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You'll be set up for the rest of your life. | 0:00:02 | 0:00:04 | |
SCREAMING | 0:00:05 | 0:00:07 | |
-I kinda missed him. -Lay him down. | 0:00:07 | 0:00:10 | |
-Get off me, man! -No! | 0:00:10 | 0:00:12 | |
This is the biggest investigation I've ever had to head up. | 0:00:12 | 0:00:15 | |
A lot of people are waiting for me to fail. | 0:00:15 | 0:00:17 | |
I know the feeling. | 0:00:17 | 0:00:18 | |
This is Jacob. Tomorrow he'll spend his sixth birthday | 0:00:18 | 0:00:21 | |
in intensive care, cos he caught | 0:00:21 | 0:00:23 | |
a bullet that was meant for someone else. | 0:00:23 | 0:00:25 | |
Love you. | 0:00:25 | 0:00:26 | |
SIREN BLARES | 0:01:24 | 0:01:27 | |
Following a serious incident yesterday, I'm stopping you | 0:01:32 | 0:01:34 | |
under Section 60 of the Criminal Justice and Public Order Act 1994. | 0:01:34 | 0:01:38 | |
Where you going in such a hurry, son? | 0:01:38 | 0:01:41 | |
-I'm not your son. -Let's see some ID. | 0:01:41 | 0:01:44 | |
It's Lloyd. Same as it was yesterday at the hospital. | 0:01:50 | 0:01:54 | |
-Off you go. -Is that it? Can I go to work now? | 0:01:54 | 0:01:57 | |
And wear a helmet. | 0:02:01 | 0:02:03 | |
-What's the latest on little Jacob? -Staff at Holby City are keeping me | 0:02:03 | 0:02:08 | |
regularly updated on Jacob's condition. | 0:02:08 | 0:02:10 | |
-She's brave. -At this present moment, | 0:02:10 | 0:02:12 | |
he is still in the Intensive Care Unit. | 0:02:12 | 0:02:15 | |
Is it a gang related shooting? | 0:02:15 | 0:02:17 | |
Whilst I can't comment specifically on this case, | 0:02:17 | 0:02:21 | |
'we are confident that arrests will be made imminently.' | 0:02:21 | 0:02:25 | |
Who knows? They might even get who did it. | 0:02:25 | 0:02:28 | |
Are you all right? | 0:02:28 | 0:02:31 | |
"Someone raised a gun and shot my baby. | 0:02:31 | 0:02:34 | |
"Nothing else matters. So if you know | 0:02:34 | 0:02:38 | |
"of anything that can help the police, please, please tell them." | 0:02:38 | 0:02:43 | |
-Thank you. -When will we know more information? | 0:02:43 | 0:02:46 | |
We will be making further statements in due course. | 0:02:46 | 0:02:49 | |
-Thank you very much for your time. -Can you tell us anything else? | 0:02:49 | 0:02:51 | |
Thanks for that. Glad I could be of use(!) | 0:02:51 | 0:02:55 | |
Let's park the ego, shall we? We both want to catch this shooter, right? | 0:02:55 | 0:02:59 | |
-Course. -Good, because I have another favour to ask you. | 0:02:59 | 0:03:03 | |
'A heavy police presence is evident on the Farmead Estate, | 0:03:03 | 0:03:06 | |
'as officers patrol the crime scene where Jacob Broker was shot...' | 0:03:06 | 0:03:09 | |
Mum, your appointment's at ten. | 0:03:09 | 0:03:11 | |
Oi! I was listening to that. | 0:03:11 | 0:03:14 | |
Get off me, man! Get off me! | 0:03:47 | 0:03:50 | |
Guess where I was last night, bruv? | 0:03:58 | 0:04:00 | |
-You been talking to the police? They picked me and Anton up. -What? | 0:04:00 | 0:04:04 | |
You man, contact, bruv. | 0:04:04 | 0:04:06 | |
Yo, come on, man. | 0:04:06 | 0:04:08 | |
Get off me, man! | 0:04:10 | 0:04:13 | |
I had to make it look real. | 0:04:13 | 0:04:15 | |
You let him cut me! | 0:04:16 | 0:04:17 | |
Stood there while he dragged the blade across my chest. Now get off me! | 0:04:17 | 0:04:21 | |
If I'd done anything, it would have just made it worse. | 0:04:21 | 0:04:24 | |
Yo, we're brothers! | 0:04:24 | 0:04:26 | |
Half-brothers. | 0:04:26 | 0:04:27 | |
MOBILE PHONE RINGS | 0:04:27 | 0:04:30 | |
-What are you doing? -Everyone's on radio silence until this goes cold. | 0:04:31 | 0:04:35 | |
What if it don't? | 0:04:35 | 0:04:36 | |
-What if the police find out it was me? What if... -They don't know nothing. | 0:04:36 | 0:04:40 | |
It's just this Rippon bitch messing with us, | 0:04:40 | 0:04:42 | |
she's got a personal beef with Anton. He stabbed one of her copper mates. | 0:04:42 | 0:04:46 | |
They couldn't prove it. If they stop you, | 0:04:46 | 0:04:49 | |
-say nothing. -I ain't said nothing! I swear! | 0:04:49 | 0:04:51 | |
I know that, because if you had, they'd already have the gun and we'd be inside. | 0:04:51 | 0:04:55 | |
-Anton's paranoid, he's smoking too much, thinks you're a weak link. -I ain't no weak link, man! | 0:04:55 | 0:04:59 | |
I know this. I'm just telling you what's in his head. | 0:04:59 | 0:05:03 | |
I hid the gun at Jade's. | 0:05:04 | 0:05:06 | |
All right, cool, the police don't know her. | 0:05:06 | 0:05:10 | |
We'll get rid of it in a couple of days. | 0:05:10 | 0:05:13 | |
All right. | 0:05:13 | 0:05:15 | |
Give 'em back, Jade. | 0:05:15 | 0:05:16 | |
No. You're not going smelling of smoke! | 0:05:16 | 0:05:19 | |
You're not getting one! | 0:05:22 | 0:05:24 | |
Come on. Be a mate. | 0:05:24 | 0:05:26 | |
Get off! | 0:05:28 | 0:05:29 | |
One more and I'm done, all right? | 0:05:33 | 0:05:35 | |
Cross my chicken fillets. | 0:05:35 | 0:05:38 | |
-Stop it, Mum. -Whatever. | 0:05:38 | 0:05:41 | |
What you doing? | 0:05:43 | 0:05:45 | |
-Give them me, Jade. What have you done with them? -They're not in there. | 0:05:45 | 0:05:51 | |
Aah. Ta-da! | 0:05:51 | 0:05:53 | |
-Hiya! -That's Tia. Listen, come up the hospital with me later? | 0:05:53 | 0:05:58 | |
-Yes. -Hiya, love, you all right? -Yeah. | 0:05:58 | 0:06:01 | |
The cops only picked up Kris and Anton last night, innit! | 0:06:01 | 0:06:05 | |
Let's go see if Anton's back. | 0:06:10 | 0:06:12 | |
-How come Stevie never said? -I dunno. Is there any chance of you helping me? | 0:06:12 | 0:06:17 | |
All right. | 0:06:17 | 0:06:19 | |
No, but the Feds have got it in for him, haven't they? | 0:06:21 | 0:06:24 | |
Seriously, don't you think? | 0:06:24 | 0:06:26 | |
You're late. | 0:06:33 | 0:06:35 | |
I know, I'm sorry. I had to clean up a big mess. It won't happen again. | 0:06:35 | 0:06:38 | |
Like it wouldn't happen again after the last time and the time before that? | 0:06:38 | 0:06:42 | |
-Are you changing cars? -Um, no, just looking. | 0:06:46 | 0:06:49 | |
-Is it raining out? -My washing machine flooded. | 0:06:51 | 0:06:55 | |
-It happens. -Do you want a coffee? -No, thanks. I should change. | 0:06:58 | 0:07:01 | |
Stevie, are you OK? Call me, all right? | 0:07:03 | 0:07:08 | |
Stay there. | 0:07:11 | 0:07:13 | |
Anton! | 0:07:18 | 0:07:20 | |
Hi. | 0:07:22 | 0:07:24 | |
They didn't charge you with nothing, then? | 0:07:25 | 0:07:29 | |
I told you, don't come here less I call you first. | 0:07:29 | 0:07:31 | |
Don't need you up in my business, yeah? | 0:07:31 | 0:07:33 | |
Tia! | 0:07:36 | 0:07:38 | |
It's all good. | 0:07:39 | 0:07:41 | |
-You didn't tell him about... -No, he don't need all that grief. | 0:07:43 | 0:07:47 | |
You know what this means? You're real Farmead Crew now. | 0:07:49 | 0:07:54 | |
-Yeah. -Stevie's gotta be stashing it for Kris. Unless... | 0:07:54 | 0:08:00 | |
-Maybe it was Stevie's. -Shut up, Tia. | 0:08:02 | 0:08:06 | |
What? I was just saying. Jade! | 0:08:06 | 0:08:10 | |
-Mr Jordan, this is our head, Mr Humphrey. -How do you do? -Thank you for coming. | 0:08:10 | 0:08:14 | |
You're welcome. Scarlett Conway, one of our best nurses. | 0:08:14 | 0:08:17 | |
Sorry, it's my Chief Super. I'll catch you in there. | 0:08:17 | 0:08:20 | |
-OK, thanks. -Detective Superintendent Rippon. -After you, Scarlett. | 0:08:20 | 0:08:24 | |
-Yes, sir. -Meet the rabble. | 0:08:24 | 0:08:26 | |
What are you doing? Do you want to get caught? There is police everywhere! | 0:08:30 | 0:08:34 | |
What are you doing putting it in my room?! | 0:08:34 | 0:08:36 | |
I thought it was a good place at the time. | 0:08:36 | 0:08:38 | |
-You are keeping it for Kris, aren't you? Tia thinks... -You told her? | 0:08:38 | 0:08:42 | |
-Stevie? -Tia's always chatting rubbish, man. | 0:08:42 | 0:08:45 | |
It's just for a few days. We need to find somewhere better to hide it. | 0:08:47 | 0:08:50 | |
How about in the cooker? Your mum never goes in there. | 0:08:50 | 0:08:53 | |
You need to give it back to Kris. | 0:08:53 | 0:08:56 | |
No. No way, no, I can't. | 0:08:56 | 0:08:58 | |
Look, I'm sorry, I can't! | 0:08:58 | 0:09:00 | |
Please, I'm scared, Stevie. | 0:09:00 | 0:09:03 | |
Who's a proper soldier boy then? | 0:09:03 | 0:09:06 | |
My baby sister could've hid that thing better than you. | 0:09:06 | 0:09:09 | |
-If Anton was to realise... -Listen, yeah? | 0:09:09 | 0:09:12 | |
Just cos you linked Anton, doesn't make you special. | 0:09:12 | 0:09:15 | |
He says you do it with anyone he tells you to. | 0:09:15 | 0:09:18 | |
He's losing it. Think he must be scared. | 0:09:20 | 0:09:23 | |
Come on. | 0:09:27 | 0:09:28 | |
Tia! Where are you going? | 0:09:33 | 0:09:36 | |
Jade, come on! | 0:09:36 | 0:09:37 | |
Do one. | 0:09:56 | 0:09:57 | |
Are you silly? Are you dizzy? | 0:10:11 | 0:10:15 | |
Do you know what this means? | 0:10:15 | 0:10:17 | |
Yeah, it means you're a skank. | 0:10:17 | 0:10:20 | |
Come on then! Come on then! | 0:10:24 | 0:10:27 | |
Nah, I didn't think so. | 0:10:27 | 0:10:31 | |
-Saw it on the TV. You don't have to give your name, you just hand it in and then... -Just shut up! | 0:10:42 | 0:10:47 | |
Quiet, please. QUIET! Thank you. | 0:10:51 | 0:10:55 | |
Please welcome to Birch Grove High School | 0:10:55 | 0:10:59 | |
our guests from Holby City Hospital. | 0:10:59 | 0:11:01 | |
APPLAUSE | 0:11:01 | 0:11:04 | |
Hello, everyone. Um, I'm Scarlett. | 0:11:06 | 0:11:08 | |
WOLF WHISTLE, LAUGHTER | 0:11:08 | 0:11:12 | |
I'm a nurse at Holby City's Emergency Department... | 0:11:12 | 0:11:15 | |
HE GROANS, ALL LAUGH | 0:11:15 | 0:11:18 | |
Would you like Mr Jordan to give you mouth-to-mouth? | 0:11:18 | 0:11:22 | |
Thank you. So, I would like to introduce you | 0:11:22 | 0:11:26 | |
to our clinical lead, Nick Jordan. | 0:11:26 | 0:11:28 | |
He's here today to talk to you about what really happens | 0:11:28 | 0:11:31 | |
when a young person comes to us stabbed or shot. Mr Jordan. | 0:11:31 | 0:11:35 | |
-Thank you, Scarlett. -APPLAUSE | 0:11:35 | 0:11:38 | |
Morning. | 0:11:40 | 0:11:41 | |
If you pick up a knife, | 0:11:44 | 0:11:46 | |
there's a bloody good chance you'll be the one on the sharp end of it. | 0:11:46 | 0:11:50 | |
It's not very scary looking, is it, really? | 0:11:50 | 0:11:53 | |
Easy enough to slip inside your pocket. | 0:11:53 | 0:11:55 | |
Which is why a 14-year-old boy took it out with him | 0:11:55 | 0:11:58 | |
for protection. Four hours later, he came into our emergency department | 0:11:58 | 0:12:03 | |
with it stuck in his side. | 0:12:03 | 0:12:04 | |
THEY GROAN | 0:12:04 | 0:12:06 | |
Someone had tried to snatch his mobile phone, | 0:12:06 | 0:12:09 | |
it turned into a struggle and he fell on it. | 0:12:09 | 0:12:13 | |
THEY LAUGH | 0:12:13 | 0:12:15 | |
Oh, you think it's funny? Well, he failed to see | 0:12:15 | 0:12:18 | |
the funny side of it when we gave him a blood transfusion - | 0:12:18 | 0:12:21 | |
it pierced a vital organ. | 0:12:21 | 0:12:24 | |
All knife injury, whether it's accidental or intentional, | 0:12:24 | 0:12:27 | |
can turn a life around in a split second. | 0:12:27 | 0:12:31 | |
17-year-old boy, brought in with a stab wound in his back. | 0:12:33 | 0:12:37 | |
It perforated his bowel | 0:12:37 | 0:12:40 | |
and now he has to go to the toilet wearing one of those. | 0:12:40 | 0:12:45 | |
Yeah, it was the boiler again last week. | 0:12:45 | 0:12:47 | |
And the landlord still hasn't sent anyone out. | 0:12:47 | 0:12:50 | |
I can't even bring the kids there. | 0:12:50 | 0:12:53 | |
In there, please. | 0:12:53 | 0:12:54 | |
Oh, and Joe's school sent this. Look at that. | 0:12:58 | 0:13:02 | |
How can a school camping trip cost that much? | 0:13:02 | 0:13:05 | |
I know, it's a tent and a few sausages! | 0:13:05 | 0:13:07 | |
Well, I am determined they are not going to go without. | 0:13:07 | 0:13:11 | |
If you're easily upset, you may not want to look at the next image. | 0:13:11 | 0:13:15 | |
But his parents wanted me to show you exactly what a gun does. | 0:13:15 | 0:13:19 | |
There he is, little Jacob Broker. | 0:13:21 | 0:13:24 | |
Some of you might know him. | 0:13:24 | 0:13:27 | |
He was shot yesterday. | 0:13:28 | 0:13:31 | |
-Six years old. -Was he OK? | 0:13:31 | 0:13:33 | |
I'm sorry, but we can't comment on Jacob Broker's condition, | 0:13:33 | 0:13:37 | |
given the ongoing criminal investigation. | 0:13:37 | 0:13:40 | |
We'll take some questions at this stage. Anyone? Yeah? | 0:13:40 | 0:13:43 | |
OK, anyone else? Yes? | 0:13:48 | 0:13:52 | |
Is the boy with the knife still alive? | 0:13:52 | 0:13:54 | |
Yes, thankfully, he is. | 0:13:54 | 0:13:57 | |
Jade! | 0:13:58 | 0:14:00 | |
Hello, Stevie. We can talk down the station if you'd rather. | 0:14:00 | 0:14:04 | |
I ain't got nothing to say to you. | 0:14:04 | 0:14:06 | |
-What's your girlfriend's name? -Jade. | 0:14:06 | 0:14:09 | |
Jade looked pretty upset at what she just saw. | 0:14:09 | 0:14:12 | |
Maybe I should speak to her instead. | 0:14:12 | 0:14:14 | |
Look, she's just upset cos he's just a little kid! | 0:14:14 | 0:14:16 | |
So she can't bring herself to look at him, | 0:14:16 | 0:14:19 | |
and there's obviously something eating away at you. | 0:14:19 | 0:14:23 | |
Did you see it happen? | 0:14:23 | 0:14:25 | |
I know the Farmead Crew are involved. | 0:14:25 | 0:14:28 | |
All I want is to get that gun off the streets so it can't do any more harm. | 0:14:28 | 0:14:32 | |
Come on, why don't you just help me? | 0:14:32 | 0:14:37 | |
BELL RINGS Cos I can't. | 0:14:37 | 0:14:39 | |
Anton, it's me. | 0:14:49 | 0:14:52 | |
No, wait, wait, it's important. | 0:14:52 | 0:14:56 | |
It's about Stevie. | 0:14:56 | 0:14:58 | |
-There you are. -Pleasant surprise. | 0:15:03 | 0:15:04 | |
-What's up? -Haematoma to the left side of her head, | 0:15:04 | 0:15:07 | |
lip lacerations. Probably KO'd but her GCS is 14 now. | 0:15:07 | 0:15:11 | |
Could it have been a gang attack? | 0:15:11 | 0:15:13 | |
More bog-standard girl fight, I'd say. | 0:15:13 | 0:15:15 | |
Scarlett, would you take that back with Dixie and Jeff, please? | 0:15:15 | 0:15:18 | |
Very nice work in there. Thank you. Talk to me. | 0:15:18 | 0:15:21 | |
See you later. | 0:15:21 | 0:15:24 | |
Jacob Broker was shot on Farmead Crew turf. | 0:15:24 | 0:15:27 | |
CCTV puts the shooter as not leaving the area | 0:15:27 | 0:15:30 | |
though we've yet to get a positive ID. | 0:15:30 | 0:15:32 | |
As far as we can tell from bullet casings found at the crime scene | 0:15:32 | 0:15:36 | |
this is a semi-automatic weapon last used eight years ago in a bank robbery in Holby, | 0:15:36 | 0:15:41 | |
but until we get our hands on the weapon, we've hit a brick wall. | 0:15:41 | 0:15:45 | |
This has to be a punishment or a warning that went wrong, | 0:15:45 | 0:15:48 | |
-some foot soldier who screwed up... -Farmead kids go to this school, don't they? | 0:15:48 | 0:15:52 | |
-Yeah. -You wanted to provoke a reaction. | 0:15:52 | 0:15:56 | |
I need an informant or a witness | 0:15:56 | 0:16:00 | |
and every second that goes past, that's getting harder to find. | 0:16:00 | 0:16:04 | |
-Silence and fear, they're weapons too. -You used me. | 0:16:04 | 0:16:08 | |
These kids are going to think twice before they do something stupid now. | 0:16:08 | 0:16:12 | |
That'll save lives. | 0:16:12 | 0:16:14 | |
-And, yes, I did. -Well, I wished you'd have trusted me, Yvonne. | 0:16:14 | 0:16:18 | |
Because I would have quite happily spoken to them. | 0:16:18 | 0:16:22 | |
But I couldn't have taken that chance. | 0:16:22 | 0:16:24 | |
Extraterrestrial, five letters, beginning with A. | 0:16:27 | 0:16:30 | |
You having a laugh? | 0:16:30 | 0:16:32 | |
-SHE PANTS: -I need whoever does the chest check. | 0:16:32 | 0:16:36 | |
SHE LAUGHS FULSOMELY | 0:16:36 | 0:16:39 | |
-Right. -Right, hello. Right...Miss Messenger. | 0:16:39 | 0:16:42 | |
You need the Respiratory Outpatients department. | 0:16:42 | 0:16:45 | |
-My colleague can take you, if he's free. -My pleasure. | 0:16:45 | 0:16:50 | |
-My daughter, Alicia Dans is here. Her school called me. -Aw, Alicia, that's a pretty name. | 0:16:50 | 0:16:56 | |
My girl's Jade. Like in Jagger! | 0:16:56 | 0:16:59 | |
SHE LAUGHS MANICALLY THEN STRUGGLES FOR BREATH | 0:16:59 | 0:17:04 | |
Oh, er, doc...? | 0:17:04 | 0:17:06 | |
Are you OK? Have you been breathless for a while? | 0:17:06 | 0:17:09 | |
OK, have you got an inhaler? | 0:17:09 | 0:17:11 | |
Let's get her to triage. I'll do a peak flow and put you on a pulse ox, OK. | 0:17:11 | 0:17:15 | |
Let's book her in, Noel. | 0:17:15 | 0:17:16 | |
Hi, Alicia, I'm just going to check you out. | 0:17:16 | 0:17:18 | |
Can you open your eyes for me? | 0:17:18 | 0:17:20 | |
Pupils are OK, lacs not too deep, OK. | 0:17:25 | 0:17:28 | |
She may have been KO'd but let's lay off the CT scan for now. | 0:17:28 | 0:17:31 | |
-Let's do some base line obs and I'll continue to review. -All right. | 0:17:31 | 0:17:34 | |
-Linda, do you mind taking Alicia's stuff? -Yeah. | 0:17:34 | 0:17:37 | |
-Thank you. -Ta. | 0:17:37 | 0:17:39 | |
-Doctor Kent, this is Mr Dans. -Hi, Mr Dans, I'm Tom Kent. Alicia's doctor. | 0:17:39 | 0:17:46 | |
Her injuries are pretty minor. | 0:17:46 | 0:17:48 | |
The main concern was a bruise on her head | 0:17:48 | 0:17:50 | |
but she seems to be responding normally. | 0:17:50 | 0:17:52 | |
When can I take her home? | 0:17:52 | 0:17:54 | |
We have got a flute audition at 3:45 today. | 0:17:54 | 0:17:56 | |
I'm sorry, where? | 0:17:56 | 0:17:58 | |
It's for a scholarship at the Waterman Academy. | 0:17:58 | 0:18:01 | |
Wow, good for her. But I'm afraid you'll need to reschedule. | 0:18:01 | 0:18:05 | |
No, Doc, you don't understand. It's today or nothing. | 0:18:05 | 0:18:09 | |
She does it in front of a panel. | 0:18:09 | 0:18:11 | |
I'm really sorry but I can't discharge her until I'm satisfied. | 0:18:11 | 0:18:14 | |
In any case, | 0:18:14 | 0:18:15 | |
the cut to her lip puts her out playing for at least a week. | 0:18:15 | 0:18:20 | |
She's resting now. You can go and see her. | 0:18:20 | 0:18:23 | |
Thanks. | 0:18:23 | 0:18:24 | |
Hi. | 0:18:26 | 0:18:27 | |
Personal phone call? | 0:18:30 | 0:18:32 | |
So you need to know my income before overtime to give me the loan? | 0:18:32 | 0:18:36 | |
But that's stupid. I need this money. | 0:18:36 | 0:18:39 | |
Sorry. | 0:18:39 | 0:18:40 | |
Why don't we focus on getting Alicia better for now? | 0:18:46 | 0:18:49 | |
Yeah, you're right. I tell you, whoever did this is going to pay. | 0:18:49 | 0:18:52 | |
PHONE RINGS | 0:18:52 | 0:18:54 | |
Sorry. I'd better take this. It's the Academy. | 0:18:54 | 0:18:58 | |
Tell them we're not coming. Hello. | 0:18:58 | 0:19:00 | |
Jade. Jade. | 0:19:10 | 0:19:13 | |
I've had it with this dump, man. Let's bunk. | 0:19:13 | 0:19:18 | |
-I got something to show you. -What? | 0:19:18 | 0:19:20 | |
Come with me and you will find out. | 0:19:20 | 0:19:23 | |
Do you feel like telling me how it happened? | 0:19:26 | 0:19:28 | |
OK, that's all right. When you're ready. | 0:19:29 | 0:19:32 | |
So they have postponed the exam for three weeks. | 0:19:32 | 0:19:35 | |
Two of the panellists have come down with something. | 0:19:35 | 0:19:38 | |
We have had a result. | 0:19:38 | 0:19:39 | |
OK, what's their names? | 0:19:39 | 0:19:41 | |
-Mr Dans... -No. This jealous thug beat up my daughter and nearly ended her career. | 0:19:41 | 0:19:46 | |
Now, I want to know who it is. Alicia? | 0:19:46 | 0:19:49 | |
I... I don't remember. | 0:19:49 | 0:19:52 | |
Do you remember how you got hurt? | 0:19:54 | 0:19:56 | |
Alicia, what was the last piece of music you played? | 0:19:58 | 0:20:02 | |
-Oh, come on, love, it was the Mozart. You played it this morning. You know that. -What?! | 0:20:02 | 0:20:07 | |
-What's wrong with her? -She seems a bit more disorientated. | 0:20:07 | 0:20:10 | |
Let's get her that CT scan now, please. | 0:20:10 | 0:20:13 | |
Jade, look, I'm worried sick. | 0:20:20 | 0:20:23 | |
Where are you? | 0:20:23 | 0:20:25 | |
Look, I just need to... | 0:20:25 | 0:20:27 | |
-Look what your mum gave me. -What? | 0:20:42 | 0:20:45 | |
I love her, man. | 0:20:45 | 0:20:46 | |
I forgot to go to the hospital! | 0:20:46 | 0:20:50 | |
Ah, leave it, Tia. | 0:20:50 | 0:20:52 | |
It's Anton's. Let's go check it. | 0:20:52 | 0:20:54 | |
See? Nothing. | 0:20:58 | 0:21:00 | |
OK, will you come with me? I promised... | 0:21:00 | 0:21:03 | |
What's going on? | 0:21:07 | 0:21:09 | |
Stevie's been talking to that copper outside school. | 0:21:09 | 0:21:12 | |
He just needs a...reminder. | 0:21:12 | 0:21:16 | |
-What? -No-one snitches. | 0:21:16 | 0:21:20 | |
Don't worry, babe. It's just going to be a couple of bruises. | 0:21:23 | 0:21:26 | |
THE BOYS LAUGH | 0:21:28 | 0:21:30 | |
Tia? Tia, wait. Get off me! | 0:21:32 | 0:21:36 | |
-SHE SCREAMS: -Tia! Tia! | 0:21:36 | 0:21:39 | |
CRASHING, SCREAMING AND LAUGHTER | 0:21:39 | 0:21:41 | |
Look, whatever you're going to do, just do it, innit? | 0:21:46 | 0:21:50 | |
TEXT ALERT | 0:21:50 | 0:21:52 | |
Ambulance, please. | 0:22:54 | 0:22:55 | |
-How's the patient? -Headache. | 0:23:01 | 0:23:03 | |
Who's the Prime Minister? | 0:23:03 | 0:23:05 | |
Er, David Cameron? | 0:23:05 | 0:23:06 | |
Can you move her to CDU where it's quieter? I'll let your dad know. | 0:23:06 | 0:23:09 | |
-Right you are. -Here you go. -Thank you. | 0:23:09 | 0:23:14 | |
It doesn't add up. | 0:23:14 | 0:23:15 | |
She was orientated then confused and now she's answering again. | 0:23:15 | 0:23:20 | |
The scan is clear. So she's faking the memory loss. | 0:23:20 | 0:23:22 | |
Hang on. She doesn't seem like an attention seeker. | 0:23:22 | 0:23:26 | |
-Super Dad's the real problem. -Why? | 0:23:26 | 0:23:28 | |
Because he's trying to do his best for her on his own? | 0:23:28 | 0:23:31 | |
And overcompensating like crazy. | 0:23:31 | 0:23:33 | |
He's just going to mess her up even more. | 0:23:33 | 0:23:35 | |
Let's just monitor her closely and not rush to judgment. | 0:23:35 | 0:23:40 | |
Fine. I'll go and tell her dad. | 0:23:40 | 0:23:42 | |
I'm sorry about earlier, I didn't mean to intrude, I just... | 0:23:42 | 0:23:46 | |
-If you want to borrow some money, I can... -I'm not a charity case. | 0:23:48 | 0:23:51 | |
There. More girl-fighting. | 0:23:57 | 0:24:00 | |
Some fellas pay good money for that sort of thing, you know. | 0:24:00 | 0:24:03 | |
No, hang on a minute, sweetheart, we just want a bit of information. | 0:24:07 | 0:24:10 | |
You all right, mate? What's happened to you then? | 0:24:10 | 0:24:15 | |
You got a name? You want to tell me your name? | 0:24:15 | 0:24:18 | |
Jade. | 0:24:18 | 0:24:20 | |
Jade. | 0:24:20 | 0:24:22 | |
OK, Jade, do you mind if we have a little look at you? | 0:24:22 | 0:24:25 | |
I'm going to take your shoe off, sweetheart. | 0:24:25 | 0:24:28 | |
Is this where it's hurting you? Don't feel like it's fractured. | 0:24:28 | 0:24:32 | |
No? OK, Jade, do you think you can walk? | 0:24:32 | 0:24:36 | |
Yeah, can you do that? Take your time. | 0:24:36 | 0:24:39 | |
Good girl. | 0:24:39 | 0:24:41 | |
-We got you. Here we go. OK. -Good girl. | 0:24:41 | 0:24:44 | |
Jade? | 0:24:44 | 0:24:45 | |
-Jade, where you going? -No, get him away. | 0:24:45 | 0:24:48 | |
What's happened? Look, I'm her boyfriend. I'm coming too. | 0:24:48 | 0:24:51 | |
-I don't think so. -Jade, tell him! | 0:24:51 | 0:24:53 | |
-Jade? -Listen, mate, do us a favour, will you? | 0:24:53 | 0:24:56 | |
We'll treat your friend at Holby City so if you could just give us some room, that would be great. | 0:24:56 | 0:25:01 | |
Please, what's happened? I just want to know. | 0:25:01 | 0:25:03 | |
Thank you. | 0:25:03 | 0:25:05 | |
What?! Jade, look, just hold on, OK? | 0:25:05 | 0:25:08 | |
Don't worry, you'll be playing your flute again before you know it. | 0:25:08 | 0:25:13 | |
-Hours of practice every day, right? -Yep. | 0:25:16 | 0:25:19 | |
When I was young, a friend of mine was having a party | 0:25:23 | 0:25:28 | |
and I really wanted to go but my dad said I couldn't | 0:25:28 | 0:25:32 | |
because I had a swimming competition the next day. | 0:25:32 | 0:25:36 | |
If he'd had his way, | 0:25:40 | 0:25:42 | |
-I'd be in the pool right now training for London 2012. -Oh! | 0:25:42 | 0:25:45 | |
I did something really stupid and dropped a dumbbell on it. | 0:25:50 | 0:25:54 | |
If you don't want music to be in your life, you need to tell your dad. | 0:25:56 | 0:26:00 | |
-Hiya. -We are jammed over there so cubicle two, please. | 0:26:03 | 0:26:05 | |
OK, this Jade Messenger, 16, she's got a badly twisted ankle. | 0:26:05 | 0:26:09 | |
No obvious fracture but she's not bearing any weight. | 0:26:09 | 0:26:12 | |
No information on the fall. | 0:26:12 | 0:26:14 | |
Didn't get a peep out of her in the ambulance. | 0:26:14 | 0:26:17 | |
-I'd be turning the air blue. -Oh, hello. | 0:26:17 | 0:26:19 | |
You know her? | 0:26:19 | 0:26:20 | |
She was at Mr Jordan's talk this morning. | 0:26:20 | 0:26:23 | |
OK, Jade, I just want to get you to slide over onto the bed for us, sweetheart, all right? | 0:26:25 | 0:26:30 | |
OK, Jade, just wiggle your bum over there, yeah? | 0:26:30 | 0:26:33 | |
Take your time. | 0:26:33 | 0:26:35 | |
Come on, that's it. Good girl. | 0:26:35 | 0:26:39 | |
Lovely, thank you. Can you take the backpack off, please? | 0:26:39 | 0:26:45 | |
Can we borrow this to call home? | 0:26:54 | 0:26:56 | |
-With the little money... -Excuse me, Mr Jordan. | 0:27:06 | 0:27:10 | |
-Yes, sorry. -Teenage girl with an ankle injury. | 0:27:10 | 0:27:14 | |
And thumb-shaped bruises on her wrists, as though she's been held. | 0:27:14 | 0:27:18 | |
Right, I'll call you back. | 0:27:18 | 0:27:21 | |
Scarlett says she was at the school. | 0:27:21 | 0:27:22 | |
Yes I recognise her. What's her name again. | 0:27:22 | 0:27:25 | |
-Jade. -Jade. | 0:27:25 | 0:27:26 | |
Hello again, Jade. | 0:27:26 | 0:27:28 | |
Right, I just want to have a little look. | 0:27:31 | 0:27:33 | |
Just relax for me. Relax, Jade. Everything's fine. | 0:27:38 | 0:27:42 | |
Show me. Yeah. | 0:27:42 | 0:27:47 | |
Let's have a little look at your ankle. | 0:27:47 | 0:27:49 | |
All right, that's not broken. That's a sprain, I think. | 0:27:49 | 0:27:53 | |
But we'll get an X-ray to confirm that. | 0:27:53 | 0:27:56 | |
Can we make her comfortable, please? | 0:27:56 | 0:27:59 | |
Jade, we just want to take a look at your back. | 0:28:00 | 0:28:03 | |
If you just lean towards me. | 0:28:03 | 0:28:06 | |
OK, Jade, thank you very much. | 0:28:09 | 0:28:11 | |
Back you go. | 0:28:11 | 0:28:14 | |
Is there anything else you would like to tell us about what happened today? | 0:28:14 | 0:28:18 | |
It's fine, you can talk to us. | 0:28:18 | 0:28:20 | |
Only, it looks to me like you have been assaulted. | 0:28:22 | 0:28:25 | |
Is that what happened, Jade? | 0:28:26 | 0:28:29 | |
Jade, I know it's very difficult but if that is what's happened, | 0:28:31 | 0:28:36 | |
we have a rape referral centre attached to the hospital | 0:28:36 | 0:28:39 | |
that we can take you to. | 0:28:39 | 0:28:41 | |
The people there are specially trained to help anyone | 0:28:41 | 0:28:45 | |
who's been sexually assaulted or raped. | 0:28:45 | 0:28:48 | |
It is important to have a proper examination there | 0:28:51 | 0:28:56 | |
as soon as possible so they can get evidence. | 0:28:56 | 0:28:59 | |
Can we contact them for you? | 0:29:00 | 0:29:02 | |
No. | 0:29:05 | 0:29:06 | |
Cos I just fell over. | 0:29:08 | 0:29:10 | |
Better? There you go. | 0:29:18 | 0:29:21 | |
-SHE LAUGHS: -Well, that's two extra vodka tonics. | 0:29:21 | 0:29:24 | |
Having an asthma attack is really quite serious, Lisa. | 0:29:24 | 0:29:28 | |
You can't let your inhaler run out again. | 0:29:28 | 0:29:30 | |
Get in touch with your GP and ask for a repeat prescription. | 0:29:30 | 0:29:33 | |
Yeah, I'm sort of between GPs. | 0:29:33 | 0:29:36 | |
You need to manage your asthma properly. | 0:29:36 | 0:29:39 | |
And I suggest you start with smoking? | 0:29:39 | 0:29:42 | |
Yeah, I know, babe, but I need to celebrate giving up smoking. | 0:29:43 | 0:29:48 | |
OK, pick me up at six. | 0:29:48 | 0:29:50 | |
-PHONE RINGS -JJ, I've got good news. | 0:29:50 | 0:29:53 | |
I'm looking for Jade Messenger. I'm her boyfriend. | 0:30:05 | 0:30:08 | |
I need to see her. | 0:30:08 | 0:30:10 | |
OK, if you take a seat, I'll see what I can find out. | 0:30:10 | 0:30:13 | |
Why's she here? | 0:30:18 | 0:30:19 | |
I'm sorry, bro. | 0:30:23 | 0:30:24 | |
Tia told Anton you were talking to that cop at school. | 0:30:24 | 0:30:27 | |
Rippon. He must've sent some crew to give Jade a smack. | 0:30:27 | 0:30:30 | |
-To keep you quiet. -But I never said nothing! | 0:30:30 | 0:30:32 | |
Yeah, I know, but I told you, he's paranoid. | 0:30:32 | 0:30:34 | |
What, and you knew? | 0:30:35 | 0:30:39 | |
No, he told me afterwards. Told me to make sure you kept your mouth shut. | 0:30:39 | 0:30:42 | |
Listen, I'm going to go and smooth things over. | 0:30:42 | 0:30:46 | |
Wait, don't go. | 0:30:46 | 0:30:47 | |
Bro, you need to stay strong for Jade. | 0:30:47 | 0:30:51 | |
Hello, Stevie. | 0:31:06 | 0:31:09 | |
Sorry, I was just telling my...friend. | 0:31:12 | 0:31:15 | |
Go on, send it. What's his name? | 0:31:15 | 0:31:19 | |
Jonas. You won't tell my dad? | 0:31:20 | 0:31:23 | |
No. So is he sporty or sensitive? | 0:31:23 | 0:31:27 | |
He's so good at football | 0:31:28 | 0:31:30 | |
but he does these really cool animations as well. | 0:31:30 | 0:31:33 | |
Alicia, this was sent this morning. | 0:31:38 | 0:31:40 | |
How do you remember getting it? | 0:31:42 | 0:31:44 | |
Alicia, wait. Alicia, just listen to me. | 0:31:46 | 0:31:49 | |
Alicia, it's OK. Alicia, just hold on. | 0:31:49 | 0:31:51 | |
Alicia, wait. Alicia, just relax. | 0:31:51 | 0:31:54 | |
Please, Alicia, wait, what's the matter? | 0:31:54 | 0:31:56 | |
I dropped a dumbbell and you started a fight, didn't you? | 0:32:02 | 0:32:06 | |
I just thought if I hurt my hand then... | 0:32:08 | 0:32:11 | |
Ever since my mum left, all my dad can talk about | 0:32:11 | 0:32:14 | |
is how his girl's going to be famous and travel the world. | 0:32:14 | 0:32:17 | |
Like I'm supposed to make up for her. | 0:32:17 | 0:32:19 | |
Alicia, what you doing out of bed? | 0:32:21 | 0:32:24 | |
I got your these. I thought they might help jog your memory. | 0:32:24 | 0:32:28 | |
It's coming back. | 0:32:28 | 0:32:30 | |
Oh, I'm so relieved. | 0:32:30 | 0:32:32 | |
I don't know what I would do if anything happened to you, I really don't. | 0:32:32 | 0:32:38 | |
Poor Jade. Do you think it was an accident? | 0:32:38 | 0:32:42 | |
Talk to me and I'll get whoever did this to her. | 0:32:44 | 0:32:49 | |
Before they have another go. | 0:32:49 | 0:32:51 | |
Look, I know whoever fired that gun at Jacob didn't mean to hurt him. | 0:32:53 | 0:33:00 | |
It must have been scary, holding it, feeling its weight, | 0:33:00 | 0:33:06 | |
knowing what it could do. | 0:33:06 | 0:33:09 | |
I remember the first time I fired a gun my hand shook | 0:33:10 | 0:33:15 | |
and shook so badly. | 0:33:15 | 0:33:16 | |
And no-one was forcing me to do it. | 0:33:16 | 0:33:19 | |
Stevie! Whoever... | 0:33:19 | 0:33:21 | |
Whoever gave the order to shoot, they are the guilty ones in my book. | 0:33:21 | 0:33:27 | |
I mean, what kind of psychopath orders a shooting in a children's play area? | 0:33:27 | 0:33:32 | |
Stevie... | 0:33:32 | 0:33:35 | |
it was you, wasn't it? | 0:33:35 | 0:33:39 | |
-Excuse me. -You going to let it happen again? | 0:33:39 | 0:33:42 | |
He's a kid and he's upset about his girlfriend. If you think he's done something wrong, | 0:33:42 | 0:33:47 | |
shouldn't you interview him officially with an appropriate adult and legal representation? | 0:33:47 | 0:33:51 | |
I need a slash. | 0:33:51 | 0:33:52 | |
Over there, mate. | 0:33:52 | 0:33:55 | |
What do you think you're doing? | 0:33:55 | 0:33:56 | |
He can't help who his half-brother is but, hey, as far as you lot are concerned, if the face fits... | 0:33:56 | 0:34:01 | |
-Don't finish that sentence! -Why? | 0:34:01 | 0:34:03 | |
He's black and he lives on the Farmead so he must be in a gang, right? | 0:34:03 | 0:34:06 | |
Really? You don't know what I have had to... | 0:34:06 | 0:34:11 | |
-Hey. -Stevie. -Hey! | 0:34:11 | 0:34:13 | |
-Stevie, what you doing? Stevie. -Jade? Jade! -Stevie! -Whoa! | 0:34:16 | 0:34:19 | |
-Scarlett? You OK? -Yeah? -Jade, it's me. | 0:34:19 | 0:34:23 | |
Easy, son, you're not going in there, all right? | 0:34:23 | 0:34:26 | |
-I won't hurt her! -This isn't helping Jade. -I just want to talk... -What's going on? | 0:34:26 | 0:34:30 | |
-He's her boyfriend. -Out! | 0:34:30 | 0:34:33 | |
Scarlett, where is her mother? | 0:34:33 | 0:34:36 | |
-It's OK. -What's wrong with her? | 0:34:36 | 0:34:39 | |
It's just a sprained ankle. Make sure he waits in reception, please. | 0:34:39 | 0:34:44 | |
SHE STRUGGLES FOR BREATH | 0:34:46 | 0:34:49 | |
Just try and breathe more slowly. That's it. | 0:34:51 | 0:34:54 | |
No-one is going to hurt you here. I promise. | 0:34:54 | 0:34:57 | |
SHE CRIES | 0:34:57 | 0:35:00 | |
That's it, that's it. | 0:35:02 | 0:35:05 | |
I want my mum. | 0:35:06 | 0:35:08 | |
Scarlett is getting her. | 0:35:08 | 0:35:11 | |
OK. | 0:35:11 | 0:35:12 | |
OK. | 0:35:15 | 0:35:16 | |
Feeling better? | 0:35:18 | 0:35:20 | |
-I kept telling them no but they just... -I know. | 0:35:26 | 0:35:31 | |
Jade, I wish you would think about talking to a counsellor at the centre. | 0:35:34 | 0:35:38 | |
-Hello, love. -Mum! -So when can she come home? | 0:35:41 | 0:35:48 | |
Probably in a day or two. | 0:35:48 | 0:35:50 | |
Why don't you sit with her? | 0:35:50 | 0:35:53 | |
I'll leave you two to talk. | 0:35:53 | 0:35:55 | |
No, you're all right, you stay. I don't do hospitals, do I, JJ? | 0:35:55 | 0:36:01 | |
Here you are, have a sweetie. | 0:36:03 | 0:36:06 | |
I'll pop back later, bring you a nightie. | 0:36:06 | 0:36:10 | |
-You'll look after her, won't you? -Yes, but... | 0:36:10 | 0:36:14 | |
Sorted. I'll see you later. | 0:36:14 | 0:36:17 | |
Mum! | 0:36:19 | 0:36:20 | |
-Are you OK? -Yeah. | 0:36:30 | 0:36:32 | |
Poor kid. | 0:36:34 | 0:36:36 | |
-She was raped. -Jade? | 0:36:36 | 0:36:40 | |
-Oh, no. -I should have done something to stop him. | 0:36:43 | 0:36:46 | |
Who, Stevie? Because you assumed it was him who did it? | 0:36:46 | 0:36:51 | |
-I saw them arguing at the school this morning. -Well, then, guilty as charged. | 0:36:51 | 0:36:56 | |
OK, I have decided to report it to Superintendent Rippon | 0:37:07 | 0:37:11 | |
and then afterwards I will phone the police doctor myself. | 0:37:11 | 0:37:15 | |
I wish you'd told me you talked to Jade again. | 0:37:15 | 0:37:17 | |
But it's good that she's agreed to report it. | 0:37:17 | 0:37:19 | |
Nick. | 0:37:21 | 0:37:23 | |
She's 16. You know that means we can't tell the police without her consent. | 0:37:25 | 0:37:29 | |
-PHONE RINGS -Which she won't give because she's too traumatised. | 0:37:29 | 0:37:32 | |
As if little Jacob is not bad enough... Shut up! | 0:37:32 | 0:37:36 | |
I'm frustrated too but if you do that you could alienate her. She needs to trust us. | 0:37:36 | 0:37:41 | |
What she needs, Tess, is for someone to stand up and do something. | 0:37:41 | 0:37:44 | |
-PHONE RINGS -We can't just sit her and watch this happen to kids. | 0:37:44 | 0:37:47 | |
-I will take full responsibility. What? What? -It's not your decision. We have to be professional. | 0:37:47 | 0:37:52 | |
Right, we'll be straight round. | 0:37:52 | 0:37:54 | |
-I want to go. Can I have a crutch? -No, no. -It's OK. | 0:37:54 | 0:37:57 | |
Jade, please listen. If you agree to go to the centre and let them take some evidence from you, | 0:37:57 | 0:38:02 | |
it doesn't have to go any further if you don't want it to. | 0:38:02 | 0:38:06 | |
It's still your choice whether you want to pursue it or not. | 0:38:06 | 0:38:09 | |
But if you don't agree because you're scared or confused, | 0:38:09 | 0:38:16 | |
you won't have that choice any more. | 0:38:16 | 0:38:20 | |
We want to help you take control over what happens next. | 0:38:22 | 0:38:28 | |
-Well, only if you come with me then. -OK. | 0:38:34 | 0:38:39 | |
Thank you. | 0:38:42 | 0:38:43 | |
Well done. Well done. | 0:38:45 | 0:38:47 | |
You're certainly making yourself at home. | 0:38:57 | 0:38:59 | |
What's really the matter with Jade? | 0:38:59 | 0:39:02 | |
She's got a sprained ankle. | 0:39:03 | 0:39:05 | |
Jacob and Stevie in here yesterday and Jade today? | 0:39:05 | 0:39:08 | |
I don't do coincidences, Nick, especially not king-sized ones. | 0:39:08 | 0:39:11 | |
So tell me, was she thrown down some stairs? | 0:39:11 | 0:39:14 | |
-Was she run over? Maybe she was just beaten up. -I believe she tripped. | 0:39:14 | 0:39:18 | |
Anton Tait did this to her. | 0:39:18 | 0:39:21 | |
I know it and Stevie knows it. | 0:39:21 | 0:39:24 | |
If she's really badly hurt, I can use that to crack Stevie. | 0:39:24 | 0:39:27 | |
You know I can't break patient confidentiality. | 0:39:27 | 0:39:32 | |
Nick, Stevie is the shooter. | 0:39:32 | 0:39:35 | |
-Are you sure? -Yes, but I just don't have anything on him right now. | 0:39:37 | 0:39:43 | |
I feel like he wants to tell me but he needs a reason. | 0:39:43 | 0:39:47 | |
And that reason is Jade. | 0:39:47 | 0:39:48 | |
-Have you forgotten there's still a live weapon out there? -Of course I haven't. | 0:39:49 | 0:39:53 | |
Then help me! | 0:39:53 | 0:39:54 | |
I'm sorry. | 0:40:00 | 0:40:03 | |
Anything that happens now, it's on you. Are you ready for that? | 0:40:04 | 0:40:10 | |
Jade? | 0:40:25 | 0:40:28 | |
I wish you'd think about telling the police. | 0:40:28 | 0:40:31 | |
I don't want to go back to that bed. | 0:40:31 | 0:40:34 | |
Don't worry, I'll put you in CDU until a room upstairs is free. | 0:40:34 | 0:40:37 | |
Can I just stay with you? | 0:40:37 | 0:40:39 | |
OK, yeah, in my office. | 0:40:41 | 0:40:43 | |
I kept screaming... for them to stop... | 0:40:45 | 0:40:49 | |
but nothing came out. | 0:40:49 | 0:40:52 | |
It was like it wasn't even happening to me. | 0:40:55 | 0:40:59 | |
And when I close my eyes... I can see them. | 0:40:59 | 0:41:05 | |
They didn't say anything, they just kept laughing. Every time. | 0:41:06 | 0:41:13 | |
I'm never going to feel nice again, am I? | 0:41:17 | 0:41:19 | |
Yes, you are. | 0:41:19 | 0:41:21 | |
Come on. | 0:41:25 | 0:41:26 | |
What's this? | 0:41:41 | 0:41:43 | |
Just a small misunderstanding, ma'am. Thank you, sir. | 0:41:43 | 0:41:47 | |
I had some follow-up on the parents. | 0:41:48 | 0:41:50 | |
I'll see you back at the station? | 0:41:50 | 0:41:53 | |
Get something to eat. | 0:41:53 | 0:41:55 | |
You really think he's got something to do with that shooting? | 0:41:58 | 0:42:03 | |
I wish I didn't. Seems like a good kid. | 0:42:03 | 0:42:07 | |
Can I see Jade? | 0:42:13 | 0:42:15 | |
She's had a very traumatic time. | 0:42:17 | 0:42:19 | |
Just wait there a moment. | 0:42:19 | 0:42:21 | |
Excuse me. | 0:42:23 | 0:42:24 | |
-Excuse me, are you a police officer? -Yes. Superintendent Rippon. | 0:42:25 | 0:42:29 | |
This is my daughter, Alicia. She was attacked earlier. | 0:42:29 | 0:42:32 | |
-Can you help me, please? -I think we need to give Alicia a minute. -Can you HELP ME, please? | 0:42:32 | 0:42:36 | |
Yes, sir, of course. If you would like to follow me inside. | 0:42:36 | 0:42:40 | |
Alicia, don't do this. | 0:42:40 | 0:42:42 | |
It's OK, love. Don't worry, it'll be fine, I promise you. | 0:42:42 | 0:42:45 | |
Wait. | 0:42:45 | 0:42:46 | |
Nobody did anything to me. | 0:42:48 | 0:42:51 | |
I started a fight with another girl. I don't want to be a musician. | 0:42:51 | 0:42:56 | |
Thanks, Tom. | 0:42:56 | 0:42:57 | |
-SHE MUTTERS UNDER HER BREATH: -Give me strength. | 0:42:57 | 0:43:01 | |
Dad? | 0:43:01 | 0:43:02 | |
Are you telling me you did this to yourself | 0:43:05 | 0:43:08 | |
because you didn't want to play any more? | 0:43:08 | 0:43:10 | |
Hi, your friend Tia's here. | 0:43:23 | 0:43:26 | |
It's fine, though, if you're not up to it. | 0:43:26 | 0:43:28 | |
Anton says you better not snitch. | 0:43:40 | 0:43:42 | |
I'm having his baby. | 0:43:48 | 0:43:49 | |
But he don't want it. | 0:43:57 | 0:43:59 | |
And he doesn't want me. | 0:44:04 | 0:44:06 | |
I'm sorry. | 0:44:11 | 0:44:13 | |
I'm sorry. | 0:44:15 | 0:44:17 | |
Is everything all right? | 0:44:24 | 0:44:27 | |
Could you get Stevie for me, please? | 0:44:27 | 0:44:29 | |
Are you absolutely sure? | 0:44:29 | 0:44:31 | |
It wasn't him, Tess. | 0:44:31 | 0:44:33 | |
-Tess, I need to talk to him alone. -No. -Please. | 0:44:49 | 0:44:53 | |
I'll be all right. | 0:44:53 | 0:44:54 | |
I'll be right outside. | 0:44:57 | 0:44:59 | |
-Jade, Jade... -Don't. | 0:45:06 | 0:45:08 | |
What's wrong? | 0:45:09 | 0:45:10 | |
It's cos I'm the reason you got hurt. | 0:45:12 | 0:45:15 | |
-They thought I was snitching to that copper. -Stevie... | 0:45:16 | 0:45:19 | |
I'm so sorry. | 0:45:19 | 0:45:21 | |
Everyone's sorry. Just tell. | 0:45:21 | 0:45:25 | |
For you, not me. | 0:45:25 | 0:45:27 | |
I never knew I hit the little kid... not until after. | 0:45:31 | 0:45:36 | |
Do you hate me? | 0:45:43 | 0:45:44 | |
But I don't want to. | 0:45:49 | 0:45:51 | |
I'll hand in the gun, tell them everything, it was all me. | 0:45:51 | 0:45:55 | |
-You'll be all right, yeah? -No. | 0:45:55 | 0:46:00 | |
We never had a choice. | 0:46:00 | 0:46:02 | |
The minute Kris joined that Farmead Crew, | 0:46:02 | 0:46:04 | |
he was never going to let you be any different, was he? | 0:46:04 | 0:46:07 | |
Well, I want it to be different, Stevie. I want a choice. | 0:46:09 | 0:46:13 | |
Start again, somewhere else. | 0:46:14 | 0:46:17 | |
-Look, Anton gave me some money today and... -No! | 0:46:17 | 0:46:21 | |
-I don't want anything off him. -But we can use the money... | 0:46:21 | 0:46:24 | |
I said no. | 0:46:24 | 0:46:25 | |
I've got money. | 0:46:25 | 0:46:27 | |
It's in one of those fake beans tins, second cupboard along. | 0:46:28 | 0:46:33 | |
Are you sure? | 0:46:37 | 0:46:39 | |
OK. | 0:46:41 | 0:46:42 | |
Do you fancy a pint? | 0:46:57 | 0:46:59 | |
Well, maybe a half. | 0:46:59 | 0:47:01 | |
I don't think my dad's ever really forgiven me | 0:47:04 | 0:47:07 | |
for missing one swimming competition. | 0:47:07 | 0:47:09 | |
And I'm still mad at him about it. I only realised today. | 0:47:09 | 0:47:13 | |
So you haven't got a perfect family then? | 0:47:13 | 0:47:17 | |
Definitely not. | 0:47:17 | 0:47:18 | |
We do the whole passive aggressive Middle England thing spectacularly well, though. | 0:47:18 | 0:47:24 | |
That and crass offers to lend people money. | 0:47:24 | 0:47:27 | |
It was a nice thought. I'm made up about your family. | 0:47:27 | 0:47:32 | |
-Does that make me a bad person? -Yep. Come on. | 0:47:32 | 0:47:35 | |
Tess? | 0:47:49 | 0:47:50 | |
Oh, no. We have to find them. | 0:48:04 | 0:48:07 | |
Subtitles by Red Bee Media Ltd | 0:48:26 | 0:48:29 |