Browse content similar to Sweet Child of Mine. Check below for episodes and series from the same categories and more!
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Jez Andrews - new paramedic. | 0:00:02 | 0:00:03 | |
Please, please don't tell the police it was me. | 0:00:03 | 0:00:06 | |
Seriously, you've not made up yet? | 0:00:06 | 0:00:08 | |
-Obviously, I'm going to have to educate you. -Yeah, you are. | 0:00:08 | 0:00:11 | |
Lofty, you're not going to lose your job. | 0:00:11 | 0:00:13 | |
I won't come back. | 0:00:13 | 0:00:15 | |
Goodbye. | 0:00:15 | 0:00:16 | |
Yeah? | 0:00:17 | 0:00:18 | |
Yeah. Well, then... | 0:00:19 | 0:00:21 | |
What? | 0:00:22 | 0:00:24 | |
Where have you been? | 0:01:23 | 0:01:24 | |
Your phone's been switched off - I've been trying to call. | 0:01:26 | 0:01:29 | |
I've been worried sick, Ethan. | 0:01:29 | 0:01:31 | |
Erm, sorry to hear about your mum. | 0:01:32 | 0:01:35 | |
Thanks, Charlie. | 0:01:35 | 0:01:36 | |
He's taking it badly, eh? | 0:01:41 | 0:01:42 | |
No, I understand | 0:01:46 | 0:01:47 | |
and I'll get the governance report to you by the end of the morning. | 0:01:47 | 0:01:50 | |
I appreciate the urgency to it, but... | 0:01:50 | 0:01:52 | |
Sorry, Henrik, I am going to have to go. | 0:01:55 | 0:01:57 | |
There's, er, an emergency in resus. | 0:01:57 | 0:02:00 | |
You are so naughty! | 0:02:00 | 0:02:02 | |
-It's been a week now, right? -Mmm. | 0:02:05 | 0:02:07 | |
A man's got needs. | 0:02:07 | 0:02:09 | |
You know, Grace gets that you're allowed to have... | 0:02:09 | 0:02:12 | |
-male friends. -CONNIE'S PHONE VIBRATES | 0:02:12 | 0:02:14 | |
Oh, I've just seriously got to fire this woman. | 0:02:17 | 0:02:20 | |
What's wrong? | 0:02:20 | 0:02:21 | |
It's Grace's childminder - she's ill again. | 0:02:21 | 0:02:24 | |
She is bringing Grace in. | 0:02:24 | 0:02:26 | |
Well, silver linings and all that. | 0:02:26 | 0:02:29 | |
Could be the perfect time to break the good news. | 0:02:29 | 0:02:32 | |
Let it rain! | 0:02:37 | 0:02:38 | |
Let it rain. What's that? | 0:02:42 | 0:02:44 | |
It is from Along Came Polly. It's one of Zoe's favourite... | 0:02:44 | 0:02:47 | |
Right, you're new. Zoe is my ex. She's a doctor here and... | 0:02:49 | 0:02:52 | |
It's a long story. | 0:02:53 | 0:02:54 | |
White chocolate! | 0:02:55 | 0:02:57 | |
I thought it'd be a laugh. | 0:03:03 | 0:03:04 | |
You know, just, er, just something to do in our breaks. | 0:03:04 | 0:03:08 | |
I'll take it down. | 0:03:10 | 0:03:11 | |
In the hole! | 0:03:14 | 0:03:15 | |
Right, | 0:03:18 | 0:03:20 | |
king of the court. | 0:03:20 | 0:03:21 | |
Loser gets the beers in tonight. | 0:03:21 | 0:03:23 | |
King of the court! You know white men can't jump. | 0:03:23 | 0:03:26 | |
Especially old ones. | 0:03:26 | 0:03:27 | |
Ooh, fighting talk. | 0:03:27 | 0:03:29 | |
-RADIO ANNOUNCER: -So remember, keep listening all this morning | 0:03:29 | 0:03:32 | |
and phone in when you hear any Rihanna song for a chance to win | 0:03:32 | 0:03:34 | |
two Glastonbury tickets. | 0:03:34 | 0:03:36 | |
I need those tickets. | 0:03:36 | 0:03:37 | |
So does half the town. Waste of time, mate. | 0:03:37 | 0:03:39 | |
Come on, are we playing or what? | 0:03:39 | 0:03:40 | |
Raindrops! | 0:03:40 | 0:03:42 | |
JEZ YELLS IN TRIUMPH | 0:03:43 | 0:03:44 | |
BRAKES SCREECH | 0:03:45 | 0:03:47 | |
OK. | 0:03:53 | 0:03:54 | |
Come on, come out of the car, mate. | 0:03:55 | 0:03:58 | |
Thank you. | 0:03:58 | 0:03:59 | |
HE EXCLAIMS IN DELIGHT | 0:04:00 | 0:04:02 | |
Leaving gift from Lofty. | 0:04:02 | 0:04:04 | |
Ooh! He baked them himself, apparently. | 0:04:04 | 0:04:06 | |
Ah, he must have loads of free time. I am well jel. | 0:04:06 | 0:04:09 | |
Hey, oi! | 0:04:13 | 0:04:15 | |
He used salt instead of sugar. | 0:04:15 | 0:04:17 | |
Typical Lofty. | 0:04:19 | 0:04:20 | |
Ah, Louise, could you ask Noel to photocopy these for me, please? | 0:04:21 | 0:04:26 | |
Mac wants you to photocopy... | 0:04:26 | 0:04:27 | |
Could you tell Mackenzie he can do it himself? | 0:04:27 | 0:04:30 | |
What? He started it! | 0:04:34 | 0:04:36 | |
-Dylan... -Yeah. -..how you getting on? | 0:04:39 | 0:04:41 | |
Erm, all right. I don't understand why he had to quit, though. | 0:04:41 | 0:04:45 | |
It was an accident, it wasn't his fault, was it? | 0:04:45 | 0:04:47 | |
What are you talking about? | 0:04:47 | 0:04:49 | |
Well, Ben. | 0:04:50 | 0:04:52 | |
Not Lofty - the report. | 0:04:52 | 0:04:54 | |
Oh. Oh, the report. Yeah, it's fine. | 0:04:54 | 0:04:56 | |
I spoke to him last night. | 0:04:56 | 0:04:58 | |
He's staying at his parents, but he is fine. | 0:04:58 | 0:05:00 | |
-Zoe. -Yeah. | 0:05:00 | 0:05:02 | |
Right, Jez, do the honours, please. | 0:05:02 | 0:05:05 | |
Yeah, erm, she collapsed outside the ambulance station. | 0:05:05 | 0:05:09 | |
She had a seizure of approximately about 15 seconds. | 0:05:09 | 0:05:12 | |
She is tachy at pulse 120. | 0:05:12 | 0:05:14 | |
Dilated pupils and now she's postictal with a GCS 11. | 0:05:14 | 0:05:18 | |
We never managed to get her name. | 0:05:18 | 0:05:20 | |
I know who it is - it's Mercedes. Straight through to resus, please. | 0:05:20 | 0:05:22 | |
-Mercedes, as in Noel's Mercedes? -Yeah. | 0:05:22 | 0:05:25 | |
This is her son, Connor. | 0:05:25 | 0:05:26 | |
Hi, Connor, I'm Zoe. I will be looking after your mum. | 0:05:26 | 0:05:29 | |
-Max, would you be able to take care..? -No, I'm... | 0:05:29 | 0:05:31 | |
Please. | 0:05:31 | 0:05:33 | |
-OK, come on. -Thanks. | 0:05:33 | 0:05:34 | |
I'm sorry about the Grand Theft Ambo situation. | 0:05:38 | 0:05:41 | |
It's forgotten. I'm sorry to hear about your mum. | 0:05:41 | 0:05:43 | |
Yeah, thanks. | 0:05:43 | 0:05:45 | |
Mac, I need to talk to you about, erm, a thing. | 0:05:49 | 0:05:53 | |
Well, I hope it's not a thing and it doesn't become a thing, | 0:05:53 | 0:05:55 | |
but I think it is a-a thing. | 0:05:55 | 0:05:57 | |
Sorry? | 0:05:57 | 0:05:59 | |
The girl who mugged Noel. | 0:05:59 | 0:06:01 | |
Mercedes. | 0:06:01 | 0:06:02 | |
She is here. | 0:06:02 | 0:06:04 | |
Can't I have a latte? | 0:06:10 | 0:06:12 | |
Er, no. | 0:06:12 | 0:06:13 | |
Is Jacob in today? | 0:06:16 | 0:06:17 | |
I'll get him to come and say hi, shall I? | 0:06:19 | 0:06:23 | |
Right, I need to get back to work. Have you got homework to do? | 0:06:23 | 0:06:25 | |
No. | 0:06:25 | 0:06:27 | |
Can I come and see you work now? | 0:06:27 | 0:06:29 | |
Just thought you should know, Mrs Beauchamp, VIP en route. | 0:06:29 | 0:06:31 | |
Like a pop star? | 0:06:31 | 0:06:33 | |
More like a high-risk prisoner. | 0:06:33 | 0:06:34 | |
Thank you, Jack. | 0:06:34 | 0:06:36 | |
Well, seeing as you're here - meet your new work experience girl - | 0:06:37 | 0:06:40 | |
my daughter, Grace. She'll be working on reception with you today. | 0:06:40 | 0:06:44 | |
I want to be a doctor, not a tea lady. | 0:06:44 | 0:06:46 | |
Are you my mummy? | 0:06:54 | 0:06:56 | |
I am. | 0:06:56 | 0:06:57 | |
-Is your job in a prison? -Yes, it is. | 0:06:58 | 0:07:00 | |
You just said "yes"! | 0:07:00 | 0:07:02 | |
You are like the best at the Yes/No game ever. | 0:07:02 | 0:07:04 | |
I am! | 0:07:04 | 0:07:06 | |
OK, listen, sweetheart, I've got to get to work now, OK? | 0:07:07 | 0:07:10 | |
I won't be long. | 0:07:10 | 0:07:11 | |
There you go, you've got your phone. You call me if you need me, OK? | 0:07:13 | 0:07:16 | |
-I'll be back to check on you, though. -OK. | 0:07:16 | 0:07:18 | |
I love you so much. | 0:07:20 | 0:07:22 | |
I love you too, Mum. | 0:07:22 | 0:07:23 | |
This will be over soon. | 0:07:23 | 0:07:25 | |
We're going to make you better. | 0:07:25 | 0:07:27 | |
He'll have a guard with him at all times. | 0:07:43 | 0:07:45 | |
Watch your sharps, OK? I don't want any accidents. | 0:07:45 | 0:07:48 | |
Let's get him in and out as quickly as possible. | 0:07:48 | 0:07:50 | |
-What did he do? -Lifer. | 0:07:50 | 0:07:52 | |
What, so he killed someone? | 0:07:52 | 0:07:53 | |
Yeah, but he deserved it, darling. I promise you that. | 0:07:53 | 0:07:57 | |
Great, a vigilante. | 0:07:57 | 0:07:58 | |
-Peter, Jim? -Yes, ma'am. | 0:07:58 | 0:08:00 | |
Hi. Paula Cubie, senior prison officer. | 0:08:00 | 0:08:02 | |
I was diverted straight here to relieve one of the guys. | 0:08:02 | 0:08:06 | |
-So, will you be his doctor? -One of them, yeah. | 0:08:06 | 0:08:08 | |
Apparently, he got into a fight with his cellmate. | 0:08:08 | 0:08:10 | |
Yeah, and looks like he lost. | 0:08:10 | 0:08:11 | |
OK, well, look, I'll be with him at all times, | 0:08:11 | 0:08:13 | |
and there'll be another officer outside his cubicle. | 0:08:13 | 0:08:16 | |
As long as you don't get in the way of my team, | 0:08:16 | 0:08:18 | |
you can go anywhere you like. | 0:08:18 | 0:08:20 | |
If someone gave your daughter pills that killed her, | 0:08:33 | 0:08:36 | |
and got off, carried on dealing, | 0:08:36 | 0:08:38 | |
laughing in your face the whole time - what would you do, big man? | 0:08:38 | 0:08:42 | |
I wouldn't kill him. | 0:08:42 | 0:08:43 | |
Well, I didn't mean it to go that far. | 0:08:43 | 0:08:47 | |
Right, what have we got? | 0:08:47 | 0:08:49 | |
A very deep incised wound. | 0:08:49 | 0:08:51 | |
Fair bit of blood loss but it's all venous. | 0:08:51 | 0:08:53 | |
Yeah, the blade has gone through the adipose tissue, | 0:08:53 | 0:08:55 | |
deeply into the bicep. | 0:08:55 | 0:08:57 | |
I'm going to get an X-ray to exclude any FBs, | 0:08:57 | 0:09:00 | |
-but think we should be OK to close it here. -OK. | 0:09:00 | 0:09:03 | |
Dr Hardy, a word, please. | 0:09:03 | 0:09:04 | |
I didn't expect you in today. | 0:09:06 | 0:09:08 | |
-I'm fine. -Even so, I want you on minors. OK? | 0:09:08 | 0:09:10 | |
Dr Chao, in here, please. | 0:09:12 | 0:09:13 | |
Can you get Dr Chao a suture set with 2-0 vicryl | 0:09:14 | 0:09:17 | |
and 4-0 monofilament to close the skin? | 0:09:17 | 0:09:21 | |
Let's do a group and save, as well, please. | 0:09:21 | 0:09:23 | |
How did this happen, exactly? | 0:09:23 | 0:09:25 | |
An argument got out of hand. I was defending myself. | 0:09:25 | 0:09:28 | |
Could I get some more pain relief, please? | 0:09:28 | 0:09:31 | |
Can you titrate 10 mgs of morphine, please? | 0:09:31 | 0:09:33 | |
He's already had five. | 0:09:33 | 0:09:35 | |
I had my own construction firm. A nice house. | 0:09:35 | 0:09:38 | |
-I'm no junkie. -I can vouch for him. | 0:09:38 | 0:09:41 | |
HER PHONE BEEPS | 0:09:43 | 0:09:44 | |
OK. | 0:09:48 | 0:09:49 | |
Oh, Zoe. | 0:09:54 | 0:09:56 | |
Right, let's get some bloods off. | 0:09:59 | 0:10:01 | |
I want a venous blood gas, and check her BM. | 0:10:01 | 0:10:03 | |
We need 1g of paracetamol as well, please. | 0:10:03 | 0:10:05 | |
-She only had her spleen out a couple of weeks ago... -I know. | 0:10:05 | 0:10:08 | |
..and this is how she looks after herself. | 0:10:08 | 0:10:11 | |
OK. | 0:10:11 | 0:10:12 | |
Right, can we get 4mg of lorazepam? And we will repeat if necessary. | 0:10:12 | 0:10:17 | |
OK, we will give this five minutes | 0:10:17 | 0:10:20 | |
and if the fitting doesn't abate, we will start a phenytoin infusion. | 0:10:20 | 0:10:24 | |
Failing that, we'll do an RSI and send her to ITU. | 0:10:24 | 0:10:26 | |
Might be worth giving them a heads up, yeah? | 0:10:26 | 0:10:29 | |
All right, darling, all right, all right. | 0:10:29 | 0:10:33 | |
Why does she do this to herself? | 0:10:33 | 0:10:35 | |
I don't know. A cry for help? | 0:10:35 | 0:10:38 | |
You think she did it on purpose? | 0:10:38 | 0:10:40 | |
Does Noel know she's here? | 0:10:40 | 0:10:43 | |
Perhaps you should stay away, Mac. | 0:10:43 | 0:10:45 | |
Who is going to be here when she wakes up? | 0:10:45 | 0:10:47 | |
There was, erm... There was a fridge magnet | 0:11:03 | 0:11:06 | |
and it just said, "Keep calm, I'm a doctor". | 0:11:06 | 0:11:08 | |
You haven't seen it, have you? | 0:11:08 | 0:11:10 | |
Sorry, I, er, I heard the news. | 0:11:10 | 0:11:14 | |
At least she died with some dignity. | 0:11:14 | 0:11:16 | |
-I suppose that's something, isn't it? -Dying with dignity? | 0:11:16 | 0:11:21 | |
What does that even mean? | 0:11:21 | 0:11:23 | |
We come into this world alone, we all leave it alone. | 0:11:23 | 0:11:25 | |
At some stage, our bodies fall apart, they let us down | 0:11:25 | 0:11:28 | |
and whether we're 32 or 92, it's always a sad, lonely process. | 0:11:28 | 0:11:33 | |
Dying is horrible, Dylan. | 0:11:34 | 0:11:35 | |
There's no way to dress it up. | 0:11:37 | 0:11:40 | |
You of all people know that. | 0:11:40 | 0:11:41 | |
Er, the bottom drawer - | 0:11:46 | 0:11:47 | |
the magnet that Lofty gave you. | 0:11:47 | 0:11:49 | |
You OK, sweetheart? | 0:12:09 | 0:12:10 | |
-I got this for you, look. -Thanks, Mum. | 0:12:10 | 0:12:13 | |
It's all right. | 0:12:13 | 0:12:14 | |
I'll just be a minute. | 0:12:16 | 0:12:17 | |
Let me know where you find a good one. | 0:12:42 | 0:12:43 | |
Childminder. Had to bring my daughter in, too. | 0:12:43 | 0:12:47 | |
Bring her inside, it won't be a problem. | 0:12:47 | 0:12:49 | |
Her gran will be here any minute. | 0:12:49 | 0:12:52 | |
OK. | 0:12:52 | 0:12:53 | |
How you doing, beautiful? | 0:13:02 | 0:13:03 | |
Hello, Holby ED. | 0:13:12 | 0:13:13 | |
Hold the line, I'll just check for you. | 0:13:14 | 0:13:16 | |
Is there a Mrs Tinkle? | 0:13:16 | 0:13:19 | |
Ivana Tinkle? | 0:13:19 | 0:13:21 | |
EVERYONE LAUGHS | 0:13:21 | 0:13:22 | |
Crank call, mate. | 0:13:24 | 0:13:25 | |
You've not seen The Simpsons? | 0:13:25 | 0:13:27 | |
Yeah, very funny, you time waster. | 0:13:28 | 0:13:31 | |
Jez - new para. | 0:13:33 | 0:13:35 | |
Noel Garcia. | 0:13:35 | 0:13:36 | |
Keep up. | 0:13:39 | 0:13:40 | |
Hey, Mrs Beauchamp asked if you could look after... | 0:13:40 | 0:13:43 | |
-What's your name? -Connor. -..Connor, too. | 0:13:43 | 0:13:45 | |
-No, she didn't. -Yes, she did. | 0:13:45 | 0:13:47 | |
-Er, no, she didn't. -Er, yes. | 0:13:47 | 0:13:48 | |
All right, I will flip you for it. | 0:13:48 | 0:13:50 | |
No, don't... Heads. | 0:13:50 | 0:13:52 | |
Yes, get in. | 0:13:53 | 0:13:54 | |
So, obviously, it is best out of three. | 0:13:54 | 0:13:57 | |
Come on. | 0:13:58 | 0:14:00 | |
-HIS PHONE VIBRATES -Wait. | 0:14:00 | 0:14:01 | |
This way. | 0:14:06 | 0:14:07 | |
You get off, Jim. Long shift. | 0:14:12 | 0:14:13 | |
Thank you. | 0:14:14 | 0:14:15 | |
HE GRUNTS IN PAIN | 0:14:18 | 0:14:20 | |
-What is it? -I'm fine. | 0:14:24 | 0:14:25 | |
Get them off. | 0:14:32 | 0:14:33 | |
I said I'm fine - it doesn't hurt. | 0:14:33 | 0:14:35 | |
You're clearly not. Get them off. | 0:14:35 | 0:14:37 | |
OK, wait, wait. | 0:14:37 | 0:14:39 | |
Can you ask her to leave, please? | 0:14:40 | 0:14:43 | |
You know I can't. | 0:14:43 | 0:14:44 | |
HE BREATHES HEAVILY | 0:14:51 | 0:14:53 | |
HE GRUNTS IN PAIN | 0:14:58 | 0:14:59 | |
-Oh, what is it? -It's a needle abscess. | 0:15:05 | 0:15:08 | |
No, it's not drugs. | 0:15:08 | 0:15:09 | |
Yes, it is. | 0:15:09 | 0:15:11 | |
All right, the abscess needs cleaning, irrigating, | 0:15:11 | 0:15:15 | |
wound swabs for MC&S. | 0:15:15 | 0:15:18 | |
Let's do a soft tissue film and pray it's not necrotising fasciitis. | 0:15:18 | 0:15:23 | |
Then he can go off to cubicles. | 0:15:23 | 0:15:25 | |
Best go and get some more bandages, then. | 0:15:28 | 0:15:30 | |
It was one time, OK? | 0:15:36 | 0:15:38 | |
I was talked into it. One time. | 0:15:38 | 0:15:40 | |
I am not a smackhead. | 0:15:40 | 0:15:42 | |
You've known me long enough. You believe me, don't you? | 0:15:44 | 0:15:47 | |
Where's the bag? | 0:15:52 | 0:15:53 | |
-In the car. -And..? | 0:15:53 | 0:15:55 | |
Here. | 0:15:57 | 0:15:58 | |
How much time do we have? | 0:16:01 | 0:16:02 | |
75 minutes till we need to be at the airfield. | 0:16:07 | 0:16:09 | |
-OK, good. Can we hang up another bag of saline, please? -Yep. | 0:16:14 | 0:16:18 | |
Is she OK? | 0:16:20 | 0:16:21 | |
She will be. | 0:16:21 | 0:16:22 | |
Signed, sealed and delivered. | 0:16:38 | 0:16:40 | |
Excuse me, Ms Beauchamp, but could I possibly get you | 0:16:40 | 0:16:43 | |
to file this stationary order for me, please? | 0:16:43 | 0:16:45 | |
Certainly, Nurse Masters. | 0:16:45 | 0:16:47 | |
Efficient. | 0:16:47 | 0:16:48 | |
You know, you could probably teach the folk round here a thing or two. | 0:16:48 | 0:16:52 | |
What's going on? | 0:16:54 | 0:16:56 | |
She's a natural, aren't you, firecracker? | 0:16:56 | 0:16:59 | |
We make a good team. | 0:16:59 | 0:17:00 | |
You're getting on well with Jacob? | 0:17:04 | 0:17:07 | |
Yeah, he's cool. Jack, too. | 0:17:07 | 0:17:09 | |
-That Dylan guy's a bit grumpy, though. -Mmm. | 0:17:10 | 0:17:13 | |
Jack calls him Dr Huffy Puff. | 0:17:13 | 0:17:14 | |
What's that for? | 0:17:18 | 0:17:20 | |
I don't know. I am just happy. | 0:17:20 | 0:17:22 | |
I know it was all a bit messed up before... | 0:17:24 | 0:17:26 | |
..but now it is perfect. | 0:17:27 | 0:17:29 | |
Me and you. | 0:17:30 | 0:17:31 | |
Yeah, it's perfect. | 0:17:32 | 0:17:35 | |
Ethan... | 0:17:56 | 0:17:58 | |
..you can't ignore me for ever, you know that. | 0:17:59 | 0:18:01 | |
-Jacob? -Yo. | 0:18:11 | 0:18:13 | |
So? | 0:18:14 | 0:18:16 | |
I, erm... | 0:18:16 | 0:18:18 | |
I just don't think Grace is ready just yet | 0:18:18 | 0:18:21 | |
to know that you're... | 0:18:21 | 0:18:24 | |
..you know, erm... | 0:18:25 | 0:18:27 | |
You can't even say it, can you? | 0:18:28 | 0:18:30 | |
Boyfriend. | 0:18:31 | 0:18:32 | |
So what is it? | 0:18:35 | 0:18:37 | |
What - cos I'm a nurse? | 0:18:37 | 0:18:39 | |
-What? -Cos I didn't go to private school? | 0:18:39 | 0:18:42 | |
Do you know, if this - us - was some sort of fling, | 0:18:42 | 0:18:45 | |
then I totally get why you wouldn't want to tell her. | 0:18:45 | 0:18:49 | |
But surely, if this is the real deal, | 0:18:49 | 0:18:51 | |
then the person you care most about - | 0:18:51 | 0:18:53 | |
you'd want her to know, right? | 0:18:53 | 0:18:54 | |
So, maybe this isn't for you - the real deal. | 0:18:59 | 0:19:02 | |
No, don't say that. | 0:19:02 | 0:19:03 | |
You know, it's cool. It's cool, Conn. | 0:19:03 | 0:19:05 | |
I get it. It's cool. | 0:19:05 | 0:19:07 | |
No, Jacob. | 0:19:07 | 0:19:08 | |
Connor, | 0:19:28 | 0:19:29 | |
where's Connor? | 0:19:29 | 0:19:30 | |
It's all right, OK? A member of staff is looking after him. | 0:19:30 | 0:19:33 | |
We're going to have to start charging you rent, young lady. | 0:19:33 | 0:19:37 | |
Mercedes... | 0:19:40 | 0:19:41 | |
..why do you keep doing this to yourself? | 0:19:43 | 0:19:46 | |
You've got a lovely boy out there. | 0:19:46 | 0:19:47 | |
Is there some kind of problem you are worried about? | 0:19:47 | 0:19:50 | |
Is there someone that can come in and take care of Connor? | 0:19:56 | 0:19:59 | |
Hmm? | 0:20:00 | 0:20:02 | |
Because if there isn't, | 0:20:02 | 0:20:04 | |
we can ask social services to arrange emergency foster care. | 0:20:04 | 0:20:07 | |
OK. | 0:20:10 | 0:20:11 | |
Wait. | 0:20:13 | 0:20:14 | |
His dad. | 0:20:20 | 0:20:21 | |
There you go. All done. | 0:20:23 | 0:20:25 | |
Mrs Beauchamp will be in to see you in a minute. | 0:20:25 | 0:20:27 | |
Thank you. | 0:20:27 | 0:20:28 | |
Pete, you're due a break. | 0:20:34 | 0:20:36 | |
Grab us a tea on your way back. One for yourself. | 0:20:36 | 0:20:39 | |
Hey, come here. | 0:20:53 | 0:20:54 | |
In no time at all, we will be on that plane. | 0:20:56 | 0:20:58 | |
Tomorrow, we're in Florida | 0:20:58 | 0:21:00 | |
and the day after, Molly gets her operation. | 0:21:00 | 0:21:02 | |
Six months - she's walking. | 0:21:02 | 0:21:04 | |
You're beautiful. | 0:21:06 | 0:21:08 | |
You do know that, don't you? | 0:21:08 | 0:21:10 | |
I love you. | 0:21:10 | 0:21:12 | |
-HE MOANS IN PAIN -Oh, I'm sorry. | 0:21:12 | 0:21:14 | |
He needs the-the loo. | 0:21:16 | 0:21:18 | |
You're in no state to go anywhere. | 0:21:19 | 0:21:20 | |
Back into bed. I'll get a bedpan. | 0:21:20 | 0:21:23 | |
-Come here. -Get your... | 0:21:23 | 0:21:24 | |
Infected blood - HIV. | 0:21:24 | 0:21:26 | |
I'm sorry. | 0:21:29 | 0:21:30 | |
You got kids, Dr Beauchamp? | 0:21:30 | 0:21:32 | |
She's got a little girl. | 0:21:34 | 0:21:36 | |
What's her name? | 0:21:38 | 0:21:39 | |
Now really isn't the time to be trying my patience. | 0:21:40 | 0:21:43 | |
Grace. | 0:21:43 | 0:21:45 | |
OK. | 0:21:45 | 0:21:46 | |
Here is what's going to happen. | 0:21:46 | 0:21:48 | |
You two are going to wheel me out of here. | 0:21:48 | 0:21:50 | |
Anyone asks, we're going for a scan. | 0:21:50 | 0:21:52 | |
Straight out the front door to Paula's car. | 0:21:52 | 0:21:54 | |
We drive off into the sunset | 0:21:54 | 0:21:55 | |
and you get to kiss little Gracie good night. | 0:21:55 | 0:21:57 | |
No problem. | 0:21:57 | 0:21:59 | |
But one wrong move... | 0:21:59 | 0:22:00 | |
Well, I think you know what is going to happen. | 0:22:01 | 0:22:03 | |
Now, Paula is going to tie you to that chair. | 0:22:03 | 0:22:06 | |
We couldn't have you running off now, could we? | 0:22:06 | 0:22:08 | |
You'll be fine - I promise you. | 0:22:24 | 0:22:26 | |
OK, OK. | 0:22:26 | 0:22:28 | |
Watch and learn. | 0:22:29 | 0:22:31 | |
Boo ya! | 0:22:36 | 0:22:37 | |
MUSIC PLAYS ON RADIO: Shake It Off by Taylor Swift | 0:22:39 | 0:22:41 | |
Nah, nah, that's, er...that's Taylor Swift, bro. | 0:22:41 | 0:22:44 | |
All sounds the same to me. | 0:22:44 | 0:22:46 | |
Are you sure this kid should be here? | 0:22:46 | 0:22:49 | |
He is all right. | 0:22:49 | 0:22:51 | |
Yo, Connor, your shot, big man. | 0:22:51 | 0:22:53 | |
All right, get on with it. | 0:23:03 | 0:23:05 | |
OK. That's fine. | 0:23:17 | 0:23:19 | |
In this situation, what we do... | 0:23:19 | 0:23:22 | |
What we actually do is leave. | 0:23:22 | 0:23:24 | |
Max, | 0:23:24 | 0:23:25 | |
Max, not cool, mate, it's my first week! | 0:23:25 | 0:23:29 | |
Connor. | 0:23:29 | 0:23:30 | |
Go on, I'll sort it. | 0:23:35 | 0:23:36 | |
Hey, Mum, can I get some money for lunch? | 0:23:55 | 0:23:58 | |
You must be Grace. | 0:23:58 | 0:24:00 | |
How do you know that? | 0:24:00 | 0:24:01 | |
Your mother talks about you all the time. | 0:24:01 | 0:24:03 | |
I don't have my purse, sweetheart, so... | 0:24:03 | 0:24:06 | |
-Here you are. -Erm... | 0:24:08 | 0:24:11 | |
thanks. | 0:24:11 | 0:24:12 | |
She's been a great help, by the way. She is a natural. | 0:24:12 | 0:24:14 | |
Takes after her mother. | 0:24:14 | 0:24:15 | |
And she's pretty like her, too. | 0:24:15 | 0:24:17 | |
We need to get the patient a CT, so, er, off you go. | 0:24:18 | 0:24:22 | |
Mrs Beauchamp... | 0:24:27 | 0:24:28 | |
..CT's that way. | 0:24:31 | 0:24:32 | |
The patient needs a cigarette. | 0:24:35 | 0:24:37 | |
-Can't you get a porter? -Will you just go back to work! | 0:24:37 | 0:24:41 | |
Good girl. | 0:24:41 | 0:24:42 | |
Wait. | 0:24:47 | 0:24:48 | |
Take us to the basement. | 0:24:50 | 0:24:51 | |
Molly was out with her gran when she was four, | 0:25:10 | 0:25:14 | |
she ran off into the road. | 0:25:14 | 0:25:16 | |
My mum couldn't get to her fast enough, and bang. | 0:25:16 | 0:25:19 | |
You don't need to explain yourself to her, babe. | 0:25:19 | 0:25:21 | |
I should have been home, so it's my fault, you see. | 0:25:21 | 0:25:24 | |
In the US, there's this new stem-cell treatment. | 0:25:24 | 0:25:26 | |
It might fix her spine. | 0:25:26 | 0:25:28 | |
But it costs. | 0:25:28 | 0:25:30 | |
It costs a lot. | 0:25:30 | 0:25:32 | |
And he has promised to pay for it if you break him out? | 0:25:32 | 0:25:35 | |
You know, with these things - there's no guarantee it'll work, | 0:25:35 | 0:25:38 | |
even if you do make it there. | 0:25:38 | 0:25:40 | |
But would you not do anything to help your child? | 0:25:40 | 0:25:42 | |
CHARLIE CLEARS HIS THROAT | 0:25:54 | 0:25:56 | |
It's a tough hand... | 0:25:57 | 0:25:59 | |
..no doubt about it. | 0:26:00 | 0:26:01 | |
Thank you, Charlie, but I'm not my brother. | 0:26:03 | 0:26:07 | |
I don't need therapy sessions. | 0:26:07 | 0:26:08 | |
You don't have to do this alone, Ethan. | 0:26:10 | 0:26:13 | |
He's your family, and family is all there is. | 0:26:13 | 0:26:16 | |
That's what gets us through. | 0:26:16 | 0:26:18 | |
Keeping myself busy - that's what'll get me through. | 0:26:20 | 0:26:22 | |
Been there, got the T-shirt. | 0:26:22 | 0:26:25 | |
I've got a lot of T-shirts. | 0:26:25 | 0:26:27 | |
This place - hiding behind other people's suffering - | 0:26:28 | 0:26:33 | |
we think it can take away our own pain. | 0:26:33 | 0:26:36 | |
It can't. | 0:26:36 | 0:26:38 | |
It's a distraction. | 0:26:38 | 0:26:39 | |
It's not a solution. | 0:26:39 | 0:26:41 | |
Ethan, a girl's been found in a car outside. | 0:26:44 | 0:26:47 | |
Poor thing, she doesn't know where her mum is and she's a bit groggy. | 0:26:47 | 0:26:50 | |
Right, thank you. | 0:26:50 | 0:26:51 | |
Sorry, excuse me, Dr Hanna? Vince Callaghan, we spoke on the phone. | 0:26:56 | 0:26:59 | |
Thanks for coming in. Mercedes is just this way. | 0:26:59 | 0:27:02 | |
OK, where's my son? Where's Connor? | 0:27:02 | 0:27:04 | |
It's OK. He's with a member of staff. | 0:27:04 | 0:27:06 | |
Was it drugs? | 0:27:06 | 0:27:07 | |
I can't really say, I'm afraid. | 0:27:07 | 0:27:09 | |
Of course it is, it always is. | 0:27:09 | 0:27:11 | |
-Vince! -She's going to get done for this, right? -What? | 0:27:11 | 0:27:14 | |
For putting my son in danger, she's going to get arrested? | 0:27:14 | 0:27:16 | |
Hang on, can we just deal with Mercedes' health first? | 0:27:16 | 0:27:19 | |
Look, I just want to see my son. | 0:27:19 | 0:27:21 | |
HE GRUNTS IN PAIN | 0:27:28 | 0:27:30 | |
That's the infection setting in, Kieran. | 0:27:32 | 0:27:34 | |
Your condition will deteriorate to the point where your organs | 0:27:34 | 0:27:37 | |
shut down. We need to get you upstairs. | 0:27:37 | 0:27:39 | |
-His organs? -She's lying, just to get herself out of this. | 0:27:39 | 0:27:42 | |
If he doesn't have surgical intervention, he could die. | 0:27:42 | 0:27:44 | |
Shut up! | 0:27:44 | 0:27:46 | |
Kieran, | 0:27:46 | 0:27:47 | |
Kieran, sit down. | 0:27:47 | 0:27:50 | |
There is no time, OK? OK. | 0:27:50 | 0:27:52 | |
HE CONTINUES TO BREATHE HEAVILY | 0:27:55 | 0:27:58 | |
MUSIC PLAYS ON RADIO: Rather Be by Clean Bandit feat. Jesse Glynne | 0:27:59 | 0:28:02 | |
Check. | 0:28:02 | 0:28:03 | |
Check. | 0:28:09 | 0:28:10 | |
Fold. | 0:28:10 | 0:28:11 | |
This isn't poker - you can't fold. | 0:28:11 | 0:28:13 | |
MUSIC: Diamonds by Rihanna | 0:28:14 | 0:28:17 | |
That's Rihanna, right? | 0:28:17 | 0:28:18 | |
I'm through. Shhh! | 0:28:22 | 0:28:24 | |
OK, Molly, everything seems fine. | 0:28:29 | 0:28:32 | |
-We're going to find out where your mother is now. -Thank you. -OK. | 0:28:32 | 0:28:35 | |
So, the mother who is here isn't a patient, | 0:28:37 | 0:28:40 | |
but a prison officer called Paula Cubie. | 0:28:40 | 0:28:43 | |
Yeah, yeah, she's with the VIP. | 0:28:43 | 0:28:46 | |
But why would she bring Molly here? | 0:28:46 | 0:28:48 | |
Who knows? | 0:28:48 | 0:28:50 | |
Some people make all the wrong decisions | 0:28:50 | 0:28:51 | |
when it comes to their children. | 0:28:51 | 0:28:53 | |
Is Vince coming back? | 0:29:03 | 0:29:05 | |
I don't know. | 0:29:05 | 0:29:07 | |
MERCEDES YELLS IN PAIN What's wrong, Mercedes? | 0:29:07 | 0:29:09 | |
Oh. Lily? | 0:29:12 | 0:29:14 | |
It's her laparotomy incision - it's dehisced. | 0:29:17 | 0:29:20 | |
That should have healed by now. | 0:29:20 | 0:29:22 | |
Yeah, well, the body can't heal, not when it's still being abused. | 0:29:22 | 0:29:25 | |
She is going to need to start some antibiotics | 0:29:25 | 0:29:27 | |
and we'll need to call the surgeons. | 0:29:27 | 0:29:30 | |
I still can't find Connor. | 0:29:30 | 0:29:31 | |
-RADIO DJ: -'OK, Maximus, you've got one chance | 0:29:35 | 0:29:37 | |
'to bag yourself a pair of highly sought-after tickets | 0:29:37 | 0:29:40 | |
-'to this year's Glastonbury Festival. -Are you ready?' | 0:29:40 | 0:29:42 | |
-I was born ready. -'Course you were. | 0:29:42 | 0:29:44 | |
'So, Rihanna is one of the most successful female artists | 0:29:44 | 0:29:47 | |
'of the modern era...' | 0:29:47 | 0:29:49 | |
Umbrella, California King Bed, that one about S&M. | 0:29:49 | 0:29:52 | |
'Max, I haven't asked the question yet. Just relax. | 0:29:52 | 0:29:54 | |
'Rihanna is one of the most successful female artists | 0:29:54 | 0:29:57 | |
'of the modern era, but can you tell me her first name?' | 0:29:57 | 0:30:01 | |
-Erm... -'She's not called, 'Erm', Max.' | 0:30:03 | 0:30:06 | |
Robyn. | 0:30:06 | 0:30:08 | |
-Where? -Her first name is Robyn. | 0:30:08 | 0:30:09 | |
It better be. | 0:30:11 | 0:30:12 | |
'I'll have to hurry you.' | 0:30:12 | 0:30:15 | |
Robyn. | 0:30:15 | 0:30:16 | |
'I'm sorry to tell you... | 0:30:16 | 0:30:18 | |
'that you're going to need to buy a new pair of welly boots | 0:30:18 | 0:30:20 | |
'cos you're off to Glastonbury!' | 0:30:20 | 0:30:23 | |
Right, come on, let's hit that vending machine. | 0:30:23 | 0:30:26 | |
Robyn, the con - where is he? | 0:30:37 | 0:30:40 | |
Mrs Beauchamp took him to CT. | 0:30:40 | 0:30:42 | |
So why didn't she take the fluids? | 0:30:42 | 0:30:44 | |
Watch it! | 0:30:50 | 0:30:51 | |
You walked into me. | 0:30:51 | 0:30:53 | |
You need to get those glasses checked, mate. | 0:30:53 | 0:30:55 | |
Oh, well, don't give me a hand to pick 'em up, will you? | 0:30:55 | 0:30:58 | |
What's up with them two? | 0:30:58 | 0:30:59 | |
Lovers' tiff. | 0:30:59 | 0:31:01 | |
What, they're gay? | 0:31:01 | 0:31:02 | |
I've had enough of those two nuggets. We need a plan. | 0:31:02 | 0:31:05 | |
And you're sure there's no record of him? | 0:31:07 | 0:31:10 | |
OK, yeah, cheers, mate. | 0:31:11 | 0:31:13 | |
They haven't even been to CT. | 0:31:16 | 0:31:18 | |
CONNIE'S PHONE VIBRATES | 0:31:30 | 0:31:33 | |
'Once we're, erm, through the basement, | 0:31:36 | 0:31:38 | |
'it's one flight of stairs to the car park. | 0:31:38 | 0:31:40 | |
'Will you let me go then?' | 0:31:40 | 0:31:41 | |
'Course we will. This isn't a hostage thing.' | 0:31:41 | 0:31:44 | |
If it's not a hostage thing, what is it, then? | 0:31:44 | 0:31:46 | |
I think she has been kidnapped. | 0:31:50 | 0:31:52 | |
Alert the prison officer. | 0:31:54 | 0:31:56 | |
Call the cops and security. | 0:31:56 | 0:31:57 | |
She is in the basement. | 0:31:57 | 0:31:59 | |
Jacob, wait for the police. | 0:31:59 | 0:32:01 | |
You're clever, I'll give you that. | 0:32:01 | 0:32:03 | |
You find a single mum, daughter in a wheelchair. You work her. | 0:32:04 | 0:32:08 | |
Make her fall in love with you. Promise her the earth. | 0:32:08 | 0:32:10 | |
Promise to cure her daughter. | 0:32:10 | 0:32:13 | |
What mother could resist that? | 0:32:13 | 0:32:15 | |
He does love me. | 0:32:15 | 0:32:17 | |
Yeah? You're going to spend the rest of your life | 0:32:17 | 0:32:19 | |
on the run with him living off his blood money? | 0:32:19 | 0:32:21 | |
It's not blood money. I earned every penny. | 0:32:21 | 0:32:23 | |
See, here's what I think - | 0:32:23 | 0:32:24 | |
I think he's just a washed-up junkie, | 0:32:24 | 0:32:27 | |
who'll promise the world to get what he wants | 0:32:27 | 0:32:28 | |
and once he's got it, darling, don't worry, he'll dump you. | 0:32:28 | 0:32:31 | |
Just shut up! | 0:32:31 | 0:32:32 | |
She will be going up to theatre shortly. | 0:32:40 | 0:32:42 | |
Surgery? | 0:32:42 | 0:32:43 | |
Yeah. Look, her body should have healed in the timeframe, | 0:32:43 | 0:32:47 | |
but she's not looking after herself properly. | 0:32:47 | 0:32:49 | |
She is frail, she is malnourished. | 0:32:49 | 0:32:51 | |
So, what-what-what are you saying, she's not been eating? | 0:32:51 | 0:32:53 | |
What I am saying is that she is not coping on her own. | 0:32:53 | 0:32:56 | |
Look, I know it's none of my business, | 0:32:56 | 0:32:58 | |
but what she needs right now is for you to help her, not judge her. | 0:32:58 | 0:33:01 | |
You came back. | 0:33:03 | 0:33:04 | |
Dad! | 0:33:05 | 0:33:06 | |
Are you coming home? | 0:33:10 | 0:33:11 | |
I know I might not be perfect, but neither are you. | 0:33:13 | 0:33:16 | |
Yeah. | 0:33:19 | 0:33:20 | |
Yeah, I'm coming home. | 0:33:20 | 0:33:21 | |
I am going to get us out this mess. | 0:33:24 | 0:33:26 | |
This is it. This is the exit. | 0:33:30 | 0:33:31 | |
-It's clear. -Let's do this. | 0:33:35 | 0:33:37 | |
I am going to let her go. | 0:33:38 | 0:33:39 | |
Kieran, what are you doing? | 0:33:45 | 0:33:46 | |
You think you're special? | 0:33:46 | 0:33:48 | |
-You think you're better than us? -I know I am. | 0:33:49 | 0:33:53 | |
-Don't! -Take another step, let's see what happens. | 0:33:53 | 0:33:57 | |
He says he's HIV. | 0:33:57 | 0:33:58 | |
Do you want to find out if I'm telling porkies? | 0:33:58 | 0:34:01 | |
Now, Paula, baby... | 0:34:03 | 0:34:04 | |
..we need to cuff him to that pipe, OK? Go on. | 0:34:05 | 0:34:07 | |
Remember, Muscles, I've got a loaded gun here. | 0:34:10 | 0:34:14 | |
Throw away the key. | 0:34:16 | 0:34:18 | |
Let her go, OK? We don't need to hurt her. | 0:34:22 | 0:34:24 | |
Just let her go, please. | 0:34:24 | 0:34:26 | |
Her too. | 0:34:26 | 0:34:28 | |
HE GRUNTS IN PAIN | 0:34:28 | 0:34:30 | |
Easy. | 0:34:31 | 0:34:32 | |
Let's go. | 0:34:36 | 0:34:38 | |
-Are you OK? -Yeah. -Did they hurt you? -No. | 0:34:40 | 0:34:43 | |
We found Molly. | 0:34:45 | 0:34:46 | |
We've got your daughter. | 0:34:47 | 0:34:49 | |
If Max wanted me to help him move some furniture, | 0:34:50 | 0:34:52 | |
-why didn't he just ask me himself? -Don't ask me, Big Man. | 0:34:52 | 0:34:55 | |
Er, Big Mac. | 0:34:55 | 0:34:56 | |
Louise, it was my birthday ages ago. | 0:34:57 | 0:34:59 | |
-Yeah, I know, but Max said there's a gift in here for you. -Oh! | 0:34:59 | 0:35:01 | |
In you go. | 0:35:01 | 0:35:03 | |
Friends - they're the family you actually choose. | 0:35:06 | 0:35:09 | |
Now sort it out - | 0:35:09 | 0:35:11 | |
or kill each other. | 0:35:11 | 0:35:12 | |
Either way - we're sick of listening to it, boys. | 0:35:12 | 0:35:15 | |
He's lying, Paula. | 0:35:22 | 0:35:24 | |
He's saying anything just to stop this. | 0:35:24 | 0:35:26 | |
Molly - she's in a chair, purple cardigan. We've got her. | 0:35:26 | 0:35:30 | |
Social services are on their way. | 0:35:30 | 0:35:32 | |
Paula... | 0:35:33 | 0:35:35 | |
Paula, baby, look at me. | 0:35:35 | 0:35:36 | |
-SHE WHIMPERS -We could still go. | 0:35:38 | 0:35:41 | |
You think I am going to leave my daughter? | 0:35:41 | 0:35:44 | |
We don't have any choice! | 0:35:44 | 0:35:46 | |
You'll do time, you stupid bitch! | 0:35:46 | 0:35:48 | |
I can't go back there. | 0:35:58 | 0:36:01 | |
You know I can't. | 0:36:01 | 0:36:02 | |
HE GRUNTS IN PAIN | 0:36:06 | 0:36:07 | |
Kieran... HE CONTINUES TO GRUNT IN PAIN | 0:36:09 | 0:36:12 | |
..the infection has eroded the artery. | 0:36:12 | 0:36:15 | |
You need to free us, or you are going to bleed out | 0:36:15 | 0:36:18 | |
and die in minutes. | 0:36:18 | 0:36:20 | |
HE YELLS IN PAIN | 0:36:23 | 0:36:24 | |
I can't go back there. | 0:36:26 | 0:36:29 | |
I don't deserve to be in there! | 0:36:29 | 0:36:31 | |
HE YELLS We need to clip the artery. | 0:36:31 | 0:36:33 | |
Paula... | 0:36:33 | 0:36:34 | |
..we need the key. | 0:36:35 | 0:36:37 | |
KIERAN BREATHES HEAVILY | 0:36:38 | 0:36:39 | |
Hurry up, Paula. | 0:36:39 | 0:36:41 | |
I can't find it. | 0:36:43 | 0:36:44 | |
I want him alive. I want him to live to regret this. | 0:36:44 | 0:36:47 | |
JACOB GRUNTS WITH EXERTION Be careful, Jacob. | 0:36:51 | 0:36:53 | |
Gloves. | 0:37:01 | 0:37:02 | |
Wait, wait - gloves. | 0:37:02 | 0:37:04 | |
We are losing him. KIERAN PANTS | 0:37:06 | 0:37:09 | |
Let's get him up to resus. | 0:37:09 | 0:37:10 | |
Right, we better keep this one | 0:37:12 | 0:37:14 | |
off the books after the ambulance fiasco. | 0:37:14 | 0:37:16 | |
Your girlfriend's here, mate. | 0:37:16 | 0:37:18 | |
-What's up? -Oh, I don't know, | 0:37:20 | 0:37:23 | |
I just feel bad about Lofty. | 0:37:23 | 0:37:25 | |
Like I could have done more to keep him here. | 0:37:25 | 0:37:28 | |
No, he quit. End of. | 0:37:28 | 0:37:29 | |
I know what'd cheer you up. | 0:37:32 | 0:37:34 | |
Don't come a-knocking while the ambulance is a-rocking! | 0:37:34 | 0:37:37 | |
Come here. Is that all you can think about? | 0:37:37 | 0:37:41 | |
I thought you wanted cheering up. | 0:37:41 | 0:37:43 | |
Can I stay over tonight? | 0:37:43 | 0:37:45 | |
Yeah, yeah, but I promised Jez I'd take him for a pint. | 0:37:45 | 0:37:49 | |
Why don't you come with us? | 0:37:49 | 0:37:51 | |
Forget it. | 0:37:51 | 0:37:52 | |
NOEL SIGHS | 0:37:55 | 0:37:56 | |
Oh, come on, this was yours for so long, | 0:37:59 | 0:38:01 | |
you must know a way out. | 0:38:01 | 0:38:02 | |
If I knew how to get out, do you think I'd still be sat here? | 0:38:02 | 0:38:05 | |
-Where is your phone? -Reception. Where's yours? | 0:38:07 | 0:38:10 | |
No credit. | 0:38:10 | 0:38:11 | |
Well, call 999, then. | 0:38:11 | 0:38:13 | |
I hardly think this constitutes an emergency situation, Noel. | 0:38:13 | 0:38:16 | |
Are you going to eat that? | 0:38:21 | 0:38:22 | |
Help yourself. | 0:38:24 | 0:38:25 | |
I didn't buy it for you, you know. | 0:38:31 | 0:38:33 | |
Oh..! | 0:38:35 | 0:38:38 | |
Bleurgh! What the..? | 0:38:38 | 0:38:40 | |
Ethan, could you have a look at these for me, please? | 0:38:45 | 0:38:48 | |
It's Mr Gregson in cubicle two. | 0:38:48 | 0:38:50 | |
He needs to be referred to oncology immediately. | 0:38:53 | 0:38:55 | |
Actually, I can do it. | 0:38:55 | 0:38:56 | |
I'm sorry about your mother. | 0:38:56 | 0:38:58 | |
Even if you didn't have a particularly good relationship | 0:38:58 | 0:39:02 | |
with your parent, it still hurts. | 0:39:02 | 0:39:05 | |
Sorry, what? | 0:39:05 | 0:39:06 | |
I know what you're going through. | 0:39:07 | 0:39:09 | |
Do you know what? I wish everyone would just leave me alone. | 0:39:09 | 0:39:12 | |
You all right? | 0:39:18 | 0:39:20 | |
Jez... | 0:39:21 | 0:39:22 | |
-..I'm sorry about the paint. -Ah, it's fine. | 0:39:23 | 0:39:26 | |
Nah, I owe you a favour, then. | 0:39:26 | 0:39:29 | |
Actually, I heard you might have a spare room? | 0:39:29 | 0:39:32 | |
Basically I'm still living at home with my mum, | 0:39:32 | 0:39:35 | |
but she's got this, er... | 0:39:35 | 0:39:36 | |
..toy boy | 0:39:38 | 0:39:39 | |
and, er, | 0:39:39 | 0:39:41 | |
-let's just say that I'm not getting much sleep. -Nice, but I don't know. | 0:39:41 | 0:39:44 | |
His name's Hugo and he walks around in a thong. | 0:39:44 | 0:39:47 | |
I'll check with my sister. | 0:39:47 | 0:39:49 | |
Nice one. | 0:39:49 | 0:39:50 | |
Go again. | 0:40:01 | 0:40:02 | |
Let's do a review, shall we? | 0:40:03 | 0:40:06 | |
He's been down for at least 20 minutes with no output, | 0:40:06 | 0:40:09 | |
despite rapid transfusion and aggressive ALS. | 0:40:09 | 0:40:13 | |
He's been in PEA and currently asystolic. | 0:40:14 | 0:40:18 | |
Connie? | 0:40:21 | 0:40:22 | |
Time of death - 18.32. | 0:40:33 | 0:40:35 | |
You need to call Molly's gran. | 0:40:41 | 0:40:43 | |
She knows the number. | 0:40:43 | 0:40:44 | |
Somebody from management's on their way down. | 0:40:47 | 0:40:49 | |
Press office have also been on. | 0:40:49 | 0:40:51 | |
Hey, Ethan. | 0:41:16 | 0:41:18 | |
OK, you blame me. | 0:41:19 | 0:41:21 | |
That's fine, I can cope with that. | 0:41:21 | 0:41:24 | |
But whether you like it or not, I'm still your brother | 0:41:24 | 0:41:26 | |
and right now, I'm all you've got. | 0:41:26 | 0:41:29 | |
You know, when you fail at being a doctor or give up, | 0:41:31 | 0:41:34 | |
you should go into counselling. | 0:41:34 | 0:41:36 | |
Come on. | 0:41:39 | 0:41:40 | |
Just do it. | 0:41:41 | 0:41:42 | |
Just hit me! | 0:41:44 | 0:41:45 | |
When are you going to come home? | 0:42:00 | 0:42:02 | |
As soon as I can, Molly. OK, as soon as I can. | 0:42:02 | 0:42:06 | |
But I will be thinking of you | 0:42:07 | 0:42:09 | |
every single minute of every day, I promise you. | 0:42:09 | 0:42:13 | |
You're my big, brave girl. | 0:42:16 | 0:42:17 | |
I love you so, so much. | 0:42:19 | 0:42:22 | |
-I love you too, Mummy. -PAULA SOBS | 0:42:22 | 0:42:26 | |
One minute, please. | 0:42:29 | 0:42:31 | |
Kieran was the one who pulled the syringe. | 0:42:35 | 0:42:37 | |
He made the threats. | 0:42:37 | 0:42:38 | |
That's what happened, that's what my statement will say. | 0:42:38 | 0:42:42 | |
Your daughter doesn't deserve to lose her mother for years. | 0:42:42 | 0:42:47 | |
Thank you. | 0:42:47 | 0:42:48 | |
What happened? | 0:42:56 | 0:42:57 | |
Nothing, sweetheart. | 0:43:00 | 0:43:02 | |
I heard you were wonderful today. | 0:43:05 | 0:43:06 | |
Well done, babe. | 0:43:07 | 0:43:09 | |
It was fun. | 0:43:09 | 0:43:11 | |
Come here. | 0:43:11 | 0:43:12 | |
Right, go and wait in the car, I'm just going to get my bag, OK? | 0:43:24 | 0:43:28 | |
It's your birthday present. | 0:43:32 | 0:43:34 | |
Why did you lie? | 0:43:37 | 0:43:38 | |
I never lied. People just assumed. | 0:43:38 | 0:43:40 | |
Yeah, and you revelled in it - the praise. | 0:43:40 | 0:43:42 | |
You loved being the hero. | 0:43:42 | 0:43:44 | |
No, I didn't! I hated every minute of it. | 0:43:44 | 0:43:47 | |
What was I supposed to do, huh? | 0:43:47 | 0:43:48 | |
Tell everybody I was hid in the carsey | 0:43:48 | 0:43:50 | |
when my best mate got battered by a girl? | 0:43:50 | 0:43:53 | |
I froze, OK? | 0:43:54 | 0:43:56 | |
It was a cowardly thing to do and I am sorry. | 0:43:56 | 0:43:59 | |
She is not a bad kid, you know. | 0:44:02 | 0:44:04 | |
She did what she did cos she had to feed her son. | 0:44:04 | 0:44:06 | |
Ah, poor Mercedes. How are things with you and your new bezzie mate? | 0:44:06 | 0:44:10 | |
You seemed pretty close earlier. | 0:44:10 | 0:44:12 | |
-See? Now that is not you. -What? | 0:44:12 | 0:44:14 | |
I don't know if it's that bang on the head, right, | 0:44:14 | 0:44:16 | |
but the Noel I know - he forgives people their mistakes. | 0:44:16 | 0:44:18 | |
He sees the best in people. | 0:44:18 | 0:44:20 | |
That's why he's my best mate. | 0:44:20 | 0:44:21 | |
Seriously - Blue? | 0:44:36 | 0:44:38 | |
Couldn't find the Elton John version. | 0:44:40 | 0:44:42 | |
You know - | 0:44:43 | 0:44:45 | |
# Sorry seems to be the hardest word. # | 0:44:45 | 0:44:48 | |
So when's Louise going to let us out of here, anyway? | 0:44:53 | 0:44:57 | |
Hang on... | 0:44:57 | 0:44:58 | |
..hasn't she gone home now? | 0:45:00 | 0:45:02 | |
-Louise? -Louise? | 0:45:05 | 0:45:07 | |
-Jack! -Jack! | 0:45:07 | 0:45:08 | |
-Louise! -Jack! -THEY BANG ON THE DOOR | 0:45:10 | 0:45:12 | |
What on earth did you think you were doing? | 0:45:23 | 0:45:25 | |
-Mmm? -You should have waited. | 0:45:25 | 0:45:27 | |
I think that is the worst thank you I've ever heard. | 0:45:30 | 0:45:32 | |
Shut up. | 0:45:32 | 0:45:34 | |
So, what you doing later, boyfriend? | 0:45:38 | 0:45:40 | |
-So, you're going to..? -Mmm. | 0:45:42 | 0:45:44 | |
All right. | 0:45:44 | 0:45:45 | |
Mmm? What's wrong? | 0:45:52 | 0:45:55 | |
I heard you were great with him. | 0:46:00 | 0:46:02 | |
Yeah, well, he's a good kid. | 0:46:03 | 0:46:05 | |
Two secs. | 0:46:12 | 0:46:14 | |
So, I've got good news and great news. | 0:46:14 | 0:46:16 | |
The good news is we are going to Glastonbury. | 0:46:16 | 0:46:20 | |
-What? Seriously? -Seriously. | 0:46:20 | 0:46:22 | |
Amazing. What's the great news? | 0:46:22 | 0:46:25 | |
We're getting a new housemate. | 0:46:25 | 0:46:27 | |
It's Jez, the new paramedic. | 0:46:27 | 0:46:29 | |
His bed isn't even cold yet. | 0:46:29 | 0:46:31 | |
Lofty is not dead, Robyn. | 0:46:31 | 0:46:33 | |
Come on, we need help with the rent | 0:46:33 | 0:46:35 | |
and Jez is better than some freak off the street. | 0:46:35 | 0:46:38 | |
-OK. -Come on. | 0:46:38 | 0:46:39 | |
I was about to tell you. | 0:47:00 | 0:47:02 | |
You said it would just be me and you. | 0:47:02 | 0:47:06 | |
On the way home from the airport. | 0:47:06 | 0:47:08 | |
Me and you. | 0:47:08 | 0:47:10 | |
Were you seeing him then? | 0:47:10 | 0:47:12 | |
-You are actually unbelievable. -I... | 0:47:14 | 0:47:17 | |
don't understand - you get on with Jacob. | 0:47:17 | 0:47:19 | |
Why did I go to New York the last time? | 0:47:19 | 0:47:21 | |
Tell me, Mum. | 0:47:23 | 0:47:25 | |
Because your job meant more to you than I did. | 0:47:25 | 0:47:27 | |
That's not true. | 0:47:27 | 0:47:28 | |
You can't fit us all in. | 0:47:30 | 0:47:32 | |
It's impossible. | 0:47:32 | 0:47:34 | |
Something has to give. | 0:47:34 | 0:47:36 | |
And it can't be me. | 0:47:38 | 0:47:40 | |
Again. | 0:47:40 | 0:47:41 | |
-It can't be me. -Grace. | 0:47:43 | 0:47:45 | |
Finish it with Jacob or I go back to Dad... | 0:47:45 | 0:47:48 | |
for good. | 0:47:48 | 0:47:50 |