
I just want it all to go away. | 1:20:21 | 1:20:25 | |
Because of Isobel. | 1:20:25 | 1:20:27 | |
SHE SOBS | 1:20:28 | 1:20:30 | |
You know all the worst things about me. | 1:20:32 | 1:20:36 | |
I know you didn't mean to kill her. | 1:20:36 | 1:20:39 | |
Whatever happened, I know it was an accident, right? | 1:20:39 | 1:20:44 | |
No, it wasn't. | 1:20:44 | 1:20:46 | |
She was destroying everything. | 1:20:47 | 1:20:51 | |
You have to come back. Don't break up the family. | 1:20:53 | 1:20:55 | |
-Get away from us. Go back to Andy. -Please don't take Freddie. | 1:20:55 | 1:20:59 | |
-I'm not taking him. -You're not? | 1:20:59 | 1:21:02 | |
You think if I don't take him you'll be a happy family? | 1:21:02 | 1:21:05 | |
You'll always be the person who drove his mum away. | 1:21:05 | 1:21:07 | |
You're the one that slept with Freddie's dad | 1:21:07 | 1:21:10 | |
and broke up this family. | 1:21:10 | 1:21:11 | |
You don't even love Freddie. You don't love anybody. | 1:21:13 | 1:21:16 | |
Stop it, your scaring Lily. | 1:21:16 | 1:21:18 | |
Isobel? | 1:21:35 | 1:21:37 | |
Isobel? | 1:21:40 | 1:21:42 | |
I swapped the horses. | 1:21:48 | 1:21:50 | |
Nobody would believe Lily could've thrown her but Ollie could've. | 1:21:50 | 1:21:55 | |
I thought it'd make it look like an accident. | 1:21:55 | 1:21:57 | |
Come on, good girl. | 1:22:00 | 1:22:01 | |
I'm the reason Freddie doesn't have a mother. | 1:22:05 | 1:22:08 | |
They're probably telling him that now. | 1:22:11 | 1:22:14 | |
She's not your Rachel, she's a monster. | 1:22:15 | 1:22:17 | |
You're not a monster. | 1:22:19 | 1:22:20 | |
I killed his mother, I wanted to hurt her and I did. | 1:22:22 | 1:22:26 | |
And now they are all going to know what I am and who I am. | 1:22:29 | 1:22:33 | |
They know you had a fight. | 1:22:33 | 1:22:36 | |
They know you cared about them enough to be angry. | 1:22:36 | 1:22:38 | |
I loved them so much, Jackson, I really did. | 1:22:40 | 1:22:44 | |
I know that. Freddie knows it. | 1:22:44 | 1:22:48 | |
It's all I really wanted, | 1:22:48 | 1:22:50 | |
a family to love, | 1:22:52 | 1:22:55 | |
a family of my own. | 1:22:55 | 1:22:59 | |
And you deserve it. | 1:22:59 | 1:23:01 | |
I know you had a rough start in life, Rachel. | 1:23:02 | 1:23:05 | |
It's not fair. | 1:23:05 | 1:23:07 | |
What will happen if I come back? | 1:23:08 | 1:23:11 | |
I'm not sure | 1:23:12 | 1:23:14 | |
Will I go to prison? | 1:23:15 | 1:23:17 | |
You might | 1:23:19 | 1:23:20 | |
I can handle that but I just don't think I could face them. | 1:23:21 | 1:23:25 | |
You could face anything, if you're just honest. | 1:23:25 | 1:23:28 | |
Come back with me, you can stay with me till things get sorted, | 1:23:31 | 1:23:37 | |
whatever happens. | 1:23:37 | 1:23:39 | |
What's that for? | 1:23:53 | 1:23:54 | |
Making me feel human again. | 1:23:54 | 1:23:56 | |
TYRES SCREECH | 1:24:00 | 1:24:02 | |
THUD | 1:24:02 | 1:24:04 | |
MUSIC: "Swallows Me Whole" by Lori McKenna | 1:24:10 | 1:24:12 | |
# You say you think you can help me | 1:24:17 | 1:24:22 | |
# Think of me as someone who bleeds | 1:24:22 | 1:24:28 | |
# Well, I never told you to love me | 1:24:28 | 1:24:32 | |
# That's your sort of greed | 1:24:32 | 1:24:34 | |
# I can make my own decisions | 1:24:38 | 1:24:43 | |
# I can do what I want to do | 1:24:43 | 1:24:48 | |
# And I don't have to share my addiction | 1:24:48 | 1:24:53 | |
# With any of you | 1:24:53 | 1:24:55 | |
# And I'll be just fine | 1:25:01 | 1:25:04 | |
# Out of my mind | 1:25:04 | 1:25:07 | |
# I like it this way | 1:25:07 | 1:25:09 | |
# I know how to pray... # | 1:25:09 | 1:25:12 | |
All right, here we go. | 1:25:13 | 1:25:16 | |
How do I do this? | 1:25:16 | 1:25:18 | |
-Some of that, yeah? -Mm-hmm. | 1:25:18 | 1:25:21 | |
Some of that. | 1:25:21 | 1:25:22 | |
Not on the same piece, Dad. | 1:25:30 | 1:25:32 | |
-Oh. -Try this. | 1:25:32 | 1:25:34 | |
-Ooh, have I got to? -Mm-hmm. | 1:25:35 | 1:25:38 | |
SHE GIGGLES | 1:25:40 | 1:25:41 | |
You know what, that's disgusting. | 1:25:45 | 1:25:48 | |
Here, have mine. Don't know how you can eat that. | 1:25:49 | 1:25:54 | |
HE GROANS | 1:25:58 | 1:26:00 | |
-Dad? -Yeah? | 1:26:00 | 1:26:03 | |
-When Mum comes back... -When Mum comes back, yeah? | 1:26:03 | 1:26:07 | |
I'll still have breakfast here sometimes, won't I? | 1:26:09 | 1:26:12 | |
Yeah, course you will. Don't be silly. | 1:26:18 | 1:26:21 | |
And we can have adventures on the weekend. | 1:26:21 | 1:26:24 | |
Yeah, we can have adventures. | 1:26:24 | 1:26:28 | |
But we'll have to keep the vegemite here, Mum hates it. | 1:26:28 | 1:26:31 | |
Oh, we agree on something then. | 1:26:33 | 1:26:35 | |
MUSIC: "Roses At The End Of Time" by Eliza Gilkyson | 1:26:38 | 1:26:40 | |
# Winding down to the end of the line | 1:26:40 | 1:26:44 | |
# And the fallin' of the curtain | 1:26:44 | 1:26:47 | |
# I'll be yours and you'll be mine | 1:26:49 | 1:26:54 | |
# Of that one truth I'm certain | 1:26:54 | 1:26:59 | |
# I will give you roses fair | 1:26:59 | 1:27:04 | |
# For every secret you did share | 1:27:04 | 1:27:09 | |
# For all your words that flowed like wine | 1:27:09 | 1:27:13 | |
# Roses at the end of time... # | 1:27:15 | 1:27:22 | |
THEY LAUGH | 1:27:24 | 1:27:26 | |
# Tonight I blessed the hands of fate | 1:27:31 | 1:27:34 | |
# That brought you to my doorway | 1:27:36 | 1:27:39 | |
# Weary, worn and worth the wait... # | 1:27:40 | 1:27:44 | |
Mr Brodie, are you saying you refuse to help us? | 1:27:46 | 1:27:49 | |
Julia! | 1:27:49 | 1:27:50 | |
Jackson Brodie. | 1:27:50 | 1:27:52 | |
They signed off the Mackie case, | 1:27:52 | 1:27:54 | |
so all the frozen funds have been released. | 1:27:54 | 1:27:56 | |
Looks like we're rich. | 1:27:56 | 1:27:57 | |
Nice. Hi again. | 1:27:57 | 1:28:00 | |
Hi, you must be Charlotte. I'm Julia, Jackson's ex. | 1:28:00 | 1:28:03 | |
Well... | 1:28:03 | 1:28:05 | |
I just need to know what happened to my mum. | 1:28:05 | 1:28:08 | |
What the hell are you doing here? I'm handling this. | 1:28:08 | 1:28:10 | |
Do you want to go for dinner? | 1:28:10 | 1:28:11 | |
Subtitles by Red Bee Media Ltd | 1:28:31 | 1:28:34 |