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If I were you, I'd do an ECG test to confirm the pregnancy. | 0:00:01 | 0:00:04 | |
You were going to tell me something earlier. What is it? | 0:00:04 | 0:00:06 | |
We can't have drugs running through this place like it's a pharmacy. | 0:00:06 | 0:00:10 | |
A son waiting for you on the outside. | 0:00:10 | 0:00:12 | |
How good does that look in front of a parole panel? | 0:00:12 | 0:00:14 | |
Who gave the orders to end visits? | 0:00:14 | 0:00:16 | |
-I did. -This is really going to wind them up. | 0:00:16 | 0:00:18 | |
I want the rest of my visit! I want to see my girl. | 0:00:18 | 0:00:20 | |
I got Marshall here, we got chest pains. | 0:00:20 | 0:00:22 | |
I am bringing him down to you now. | 0:00:22 | 0:00:24 | |
-We got a call out. 50-something male. -I'm coming in. | 0:00:24 | 0:00:26 | |
Highly irregular, Thomas. Highly irregular. | 0:00:26 | 0:00:30 | |
The ambulance has arrived for Peter Marshall, | 0:01:14 | 0:01:16 | |
so can you log it in and clear them for entry to sick bay? | 0:01:16 | 0:01:20 | |
Thanks. Bye. | 0:01:20 | 0:01:21 | |
It's getting lively, boss. | 0:01:26 | 0:01:28 | |
Just let me know if that toe rag starts getting out of hand. | 0:01:28 | 0:01:31 | |
I've had enough trouble from the governor today. | 0:01:31 | 0:01:33 | |
I'll take care of it. | 0:01:33 | 0:01:34 | |
PHONE RINGS | 0:01:35 | 0:01:38 | |
You should have handed that in. | 0:01:38 | 0:01:40 | |
-Yeah, well, I didn't. -Why not? | 0:01:40 | 0:01:42 | |
Look, just put it away, will you. | 0:01:42 | 0:01:44 | |
He's right, you know, you can't trust anyone in here. | 0:01:44 | 0:01:46 | |
-Thank you, gentleman. -The place is full of thieves. | 0:01:46 | 0:01:48 | |
'Hi, this is Tom. Leave me a message.' | 0:01:48 | 0:01:50 | |
Tom, I thought you'd be back by now. Let me know what's happening. | 0:01:50 | 0:01:54 | |
-Do you know were Tom is? He's late. -He's meant to be on his way in. | 0:01:56 | 0:02:01 | |
Molly Fisher? | 0:02:01 | 0:02:02 | |
SHE BREATHES UNSTEADILY | 0:02:04 | 0:02:06 | |
Robyn, wheelchair. I'm going to sit you in here. | 0:02:06 | 0:02:09 | |
-I'm her sister. Can I go with her? -Yeah. | 0:02:09 | 0:02:12 | |
-Sit all the way back. -Cubicles, please. | 0:02:12 | 0:02:15 | |
She keeps being sick and she's got a headache, a really bad headache. | 0:02:15 | 0:02:19 | |
How long have you been feeling like this? | 0:02:19 | 0:02:21 | |
-A few days. -Ages. -Which is it? | 0:02:21 | 0:02:23 | |
Well, she's been sick off and on for a while, | 0:02:23 | 0:02:26 | |
but this headache... | 0:02:26 | 0:02:27 | |
-How long would you say, Mol? -About a week. | 0:02:27 | 0:02:29 | |
Have you seen your doctor about it? | 0:02:29 | 0:02:31 | |
No. I wasn't sure what time they had a surgery, | 0:02:31 | 0:02:33 | |
and Mum and Dad are away for the day. | 0:02:33 | 0:02:35 | |
PHONE BEEPS | 0:02:35 | 0:02:37 | |
Middle cubicle and can you start a care plan for this patient, please? | 0:02:37 | 0:02:40 | |
Yeah. | 0:02:40 | 0:02:41 | |
Tess, everything OK? | 0:02:46 | 0:02:48 | |
Er...I just got a message from the father. | 0:02:48 | 0:02:52 | |
So you've told him? | 0:02:52 | 0:02:53 | |
-No. And I don't intend to. -Why not? | 0:02:53 | 0:02:57 | |
-He doesn't want a baby. -You know that? -Yes. | 0:02:59 | 0:03:02 | |
You've talked it through with him? | 0:03:02 | 0:03:04 | |
Yes. No. But...believe me, I know it. | 0:03:04 | 0:03:07 | |
-Righto. Thanks, mate. -Hi, guys, this way. | 0:03:12 | 0:03:15 | |
This is Peter Marshall. He's been having severe chest pains | 0:03:15 | 0:03:18 | |
and shortness of breath for 40 minutes. | 0:03:18 | 0:03:20 | |
-He's had his angina spray and aspirin. -Any vomiting? | 0:03:20 | 0:03:23 | |
-Yes. -Analgesia? -None. -Have you done an ECG? | 0:03:23 | 0:03:26 | |
That's not working. We're waiting for it to be fixed. | 0:03:26 | 0:03:29 | |
-I know he has a heart condition. -You do? How? | 0:03:29 | 0:03:32 | |
Just take my word for it. | 0:03:32 | 0:03:34 | |
OK, I'll grab a monitor. | 0:03:35 | 0:03:37 | |
You came back. Thanks. | 0:03:39 | 0:03:41 | |
Was there any blood in the vomit? | 0:03:41 | 0:03:43 | |
No. | 0:03:43 | 0:03:44 | |
NURSE: Hi, can I have a prison officer escort please to take | 0:03:45 | 0:03:48 | |
Peter Marshal to hospital? | 0:03:48 | 0:03:50 | |
I'm saying that this could get out of hand. | 0:03:50 | 0:03:52 | |
Tell him I'll give him an another visit. | 0:03:52 | 0:03:54 | |
Yeah, well, I don't think that's going to do much good. | 0:03:54 | 0:03:56 | |
Then just calm him down and keep me informed. | 0:03:56 | 0:03:59 | |
I'll try. Are you still wanting to see me, ma'am? | 0:03:59 | 0:04:02 | |
Leave it for now. | 0:04:02 | 0:04:03 | |
I just wanted to let you know we've had a tip off - | 0:04:03 | 0:04:05 | |
there's a drug supply coming in today. | 0:04:05 | 0:04:07 | |
-So keep your eyes peeled. -Yeah, right. I will do. | 0:04:07 | 0:04:10 | |
-How did he sound? -Nervous. -Do you still think it was him? | 0:04:13 | 0:04:16 | |
Don't know. But Corrigan's getting his drugs from someone. | 0:04:16 | 0:04:20 | |
INDISTINCT SHOUTING | 0:04:21 | 0:04:23 | |
MAN: I want the rest of my visit. I want to see my girl. | 0:04:23 | 0:04:26 | |
It took three months to set up. | 0:04:26 | 0:04:27 | |
I didn't have all my visit and I'm not happy. | 0:04:27 | 0:04:30 | |
Oi, let me go. Bring the governor down here now. | 0:04:30 | 0:04:32 | |
You think it's clever, man. | 0:04:32 | 0:04:34 | |
You think you can stop me seeing my girl and there be no | 0:04:34 | 0:04:36 | |
consequences. Well, you're wrong, man. I know my rights. | 0:04:36 | 0:04:40 | |
All right! Shut up! Shut up. Watch yourselves. | 0:04:40 | 0:04:43 | |
Shut up, Lewis. | 0:04:43 | 0:04:45 | |
Al. I've got Marshall in sick bay, he's got chest pains. | 0:04:45 | 0:04:48 | |
An ambulance has come to pick him up so can you go and oversee if for me? | 0:04:48 | 0:04:51 | |
Thank you. | 0:04:51 | 0:04:53 | |
Shut up! Everybody back to your cells. Shut up! | 0:04:53 | 0:04:55 | |
INDISTINCT SHOUTS | 0:04:55 | 0:04:57 | |
What are you doing? What you doing? | 0:04:57 | 0:05:00 | |
Bring the governor down. Bring the governor down. | 0:05:00 | 0:05:02 | |
I don't care what you want. You don't get what you want. | 0:05:02 | 0:05:05 | |
I get what I want. I'm the one in charge. | 0:05:05 | 0:05:07 | |
Let me fight it. | 0:05:07 | 0:05:09 | |
Lewis isn't the violent type. | 0:05:09 | 0:05:10 | |
Given the right circumstances, they can all be a bit violent. | 0:05:10 | 0:05:13 | |
It's a way of letting off steam. | 0:05:13 | 0:05:15 | |
Sometimes I feel like going a bit mental myself. | 0:05:15 | 0:05:17 | |
Trick is not to let them get to that point. | 0:05:17 | 0:05:19 | |
Go all PC and softly, softly. | 0:05:19 | 0:05:20 | |
-I'm not saying that. -You have to let them know who's in charge. | 0:05:20 | 0:05:23 | |
Yeah. I'm just worried that if we don't contain this, | 0:05:23 | 0:05:26 | |
we won't be the ones in charge - it'll be them. | 0:05:26 | 0:05:28 | |
So lock down the wing. | 0:05:28 | 0:05:30 | |
And risk making it worse, Jack? | 0:05:30 | 0:05:32 | |
OK. Give me an immediate update. | 0:05:33 | 0:05:36 | |
-Still no Tom? -No. -He's very late. | 0:05:44 | 0:05:47 | |
Neuro obs are fine, temperature is OK, BP normal. | 0:05:47 | 0:05:50 | |
She says she's had this headache for five or six weeks. | 0:05:50 | 0:05:53 | |
Right, Molly, whereabouts is the pain? | 0:05:53 | 0:05:56 | |
And is it always there or does it come and go? | 0:05:57 | 0:06:00 | |
It comes and goes. | 0:06:00 | 0:06:01 | |
Is there anything that makes it worse, | 0:06:01 | 0:06:03 | |
-like light or noise? -Nothing like that. | 0:06:03 | 0:06:06 | |
And what about your eyesight? | 0:06:06 | 0:06:08 | |
-Do you ever get blurred vision or dots? -No. | 0:06:08 | 0:06:11 | |
You have told your mum and dad about this, haven't you? | 0:06:11 | 0:06:14 | |
Our dad just lost his job. She didn't want to worry them. | 0:06:14 | 0:06:18 | |
They should know. We'll give them a call, | 0:06:18 | 0:06:20 | |
tell them you're here and we're trying to get to the bottom of it. | 0:06:20 | 0:06:23 | |
No. I'll ring them. I'll do it. I'll be back in a minute. OK, Moll. | 0:06:23 | 0:06:27 | |
OK, Molly. I'm going to get a doctor to look at you. | 0:06:28 | 0:06:31 | |
What do you think? About her headaches? | 0:06:34 | 0:06:38 | |
Not sure. Could be a virus. or migraine, tension headache. | 0:06:38 | 0:06:42 | |
The fact it's been going on so long is worrying. | 0:06:42 | 0:06:45 | |
SIREN WAILS | 0:06:47 | 0:06:49 | |
Brandon, it's me. Listen, we're at the hospital. | 0:06:53 | 0:06:56 | |
We'll be back as soon as we can, all right? | 0:06:56 | 0:06:59 | |
If you get tired, have a sleep, yeah. See you soon. | 0:06:59 | 0:07:04 | |
PHONE BUZZES | 0:07:04 | 0:07:07 | |
DISTANT SIRENS, BARKING | 0:07:24 | 0:07:26 | |
What made you come back? | 0:07:41 | 0:07:43 | |
I heard a man was having chest pains, | 0:07:43 | 0:07:45 | |
and I did what any doctor would do. | 0:07:45 | 0:07:47 | |
-So you didn't know it was me? -No. | 0:07:47 | 0:07:50 | |
-We have ST elevation. -What's that mean? | 0:07:52 | 0:07:54 | |
It means there's a distinct possibility you're having a heart attack. | 0:07:54 | 0:07:57 | |
We need to get him in the ambulance. | 0:07:57 | 0:07:59 | |
We need an escort first. They're organising one now. | 0:07:59 | 0:08:01 | |
Unless he's Superman, I don't think he'll be running anywhere. | 0:08:01 | 0:08:04 | |
-Rules are rules. -I'll get the trolley. | 0:08:04 | 0:08:06 | |
That doesn't look good. | 0:08:12 | 0:08:14 | |
How do you think he knows him? Al Capone? | 0:08:14 | 0:08:18 | |
I don't know. But it's your job to find out. | 0:08:18 | 0:08:21 | |
-Why me? -Because I'm going to get the trolley. | 0:08:21 | 0:08:23 | |
Listen, Tom, how do you know...? | 0:08:32 | 0:08:35 | |
He's my father. | 0:08:35 | 0:08:37 | |
Your father? | 0:08:37 | 0:08:39 | |
I was adopted. I never even knew him before today. | 0:08:39 | 0:08:43 | |
OK. Mate, I think you need to let me handle this. | 0:08:43 | 0:08:45 | |
You shouldn't really be here. If anything goes pear shaped... | 0:08:45 | 0:08:48 | |
Jeff. He's my father. he's having a heart attack. | 0:08:48 | 0:08:51 | |
I'm not just going to stand and watch. | 0:08:51 | 0:08:53 | |
Get back. You are going to get your punishment. | 0:08:55 | 0:08:58 | |
I want you banged up. | 0:08:58 | 0:08:59 | |
Every single one of you, I want you banged up now. | 0:08:59 | 0:09:01 | |
None of you are going to get... | 0:09:01 | 0:09:03 | |
INDISTINCT SHOUTS | 0:09:03 | 0:09:05 | |
Jeff, morphine and cyclizine, please. | 0:09:16 | 0:09:19 | |
Righto. | 0:09:19 | 0:09:20 | |
I'm glad you came to see me. | 0:09:20 | 0:09:22 | |
And I'm glad I've seen what a success you've made of your life. | 0:09:22 | 0:09:25 | |
So it was for the best you had me adopted then, was it? | 0:09:25 | 0:09:28 | |
Look at me and look at you. | 0:09:28 | 0:09:30 | |
I'd say it was for the best. | 0:09:30 | 0:09:32 | |
I just wish I'd got in touch sooner, that's all. | 0:09:33 | 0:09:36 | |
Rather than wait until you had a parole hearing coming up. | 0:09:36 | 0:09:39 | |
Think what you like. I messed my life up. You didn't. | 0:09:39 | 0:09:42 | |
That's what's important. | 0:09:42 | 0:09:44 | |
I just wish your mum could have seen you, that's all. | 0:09:44 | 0:09:47 | |
What was it like, the relationship between you two? | 0:09:47 | 0:09:50 | |
Good. Really good. We had ups and downs like anyone else. | 0:09:50 | 0:09:55 | |
-You have arguments? -Yeah, sometimes. | 0:09:55 | 0:09:57 | |
Where they aggressive? | 0:09:57 | 0:09:59 | |
-Aggressive? -Did you hit her? | 0:09:59 | 0:10:01 | |
Tom, I don't think this is the right place. | 0:10:01 | 0:10:03 | |
-Well, did you? -Really, Tom. | 0:10:03 | 0:10:05 | |
PETER GASPS AND MOANS | 0:10:05 | 0:10:07 | |
You OK? I feel a bit...not here. | 0:10:09 | 0:10:12 | |
His blood pressure's dropping. He's becoming bradycardic. | 0:10:12 | 0:10:15 | |
Right, where's this escort? We got to run. | 0:10:19 | 0:10:21 | |
I'm just trying to find the governor. | 0:10:21 | 0:10:23 | |
-We've got to run now! -OK. OK, yeah. | 0:10:23 | 0:10:25 | |
INDISTINCT SHOUTING | 0:10:25 | 0:10:28 | |
Weapons on the landing! | 0:10:28 | 0:10:30 | |
Stay tight! | 0:10:30 | 0:10:33 | |
Keep moving. Keep moving! | 0:10:33 | 0:10:35 | |
INDISTINCT SHOUTING | 0:10:37 | 0:10:39 | |
Give 'em it! Screws. Yeah! | 0:10:40 | 0:10:43 | |
Easy back! Get back! | 0:10:43 | 0:10:45 | |
PHONE RINGS | 0:10:47 | 0:10:49 | |
If we don't do something soon, someone is going to get hurt. | 0:10:51 | 0:10:54 | |
OK. Pull our officers out and lock down the wing. | 0:10:56 | 0:10:59 | |
We should have done it sooner. | 0:10:59 | 0:11:00 | |
Maybe but maybe if we hadn't have cancelled visiting rights | 0:11:00 | 0:11:03 | |
for prisoners who hadn't done anything wrong, | 0:11:03 | 0:11:05 | |
then we wouldn't have had to lock it down at all. | 0:11:05 | 0:11:08 | |
They're locking down the wing. We have to get out. | 0:11:09 | 0:11:11 | |
Where's Dixie with the trolley? | 0:11:11 | 0:11:13 | |
-They won't let her in. Why won't they let her in? -I don't know. | 0:11:13 | 0:11:16 | |
We need our escort now. | 0:11:17 | 0:11:19 | |
Brandon, did you get my message? Call me back, please. | 0:11:21 | 0:11:24 | |
You OK? Yeah. Yeah. | 0:11:28 | 0:11:31 | |
If you want, I can ring your parents for you, if it's easier. | 0:11:31 | 0:11:33 | |
No. I've already rung them. | 0:11:33 | 0:11:35 | |
-Just now? -They're in London, they're just heading back now. | 0:11:35 | 0:11:39 | |
INDISTINCT SHOUTS | 0:11:44 | 0:11:46 | |
Get him! | 0:11:46 | 0:11:47 | |
TANNOY: 'All officers, stand down and retreat.' | 0:11:50 | 0:11:55 | |
SHOUTS CONTINUE | 0:11:55 | 0:11:57 | |
We're going to have to instigate Tornado. Get me HQ on the line. | 0:12:06 | 0:12:09 | |
I need you on the ground, Jack. Bronze command. | 0:12:09 | 0:12:11 | |
Are you sure you want me? | 0:12:11 | 0:12:12 | |
We all make mistakes, Jack. It comes with the territory. | 0:12:12 | 0:12:15 | |
Yes, ma'am. | 0:12:15 | 0:12:16 | |
Don't be stupid, Lewis. | 0:12:19 | 0:12:22 | |
HE SCREAMS | 0:12:22 | 0:12:23 | |
You asked for this. | 0:12:23 | 0:12:25 | |
INDISTINCT SHOUTS | 0:12:25 | 0:12:28 | |
This door is double locked. | 0:12:31 | 0:12:32 | |
Now get back to your cell. I want no more conversation. Now. | 0:12:32 | 0:12:35 | |
Open the door. Open it! I know my rights. | 0:12:35 | 0:12:38 | |
I want my visit. | 0:12:38 | 0:12:40 | |
-Try sick bay. -Sick bay! | 0:12:44 | 0:12:46 | |
Prisoners are coming into the sick bay. | 0:12:59 | 0:13:01 | |
-Someone needs to unlock the door now. -What's going on? | 0:13:01 | 0:13:04 | |
We need to get out! | 0:13:04 | 0:13:05 | |
They're coming in, they're coming in! | 0:13:05 | 0:13:07 | |
SCREAMS AND SHOUTS | 0:13:07 | 0:13:09 | |
Get out, get out. | 0:13:09 | 0:13:11 | |
ALARMS SOUND | 0:13:11 | 0:13:13 | |
INDISTINCT SHOUTS | 0:13:19 | 0:13:21 | |
Tom, we've got to go! | 0:13:21 | 0:13:23 | |
I can't. I have just started the drugs. | 0:13:23 | 0:13:26 | |
Serious? | 0:13:26 | 0:13:27 | |
Hey. He's really ill, he needs drugs. | 0:13:29 | 0:13:33 | |
I need the drugs. | 0:13:33 | 0:13:35 | |
Look, he's seriously ill. I need the drugs. | 0:13:35 | 0:13:37 | |
Behave yourself, eh. | 0:13:37 | 0:13:39 | |
-Double lock the doors, please. -Sorry, who are you? | 0:13:47 | 0:13:49 | |
Jack Wood, deputy governor. | 0:13:49 | 0:13:51 | |
Where's Jeff? | 0:13:52 | 0:13:54 | |
-He stayed with the doctor. -You left him? | 0:13:54 | 0:13:56 | |
He wouldn't leave the prisoner. | 0:13:56 | 0:13:57 | |
You can't just leave him! You have to go back. | 0:13:57 | 0:13:59 | |
Message for Victor One. We have a situation in the sick bay. | 0:13:59 | 0:14:02 | |
And somebody better do something sharpish. | 0:14:02 | 0:14:04 | |
-We're not going anywhere now, mate. -What are we going to do? | 0:14:04 | 0:14:07 | |
There's nothing we can do. They're barricading us in. | 0:14:07 | 0:14:10 | |
Look, I understand this whole protocol procedure thing. | 0:14:12 | 0:14:15 | |
But this is different. When was the last time you had a paramedic | 0:14:15 | 0:14:18 | |
and a doctor locked on the wrong side of the door? My guess is never. | 0:14:18 | 0:14:21 | |
What am I supposed to do? | 0:14:21 | 0:14:22 | |
Storm the place and risk them getting them killed? | 0:14:22 | 0:14:24 | |
Right. Can I speak to your governor, please? | 0:14:24 | 0:14:26 | |
I need to let my control know what's going on and maybe | 0:14:26 | 0:14:29 | |
-I can explain to him. -Her. | 0:14:29 | 0:14:31 | |
Her. Right well, maybe I can explain to her the | 0:14:31 | 0:14:34 | |
medical procedure regarding our patient, yeah. | 0:14:34 | 0:14:37 | |
-OK, better come with me. -Thank you. | 0:14:37 | 0:14:39 | |
DISTANT SHOUTS AND BANGING | 0:14:42 | 0:14:44 | |
You guys shouldn't be here. What's wrong with him? | 0:14:44 | 0:14:48 | |
He's had a heart attack. | 0:14:48 | 0:14:50 | |
If we don't do something, he might die. | 0:14:50 | 0:14:54 | |
He's a good bloke. One of us, you know what I mean? | 0:14:54 | 0:14:58 | |
What do you need? | 0:14:58 | 0:14:59 | |
I need the drugs those guys took. | 0:14:59 | 0:15:01 | |
HE SNIFFS | 0:15:04 | 0:15:06 | |
The paramedics are at the jail, | 0:15:11 | 0:15:14 | |
but we don't know what the situation is, I'm afraid. | 0:15:14 | 0:15:17 | |
I'm telling you this, so we're not caught on the hop. | 0:15:17 | 0:15:19 | |
This could be something, could be nothing. | 0:15:19 | 0:15:21 | |
We could be looking at a major incident. All right. | 0:15:21 | 0:15:24 | |
I'll keep you informed. | 0:15:24 | 0:15:26 | |
My first riot! | 0:15:27 | 0:15:29 | |
I've got this sudden urge to sing a Johnny Cash number. | 0:15:29 | 0:15:32 | |
-Johnny who? -Johnny Cash, you know. | 0:15:32 | 0:15:35 | |
(SINGING) # San Quentin, I hate every inch of you... # | 0:15:35 | 0:15:38 | |
-What? -No? Ask Charlie. He was probably there. | 0:15:38 | 0:15:41 | |
-Aren't you worried about your uncle? -What do you mean? | 0:15:41 | 0:15:44 | |
Didn't you hear what Charlie said about the paramedics at the prison? | 0:15:44 | 0:15:48 | |
That's Dixie and Jeff? | 0:15:48 | 0:15:49 | |
-It's answer machine. -Don't worry. I'm sure he'll be fine. | 0:15:52 | 0:15:56 | |
Hello, Jeff. It's Jamie. | 0:15:56 | 0:15:57 | |
Charlie, have you seen Tom? | 0:15:57 | 0:15:59 | |
No, should I have? | 0:15:59 | 0:16:01 | |
No, it's just he's visiting someone today at the prison. | 0:16:01 | 0:16:05 | |
-Right, I'll let you know if I do. -Thanks. | 0:16:05 | 0:16:08 | |
Tess. Molly Fisher, the 11-year-old. | 0:16:08 | 0:16:12 | |
She's apyrexial, no photophobia, rash or neck stiffness - | 0:16:12 | 0:16:15 | |
so that rules out meningitis. | 0:16:15 | 0:16:17 | |
It could still be viral. What worries me most | 0:16:17 | 0:16:21 | |
is the fact that she says no-one else in the household has it. | 0:16:21 | 0:16:24 | |
And she also said it sometimes gets worse at certain times. | 0:16:24 | 0:16:28 | |
What does that mean? Any help? | 0:16:28 | 0:16:31 | |
Tess! | 0:16:31 | 0:16:33 | |
Yeah...it seems to get better at school. | 0:16:33 | 0:16:36 | |
School? | 0:16:36 | 0:16:37 | |
Tess, do...do you need a break? | 0:16:39 | 0:16:44 | |
Five minutes or something? | 0:16:44 | 0:16:46 | |
The less time I spend with my own thoughts, the better. | 0:16:46 | 0:16:49 | |
But you have got a lot to think about. | 0:16:49 | 0:16:52 | |
I mean, there are options, you know what I am saying. | 0:16:52 | 0:16:55 | |
A termination? | 0:16:55 | 0:16:57 | |
What I mean is, just don't back yourself into a corner. | 0:16:57 | 0:17:00 | |
-Come with me now. -What? | 0:17:06 | 0:17:07 | |
I did a deal. Those drugs for your help. | 0:17:07 | 0:17:09 | |
-Are you serious? -Someone got hit by one of the screws. | 0:17:09 | 0:17:12 | |
-What you doing? -What you got a better idea? | 0:17:17 | 0:17:20 | |
OK. | 0:17:20 | 0:17:21 | |
This way, yeah? You better lead the way, mate. | 0:17:25 | 0:17:29 | |
This way. | 0:17:34 | 0:17:36 | |
-Leave go take it easy, will you. -Get off him. He's here to help Ryan. | 0:17:36 | 0:17:39 | |
I'm here to help. Get off me. | 0:17:39 | 0:17:41 | |
Get off him, man. | 0:17:41 | 0:17:42 | |
What is this? I'm here to help! All right, all right, get off me. | 0:17:42 | 0:17:46 | |
-Get off him. -What is this? | 0:17:46 | 0:17:49 | |
All right, mate. I'm Jeff. Son, I'm Jeff. I'm a paramedic. | 0:17:53 | 0:17:57 | |
-Can you tell me your name? -Ryan. | 0:17:57 | 0:17:59 | |
-OK. Ryan, let's have a look at you, mate. -How is he? | 0:17:59 | 0:18:04 | |
I don't know! I need to have a look, OK. | 0:18:04 | 0:18:06 | |
It's a head injury. They look worse than they are. | 0:18:06 | 0:18:08 | |
INDISTINCT SHOUTS | 0:18:08 | 0:18:10 | |
What's going on over there? | 0:18:10 | 0:18:12 | |
This is madness! | 0:18:15 | 0:18:17 | |
SHOUTING AND CLAPPING | 0:18:25 | 0:18:27 | |
Wait! Wait, wait, wait! I got kids. I got a family. | 0:18:35 | 0:18:40 | |
They are not going to throw him off, are they? | 0:18:40 | 0:18:43 | |
Maybe. | 0:18:43 | 0:18:44 | |
Someone's got to do something. | 0:18:46 | 0:18:47 | |
Don't interfere. | 0:18:47 | 0:18:49 | |
HE SCREAMS | 0:18:50 | 0:18:52 | |
Is he dead? | 0:18:57 | 0:18:59 | |
It's hard to tell. He's not moving. | 0:18:59 | 0:19:02 | |
INDISTINCT SHOUTS | 0:19:04 | 0:19:06 | |
Right. What is this? | 0:19:06 | 0:19:08 | |
Oi, careful. Oi, stop it. | 0:19:08 | 0:19:12 | |
All right, mind yourself! Mind yourself. | 0:19:15 | 0:19:18 | |
DIXIE: No, this is out of control. You've got to get my guys out now. | 0:19:24 | 0:19:28 | |
Tornado's probably a couple of hours off happening. | 0:19:30 | 0:19:33 | |
What's Tornado? | 0:19:33 | 0:19:34 | |
Prison officers from other prisons, trained in riot control. | 0:19:34 | 0:19:37 | |
They'll take back the prison. | 0:19:37 | 0:19:38 | |
-Is there no other way into the sick bay? -Afraid not. | 0:19:38 | 0:19:41 | |
These doors here and here are double locked. | 0:19:41 | 0:19:43 | |
If we try to open either one without being fully prepared, | 0:19:43 | 0:19:46 | |
they could take the whole prison. | 0:19:46 | 0:19:47 | |
-I can't risk that. -There must be something we can do. | 0:19:47 | 0:19:50 | |
Surely you're on radio contact with your partner? | 0:19:50 | 0:19:52 | |
Not any more I'm not, no. | 0:19:52 | 0:19:54 | |
Tom. Tom has got a phone on him. | 0:19:57 | 0:20:00 | |
Can I have an outside line, please? Thank you very much. | 0:20:00 | 0:20:03 | |
PHONE RINGS | 0:20:07 | 0:20:10 | |
Hello. | 0:20:16 | 0:20:18 | |
Tom. It's me, Dixie. Are you OK? | 0:20:18 | 0:20:21 | |
Yeah. Yeah, I'm fine. Look, it's Peter. | 0:20:21 | 0:20:23 | |
I need to get him out. | 0:20:23 | 0:20:25 | |
-Can he walk? -No. | 0:20:25 | 0:20:27 | |
Tom. This is Carol Walcott. | 0:20:27 | 0:20:28 | |
We've got an officer down in A wing. | 0:20:28 | 0:20:30 | |
I need him and the prisoner to get out of here. | 0:20:30 | 0:20:32 | |
That's not going to happen. | 0:20:32 | 0:20:33 | |
You're going to have to try to strike a deal with an inmate. | 0:20:33 | 0:20:36 | |
Tell them, if they help, their sentences won't be extended. | 0:20:36 | 0:20:38 | |
You'll find someone to bite. Just pick the right man. | 0:20:38 | 0:20:41 | |
Then what? | 0:20:41 | 0:20:42 | |
I'll come in. No prison officers. Just me. | 0:20:42 | 0:20:45 | |
Dixie, you're not in here. | 0:20:45 | 0:20:48 | |
The chances are, they'll just take you as well. | 0:20:48 | 0:20:50 | |
I'm willing to risk that. | 0:20:50 | 0:20:51 | |
I'll give you a call when I have something. | 0:20:51 | 0:20:54 | |
What do you think you're doing? | 0:20:54 | 0:20:56 | |
Have you got any better ideas? | 0:20:56 | 0:20:58 | |
Just sit down. You sit down over here. | 0:21:00 | 0:21:04 | |
It's OK. I got you. Don't move. | 0:21:04 | 0:21:09 | |
OK. Don't move. Keep still. | 0:21:09 | 0:21:11 | |
I just need to exam you, all right. Oi! | 0:21:11 | 0:21:13 | |
Where are the drugs, Mitton? | 0:21:16 | 0:21:18 | |
HE GRUNTS | 0:21:21 | 0:21:23 | |
I'm trying to help. | 0:21:23 | 0:21:25 | |
Here's your gear, boss. | 0:21:25 | 0:21:27 | |
I believe this is mine. | 0:21:28 | 0:21:30 | |
Oi, he is not a screw, man. What are you doing? | 0:21:33 | 0:21:36 | |
This has gone too far. I need it to stop now. OK? | 0:21:36 | 0:21:39 | |
Me? | 0:21:39 | 0:21:41 | |
Do you think this is good for business, eh? | 0:21:41 | 0:21:44 | |
INDISTINCT SHOUTS | 0:21:44 | 0:21:46 | |
You started this. End it. | 0:21:46 | 0:21:49 | |
Tess, can I have some help in here, please? | 0:21:56 | 0:21:58 | |
Put the back down. | 0:21:58 | 0:22:00 | |
OK, Molly. We're here. | 0:22:00 | 0:22:02 | |
-Let's get her on her side. -Just try and stay calm. | 0:22:02 | 0:22:04 | |
What's the matter with her? | 0:22:04 | 0:22:06 | |
-We're not sure. Has she ever had a fit before? -No. | 0:22:06 | 0:22:08 | |
Let's get her through to Resus, CT scan ASAP. | 0:22:08 | 0:22:10 | |
-Contact her parents. They need to be here. -OK. | 0:22:10 | 0:22:13 | |
You OK? What? | 0:22:17 | 0:22:19 | |
I'm just asking if you were OK. | 0:22:19 | 0:22:21 | |
Yes, I'm fine. Fine. | 0:22:21 | 0:22:23 | |
Have you been upsetting her? | 0:22:24 | 0:22:26 | |
No. I just asked if she was OK and she turned into a piranha. | 0:22:26 | 0:22:29 | |
There's obviously something wrong. Did you ask what it was? | 0:22:29 | 0:22:31 | |
No. I didn't want to intrude. | 0:22:31 | 0:22:33 | |
She probably wanted you to intrude and you didn't, | 0:22:33 | 0:22:36 | |
that's why she ripped your head off. Come on, Noel, it's basic psychology. | 0:22:36 | 0:22:40 | |
Leave it to me. I'll sort it out. | 0:22:40 | 0:22:42 | |
-Louise. I just... -Do me a favour, Mac. | 0:22:43 | 0:22:46 | |
Disappear before I say something I'll regret, | 0:22:46 | 0:22:49 | |
something you'll have to take with you to your grave. | 0:22:49 | 0:22:51 | |
-HE CHUCKLES -Basic psychology, eh? | 0:22:51 | 0:22:54 | |
How's Pete? | 0:23:01 | 0:23:03 | |
I need to get this patient out. | 0:23:05 | 0:23:07 | |
He's not the only one. | 0:23:07 | 0:23:08 | |
There's a screw in a bad way and they've put your mate on trial. | 0:23:08 | 0:23:11 | |
Trial? What you on about? | 0:23:11 | 0:23:13 | |
They think he's been sent to spy on them. | 0:23:13 | 0:23:15 | |
-They're holding a kangaroo court. -He came in here to help. | 0:23:15 | 0:23:18 | |
-Looks like you are in trouble, mate. -If we are, so are you too. | 0:23:18 | 0:23:21 | |
You really think they are going to let you kick off like this | 0:23:21 | 0:23:24 | |
and not do anything? | 0:23:24 | 0:23:25 | |
I might be able to do something. You know, for a price. | 0:23:30 | 0:23:35 | |
MACHINE BEEPS | 0:23:36 | 0:23:39 | |
He's gone into complete heart block. | 0:23:39 | 0:23:41 | |
Can't you do something? | 0:23:41 | 0:23:42 | |
After this, he'll have had all his atropine. | 0:23:42 | 0:23:45 | |
-Is that good or bad? -I'm going to have to do pacing. | 0:23:45 | 0:23:48 | |
Look, mate. I haven't a clue what you're talking about. | 0:23:48 | 0:23:51 | |
Listen, I need to get him out of here fast. So what do you want? | 0:23:51 | 0:23:54 | |
Do I ask you what you watch on your phone? | 0:23:59 | 0:24:02 | |
No. So don't you ask me, OK? | 0:24:02 | 0:24:04 | |
Robyn, we need the number for Molly Fisher's parents. | 0:24:06 | 0:24:09 | |
-I don't have it. -You went out with her sister, didn't you get it then? | 0:24:09 | 0:24:13 | |
No. I don't know if she even phoned. | 0:24:13 | 0:24:15 | |
I think she might be lying to us. | 0:24:15 | 0:24:17 | |
-Why didn't you say something sooner? -Because she did phone but... | 0:24:17 | 0:24:20 | |
Use your brain, that's what it's there for! | 0:24:20 | 0:24:22 | |
I'll sort it out myself, as usual. | 0:24:22 | 0:24:24 | |
-Tense or what? -Who, Tess? -Yeah. | 0:24:26 | 0:24:30 | |
-Wrong time of the month? -At her age, I don't think so. | 0:24:30 | 0:24:34 | |
HE LAUGHS | 0:24:34 | 0:24:35 | |
I think that's their number. | 0:24:35 | 0:24:37 | |
You think? Don't you have it in your phone? | 0:24:37 | 0:24:39 | |
Yeah, sorry. | 0:24:39 | 0:24:41 | |
-Yeah, that's their number. -Thank you. | 0:24:43 | 0:24:45 | |
-Tess, I got her scans. -Anything? -No, nothing at all. | 0:24:45 | 0:24:49 | |
-So we're still none of the wiser. -No. | 0:24:49 | 0:24:52 | |
They are hiding something. I'm going to ring the parents myself. | 0:24:52 | 0:24:55 | |
OK. | 0:24:55 | 0:24:57 | |
OK. OK, yeah. | 0:25:01 | 0:25:04 | |
Yeah, I understand, Tom. Just hang on a second. Lewis Gailbraith? | 0:25:05 | 0:25:09 | |
-He was the one that started all this. -Right, he'll deal. | 0:25:09 | 0:25:11 | |
He'll bring the prisoner and officer out | 0:25:11 | 0:25:13 | |
and he'll give you A wing's biggest drug dealer. | 0:25:13 | 0:25:15 | |
In exchange for what? | 0:25:15 | 0:25:17 | |
No extra time and a move to somewhere nearer his home. | 0:25:17 | 0:25:19 | |
Oi. | 0:25:25 | 0:25:28 | |
Lads, this isn't the best idea, is it? | 0:25:29 | 0:25:31 | |
He works in a hospital. | 0:25:31 | 0:25:33 | |
-Stay out of it. -He's not a screw, is he! | 0:25:33 | 0:25:35 | |
Stay out of it. | 0:25:35 | 0:25:36 | |
Guilty or not guilty? | 0:25:38 | 0:25:40 | |
CROWD BOOS | 0:25:40 | 0:25:43 | |
Oi, what you think you are doing? He works in a hospital. | 0:25:43 | 0:25:46 | |
He's not a screw. Leave him alone, man! | 0:25:46 | 0:25:48 | |
What are you doing? You're all on camera. | 0:25:48 | 0:25:50 | |
They're watching everything you're doing. | 0:25:50 | 0:25:53 | |
You got lucky with me, I'm alive. But if you harm him, | 0:25:53 | 0:25:55 | |
then they'll come at you with everything you have got. | 0:25:55 | 0:25:58 | |
One of us sick, next door. He needs to go in there and help him. | 0:25:58 | 0:26:02 | |
Isn't that right, Mr Corrigan? | 0:26:02 | 0:26:03 | |
We got to make sure these guys are OK. | 0:26:03 | 0:26:06 | |
Have him. | 0:26:09 | 0:26:11 | |
CROWD JEERS | 0:26:11 | 0:26:13 | |
GATE OPENS | 0:26:14 | 0:26:16 | |
You all right? | 0:26:16 | 0:26:18 | |
Yeah, I will be, if we ever get out of here. | 0:26:18 | 0:26:21 | |
OK, mate, take your time. Sit down for me. | 0:26:21 | 0:26:25 | |
OK, put that on your head. Keep some pressure on it. | 0:26:26 | 0:26:29 | |
How is he? | 0:26:29 | 0:26:30 | |
Been pacing. Stabilised now but still touch and go. | 0:26:30 | 0:26:33 | |
I'd say he's got an hour, max, unless we can get him out of here. | 0:26:33 | 0:26:37 | |
Louise, I've been observing you. | 0:26:43 | 0:26:45 | |
It's just, I take pride in knowing my colleagues well enough | 0:26:45 | 0:26:48 | |
to tell when...something's wrong. | 0:26:48 | 0:26:50 | |
The only thing that's wrong with me is having to put up with | 0:26:50 | 0:26:53 | |
people pestering me, asking me what's wrong. | 0:26:53 | 0:26:56 | |
-Biorhythms. -What? | 0:26:59 | 0:27:01 | |
That's what's wrong with her - biorhythms. | 0:27:01 | 0:27:03 | |
-Biorhythms? -I studied them once. | 0:27:03 | 0:27:05 | |
I trained myself to be able to spot them with the naked eye. | 0:27:05 | 0:27:08 | |
-What are they? -What they...oh. | 0:27:08 | 0:27:11 | |
Two casualties have just arrived from the nick. | 0:27:11 | 0:27:13 | |
Is there's going to be more? | 0:27:13 | 0:27:14 | |
Yes, there's another ambulance on the way in. | 0:27:14 | 0:27:16 | |
It's just, my brother's in there | 0:27:16 | 0:27:18 | |
and I'm really hoping he's done nothing stupid. | 0:27:18 | 0:27:20 | |
Right, I will see what I can find out. | 0:27:20 | 0:27:22 | |
Biorhythms? | 0:27:25 | 0:27:27 | |
Hi, baby. It's me. | 0:27:31 | 0:27:32 | |
Listen, Rochelle, things could get bad here, that's why I called you. | 0:27:32 | 0:27:37 | |
If I can get out of this, it'll be the last time. | 0:27:37 | 0:27:42 | |
I promise, baby. See you. | 0:27:42 | 0:27:45 | |
Come on, Lewis. I need to speak to my partner now. | 0:27:45 | 0:27:47 | |
PHONE BEEPS | 0:27:47 | 0:27:49 | |
Give me that. | 0:27:49 | 0:27:50 | |
Dixie. | 0:27:55 | 0:27:56 | |
COMMOTION IN DISTANCE | 0:27:56 | 0:27:58 | |
I'm going to need your help. | 0:27:58 | 0:27:59 | |
I'm sorry. | 0:28:01 | 0:28:03 | |
Tom, I'm sorry. | 0:28:03 | 0:28:06 | |
What, what? | 0:28:06 | 0:28:08 | |
I lied to you. I'm sorry I lied to you. | 0:28:08 | 0:28:12 | |
What are you talking about? | 0:28:12 | 0:28:13 | |
The reason I'm in here is not cos I killed a fence. | 0:28:13 | 0:28:18 | |
It was a woman I killed, | 0:28:18 | 0:28:20 | |
a woman I was living with at the time. | 0:28:20 | 0:28:23 | |
I didn't mean to do it, it was a knife. | 0:28:23 | 0:28:26 | |
You don't have to do this. | 0:28:28 | 0:28:30 | |
I'll get one of our officers to put your jacket on. | 0:28:30 | 0:28:32 | |
No. If I did that, I'd never hear the end of it. | 0:28:32 | 0:28:35 | |
You in the front. In through that door from there. | 0:28:35 | 0:28:37 | |
Everybody else, nice and tight behind them. | 0:28:37 | 0:28:40 | |
DISTANT SHOUTS | 0:28:40 | 0:28:42 | |
I'm glad to see you. | 0:28:47 | 0:28:49 | |
-You all right, sweet? -Yeah, you? Go, go, go. -OK, son. | 0:28:49 | 0:28:51 | |
Go, go, go, go, go. | 0:28:51 | 0:28:53 | |
All right, mate, listen. | 0:28:56 | 0:28:58 | |
When he says, grab a leg and lift him, all right. | 0:28:58 | 0:29:00 | |
Yeah. On three, OK. Ready, everyone. One, two, three. Go. | 0:29:00 | 0:29:03 | |
-Go, go, go. -Get him. OK. On. Got some oxygen, Tom? | 0:29:03 | 0:29:06 | |
-Yeah, yeah. -OK, fella, let's go. | 0:29:06 | 0:29:08 | |
Got it? Don't mess about, Tom, don't mess about. | 0:29:08 | 0:29:11 | |
On the move, please. Go. | 0:29:11 | 0:29:12 | |
-Got to move now, Tom. -Watch that bag. | 0:29:12 | 0:29:15 | |
Go! | 0:29:15 | 0:29:17 | |
-Get it open. -Open the gate! | 0:29:20 | 0:29:22 | |
OK, Tornado, here they come. | 0:29:30 | 0:29:31 | |
Tornado, they're out. Go, go, go. | 0:29:35 | 0:29:37 | |
The number you gave me is disconnected. | 0:29:39 | 0:29:41 | |
It'll have run out of credit. It's a pay-as-you-go. | 0:29:41 | 0:29:44 | |
Chelsea, your sister is very poorly. | 0:29:44 | 0:29:46 | |
It's very important we contact your parents. | 0:29:46 | 0:29:49 | |
I've told you, they're on their way. | 0:29:49 | 0:29:51 | |
I don't believe you. What's going on, Chelsea? | 0:29:51 | 0:29:55 | |
Molly, are your headaches worse at home? | 0:29:56 | 0:29:59 | |
Yes. | 0:29:59 | 0:30:00 | |
Right, is there anyone else at home that gets these headaches? | 0:30:00 | 0:30:03 | |
-Brandon gets them. -Brandon? Who's Brandon? | 0:30:03 | 0:30:06 | |
I. I... | 0:30:06 | 0:30:08 | |
It's OK, Molly, you can tell us. Who's Brandon? | 0:30:08 | 0:30:10 | |
Because if he's getting the headaches as well, | 0:30:10 | 0:30:13 | |
he could be as poorly as you. | 0:30:13 | 0:30:14 | |
He's my brother. | 0:30:14 | 0:30:16 | |
OK. | 0:30:16 | 0:30:17 | |
Dr Hanna. The first casualties from the prison are here | 0:30:17 | 0:30:21 | |
and Charlie needs you. | 0:30:21 | 0:30:23 | |
OK, you stay with Tess. | 0:30:23 | 0:30:25 | |
Chelsea, it's time to tell the truth. | 0:30:25 | 0:30:28 | |
Where are your parents and where's Brandon? | 0:30:28 | 0:30:30 | |
-He's with my mum and dad. -And how old is he? | 0:30:30 | 0:30:33 | |
Five. | 0:30:33 | 0:30:34 | |
Chelsea, Molly has told us that Brandon gets headaches. | 0:30:34 | 0:30:38 | |
If so, we need to get him to see a doctor. Where are they? | 0:30:38 | 0:30:42 | |
Brandon's not with my mum and dad. | 0:30:46 | 0:30:49 | |
He's at home...by himself. | 0:30:49 | 0:30:52 | |
-What's the damage? -They're all out. | 0:31:06 | 0:31:08 | |
That's something. Listen, Jack. Thanks for going with it. | 0:31:08 | 0:31:10 | |
I wouldn't have done it like that. I'd have gone in all guns blazing. | 0:31:10 | 0:31:14 | |
But it was a good call. You got it spot-on. | 0:31:14 | 0:31:17 | |
Thanks. Is he going to be all right? | 0:31:17 | 0:31:19 | |
Yeah. Yeah, we hope so. | 0:31:19 | 0:31:21 | |
-OK, we all set to pace? -What rate? -80. | 0:31:22 | 0:31:25 | |
BUTTONS BEEP | 0:31:25 | 0:31:27 | |
OK, set. | 0:31:27 | 0:31:28 | |
-OK, good. We got capture. We need to get going now, Dix. -OK. | 0:31:29 | 0:31:33 | |
Come on, Dixie, Jeff is going with Mitton. | 0:31:33 | 0:31:36 | |
SIREN WAILS | 0:31:40 | 0:31:42 | |
What you going to do? | 0:31:46 | 0:31:48 | |
I don't know yet. | 0:31:48 | 0:31:50 | |
There's only us that know. Can't we just keep it at that? | 0:31:50 | 0:31:53 | |
Not really that easy. | 0:31:53 | 0:31:54 | |
Today was my last time, I promise. | 0:31:54 | 0:31:56 | |
Corrigan can be really devious. | 0:31:58 | 0:32:00 | |
He's got a load of inmates that he uses. | 0:32:00 | 0:32:03 | |
There was this kid. Just 18. First time offender. | 0:32:03 | 0:32:06 | |
Way out of his depth. He asks if I could get him | 0:32:06 | 0:32:09 | |
some extra fags and some chocolate. Said if I did that | 0:32:09 | 0:32:13 | |
he'd get me tickets to a premiership game. My boy, he really loved it. | 0:32:13 | 0:32:18 | |
So you're running drugs? | 0:32:18 | 0:32:20 | |
Yeah, before I know it, Corrigan is using it to blackmail me. | 0:32:20 | 0:32:24 | |
And fags and chocolate, well, they become smack and speed. | 0:32:24 | 0:32:26 | |
Maybe you should have thought about that before you stepped | 0:32:26 | 0:32:29 | |
-out of line in the first place. -Yeah, but it's easy for you to say. | 0:32:29 | 0:32:32 | |
You're not stuck there 24 hours a day, cooped up, being paid peanuts. | 0:32:32 | 0:32:35 | |
Let's not get into who gets paid what. I work for the NHS. | 0:32:35 | 0:32:39 | |
Look, I made a mistake, all right. I wish I hadn't. | 0:32:41 | 0:32:46 | |
But, if I get caught, not only am I going to lose my job, | 0:32:46 | 0:32:50 | |
but my kids...they are going to lose a father. | 0:32:50 | 0:32:53 | |
You all right? | 0:32:56 | 0:32:58 | |
Yeah. Yeah. | 0:32:58 | 0:32:59 | |
OK, come on, Peter. Take it easy. | 0:33:01 | 0:33:04 | |
-Is that entirely necessary? -It really is. | 0:33:04 | 0:33:06 | |
He's not going anywhere, is he? | 0:33:06 | 0:33:08 | |
He's all right, mate. He's safe. He's not going anywhere. | 0:33:08 | 0:33:12 | |
-Resus, go, go, go. -Honestly. | 0:33:12 | 0:33:13 | |
Let's have you out, mate, nice and slowly. Take your time. | 0:33:15 | 0:33:18 | |
Can you grab that chair, please? | 0:33:18 | 0:33:19 | |
Quick as you can, mate. I want to get him in. | 0:33:19 | 0:33:22 | |
He's not looking too clever. | 0:33:22 | 0:33:23 | |
HE GROANS | 0:33:23 | 0:33:25 | |
Slowly, slowly. Let's go, let's go, let's go. | 0:33:25 | 0:33:27 | |
-OK, far bed, Dixie. -What have we got? | 0:33:30 | 0:33:32 | |
Peter Marshall. 59. | 0:33:32 | 0:33:34 | |
He's been suffering chest pains for the last three hours. | 0:33:34 | 0:33:37 | |
He's had GTN and 300 of aspirin from the nurse in situ. | 0:33:37 | 0:33:40 | |
Hang on, we need to get the handcuffs off. Where's the guard? | 0:33:40 | 0:33:43 | |
Guard! Right, can you un-cuff him, please? | 0:33:43 | 0:33:45 | |
A 12-lead ECG showed elevation in the inferior leads. | 0:33:45 | 0:33:50 | |
Right, can we get him over, please? On three. One, two, three. | 0:33:50 | 0:33:56 | |
OK, he's had three of atropine and five of morphine. | 0:33:56 | 0:34:01 | |
His heart went into complete block. | 0:34:01 | 0:34:04 | |
Let's get another 12-lead and alert the cardiology SPR and the cath lab. | 0:34:04 | 0:34:08 | |
He'll need a primary PCI as well. | 0:34:08 | 0:34:11 | |
Peter, can you hear me? How you feeling? | 0:34:11 | 0:34:14 | |
-Not good. -Do you have any pain still? -Yeah. | 0:34:14 | 0:34:17 | |
OK, let's give him five of morphine please. Quick as we can. | 0:34:17 | 0:34:21 | |
He is now on external. I think he's going to need a temporary | 0:34:21 | 0:34:24 | |
pacing wire before his PCI. | 0:34:24 | 0:34:25 | |
OK. Can someone wake up the cardiologist, please? | 0:34:25 | 0:34:28 | |
Tom. Tom. Don't go, please. | 0:34:28 | 0:34:31 | |
You're all I've got. | 0:34:31 | 0:34:34 | |
He's got a significant head injury and was KO'd | 0:34:43 | 0:34:45 | |
and he's refused all spinal care. | 0:34:45 | 0:34:48 | |
It looks like you have a fractured collar bone and severe bruising | 0:34:48 | 0:34:51 | |
to the back and side. Can you tell me what happened? | 0:34:51 | 0:34:53 | |
-You don't want to know. -Well, it might help things if I did know. | 0:34:53 | 0:34:57 | |
Can we get my wife on the phone? I want to speak to her, please. | 0:34:57 | 0:35:00 | |
Of course. We'll contact her for you. | 0:35:00 | 0:35:01 | |
Jamie, could you start cleaning up his head wound, | 0:35:01 | 0:35:04 | |
-and get him up onto the bed, please? -Yep. | 0:35:04 | 0:35:07 | |
Back in a sec. | 0:35:07 | 0:35:08 | |
You're back. You OK? | 0:35:13 | 0:35:15 | |
-Yeah, just about. -What happened? | 0:35:15 | 0:35:18 | |
Well, when they locked the door, we were on the wrong side. | 0:35:18 | 0:35:20 | |
Talk about the lunatics taking over the asylum. | 0:35:20 | 0:35:23 | |
What about your father? How did that go? | 0:35:23 | 0:35:26 | |
He killed someone, Sam. | 0:35:26 | 0:35:28 | |
A woman he was living with, he stabbed her. | 0:35:28 | 0:35:30 | |
You don't think you're like him? No. Tom... | 0:35:30 | 0:35:33 | |
So why did you make me to go and see him? | 0:35:33 | 0:35:35 | |
I thought you were angry because you didn't know why you'd been adopted. | 0:35:35 | 0:35:39 | |
Not because I thought you'd inherited some kind of destructive gene. | 0:35:39 | 0:35:43 | |
Sam! | 0:35:44 | 0:35:46 | |
David. | 0:35:48 | 0:35:49 | |
David. Are you OK? | 0:35:51 | 0:35:53 | |
Where am I? I need to be at work? | 0:35:53 | 0:35:55 | |
Whoa! OK. OK. | 0:35:55 | 0:35:56 | |
Jamie, can you order a CT scan? Get on to it. Tell them it's urgent. | 0:35:56 | 0:36:00 | |
Tom, do you know what happened to him? | 0:36:00 | 0:36:02 | |
He was thrown over a balcony. Like I said, lunatics. | 0:36:02 | 0:36:06 | |
OK. Brandon's five, she's given me an address. | 0:36:06 | 0:36:08 | |
Whether it's the right one or not, who knows? | 0:36:08 | 0:36:10 | |
He's on his own. Right, we need to sort this out. Dixie, are you free? | 0:36:10 | 0:36:13 | |
Yeah. Jeff's just getting patched up. | 0:36:13 | 0:36:15 | |
-I need you to do us a favour. Will you get the sister? -Yeah. | 0:36:15 | 0:36:18 | |
There is a five-year-old boy home alone. Will you check it out? | 0:36:18 | 0:36:20 | |
He's had boiling water poured on his head and arm during the riot. | 0:36:20 | 0:36:24 | |
I think he's was lucky. | 0:36:24 | 0:36:25 | |
The burns look superficial with only small areas of blistering. | 0:36:25 | 0:36:29 | |
Right, well, let's dress them down here and I'll call plastics | 0:36:30 | 0:36:34 | |
to come down and take a look. | 0:36:34 | 0:36:36 | |
-Just wanted to see how you were doing. -I'm alive. | 0:36:36 | 0:36:40 | |
Hey, we got out because of you. | 0:36:40 | 0:36:42 | |
Hey, can you do me a favour? | 0:36:44 | 0:36:46 | |
I need to call my woman. Tell her I'm not dead. | 0:36:46 | 0:36:49 | |
But they won't let me. | 0:36:49 | 0:36:50 | |
We got out, didn't we? Nobody died. | 0:36:50 | 0:36:53 | |
Listen. Let me see what I can do, OK. | 0:36:53 | 0:36:55 | |
Lead on, kid. You still with us, Norman? | 0:36:56 | 0:37:00 | |
Right behind you. | 0:37:00 | 0:37:01 | |
Got your iron lung? | 0:37:01 | 0:37:03 | |
Brandon, it's only me. | 0:37:03 | 0:37:05 | |
LIGHT SWITCH CLICKS | 0:37:05 | 0:37:07 | |
-No lights? -They're not working. | 0:37:07 | 0:37:10 | |
OK. | 0:37:10 | 0:37:12 | |
Molly and Brandon sleep in the same room. | 0:37:12 | 0:37:14 | |
Brandon gets scared of the dark. | 0:37:14 | 0:37:17 | |
OK. Brandon! | 0:37:17 | 0:37:18 | |
Brandon. | 0:37:18 | 0:37:20 | |
Whose is this room? | 0:37:23 | 0:37:24 | |
Mum and Dad's. Brandon's in here. | 0:37:24 | 0:37:26 | |
Brandon? | 0:37:28 | 0:37:29 | |
Brandon. Brandon! | 0:37:29 | 0:37:31 | |
-Norman. -Doesn't looked lived in. -He's here, mate. | 0:37:31 | 0:37:33 | |
Out of the way, love. | 0:37:33 | 0:37:35 | |
There's tape on that flue. Could be a CO leak. | 0:37:36 | 0:37:39 | |
Better get him out. | 0:37:39 | 0:37:40 | |
Is he going to be all right? Please, let him be all right. | 0:37:40 | 0:37:43 | |
-Let's just get you downstairs. -Brandon. | 0:37:43 | 0:37:46 | |
Come on, my darling. I got you. I got you. OK. | 0:37:46 | 0:37:49 | |
-OK. Come on, Chelsea. Keep going for me, please, love. -OK. | 0:37:51 | 0:37:54 | |
OK, you know what. I'm just going to have a little look at him, OK. | 0:37:56 | 0:37:59 | |
Let's mind out the way, please. | 0:37:59 | 0:38:01 | |
OK. Good boy. Let's have a look. | 0:38:01 | 0:38:04 | |
Let's see. He's still breathing. | 0:38:04 | 0:38:08 | |
What's the matter with him? | 0:38:08 | 0:38:09 | |
At a guess, it's carbon monoxide poisoning. | 0:38:09 | 0:38:12 | |
-Oxygen. -Dodgy landlord, dodgy boiler, eh. | 0:38:12 | 0:38:15 | |
(CRYING) I'm so sorry, Brandon. I'm so sorry. | 0:38:15 | 0:38:18 | |
I shouldn't have left you. I shouldn't. | 0:38:18 | 0:38:20 | |
Do you want to tell me what's going on, Chelsea? | 0:38:20 | 0:38:23 | |
-I... -What? | 0:38:23 | 0:38:24 | |
I was just trying to keep us together. | 0:38:24 | 0:38:26 | |
What, you, Molly and Brandon? Where's your mum and dad? | 0:38:26 | 0:38:30 | |
Where are they, Chelsea? Did they have to go away? | 0:38:32 | 0:38:35 | |
Chelsea? | 0:38:35 | 0:38:37 | |
Our dad left. Five years ago. | 0:38:37 | 0:38:40 | |
Right, where's your mum? | 0:38:40 | 0:38:42 | |
She had cancer and she... | 0:38:42 | 0:38:45 | |
I tried. I really tried. | 0:38:45 | 0:38:48 | |
All right, darling. It's OK. It's all right, love. | 0:38:48 | 0:38:52 | |
OK. | 0:38:52 | 0:38:53 | |
-I've been so worried about you. You're OK, yeah? -Yeah. | 0:38:56 | 0:39:00 | |
-Come here. Oh. -It's all right. | 0:39:00 | 0:39:02 | |
Look after yourself, promise me. | 0:39:02 | 0:39:05 | |
OK. Oh, it's Mark, he's OK. | 0:39:05 | 0:39:08 | |
So your brother is a prison officer then? | 0:39:08 | 0:39:10 | |
Yeah. What, did you think he was a criminal? | 0:39:10 | 0:39:14 | |
BOTH: No. No. | 0:39:14 | 0:39:17 | |
-This is Brandon Fisher. -Whoa, whoa, whoa. | 0:39:22 | 0:39:24 | |
He is five years old. | 0:39:24 | 0:39:26 | |
Found unconscious on his bed, with a GCS of four. | 0:39:26 | 0:39:28 | |
I strongly suspect carbon monoxide poisoning. I've got him | 0:39:28 | 0:39:31 | |
on 100% O2 but he is not showing much sign of improvement. | 0:39:31 | 0:39:34 | |
Let's get him straight through to Resus. | 0:39:34 | 0:39:36 | |
We've got an anaesthetist standing by. | 0:39:36 | 0:39:38 | |
OK, there was no dad present at the scene and mum died about a year ago. | 0:39:38 | 0:39:42 | |
-A year ago! -Yeah. | 0:39:42 | 0:39:43 | |
Chelsea's been looking after the younger two. | 0:39:43 | 0:39:46 | |
Didn't want them splitting up. So she lied about her age, | 0:39:46 | 0:39:50 | |
filled in the forms, paid the rent, got lost in the system. | 0:39:50 | 0:39:54 | |
OK, can we get him over, please, boys and girls. Nice and gently. | 0:39:54 | 0:39:58 | |
Everyone got a bit? ALL: Yeah. On three. One, two, three. | 0:39:58 | 0:40:03 | |
There we go. All right. Thank you. | 0:40:03 | 0:40:06 | |
I'll give social services a call. | 0:40:11 | 0:40:13 | |
Thanks, Tess, I think she'll be relieved. | 0:40:13 | 0:40:15 | |
-Oh, hello. -Hi. | 0:40:17 | 0:40:19 | |
-I take it things got worse then. -No. This was an accident. | 0:40:19 | 0:40:22 | |
I went on the wing after they'd decided they'd had enough. | 0:40:22 | 0:40:24 | |
Check the damage. Water all over the floor and I slipped. | 0:40:24 | 0:40:27 | |
The nurse thinks it's broken, so here I am. | 0:40:27 | 0:40:29 | |
-Right, well, I'll get you checked out. -Thanks. | 0:40:29 | 0:40:32 | |
So who is looking after the gaff then? | 0:40:32 | 0:40:33 | |
Jack. I thought it would be best for both of us. | 0:40:33 | 0:40:36 | |
He's a bit old school, if you ask me. | 0:40:36 | 0:40:37 | |
There's an unspoken agreement between the screws and the inmates. | 0:40:37 | 0:40:40 | |
There's a set of rules and we both stick to. | 0:40:40 | 0:40:42 | |
If someone breaks them, days like today happen. | 0:40:42 | 0:40:44 | |
-So who broke the rules? -Jack. | 0:40:44 | 0:40:46 | |
What did he do? | 0:40:46 | 0:40:47 | |
He cancelled visiting. | 0:40:47 | 0:40:49 | |
You don't have to beat anyone up or deprive them of food. | 0:40:49 | 0:40:51 | |
You just have to cancel visiting. It's all a balancing act. | 0:40:51 | 0:40:54 | |
Do you know where Dave Mitton is, | 0:40:54 | 0:40:56 | |
the prison officer who came in with your partner? | 0:40:56 | 0:40:58 | |
Tom. Dave Mitton, the prison officer, do you know where he is? | 0:40:58 | 0:41:02 | |
Yeah, he's in theatre. He's got a subdural hematoma. | 0:41:02 | 0:41:05 | |
How is he? | 0:41:05 | 0:41:06 | |
His chances aren't great. I've just had to call his wife. | 0:41:06 | 0:41:10 | |
That's tough. So what happens now? | 0:41:10 | 0:41:13 | |
If he dies, we're looking at a murder charge. If he lives, | 0:41:13 | 0:41:16 | |
we'll have to see if he's fit enough to stand trial. | 0:41:16 | 0:41:18 | |
Trial, what for? | 0:41:18 | 0:41:20 | |
Our friend Dave has been smuggling in drugs. | 0:41:20 | 0:41:23 | |
I don't get it, you're a prison officer and you smuggle in drugs. | 0:41:23 | 0:41:26 | |
There is one other thing. Lewis Gailbraith. | 0:41:26 | 0:41:28 | |
I'm upholding my end of the bargain. He'll get relocated. | 0:41:30 | 0:41:34 | |
Great, but we wouldn't have got out without him and he is asking | 0:41:34 | 0:41:37 | |
for permission to call his girlfriend | 0:41:37 | 0:41:39 | |
and he is saying he's not allowed. | 0:41:39 | 0:41:41 | |
-I think we can make an exception, just this once. -Thanks. | 0:41:41 | 0:41:44 | |
Permission from the boss. | 0:41:46 | 0:41:48 | |
One call. | 0:41:49 | 0:41:51 | |
One call. Cheers. | 0:41:51 | 0:41:52 | |
Jamie. Will you do me a favour, can you look after this patient, please? | 0:41:52 | 0:41:56 | |
-Sure. -Star treatment - she's had a really tough day. | 0:41:56 | 0:41:59 | |
OK, Dixie. | 0:41:59 | 0:42:01 | |
Thanks for what you did today. | 0:42:01 | 0:42:03 | |
We're all on the same side, aren't we? | 0:42:03 | 0:42:06 | |
Do you fancy a drink sometime? | 0:42:06 | 0:42:08 | |
-Yeah. Yeah, I'm up for that. -Tomorrow night? | 0:42:08 | 0:42:13 | |
-Perfect. -It's a date. I'll call you. | 0:42:13 | 0:42:15 | |
-But you haven't got my number. -I'll think you'll find I have. | 0:42:15 | 0:42:18 | |
OK. | 0:42:19 | 0:42:21 | |
Where's Molly? | 0:42:27 | 0:42:28 | |
They've taken her onto a ward. | 0:42:28 | 0:42:30 | |
I'll get someone to show you where she is. | 0:42:30 | 0:42:32 | |
Social services will want to speak with you. | 0:42:32 | 0:42:34 | |
Listen, Chelsea, the good news is that we saved him. | 0:42:36 | 0:42:39 | |
We got there in time. We've given him some special oxygen | 0:42:39 | 0:42:42 | |
and we are confident that Brandon will make a full recovery. | 0:42:42 | 0:42:45 | |
I messed up. I got it all wrong. | 0:42:45 | 0:42:48 | |
No, you just did what you thought was the right thing to do. | 0:42:48 | 0:42:52 | |
Come on, let's get you a drink of something. | 0:42:53 | 0:42:56 | |
Sorry, Brandon. | 0:43:01 | 0:43:03 | |
How is he? | 0:43:08 | 0:43:09 | |
As well as can be expected after what he's been through. | 0:43:09 | 0:43:12 | |
-What's his connection with Tom? -He's his dad. | 0:43:12 | 0:43:15 | |
I didn't see that one coming. | 0:43:15 | 0:43:17 | |
Tess, how is she? | 0:43:18 | 0:43:19 | |
-I think she is going to be fine. -And you? How are you? | 0:43:19 | 0:43:23 | |
Bit numb, really. | 0:43:25 | 0:43:26 | |
What you going to do? | 0:43:26 | 0:43:28 | |
I can't keep it, Zoe. I just can't. | 0:43:29 | 0:43:32 | |
I'm Sam. | 0:43:39 | 0:43:40 | |
Do I know you? | 0:43:43 | 0:43:45 | |
No, but I know your son. | 0:43:45 | 0:43:49 | |
And the reason he came to see you is because I asked him to. | 0:43:49 | 0:43:52 | |
Ah. | 0:43:52 | 0:43:54 | |
Well, thanks. At least I got to see him. | 0:43:55 | 0:43:58 | |
I also know the only reason you wrote to him | 0:43:58 | 0:44:00 | |
is because you have a parole hearing coming up. | 0:44:00 | 0:44:04 | |
Well, that's true. | 0:44:04 | 0:44:06 | |
But I'd wanted to do it for a long time. | 0:44:06 | 0:44:08 | |
I just didn't have the courage. | 0:44:08 | 0:44:11 | |
Anyway...even if I never see him again, I'm glad he came. | 0:44:11 | 0:44:15 | |
I needed to tell him the truth. I needed to say sorry. | 0:44:15 | 0:44:20 | |
Tom. | 0:44:22 | 0:44:24 | |
MONITOR BEEPS RAPIDLY | 0:44:31 | 0:44:33 | |
He's arrested. Can I have some help here, please? | 0:44:33 | 0:44:36 | |
He's in VF. | 0:44:38 | 0:44:39 | |
We've got this, Tom. | 0:44:41 | 0:44:42 | |
What happened? | 0:44:45 | 0:44:46 | |
He's arrested and he is still in VF. | 0:44:46 | 0:44:48 | |
OK, let's get ready to shock, guys. OK, charge to 200. | 0:44:48 | 0:44:51 | |
Charging. | 0:44:51 | 0:44:53 | |
MACHINE BEEPS | 0:44:53 | 0:44:54 | |
Charged. | 0:44:54 | 0:44:55 | |
All clear. Shock. | 0:44:55 | 0:44:58 | |
Shocking. | 0:44:58 | 0:45:00 | |
Still in VF. Go again. | 0:45:03 | 0:45:06 | |
Charge to 200. | 0:45:07 | 0:45:09 | |
Charging. | 0:45:09 | 0:45:10 | |
MACHINE BEEPS | 0:45:10 | 0:45:11 | |
-Charged. -All clear. | 0:45:11 | 0:45:13 | |
Shock. | 0:45:16 | 0:45:18 | |
BEEPING REGULATES | 0:45:18 | 0:45:20 | |
OK, Sam. Karen, could you take over massage, please? | 0:45:24 | 0:45:27 | |
Can we get 1mg of adrenaline, please? | 0:45:27 | 0:45:30 | |
And he will need to back to the cath lab. | 0:45:30 | 0:45:33 | |
Chelsea, this is Juliet. She is going to be your social worker. | 0:45:36 | 0:45:39 | |
She will look after you. | 0:45:39 | 0:45:41 | |
Hey, Chelsea. Come on, it's OK. Thank you. | 0:45:41 | 0:45:43 | |
CHELSEA SOBS | 0:45:43 | 0:45:44 | |
Come on, let's get you sorted. | 0:45:44 | 0:45:46 | |
Do you think you will see him again? | 0:46:07 | 0:46:10 | |
I don't know. I don't know what I'll do. | 0:46:10 | 0:46:13 | |
He may not even recover. | 0:46:14 | 0:46:16 | |
I should never have asked you to go. | 0:46:18 | 0:46:20 | |
Yes, you should. | 0:46:20 | 0:46:21 | |
I know I have problems, Sam. I know I do. | 0:46:23 | 0:46:27 | |
But now, meeting him... | 0:46:29 | 0:46:32 | |
I know the only way is for me to figure it out by myself. | 0:46:32 | 0:46:36 | |
And understanding him isn't going to help me do that. | 0:46:36 | 0:46:39 | |
I need to know who I am. Not who he is. | 0:46:39 | 0:46:43 | |
Are you sure you want to do that? | 0:46:43 | 0:46:45 | |
Yeah, yeah, I do. | 0:46:45 | 0:46:47 | |
Well, maybe I can try to help. | 0:46:49 | 0:46:51 | |
Having me around might make things easier. | 0:46:51 | 0:46:54 | |
Jeff. Are you all right? | 0:47:07 | 0:47:08 | |
Yeah. Just a few cuts and bruises, that's all. | 0:47:08 | 0:47:11 | |
-I was worried about you. -Yeah? -Yeah. | 0:47:11 | 0:47:13 | |
Aw! Nice to be cared about, isn't it? | 0:47:13 | 0:47:15 | |
It wasn't that, it's just, I fancied a pint | 0:47:15 | 0:47:18 | |
and didn't want you to get out of the way. | 0:47:18 | 0:47:20 | |
No chance. Come on then. | 0:47:20 | 0:47:22 | |
What a day! | 0:47:22 | 0:47:23 | |
So calm out here and crazy in there. | 0:47:26 | 0:47:29 | |
Tess! Tess! Wait up! | 0:47:30 | 0:47:33 | |
Sometimes I wonder how Tess does it. Nothing ever fazes her! | 0:47:34 | 0:47:38 | |
I don't know. Good friends and keeping life simple. | 0:47:38 | 0:47:41 | |
Yeah, sometimes I wish my life had been simpler. | 0:47:41 | 0:47:45 | |
Complications are good. | 0:47:45 | 0:47:47 | |
Will you always think like that? | 0:47:47 | 0:47:49 | |
Yes, always. | 0:47:49 | 0:47:51 | |
Wow, slow it down. | 0:48:11 | 0:48:13 | |
I'm Dr Lily Chao. I have an appointment with Dr Hanna. | 0:48:13 | 0:48:16 | |
Leave him alone. | 0:48:17 | 0:48:19 | |
You don't look a bit like a Dixie. | 0:48:19 | 0:48:21 | |
No, what do I look like then? | 0:48:21 | 0:48:23 | |
Doris. | 0:48:23 | 0:48:25 | |
If one thing doesn't work, you try another | 0:48:25 | 0:48:27 | |
and if nothing works, they die. Absolute. | 0:48:27 | 0:48:30 | |
Tony what? | 0:48:33 | 0:48:36 | |
Smith. Tony Smith. | 0:48:36 | 0:48:39 | |
I am not trying to arrest you, I am trying to help you. | 0:48:39 | 0:48:41 | |
-Lily. -If he's Tony Smith, I'm Lady Gaga. | 0:48:41 | 0:48:44 | |
Subtitles by Red Bee Media Ltd | 0:48:56 | 0:48:59 |