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Argh! | 0:00:02 | 0:00:03 | |
Connie, right? I have seen your picture. | 0:00:04 | 0:00:07 | |
Well, let's get her to HDC, please. It's more private. | 0:00:07 | 0:00:10 | |
It takes guts to confront a criminal. | 0:00:10 | 0:00:12 | |
Noel's lucky he has a mate like you. | 0:00:12 | 0:00:13 | |
All you care about is your precious job. | 0:00:13 | 0:00:15 | |
I don't want to see you because I hate you. | 0:00:15 | 0:00:17 | |
The aneurism is way above the aortic coarctation. | 0:00:20 | 0:00:23 | |
If you get it right, a single clamp will hold. | 0:00:23 | 0:00:25 | |
I know. Thank you. I've got it. | 0:00:25 | 0:00:27 | |
Mum. You were awesome. | 0:00:27 | 0:00:28 | |
Look, if you're going to force a budget meeting on me, | 0:01:04 | 0:01:06 | |
I'd appreciate a little more notice. | 0:01:06 | 0:01:08 | |
Don't make me laugh. It hurts. | 0:01:12 | 0:01:15 | |
Mum! | 0:01:15 | 0:01:17 | |
All right, darling? Feeling better, I see. | 0:01:17 | 0:01:21 | |
Being entertained by the latest Don't Tell The Bride. | 0:01:21 | 0:01:24 | |
Well, I hope we're looking after you? | 0:01:24 | 0:01:26 | |
Of course. They all worship the ground Sam walks on. | 0:01:26 | 0:01:29 | |
And they're all really scared of you! | 0:01:29 | 0:01:31 | |
Yeah, that's the way we like it. | 0:01:31 | 0:01:33 | |
Really, everyone's been great. | 0:01:33 | 0:01:35 | |
If it wasn't for the Wi-Fi, I wouldn't be leaving. | 0:01:35 | 0:01:37 | |
Leaving? | 0:01:37 | 0:01:38 | |
Well, they're going to send me on my way in the next few days, anyway, | 0:01:38 | 0:01:41 | |
so Sam's organising a room somewhere until I can fly. | 0:01:41 | 0:01:44 | |
Oh. The Princess Anne? | 0:01:44 | 0:01:46 | |
Something like that. | 0:01:46 | 0:01:47 | |
Nothing but the best, eh? | 0:01:47 | 0:01:48 | |
I suppose that gives us a little more time to explore the shops. | 0:01:48 | 0:01:52 | |
That's not up to me, cupcake. | 0:01:54 | 0:01:57 | |
What? | 0:01:57 | 0:01:58 | |
I think... | 0:01:59 | 0:02:02 | |
Sam will explain. | 0:02:02 | 0:02:03 | |
Explain what? | 0:02:07 | 0:02:08 | |
Hey. | 0:02:15 | 0:02:16 | |
Hey. | 0:02:16 | 0:02:17 | |
I got the tickets, like you told me to. | 0:02:17 | 0:02:20 | |
It's OK. No-one followed me. | 0:02:21 | 0:02:24 | |
You sure you want to do this? | 0:02:25 | 0:02:27 | |
Sure. | 0:02:32 | 0:02:33 | |
Right. Let's get you out of these clothes. Come on. | 0:02:33 | 0:02:36 | |
What do you mean, tonight? | 0:02:39 | 0:02:40 | |
-I've got work, Gracie's got school, so the company's... -What? | 0:02:40 | 0:02:43 | |
..booked us on a connect to our New York flight. | 0:02:43 | 0:02:46 | |
Right, just leave Emma. How chivalrous(!) | 0:02:46 | 0:02:48 | |
Emma knows that Gracie comes first. The peace will do her good. | 0:02:48 | 0:02:52 | |
It's for the best, Connie. | 0:02:52 | 0:02:54 | |
Really? For you or for Grace? I mean, Sam, | 0:02:54 | 0:02:56 | |
you can't just whisk her away. It's not fair on her... | 0:02:56 | 0:02:59 | |
Don't get me wrong - what you did for Emma - you've been brilliant, | 0:02:59 | 0:03:01 | |
-and I know Grace is totally blown over by this... -Don't patronise me. | 0:03:01 | 0:03:04 | |
It's just, you have to remember she has to go back without you. | 0:03:04 | 0:03:08 | |
Well aware of that, thank you. | 0:03:10 | 0:03:12 | |
But what you may not be aware of | 0:03:12 | 0:03:14 | |
is every time after you have been in touch, be it by phone, e-mail, | 0:03:14 | 0:03:18 | |
Skype, whatever, there's a massive backlash. | 0:03:18 | 0:03:22 | |
She gets very tearful, down, anxious. | 0:03:22 | 0:03:26 | |
It's very destabilising for her. | 0:03:26 | 0:03:29 | |
And...we're the ones who have to pick up the pieces. | 0:03:29 | 0:03:33 | |
So what's your plan? Keep us apart? | 0:03:36 | 0:03:40 | |
No. | 0:03:40 | 0:03:42 | |
Get her back to her routine ASAP. | 0:03:42 | 0:03:45 | |
If you want to see her, you know where she is. | 0:03:45 | 0:03:48 | |
Look, I'm sorry I couldn't give you more notice. | 0:03:50 | 0:03:54 | |
If you can take time off, you can both have lunch or something. | 0:03:55 | 0:03:58 | |
Lunch? | 0:03:58 | 0:04:00 | |
Connie, don't start this. | 0:04:00 | 0:04:01 | |
Like it or not, we're both going home tonight. | 0:04:01 | 0:04:04 | |
You'll just have to swallow that one. | 0:04:04 | 0:04:07 | |
It's just a great opportunity, isn't it? It's very prestigious. | 0:04:10 | 0:04:14 | |
It'll add a fantastic set of skills to your CV. | 0:04:14 | 0:04:17 | |
Dylan, not now, please. | 0:04:17 | 0:04:18 | |
There you go. | 0:04:18 | 0:04:19 | |
Life-saver. Triple shot. | 0:04:19 | 0:04:21 | |
Thank you very much. | 0:04:21 | 0:04:23 | |
The application form's straightforward. | 0:04:23 | 0:04:25 | |
-I'll help you with that. -It's not about the application! | 0:04:25 | 0:04:27 | |
I've got no time. | 0:04:27 | 0:04:28 | |
-As I said, I'll help you with it. -Dylan. | 0:04:28 | 0:04:31 | |
He doesn't give up, does he? | 0:04:31 | 0:04:32 | |
No. He's like a five-year-old child. | 0:04:32 | 0:04:34 | |
Rapier wit(!) Thank you. | 0:04:34 | 0:04:35 | |
Morning. | 0:04:35 | 0:04:36 | |
Hello, you. | 0:04:36 | 0:04:37 | |
Ah! The wanderer returns! How was the course? | 0:04:37 | 0:04:40 | |
Oh, yeah. You are now looking at an expert on all things vermin. | 0:04:40 | 0:04:44 | |
-I love it when you talk dirty. -Hm. | 0:04:44 | 0:04:47 | |
Feeling a bit third wheel here. Shall we roll off? | 0:04:47 | 0:04:50 | |
Dylan! | 0:04:50 | 0:04:52 | |
-Is there something you haven't told me? -Hm? | 0:04:54 | 0:04:56 | |
You didn't. When? | 0:04:57 | 0:04:59 | |
Hang on - he's just coming now. Big Mac! Holby City Radio. | 0:05:00 | 0:05:04 | |
They want to do an interview. | 0:05:04 | 0:05:05 | |
Nah. | 0:05:05 | 0:05:06 | |
I'm very sorry, he's going to have to call you back. OK. Bye. | 0:05:06 | 0:05:10 | |
Hetty Benson? | 0:05:10 | 0:05:11 | |
-Where's Noel? -He just called in sick. | 0:05:11 | 0:05:13 | |
-Been outside the ambulance entrance for ages. -He's running late... | 0:05:13 | 0:05:17 | |
What's going on? | 0:05:17 | 0:05:18 | |
What did I do? | 0:05:22 | 0:05:23 | |
Please. | 0:05:35 | 0:05:36 | |
I really don't want to do this. | 0:05:36 | 0:05:38 | |
There you go, love. The red nose - not a good look on you. | 0:05:38 | 0:05:43 | |
Don't make me. | 0:05:46 | 0:05:47 | |
Hey. This is not a big deal. | 0:05:47 | 0:05:51 | |
Five minutes and it's all over. | 0:05:51 | 0:05:54 | |
-You're doing this for your kid, Connor. -But what... | 0:05:54 | 0:05:57 | |
But, you know! If you can get us £400 by tomorrow... | 0:05:57 | 0:06:01 | |
You know I can't. | 0:06:01 | 0:06:02 | |
Right, then shut your yapping and get on with it! | 0:06:02 | 0:06:06 | |
Chop-chop. | 0:06:16 | 0:06:17 | |
You like? | 0:06:27 | 0:06:29 | |
You look so grown-up. | 0:06:29 | 0:06:31 | |
Merci. | 0:06:31 | 0:06:32 | |
We need to go, OK? | 0:06:40 | 0:06:41 | |
You pay. I'll see you outside, by the bins. | 0:06:41 | 0:06:44 | |
I knew it was just a matter of time. | 0:06:44 | 0:06:46 | |
You two are mad for each other - anyone can see that. | 0:06:46 | 0:06:48 | |
I'm just pleased there's a smile on that miserable face again. | 0:06:48 | 0:06:51 | |
Ah, Max. Mr Robinson, cubicle two. X-ray. | 0:06:51 | 0:06:54 | |
"Morning, Max. How're you doing?" "Yeah, I'm good, thanks, Rita - how are you?" "Yeah, not bad." | 0:06:54 | 0:06:58 | |
Next month's off duty roster in my office. | 0:06:58 | 0:07:00 | |
Make sure the requests are in and the skill mix looks OK. | 0:07:00 | 0:07:03 | |
-What if it needs changing and people are unhappy? -You wanted the promotion, Lofty - you got it. | 0:07:03 | 0:07:08 | |
That was very subtle out there, wasn't it, earlier on(?) | 0:07:08 | 0:07:10 | |
-Was that you playing it cool? -Shut up! | 0:07:10 | 0:07:13 | |
Why, do you think we're being a bit too obvious? | 0:07:15 | 0:07:17 | |
Actually, don't answer that, don't answer that. | 0:07:17 | 0:07:19 | |
Are you and Max back together? | 0:07:19 | 0:07:22 | |
Yes. | 0:07:22 | 0:07:23 | |
Sorry, that was... Congratulations. | 0:07:23 | 0:07:25 | |
Thanks for that. And I'm subtle? | 0:07:27 | 0:07:29 | |
Poker face. | 0:07:30 | 0:07:31 | |
Ooh. Can't forget her. | 0:07:34 | 0:07:37 | |
Right, give me your passport and the tickets. | 0:07:39 | 0:07:42 | |
Bus leaves from bay six in 15 minutes. | 0:07:46 | 0:07:48 | |
One... Right, we need to separate. | 0:07:55 | 0:07:57 | |
You need to go on ahead. | 0:07:57 | 0:07:59 | |
It's all right - I'll be two steps behind, watching you. Go. | 0:07:59 | 0:08:03 | |
Hello, baby. | 0:08:09 | 0:08:11 | |
Dad says you're going to say no but I'm going to ask you anyway! | 0:08:11 | 0:08:14 | |
OK. | 0:08:14 | 0:08:16 | |
I want to spend the day here with you and see how you work. | 0:08:16 | 0:08:18 | |
Oh. What's brought this on? | 0:08:18 | 0:08:21 | |
I've decided, I'm going to be a surgeon like you. | 0:08:21 | 0:08:24 | |
Oh, wow! That's big news. | 0:08:24 | 0:08:25 | |
We've been through this, Gracie. | 0:08:25 | 0:08:27 | |
It's not going to be as exciting as you think. | 0:08:27 | 0:08:30 | |
You can't go anywhere near the patients. | 0:08:30 | 0:08:32 | |
Well, I'm sure we can still find plenty for her to do. | 0:08:32 | 0:08:35 | |
Yeah. I've still got a few things I need to tie up. | 0:08:35 | 0:08:38 | |
I'm sure we can keep the little lady busy. | 0:08:38 | 0:08:41 | |
As long as you do exactly as I say. That means no backchat whatsoever. | 0:08:41 | 0:08:46 | |
Good luck with that. | 0:08:46 | 0:08:48 | |
-You sure? -Yeah. | 0:08:48 | 0:08:50 | |
All right, well, I think that's settled. | 0:08:50 | 0:08:52 | |
Thank you! | 0:08:52 | 0:08:53 | |
Sorry, Connie. | 0:08:53 | 0:08:54 | |
55-year-old male, confirmed MI en route, ETA seven minutes. | 0:08:54 | 0:08:58 | |
OK, thank you. Right, I've got to go back to work. | 0:08:58 | 0:09:02 | |
All right, little missy. Let's go and find you an orange. | 0:09:02 | 0:09:05 | |
An orange?! | 0:09:05 | 0:09:06 | |
Ah! What'd we say? | 0:09:06 | 0:09:07 | |
Zip. | 0:09:07 | 0:09:09 | |
SHE MOUTHS | 0:09:09 | 0:09:12 | |
Just remember what I said. She has to go back. | 0:09:12 | 0:09:15 | |
Don't make it harder than it is. | 0:09:15 | 0:09:17 | |
Right, right, right, that'll do you. | 0:09:39 | 0:09:42 | |
-What are you doing here? -I'm on my break. What about you? | 0:09:44 | 0:09:47 | |
I'm just... | 0:09:47 | 0:09:48 | |
Noel Garcia? | 0:09:48 | 0:09:49 | |
Yeah, that's me. | 0:09:50 | 0:09:53 | |
What's this? | 0:09:53 | 0:09:54 | |
Trust you to spoil your own surprise, you muppet. | 0:09:54 | 0:09:58 | |
Well - do you like it? | 0:09:59 | 0:10:03 | |
Rosie! | 0:10:39 | 0:10:41 | |
Rosie?! | 0:10:41 | 0:10:42 | |
Suspect on concourse! | 0:10:55 | 0:10:57 | |
Rosie, no! | 0:11:02 | 0:11:04 | |
SHE SCREAMS | 0:11:05 | 0:11:07 | |
SHE CRIES | 0:11:09 | 0:11:11 | |
Do not think about it. Just do it - smooth, decisive. | 0:11:11 | 0:11:17 | |
Yes! | 0:11:18 | 0:11:20 | |
Very nice. You've got steady hands. | 0:11:20 | 0:11:23 | |
Remind me of your mum. Nerves of steel. | 0:11:24 | 0:11:27 | |
Well done. | 0:11:29 | 0:11:31 | |
Can I go show her? | 0:11:31 | 0:11:32 | |
Yeah, we can go see if she's free. | 0:11:32 | 0:11:34 | |
So, are you scared of her, too? My mum? | 0:11:34 | 0:11:38 | |
Nah. I'm not scared of anything, me - very, very brave man. | 0:11:38 | 0:11:42 | |
Anyway, I think she's a pussycat, really. | 0:11:42 | 0:11:44 | |
Yeah. With very long nails and sharp teeth. | 0:11:44 | 0:11:47 | |
Stop! Police! | 0:11:51 | 0:11:52 | |
Stop! Police! | 0:12:09 | 0:12:11 | |
Argh! | 0:12:19 | 0:12:20 | |
Thank you. | 0:12:24 | 0:12:25 | |
Mum, look at this! | 0:12:25 | 0:12:27 | |
Wow, that orange is looking so much better! Well done. | 0:12:27 | 0:12:30 | |
OK, thanks. All received. | 0:12:30 | 0:12:32 | |
That was the police - there's been an incident in the bus station. | 0:12:32 | 0:12:35 | |
One paediatric trauma and an adult casualty. | 0:12:35 | 0:12:38 | |
OK, thank you. | 0:12:38 | 0:12:39 | |
Right. Do you want to carry on the operation in my office? | 0:12:39 | 0:12:42 | |
-Sure. -Yeah? | 0:12:42 | 0:12:43 | |
Yeah, little firecracker, that one. Reminds me of someone I know. | 0:12:45 | 0:12:50 | |
You know, you don't have to take it, him saying she's going tonight. | 0:12:54 | 0:12:58 | |
Let's not go there. | 0:12:58 | 0:13:00 | |
Come on, you're her mother. | 0:13:00 | 0:13:02 | |
Why doesn't she live with you, anyway? | 0:13:02 | 0:13:04 | |
We're just trying to do what's best for her. | 0:13:04 | 0:13:07 | |
OK. Has anyone asked what she wants? | 0:13:07 | 0:13:10 | |
Have you told her you'd like her to? | 0:13:10 | 0:13:11 | |
-Can we drop this now, please? -So you haven't. | 0:13:11 | 0:13:13 | |
I don't understand. Why? | 0:13:13 | 0:13:15 | |
Because I don't want her to live with me. | 0:13:15 | 0:13:17 | |
All right? | 0:13:17 | 0:13:18 | |
I'm good at a lot of things, | 0:13:19 | 0:13:21 | |
but I don't think being a mother is one of them. | 0:13:21 | 0:13:23 | |
Who told you that? | 0:13:23 | 0:13:25 | |
Or is that something you like to tell yourself? | 0:13:25 | 0:13:28 | |
Right, shall we get on with this quickly? | 0:13:28 | 0:13:32 | |
Hello, there. What's her name? | 0:13:34 | 0:13:36 | |
Rosie. Rosie. It's all right, darling. I'm here. I'm here. | 0:13:36 | 0:13:40 | |
Rosie, my name's Iain. I'm a paramedic. Can you hear me? | 0:13:40 | 0:13:43 | |
Yeah. | 0:13:43 | 0:13:44 | |
Airway's clear. | 0:13:44 | 0:13:45 | |
Leg. My leg... Dad... | 0:13:45 | 0:13:47 | |
It's OK, it's OK. | 0:13:47 | 0:13:48 | |
You're Dad? What's your name? | 0:13:48 | 0:13:50 | |
Sean...Sean... Stuart. | 0:13:50 | 0:13:53 | |
What are you doing?! | 0:13:53 | 0:13:55 | |
I know you're upset, | 0:13:55 | 0:13:56 | |
but Rosie is a lot in pain and she needs my help. | 0:13:56 | 0:13:59 | |
Nice and still, Rosie. | 0:13:59 | 0:14:01 | |
Looks like a possible fracture dislocation of the ankle. | 0:14:01 | 0:14:03 | |
Can we get a cannula in and 5 of morphine, OK? | 0:14:03 | 0:14:07 | |
We're going to get you sorted, darling, don't worry. | 0:14:07 | 0:14:09 | |
Hello, stranger. | 0:14:10 | 0:14:13 | |
So. | 0:14:13 | 0:14:15 | |
So. | 0:14:15 | 0:14:16 | |
You've come back with further expertise. | 0:14:16 | 0:14:19 | |
Do you want a drink later? | 0:14:20 | 0:14:21 | |
-Yeah. -OK. | 0:14:21 | 0:14:23 | |
You can't do this! It's too much! | 0:14:23 | 0:14:25 | |
Oh, Mac, shut up. You've already ruined my big moment this evening. | 0:14:25 | 0:14:28 | |
-What's happening this evening? -Little party. | 0:14:28 | 0:14:30 | |
There was going to be a grand unveiling and everything, but... | 0:14:30 | 0:14:33 | |
Where did you get the money from? | 0:14:33 | 0:14:35 | |
Don't tell me you sold Batman?! | 0:14:36 | 0:14:39 | |
Well worth it. What... You deserve it! | 0:14:39 | 0:14:42 | |
-Enjoy it! -But that's the thing - I don't deserve it. | 0:14:42 | 0:14:45 | |
Mac. Stop faffing, you big fur ball. | 0:14:45 | 0:14:47 | |
Noel. | 0:14:47 | 0:14:48 | |
This is police harassment! You can't keep me here! | 0:14:48 | 0:14:51 | |
I've done nothing! | 0:14:53 | 0:14:55 | |
Nothing! | 0:14:55 | 0:14:58 | |
Right, this is Rosie Stuart, 13. | 0:14:59 | 0:15:02 | |
Involved in an RTC approximately 10am, where she was hit by a coach. | 0:15:02 | 0:15:05 | |
She wasn't KO'd. Dislocated right ankle, GCS 15, pulse 120, BP 110/65, | 0:15:05 | 0:15:12 | |
sats 98%, resps of 20, given her 250mls of saline and 5 of morphine. | 0:15:12 | 0:15:17 | |
If everybody could get a bit, please. One, two, three. | 0:15:17 | 0:15:21 | |
This is her father, Sean. | 0:15:22 | 0:15:24 | |
From what I can gather, there was a police covert operation. | 0:15:24 | 0:15:26 | |
-These guys got caught in the middle of it. -OK. | 0:15:26 | 0:15:28 | |
Right, Rosie, I'm Connie. I'll be looking after you. | 0:15:28 | 0:15:31 | |
-Do you know where you are? -Hospital. -Good girl. | 0:15:31 | 0:15:33 | |
Right, let's get the bloods off. FBC, U & E and a group & save. | 0:15:33 | 0:15:37 | |
Anything we need to know about, Dad? | 0:15:37 | 0:15:39 | |
Allergies, pre-existing conditions, medication, prior operations? | 0:15:39 | 0:15:44 | |
Mr Stuart? | 0:15:44 | 0:15:46 | |
-Er, nothing. -Good. | 0:15:46 | 0:15:48 | |
Madge! Where's Madge? | 0:15:48 | 0:15:50 | |
Her bag. Where's her bag? | 0:15:50 | 0:15:52 | |
Sorry, it's from her mother. | 0:15:53 | 0:15:57 | |
Right. Would you like us to call her? | 0:15:57 | 0:15:59 | |
She's dead. | 0:15:59 | 0:16:01 | |
Let's give her 5 more of morphine, please. | 0:16:01 | 0:16:03 | |
Let's check the computer, see if she's been here before. | 0:16:03 | 0:16:07 | |
Blunt trauma to the abdomen from falling five feet onto the edge | 0:16:07 | 0:16:10 | |
of a rock - refused immobilisation, airway's clear, resps rate 20, | 0:16:10 | 0:16:14 | |
sats 98%, heart rate 100,, GCS15, and she has had 8mg morphine. | 0:16:14 | 0:16:18 | |
We have reason to believe the suspect has drugs about her person. | 0:16:18 | 0:16:22 | |
Where are they, then? Where?! | 0:16:22 | 0:16:24 | |
OK. | 0:16:26 | 0:16:28 | |
What are you looking at?! | 0:16:28 | 0:16:29 | |
Let's calm down. Get a BP cuff on. | 0:16:29 | 0:16:31 | |
He's not touching me. | 0:16:31 | 0:16:32 | |
You do it. | 0:16:32 | 0:16:34 | |
OK, breathing's fine, general cuts and bruises. | 0:16:34 | 0:16:38 | |
-There's some guarding in the abdomen. -Ah! | 0:16:41 | 0:16:44 | |
Yeah, that would hurt. | 0:16:44 | 0:16:46 | |
OK, let's get a scan, then. | 0:16:46 | 0:16:48 | |
No! No scans. | 0:16:48 | 0:16:50 | |
What a surprise. | 0:16:50 | 0:16:51 | |
I don't think you understand. You might be bleeding internally. | 0:16:51 | 0:16:55 | |
I said no scans. | 0:16:55 | 0:16:57 | |
Would you mind stepping outside, please? | 0:16:59 | 0:17:01 | |
OK, there's something we can do called a fast scan | 0:17:07 | 0:17:10 | |
which will detect free fluid in the abdomen, | 0:17:10 | 0:17:12 | |
but it won't pick up on, shall we say, the finer details. | 0:17:12 | 0:17:16 | |
I said no scans. | 0:17:16 | 0:17:19 | |
As long as you understand that failure to eliminate trauma | 0:17:19 | 0:17:22 | |
in your abdomen may result in death, your death, it's your choice. | 0:17:22 | 0:17:26 | |
-I need to go get some identity tags. -Sure. | 0:17:27 | 0:17:30 | |
Just a sec. Mac, do you two know each other? | 0:17:35 | 0:17:38 | |
Me? No. Sorry, I got... | 0:17:38 | 0:17:41 | |
Delayed cap refill. Let's have 45 milligrams of ketamine, please. | 0:17:43 | 0:17:47 | |
Right, Rosie, it looks as though you got yourself a broken ankle, | 0:17:47 | 0:17:50 | |
but I think the problem is the bone is out of place. | 0:17:50 | 0:17:53 | |
It's stopping the blood flow to your foot. | 0:17:53 | 0:17:55 | |
We'll give you some sedative, make you sleepy, | 0:17:55 | 0:17:57 | |
-and then we'll pop it back in. -Pop it...? How do you mean? | 0:17:57 | 0:18:00 | |
It's fine, she won't feel any pain. | 0:18:00 | 0:18:01 | |
All right, we really do need to do this. | 0:18:01 | 0:18:03 | |
I wouldn't want to risk the foot. | 0:18:03 | 0:18:05 | |
Can we book an X-ray and call Orthos, please? | 0:18:05 | 0:18:07 | |
I'm sorry, I've ruined everything now. | 0:18:07 | 0:18:10 | |
Sh, you haven't, darling, you haven't. | 0:18:10 | 0:18:13 | |
Super strong, super fast, OK? | 0:18:13 | 0:18:16 | |
How long will she have to stay here? | 0:18:16 | 0:18:18 | |
It's too early to tell, | 0:18:18 | 0:18:19 | |
but considering what's happened, | 0:18:19 | 0:18:20 | |
she's been very lucky. | 0:18:20 | 0:18:22 | |
Yeah. | 0:18:24 | 0:18:26 | |
-What...? -You know what, you might want to wait outside. | 0:18:31 | 0:18:34 | |
-It's a little bit gruesome. -No, no, no! I'm staying. | 0:18:34 | 0:18:36 | |
OK, counter traction. | 0:18:36 | 0:18:38 | |
SHE CRIES OUT | 0:18:41 | 0:18:43 | |
You are doing really well. | 0:18:43 | 0:18:45 | |
OK, yeah. Lovely. | 0:18:45 | 0:18:48 | |
Right, can we have a below knee back slab, please? | 0:18:48 | 0:18:52 | |
And let's check it's in place with X-ray. | 0:18:52 | 0:18:54 | |
Mrs Beauchamp. | 0:18:54 | 0:18:56 | |
Right. I'll be right back. | 0:18:56 | 0:18:58 | |
Hey, Mackenzie, where the hell have you been? | 0:19:00 | 0:19:02 | |
Yeah, just give me a minute. | 0:19:02 | 0:19:04 | |
Mercedes' arm needs cleaning and dressing. | 0:19:04 | 0:19:08 | |
Preferably before nightfall(!) | 0:19:08 | 0:19:10 | |
IE now! | 0:19:11 | 0:19:12 | |
Well, it's not unusual to not have access to notes. | 0:19:15 | 0:19:18 | |
Neither of them are registered with a GP. | 0:19:18 | 0:19:20 | |
Ain't that a bit strange? | 0:19:20 | 0:19:21 | |
Right, well, maybe you've got the wrong house number. | 0:19:21 | 0:19:23 | |
Maybe they've just moved house. | 0:19:23 | 0:19:25 | |
And there's this. All her clothes - the price tags are still on. | 0:19:25 | 0:19:29 | |
Well, I'm sure there's an explanation. | 0:19:29 | 0:19:32 | |
The rest might be in his bag. | 0:19:32 | 0:19:34 | |
The Three Musketeers. Look at that. That's well-loved. | 0:19:35 | 0:19:38 | |
"To my little Musketeer. For the first time you go to Paris. | 0:19:38 | 0:19:41 | |
"Hope you will love it as much as I did. | 0:19:41 | 0:19:44 | |
"Remember, I am always with you. Mum." | 0:19:44 | 0:19:46 | |
Do you think that's where they were going? | 0:19:46 | 0:19:49 | |
Ow! | 0:19:49 | 0:19:51 | |
-Sorry. -St Margaret's Secondary. | 0:19:51 | 0:19:54 | |
Shall I give the school a quick call? | 0:19:55 | 0:19:57 | |
Mrs Beauchamp, it's Grace! | 0:19:57 | 0:19:59 | |
Phone the school. I'll be back. | 0:20:00 | 0:20:03 | |
Grace! What do you think you're doing? | 0:20:05 | 0:20:07 | |
Gracie. | 0:20:10 | 0:20:12 | |
What's going on? | 0:20:12 | 0:20:13 | |
Grace, talk to me. What's happened? | 0:20:15 | 0:20:17 | |
I heard you. | 0:20:17 | 0:20:18 | |
I heard what you said - that you | 0:20:18 | 0:20:22 | |
don't want me...that you don't want me to live with you. | 0:20:22 | 0:20:28 | |
Sweetheart, I'm so... It's not that, Grace. | 0:20:28 | 0:20:32 | |
What's wrong? | 0:20:33 | 0:20:34 | |
Gracie?! | 0:20:34 | 0:20:36 | |
What's wrong, darling? | 0:20:36 | 0:20:37 | |
What's wrong? | 0:20:37 | 0:20:38 | |
Ah, there you are. | 0:20:38 | 0:20:40 | |
No - she can't breathe! Jacob, she can't breathe. | 0:20:40 | 0:20:43 | |
Do something. I don't know what's going on. | 0:20:43 | 0:20:46 | |
Grace. Grace, look at me. Look at me. | 0:20:46 | 0:20:50 | |
You're all right - you're OK, you're OK, you're OK. Yeah? | 0:20:50 | 0:20:53 | |
Now I want you to breathe with me. Breathe in...and out. | 0:20:53 | 0:20:57 | |
Breathe in...and out. | 0:20:59 | 0:21:03 | |
There you go. That's it. That's good. | 0:21:03 | 0:21:07 | |
OK. | 0:21:09 | 0:21:10 | |
Sweetheart! | 0:21:10 | 0:21:14 | |
What you heard... | 0:21:14 | 0:21:16 | |
It's complicated... | 0:21:16 | 0:21:18 | |
..but it doesn't in any way mean I don't want you to live with me. | 0:21:21 | 0:21:26 | |
You have to believe me, sweetheart. | 0:21:26 | 0:21:28 | |
Now, what's just happened, what happened just now, | 0:21:31 | 0:21:34 | |
has it happened before? | 0:21:34 | 0:21:37 | |
When you get stressed or upset? | 0:21:37 | 0:21:40 | |
Yeah, OK. | 0:21:41 | 0:21:44 | |
And have you told anyone? | 0:21:44 | 0:21:46 | |
Dad. | 0:21:48 | 0:21:50 | |
Sorry, we really need to catch up. | 0:21:57 | 0:21:59 | |
No, no, I can't. | 0:21:59 | 0:22:00 | |
It's OK. I'll stay with her. | 0:22:00 | 0:22:02 | |
You go. It's OK. | 0:22:02 | 0:22:05 | |
(You OK?) | 0:22:06 | 0:22:08 | |
Sam, call me back right now. | 0:22:17 | 0:22:19 | |
Your blood pressure is holding up, | 0:22:22 | 0:22:23 | |
heart rate is a little higher than I would like. | 0:22:23 | 0:22:27 | |
OK, I think now is the time to say that in the unlikely event | 0:22:27 | 0:22:30 | |
of you having taken anything, it would be good to tip us off. | 0:22:30 | 0:22:34 | |
OK. Have you had any thoughts about the fast scan? | 0:22:36 | 0:22:40 | |
If I feel better, I might. | 0:22:40 | 0:22:42 | |
OK, well, that's progress. | 0:22:42 | 0:22:44 | |
Will you let us know if anything changes, please, Mac? | 0:22:44 | 0:22:46 | |
Hm-mm. | 0:22:46 | 0:22:47 | |
Argh! | 0:22:49 | 0:22:50 | |
Watch what you're doing, will you? | 0:22:50 | 0:22:52 | |
Enjoying yourself? | 0:22:54 | 0:22:55 | |
Hardly. | 0:22:55 | 0:22:57 | |
Bet you're cacking it - me here. | 0:22:57 | 0:23:00 | |
Suppose everyone still thinks you're the hero? | 0:23:01 | 0:23:04 | |
Yeah, well, I've had about as much of that than I can take. | 0:23:04 | 0:23:07 | |
Oh, yeah? What're you going to do? | 0:23:07 | 0:23:10 | |
'Fess up? | 0:23:10 | 0:23:12 | |
Perhaps. | 0:23:12 | 0:23:13 | |
Really? You're going to tell everyone you've been lying to them? | 0:23:13 | 0:23:16 | |
That you've been such a loser than you couldn't stand up to a five-foot woman? | 0:23:16 | 0:23:20 | |
You're nothing but a parasite. | 0:23:20 | 0:23:22 | |
A parasite and a bully. | 0:23:22 | 0:23:24 | |
I had no choice - I told you. | 0:23:24 | 0:23:25 | |
Here we go. | 0:23:25 | 0:23:27 | |
There's loads of people out there struggling and don't do what you do. | 0:23:27 | 0:23:31 | |
What do you know about struggling? | 0:23:31 | 0:23:33 | |
Ever had to go to a food bank to feed your kid? | 0:23:33 | 0:23:36 | |
Let me tell you something. | 0:23:37 | 0:23:39 | |
If you cared anything about your kid, right, you'd accept treatment. | 0:23:39 | 0:23:43 | |
You heard what the doc said! | 0:23:43 | 0:23:45 | |
What's going to happen to your boy if you die? | 0:23:45 | 0:23:47 | |
Shut your mouth! | 0:23:47 | 0:23:50 | |
We're done here. | 0:23:52 | 0:23:54 | |
Can you get the ECG machine, please? | 0:23:54 | 0:23:56 | |
Yeah, of course. Her chart's on the end of the bed. | 0:23:56 | 0:23:59 | |
So it's Rosie Souza, not Rosie Stuart. | 0:24:01 | 0:24:05 | |
The school just e-mailed me this. | 0:24:05 | 0:24:07 | |
He gave us the wrong surname. That's why I couldn't find any records. | 0:24:07 | 0:24:11 | |
When they said they didn't have anyone by the name of Rosie Stuart, | 0:24:11 | 0:24:14 | |
I started describing her and they said they did have a Rosie missing that fits her description. | 0:24:14 | 0:24:19 | |
But this Rosie, she's been in foster care for ten years. | 0:24:19 | 0:24:24 | |
With a single foster mum. | 0:24:24 | 0:24:26 | |
Apparently, her real mother is dead | 0:24:26 | 0:24:28 | |
and they think she only sees her dad under supervision. | 0:24:28 | 0:24:32 | |
Charlie's trying to track his records down now. | 0:24:32 | 0:24:34 | |
Have you spoken to social services? | 0:24:34 | 0:24:37 | |
Her social worker's on annual leave, | 0:24:37 | 0:24:39 | |
and the team leader's out of the office. | 0:24:39 | 0:24:41 | |
I spoke to someone who said | 0:24:41 | 0:24:43 | |
they'd try to find her file, but you know how stretched they are. | 0:24:43 | 0:24:45 | |
It's fine. We'll get to the bottom of it. | 0:24:45 | 0:24:48 | |
What did you say to her? | 0:24:51 | 0:24:52 | |
Nothing, why? | 0:24:52 | 0:24:54 | |
Only joking. Whatever it was, it worked! | 0:24:54 | 0:24:56 | |
-Good news! She's agreed to the fast scan. -Oh! | 0:24:56 | 0:24:59 | |
Do you need me for anything else? Just Rita needs the off-duty rotas. | 0:24:59 | 0:25:02 | |
No, no, I'm sure Big Mac can hold the fort. | 0:25:02 | 0:25:04 | |
Well, there must be some mistake - maybe a computer error. | 0:25:07 | 0:25:10 | |
No. There's no mistake. | 0:25:10 | 0:25:11 | |
Rosie is in foster care. Her name is Souza, not Stuart. | 0:25:11 | 0:25:15 | |
I'm not lying, I am her dad. You can do a DNA test if you want. | 0:25:15 | 0:25:18 | |
You will save yourself and your daughter a lot of heartache | 0:25:18 | 0:25:21 | |
if you tell us what's going on. | 0:25:21 | 0:25:22 | |
Now, are you attempting to run away? | 0:25:22 | 0:25:24 | |
They're moving her, that's what's going on, | 0:25:25 | 0:25:27 | |
to the other side of the country, where I might not see her again. | 0:25:27 | 0:25:30 | |
Who? Social services? | 0:25:30 | 0:25:31 | |
Yes. Well, no - not just them - it's much more complicated. | 0:25:31 | 0:25:36 | |
How? | 0:25:36 | 0:25:37 | |
They're all in cahoots, you see, it's all organised, | 0:25:37 | 0:25:40 | |
they're all in touch, all of the time. | 0:25:40 | 0:25:42 | |
-Who? -I can't say. | 0:25:42 | 0:25:45 | |
Right. Are you in some sort of trouble? | 0:25:47 | 0:25:49 | |
Because you are making this case worse for yourself. | 0:25:49 | 0:25:52 | |
Dad? Dad? | 0:25:52 | 0:25:54 | |
Hey, darling, how are you? | 0:25:54 | 0:25:57 | |
I'll be right back. | 0:26:05 | 0:26:07 | |
It's really not good practice... | 0:26:09 | 0:26:11 | |
Mr Sean Souza. There's a staff card - Holt Valley University. | 0:26:11 | 0:26:15 | |
Two passports - his and Rosie, I bet... | 0:26:16 | 0:26:20 | |
-and two tickets to Paris. -Oh. | 0:26:20 | 0:26:24 | |
And there's some prescribed medication. | 0:26:24 | 0:26:26 | |
Aripiprazole and Olanzapine. | 0:26:26 | 0:26:29 | |
Anti-psychotics. | 0:26:29 | 0:26:30 | |
I've found some old notes for him. There's a psych out-patients letter | 0:26:34 | 0:26:39 | |
which basically says, ten years ago, after the death of his wife, | 0:26:39 | 0:26:43 | |
he was diagnosed with paranoid schizophrenia. | 0:26:43 | 0:26:47 | |
Well, that's free fluid. | 0:26:47 | 0:26:49 | |
I'm afraid there is evidence of internal bleeding here. | 0:26:49 | 0:26:51 | |
You need that CT. I mean, we can't just leave you like this. | 0:26:51 | 0:26:55 | |
No. | 0:26:55 | 0:26:56 | |
The pain you're feeling at the moment is only going to get worse. | 0:26:56 | 0:26:59 | |
As the bleeding intensifies, | 0:26:59 | 0:27:01 | |
probably as a result of a ruptured liver or a ruptured spleen, | 0:27:01 | 0:27:04 | |
your body will go into shock, it will go into cardiac arrest. | 0:27:04 | 0:27:06 | |
-I mean, what do I need to say to you? -OK. | 0:27:06 | 0:27:09 | |
OK, I'll have the CT. | 0:27:09 | 0:27:11 | |
Right, good. OK. You call a nurse. | 0:27:11 | 0:27:13 | |
I'll phone ahead. | 0:27:13 | 0:27:15 | |
Mr Souza, I think it's time you were honest. About everything. | 0:27:17 | 0:27:21 | |
Hm? Mr Souza? | 0:27:21 | 0:27:23 | |
Just...talk to me. Just me. | 0:27:29 | 0:27:33 | |
OK? | 0:27:33 | 0:27:34 | |
Is the reason Rosie was in care because of your condition? | 0:27:37 | 0:27:40 | |
I, er... | 0:27:43 | 0:27:47 | |
When Alice died...well... everything went. | 0:27:47 | 0:27:53 | |
My research fellowship at Oxford, everything. | 0:27:53 | 0:27:57 | |
I just couldn't cope. | 0:27:57 | 0:27:58 | |
But you're allowed to see Rosie, aren't you? | 0:27:58 | 0:28:02 | |
Supervised contact once a week. | 0:28:02 | 0:28:03 | |
-OK. -To protect her. How is it protecting her, | 0:28:03 | 0:28:06 | |
moving her around like a parcel, somewhere else where no-one | 0:28:06 | 0:28:09 | |
cares about her, somewhere else where she's invisible?! | 0:28:09 | 0:28:12 | |
-She's been moved five times in the last ten years - five times! -Oh. | 0:28:12 | 0:28:17 | |
I can look after her. I'm much better now, | 0:28:17 | 0:28:19 | |
I've got a steady job - it's not so stressful. | 0:28:19 | 0:28:22 | |
But you ran away. | 0:28:22 | 0:28:23 | |
I mean, it was only a question of time before they found out. | 0:28:24 | 0:28:28 | |
Really? Never underestimate human error, human negligence. | 0:28:30 | 0:28:35 | |
Odds were pretty good. | 0:28:35 | 0:28:36 | |
Her foster mother's in court today with one of the other kids, | 0:28:36 | 0:28:38 | |
20-to-one anyone would notice she's missing before day school ends, | 0:28:38 | 0:28:41 | |
12-to-one we can get on the ferry, | 0:28:41 | 0:28:43 | |
then the coach goes directly to Paris. | 0:28:43 | 0:28:46 | |
They're going to force me to go back, aren't they? | 0:28:46 | 0:28:49 | |
-No, no, no, Rosie, no. -They are. | 0:28:50 | 0:28:53 | |
They're going to take me back and we'll never get to Paris, never! | 0:28:53 | 0:28:56 | |
Of course we will. | 0:28:56 | 0:28:57 | |
We'll do all those things. We'll go up the Eiffel Tower, | 0:28:57 | 0:29:00 | |
we'll eat rose macaroons, as many as you like, and hot chocolate, | 0:29:00 | 0:29:04 | |
and go shopping on the Champs Elysees - new dresses, new shoes... | 0:29:04 | 0:29:07 | |
What is it, Rosie? | 0:29:07 | 0:29:09 | |
My head. | 0:29:09 | 0:29:10 | |
It's probably just a reaction to the ketamine. | 0:29:10 | 0:29:12 | |
I wouldn't worry too much. | 0:29:12 | 0:29:14 | |
Is there anyone we can call for you? | 0:29:22 | 0:29:24 | |
BLEEPING | 0:29:26 | 0:29:27 | |
Oh, my... Oh, no! Oh, no! | 0:29:27 | 0:29:31 | |
Calm down, calm down! Calm down. Calm down! | 0:29:31 | 0:29:35 | |
It's Connor. | 0:29:37 | 0:29:39 | |
This is your lad, yeah? | 0:29:39 | 0:29:40 | |
It means she knows where he is. | 0:29:40 | 0:29:43 | |
I've got to get there. I've got to get there! | 0:29:43 | 0:29:46 | |
No, no, no, Mercedes, what you have got to do is calm down, OK? | 0:29:46 | 0:29:49 | |
And tell me who she is, OK? | 0:29:49 | 0:29:53 | |
OK? Who is she? | 0:29:53 | 0:29:55 | |
Sean Souza. Lecturer in Physics. | 0:29:58 | 0:30:00 | |
I'm reluctant to separate them now. | 0:30:04 | 0:30:06 | |
Are you serious? This is a ticking time bomb! | 0:30:06 | 0:30:09 | |
He's tried to kidnap her - this is why they're here! | 0:30:09 | 0:30:11 | |
She is a 13-year-old girl, | 0:30:11 | 0:30:13 | |
distressed, she has no-one else with her. He's supervised. | 0:30:13 | 0:30:16 | |
She was removed from his care for a reason. | 0:30:16 | 0:30:18 | |
How do you know what his next move's going to be? | 0:30:18 | 0:30:20 | |
Things could erupt very quickly. | 0:30:20 | 0:30:21 | |
I am well aware of that, thank you. | 0:30:21 | 0:30:24 | |
But at the moment, he's not psychotic. | 0:30:24 | 0:30:26 | |
He's taking medication, he can make plans, he clearly loves his daughter very much, | 0:30:26 | 0:30:30 | |
he can hold a rational conversation with me. | 0:30:30 | 0:30:32 | |
In fact, he trusts me, so I am not going to jeopardise that. | 0:30:32 | 0:30:35 | |
It's Rosie. Headache's worse. She says her neck is really painful. | 0:30:36 | 0:30:40 | |
So, this Shelle woman - she's the one you owe money to? | 0:30:42 | 0:30:47 | |
Only borrowed 50 quid off her, | 0:30:49 | 0:30:52 | |
but she just keeps piling on the interest. | 0:30:52 | 0:30:56 | |
She said if I did the drop, she'll write off the debt. | 0:30:56 | 0:30:59 | |
Yep. And you believed her. | 0:30:59 | 0:31:02 | |
I had no choice! Look... | 0:31:02 | 0:31:06 | |
She's only trying to frighten you. | 0:31:06 | 0:31:08 | |
You have no idea what she's capable of! | 0:31:08 | 0:31:11 | |
Isn't there someone you can get to pick him up? A friend? | 0:31:11 | 0:31:14 | |
-A neighbour? -No! | 0:31:14 | 0:31:17 | |
OK, all right, I think we need to get you seen to. | 0:31:17 | 0:31:20 | |
Guys, we need to move. | 0:31:20 | 0:31:21 | |
Please, please don't tell the police it was me. | 0:31:21 | 0:31:25 | |
For Connor's sake. | 0:31:25 | 0:31:27 | |
OK, we'll sort something out. | 0:31:27 | 0:31:29 | |
Thank you. | 0:31:29 | 0:31:31 | |
Can't take it out on the kid, can you? | 0:31:31 | 0:31:33 | |
Hi, Rob? It's me. | 0:31:36 | 0:31:38 | |
Listen, can you do me a favour? | 0:31:38 | 0:31:42 | |
ROSIE GROANS | 0:31:42 | 0:31:44 | |
All right. Follow my finger. | 0:31:44 | 0:31:46 | |
-What's wrong with her? -Where's does it hurt, Rosie? | 0:31:46 | 0:31:48 | |
Back of my head. | 0:31:48 | 0:31:49 | |
-What have you done to her? -It's not helping. | 0:31:49 | 0:31:51 | |
Something you've given her, isn't it? You or someone else. | 0:31:51 | 0:31:54 | |
Right, let's give her 5 of morphine | 0:31:54 | 0:31:56 | |
and call CT. I want to exclude a bleed. | 0:31:56 | 0:31:58 | |
A bleed? In her brain?! | 0:31:58 | 0:31:59 | |
Did she bang her head? | 0:31:59 | 0:32:01 | |
No... She fell. | 0:32:01 | 0:32:03 | |
I'm going with her. | 0:32:03 | 0:32:04 | |
No, no. Absolutely not. I need you to stay here. | 0:32:04 | 0:32:07 | |
She needs to be calm and still. | 0:32:07 | 0:32:08 | |
For me to let you stay here with her after what's happened, | 0:32:11 | 0:32:14 | |
I am really going out on a limb. | 0:32:14 | 0:32:17 | |
I don't know, because there's only one of you and a lot of them, | 0:32:17 | 0:32:20 | |
and they're very, very powerful. | 0:32:20 | 0:32:23 | |
That's why we need to work together, OK? | 0:32:23 | 0:32:26 | |
Otherwise the other option is a nuclear one. | 0:32:26 | 0:32:30 | |
I really don't want to resort to that, for her sake. | 0:32:30 | 0:32:34 | |
OK. Do you trust me? | 0:32:34 | 0:32:37 | |
Yeah? OK. | 0:32:38 | 0:32:40 | |
I will stay with her. OK? No harm will come to her. | 0:32:40 | 0:32:44 | |
I'll stay with her all the time, I promise. | 0:32:44 | 0:32:47 | |
OK? OK, good man. All right. As quickly as we can, please. | 0:32:48 | 0:32:51 | |
I've been thinking... If I have a word with the senior nurse, | 0:32:51 | 0:32:54 | |
he might be able to get Connor put into temporary care for tonight. | 0:32:54 | 0:32:58 | |
It's not ideal, I know, but at least he'll be safe. | 0:32:58 | 0:33:01 | |
MACHINERY BLEEPS | 0:33:01 | 0:33:03 | |
Mercedes? | 0:33:03 | 0:33:04 | |
OK, can you get Dr Keogh, please? | 0:33:04 | 0:33:06 | |
Connie! What's happened? Is Grace OK? | 0:33:06 | 0:33:09 | |
You'll have to give me a minute. | 0:33:09 | 0:33:11 | |
ASAP, you said. | 0:33:11 | 0:33:12 | |
Typical. You click your fingers and everyone has to jump. Forget it. | 0:33:12 | 0:33:15 | |
No! Hang on! Carry on without me - I'll catch up with you. | 0:33:15 | 0:33:19 | |
OK, let's get 4 milligrams of lorazepam. | 0:33:21 | 0:33:24 | |
Lorazepam that way? | 0:33:24 | 0:33:26 | |
-Ah, sorry... -Come on! What's wrong with you today? | 0:33:26 | 0:33:29 | |
What's brought this on? | 0:33:30 | 0:33:31 | |
Well, if she has swallowed any drugs then the side effects | 0:33:31 | 0:33:34 | |
have been masked by the internal bleeding. | 0:33:34 | 0:33:35 | |
Her heart rate's through the roof. | 0:33:35 | 0:33:37 | |
Now is really not a good time. | 0:33:37 | 0:33:39 | |
As you can see, she's somewhat incapacitated. | 0:33:39 | 0:33:41 | |
It's not her I need to talk to. | 0:33:41 | 0:33:43 | |
It's Mr Chalker. | 0:33:43 | 0:33:45 | |
A simple yes or no - has it happened before? | 0:33:47 | 0:33:49 | |
-OK, if you get off your high horse for a minute... -Has it? | 0:33:49 | 0:33:52 | |
Well, yes - once or twice. | 0:33:52 | 0:33:54 | |
When? | 0:33:54 | 0:33:55 | |
Once on a school trip, once, I think, when she went horse riding. | 0:33:55 | 0:33:59 | |
Oh, you think once or twice, two or three times - what does it matter? | 0:33:59 | 0:34:02 | |
Oh, stop. It's not uncommon. | 0:34:02 | 0:34:04 | |
I wasn't going to get hysterical and declare panic stations. | 0:34:04 | 0:34:06 | |
We talked about it and we said we'll see how it goes. | 0:34:06 | 0:34:09 | |
-Right, were you ever going to tell me? -Oh, please! What could you have done? | 0:34:09 | 0:34:12 | |
-I'm her mother. -And I'm her father - I live with her, | 0:34:12 | 0:34:15 | |
and I did what I thought was best at the time. | 0:34:15 | 0:34:18 | |
-Do you know what - you're not taking her tonight. -Excuse me? | 0:34:18 | 0:34:21 | |
You are not taking her tonight. | 0:34:21 | 0:34:23 | |
All right? There's clearly an issue, she is obviously upset. | 0:34:23 | 0:34:26 | |
And I'm not going to let you push me out. | 0:34:26 | 0:34:28 | |
Push you out?! Did she say this is why she's upset? | 0:34:28 | 0:34:31 | |
-Because she's leaving? -Not in so many words, no. | 0:34:31 | 0:34:33 | |
Funny that she spends time with you and she has a panic attack. | 0:34:33 | 0:34:36 | |
Something must have happened to trigger this off. | 0:34:36 | 0:34:40 | |
Connie? | 0:34:40 | 0:34:41 | |
Rosie. Rosie? | 0:34:43 | 0:34:45 | |
I need to go. | 0:34:45 | 0:34:46 | |
Go? Go where? | 0:34:46 | 0:34:48 | |
Dad! Coach...coach... | 0:34:48 | 0:34:51 | |
-She's getting worse. -We'll have the results of the CT scan back shortly. | 0:34:51 | 0:34:54 | |
That'll give us a better indication of what the problem is. | 0:34:54 | 0:34:57 | |
Where is she? Where's Mrs Beauchamp? | 0:34:57 | 0:34:59 | |
-She promised she wouldn't leave her. -I'm sure there's a good explanation. -I'll go find her. | 0:34:59 | 0:35:03 | |
What have they done? | 0:35:05 | 0:35:07 | |
No wonder she had a panic attack! | 0:35:07 | 0:35:08 | |
She heard it out of context! | 0:35:08 | 0:35:10 | |
Out of context? She's a child, for heaven's sake! | 0:35:10 | 0:35:12 | |
What does she know about context? | 0:35:12 | 0:35:14 | |
-Really, you have no idea, do you? -What? | 0:35:14 | 0:35:17 | |
-Does she know you're sleeping with him as well? -No! | 0:35:17 | 0:35:20 | |
At least that's something. | 0:35:20 | 0:35:21 | |
You'll get tired of him next week. | 0:35:21 | 0:35:23 | |
That has nothing to do with it! | 0:35:23 | 0:35:24 | |
It has everything to do with it. | 0:35:24 | 0:35:26 | |
Unwittingly, you've hit the nail on the head. | 0:35:26 | 0:35:27 | |
Mothering is not for you - | 0:35:27 | 0:35:29 | |
you don't really want it, you don't really like it. | 0:35:29 | 0:35:31 | |
Your job comes first every time. | 0:35:31 | 0:35:33 | |
But everything has a price. A child needs to be wanted. | 0:35:33 | 0:35:37 | |
If she has issues... | 0:35:37 | 0:35:38 | |
Right, so it's my fault now? | 0:35:38 | 0:35:39 | |
Well, whose fault is it? | 0:35:39 | 0:35:41 | |
I'm sorry. | 0:35:45 | 0:35:46 | |
I said that in anger, but look, you and her, it just doesn't work. | 0:35:46 | 0:35:52 | |
The bigger the high, the harder the fall. I'm taking her home. | 0:35:52 | 0:35:57 | |
If you try and stop me, it'll only make things worse. | 0:35:57 | 0:36:00 | |
Mrs Beauchamp. You're needed in HDC - now! | 0:36:00 | 0:36:04 | |
Just go. Go do your job. | 0:36:06 | 0:36:08 | |
What have you done to her? What have you done?! | 0:36:13 | 0:36:15 | |
-What's happened? -She's groaning, and slurring her words. | 0:36:15 | 0:36:18 | |
-Please, please don't move her! -No, no, no, Sean, that's dangerous. | 0:36:18 | 0:36:20 | |
I'm not letting you hurt her. I'm not letting you hurt her. | 0:36:20 | 0:36:23 | |
Is that the CT? | 0:36:23 | 0:36:24 | |
Rosie? Rosie, it's me. | 0:36:24 | 0:36:26 | |
Subarachnoid bleed. | 0:36:26 | 0:36:28 | |
What's that? | 0:36:28 | 0:36:29 | |
-That looks like... -A metallic foreign object. | 0:36:29 | 0:36:31 | |
Has she had brain surgery? At any point? | 0:36:31 | 0:36:34 | |
As a child? A baby? Look, there seems like there's a coil there. | 0:36:34 | 0:36:40 | |
That would make her susceptible to brain injury. | 0:36:40 | 0:36:43 | |
The slightest knock could make her bleed. | 0:36:43 | 0:36:45 | |
No! I don't believe you any more. I don't believe you. | 0:36:45 | 0:36:48 | |
You said you would stay with her! You promised! You're one of them, aren't you? | 0:36:48 | 0:36:52 | |
Answer me! | 0:36:52 | 0:36:53 | |
I don't know! | 0:36:55 | 0:36:56 | |
I told you, I wasn't well. I wasn't around a lot of the time. | 0:36:56 | 0:37:01 | |
If we'd known this we'd have done a CT sooner! | 0:37:01 | 0:37:03 | |
I'll call the neurosurgeons. | 0:37:03 | 0:37:05 | |
OK. Right, let's prep for an RSI, please. | 0:37:05 | 0:37:07 | |
Right, you need to let us do our job immediately, | 0:37:07 | 0:37:09 | |
or she could suffer irreversible brain damage, Sean. | 0:37:09 | 0:37:13 | |
Let her go or I swear I'll make you. | 0:37:13 | 0:37:17 | |
ROSIE WHIMPERS | 0:37:17 | 0:37:19 | |
Right, let's get the head of the bed down. | 0:37:19 | 0:37:23 | |
I don't know what you mean. Why would I want to change my statement? | 0:37:24 | 0:37:27 | |
I'm just saying, if you do want to, then now would be a good time. | 0:37:27 | 0:37:31 | |
So, do you? Want to change anything? | 0:37:31 | 0:37:34 | |
-Anything at all? -I don't think so, no. | 0:37:34 | 0:37:36 | |
Right. | 0:37:37 | 0:37:39 | |
It's just...we've done some DNA comparisons. | 0:37:39 | 0:37:43 | |
-DNA? -Mercedes Christie has a criminal record so we have hers on file. | 0:37:43 | 0:37:47 | |
I've asked them to compare that to the DNA samples | 0:37:47 | 0:37:49 | |
we retrieved from the site of Mr Garcia's attack. | 0:37:49 | 0:37:52 | |
That's where you know her from, isn't it? | 0:37:54 | 0:37:56 | |
She was the mugger. | 0:37:56 | 0:37:58 | |
We've got Ms Christie's CT results. | 0:37:58 | 0:38:01 | |
She suffered a significant rupture to the spleen so she's on her way to theatre. | 0:38:02 | 0:38:06 | |
And in answer to your anticipated question, | 0:38:06 | 0:38:08 | |
yes, the scan did show evidence of foreign bodies, in the abdomen, | 0:38:08 | 0:38:12 | |
probably narcotic wraps that ruptured and caused her to overdose | 0:38:12 | 0:38:16 | |
and then fit. So I guess you've got what you want, if you want to... | 0:38:16 | 0:38:19 | |
Well, we've entered a whole new ball game, I'm afraid. | 0:38:19 | 0:38:22 | |
It's not just intent to supply drugs charges we're bringing against her now. | 0:38:22 | 0:38:25 | |
We've linked her to the attack on Mr Garcia. | 0:38:25 | 0:38:28 | |
We'll text you when we've landed. | 0:38:34 | 0:38:36 | |
High five, firecracker. | 0:38:38 | 0:38:40 | |
High five. | 0:38:40 | 0:38:41 | |
Don't. | 0:38:52 | 0:38:54 | |
Just to let you know, Rosie Souza's up in theatre | 0:38:56 | 0:38:58 | |
and social services are here. | 0:38:58 | 0:39:00 | |
OK, I'm coming now. | 0:39:00 | 0:39:01 | |
I'm sorry. I'm afraid we've lost Mr Souza. | 0:39:03 | 0:39:07 | |
I had to step out for a minute, and apparently he needed the toilet. | 0:39:07 | 0:39:10 | |
Oh, no. I don't believe it. He's really vulnerable. | 0:39:10 | 0:39:13 | |
-ED? -He's nowhere on the floor, and I've just called theatre. | 0:39:13 | 0:39:16 | |
He hasn't followed Rosie, either. | 0:39:16 | 0:39:18 | |
OK. Just call security. He's got to be somewhere. | 0:39:18 | 0:39:21 | |
They've found him where?! | 0:39:21 | 0:39:23 | |
I...just don't get it. Why did you lie?! | 0:39:25 | 0:39:28 | |
-I... -And for so long! You kept it going for so long! | 0:39:28 | 0:39:31 | |
I was going to tell you. | 0:39:31 | 0:39:33 | |
What stopped you? Cos it was a woman? | 0:39:33 | 0:39:35 | |
Was that it? | 0:39:35 | 0:39:36 | |
I don't know. Maybe. It just got out of control so quick! | 0:39:36 | 0:39:40 | |
I'm your best mate, man. Your best mate! How could you?! | 0:39:40 | 0:39:46 | |
I was going to tell you, right, when you gave me the bike, | 0:39:46 | 0:39:49 | |
then she turned up out of the blue all of a sudden. | 0:39:49 | 0:39:52 | |
I know there's no excuse. | 0:39:54 | 0:39:56 | |
No. | 0:39:56 | 0:39:57 | |
There isn't. | 0:39:59 | 0:40:00 | |
Where are you going? | 0:40:00 | 0:40:02 | |
I'm moving out. | 0:40:05 | 0:40:06 | |
Why would he do that? | 0:40:10 | 0:40:12 | |
He must have known it would catch up with him in the end. | 0:40:12 | 0:40:14 | |
Well, that's what we do, isn't it? | 0:40:14 | 0:40:16 | |
We live in hope, even though we know it'll end in tears. | 0:40:16 | 0:40:19 | |
So why do we take the risk? | 0:40:21 | 0:40:23 | |
Such is humanity. | 0:40:27 | 0:40:29 | |
Could you tell her that social services will be there to pick up | 0:40:33 | 0:40:37 | |
her son after school and that patient support will be in touch? | 0:40:37 | 0:40:43 | |
Bye, thank you. | 0:40:43 | 0:40:46 | |
Stay here. | 0:40:47 | 0:40:49 | |
Sean, come inside. | 0:40:57 | 0:40:59 | |
We need to talk about Rosie. | 0:40:59 | 0:41:00 | |
Don't! Don't. | 0:41:00 | 0:41:02 | |
Sean. | 0:41:07 | 0:41:08 | |
Rosie's OK. | 0:41:08 | 0:41:10 | |
All right? She'll be fine. | 0:41:10 | 0:41:12 | |
I didn't know. I can't remember anything | 0:41:12 | 0:41:14 | |
and I didn't know and I could have killed her. | 0:41:14 | 0:41:17 | |
OK, but you didn't. | 0:41:17 | 0:41:18 | |
It's all happening again, I can feel it. Coming on again. | 0:41:18 | 0:41:22 | |
I can feel it repeating itself. I know it's coming back. | 0:41:22 | 0:41:24 | |
What? What's coming back? | 0:41:24 | 0:41:26 | |
That feeling. | 0:41:26 | 0:41:27 | |
When I get ill, I feel like there's some terrible mindless plot | 0:41:27 | 0:41:34 | |
and I'm getting that feeling again, | 0:41:34 | 0:41:35 | |
I'm getting that feeling, I'm getting it. | 0:41:35 | 0:41:38 | |
OK, listen to me, Sean, listen to me. | 0:41:38 | 0:41:41 | |
They're coming back. | 0:41:41 | 0:41:43 | |
Look at me. Sean, look at me. | 0:41:43 | 0:41:45 | |
You know what this is. You've been through this before. | 0:41:46 | 0:41:50 | |
They're coming back, the voices. | 0:41:50 | 0:41:52 | |
OK. | 0:41:52 | 0:41:54 | |
What are the voices telling you? | 0:41:55 | 0:41:57 | |
That I can't get anything right. | 0:41:57 | 0:41:59 | |
That she's better off without me, that I've let her down. | 0:41:59 | 0:42:04 | |
I let them both down. | 0:42:06 | 0:42:08 | |
Our beautiful little girl. | 0:42:12 | 0:42:14 | |
You didn't let her down. | 0:42:14 | 0:42:16 | |
Because like you said if I told you if I knew but I was ill | 0:42:16 | 0:42:18 | |
when she was a baby, I can't remember anything | 0:42:18 | 0:42:20 | |
and if I told you... I promised her I would look after her. | 0:42:20 | 0:42:24 | |
I promised her, and I did the opposite. I did the opposite. | 0:42:25 | 0:42:30 | |
This could all be over for everyone. | 0:42:30 | 0:42:32 | |
-They're telling me to jump. -No! Sean, Sean, please, look at me. | 0:42:32 | 0:42:37 | |
Sean, I'm here. Sean, I'm here! | 0:42:37 | 0:42:40 | |
Listen to me! | 0:42:40 | 0:42:42 | |
Listen to my voice, OK? | 0:42:42 | 0:42:44 | |
You have been through this before, | 0:42:44 | 0:42:46 | |
but you are scared and depressed right now. | 0:42:46 | 0:42:49 | |
Is this the point where you promise me things | 0:42:50 | 0:42:53 | |
and say you'll stay with me and things will change and... | 0:42:53 | 0:42:55 | |
No. No, Sean. | 0:42:55 | 0:42:57 | |
This is the point when I tell you she won't be in care for ever. | 0:42:58 | 0:43:02 | |
Three years. Three years and she'll be 16. | 0:43:02 | 0:43:05 | |
OK, you can't take care of her at the moment, | 0:43:05 | 0:43:08 | |
but if you go into treatment, take your medication, | 0:43:08 | 0:43:12 | |
you will feel better. | 0:43:12 | 0:43:13 | |
I know how much you love her. | 0:43:13 | 0:43:15 | |
Love is not enough. | 0:43:17 | 0:43:19 | |
Well, then, before you do this, imagine your little girl's face | 0:43:21 | 0:43:24 | |
when I tell her you decided to jump. | 0:43:24 | 0:43:27 | |
That you gave up on her, on you. | 0:43:27 | 0:43:30 | |
Imagine the pain she'll have to live with for the rest of her life. | 0:43:30 | 0:43:35 | |
The course I was telling you about this morning, in some ways, | 0:44:01 | 0:44:05 | |
Mercedes provides you with the perfect opportunity, doesn't she? | 0:44:05 | 0:44:09 | |
You're still going on about that? | 0:44:09 | 0:44:11 | |
Yes, I am. | 0:44:11 | 0:44:12 | |
No. N-O. | 0:44:12 | 0:44:14 | |
Apparently, there are spare pizzas going in the pub. | 0:44:14 | 0:44:16 | |
Yeah. Party's been cancelled but the pizzas are still on. | 0:44:16 | 0:44:18 | |
I think you're all being too harsh. | 0:44:18 | 0:44:20 | |
Has no-one seen Accidental Hero? I feel sorry for him. | 0:44:20 | 0:44:23 | |
Well, he could have come clean earlier. | 0:44:23 | 0:44:26 | |
It's Noel I feel sorry for. | 0:44:26 | 0:44:28 | |
Max, wait up. | 0:44:28 | 0:44:29 | |
I was wondering where you were. | 0:44:29 | 0:44:31 | |
Yeah, listen. | 0:44:31 | 0:44:33 | |
Let's wait for Max. | 0:44:33 | 0:44:35 | |
I've been thinking. | 0:44:35 | 0:44:36 | |
Always a bad idea. | 0:44:36 | 0:44:37 | |
I'm going to give that drink a miss. | 0:44:42 | 0:44:44 | |
It was never going to work. | 0:44:45 | 0:44:46 | |
What about...? | 0:44:46 | 0:44:48 | |
It was a mistake. I'm sorry. | 0:44:48 | 0:44:51 | |
Hey, guys. | 0:44:59 | 0:45:00 | |
I'm so sorry. | 0:45:26 | 0:45:28 | |
It's OK, Dad. | 0:45:28 | 0:45:30 | |
I love you. | 0:45:36 | 0:45:38 | |
I did the right thing. | 0:45:45 | 0:45:46 | |
I'm the one that gave up on Grace. | 0:45:46 | 0:45:49 | |
Look... | 0:45:49 | 0:45:50 | |
The bottom line is are you going to | 0:45:51 | 0:45:53 | |
pay for that for the rest of your life? | 0:45:53 | 0:45:55 | |
That was then - this is now. | 0:45:55 | 0:45:57 | |
You're not on your own now, cos I'm here. | 0:45:57 | 0:46:01 | |
Come here. | 0:46:03 | 0:46:04 | |
Now, you could either stand here and feel sorry for yourself, | 0:46:08 | 0:46:12 | |
or... | 0:46:12 | 0:46:14 | |
follow your heart. | 0:46:14 | 0:46:17 | |
For once. | 0:46:17 | 0:46:19 | |
(OK.) | 0:46:27 | 0:46:28 | |
Shut up and drive. | 0:46:39 | 0:46:41 | |
MUSIC PLAYS LOUDLY | 0:47:04 | 0:47:06 | |
Connie?! What the... | 0:47:46 | 0:47:48 | |
Grace, wait. | 0:47:55 | 0:47:57 | |
Sweetheart, giving you up was the worst thing I've ever done in my life. | 0:47:57 | 0:48:03 | |
And I will never, ever do that again. | 0:48:03 | 0:48:07 | |
I love you so much. | 0:48:08 | 0:48:10 | |
I love you so much. | 0:48:16 | 0:48:19 | |
I'm so sorry. | 0:48:19 | 0:48:21 |