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Tonight is important, it means something, Nylon. | 0:00:02 | 0:00:05 | |
When did this all become about looting trainers? | 0:00:05 | 0:00:07 | |
I expect support from you, isn't that how this is supposed to work? | 0:00:07 | 0:00:10 | |
I do support you. | 0:00:10 | 0:00:11 | |
Doesn't sound like it. | 0:00:11 | 0:00:13 | |
Major incident's been declared. | 0:00:13 | 0:00:15 | |
-Back in your cage! -Back in your cage? You racist! | 0:00:15 | 0:00:18 | |
DOG BARKS | 0:00:18 | 0:00:19 | |
CHEERING | 0:00:19 | 0:00:21 | |
Love you, Mummy. | 0:00:21 | 0:00:23 | |
Time of death 22:40. | 0:00:23 | 0:00:26 | |
Argh! | 0:00:27 | 0:00:29 | |
SHOUTING | 0:01:06 | 0:01:09 | |
Extinguishers over here, now! | 0:01:09 | 0:01:12 | |
SCREAMING | 0:01:12 | 0:01:15 | |
-Out the way, out the way! -Stay where you are! | 0:01:15 | 0:01:17 | |
I work at Holby City ED. | 0:01:17 | 0:01:19 | |
-I'm a nurse! -He's good. I've seen him in the hospital. | 0:01:19 | 0:01:22 | |
Don't pull. Leave it, let me. It's OK. | 0:01:23 | 0:01:26 | |
SHE SCREAMS | 0:01:26 | 0:01:28 | |
Help me get the helmet off. Lift it. | 0:01:28 | 0:01:30 | |
OK. We need to get her to hospital now. | 0:01:30 | 0:01:33 | |
This is Bronze Commander Chief Inspector Dean. | 0:01:35 | 0:01:37 | |
He's going to be with us for the duration. | 0:01:37 | 0:01:39 | |
-Evening, all. -Police presence is going to be upped. | 0:01:39 | 0:01:41 | |
We are receiving all the casualties. | 0:01:41 | 0:01:43 | |
-Rioters and police? -Hmm-mm. -I thought we were splitting with St James's? -No, the roads are blocked. | 0:01:43 | 0:01:47 | |
There's been an accident on the Travis roundabout. | 0:01:47 | 0:01:50 | |
So we will receive all of them for now. | 0:01:50 | 0:01:53 | |
Darling, I'm coming home. It's a nightmare here, total chaos. | 0:01:53 | 0:01:56 | |
No, don't, stay where you are. | 0:01:56 | 0:01:57 | |
It's no safer here than outside. I'll be better off with you. | 0:01:57 | 0:02:01 | |
No. No! | 0:02:01 | 0:02:02 | |
Why? What's happened? Mehmet, what is it? | 0:02:02 | 0:02:05 | |
I don't know what to do. What have I done? | 0:02:05 | 0:02:08 | |
Allahim ben ne yaptim? | 0:02:08 | 0:02:10 | |
-Ne yapacagim ben? -Are you OK? | 0:02:10 | 0:02:12 | |
Are you hurt? | 0:02:12 | 0:02:14 | |
I'm fine. | 0:02:16 | 0:02:17 | |
Tell me the truth. I'm not afraid. | 0:02:17 | 0:02:21 | |
The shop's trashed. There was a fight. | 0:02:21 | 0:02:23 | |
I have to wait for the ambulance. Stay put. | 0:02:23 | 0:02:26 | |
I'll come as soon as I can. | 0:02:26 | 0:02:28 | |
It's all going to be OK. | 0:02:30 | 0:02:32 | |
Me...? | 0:02:34 | 0:02:35 | |
Argh. | 0:02:58 | 0:02:59 | |
Ah, ah! | 0:02:59 | 0:03:02 | |
'Emergency Operator, which service, please?' | 0:03:05 | 0:03:08 | |
Police and ambulance. There's been a stabbing. | 0:03:08 | 0:03:12 | |
-'OK, don't worry, we'll get someone to you as soon as possible.' -SHE GROANS | 0:03:12 | 0:03:15 | |
'Hello? You still there?' | 0:03:15 | 0:03:19 | |
SHE WHIMPERS | 0:03:19 | 0:03:21 | |
-'Hello?' -Quick, hurry, she's still alive. | 0:03:21 | 0:03:25 | |
'OK, I need some more details, can you give me your name and address?' | 0:03:25 | 0:03:29 | |
-Any news from Scarlett and Linda? -Not yet, Tess. | 0:03:30 | 0:03:33 | |
-Try again, we need more hands on deck. -Sure. | 0:03:33 | 0:03:34 | |
Pigs! Murderers! | 0:03:34 | 0:03:37 | |
You two, through there now. And you. And, you, outside now. | 0:03:37 | 0:03:40 | |
-You heard what the doctor said. Move it. -Come on, let's go. | 0:03:40 | 0:03:43 | |
-Come on. -Get your hands off me, man. | 0:03:43 | 0:03:45 | |
Sorry, we are struggling for space in here. | 0:03:45 | 0:03:47 | |
You're going to have to wait outside. I'm sorry. | 0:03:47 | 0:03:49 | |
Good call, Charlie. Let's keep hangers-on to a minimum. | 0:03:49 | 0:03:51 | |
No groups, no gangs, no friends. | 0:03:51 | 0:03:53 | |
Right. And the same thing goes for injured police. | 0:03:53 | 0:03:55 | |
I'm sorry, but if we hand them the slightest excuse, | 0:03:55 | 0:03:58 | |
they're going to use it. I've seen it, believe me. | 0:03:58 | 0:04:00 | |
Nick? | 0:04:00 | 0:04:02 | |
Ah, yeah, yeah. Charlie's right. | 0:04:02 | 0:04:03 | |
We need to form a united front, in every way. | 0:04:03 | 0:04:07 | |
PHONE RINGS | 0:04:07 | 0:04:10 | |
'This is Nick Jordan's phone, please leave a message.' | 0:04:10 | 0:04:13 | |
Nick? | 0:04:13 | 0:04:15 | |
SHE GASPS | 0:04:15 | 0:04:16 | |
Nick. | 0:04:16 | 0:04:18 | |
Uh, oh... | 0:04:19 | 0:04:20 | |
Uh... | 0:04:25 | 0:04:27 | |
The ambulance is on its way. | 0:04:32 | 0:04:33 | |
SHE WHIMPERS | 0:04:35 | 0:04:37 | |
# Bilirim sucluyum, kendi ozumde | 0:04:39 | 0:04:43 | |
# Gel desem gelirdin, benim izimde | 0:04:45 | 0:04:49 | |
# Her ne cektiysen, benim yuzumden | 0:04:49 | 0:04:52 | |
# Hata benim, gunah benim Suc benim # | 0:04:52 | 0:04:59 | |
Run, run, police! | 0:04:59 | 0:05:02 | |
Police. Move it, get out of here. | 0:05:02 | 0:05:03 | |
FOOTSTEPS RUNNING | 0:05:29 | 0:05:31 | |
GLASS SMASHES | 0:05:31 | 0:05:33 | |
Hey, slow down. | 0:05:33 | 0:05:34 | |
Hey, wait! Slow down. Where are you going? | 0:05:38 | 0:05:41 | |
It's OK. You're OK. | 0:05:41 | 0:05:43 | |
Did you see what just happened? | 0:05:45 | 0:05:46 | |
Yeah. Well done. She wouldn't have been brought down if you hadn't set it up. | 0:05:46 | 0:05:50 | |
No, I should go back. I might be able to help. | 0:05:50 | 0:05:52 | |
-Are you mad? You'll be arrested. -What? Hang on. | 0:05:52 | 0:05:57 | |
'Hi, Scarlett, Noel here from work. Sorry to bother you on your downtime, | 0:05:57 | 0:06:00 | |
'but with the current situation, we need all the extra staff we can get. | 0:06:00 | 0:06:03 | |
'Tess would really appreciate you coming in to work the shift, | 0:06:03 | 0:06:06 | |
'if you're free. Cheers, love.' | 0:06:06 | 0:06:08 | |
-Trouble? -It's work. They need extra nurses. | 0:06:08 | 0:06:12 | |
The place will be crawling with cops. | 0:06:12 | 0:06:14 | |
You show up there, it's as good as handing yourself in. | 0:06:14 | 0:06:17 | |
There you go. | 0:06:17 | 0:06:19 | |
Right, where's that water? | 0:06:19 | 0:06:22 | |
-They still can't get an ambulance through. -How about the van? | 0:06:22 | 0:06:25 | |
I'm concerned about her airway. | 0:06:25 | 0:06:26 | |
What does it look like? | 0:06:26 | 0:06:29 | |
Hold steady. I'm just going to put this on you, to cool it. | 0:06:29 | 0:06:31 | |
Is it a mess? | 0:06:31 | 0:06:33 | |
It's a riot. | 0:06:35 | 0:06:36 | |
SHE GASPS | 0:06:36 | 0:06:37 | |
One sec. | 0:06:37 | 0:06:39 | |
-Why is she still here? -I was told her family were coming in. | 0:06:46 | 0:06:49 | |
They're not. We haven't been able to contact any of them. | 0:06:49 | 0:06:52 | |
Can you arrange for her to be taken downstairs, please? | 0:06:52 | 0:06:55 | |
SCREAMING | 0:07:03 | 0:07:07 | |
Move out the way. | 0:07:08 | 0:07:09 | |
We're on Edward Parade now. Over. | 0:07:11 | 0:07:15 | |
'Control to 3006, all received. Over.' | 0:07:15 | 0:07:18 | |
Hang on, Dix. Hello, mate, what you doing down there? | 0:07:18 | 0:07:23 | |
Come here. Ohhh. Are you OK? | 0:07:23 | 0:07:26 | |
-'Control to 3006.' -What's your name, son? | 0:07:26 | 0:07:29 | |
-'Update on Edward Parade.' -Where's your mum? | 0:07:29 | 0:07:31 | |
-'Breathing difficulties.' -You on your own? | 0:07:31 | 0:07:33 | |
I'll take him to the ambulance rendezvous, OK? | 0:07:33 | 0:07:35 | |
No, I need you. | 0:07:35 | 0:07:36 | |
OK, listen, mate. I'll let you into a secret. | 0:07:36 | 0:07:39 | |
I'm a superhero, OK? | 0:07:39 | 0:07:40 | |
How about you jump on my back, I'll take you somewhere safe | 0:07:40 | 0:07:43 | |
and I'll get you fixed up? | 0:07:43 | 0:07:45 | |
Deal? | 0:07:45 | 0:07:46 | |
Good boy. Come on. Jump, jump, jump, jump. | 0:07:47 | 0:07:51 | |
OK. To the rescue! | 0:07:51 | 0:07:54 | |
This way, in here. | 0:07:54 | 0:07:56 | |
She can't breathe. At the bottom of the stairs. | 0:07:56 | 0:08:00 | |
-Take care of him for me, will you? He's a superstar. -Jeff! | 0:08:00 | 0:08:03 | |
Hey! Where are you going? | 0:08:04 | 0:08:07 | |
-Get after him. -He's a little thief. I caught him red-handed earlier. | 0:08:07 | 0:08:11 | |
Jeffrey! Now! | 0:08:11 | 0:08:12 | |
OK, sweetheart. My name's Dixie, I'm a paramedic. | 0:08:14 | 0:08:18 | |
We're going to sort you out, OK? | 0:08:18 | 0:08:21 | |
It's Jordan's friend. | 0:08:21 | 0:08:23 | |
Superintendent Rippon, isn't it? | 0:08:23 | 0:08:26 | |
-Ah! -She's got a sucking chest wound. -OK, three-sided dressing on this. | 0:08:26 | 0:08:31 | |
Have you any idea who did this? | 0:08:31 | 0:08:33 | |
He's upstairs. I hit him with a baseball bat. | 0:08:33 | 0:08:37 | |
-I didn't mean it. -OK, mate. -I didn't know what I was doing. | 0:08:37 | 0:08:40 | |
-I'm sure you did all you could. -Didn't think. | 0:08:40 | 0:08:42 | |
Sit down for me. Take it nice and easy. Deep breaths. | 0:08:42 | 0:08:45 | |
-I'm going to go and have a look, mate. -OK. | 0:08:45 | 0:08:48 | |
We're going to need another crew. | 0:08:48 | 0:08:49 | |
All right, darling. | 0:08:51 | 0:08:53 | |
SHOUTING AND SIRENS | 0:08:53 | 0:08:55 | |
I'm sorry. Please don't arrest me. | 0:09:02 | 0:09:06 | |
Let's get that seen to, shall we? | 0:09:09 | 0:09:11 | |
PHONE RINGS | 0:09:18 | 0:09:20 | |
Answer it, then. ..Holby City ED. | 0:09:20 | 0:09:23 | |
'Nick Jordan. Hello? | 0:09:23 | 0:09:26 | |
'Holby ED?' | 0:09:27 | 0:09:29 | |
Hello, this is 3006, we're going to be heading in | 0:09:29 | 0:09:32 | |
with a female police officer with severe upper chest stab wound. | 0:09:32 | 0:09:36 | |
-Right. -She's also got a blow to her head from a fall. -Name? | 0:09:36 | 0:09:38 | |
The major stab wound is on the left-hand side. | 0:09:38 | 0:09:41 | |
Do we know have a name? | 0:09:41 | 0:09:43 | |
The major stab wound is on the left-hand side. | 0:09:43 | 0:09:45 | |
We're concerned about her airway. | 0:09:45 | 0:09:47 | |
We'd like to request a pre-hospital doctor. | 0:09:47 | 0:09:49 | |
-What's her name? -We've boarded and collared her, | 0:09:49 | 0:09:51 | |
we want to take her to the ambulance rendezvous. | 0:09:51 | 0:09:53 | |
Dixie, who is it? Tell me her name. | 0:09:53 | 0:09:56 | |
It's Superintendent Rippon. | 0:09:57 | 0:09:59 | |
OK. | 0:10:01 | 0:10:03 | |
Don't move her. I'm going to come out myself. | 0:10:03 | 0:10:05 | |
What's happened? | 0:10:05 | 0:10:07 | |
Can you get me a bike immediately, please? Mind. | 0:10:07 | 0:10:09 | |
Who is it? Nick, who is it? | 0:10:09 | 0:10:11 | |
-Is it Yvonne? -I'm going to go out there. | 0:10:13 | 0:10:16 | |
-Are you sure you're the right person to be doing this? -You're in charge now, Zoe. | 0:10:16 | 0:10:20 | |
'You have one new message. | 0:10:20 | 0:10:23 | |
'To listen to the message press 1, to save the message press 2, | 0:10:23 | 0:10:26 | |
'to delete the message...' | 0:10:26 | 0:10:27 | |
HEAVY BREATHING | 0:10:29 | 0:10:32 | |
-'Nick.' -BEEP | 0:10:32 | 0:10:34 | |
OK, go. | 0:10:39 | 0:10:41 | |
Few changes. I'm in charge of the shop floor for the rest of the night. | 0:10:41 | 0:10:44 | |
-Where's Nick? -He's gone out to support things pre-hospital. | 0:10:44 | 0:10:47 | |
Dylan, you stay in Resus. | 0:10:47 | 0:10:48 | |
Sam, let's relieve you on Triage and put you on P3. | 0:10:48 | 0:10:51 | |
-Tom, you OK to take over and swap? Do Triage with Tess? -Yup. | 0:10:51 | 0:10:55 | |
That's all for now. | 0:10:55 | 0:10:56 | |
You'll be all right without me. Just stay behind the doctors. | 0:10:58 | 0:11:01 | |
Pigs. Stop and search me. Come on, do your stuff. | 0:11:04 | 0:11:07 | |
Mind your backs, guys. | 0:11:07 | 0:11:09 | |
All right. Here you go. | 0:11:11 | 0:11:12 | |
Let's get her in. Give us some space. | 0:11:12 | 0:11:16 | |
-Right, come on, coming through. -She's in a bad way! | 0:11:16 | 0:11:19 | |
Yo, brother, where you going? Whose side you on? | 0:11:20 | 0:11:23 | |
-I'm a nurse, I'm on no-one's side! -Get your hands off him. | 0:11:23 | 0:11:25 | |
-Don't touch me! -Oi, back off. | 0:11:25 | 0:11:27 | |
Yous is the criminals of today. | 0:11:27 | 0:11:29 | |
Yous is the ones who shot an innocent man dead. | 0:11:29 | 0:11:31 | |
She got hurt trying to keep the peace. | 0:11:31 | 0:11:34 | |
She got her face burnt off trying to protect your community. | 0:11:34 | 0:11:37 | |
LAUGHTER | 0:11:37 | 0:11:40 | |
-No, no, no. -Enough, enough. | 0:11:40 | 0:11:42 | |
-Leave it, leave it, leave it. -Inside now. | 0:11:42 | 0:11:43 | |
Calm down. | 0:11:43 | 0:11:46 | |
-How is she? -The stab wound was on the left side of the chest. | 0:11:46 | 0:11:49 | |
She's also got a head injury, she's becoming hypotensive | 0:11:49 | 0:11:51 | |
and tachycardic. Pulse is 120, BP 100/60. | 0:11:51 | 0:11:56 | |
-She's going to need an RSI. -Honestly, Superintendent Rippon, | 0:11:56 | 0:11:59 | |
-you can't stay out of trouble for more than a minute, can you? -Nick? | 0:11:59 | 0:12:02 | |
I tried to call you. | 0:12:02 | 0:12:05 | |
I know, I know. I'm sorry about earlier. | 0:12:05 | 0:12:09 | |
-Me too. -Let's have a look. | 0:12:09 | 0:12:11 | |
Tell me what you can feel, where it hurts. | 0:12:11 | 0:12:13 | |
-I can't move. -Hmm. -I can't feel my leg. | 0:12:13 | 0:12:17 | |
Like pins and needles. | 0:12:17 | 0:12:19 | |
Ah. | 0:12:19 | 0:12:20 | |
All right, all right, all right. | 0:12:20 | 0:12:22 | |
Shh-shh-shh. We're going to get you back to the hospital. | 0:12:22 | 0:12:25 | |
Everything's going to be fine, OK? | 0:12:25 | 0:12:27 | |
Let's go, OK. Thank you, Jeff. | 0:12:27 | 0:12:29 | |
3006 to Control. We've just loaded Superintendent Rippon into the ambulance. | 0:12:34 | 0:12:37 | |
Can you advise us to the safest route in, please? Over. | 0:12:37 | 0:12:40 | |
'Control to 3006. Holt Road going through to Brockwell's clear. | 0:12:40 | 0:12:46 | |
'Avoid Gamston. Over.' | 0:12:46 | 0:12:48 | |
OK, cheers. | 0:12:48 | 0:12:50 | |
PHONE BEEPS | 0:12:50 | 0:12:52 | |
Let's get the gel pad on, please. | 0:12:52 | 0:12:54 | |
-Do you want to intubate? -She's still managing her airway pretty well. | 0:12:54 | 0:12:57 | |
There's nasal singeing, but no carbonaceous sputum. | 0:12:57 | 0:13:00 | |
No stridor or wheezing. Let's start her on the high flow oxygen. | 0:13:00 | 0:13:03 | |
SHE GROANS | 0:13:03 | 0:13:05 | |
That's mine. | 0:13:05 | 0:13:06 | |
I'd never have guessed. | 0:13:06 | 0:13:08 | |
Are you OK to support her until the family get here? | 0:13:08 | 0:13:12 | |
Yeah. | 0:13:14 | 0:13:15 | |
If I hadn't persuaded her to come up front, it wouldn't have happened. | 0:13:20 | 0:13:23 | |
-She knew the risks. -It was her first riot. | 0:13:23 | 0:13:26 | |
I thought she'd be good with the crowd. What with her being... | 0:13:27 | 0:13:30 | |
You know... | 0:13:30 | 0:13:31 | |
No. What? | 0:13:31 | 0:13:32 | |
Get yourself a cup of tea. | 0:13:34 | 0:13:35 | |
Give us a chance to dress the burns. Then, when you're ready, | 0:13:35 | 0:13:39 | |
I'll take you back through. Looks like she'll be needing a friend. | 0:13:39 | 0:13:43 | |
Why aren't the lights working? Jeff, there's no lights. | 0:13:45 | 0:13:48 | |
-No, rioters broke it earlier. -Yeah, I got this cut chasing them out. | 0:13:48 | 0:13:52 | |
SHOUTING | 0:13:52 | 0:13:54 | |
Oh, come on. | 0:13:54 | 0:13:57 | |
-What's up? -I can't drive through this. This is madness. | 0:13:59 | 0:14:02 | |
There's police in there! | 0:14:05 | 0:14:07 | |
What's going on? | 0:14:08 | 0:14:10 | |
OK. Sit tight, sit tight. | 0:14:11 | 0:14:13 | |
There's police in there! | 0:14:15 | 0:14:17 | |
What you playing at? | 0:14:19 | 0:14:22 | |
There's one on the roof. On the roof! | 0:14:23 | 0:14:26 | |
Come out here and stun me. Come on! There's police in there! | 0:14:26 | 0:14:30 | |
Come on, let's get them. Come on! | 0:14:30 | 0:14:33 | |
You're all right. I'm here. | 0:14:33 | 0:14:36 | |
Come out here and show us your face! | 0:14:37 | 0:14:40 | |
SHE BREATHES HEAVILY | 0:14:40 | 0:14:42 | |
It's all right. It's all right. We'll be on the move soon. | 0:14:42 | 0:14:46 | |
-Tess. -Oh, you made it. That's fantastic. | 0:14:49 | 0:14:51 | |
How did you manage with the kids? | 0:14:51 | 0:14:53 | |
They've promised they'll be really good. | 0:14:53 | 0:14:56 | |
Isn't it past your bedtime? Staff room, now. | 0:14:56 | 0:15:00 | |
Second cupboard, bottom shelf, | 0:15:00 | 0:15:01 | |
-help yourselves to my biscuits, and my chocolate milk. -Thanks. | 0:15:01 | 0:15:04 | |
Come on, you two. | 0:15:04 | 0:15:06 | |
We are overrun with minor injuries. | 0:15:06 | 0:15:08 | |
-So can I leave you to head up cubicles? -Yep, course. | 0:15:08 | 0:15:11 | |
Just one more. You ready? | 0:15:11 | 0:15:13 | |
Squeeze my finger. That's it! Go on, squeeze tight. | 0:15:13 | 0:15:16 | |
-Ah. -Ahh. Good boy. -Brilliant. Well done. | 0:15:16 | 0:15:22 | |
Now, if you tell me what your name is, | 0:15:22 | 0:15:24 | |
I can have an extra big sticker made especially for you. | 0:15:24 | 0:15:29 | |
RADIO CHATTER | 0:15:31 | 0:15:33 | |
Let's clean you up a bit. | 0:15:33 | 0:15:35 | |
No? Fair enough. OK, I'll sort this stuff out. | 0:15:35 | 0:15:38 | |
Er, Nico? Huh? | 0:15:43 | 0:15:48 | |
Ha-ha-ha-ha. Right, now, are you six? | 0:15:48 | 0:15:52 | |
Huh? Is your birthday the 7th July? | 0:15:52 | 0:15:57 | |
Ah-ha-ha. There we go. | 0:15:57 | 0:16:00 | |
How'd you do that? | 0:16:03 | 0:16:05 | |
Magic. | 0:16:05 | 0:16:06 | |
Nico. 776. | 0:16:06 | 0:16:10 | |
Mehmet! I knew there was something you weren't telling me. | 0:16:16 | 0:16:20 | |
What are you doing here? | 0:16:20 | 0:16:21 | |
This is everything we have. | 0:16:23 | 0:16:24 | |
Patient has regained consciousness, but is confused. | 0:16:27 | 0:16:29 | |
His ID confirms him as Neil Johns. Over. | 0:16:29 | 0:16:32 | |
I'm sorry, this is a crime scene. There's no access, sorry. | 0:16:33 | 0:16:38 | |
-Senden birsey isteyecegim. -Ne? | 0:16:48 | 0:16:51 | |
Sadece dedigimi yap. Soru soma. | 0:16:51 | 0:16:54 | |
My wife's pregnant. She's going to come with me to the hospital, | 0:16:57 | 0:17:00 | |
but she needs to get her medication first. | 0:17:00 | 0:17:03 | |
Can you talk to your colleagues? See they let her go in. | 0:17:03 | 0:17:05 | |
SHOUTING AND SIRENS | 0:17:08 | 0:17:11 | |
Get back! | 0:17:17 | 0:17:20 | |
Back off! Move! | 0:17:20 | 0:17:22 | |
Ah. All right, we'll be on the move soon. | 0:17:22 | 0:17:25 | |
THUD | 0:17:25 | 0:17:27 | |
LOUD HAILER: Move forward! | 0:17:29 | 0:17:31 | |
Forward! | 0:17:31 | 0:17:33 | |
Come on. | 0:17:40 | 0:17:41 | |
This is wicked. | 0:17:46 | 0:17:48 | |
Retire! Retire! | 0:17:48 | 0:17:50 | |
What they doing? | 0:17:52 | 0:17:53 | |
Watch this. They're going to try and clear us all out now. | 0:17:53 | 0:17:56 | |
THUD | 0:17:56 | 0:17:58 | |
SHE GASPS AND GROANS | 0:18:00 | 0:18:02 | |
Clear the area immediately! | 0:18:02 | 0:18:05 | |
Here they come. | 0:18:05 | 0:18:07 | |
Clear the area immediately or force will be used! | 0:18:07 | 0:18:12 | |
Clear the area immediately or force will be used! | 0:18:13 | 0:18:19 | |
-OK, we're off. -OK, we're going. | 0:18:23 | 0:18:24 | |
We're through. We're on the move. Won't be long now. | 0:18:24 | 0:18:27 | |
-Awesome. -Clint! -Sick. | 0:18:36 | 0:18:38 | |
Clint, JJ got hurt really bad. There's a lot of blood. | 0:18:38 | 0:18:40 | |
-Where is he? -Back at yours. Didn't know where else to go. | 0:18:40 | 0:18:44 | |
-Why not the hospital? -He wouldn't. The police are after him. | 0:18:44 | 0:18:48 | |
-You're a nurse. She's a nurse. -Wicked. | 0:18:48 | 0:18:50 | |
No, no, I'm not experienced enough. | 0:18:50 | 0:18:52 | |
-Well, make do. -I can't. -Please, you're going to have to. | 0:18:52 | 0:18:55 | |
Come on. | 0:18:55 | 0:18:56 | |
-Nick, I'm losing her pulse. -This is either a tamponade or a tension pneumothorax. | 0:18:56 | 0:19:00 | |
Get me some more analgesia, please, Dixie. | 0:19:00 | 0:19:02 | |
It's so cold. It's cold. | 0:19:02 | 0:19:05 | |
Yvonne, look at me, love. Look at me. | 0:19:05 | 0:19:08 | |
Open your eyes, talk to me. Tell me what happened at the shop. | 0:19:08 | 0:19:11 | |
-Tell me what you can remember. -I went in. | 0:19:11 | 0:19:14 | |
-After the kid. -Hmm? | 0:19:14 | 0:19:16 | |
I went in after the kid. | 0:19:16 | 0:19:20 | |
-He ran. -He ran, did he? -Yeah. | 0:19:20 | 0:19:22 | |
-Yeah. -I stood there. -OK. | 0:19:22 | 0:19:26 | |
-Yvonne, Yvonne. -Yeah, I stood there. | 0:19:28 | 0:19:30 | |
Yeah, good breath sounds. | 0:19:30 | 0:19:34 | |
JVP's up, so it's not a pneumothorax, it's a tamponade. | 0:19:34 | 0:19:37 | |
If we don't drain it, she's going to arrest. | 0:19:37 | 0:19:39 | |
-Huh? -Nothing, nothing. You're doing really well. Keep talking. | 0:19:39 | 0:19:43 | |
You could try a thoracotomy. | 0:19:43 | 0:19:45 | |
-(No, it's too risky.) -I stood there for a moment. -Mmm. | 0:19:45 | 0:19:48 | |
The place was a mess. | 0:19:48 | 0:19:50 | |
I heard a thud upstairs. Someone fell. It went quiet. | 0:19:50 | 0:19:56 | |
I went up the stairs. | 0:19:56 | 0:19:58 | |
I know...I know the shopkeeper, he's a good man. | 0:19:58 | 0:20:02 | |
Quick as you can, please, love. | 0:20:02 | 0:20:05 | |
Thank you so much. Got them. | 0:20:28 | 0:20:31 | |
I can barely feel a pulse. | 0:20:36 | 0:20:37 | |
Stay with me, Yvonne. | 0:20:37 | 0:20:40 | |
I'm so tired. | 0:20:40 | 0:20:42 | |
I love you. | 0:20:42 | 0:20:43 | |
BEEPING | 0:20:45 | 0:20:47 | |
-She's gone. -She's arrested. | 0:20:47 | 0:20:49 | |
Jeff, how long we going to be? | 0:20:49 | 0:20:51 | |
Pushing it to make it in under ten minutes, to be honest. | 0:20:51 | 0:20:54 | |
Come on, come on, Yvonne. | 0:20:54 | 0:20:57 | |
I can't wait any longer, Dixie, I've got to drain it. | 0:21:16 | 0:21:18 | |
-Jeff. -Yeah. -Slow down for us, will you, please? | 0:21:18 | 0:21:21 | |
-We're going to do it now. -OK. | 0:21:21 | 0:21:22 | |
-Call the ED and update them. -OK. -What do you want me to do? | 0:21:22 | 0:21:25 | |
You intubate, but very, very carefully. | 0:21:25 | 0:21:28 | |
-Get her on the ventilator, suction and stand by. -OK. | 0:21:28 | 0:21:32 | |
Come on. Come on. Come on. | 0:21:32 | 0:21:35 | |
'He wasn't a bad man and he did his time for it. | 0:21:38 | 0:21:42 | |
'Then the day he comes out, he gets shot by the police in his own home. | 0:21:42 | 0:21:46 | |
'What you've seen tonight is a response | 0:21:46 | 0:21:48 | |
'to the injustice that led to Wesley's death. | 0:21:48 | 0:21:50 | |
'We've all been pushed around by the police for too long. | 0:21:50 | 0:21:54 | |
'Tonight, people pushed back. | 0:21:54 | 0:21:57 | |
'Thank you. Thank you very much. | 0:21:58 | 0:22:01 | |
'Chaos and disorder is continuing on...' | 0:22:01 | 0:22:04 | |
Right, let's pop in here for a minute. There we go. | 0:22:04 | 0:22:07 | |
Erm, guys, this is Nico. | 0:22:07 | 0:22:09 | |
He got a bit lost in the riot and we're looking after him | 0:22:09 | 0:22:12 | |
until we can, well, till we can find his parents. | 0:22:12 | 0:22:14 | |
-Do you think you could keep an eye on him for me? -Yeah. | 0:22:14 | 0:22:17 | |
You were out there? | 0:22:17 | 0:22:19 | |
'..causing thousands of pounds worth of...' | 0:22:21 | 0:22:23 | |
Hello, I'm Britney and this is my brother Joe. | 0:22:23 | 0:22:26 | |
-Don't worry, he'll be fine. -Smashing. Hungry? -Yeah. | 0:22:26 | 0:22:31 | |
I'll sort something and I'll be back in a tick. OK? | 0:22:31 | 0:22:35 | |
Come sit with us. | 0:22:35 | 0:22:37 | |
-Oi, I was watching that. -Hey. | 0:22:40 | 0:22:41 | |
Was it scary out there? | 0:22:41 | 0:22:44 | |
Come here. | 0:22:46 | 0:22:48 | |
'3006 to Holby ED. I'll give you an ETA when we're moving again. Over.' | 0:22:51 | 0:22:56 | |
-Quick as you can, Dixie. -OK. | 0:22:56 | 0:22:57 | |
-Jeff, we're almost there, get ready to pull over. -OK. | 0:22:57 | 0:23:01 | |
-Here you go. -Excellent. | 0:23:01 | 0:23:02 | |
-You ready to take over? -Yeah, OK. Got it. | 0:23:05 | 0:23:08 | |
HE EXHALES | 0:23:08 | 0:23:11 | |
You can do this. | 0:23:11 | 0:23:12 | |
Forgive me. | 0:23:13 | 0:23:16 | |
Swab. | 0:23:17 | 0:23:18 | |
Ah... | 0:23:18 | 0:23:19 | |
This way. | 0:23:20 | 0:23:22 | |
Who's that in there? | 0:23:23 | 0:23:26 | |
-It's just my dad. -Is he all right with all this? | 0:23:26 | 0:23:28 | |
We give each other space. Come on. | 0:23:28 | 0:23:30 | |
This is my pad. | 0:23:31 | 0:23:33 | |
-Is this the nurse? -Yeah. -You better be good. | 0:23:35 | 0:23:38 | |
-Freak out man. Freak out. -No, no, keep the pressure on. | 0:23:40 | 0:23:44 | |
I'm ready. Do your thing. | 0:23:44 | 0:23:46 | |
-No, no, you need to go to hospital. -No way. I'll be arrested. I got this on the run from the police. | 0:23:46 | 0:23:51 | |
-You need stitching. I haven't got any kit. -There must be something you can do. | 0:23:51 | 0:23:54 | |
I need cleaning up before I pick my son up from his mum or she won't let me take him. | 0:23:54 | 0:23:58 | |
-Stop the bleeding, man. -Try. At least give it a go! | 0:23:58 | 0:24:01 | |
OK, OK. Er, get me soap, hot water, clean towels. Go. | 0:24:01 | 0:24:06 | |
Pull back the ribs further, Dixie. That's it, that's it. Bit more. | 0:24:08 | 0:24:12 | |
OK. Some suction on there. | 0:24:12 | 0:24:14 | |
Can't see a thing. | 0:24:19 | 0:24:22 | |
OK, the blade's missed the heart. Good. | 0:24:23 | 0:24:25 | |
Ah. The bleed's coming from the pericardiophrenic vein. I'll clip that. | 0:24:25 | 0:24:29 | |
Good, good. | 0:24:32 | 0:24:34 | |
OK, the bleed's stopped. | 0:24:34 | 0:24:35 | |
Come on, come on, come on, beat. | 0:24:35 | 0:24:38 | |
Come on. | 0:24:38 | 0:24:40 | |
Massage? | 0:24:41 | 0:24:43 | |
Oh, come on. | 0:24:49 | 0:24:51 | |
Come on. Come on, Yvonne. | 0:24:53 | 0:24:57 | |
Come on, Yvonne, beat for me. Beat for me. | 0:24:58 | 0:25:02 | |
That's got it, that's got it. We're there. Well done. | 0:25:05 | 0:25:08 | |
Get some swabs on there and some saline. Let's go, Jeff. | 0:25:08 | 0:25:11 | |
SIREN BLARES | 0:25:12 | 0:25:15 | |
Sam? This is Neil Johns. Head and ankle injury. | 0:25:15 | 0:25:18 | |
He's refused spinal care. His GCS and BP's normal. | 0:25:18 | 0:25:21 | |
OK, cubicle three. He needs a CT. | 0:25:21 | 0:25:22 | |
OK. | 0:25:22 | 0:25:24 | |
Sam, this is Mehmet Aslan. | 0:25:24 | 0:25:26 | |
He's had 5mg of morphine for one deep incised wound, | 0:25:26 | 0:25:28 | |
and the police need to get a statement from him. | 0:25:28 | 0:25:30 | |
Hello. | 0:25:30 | 0:25:31 | |
-He's a possible witness to the attack on Superintendent Rippon. -Ah. | 0:25:31 | 0:25:35 | |
Can we give him some time? | 0:25:35 | 0:25:36 | |
Can we at least get his wound seen to before we start the questions? | 0:25:36 | 0:25:39 | |
Of course. Go get yourself a cup of tea. | 0:25:39 | 0:25:41 | |
Give me a minute to get him comfortable. | 0:25:41 | 0:25:43 | |
Hop on the bed for me, please. | 0:25:43 | 0:25:45 | |
OK, Tess, if you could help him out of his shirt | 0:25:46 | 0:25:48 | |
so I have easier access to the arm, please. Back in a moment. | 0:25:48 | 0:25:52 | |
< Tess, you got a minute? | 0:25:52 | 0:25:54 | |
Yeah. One sec. | 0:25:54 | 0:25:55 | |
What really happened in the shop? | 0:25:57 | 0:25:59 | |
I can find out, easily. | 0:25:59 | 0:26:02 | |
Throw them away. | 0:26:03 | 0:26:05 | |
I'm your wife. How can I help if you won't talk to me? | 0:26:08 | 0:26:12 | |
Destroy them. That's how you can help. | 0:26:12 | 0:26:15 | |
It's a deep cut to the forearm. | 0:26:15 | 0:26:17 | |
OK, let's get you out of that top. | 0:26:19 | 0:26:23 | |
She arrested en route so I performed a thoracotomy, | 0:26:24 | 0:26:26 | |
relieved the tamponade. The bleeding was coming from | 0:26:26 | 0:26:29 | |
the pericardiophrenic vein, which I've clipped. | 0:26:29 | 0:26:32 | |
Spontaneous circulation returned after a short period | 0:26:32 | 0:26:35 | |
of internal cardiac massage. She's also got a head injury | 0:26:35 | 0:26:37 | |
and likely cervical spine damage. | 0:26:37 | 0:26:39 | |
OK, let's call anaesthetics. | 0:26:39 | 0:26:42 | |
Trauma scan, please. Get the spinal team. | 0:26:42 | 0:26:44 | |
Get some screens over here. | 0:26:44 | 0:26:45 | |
I'll repeat the primary survey. Can we get another line in, please? | 0:26:45 | 0:26:48 | |
Get bloods and blood gases. We want eight units. Cross-match another two of O-neg. | 0:26:48 | 0:26:53 | |
Porters are on standby to transfer to CT. | 0:26:53 | 0:26:55 | |
OK, let's get her stabilized and into the scanner ASAP. | 0:26:55 | 0:26:57 | |
Come on, she needs to get to theatre. I want the surgeons down here now. | 0:26:57 | 0:27:00 | |
-Have you made the call? -First we need to see if she has any other injuries | 0:27:00 | 0:27:04 | |
-and if they need intervention. -Call! I want a surgeon now. | 0:27:04 | 0:27:06 | |
Nick. You've done an amazing job but I need you to trust me now. | 0:27:06 | 0:27:10 | |
Zoe, I brought her back. I'm going to stay with her. | 0:27:10 | 0:27:12 | |
You're not her doctor now. She's not your patient. She's your partner. | 0:27:12 | 0:27:16 | |
I really think you should wait outside now. | 0:27:16 | 0:27:19 | |
-Do you want the cross-matched blood sent to theatre? -No - to the scanner, please. | 0:27:19 | 0:27:23 | |
Can somebody put a catheter in before she goes up? | 0:27:23 | 0:27:25 | |
You've done everything you could. | 0:27:25 | 0:27:28 | |
Mr Jordan, come on. Let's get you all cleaned up, eh? | 0:27:28 | 0:27:31 | |
-CHILDREN SING ALONG WITH MUSIC -# Everything's gonna be all right | 0:27:39 | 0:27:42 | |
# Everything's gonna be all right... # | 0:27:42 | 0:27:44 | |
Pizza delivery service! | 0:27:46 | 0:27:48 | |
-There you go. -Thank you. | 0:27:50 | 0:27:52 | |
I'm so sorry. I'll get them to tidy this up. | 0:27:52 | 0:27:55 | |
You're all right. | 0:27:55 | 0:27:56 | |
-Social Services aren't going to be here any time soon. -Are you sure? | 0:27:56 | 0:28:00 | |
Yeah, and besides, you're doing a grand job. | 0:28:00 | 0:28:03 | |
Apple don't fall far from the tree. They've got a good role model. Hm? | 0:28:03 | 0:28:07 | |
You have an undisplaced fracture. | 0:28:16 | 0:28:17 | |
It will need to be in plaster for a while. | 0:28:17 | 0:28:19 | |
Please, take these off. | 0:28:19 | 0:28:21 | |
Police procedure, I'm afraid. | 0:28:21 | 0:28:22 | |
But if it's upping the pain in any way, I could argue a case. | 0:28:22 | 0:28:25 | |
Please, just take them off! | 0:28:25 | 0:28:27 | |
< They stay on. | 0:28:27 | 0:28:28 | |
This is Neil Johns. | 0:28:28 | 0:28:29 | |
Yes, I know who he is, Sam. | 0:28:29 | 0:28:31 | |
He was injured in the same shop Superintendent Rippon was found in. | 0:28:31 | 0:28:34 | |
He's sustained a fracture to the ankle and a minor head injury, | 0:28:34 | 0:28:36 | |
with a normal CT. | 0:28:36 | 0:28:37 | |
The woman that you stabbed and pushed down the stairs | 0:28:41 | 0:28:43 | |
is currently in my resus, fighting for her life. | 0:28:43 | 0:28:46 | |
-I didn't do it! -Shut up and tell me what happened. -It wasn't me! | 0:28:46 | 0:28:48 | |
-Did you see how she fell? How was she when she landed? -Mr Jordan. | 0:28:48 | 0:28:52 | |
-Can I have a word? -Yvonne has a spinal injury. If we know how she landed, | 0:28:52 | 0:28:55 | |
-we might have some idea of the damage that you've done. -I was out of it. | 0:28:55 | 0:28:58 | |
-Now, tell me. -There's no way it could have been me! -Did you kick her? | 0:28:58 | 0:29:01 | |
Did she land on her back or on her front? Tell me! | 0:29:01 | 0:29:04 | |
-Answer me. -Get him away from me! | 0:29:04 | 0:29:06 | |
-Answer me. -Mr Jordan... -Get him away. -Let me complete his treatment. He's in no fit state to talk. | 0:29:06 | 0:29:10 | |
You'll pay for this! | 0:29:10 | 0:29:12 | |
-She's having a CT scan. We'll get the results soon. -I want to ring Mum. | 0:29:12 | 0:29:15 | |
-It's OK. -I want to ring my mum now! | 0:29:15 | 0:29:17 | |
I'll sort that out for you. OK? Just try and stay calm. | 0:29:17 | 0:29:20 | |
HE SOBS | 0:29:20 | 0:29:22 | |
Thank you very much. Cheers. MOBILE RINGS | 0:29:23 | 0:29:25 | |
Nylon! Get out here. Where are you? You're missing it all. | 0:29:25 | 0:29:28 | |
'I'm in hospital.' | 0:29:28 | 0:29:30 | |
What? | 0:29:30 | 0:29:31 | |
I'm OK. The police won't let me go. | 0:29:32 | 0:29:34 | |
-What did you do? -'Nothing. I've been framed.' | 0:29:34 | 0:29:37 | |
What for? | 0:29:37 | 0:29:38 | |
They said I stabbed that policewoman. | 0:29:38 | 0:29:40 | |
'The skinny one. The one you know. Can you come? Please.' | 0:29:40 | 0:29:43 | |
It's Wesley's night. I'm out here for Wesley. | 0:29:43 | 0:29:47 | |
Mum, he's gone. Wesley's dead. | 0:29:47 | 0:29:50 | |
I'm here. I'm the one that needs help. | 0:29:50 | 0:29:53 | |
They've arrested me! | 0:29:53 | 0:29:55 | |
Can you come, please? | 0:29:55 | 0:29:56 | |
I've got my son on the line. Film this. | 0:30:01 | 0:30:03 | |
Tell the camera, sweetheart, what's happened. | 0:30:03 | 0:30:06 | |
'Let's not hide what's going on.' | 0:30:06 | 0:30:08 | |
Let's go public! | 0:30:08 | 0:30:10 | |
They've got my son now. This isn't over. | 0:30:10 | 0:30:12 | |
'This has just begun! Come over here. Come on.' | 0:30:12 | 0:30:15 | |
Nylon. | 0:30:15 | 0:30:17 | |
'Nylon.' HANG-UP TONE | 0:30:18 | 0:30:20 | |
This is for painkillers. You need to pop in to see the nurse | 0:30:21 | 0:30:23 | |
at your local GP's to have the dressing changed. | 0:30:23 | 0:30:26 | |
-Any idea what's going on out there? -It's settling down now. | 0:30:26 | 0:30:28 | |
Shame. It was wild. | 0:30:28 | 0:30:31 | |
We gave them cops what they deserved! | 0:30:31 | 0:30:33 | |
All right. We're done here. | 0:30:33 | 0:30:34 | |
-SHOUTING FROM MOBILE -What's that? | 0:30:34 | 0:30:36 | |
My mate just sent it. It's good, innit? | 0:30:36 | 0:30:39 | |
-Hang on. Can I see? -Sure. | 0:30:39 | 0:30:42 | |
'Oi! You lot, back in your cage!' | 0:30:46 | 0:30:49 | |
'Back in your cage? | 0:30:49 | 0:30:51 | |
'You racist! | 0:30:51 | 0:30:53 | |
-'Racist!' -GLASS SMASHES | 0:30:53 | 0:30:55 | |
SHOUTING | 0:30:55 | 0:30:58 | |
See you. | 0:30:59 | 0:31:00 | |
Look, I can't stop this bleed. It'll be dangerous if he loses | 0:31:02 | 0:31:05 | |
any more blood. I'm sorry. | 0:31:05 | 0:31:08 | |
Look, man, let's just get you to hospital, yeah? | 0:31:08 | 0:31:10 | |
I can't risk getting arrested. I've got my son to think of. | 0:31:10 | 0:31:14 | |
What you doing? | 0:31:16 | 0:31:18 | |
Phone a friend. | 0:31:20 | 0:31:21 | |
Just do it! | 0:31:22 | 0:31:23 | |
MOBILE RINGS | 0:31:24 | 0:31:27 | |
Scarlett. | 0:31:29 | 0:31:30 | |
'Scarlett?' | 0:31:30 | 0:31:32 | |
Lloyd. I need your help. | 0:31:32 | 0:31:33 | |
-Where have you been? Why didn't you answer my calls? -'I'm in trouble.' | 0:31:33 | 0:31:37 | |
-Can you just meet me outside the ED in ten minutes? -'Where are you?' | 0:31:37 | 0:31:40 | |
Look, I need a large-bore cannula, a giving set, | 0:31:40 | 0:31:43 | |
'a litre of saline,' | 0:31:43 | 0:31:44 | |
plenty of gauze swabs, some large sutures, and some lignocaine and adrenaline. | 0:31:44 | 0:31:49 | |
-What?! -'Please!' | 0:31:49 | 0:31:50 | |
'What the hell are you dealing with?' | 0:31:50 | 0:31:51 | |
Hang on. Let me get Charlie or Tess. | 0:31:51 | 0:31:54 | |
No, no, no. Just, please, come by yourself. | 0:31:54 | 0:31:56 | |
It'll make it worse otherwise. | 0:31:56 | 0:31:58 | |
'Please.' | 0:31:58 | 0:31:59 | |
Please, Lloyd! | 0:32:01 | 0:32:02 | |
MACHINE BUZZES AND HUMS | 0:32:12 | 0:32:15 | |
-How's she doing? -She's not quite out of the woods yet. | 0:32:19 | 0:32:21 | |
Show me. | 0:32:21 | 0:32:22 | |
Zoe, why are you hanging around? | 0:32:22 | 0:32:25 | |
-This needs evacuating. -I'm going to get the neurosurgeon. | 0:32:25 | 0:32:28 | |
-I can deal with a subdural haematoma. -There's no need. There's no... | 0:32:28 | 0:32:31 | |
-Get her back to resus. -There's no mass effect, no midline shift. It'd be dangerous. | 0:32:31 | 0:32:34 | |
She's got an unstable neck fracture. | 0:32:34 | 0:32:37 | |
Get her out. Get her back to resus, now! | 0:32:37 | 0:32:39 | |
CHATTERING, MUSIC PLAYING | 0:32:42 | 0:32:45 | |
SIREN BLARES | 0:32:49 | 0:32:52 | |
Where's Scarlett? | 0:32:52 | 0:32:53 | |
She's back at mine. Quick! | 0:32:53 | 0:32:56 | |
Please! My friend's bleeding to death. She's there alone with him. | 0:32:56 | 0:32:59 | |
Bring him in! Call an ambulance! | 0:32:59 | 0:33:00 | |
He won't! He can't. | 0:33:00 | 0:33:02 | |
Please. Just get in. I'll explain. | 0:33:02 | 0:33:04 | |
Please. | 0:33:04 | 0:33:06 | |
-CHANTING: -Faith! Faith! Faith! Faith! | 0:33:18 | 0:33:21 | |
It's Faith! | 0:33:21 | 0:33:23 | |
Thank you. Thanks for all for your support! | 0:33:23 | 0:33:25 | |
What's going on here? No filming. I'm sorry. No filming. | 0:33:25 | 0:33:28 | |
It's a free country. We can do what we want. | 0:33:28 | 0:33:32 | |
Let's have some space here, please. Everybody move back. | 0:33:32 | 0:33:35 | |
Thank God you're here. I can't stop the bleed. | 0:33:37 | 0:33:40 | |
-You OK, mate? -HE MURMURS | 0:33:40 | 0:33:41 | |
Right, hang with us. | 0:33:41 | 0:33:43 | |
Get IV access and run up a litre of saline. | 0:33:45 | 0:33:47 | |
You got to keep pressure on his head. | 0:33:47 | 0:33:49 | |
I didn't have any equipment. I didn't know what to do. | 0:33:49 | 0:33:52 | |
You guys wash your hands - you're going to have to help. | 0:33:52 | 0:33:55 | |
Thank you for coming. | 0:33:55 | 0:33:57 | |
We need to get a line in. | 0:33:59 | 0:34:01 | |
Who's Nico? | 0:34:04 | 0:34:06 | |
My kid. | 0:34:07 | 0:34:08 | |
OK, uh... I'm going to give you a quick stitch as a temporary measure, | 0:34:11 | 0:34:15 | |
-then we're going to hospital. -No. | 0:34:15 | 0:34:17 | |
Not for yourself. For your son. | 0:34:17 | 0:34:20 | |
He's fine but he's going to need your support. | 0:34:20 | 0:34:22 | |
Why? What happened? | 0:34:22 | 0:34:24 | |
His mum suffered an allergic reaction. | 0:34:26 | 0:34:28 | |
The ambulance couldn't get to her in time. | 0:34:28 | 0:34:31 | |
What do you mean? | 0:34:31 | 0:34:32 | |
Rioters blocked the road. | 0:34:32 | 0:34:34 | |
I'm sorry. | 0:34:36 | 0:34:37 | |
Dylan, sterilise the cavity again. | 0:34:40 | 0:34:43 | |
We want to minimize the risk of infection while she's here. | 0:34:43 | 0:34:45 | |
-What did they say? -No ITU beds available. | 0:34:45 | 0:34:48 | |
We can't wait any longer. I'll do a burr hole down here. | 0:34:48 | 0:34:51 | |
-That's not necessary. -It will minimize the risk of coning. | 0:34:51 | 0:34:54 | |
Nick, she doesn't need it right now and it'd be dangerous. | 0:34:54 | 0:34:56 | |
That's your opinion but not mine. We're doing a burr hole. | 0:34:56 | 0:34:59 | |
No! We're not! We're not. | 0:34:59 | 0:35:01 | |
You put me in charge earlier, Nick, and I'm still in charge. | 0:35:01 | 0:35:04 | |
There's no way I'm going to let you operate. | 0:35:04 | 0:35:06 | |
You're being far too emotional and you're not being objective. | 0:35:06 | 0:35:10 | |
You can stay, but this is my resus. | 0:35:10 | 0:35:13 | |
Nick. Sorry. Can I borrow you for a moment? | 0:35:13 | 0:35:15 | |
-I'm sorry to ask. -I'm needed here, Charlie! -You're not. | 0:35:15 | 0:35:18 | |
He's not. | 0:35:18 | 0:35:20 | |
It's the press office. The police and forensics want to put out a statement about Wesley. | 0:35:20 | 0:35:24 | |
It won't take long but it is urgent. | 0:35:24 | 0:35:25 | |
-Apparently the implications for all the events of tonight are really, really huge. -All right. | 0:35:25 | 0:35:30 | |
Please, go. | 0:35:30 | 0:35:31 | |
-I'll be back. Page me if there's any change. -I will. | 0:35:31 | 0:35:33 | |
Call the neurosurgeons and arrange a review. | 0:35:33 | 0:35:36 | |
I'm discharging him. He's coming home. | 0:35:36 | 0:35:39 | |
I really wouldn't recommend that. | 0:35:39 | 0:35:40 | |
Your son was unconscious for some time. We need to keep him under observation. | 0:35:40 | 0:35:44 | |
And I doubt the police would let you take him home, anyway - he's still currently under arrest. | 0:35:44 | 0:35:48 | |
Wrongly. | 0:35:48 | 0:35:49 | |
He's done nothing. This is prejudice. | 0:35:49 | 0:35:52 | |
Just because Wesley were his dad. | 0:35:52 | 0:35:54 | |
He was my stepdad. Not my dad. | 0:35:54 | 0:35:56 | |
What difference does it make? He loved you like a dad. | 0:35:56 | 0:35:58 | |
Who saw you? Who else was there? | 0:35:58 | 0:36:01 | |
Just the shopkeeper. | 0:36:01 | 0:36:04 | |
-Towel head?! -Don't call him that, Mum. | 0:36:04 | 0:36:07 | |
I'll call him whatever I like. So it's his word against yours... | 0:36:07 | 0:36:11 | |
Where is he? | 0:36:11 | 0:36:12 | |
I need some help here, quick. | 0:36:15 | 0:36:17 | |
Where on earth did you disappear to? | 0:36:17 | 0:36:19 | |
You'd best ask her. This is JJ. He's had a large flap scalp laceration. | 0:36:19 | 0:36:22 | |
and an arterial bleed which I tied off. | 0:36:22 | 0:36:25 | |
You've done a good job. Let's get him through to Triage. | 0:36:25 | 0:36:29 | |
Tess, I'm sorry... | 0:36:29 | 0:36:32 | |
OK, can you three wait outside, please? Thank you. | 0:36:35 | 0:36:38 | |
This is Nico's father. | 0:36:42 | 0:36:44 | |
He knows. | 0:36:44 | 0:36:46 | |
Is she here? Can I see her? | 0:36:46 | 0:36:50 | |
Yeah. | 0:36:50 | 0:36:51 | |
Can you let them know? | 0:36:51 | 0:36:53 | |
I'm very sorry. | 0:36:55 | 0:36:58 | |
Tonight's been mad. | 0:36:59 | 0:37:01 | |
What happened? | 0:37:01 | 0:37:03 | |
What happened to everyone? | 0:37:06 | 0:37:07 | |
The postmortem shows that Wesley Royce died from a blow to the head from a knife block. | 0:37:09 | 0:37:13 | |
-Which means...? -Which means the police are in the clear. | 0:37:13 | 0:37:17 | |
And Faith Portman's prints were all over it. So quite clearly she was responsible. | 0:37:17 | 0:37:20 | |
Is she still in the hospital? | 0:37:20 | 0:37:22 | |
Yes. | 0:37:22 | 0:37:25 | |
There's a burns patient here I need you to see. | 0:37:25 | 0:37:28 | |
This is PC Scriven. Being treated for third degree burns and possible concussion. | 0:37:31 | 0:37:35 | |
We're going to have you transferred up to Plastics. | 0:37:38 | 0:37:41 | |
They'll tell you more about the healing process. | 0:37:41 | 0:37:43 | |
But you're definitely going to have to stay in for another 24 hours under observation. | 0:37:43 | 0:37:48 | |
It was her first riot. | 0:37:48 | 0:37:49 | |
-I should have looked out for her more. -It's not your fault. | 0:37:52 | 0:37:55 | |
I think I might have incited the crowd. I didn't mean it. | 0:37:55 | 0:37:58 | |
"Oi. You lot, back in your cage!" | 0:37:58 | 0:38:01 | |
That's only a racist remark if someone wants it to be. | 0:38:03 | 0:38:05 | |
Exactly. | 0:38:06 | 0:38:08 | |
Excuse me. | 0:38:09 | 0:38:10 | |
I'll be right back. | 0:38:15 | 0:38:16 | |
What happened? | 0:38:28 | 0:38:30 | |
You know. | 0:38:30 | 0:38:32 | |
Say it. Tell me. | 0:38:32 | 0:38:35 | |
Who are you? | 0:38:45 | 0:38:47 | |
I don't know. | 0:38:48 | 0:38:50 | |
He's innocent until proven guilty. He isn't going with you. | 0:39:26 | 0:39:30 | |
You can't let him walk out like that. | 0:39:30 | 0:39:32 | |
Who says he didn't do it?! | 0:39:32 | 0:39:35 | |
Why does he get to go home and my son's under arrest?! | 0:39:35 | 0:39:37 | |
I lost my husband due to the police, | 0:39:37 | 0:39:39 | |
I am not losing my son as well. | 0:39:39 | 0:39:42 | |
This is the police trying to take revenge. | 0:39:42 | 0:39:44 | |
-This is the police trying to punish me for last night. -There's nothing to see... | 0:39:44 | 0:39:48 | |
They are punishing us for exposing their corruption. | 0:39:49 | 0:39:52 | |
They are punishing us for speaking out and telling the truth! | 0:39:52 | 0:39:56 | |
My son is innocent. My family are innocent. | 0:39:56 | 0:40:00 | |
We are all victims of police brutality. | 0:40:00 | 0:40:03 | |
-What do we want? -Justice! -When do we want it? -Now! | 0:40:03 | 0:40:06 | |
-What do we want? -Justice! -When do we want it? -Now! | 0:40:06 | 0:40:09 | |
-What do we want? -Justice! -When do we want it? -Now! | 0:40:09 | 0:40:12 | |
-OK. Come on...! -ANGRY SHOUTING CONTINUES | 0:40:12 | 0:40:17 | |
Unequal pupils. I knew it. The bleed's expanded. | 0:40:17 | 0:40:20 | |
She has raised intracranial pressure and a small bleed, we can buy some time. | 0:40:20 | 0:40:23 | |
Zoe, she's going to cone. | 0:40:23 | 0:40:25 | |
We're going to raise her head up to 30 degrees, ventilate her | 0:40:25 | 0:40:28 | |
to an end tidal of 4.5 - and Dylan, she needs a bolus of mannitol. | 0:40:28 | 0:40:32 | |
If you want to help, call up to theatre again, please. | 0:40:32 | 0:40:34 | |
-What's going on out there? -No idea. | 0:40:34 | 0:40:38 | |
-Right, let's get her up. -Oh, at last. Come on, guys, let's go. | 0:40:38 | 0:40:41 | |
-What do we want? -Justice! -When do we want it? -Now! | 0:40:41 | 0:40:44 | |
Inspector, let me talk to her. | 0:40:44 | 0:40:47 | |
-Miss Portman, the police would like to have a word with you. -Let go of me! | 0:40:48 | 0:40:52 | |
I advise you to come along voluntarily, otherwise they'll end up having to use force. | 0:40:52 | 0:40:56 | |
They're trying to take me to the police station now. | 0:40:56 | 0:40:59 | |
What for? Disturbing the peace? | 0:40:59 | 0:41:01 | |
If I were you I'd come quietly. | 0:41:01 | 0:41:02 | |
-I haven't done nothing, neither has my son! -Miss Portman, please. | 0:41:02 | 0:41:05 | |
-Get off of me! -Faith Portman, I'm arresting you on suspicion of the murder of Wesley Royce. | 0:41:05 | 0:41:10 | |
The grounds for your arrest are that the postmortem | 0:41:10 | 0:41:13 | |
shows that he died of a critical head injury | 0:41:13 | 0:41:16 | |
sustained before the police arrived and the stun gun was used. | 0:41:16 | 0:41:19 | |
-The stun gun played absolutely no part in his death. -I never touched him. | 0:41:19 | 0:41:23 | |
Nylon, tell him. Will you let go of me! | 0:41:23 | 0:41:25 | |
They're arresting me now! | 0:41:25 | 0:41:27 | |
You liars! I want justice! | 0:41:27 | 0:41:31 | |
-CHANTING: -Justice! Justice! Justice! | 0:41:31 | 0:41:33 | |
ANGRY SHOUTING | 0:41:36 | 0:41:39 | |
Get that camera out. | 0:41:39 | 0:41:41 | |
Quiet! Quiet. | 0:41:41 | 0:41:44 | |
This is a woman is fighting for her life. Have some respect! | 0:41:45 | 0:41:49 | |
Go home. | 0:41:49 | 0:41:51 | |
I'll look after our son, don't worry. | 0:42:15 | 0:42:17 | |
I'll bring him up the way you wanted. | 0:42:18 | 0:42:20 | |
You'll be proud of him. I promise. | 0:42:22 | 0:42:25 | |
Guys... There's someone to see Nico. | 0:42:30 | 0:42:32 | |
Daddy! | 0:42:34 | 0:42:35 | |
I've got a present for Mummy. | 0:42:43 | 0:42:46 | |
Can I give it to her? Can I give it to her now? | 0:42:47 | 0:42:50 | |
Can we have a little talk first? | 0:42:56 | 0:42:58 | |
What happened to your head? | 0:43:00 | 0:43:03 | |
We're all done. | 0:43:13 | 0:43:14 | |
Are you OK? | 0:43:16 | 0:43:17 | |
I'm fine. | 0:43:17 | 0:43:19 | |
-Hey, Linda - they are great kids. -They're a real credit to you, Linda. | 0:43:33 | 0:43:37 | |
-Thank you. -Ta-ra. -See ya. | 0:43:37 | 0:43:40 | |
-So are yous hungry? -Yes! | 0:43:40 | 0:43:42 | |
Surprise! | 0:43:42 | 0:43:44 | |
They let me out early. | 0:43:46 | 0:43:47 | |
Go on, kids. Go and say hello to your mum. | 0:43:49 | 0:43:52 | |
Go on. | 0:43:52 | 0:43:53 | |
It's her neck. They think the cord's been torn by crushed vertebrae. | 0:44:05 | 0:44:10 | |
Thankfully there was a place at St Luke's spinal unit. | 0:44:10 | 0:44:13 | |
She's not in touch with any of her family, you see, | 0:44:14 | 0:44:17 | |
she's not close to any of them. | 0:44:17 | 0:44:19 | |
So she's going to need someone by her side to... | 0:44:19 | 0:44:23 | |
see her through. | 0:44:23 | 0:44:25 | |
Take your time. | 0:44:27 | 0:44:29 | |
As much as you need. As much as you want. | 0:44:29 | 0:44:32 | |
I'll look after it all until you get back. | 0:44:33 | 0:44:36 | |
Let's get her strapped in and hooked up as soon as we can, please. | 0:44:39 | 0:44:43 | |
Thank you. | 0:44:49 | 0:44:51 | |
MUSIC ON GHETTO BLASTER: "No Woman, No Cry" by Bob Marley and the Wailers | 0:45:07 | 0:45:11 | |
Sweeping this up isn't going to sort out the mess you're in. | 0:45:51 | 0:45:55 | |
I know that, I... | 0:45:55 | 0:45:56 | |
..I've actually come to say goodbye. | 0:45:58 | 0:46:00 | |
What? | 0:46:01 | 0:46:04 | |
You've been a proper friend to me. | 0:46:04 | 0:46:06 | |
You're probably going to be what I miss most about this year. | 0:46:08 | 0:46:10 | |
Where are you going? | 0:46:12 | 0:46:14 | |
Going to go hand myself in. | 0:46:15 | 0:46:17 | |
Subtitles by Red Bee Media Ltd | 0:48:00 | 0:48:02 |