Jackson and the Women Case Histories


Jackson and the Women

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Transcript


LineFromTo

Our job was to collect the child from the location and deliver her.

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I did not sign up to take a child from her mother.

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You did the job.

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I did the job.

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We move on.

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How much did I win?

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61,500.

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Excuse me?

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Oh, thank you. Wouldn't want to leave that behind.

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So, what can I do for you?

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I need a favour. Two new identities, passports, the lot.

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You owe me.

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And one day, I'll give you a call.

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"And as the azure water laps at your feet,

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"you'll truly believe you're in heaven."

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We are still talking about North Berwick?

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I should go for a run.

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Now, I like the ones when you have your own cabana.

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This way to your cabana, senora.

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And a private plunge pool.

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That would be for all the private plunging.

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Hm. Now there's something you don't get in North Berwick.

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You want to bet?

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SHE GIGGLES

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Let's just jump on a plane somewhere hot.

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The money's coming through any day.

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I'm not a kept woman, you know.

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Anyway, it won't be a holiday if I don't have a job to come back to.

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Ah, come on. There's a cabana somewhere with your name on it.

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Meanwhile, there's an exhibit

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stuck somewhere between Frankfurt and Glasgow.

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Here, will you zip me up?

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Think it's going to be another late night. Sorry.

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-Well, you can make up for it now.

-SHE GIGGLES

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I have to go.

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Guess I'll swing by the office.

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See why Deborah called five times yesterday.

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Sure you still know where it is?

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Just about.

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-Mr Brodie?

-That's right.

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I wasn't sure if you were open or not.

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Apparently not.

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Er...just give us a minute, will you?

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Right. Wait right there.

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-"Hello?"

-It's me.

-Hi.

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What the bloody hell's going on?

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You've decided to run your business into the ground

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for the sake of a few shags and 60 grand.

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-All right, you've made your point.

-My point is

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I'm sick and tired of apologising for your midlife crises.

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And I have a new job, which you'd know if you answered your phone.

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Bye, Jackson.

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Can't get the staff, eh?

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Hm.

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Er...look, now's probably not the best time.

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I wanted to talk to you about my mum.

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-Why don't you come back later?

-Her name was Isla Kelso.

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-Right.

-The Christmas Shopping Killer.

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It's not the best name in the world, but there you go.

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I remember it.

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My mum was his third victim,

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except now it turns out that she wasn't.

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-What do you mean?

-Philip McRory died last week.

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Of lung cancer. I saw that.

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He always said he was innocent, but before he died,

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he confessed to the first two murders, Ailsa Dunn and Maura Lynch.

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-Mm-hm.

-He took keepsakes. Told the police where he buried them.

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A brooch of Maura's, and Ailsa's hairclip.

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-They dug them up.

-But nothing of your mum's?

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He still said it wasn't him.

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They kept that out of the papers. What did they say, the police?

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That he couldn't be trusted,

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that we should take what he said with a pinch of salt.

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But he was dying.

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He'd already confessed to everything else, so, why lie now?

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I don't know. He might have just wanted to...

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To muck us around?

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It happens a lot in cases like this.

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-Look, er...

-Aidan.

-Aidan.

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Look, I can see you're very determined.

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I've brought clippings.

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Everything my dad kept from when she went missing.

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If you just...if you just have a look at them.

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I just...need to know what happened to my mum.

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LAUGHTER

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Oh, that is lovely! Look at that.

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SHE LAUGHS

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Oh!

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Mwah!

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Well, I'd have to talk to your dad.

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I'll give you our address.

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Any time's good.

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So...

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thanks.

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HE SIGHS

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PHONE RINGS

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TYRES SCREECH

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SCREAMING

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Jackson Brodie.

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Mr Brodie.

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Thank you for coming.

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My daughter, Samira, was born in this country.

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She went to an expensive private school here,

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but then after her A-levels,

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I sent her to Cairo to continue her studies.

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It's been hard.

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She grew up a British girl.

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She had difficulty adjusting to the life there.

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There were problems with her personal conduct.

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When term ended, we expected she would come home.

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She never arrived.

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Then we received a message from Samira,

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telling us that we shouldn't try to find her.

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But you did.

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I found out that she used her credit card here in Edinburgh,

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so I stopped it, thinking it would bring her home.

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But it's been weeks now.

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We are worried.

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From what my husband says,

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you seem to take a different approach from his other...employees.

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Samira is a good girl.

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But...she acts without thinking.

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-She needs to be treated carefully.

-Well, how old is Samira?

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She's 19.

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-She's an adult.

-She's still a child.

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She should be with her family.

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Not if she doesn't want to be.

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Mr Brodie, are you saying you refuse to help us?

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If you could just find her and talk to her.

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-Everything you need should be in there.

-All right.

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She must be scared.

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I'll see what I can do.

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Thank you.

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PHONE RINGS

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Hello?

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(Mr Brodie?)

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Mrs Minyawi?

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I have spoken to my daughter.

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She wouldn't say where she was living,

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but she found a job working in a bar

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and there was a boy she talked about.

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So, she's OK?

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No. I...

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RATTLING

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She said not to worry, that she was happy,

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but she wasn't, Mr Brodie, she was scared.

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-Right.

-She never told me the name of the bar, where it was, anything.

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Who's Abi?

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Abigail Montgomery.

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She was Samira's only friend.

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I just want my daughter safe at home, Mr Brodie.

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I know. I'll do my best.

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PHONE RINGS OUT

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-"Hello?"

-Is that Abigail?

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-"Yes."

-My name's Jackson Brodie. I'm a private detective.

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I'm working for the Minyawi family, looking for Samira.

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You haven't seen her since you got back to Edinburgh, have you?

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"No, I haven't seen her. Sorry, I can't help you."

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No, no, that's all right.

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I've got a couple of other leads, I'm sure I'll find her.

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-"I'm sorry, I've got to go."

-Thanks for your help.

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SIRENS WAIL

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LOW CHATTER

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FAINT MUSIC

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Sami?

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See you later.

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Hi.

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Bottle of lager, please. Something...normal.

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That's 3.80, please.

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You're joking?

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-It's quiet in here.

-It'll get louder.

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Rhys. How's it going?

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All's well, pal, all's well.

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Right, I'll be out the back, sweetheart.

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Are you going to be gone long?

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-Why, will you miss me?

-Yeah.

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Shall I come and get you if it gets busy?

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No. You'll be fine. You'll cope.

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Don't do anything I wouldn't do. Come on.

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-Keep it, don't worry.

-Thanks.

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It's good to come and go as you please.

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Yeah, all right for some.

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-Get us a couple of beers back here.

-Sure.

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INDISTINCT SHOUTING

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You OK, Samira? Is he always like that?

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Oi, you lot! Get back to work!

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Have you been smoking again?! I told you!

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It's just one.

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Who's minding the bar while you're out doing that?!

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Eh? Eh?!

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-There's no-one there!

-I'm sorry.

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What is wrong with you?

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Rhys!

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INDISTINCT SHOUTING

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HORN SOUNDS

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SHE SOBS

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Samira, isn't it?

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My dad sent you.

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Your mum, actually.

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I'm not going home.

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It's up to you.

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Look, your mum just wanted me to find you,

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make sure you're all right.

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But she wants you to know that nobody's going to make you do

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anything you don't want to do.

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-Guess you don't know my dad.

-I do, actually.

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That's why I didn't tell him where you are.

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Has he done that before?

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We had a row. I gave as good as I got.

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Well, he's not walking around with a black eye and a split lip, is he?

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What can I say? We've got a passionate relationship.

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Samira, let me take you home. Have a chat with your mum.

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If you don't want to stay there, you don't like it,

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you call me and I will come and get you

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and drive you anywhere you want to go.

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What are you? Some kind of Good Samaritan taxi service?

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Just someone who wouldn't want his daughter

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mixed up with a...git like that.

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You know, Rhys cares about me.

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He was there for me when I needed him.

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He got me a job, a place to stay.

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And then smacked you in the face.

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My dad wants to control everything.

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Who I see and where I go and...

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You know, I was only allowed to go to uni if I went to Cairo.

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Have you been there lately?

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No, not lately(!)

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-It's not much fun.

-I'm sure.

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He said he was sorry.

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And I'm sure he is.

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He'll be sorry every time.

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Just come home and give it a try.

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That's all I'm asking.

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Go and see your mum.

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Hey.

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Hey. Sorry.

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That's OK.

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Where have you been?

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Er...missing person.

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And did you find her?

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How did you know it was a girl?

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Well, it usually is.

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Yeah. I found her.

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You OK?

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HE SIGHS

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Some jobs...

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..they just don't feel right.

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-Did she not want to be found?

-Not really.

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Anyway, at least she's safe now.

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You...

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..Jackson Brodie...

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are a good man. Do you know that?

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Hm! I'm not so sure.

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Well, you are.

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There's not many out there like you, I can tell you that.

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A one-off, eh? That's me.

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I just got lucky.

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Come here.

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Mr Brodie, no offence,

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but, er...I don't see what you can do that the police can't.

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Maybe nothing.

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Well, at least you're honest.

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The point is, Dad, the police aren't doing anything.

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Look, I'm here because Aidan asked me.

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I'm very happy to walk away,

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or I'll stay and do what I can do.

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It's up to you.

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Go ahead.

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Let's talk about the night your wife went missing.

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You were...at home, right?

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Yep. It was Christmas Eve, so I'd knocked off early.

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I was giving Aidan his bath.

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And, er...Isla was wrapping presents.

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We'd given him his first bike and she didn't have enough paper,

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so she said she'd nip round to the newsagents.

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I put Aidan to bed.

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But she still wasn't back.

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I thought at first

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that maybe the newsagents had shut early

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and she'd had to go into town.

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And then I started ringing round her friends

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in case she'd bumped into somebody.

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In the end, I called the police.

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'Daddy? Daddy, what's the matter?'

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They found her body the day after Boxing Day.

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She was strangled and dumped in the river.

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It would be helpful to get a picture of her.

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Her lifestyle, her routine,

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where she went, who she spent time with.

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She just stayed at home, mainly with Aidan.

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They went to the supermarket and the park, but that was about it.

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GIGGLING

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LAUGHTER

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-Oh!

-Mummy! Mummy!

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Mwah!

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She said she loved it when it was just the two of them together.

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Mr Brodie?

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I thought these might help. Some photos and stuff.

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Great. Thanks.

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My dad, he, um...he doesn't find it easy, talking about her.

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But he kept her things. I don't know if they'll be of any use.

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The ruby one was an engagement ring. It was my gran's.

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That and the wedding band.

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I sort of wonder if I'd be less crap talking to girls

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if I'd had my mum around.

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We're all crap at talking to girls.

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-Best thing's to say nothing.

-Yeah?

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Gives them less ammunition.

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See ya.

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Could you just tell me where she's working so I can pop in?

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Did she? Well, I'm a lot more appealing in person, I promise.

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Thanks very much.

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Yeah, I will. Cheers.

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SIRENS WAIL

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Freeze!

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INDISTINCT SHOUTING

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Cut! Cut!

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Reset!

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(Julia, that was lovely. Thank you very much.)

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OK.

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Julia!

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Jackson Brodie...as I live and breathe.

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So, what did you think of my new role?

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Did you see much of the filming?

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Er...no. What are you doing?

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That's the best part. I play a detective.

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Not the lead, of course. That's some brooding, maverick bloke

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with a dysfunctional private life.

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No, I'm his straight-talking, by-the-book partner

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who's secretly in love with him and has a diabetic father.

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He was going to have Alzheimer's, but everyone's done Alzheimer's.

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I'll have a lemon drizzle, please, Mikey.

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So, it wasn't a problem that you're, er...

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I was a teensy bit dishonest at the first audition,

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but it's fine, they wrote it in.

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I'm only in three episodes. This is the last one.

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Then I get targeted by the serial killer

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and have to go into witness protection.

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Thank you. I'm not usually a fan of lemon drizzle,

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but I've got an urge.

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Baby must be trying to get me to eat more fruit.

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I'm seven months gone.

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So...it's not ours?

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Seven months? Hold on a second. We only broke up...

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You remember why we broke up?

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You were never there.

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-I was there sometimes.

-And I slept with someone else.

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After you, there was a brief relationship with another chap.

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And it should have been a belt and braces sort of scenario,

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but it turned out neither of us happened to have a belt.

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At it like rabbits, were you?

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Yeah.

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This bloke, he, er...he knows?

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Mm. Of course.

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But he's not going to be involved.

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We agreed to keep it simple.

0:24:200:24:22

Right. You OK?

0:24:220:24:24

Marvellous! People make such a song and dance about pregnancy,

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but it's the most gloriously natural process.

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And I'm really interested in newborn development.

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You know, there's fascinating stuff about imprinting,

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how the first connection you make has to be a really strong one.

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The first physical contact, the first face they see.

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Otherwise, you end up with ducklings

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-following pigs around, that sort of thing.

-Wouldn't want that.

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Gosh, it's so lucky your turning up like this

0:24:510:24:54

because I'm desperate to spend time

0:24:540:24:55

with a real-life detective, do some research.

0:24:550:24:58

If this goes to a second series,

0:24:580:25:00

I think they're going to bring my character back.

0:25:000:25:02

Er...I don't...

0:25:020:25:05

I'm not sure that it's going to work out. I'm going away.

0:25:050:25:08

Oh, no, I didn't mean you.

0:25:080:25:10

I was thinking you could put me in touch

0:25:100:25:11

with that really dynamic woman in CID. DI Munroe, wasn't it?

0:25:110:25:15

No, I...I can't see her going for it.

0:25:150:25:17

Oh, I'm sure you could persuade her.

0:25:170:25:20

You can talk a girl into almost anything.

0:25:200:25:22

I said you'd say no, which you can, whatever you want.

0:25:250:25:28

She made me come down and ask you in person. The thing is...

0:25:280:25:31

I'm looking at the thing now.

0:25:310:25:33

Yeah. So, what do you say?

0:25:330:25:36

Show her an interview room, wave a pair of handcuffs at her?

0:25:360:25:38

-Oh, all right.

-Thanks.

0:25:400:25:42

But if she gives birth on the premises, then I will not be happy.

0:25:420:25:45

She's not due for another couple of months.

0:25:450:25:47

-You sure about that?

-Yeah, yeah.

0:25:470:25:49

-Julia, you remember Louise. Louise...

-Of course!

0:25:490:25:51

..I'm sure you remember Julia.

0:25:510:25:53

Thank you so much for this. This place, fascinating!

0:25:530:25:56

I've noticed a lot of the women are wearing beige.

0:25:560:26:00

-Oh.

-What's that all about?

0:26:000:26:02

-Er...I'll leave you girls alone.

-Thanks.

0:26:020:26:06

-Wow! Such an atmosphere of paperwork.

-Aye.

0:26:060:26:10

-What are you doing here?

-What are you doing here?

0:26:270:26:29

I'm working. Remember the concept?

0:26:290:26:31

All right, I've been a bit crap for a few weeks.

0:26:310:26:33

Yeah. Yeah, you have.

0:26:330:26:34

Things will be back to normal now. Come on.

0:26:340:26:37

Oh, right. You phoning it in because you despise what we do

0:26:370:26:40

and me nagging you about money like a broken record.

0:26:400:26:43

-It's not always like that.

-No, it didn't used to be.

0:26:430:26:45

You actually used to care.

0:26:450:26:47

I foolishly thought we were doing something that made a difference.

0:26:470:26:50

-But, hey, things change.

-We were. We are. We will be again.

0:26:500:26:54

-I need you. Come on.

-Well, it's too late.

0:26:540:26:55

I've moved on to somewhere with real prospects.

0:26:550:26:57

Prospects? They haven't even given you a chair.

0:26:570:27:00

Apogee Advertising. Devil's in the detail.

0:27:000:27:02

Seriously? Receptionist? You'll go mental.

0:27:020:27:05

Putting you through.

0:27:050:27:07

On the contrary. I've never felt more stimulated.

0:27:070:27:10

You look like a dental assistant.

0:27:100:27:12

It's a Japanese airport.

0:27:170:27:18

Get lost, Jackson!

0:27:180:27:20

'It would be helpful to get a picture of her.

0:27:460:27:48

'Her lifestyle, where she went, who her friends were.'

0:27:480:27:50

'She just stayed at home, mainly with Aidan.

0:27:500:27:53

'That was about it.'

0:27:530:27:54

PHONE RINGS OUT

0:28:020:28:03

-"Hello, Ed Services?"

-Lothian Adult Education Services?

0:28:030:28:06

-"Yes."

-How long do your records go back?

0:28:060:28:08

Excuse the mess.

0:28:100:28:12

I keep meaning to get around to it.

0:28:120:28:14

After dealing with psychotic little shits all day,

0:28:150:28:17

I'm never really in the mood. Have a seat.

0:28:170:28:20

Thanks.

0:28:200:28:22

So, you teach full time, then?

0:28:220:28:25

Afraid so. You know how it is.

0:28:250:28:27

Those who can, do, those who tried

0:28:270:28:31

and found out they couldn't afford to feed themselves, teach.

0:28:310:28:33

Well, none of us end up where we planned, do we?

0:28:330:28:36

So...you said this was about Isla Kelso.

0:28:380:28:41

Yeah. I'm looking into her death on behalf of the family.

0:28:410:28:44

I saw in the paper that they'd re-opened the case.

0:28:440:28:46

-That was a hell of a thing.

-Hm.

0:28:480:28:50

I came across her old art school student card in her belongings.

0:28:500:28:54

Called them up and it turned out you were her teacher back in the day.

0:28:540:28:58

Well, hardly. No, Isla didn't need teaching. She was the real deal.

0:28:580:29:02

Some of her work was just incredible.

0:29:020:29:05

Oh. So...she was serious about it, it wasn't a hobby?

0:29:050:29:09

Oh, no, no. She could have done it, you know.

0:29:090:29:12

But she'd married young, she'd had a kid.

0:29:120:29:14

Classic frustrated housewife.

0:29:140:29:16

-I guess painting would have been an escape.

-Exactly.

0:29:160:29:19

There was this whole sequence of paintings that she did.

0:29:190:29:22

It was after she'd been in a car crash.

0:29:220:29:24

Oh! It was really powerful stuff.

0:29:240:29:27

Really visceral.

0:29:270:29:29

Full of anger and guilt. It completely blew me away.

0:29:290:29:33

What car crash?

0:29:330:29:35

It was a few months before she was killed.

0:29:350:29:37

I was running the gallery at that time.

0:29:370:29:41

You see, that was the game plan.

0:29:420:29:44

Artist, gallery owner, all-round '90s entrepreneur.

0:29:440:29:50

So, um...

0:29:500:29:51

..the night Isla died, you'd have been where?

0:29:530:29:56

Well, I was at a Christmas party at a friend's studio.

0:29:560:30:00

-All night?

-No. I went home with a girl.

0:30:000:30:04

You remember her name?

0:30:050:30:07

Mandy. Mandy Styles.

0:30:070:30:10

She was an installation artist.

0:30:100:30:11

She used to roll around naked in paint.

0:30:110:30:13

HE CHUCKLES

0:30:130:30:15

Those were the days, eh?

0:30:150:30:17

Not for all of us.

0:30:170:30:18

HE CHUCKLES NERVOUSLY

0:30:180:30:20

Mr Brodie?

0:30:310:30:33

-Aidan.

-Have you found something?

0:30:330:30:35

Er...no.

0:30:350:30:37

Er...I just want to ask you something about your mum.

0:30:370:30:39

She had a crash a couple of months before she died.

0:30:390:30:42

-I didn't know she'd had one.

-Shall we ask your dad?

0:30:420:30:44

Yeah. He's just on the phone about tomorrow's job. He'll be done in a minute.

0:30:440:30:47

Dad?

0:30:470:30:48

How long have you been working together?

0:30:510:30:53

Oh, a couple of months.

0:30:530:30:55

Want to save some cash for uni next year.

0:30:550:30:56

-I'm going to Dundee to do computer science.

-Great city, Dundee.

0:30:560:30:59

So is Dusseldorf.

0:30:590:31:01

Dad?

0:31:010:31:03

He was offered an internship with a software company.

0:31:030:31:06

Yeah, an unpaid internship in the middle of bloody Germany.

0:31:060:31:09

Instead he's hanging about here, lugging carpets around.

0:31:090:31:11

It's not too late to call him back, Gunter... whatever his name is.

0:31:110:31:14

I'm not calling him back.

0:31:140:31:16

Mr Brodie was asking about a car accident.

0:31:170:31:20

-What accident?

-The crash that Isla had.

0:31:230:31:26

A couple of months before she was killed.

0:31:260:31:28

Oh, that! That was just a prang. It was nothing major.

0:31:280:31:31

No-one got hurt?

0:31:310:31:33

No, no, nothing like that.

0:31:330:31:35

Like I say, it was just a prang.

0:31:360:31:37

Must've got my wires crossed.

0:31:370:31:39

Come on, we'd better go.

0:31:390:31:41

KNOCK AT DOOR

0:32:390:32:41

-Julia!

-Jackson.

0:32:460:32:48

-Come in.

-Thanks.

0:32:490:32:50

Nice to see you.

0:32:530:32:54

Oh, don't worry, I'm not staying.

0:32:540:32:58

And I'll make myself scarce if your significant other appears.

0:32:580:33:02

It's all right.

0:33:020:33:04

-Does she have a name?

-Charlotte.

0:33:040:33:06

Charlie for short, or is she a Lotta?

0:33:060:33:08

She's a Charlotte.

0:33:080:33:10

Anyway, I just wanted to thank you

0:33:100:33:12

for putting me in touch with DI Munroe.

0:33:120:33:15

-Really?

-Yes. She was very helpful.

0:33:150:33:18

Possibly spent longer in a cell than was absolutely necessary.

0:33:180:33:21

-Locked in?

-Yes.

-I'm sorry.

0:33:210:33:24

But that kind of experience is really great

0:33:240:33:26

for getting you in the right frame of mind.

0:33:260:33:28

Could I possibly have a glass of water?

0:33:300:33:33

Yeah, yeah, of course, I'm sorry.

0:33:330:33:35

Sit down.

0:33:350:33:37

Of course, I'll only have to pee again.

0:33:370:33:39

You'd think with all this urinating,

0:33:390:33:41

it would cancel out the water retention.

0:33:410:33:44

But my fingers are still like sausages at the end of the day.

0:33:440:33:47

-Are you sure you should be working?

-Thanks.

0:33:520:33:55

I mean, it's not like you're sitting behind a desk.

0:33:550:33:57

Jackson, this is the biggest break I've had in years.

0:33:570:34:00

I'm not about to let a one-night stand derail my career.

0:34:000:34:04

Not when I'm finally about to have one.

0:34:040:34:06

A one-night stand?

0:34:060:34:07

Well, no, I mean...

0:34:070:34:10

I didn't mean literally one night.

0:34:100:34:11

Goodness! Off duty, Detective Brodie.

0:34:110:34:15

Big for seven months, isn't it?

0:34:150:34:16

Honestly, do you have any idea how offensive it is

0:34:160:34:19

-when men make those comments?

-I was just asking.

0:34:190:34:21

I've had every bus and cab driver in London

0:34:210:34:24

-volunteering opinions on the size of my bump.

-Sorry.

0:34:240:34:27

For your information, I'm measuring large for dates,

0:34:270:34:31

whatever that means.

0:34:310:34:33

So they say I might need an extra scan.

0:34:330:34:36

KNOCK AT DOOR

0:34:360:34:37

-Louise.

-Er...two things.

0:34:420:34:44

OK.

0:34:440:34:46

If you ever bring that woman to the station again,

0:34:460:34:48

-I will not be held accountable for my actions.

-Fair enough.

0:34:480:34:50

Hello, DI Munroe.

0:34:500:34:52

Oh, It's Julia...again!

0:34:520:34:55

-And...? You said there were two things.

-Ah, yes.

0:34:560:34:59

I have also been asked to inform you

0:34:590:35:01

that they've signed off the Mackie case,

0:35:010:35:03

so all the frozen funds have been released,

0:35:030:35:05

and apologies from the Lothian Police Force

0:35:050:35:08

for any inconvenience they may have caused.

0:35:080:35:09

Looks like we're rich.

0:35:090:35:11

Nice. Hi...again.

0:35:110:35:13

Hello, again.

0:35:130:35:14

Hi! You must be Charlotte.

0:35:140:35:17

I'm Julia, Jackson's ex.

0:35:170:35:19

Well...

0:35:230:35:24

Gosh, it's all getting rather Private Lives!

0:35:280:35:31

Shall I put the kettle on and we'll all have some tea?

0:35:320:35:35

Oh, sure.

0:35:350:35:37

Hey.

0:35:390:35:41

Er...right.

0:35:480:35:52

You can't smoke near a pregnant woman.

0:35:520:35:54

Right.

0:35:550:35:58

Want to come in for a nice cup of tea?

0:35:580:35:59

Ha-ha-ha. No, thank you.

0:35:590:36:01

(Good luck with all that.)

0:36:010:36:02

BIRDSONG

0:36:150:36:18

BELLS TOLL

0:36:180:36:20

PHONE RINGS OUT

0:36:500:36:52

-"Hello."

-Kenny. Jackson Brodie. I need a favour.

0:36:550:36:58

Can you get me an accident report from 1998?

0:36:580:37:00

Aidan's gone to get fish and chips.

0:37:110:37:13

-I didn't feel much like cooking.

-Good.

0:37:130:37:15

I wanted to talk to you first.

0:37:150:37:17

Yeah?

0:37:170:37:18

Ian, if I'm to do my job properly,

0:37:190:37:21

you've got to start being straight with me.

0:37:210:37:23

What's that supposed to mean?

0:37:250:37:27

It means I get it.

0:37:270:37:28

I know that all of Aidan's memories of his mum come from you

0:37:280:37:31

and you want them all to be good.

0:37:310:37:33

But you can't keep editing things out of the picture.

0:37:330:37:36

-Like what?

-Like all of the art stuff.

0:37:360:37:39

Like the prang that wasn't a prang. It was a crash.

0:37:410:37:44

With Aidan in the front seat and no seatbelt.

0:37:440:37:48

It was an accident. He was fine.

0:37:480:37:50

It was an accident that happened because she was over the limit.

0:37:500:37:52

She'd been out the night before, she'd had a few drinks.

0:37:540:37:56

What, so she was still drunk the morning after? Come on, Ian.

0:37:560:37:59

What do you want me to say?

0:37:590:38:02

OK, Isla had her problems, we had our problems.

0:38:020:38:04

OK? What couple doesn't?

0:38:040:38:06

Big enough problems to make her want to leave?

0:38:070:38:09

I saw the rings.

0:38:130:38:15

Aidan gave them to me.

0:38:150:38:17

At first I thought they might have come back from the morgue, but...

0:38:170:38:20

when a body's been in the water that long,

0:38:200:38:22

they have to cut them off. And they weren't cut.

0:38:220:38:24

She wasn't wearing them.

0:38:240:38:26

Well, she was in every picture I saw.

0:38:260:38:28

In the kitchen, on the beach, swimming, everywhere. She never took them off.

0:38:280:38:31

In my experience, if a woman takes her rings off

0:38:310:38:34

and walks out into the night... she's not coming back.

0:38:340:38:37

Right?

0:38:380:38:40

Ian?

0:38:400:38:42

-Why didn't you tell the police?

-I didn't know.

0:38:430:38:46

Not at first.

0:38:470:38:48

I didn't find the rings until the next day.

0:38:500:38:52

She'd left them in front of the clock.

0:38:520:38:55

It might have affected the investigation.

0:38:550:38:57

As soon as the police found her body, they knew who'd done it.

0:38:580:39:02

So, why tell everyone she was walking out on me

0:39:030:39:06

and her three-year-old son when it happened?

0:39:060:39:08

Why does anyone need to know that? Least of all Aidan.

0:39:080:39:11

Because they might have got it wrong.

0:39:110:39:14

It might have made a difference.

0:39:140:39:16

Do you think I don't realise that?

0:39:160:39:17

You think I don't know that her killer

0:39:170:39:19

might be out there somewhere now because of me?!

0:39:190:39:22

Because I didn't want everyone to think my son's mother was a...

0:39:220:39:24

selfish slapper?!

0:39:240:39:27

Oh! Aidan, I'm, I'm sorry.

0:39:330:39:36

What did you do?

0:39:380:39:39

I blamed that bloody art class.

0:39:420:39:44

Her smarmy ponce of a teacher putting ideas into her head.

0:39:440:39:47

But it wasn't about that.

0:39:470:39:48

It was about her.

0:39:500:39:51

The truth is...we just weren't enough for her.

0:39:520:39:56

And the more she tried to pretend, the unhappier she got.

0:39:560:39:59

But she wasn't the only one who wanted more out of life.

0:39:590:40:02

I had plans, too.

0:40:020:40:04

I had a mate set up in the States,

0:40:040:40:06

fitting out big penthouses,

0:40:060:40:08

big corporate accounts, that kind of thing.

0:40:080:40:10

And I wanted us to go out there and make a fresh start.

0:40:100:40:13

She didn't want to go?

0:40:130:40:15

No.

0:40:150:40:17

She said it would be the same shit in a different place.

0:40:170:40:20

And that's when she started drinking,

0:40:200:40:22

staying out all hours at these openings and exhibitions,

0:40:220:40:26

saying she was finally getting to meet other artists,

0:40:260:40:29

as if that made it all right.

0:40:290:40:30

But it doesn't mean she didn't love you.

0:40:300:40:33

No, you, you were the only good thing to come out of all this.

0:40:330:40:36

She nearly killed me.

0:40:360:40:37

Ach, she was beside herself after the accident.

0:40:370:40:40

She knew things couldn't carry on the way they were.

0:40:400:40:42

So she was leaving to get away from me.

0:40:420:40:44

No, no, I'm not saying that.

0:40:440:40:45

No, you're saying you've done nothing but lie to me

0:40:450:40:48

for the past 15 years, that everything I thought I knew

0:40:480:40:50

about my mum is total bollocks.

0:40:500:40:52

Well, thanks for that, Dad. Thanks a lot.

0:40:520:40:54

67, take 4. Action!

0:41:220:41:23

And cut!

0:41:270:41:29

Oh, thank you so much.

0:41:290:41:31

Get off! I told you he's an old friend.

0:41:320:41:37

I shouldn't need an appointment, it's completely unnecessary.

0:41:370:41:40

This one's declined, mate. Have you got another?

0:42:080:42:11

Huh, I've got cash.

0:42:110:42:13

-That's weird. Ta.

-Thank you.

0:42:150:42:18

MUSIC: "Blue" by Lucinda Williams

0:42:180:42:24

"This is a courtesy call for Mr Jackson Brodie

0:42:380:42:40

"'from the Central Allied Bank.

0:42:400:42:42

"'My name's Patricia Lee of the personal banking team."

0:42:420:42:44

Bonsoir, Patricia.

0:42:440:42:45

"We're aware that a sizeable deposit was made into your account today

0:42:450:42:49

"and if you would like to call us at your earliest convenience

0:42:490:42:52

"we'd be delighted to discuss investment options."

0:42:520:42:54

I bet you would.

0:42:540:42:56

"Please call 0131 332 4962.

0:42:560:42:59

"We look forward to hearing from you."

0:42:590:43:01

Now, why can't I buy a packet of fags?

0:43:120:43:16

PHONE RINGS

0:44:210:44:23

Hello?

0:44:430:44:45

He kept calling her,

0:45:130:45:15

telling her he loved her, that he wanted her back.

0:45:150:45:20

I begged her not to listen to him.

0:45:200:45:23

When did she go?

0:45:230:45:24

Last night. My husband betrayed me, Mr Brodie.

0:45:240:45:27

He told Samira she was to fly to Cairo at the weekend,

0:45:290:45:32

that she would be living with his brother,

0:45:320:45:35

that her every move would be supervised from now on.

0:45:350:45:39

They were screaming at each other.

0:45:390:45:41

She told him that she was going to be with a man who loved her,

0:45:410:45:44

-and she ran.

-Shit.

0:45:440:45:46

This boy, Rhys, does he love her at all?

0:45:460:45:51

Will he take care of her?

0:45:520:45:54

No, I don't think so. He's a...

0:45:540:45:57

He's not a good person.

0:45:570:46:00

You have to go and get her.

0:46:000:46:02

I can't just grab her.

0:46:020:46:04

We have to do something.

0:46:040:46:05

What's important is she understands that she has options,

0:46:080:46:11

that she can walk away.

0:46:110:46:13

I should have stood up to my husband

0:46:170:46:21

when he first wanted to send her back.

0:46:210:46:23

I should have fought, I should have walked away.

0:46:260:46:30

Please go to her.

0:46:330:46:34

Tell her I just want her to be safe.

0:46:360:46:38

Tell her to be strong, tell her...

0:46:380:46:42

Tell her I'm sorry.

0:46:420:46:44

Hey...

0:46:470:46:48

I'll see what I can do.

0:46:480:46:51

He'll want to know where I was. We didn't meet, OK?

0:46:550:46:58

Sure.

0:46:580:47:00

PHONE RINGS

0:47:160:47:18

Hey.

0:47:200:47:22

Well, if it's any consolation, you're not the first.

0:47:220:47:24

Great.

0:47:240:47:25

Charlotte, or Carina as she's also known, is quite the multi-tasker.

0:47:250:47:29

When she wasn't with you, she was fleecing some banker in Glasgow

0:47:290:47:32

out of nearly 200 grand. I'm so sorry.

0:47:320:47:35

She's a pro, so she knows how to cover her tracks,

0:47:350:47:37

but I can give you her file if you want.

0:47:370:47:39

No, you're all right. Forget it.

0:47:390:47:41

What, you not going to try and find her?

0:47:410:47:44

Serves me right, doesn't it?

0:47:440:47:45

Sorry.

0:47:460:47:48

Thanks.

0:47:480:47:50

You keep saying it's this other bloke's.

0:48:380:48:40

Because it is.

0:48:400:48:41

Well, maybe, but then you say you're big for dates or whatever.

0:48:410:48:45

-So?

-So maybe you're not, maybe you got it wrong.

0:48:450:48:47

This is ridiculous.

0:48:470:48:49

Julia, we need to get you ready.

0:48:490:48:51

Sorry, Ollie, just give us a minute?

0:48:510:48:53

I don't think it is.

0:48:530:48:54

This is exactly why I didn't tell you.

0:48:540:48:56

Tell me what? Tell me it could be my baby?

0:48:560:48:58

No, why I didn't tell you I was pregnant,

0:48:580:49:00

because I knew you'd leap to all the wrong conclusions

0:49:000:49:02

and insist on sweeping in and doing the decent thing.

0:49:020:49:05

Even though it's not your problem.

0:49:050:49:07

-Let's take a test.

-What?

0:49:070:49:09

Let's take a paternity test and find out, once and for all.

0:49:090:49:12

Right, so I should stick a needle into my unborn baby,

0:49:120:49:16

quite possibly risk aborting it, just to satisfy your ego?

0:49:160:49:19

That's not what this is.

0:49:190:49:21

You know, I am so glad you are not the father because the thought

0:49:210:49:24

of raising a child with you is becoming more hideous by the second.

0:49:240:49:28

Julia, look, I have a right to know...

0:49:280:49:31

No, you don't.

0:49:310:49:32

Ready now, darling.

0:49:340:49:36

This is my baby and my body

0:49:360:49:38

and it has absolutely nothing to do with you.

0:49:380:49:41

So why don't you go and find something else to obsess about?

0:49:410:49:45

I need to get back to work.

0:49:450:49:47

PHONE RINGS

0:50:170:50:18

Hello? Hey, hi.

0:50:180:50:23

No, that's fine, I can come and collect the rest at the weekend.

0:50:230:50:27

Well, no, I've got my keys, so don't...

0:50:270:50:30

No, Patrick, I'm not saying that

0:50:310:50:33

because I don't want you to be there.

0:50:330:50:36

Look, I've got to go.

0:50:360:50:37

Do you think this is where he's meeting his new supplier?

0:50:440:50:47

Well, if he isn't, this is another day down the pan.

0:50:470:50:50

Yeah, but if he is and we can start to piece together a whole network...

0:50:500:50:53

Oh, I know, it'll be just like The Wire(!)

0:50:530:50:57

What the hell is he doing here?

0:51:050:51:06

Is Samira about? Back there? Ta.

0:51:120:51:16

Hi.

0:51:190:51:21

What are you doing here? I'm not going back.

0:51:210:51:24

Ah, I wouldn't try to take you.

0:51:240:51:25

Just come to see if you're all right.

0:51:250:51:28

What's your problem? You can't be here.

0:51:280:51:30

What's the matter? You can't talk to friends?

0:51:300:51:32

You're not my friend and I don't want to talk to you.

0:51:320:51:34

-Yeah, but Rhys wouldn't like it if you did, would he?

-So what, just go.

0:51:340:51:37

So, doesn't that remind you of someone else?

0:51:370:51:39

At least he cares enough to be jealous.

0:51:390:51:41

Look at yourself, having to hide away.

0:51:420:51:44

I'm not stupid.

0:51:440:51:46

I know you're not.

0:51:460:51:47

Look, your mum wanted you to know she was sorry how it went.

0:51:480:51:52

Is she all right?

0:51:520:51:53

No, not really. She's worried about you, she loves you.

0:51:530:51:56

I just wanted you to know that when you've had enough, you call me

0:51:560:51:59

and I'll help you, all right?

0:51:590:52:00

All right. Just go, yeah?

0:52:000:52:03

Ah, who do we have here?

0:52:130:52:16

Who are all these people?

0:52:160:52:17

What the hell are you doing here? I'm handling this.

0:52:240:52:26

You're not going in there and starting a war, right?

0:52:260:52:29

-She doesn't...

-Of course not.

0:52:290:52:31

Mr Marshall is the sort of man who understands transactions.

0:52:310:52:34

I am treating this as a transaction.

0:52:340:52:36

You're not serious. You're not going to pay him.

0:52:360:52:38

She's your daughter. You can't buy and sell her.

0:52:380:52:41

I will pay him once.

0:52:410:52:42

My daughter will see him for the man he really is

0:52:420:52:44

and that will be the end of it.

0:52:440:52:46

And then what? You'll just ship her off somewhere?

0:52:460:52:48

She's my child, Mr Brodie.

0:52:500:52:53

I will decide what is best for her.

0:52:530:52:55

Just as you did for your friends when you needed my help.

0:52:550:52:58

Help which can easily be undone.

0:53:000:53:02

Do you understand?

0:53:020:53:03

So, do I put him in the surveillance log?

0:53:260:53:30

Well, leave it with me. I'll have a chat with him.

0:53:300:53:34

-Just find out what's going on.

-OK.

0:53:340:53:37

Good for you, Brian Steele.

0:54:030:54:05

First sign of madness, you know.

0:54:080:54:11

Hey.

0:54:110:54:13

I really don't want to fight anymore.

0:54:130:54:15

Me neither.

0:54:170:54:18

Can we just not talk about it? At least for a bit.

0:54:180:54:22

Come in. Here, I'll get you a chair.

0:54:220:54:24

-Thanks.

-Can I get you something?

0:54:260:54:28

-No.

-Cup of tea or a glass of water?

0:54:280:54:30

No, thanks.

0:54:300:54:32

Finished for the day?

0:54:330:54:35

Yes, two more days and I'll be back in London this time next week.

0:54:350:54:39

Actually, I've just been for my scan. Baby's healthy.

0:54:390:54:43

-Good.

-I even heard the heartbeat.

0:54:430:54:46

Came out and realised I had no-one to tell.

0:54:460:54:51

-Hey...

-Sorry.

0:54:510:54:52

-It's all right...

-Silly...

0:54:520:54:54

No, it's not.

0:54:540:54:55

There's no reason why you should be interested...

0:54:550:54:58

-I had some tissues round here somewhere.

-No, I'm fine, I'm fine.

0:54:580:55:03

Listen, you don't have to go through this alone.

0:55:050:55:08

Oh, Jackson, please...

0:55:080:55:09

I'm not starting up. I'm just saying that I'm here.

0:55:090:55:12

So what are you beavering away at?

0:55:160:55:19

The usual, you know, murder and mayhem.

0:55:210:55:24

How exciting.

0:55:240:55:26

Oh, I know him.

0:55:270:55:29

You know Fergus Banks?

0:55:290:55:31

Well, if that's his name. I saw him yesterday.

0:55:310:55:34

He was being thrown out of an office building, all very dramatic.

0:55:340:55:37

Oh, I don't think it was him, that's an old picture.

0:55:370:55:40

I'm positive. He was still wearing those ridiculous love beads.

0:55:400:55:44

I remember thinking it was all rather sad at his age.

0:55:440:55:47

And he had these horrible boots.

0:55:470:55:50

Which building, where was it?

0:55:510:55:53

By that big pointy thing.

0:55:530:55:56

The Scott Monument.

0:55:560:55:57

Yes.

0:55:570:55:58

East or West of there, North or South, up or down?

0:55:590:56:02

Oh Jackson, I'm not a satnav.

0:56:020:56:04

All right, show me on a map here.

0:56:040:56:06

There's Princes Street, there's the S... pointy building.

0:56:080:56:12

Right here.

0:56:120:56:13

Have I cracked the case?

0:56:170:56:19

Mr Brodie, isn't it?

0:56:440:56:45

That's me.

0:56:450:56:47

Brian Steele. MSP for West Edinburgh.

0:56:470:56:49

Thanks for seeing me at such short notice.

0:56:490:56:52

Not at all. I'm intrigued. Please, come in.

0:56:520:56:55

-Wow.

-It's quite a view, isn't it?

0:56:550:56:58

Please, take a seat.

0:56:580:56:59

So, how can I help you?

0:57:010:57:04

Er, I'm looking into the murder of Isla Kelso.

0:57:040:57:07

Seems like the police may have got the wrong man all those years ago.

0:57:070:57:10

Oh, right, yes, I remember reading about that.

0:57:100:57:14

So I'm talking to anyone who might have had contact with her

0:57:140:57:17

in the run-up to her death.

0:57:170:57:18

I knew that you moved in some of the same circles,

0:57:180:57:20

went to the same parties.

0:57:200:57:22

Well, if I did, that's news to me.

0:57:220:57:24

Oh, at Fergus Banks's gallery.

0:57:240:57:27

Fergus Banks? Well, there's a blast from the past.

0:57:270:57:32

I did go to a few of his parties, along with a hundred other people.

0:57:320:57:35

But I'm afraid I have no memory of ever meeting Isla Kelso.

0:57:350:57:39

Lots of attractive ladies though.

0:57:400:57:43

Fergus always had a way with women. Poor old Fergus.

0:57:430:57:47

Had such high hopes for that gallery. Terrible, isn't it?

0:57:470:57:51

We were good friends at university.

0:57:510:57:53

The truth is, I haven't thought about him in years.

0:57:530:57:56

Strange, he's thought about you.

0:57:560:57:58

He was thrown out this building yesterday, trying to see you.

0:57:580:58:00

What? Fergus was?

0:58:000:58:02

Mm-hm.

0:58:020:58:03

Well, I was in meetings, they should have interrupted me.

0:58:030:58:06

Why didn't they?

0:58:060:58:09

Very protective. I'm sorry, I'm a little confused here.

0:58:090:58:13

You said you were a private investigator.

0:58:130:58:15

Are you working with the police on this?

0:58:150:58:17

I'm working with Isla's son.

0:58:170:58:19

God, poor boy.

0:58:190:58:21

Can't imagine growing up with the trauma of something like that.

0:58:210:58:24

Listen, would you tell him to contact me?

0:58:240:58:27

If there is anything that I can do to help.

0:58:280:58:31

Here is my personal mobile.

0:58:330:58:35

He can get me on that at any time.

0:58:350:58:38

That's very kind of you.

0:58:390:58:41

Well, it's been a pleasure to meet you.

0:58:430:58:45

-Thank you.

-Good luck with the investigation.

0:58:480:58:50

Thanks.

0:58:500:58:51

I need to talk to you.

0:59:050:59:06

What were you doing at Rhys Marshall's bar this afternoon?

0:59:070:59:11

Sorry?

0:59:120:59:13

Well, you went in, came out again, had a little something

0:59:130:59:16

with some Middle Eastern guy and his bodyguard...

0:59:160:59:18

-Are you following me?

-No, not you.

0:59:180:59:20

Well I was just trying to help someone out.

0:59:210:59:24

Who's the man?

0:59:240:59:25

He's, er, some dickhead I shouldn't have got involved with. Drink?

0:59:280:59:32

No, thank you.

0:59:320:59:34

What's been going on with you? You've not been yourself.

0:59:360:59:39

I made a bad decision.

0:59:440:59:45

Ooh, just the one?

0:59:450:59:46

No, a whole series.

0:59:480:59:51

So, Rhys Marshall is part of that?

0:59:510:59:53

He is a consequence, yeah.

0:59:530:59:55

Look, if you're in some sort of trouble,

0:59:560:59:58

you know I can help you, don't you?

0:59:581:00:00

You're the last person I'd come to.

1:00:001:00:02

Oh, thank you.

1:00:021:00:03

I meant, you know...

1:00:031:00:06

after everything...

1:00:061:00:08

After everything?

1:00:081:00:10

After, the, you know, I think I've done enough...damage, don't you?

1:00:101:00:17

I thought I was the one that moved on too quickly.

1:00:191:00:21

Didn't give you a fighting chance.

1:00:211:00:23

I think we both know that was bollocks.

1:00:231:00:27

I got scared.

1:00:271:00:29

Ran away. I'm sorry.

1:00:311:00:34

I was frightened.

1:00:381:00:41

Everything I touch gets...

1:00:411:00:44

gets messed up and rather than face it,

1:00:441:00:49

I just thought I'd take a job to get away.

1:00:491:00:53

I didn't look at the full picture.

1:00:531:00:55

I see.

1:00:581:01:00

I am sorry.

1:01:001:01:02

It's all worked out though, hasn't it?

1:01:051:01:09

I mean, you've got your nice, big house, Dr Patrick on your arm.

1:01:091:01:13

Oh, we split up.

1:01:131:01:14

Did you?

1:01:161:01:17

Mm-hm.

1:01:171:01:20

Well, that was quick.

1:01:221:01:23

Aye, I know.

1:01:231:01:25

You all right?

1:01:291:01:31

Well, I'll survive.

1:01:311:01:34

Yeah, you will.

1:01:351:01:38

Well...

1:01:431:01:45

I've got, I've got to go.

1:01:451:01:47

Morning.

1:02:101:02:11

I need copies of my payslips for tax purposes.

1:02:111:02:13

Whatever you need. It's nice to see you.

1:02:131:02:16

And I took a call.

1:02:171:02:18

A woman called Mandy said she got your message about Fergus Banks.

1:02:181:02:21

Give her a call after six.

1:02:211:02:24

Who's Fergus Banks?

1:02:261:02:28

He is a teacher. Tragic. Might be a murderer.

1:02:281:02:33

That's what I'm trying to find out.

1:02:341:02:37

What are you doing?

1:02:371:02:38

Don't worry, I'll sort it.

1:02:381:02:40

I thought we had the same password for everything.

1:02:401:02:42

What kind of idiot would do that?

1:02:421:02:44

Look here, you're not even inside the entry box.

1:02:481:02:51

Cup of tea?

1:02:571:02:58

Uh!

1:02:581:02:59

I'm offering to make a cup of tea.

1:02:591:03:01

Oh. Have you got milk?

1:03:011:03:05

Clean mugs too.

1:03:051:03:07

By my standards or yours?

1:03:071:03:09

Just so you know, I'm not staying.

1:03:101:03:13

I know.

1:03:131:03:15

Right.

1:03:191:03:20

What now?

1:03:281:03:30

Do you want a cup of tea or something?

1:03:301:03:33

What's up? You seem quite jumpy.

1:03:381:03:40

Nothing, really, what can I do for you?

1:03:401:03:43

Well, I'm here because you didn't tell me the whole truth about Isla.

1:03:451:03:48

What are you talking about?

1:03:481:03:51

The night she died, she was walking out on her family.

1:03:511:03:54

Was she?

1:03:551:03:56

She was coming to be with you, wasn't she?

1:03:561:03:58

That... why do you say that?

1:03:581:04:02

Are you saying you weren't having an affair with her?

1:04:021:04:05

OK, right, we were seeing each other for a while but it was

1:04:051:04:09

all over long before, anyway, I told you I was with someone that night.

1:04:091:04:13

Yeah, the installation artist, Mandy Styles?

1:04:131:04:16

-That's right.

-I spoke to her.

1:04:161:04:18

She was quite evasive,

1:04:181:04:20

but I am sure the police will get to the bottom of it.

1:04:201:04:22

Police? Why will the police be interested?

1:04:221:04:26

Come on, Fergus.

1:04:261:04:27

A woman walks out on her husband and son to go and see her lover,

1:04:271:04:30

her ex-lover, who's now with someone else.

1:04:301:04:32

Who do you think's going to be the next suspect?

1:04:321:04:34

Well, they'd be wasting their time.

1:04:361:04:39

They'll talk to her, Mandy.

1:04:391:04:40

They'll take her through every second of that night.

1:04:401:04:42

I hope she's got a story that backs you up after all these years.

1:04:421:04:46

They'll talk to her and they'll talk to Brian Steele.

1:04:471:04:50

Brian Steele?

1:04:501:04:52

What does he have to do with this?

1:04:541:04:56

Nothing. That's what he'll say.

1:04:561:04:58

He said he had no idea you were at his office.

1:04:581:05:00

I know you're lying about something. I know Brian's lying.

1:05:031:05:06

But he's much better at it, he'll get away with it.

1:05:061:05:09

He'll walk away squeaky clean. He's like that, don't you think?

1:05:091:05:12

They'll believe him when he says he's never met Isla

1:05:121:05:15

and you'll be left all alone in the frame.

1:05:151:05:17

Is that what you want? Just you.

1:05:171:05:19

Never met her?

1:05:201:05:22

He's sure of it.

1:05:221:05:23

This was one of hers.

1:05:261:05:28

She was bloody good.

1:05:301:05:31

Everyone knew everyone.

1:05:341:05:36

It was the opening night of my gallery. Everyone was there.

1:05:441:05:48

I was the first to introduce Isla to Brian.

1:05:491:05:51

It was obvious that he really liked her.

1:05:571:06:00

What happened the night Isla died?

1:06:001:06:02

Brian called me at three in the morning.

1:06:041:06:07

Told me that there'd been an accident.

1:06:071:06:11

-Where?

-At the gallery.

1:06:111:06:12

He said that she'd gone there looking for me.

1:06:121:06:15

It was Christmas Eve.

1:06:151:06:17

I was at a friend's party, but Brian was at the gallery.

1:06:171:06:21

He said she was in a state.

1:06:211:06:23

I had some coke in the back office.

1:06:231:06:25

He said that she was drunk, that he'd tried to comfort her

1:06:251:06:28

but she'd fallen asleep and choked.

1:06:281:06:30

He rang me like I told you, saying it was urgent.

1:06:301:06:33

He said that he was worried about me, that, you know,

1:06:341:06:37

she'd died on my premises, my drugs in her.

1:06:371:06:40

It made sense at the time.

1:06:411:06:43

-We have to call the police!

-I know that!

1:06:431:06:45

We've just got to think, just think for a minute.

1:06:451:06:50

And then what? When it didn't make sense?

1:06:521:06:55

What did you think then?

1:06:551:06:56

Brian had unusual tastes.

1:06:581:07:00

What does that mean?

1:07:021:07:03

He was into some pretty violent stuff. With women.

1:07:031:07:06

You think that that's what happened to her?

1:07:091:07:10

Yeah. And I didn't want to believe that.

1:07:101:07:14

I wanted to keep my gallery.

1:07:151:07:17

I lost my gallery anyway.

1:07:201:07:22

I just didn't have the heart for it after that.

1:07:241:07:26

She deserved better.

1:07:281:07:30

Yes, she did.

1:07:311:07:32

PHONE RINGS

1:07:391:07:42

-Hello.

-You know the MSP Brian Steele? The people's champion?

1:07:441:07:47

Yes, I know who Brian Steele is.

1:07:471:07:49

You might want to arrest him for the murder of Isla Kelso.

1:07:491:07:51

Do you have any evidence for that, Jackson?

1:07:511:07:54

Well, here's a full confession by the man who helped him

1:07:541:07:57

bury the body, Fergus Banks.

1:07:571:07:59

How's that for starters?

1:07:591:08:01

Is there anything else I can do for you?

1:08:011:08:03

No, you're all right.

1:08:031:08:06

Well, yeah, um...

1:08:061:08:07

Do you want to go for dinner?

1:08:111:08:13

What?

1:08:131:08:15

Dinner, as in a sort of restaurant, sort of dinner thing?

1:08:151:08:19

As in a date.

1:08:221:08:23

In a restaurant.

1:08:261:08:27

A date?

1:08:271:08:29

Tomorrow?

1:08:291:08:31

Yeah.

1:08:311:08:32

-All right.

-OK.

1:08:341:08:35

OK.

1:08:371:08:39

Bye.

1:08:391:08:40

Bye.

1:08:401:08:43

Jackson Brodie.

1:09:581:10:00

Hold on, calm down, where are you?

1:10:001:10:04

All right, I'll be right there.

1:10:051:10:07

I think he's killed her.

1:10:231:10:25

-Called an ambulance? Who did this? Rhys?

-Yes.

1:10:251:10:28

She's alive. Get us a rag, a clean rag.

1:10:311:10:34

Right, what happened?

1:10:391:10:42

Come on, what happened?

1:10:421:10:44

I came back and she was lying there.

1:10:441:10:46

It's my fault.

1:10:471:10:49

What did you do?

1:10:491:10:50

He paid him. My dad paid him to send me home.

1:10:501:10:55

They bought and sold me like I was nothing, like I was an animal.

1:10:551:10:59

Rhys laughed when he told me. I was so angry...

1:10:591:11:04

Samira, what did you do?

1:11:041:11:06

I stole his gear.

1:11:061:11:08

Oh, Jesus. And he came here, did he, looking for it?

1:11:081:11:13

I wasn't here.

1:11:131:11:15

Abi had done nothing, it was me he was angry with.

1:11:151:11:18

Abi hadn't done anything.

1:11:191:11:21

Samira! Wait!

1:11:211:11:22

You shit!

1:12:121:12:13

I guess you're over me then. That was quick.

1:12:181:12:21

You think you're something special? You're nothing.

1:12:231:12:26

You are a bug.

1:12:271:12:31

Where's my gear? Where is my gear?

1:12:311:12:35

You want one of these? To the face, is that what you want?

1:12:351:12:39

Just leave it.

1:12:521:12:54

No!

1:13:081:13:09

Samira, no!

1:13:171:13:19

All right, you can go. I'll take care of this.

1:13:341:13:38

How's Abi doing?

1:14:491:14:51

She'll be OK.

1:14:511:14:53

What about you?

1:14:531:14:54

I didn't know I could feel like that.

1:14:561:14:58

That I could have killed him.

1:15:001:15:02

Well, you didn't, so don't worry about it.

1:15:061:15:09

Got the rest of your life to lead now, haven't you?

1:15:131:15:16

Ooh, nice dress. Going somewhere special?

1:15:271:15:30

Yeah.

1:15:301:15:32

Thanks.

1:16:051:16:07

I was thinking of maybe giving that bloke a call, about the internship.

1:16:081:16:12

-Yeah?

-What do you reckon?

1:16:121:16:14

Well, I think that would be great.

1:16:141:16:17

You would come and visit, though, won't you?

1:16:171:16:19

Of course.

1:16:191:16:20

Well, here we are. Bit weird, no?

1:16:361:16:39

Can't get used to seeing you dressed like that,

1:16:421:16:45

you look almost respectable.

1:16:451:16:46

Apart from your face, that's the same.

1:16:461:16:48

God, that's good.

1:16:501:16:51

Are you going to be speaking at all during the evening?

1:16:551:16:58

Because I'm going to have to stop occasionally to, you know, chew...

1:16:581:17:02

Sorry...

1:17:021:17:03

I'm a bit lost for words.

1:17:061:17:08

Is it because I'm dressed like an actual woman?

1:17:081:17:11

You see, I'm surprised it's that effective.

1:17:111:17:14

You have that effect on me whatever you're wearing.

1:17:161:17:20

You always have had.

1:17:201:17:21

From the first time I saw you.

1:17:231:17:25

Every time I look at you.

1:17:261:17:28

I just want to kiss you.

1:17:301:17:31

Wow.

1:17:331:17:34

OK.

1:17:361:17:37

And we haven't even ordered yet.

1:17:381:17:41

But I can't do this.

1:17:411:17:43

Oh, Jesus, Jackson, look, OK, just don't panic, OK?

1:17:451:17:48

We're just having dinner, you know, we're not naming our children.

1:17:481:17:52

Everything's going to be OK.

1:17:521:17:55

It's not.

1:17:551:17:57

It's never going to work.

1:17:571:18:00

You, what you do,

1:18:001:18:04

things happen around me that you can't be a part of.

1:18:041:18:08

What's happened? What's happened to you?

1:18:091:18:11

Something has happened.

1:18:141:18:16

Something's happened since yesterday, I can see it.

1:18:161:18:19

No.

1:18:191:18:20

Or what, did you just bring me here to humiliate me, is that it?

1:18:201:18:22

Of course not. I wouldn't do that.

1:18:221:18:25

What's changed?

1:18:251:18:26

I just, I realised...

1:18:331:18:36

I realised that...

1:18:421:18:44

..I'm never going to love you.

1:18:491:18:51

Even though when you look at me, you want to kiss me?

1:18:551:18:59

Yeah.

1:19:051:19:06

PHONE RINGS

1:19:401:19:42

Menus, sir?

1:19:521:19:54

Oh, I'm not... Thanks.

1:19:541:19:56

PHONE RINGS

1:19:591:20:01

Yes, Julia, what?

1:20:041:20:06

What, now?

1:20:081:20:10

Can't you get some...?

1:20:101:20:12

OK, OK, OK, calm down.

1:20:121:20:14

Sort of....

1:20:171:20:19

Where are you?

1:20:201:20:22

This is not supposed to be happening. I've wrapped.

1:20:221:20:25

I'm supposed to be on a train to London.

1:20:251:20:27

Why didn't you go to the hospital earlier?

1:20:271:20:30

I was fine. The midwife said to wait

1:20:301:20:32

until there was at least seven or eight minutes in between contra...

1:20:321:20:36

Is that another one now?

1:20:361:20:37

You see, that's a minute and a half. That's not good.

1:20:391:20:43

How did you let things get so far? All right, I'm sorry.

1:20:431:20:47

Can you get in?

1:20:471:20:49

All right, all right. Change of plan. Come on.

1:20:491:20:52

Watch your back, watch your back.

1:20:521:20:53

OK. Here we go, here we go. Come on...

1:20:531:20:58

I should be in London. In a birthing pool with candles.

1:20:581:21:03

-I've got a playlist!

-Come on...

1:21:031:21:05

Jackson Brodie. B-R-O-D-I-E.

1:21:051:21:09

I-E, yeah.

1:21:091:21:12

Pregnant woman, giving birth.

1:21:121:21:14

SHE SCREAMS

1:21:141:21:16

Yeah, that's, er, that's what I'm saying, there's no gaps any more.

1:21:161:21:18

Yes, all right, hold on. Address and postcode?

1:21:181:21:22

I don't know. They just send a driver.

1:21:221:21:24

She doesn't know this. She doesn't know.

1:21:241:21:26

I got here by landmarks. She talked me through.

1:21:281:21:31

Murrayfield, you've got the zoo on the left,

1:21:311:21:33

-and then you take the second...

-Here.

1:21:331:21:35

-At the second set of lights you take a left.

-Here!

1:21:351:21:37

And there's an old building...

1:21:371:21:39

HERE!

1:21:391:21:40

Oh, I've got it, got it.

1:21:401:21:41

136 Rose Cottages, EH11 9CT.

1:21:411:21:46

Nine Charlie Tango.

1:21:461:21:48

It's coming, it's coming!

1:21:481:21:49

No, you'll be all right, you've got a few minutes,

1:21:491:21:51

-they're on their way.

-Feel that, there!

1:21:511:21:54

What's that? Bloody hell, is that the head?

1:21:541:21:57

Oh, shit, all right, all right, listen.

1:21:571:22:00

Come and sit here, you're going to be fine.

1:22:001:22:04

It's going to be all right. Now stay still.

1:22:041:22:07

OK. It's going to be all right. Let's, er...

1:22:071:22:12

Jackson!

1:22:131:22:15

Oh, Jesus. It's all right.

1:22:151:22:18

OK. Listen, I'm going to get some towels and..

1:22:181:22:23

NO! No.

1:22:231:22:24

Oh, OK, OK, good, good, gather yourself.

1:22:241:22:29

You're going to have to push.

1:22:291:22:30

OK, take a breath, get yourself ready.

1:22:301:22:33

Come on then, here we go, let's do it, come on.

1:22:331:22:35

Come on, take a breath and push, come on then.

1:22:351:22:39

Go on!

1:22:391:22:41

Good, good, good. Breathe!

1:22:411:22:43

Julia, breathe. OK?

1:22:431:22:46

All right, all right, I'm coming but don't forget to breathe, breathe.

1:22:461:22:49

YOU BLOODY BREATHE!

1:22:491:22:51

SHE SCREAMS

1:22:511:22:53

Come on, here we go, here we go, push it out, come on!

1:22:531:22:57

BABY CRIES

1:22:571:22:59

It's, it's, it's a boy.

1:22:591:23:02

It's a beautiful little boy.

1:23:041:23:08

Hello, you.

1:23:081:23:10

Yours was the first face he saw.

1:23:241:23:26

If your husband's staying the night, I can get a camp bed for you,

1:23:461:23:50

-if you'd like?

-Oh, he's not my husband.

1:23:501:23:52

Well, if Daddy stays....

1:23:521:23:54

He's not. He's not staying.

1:23:561:23:59

He's just a lovely friend who helped me with the baby.

1:24:011:24:04

Well, then I am so sorry, but visiting hours are actually over.

1:24:061:24:10

Shhhh, shhhh.

1:24:131:24:17

Here you go.

1:24:291:24:31

Well, I'll see you.

1:24:411:24:43

# Cut my heart wide open

1:24:511:24:54

# And I spilled all my blood

1:24:541:24:58

# Spent my money in my youth

1:24:581:25:04

# And I jumped into the well

1:25:051:25:09

# And I made my own hell

1:25:091:25:12

# I was looking for three chords and the truth

1:25:121:25:17

# I found the door to my freedom

1:25:191:25:23

# In a house filled with flames

1:25:231:25:26

# Found the key to my restless blues

1:25:261:25:32

# I lost my innocence and verve

1:25:341:25:37

# I found my courage and my nerve

1:25:371:25:40

# I was looking for three chords and the truth

1:25:401:25:47

# I couldn't buy a laugh

1:25:481:25:51

# I couldn't pay my bills

1:25:511:25:55

# But I was willing to pay my dues

1:25:551:26:01

# I learned my limitations

1:26:031:26:06

# My lessons in frustrations

1:26:061:26:09

# But I was looking for three chords and the truth... #

1:26:091:26:16

PHONE RINGS

1:26:441:26:46

# I made the sacrifices

1:26:461:26:48

# And I played the games

1:26:481:26:52

# And I believed every lie without you... #

1:26:521:26:57

Jackson Brodie, how can I help you?

1:26:571:26:59

# I sang my songs

1:26:591:27:01

# I strummed my strings

1:27:011:27:03

# Lost and found everything

1:27:031:27:07

# But I was looking for three chords and the truth

1:27:071:27:12

# I looked from every angle

1:27:221:27:25

# Every mountain and every valley

1:27:251:27:28

# Every city... #

1:27:281:27:30

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1:27:301:27:33

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