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Ethan. | 0:00:02 | 0:00:05 | |
You can't ignore me forever, you know that. | 0:00:05 | 0:00:08 | |
I heard you were great with him. | 0:00:08 | 0:00:11 | |
Yeah, well. | 0:00:11 | 0:00:12 | |
He's a good kid. | 0:00:12 | 0:00:14 | |
Just do it. | 0:00:14 | 0:00:15 | |
Just hit me. | 0:00:16 | 0:00:18 | |
What was I supposed to do? Huh? | 0:00:18 | 0:00:20 | |
Tell everybody I was hid in the khazi | 0:00:20 | 0:00:22 | |
while my best mate got battered by a girl? | 0:00:22 | 0:00:24 | |
I froze. OK? | 0:00:24 | 0:00:26 | |
It was a cowardly thing to do and I'm sorry! | 0:00:26 | 0:00:28 | |
You said it would just be me and you. | 0:00:32 | 0:00:35 | |
Grace... | 0:00:35 | 0:00:36 | |
Finish it with Jacob or I go back to Dad. | 0:00:36 | 0:00:38 | |
Doesn't look like homework. | 0:01:22 | 0:01:24 | |
It's too early for homework. | 0:01:24 | 0:01:26 | |
I've told you. When you're a teenager, | 0:01:26 | 0:01:28 | |
you can stay at home by yourself and get yourself to school, it's fine. | 0:01:28 | 0:01:31 | |
-Until then... -You're going to carry on torturing me? | 0:01:31 | 0:01:34 | |
Morning. I thought that was you. | 0:01:34 | 0:01:37 | |
How you doing, firecracker? | 0:01:37 | 0:01:38 | |
Fine. | 0:01:38 | 0:01:40 | |
Right. I'll speak to you later, yeah? | 0:01:45 | 0:01:48 | |
Yeah, OK. | 0:01:48 | 0:01:49 | |
You haven't told him? | 0:01:56 | 0:01:59 | |
Mum, it's me or him. | 0:01:59 | 0:02:01 | |
You promised. | 0:02:01 | 0:02:03 | |
It's over. He was just being friendly. | 0:02:03 | 0:02:05 | |
All right? | 0:02:05 | 0:02:06 | |
Now get your stuff together for school, the taxi'll be here. | 0:02:06 | 0:02:10 | |
Can't you answer your phone? | 0:02:24 | 0:02:26 | |
-HE SIGHS -Not when my phone is in there, no. | 0:02:26 | 0:02:28 | |
Anyone for coffee? | 0:02:34 | 0:02:36 | |
The funeral home called. We can pick up the ashes this afternoon. | 0:02:36 | 0:02:39 | |
I thought we could head there after work | 0:02:42 | 0:02:44 | |
and then, er, I don't know, go down to the beach or something? | 0:02:44 | 0:02:47 | |
I've, er... I've got plans. | 0:02:47 | 0:02:49 | |
You've got plans? Right, well... | 0:02:49 | 0:02:52 | |
I'll go and collect Mum's ashes on my own, then, shall I? | 0:02:52 | 0:02:55 | |
Just like I went to the funeral on my own. | 0:02:55 | 0:02:58 | |
I need to get on. | 0:02:58 | 0:02:59 | |
Oh, Zoe, er, can you have a look at these for me? | 0:03:09 | 0:03:11 | |
Hang on a second. Max, would you take these blood specimens up to the lab? | 0:03:11 | 0:03:14 | |
-I'm in the middle of something. -Yeah, but you CAN. | 0:03:14 | 0:03:16 | |
-Contrary to popular myth, I can only do one thing at a time. -Come on... | 0:03:16 | 0:03:19 | |
Any other porter spoke to a consultant like that... | 0:03:19 | 0:03:22 | |
I just... I don't understand. How have you not? | 0:03:24 | 0:03:26 | |
Jack, just let it go. | 0:03:26 | 0:03:27 | |
Noel's never heard of Gina G. | 0:03:27 | 0:03:29 | |
She's a legend... "# Ooh, ah, just a..." Eurovision! | 0:03:29 | 0:03:33 | |
Robyn, Mrs Chatham, she's been discharged, has she? | 0:03:34 | 0:03:39 | |
-Yes. Still discharged. -Hm. | 0:03:39 | 0:03:41 | |
Is he all right? | 0:03:42 | 0:03:44 | |
He hasn't been the same since Lofty left. | 0:03:44 | 0:03:46 | |
HAMMERING ON DOOR | 0:03:50 | 0:03:53 | |
-FROM OUTSIDE: She's not in. -I've just seen her through the window. | 0:04:03 | 0:04:06 | |
TV PLAYS IN BACKGROUND | 0:04:06 | 0:04:09 | |
-Well? -The money's coming. | 0:04:09 | 0:04:11 | |
-Do I look an idiot? -Do you want me to answer that? | 0:04:11 | 0:04:14 | |
Mum? | 0:04:14 | 0:04:15 | |
Hiya, handsome. You all right? | 0:04:16 | 0:04:19 | |
Connor, go out and play, please. | 0:04:19 | 0:04:21 | |
Now. | 0:04:22 | 0:04:23 | |
Hey, you. | 0:04:31 | 0:04:32 | |
Are you avoiding me? | 0:04:34 | 0:04:35 | |
No, I'm...non-clinical today, I've got loads of admin, | 0:04:35 | 0:04:38 | |
so, sorry, I'm snowed under. | 0:04:38 | 0:04:39 | |
Well, you were weird earlier too. With Grace. | 0:04:39 | 0:04:42 | |
-Not to mention how rude she was. SNAPS: -Right, don't... | 0:04:42 | 0:04:45 | |
Please just don't talk about my daughter like that. | 0:04:45 | 0:04:49 | |
All right. | 0:04:50 | 0:04:52 | |
I'm sorry. | 0:04:52 | 0:04:53 | |
Look, I was thinking, maybe we should all go out, get some food. | 0:04:54 | 0:04:59 | |
Me, you and Grace. | 0:04:59 | 0:05:00 | |
I-I... I don't think that's a good idea. | 0:05:00 | 0:05:02 | |
Why not? What's wrong? | 0:05:02 | 0:05:04 | |
Grace, at the moment... | 0:05:04 | 0:05:05 | |
She needs to be my priority. | 0:05:07 | 0:05:09 | |
So what are you saying? | 0:05:14 | 0:05:16 | |
I'm saying... | 0:05:16 | 0:05:17 | |
I'm saying it's not going to work out between you and me. | 0:05:21 | 0:05:23 | |
Whoa, whoa, whoa. Back up. | 0:05:23 | 0:05:25 | |
Where's this from? | 0:05:27 | 0:05:28 | |
From Grace? | 0:05:31 | 0:05:32 | |
I have to think about my family. | 0:05:32 | 0:05:34 | |
She's really got you wrapped around her little finger, hasn't she? | 0:05:39 | 0:05:42 | |
I'm going to need you to back off, please. | 0:05:42 | 0:05:45 | |
Don't worry, I can back off. | 0:05:47 | 0:05:48 | |
I can back off as much as you like. | 0:05:50 | 0:05:51 | |
But you know the problem with burying your feelings? | 0:05:54 | 0:05:57 | |
They get buried alive. | 0:05:59 | 0:06:00 | |
PATIENT GROANS | 0:06:05 | 0:06:07 | |
OK, you're doing really well. We're nearly done. | 0:06:07 | 0:06:10 | |
Would you like me to take over? | 0:06:10 | 0:06:11 | |
PATIENT STRAINS BONES CRACK | 0:06:13 | 0:06:17 | |
OK. | 0:06:17 | 0:06:18 | |
Can you make Mr Hall comfortable with a broad arm sling | 0:06:18 | 0:06:21 | |
and get X-ray to do a post-reduction film, please? | 0:06:21 | 0:06:24 | |
-Ethan, wait. -Lily... | 0:06:25 | 0:06:27 | |
-Don't undermine me in front of a patient again. -I understand you're hurting. | 0:06:27 | 0:06:30 | |
When I lost my father... | 0:06:30 | 0:06:32 | |
Without meaning to be rude, if I wanted your advice, I would ask for it. | 0:06:32 | 0:06:35 | |
But why can't I drive? You never let me drive. | 0:06:37 | 0:06:40 | |
All right, fine. You can drive. | 0:06:40 | 0:06:42 | |
-Really? -No. | 0:06:42 | 0:06:44 | |
Oi, lads! Listen. | 0:06:44 | 0:06:47 | |
I was wondering if there's any chance I could ride shotgun with you guys today. | 0:06:47 | 0:06:51 | |
Yeah. I don't see why not. I'd have to clear it. | 0:06:51 | 0:06:53 | |
Well, we're pretty quiet in here and I'll check in with Rita and everything this end. | 0:06:53 | 0:06:57 | |
OK, OK, you want to ride with the cool kids, do you? | 0:06:57 | 0:06:59 | |
-Mate, I'm pretty sure I've got a car that's older than you. -LAUGHTER | 0:06:59 | 0:07:03 | |
That is nothing to brag about, mate! | 0:07:03 | 0:07:05 | |
All right, let me go and chat to Rita, yeah? | 0:07:06 | 0:07:08 | |
Inside Out, Titanic, Steel Magnolias. | 0:07:12 | 0:07:17 | |
Aren't you a bit young to know Steel Magnolias? | 0:07:17 | 0:07:20 | |
Babe, I love Steel Magnolias. SHE LAUGHS | 0:07:20 | 0:07:22 | |
Sorry, traffic was bad. | 0:07:24 | 0:07:26 | |
-Are you...Dad? -I am. They called when I was at work. | 0:07:26 | 0:07:30 | |
-How is he? -Yeah, he's fine. We're just waiting for the... | 0:07:30 | 0:07:33 | |
Oh, actually, Dr Hardy, this is Russell, he took a tumble off the sofa. | 0:07:33 | 0:07:37 | |
-And that's Russell's dad. -Ewan. | 0:07:37 | 0:07:39 | |
OK. And what's the problem? | 0:07:39 | 0:07:41 | |
There's some tenderness and swelling in the right wrist. | 0:07:41 | 0:07:44 | |
But he's still pretty uncomfortable so I'm guessing some | 0:07:44 | 0:07:47 | |
analgesia and an X-ray? | 0:07:47 | 0:07:49 | |
Well, that's my call, Robyn, not yours. | 0:07:49 | 0:07:51 | |
OK, how is the pain on a scale of one to ten? | 0:07:53 | 0:07:57 | |
HE SUCKS HIS TEETH | 0:07:57 | 0:07:58 | |
Kind of hurts more than chemo, but less than | 0:07:58 | 0:08:01 | |
when they put in a central line. | 0:08:01 | 0:08:04 | |
Um, Russell has a stage-four brain tumour. | 0:08:04 | 0:08:07 | |
Right, OK. Um... | 0:08:10 | 0:08:13 | |
L-Let's get him some pain relief. We'll get this arm X-rayed. | 0:08:13 | 0:08:17 | |
If it is broken, we need to check whether it's a pathological fracture. | 0:08:17 | 0:08:20 | |
What do you mean, "pathological"? | 0:08:20 | 0:08:23 | |
It's a break. | 0:08:23 | 0:08:24 | |
Caused by disease. | 0:08:25 | 0:08:28 | |
OK, it leads to a weakness in the bone structure. | 0:08:28 | 0:08:30 | |
-In this case, his... -Cancer. | 0:08:30 | 0:08:32 | |
Yes. | 0:08:34 | 0:08:35 | |
They usually present as transverse fractures, | 0:08:35 | 0:08:38 | |
so we'll know from the X-ray. | 0:08:38 | 0:08:39 | |
Where are you going? | 0:08:46 | 0:08:47 | |
Just taking Grandad out for the day. | 0:08:47 | 0:08:49 | |
Just trying to show these kids how it's done. | 0:08:49 | 0:08:51 | |
You look like a... | 0:08:51 | 0:08:53 | |
You look like a boy band that have reformed for the money. | 0:08:53 | 0:08:56 | |
I'd pay. | 0:08:56 | 0:08:57 | |
Did I say that out loud? | 0:09:05 | 0:09:06 | |
We were all thinking it. | 0:09:06 | 0:09:08 | |
-RADIO: -Holby Control to 3006. | 0:09:08 | 0:09:11 | |
Right, stay calm, follow my lead. | 0:09:11 | 0:09:14 | |
3006 to Control. Go ahead, over. | 0:09:14 | 0:09:17 | |
Robyn's looking for you. | 0:09:23 | 0:09:24 | |
The boy, your patient - he's heading down to X-ray. | 0:09:25 | 0:09:29 | |
I'm aware. Thank you. | 0:09:30 | 0:09:32 | |
Your mother wouldn't want this. | 0:09:37 | 0:09:39 | |
HE SIGHS | 0:09:39 | 0:09:41 | |
How would I know what my mother would've wanted? | 0:09:41 | 0:09:43 | |
You're in pain. | 0:09:50 | 0:09:52 | |
When I lost my father... | 0:09:54 | 0:09:55 | |
I don't care about your father, Lily. | 0:09:55 | 0:09:58 | |
I don't care about my mother. | 0:09:58 | 0:09:59 | |
All she's actually done is leave me with this death sentence. | 0:10:01 | 0:10:05 | |
Death sentence? | 0:10:07 | 0:10:09 | |
Ethan, what's really going on? | 0:10:12 | 0:10:13 | |
I have Huntington's disease. | 0:10:25 | 0:10:27 | |
-How do you know? -We did the test, Caleb and I, and... | 0:10:33 | 0:10:37 | |
..I have the gene. | 0:10:40 | 0:10:42 | |
And does Cal? | 0:10:45 | 0:10:47 | |
No, he's fine. | 0:10:47 | 0:10:48 | |
Caleb is just perfect. | 0:10:51 | 0:10:53 | |
I'm sorry, I don't know what to say. | 0:10:59 | 0:11:02 | |
Well, there's nothing to say, is there? | 0:11:02 | 0:11:05 | |
This is never going to leave me. | 0:11:05 | 0:11:07 | |
This is going to follow me around for the rest of my life and then... | 0:11:08 | 0:11:13 | |
it's going to kill me. | 0:11:13 | 0:11:14 | |
Who knows what will happen in the years to come? | 0:11:15 | 0:11:18 | |
Advances in medicine... | 0:11:18 | 0:11:20 | |
Do you know what? | 0:11:20 | 0:11:22 | |
I work hard. | 0:11:23 | 0:11:25 | |
I'm the good one. | 0:11:27 | 0:11:29 | |
I've always been the good one, and h-he just... | 0:11:29 | 0:11:33 | |
He goes wherever he wants. | 0:11:33 | 0:11:35 | |
H-He gets everything he wants. | 0:11:35 | 0:11:38 | |
Career, women - everything comes so easy to him. | 0:11:40 | 0:11:45 | |
Yes, but you can't blame him for this. | 0:11:45 | 0:11:47 | |
But I do! I really do. | 0:11:47 | 0:11:49 | |
I don't deserve this. | 0:11:52 | 0:11:54 | |
And he does? | 0:11:54 | 0:11:56 | |
Yeah, maybe he does. | 0:11:56 | 0:11:59 | |
-Leave the talking to the grown-ups, boys. -All right, lads? | 0:12:17 | 0:12:21 | |
-What we got? -Jimmy O'Connor. | 0:12:21 | 0:12:23 | |
Around 40 years of age. He's trapped on the first floor. | 0:12:23 | 0:12:26 | |
According to locals, he's been squatting up there ever | 0:12:26 | 0:12:28 | |
since they started redeveloping. We think he was tampering with the | 0:12:28 | 0:12:31 | |
-gas mains and caused an explosion. -Any danger of a secondary explosion? | 0:12:31 | 0:12:34 | |
We don't think so. The gas company have isolated the mains | 0:12:34 | 0:12:37 | |
but there is some pretty serious structural damage. | 0:12:37 | 0:12:39 | |
The impact brought down one of the beams. | 0:12:39 | 0:12:42 | |
Our guy is trapped beneath it. | 0:12:42 | 0:12:44 | |
OK, right, let's get the bags and we'll get in there. | 0:12:44 | 0:12:47 | |
What did I just say? Structural damage. | 0:12:47 | 0:12:50 | |
-All right, calm down. -I'll give you the nod | 0:12:50 | 0:12:52 | |
once my men have secured the building. | 0:12:52 | 0:12:55 | |
Bloody hotheads. | 0:12:55 | 0:12:58 | |
Nice guy(!) | 0:12:58 | 0:13:00 | |
So what do we do now? Just wait? | 0:13:00 | 0:13:02 | |
Connor! Shouldn't you be at school? | 0:13:07 | 0:13:09 | |
-It's my nan, she's not well. -Nothing serious? | 0:13:10 | 0:13:13 | |
Just dropped something on her toe or something. | 0:13:13 | 0:13:17 | |
That's not bad, that one. The prequel's better. | 0:13:17 | 0:13:20 | |
-Do you prefer DC or Marvel? -Ah, it's a good question. | 0:13:20 | 0:13:23 | |
You see, my head says Marvel, my heart says DC. | 0:13:23 | 0:13:26 | |
Can I hang out with you? | 0:13:26 | 0:13:28 | |
I won't be any bother. | 0:13:28 | 0:13:30 | |
Yeah, it's not that, it's just this is a hospital | 0:13:30 | 0:13:33 | |
and I'm at work. I'm really sorry, mate. | 0:13:33 | 0:13:35 | |
OK, the good news is it's not a pathological fracture, all right? | 0:13:40 | 0:13:44 | |
It should heal of its own accord. | 0:13:44 | 0:13:47 | |
Robyn's going to book you a follow-up appointment | 0:13:47 | 0:13:49 | |
with the fracture clinic, but you're free to go. | 0:13:49 | 0:13:53 | |
Thanks, Doc. | 0:13:53 | 0:13:54 | |
Can I still go go-karting? | 0:13:58 | 0:13:59 | |
I wouldn't have thought so, not with your arm like that. | 0:13:59 | 0:14:02 | |
Maybe when your arm's a little bit better. | 0:14:02 | 0:14:03 | |
-It was on my list. -What list? | 0:14:03 | 0:14:06 | |
They call it a bucket list because of the phrase "kick the bucket". | 0:14:06 | 0:14:10 | |
I need to make a call. | 0:14:10 | 0:14:12 | |
-This sucks, right? -Nah, it's not so bad. | 0:14:14 | 0:14:18 | |
At least I get to see my dad. | 0:14:18 | 0:14:20 | |
What do you mean, you get to see your dad? | 0:14:20 | 0:14:22 | |
Want to know what else is on my list? | 0:14:22 | 0:14:25 | |
Meet Taylor Swift! | 0:14:25 | 0:14:27 | |
Starting small, then! | 0:14:28 | 0:14:30 | |
Get 100 likes on Facebook. | 0:14:30 | 0:14:32 | |
-Get married. -Get married? | 0:14:32 | 0:14:34 | |
Yeah, like on "Mamma Mia!". | 0:14:34 | 0:14:37 | |
You can marry me if you want. | 0:14:37 | 0:14:39 | |
Do you know what, that might just be the best offer I've had in ages. | 0:14:39 | 0:14:42 | |
I'll think about it. | 0:14:42 | 0:14:44 | |
I'll be back in a sec, all right? | 0:14:45 | 0:14:47 | |
Mr Watts, can I get you a tea? Coffee? | 0:14:48 | 0:14:52 | |
I'm fine. I need to get back to work. | 0:14:52 | 0:14:56 | |
What about Russell? | 0:14:56 | 0:14:57 | |
He's not living with us at the moment. | 0:14:57 | 0:14:59 | |
He's at the respite centre. Excuse me. | 0:14:59 | 0:15:03 | |
Your man is on the first floor, round about here. | 0:15:03 | 0:15:05 | |
So you don't know how badly injured he is? | 0:15:05 | 0:15:08 | |
No. I've got officers to accompany you up, | 0:15:08 | 0:15:10 | |
but moving the girder he's under isn't an option without | 0:15:10 | 0:15:12 | |
compromising the entire structure. | 0:15:12 | 0:15:14 | |
OK. | 0:15:14 | 0:15:16 | |
You still up for this, nursey boy? | 0:15:16 | 0:15:18 | |
-Better than ever. -Tread carefully - let's get you in and out safely. | 0:15:18 | 0:15:21 | |
Right, let's get the kit, please. | 0:15:21 | 0:15:23 | |
Ethan, do you know that Russell doesn't live with his parents? | 0:15:23 | 0:15:27 | |
They moved him into respite. Here's there all by himself. | 0:15:27 | 0:15:30 | |
What reason could you have for moving a dying kid into a home | 0:15:30 | 0:15:33 | |
and then walking away? | 0:15:33 | 0:15:34 | |
It's not unheard of. | 0:15:34 | 0:15:36 | |
Especially if there are brothers and sisters involved. | 0:15:36 | 0:15:39 | |
Often the parents become much closer to the sick child | 0:15:39 | 0:15:41 | |
at the expense of the other siblings. | 0:15:41 | 0:15:44 | |
Sometimes they withdraw from the sick child to protect the siblings. | 0:15:44 | 0:15:47 | |
It's a coping mechanism. | 0:15:47 | 0:15:49 | |
It's awful! How can you even begin to cope with knowing that your | 0:15:49 | 0:15:53 | |
time's up any day now? | 0:15:53 | 0:15:55 | |
Imagine that and then imagine being an 11-year-old kid. | 0:15:55 | 0:15:59 | |
OK, excuse me. | 0:15:59 | 0:16:00 | |
What did I say? | 0:16:04 | 0:16:06 | |
You know, you don't always have to talk so much, Robyn. | 0:16:06 | 0:16:09 | |
Cheers, fellas. | 0:16:18 | 0:16:20 | |
Hello, mate. My name's Iain and I'm a paramedic. | 0:16:22 | 0:16:26 | |
My name's Jimmy and I'm screwed. | 0:16:26 | 0:16:30 | |
Well, we're going to do everything we can. | 0:16:30 | 0:16:32 | |
This is Jez and Jacob, my glamorous assistants. | 0:16:32 | 0:16:34 | |
-Hey there, fella. -All right, mate. | 0:16:34 | 0:16:37 | |
OK, let's get some fluids in, please. | 0:16:37 | 0:16:40 | |
You served in Afghanistan? | 0:16:40 | 0:16:42 | |
Three tours. You? | 0:16:42 | 0:16:44 | |
Yeah, I spent some time in Camp Bastion - Mert Team. | 0:16:44 | 0:16:47 | |
So you're qualified, eh? | 0:16:47 | 0:16:49 | |
You'd hope so, wouldn't you? | 0:16:49 | 0:16:52 | |
How did you end up here? | 0:16:52 | 0:16:54 | |
Wish I knew. | 0:16:54 | 0:16:56 | |
Yeah, it's not easy transitioning back into the real world, is it? | 0:16:56 | 0:16:59 | |
HE GROANS | 0:16:59 | 0:17:01 | |
Right, the limb's pulseless, cold. | 0:17:04 | 0:17:06 | |
We're looking at a massive soft-tissue loss. | 0:17:06 | 0:17:09 | |
-Get a tourniquet, please, Jez. -What's happening? | 0:17:09 | 0:17:12 | |
You're all right, mate. Just hang on in there with us. | 0:17:12 | 0:17:15 | |
-We need a doctor out here. -Yeah. | 0:17:17 | 0:17:20 | |
Call it in, please, Jez. | 0:17:20 | 0:17:22 | |
3006 to Control. | 0:17:24 | 0:17:26 | |
-RADIO: -This is Control, go ahead. | 0:17:26 | 0:17:28 | |
We're looking at a prolonged entrapment here. | 0:17:28 | 0:17:30 | |
We're going to need a med team to extract. | 0:17:30 | 0:17:32 | |
Don't worry, Jimmy, you're going to be all right. | 0:17:32 | 0:17:34 | |
You might have been a good soldier but you're a terrible liar. | 0:17:34 | 0:17:38 | |
Yeah. | 0:17:40 | 0:17:41 | |
Right, let's keep stemming that bleed. More gauze, please. | 0:17:42 | 0:17:46 | |
Have you seen Cal? | 0:17:53 | 0:17:55 | |
He should be around. | 0:17:55 | 0:17:57 | |
Well, if you see him, can you tell him | 0:17:57 | 0:17:58 | |
-I need him to write up some drugs? -Yeah, I will do. | 0:17:58 | 0:18:02 | |
PHONE RINGS | 0:18:02 | 0:18:04 | |
-RECORDED MESSAGE: -Hi, this is Cal. I can't get to the phone right now | 0:18:04 | 0:18:07 | |
but if you play your cards right, I might get back to you. | 0:18:07 | 0:18:10 | |
You still here? | 0:18:10 | 0:18:12 | |
They're going to do an op on him... Her! | 0:18:12 | 0:18:14 | |
Your nan's not in hospital, is she? | 0:18:25 | 0:18:27 | |
I don't have a nan. | 0:18:28 | 0:18:30 | |
No. | 0:18:30 | 0:18:32 | |
So...why aren't you in school? | 0:18:32 | 0:18:36 | |
It's an inset day. | 0:18:37 | 0:18:39 | |
OK, well, when I had an inset day I'd be outside playing | 0:18:39 | 0:18:42 | |
football with my mates. | 0:18:42 | 0:18:43 | |
And when I say outside playing football with my mates, | 0:18:43 | 0:18:46 | |
I mean sitting in my bedroom playing Super Nintendo | 0:18:46 | 0:18:48 | |
-with Chris Dans. -Who's Chris Dans? | 0:18:48 | 0:18:51 | |
-My point is, do you have...? -I don't have any friends... | 0:18:51 | 0:18:54 | |
e-except you. | 0:18:54 | 0:18:56 | |
We can hang out together if you want. | 0:18:58 | 0:19:01 | |
-Like, work experience. -Yeah, the thing is, that's not allowed. | 0:19:01 | 0:19:05 | |
-Please, it's an inset day. -It's not, though, is it? | 0:19:05 | 0:19:08 | |
No, it really is, I promise. | 0:19:08 | 0:19:09 | |
OK. | 0:19:12 | 0:19:13 | |
You'd better keep out of the way, | 0:19:15 | 0:19:17 | |
otherwise I'm in big trouble. Come on. | 0:19:17 | 0:19:19 | |
This way. | 0:19:20 | 0:19:21 | |
PHONE RINGS | 0:19:27 | 0:19:30 | |
Holby ED. | 0:19:33 | 0:19:35 | |
Yep. Yep. | 0:19:36 | 0:19:38 | |
OK. | 0:19:40 | 0:19:41 | |
Yep. Sorry, Masters? Jacob Masters? | 0:19:41 | 0:19:45 | |
I'm non-clinical. OK, I'll take it. | 0:19:48 | 0:19:51 | |
Right, this is Connie Beauchamp. What's happened? | 0:19:51 | 0:19:54 | |
Mr Watts. | 0:19:57 | 0:19:59 | |
Painkillers and information on plasters. | 0:19:59 | 0:20:01 | |
I'll pass it all on to the centre. | 0:20:01 | 0:20:03 | |
Does Russell have brothers or sisters? | 0:20:03 | 0:20:06 | |
Sisters - two girls. | 0:20:06 | 0:20:08 | |
You do visit him, don't you, in the centre? | 0:20:08 | 0:20:11 | |
He's not on his own, is he? | 0:20:11 | 0:20:13 | |
Of course he's not on his own! | 0:20:13 | 0:20:15 | |
-Have you got kids? -No. | 0:20:16 | 0:20:19 | |
Then you have no idea what it's like to lose a child - | 0:20:19 | 0:20:22 | |
let alone lose that child in slow motion. | 0:20:22 | 0:20:24 | |
-I'm sorry, I didn't... -I'm not a bad father. | 0:20:24 | 0:20:28 | |
-I wasn't saying... -Russell's stronger than you think. | 0:20:28 | 0:20:30 | |
Of course he is. He's 11 going on 40. | 0:20:30 | 0:20:33 | |
But d'you know what he said to me today? | 0:20:33 | 0:20:35 | |
He said he didn't mind breaking his arm | 0:20:35 | 0:20:37 | |
because at least he got to see his dad. | 0:20:37 | 0:20:39 | |
Russell! | 0:20:40 | 0:20:42 | |
Russell, can you hear me, sweetheart? Ethan! | 0:20:42 | 0:20:45 | |
He's just started fitting. | 0:20:46 | 0:20:49 | |
Let's clear his airway and then straight through to resus, please. | 0:20:49 | 0:20:52 | |
And can we get some lorazepam ready as well, please? | 0:20:52 | 0:20:55 | |
-Where's that med team, Jez? -On their way, apparently. | 0:20:58 | 0:21:01 | |
-What they doing, crawling over here? -I got here as fast as I could. | 0:21:01 | 0:21:04 | |
Mrs Beauchamp. | 0:21:04 | 0:21:06 | |
Right, what have you got? | 0:21:06 | 0:21:09 | |
OK, this is Jimmy O'Connor, 42. | 0:21:09 | 0:21:11 | |
Severe trauma to the upper left arm. | 0:21:11 | 0:21:13 | |
Trapped under a heavy beam for approx 50 minutes now. | 0:21:13 | 0:21:16 | |
GCS is 12 down from 15, pulse 120. | 0:21:16 | 0:21:18 | |
BP 100/60. | 0:21:18 | 0:21:21 | |
Jimmy, I'm Connie Beauchamp. I'm the emergency doctor. | 0:21:21 | 0:21:24 | |
We're going to get you out of here, OK? | 0:21:24 | 0:21:27 | |
He's pretty unresponsive, isn't he? | 0:21:27 | 0:21:29 | |
All right, let's titrate another five of morphine, | 0:21:29 | 0:21:31 | |
draw up some ketamine and let's take it from there. | 0:21:31 | 0:21:34 | |
-We've got a second crew on standby outside. -What are you thinking? | 0:21:34 | 0:21:36 | |
That left arm's clearly non-viable | 0:21:36 | 0:21:38 | |
and we're looking at potential massive blood loss. | 0:21:38 | 0:21:41 | |
If we can't move this steel girder without further compromising | 0:21:41 | 0:21:45 | |
the structure, then, I think we're all agreed, | 0:21:45 | 0:21:47 | |
we need to amputate. | 0:21:47 | 0:21:49 | |
And sooner rather than later. | 0:21:49 | 0:21:51 | |
Mr Watts, Russell is stable for now, OK? | 0:22:05 | 0:22:08 | |
We're going to be taking him for a CT scan shortly. | 0:22:09 | 0:22:12 | |
I've spoken with the paediatric oncologist, OK? | 0:22:15 | 0:22:19 | |
He expects the CT to show that the tumour has grown, | 0:22:19 | 0:22:23 | |
given the lack of treatment over the past few weeks. | 0:22:23 | 0:22:26 | |
This is the end. | 0:22:31 | 0:22:32 | |
H-Have you made a plan? | 0:22:35 | 0:22:37 | |
Have you made any plans... | 0:22:37 | 0:22:39 | |
..well, in terms of where? | 0:22:41 | 0:22:43 | |
All the leaflets... | 0:22:44 | 0:22:46 | |
..the information, they say... | 0:22:48 | 0:22:52 | |
they recommend that you bring your child... | 0:22:52 | 0:22:56 | |
..that you bring your child home to die. | 0:22:58 | 0:23:01 | |
I'm sorry. | 0:23:01 | 0:23:03 | |
No, no. Please, please, don't apologise. | 0:23:03 | 0:23:05 | |
There are people who can help. | 0:23:09 | 0:23:11 | |
OK, there is a bereavement team, there are counsellors, | 0:23:11 | 0:23:16 | |
there are people you can talk to. | 0:23:16 | 0:23:18 | |
What then? | 0:23:22 | 0:23:23 | |
After he's gone... | 0:23:25 | 0:23:27 | |
..what do I do then? | 0:23:28 | 0:23:29 | |
How do I look people in the eye? | 0:23:31 | 0:23:33 | |
How do I explain to the girls that Russell is gone? | 0:23:37 | 0:23:41 | |
How do I tell people my child is dead? | 0:23:43 | 0:23:45 | |
But he's not. | 0:23:48 | 0:23:49 | |
OK? And he needs you. | 0:23:52 | 0:23:54 | |
He's out. | 0:24:02 | 0:24:03 | |
Sats are good. | 0:24:03 | 0:24:05 | |
Let's keep an eye on his vitals. | 0:24:05 | 0:24:06 | |
Erm, right, | 0:24:06 | 0:24:08 | |
keep talking to the patient, please, Staff Nurse Masters. | 0:24:08 | 0:24:12 | |
You're doing really well, Jimmy, all right? | 0:24:12 | 0:24:14 | |
Right. Scalpel? | 0:24:14 | 0:24:15 | |
CREAKING | 0:24:19 | 0:24:22 | |
Nice and easy. | 0:24:22 | 0:24:23 | |
CREAKING | 0:24:29 | 0:24:31 | |
Knife. | 0:24:34 | 0:24:36 | |
OK. | 0:24:44 | 0:24:45 | |
Saw. | 0:24:45 | 0:24:47 | |
CRASHING AND CREAKING | 0:25:01 | 0:25:05 | |
OK, yep. OK. | 0:25:05 | 0:25:06 | |
Right, pass me the swab. | 0:25:12 | 0:25:13 | |
All right, let's go. | 0:25:26 | 0:25:28 | |
-OK, let's move. -Board in, please. | 0:25:28 | 0:25:30 | |
Make sure it's right next to the head. | 0:25:30 | 0:25:33 | |
One, two, three. | 0:25:33 | 0:25:35 | |
Board under. | 0:25:35 | 0:25:36 | |
And across. | 0:25:36 | 0:25:38 | |
-SIGHING -Yep. | 0:25:38 | 0:25:41 | |
-You guys good to follow? -Sure. | 0:25:41 | 0:25:43 | |
-Here, take this. -Ready, guys? | 0:25:43 | 0:25:46 | |
Up on three, please. One, two, three. | 0:25:46 | 0:25:49 | |
THEY GRUNT | 0:25:49 | 0:25:50 | |
Right, OK. Out nice and steady, please. | 0:25:50 | 0:25:52 | |
CREAKING | 0:25:52 | 0:25:53 | |
There you go. | 0:25:53 | 0:25:54 | |
You all right? | 0:25:56 | 0:25:57 | |
Let me help you. | 0:26:01 | 0:26:02 | |
I'm fine, I can manage. | 0:26:03 | 0:26:05 | |
-Why are you being like this? -What are you even doing here, Jacob? | 0:26:05 | 0:26:08 | |
Running away from the ED like this! | 0:26:08 | 0:26:10 | |
I wasn't running away! | 0:26:10 | 0:26:12 | |
I was taking a step back just like you asked. | 0:26:12 | 0:26:14 | |
CREAKING | 0:26:14 | 0:26:15 | |
What, you don't think I'd rather be with you than out here? | 0:26:15 | 0:26:18 | |
CLATTERING | 0:26:18 | 0:26:20 | |
CLATTERING AND SMASHING | 0:26:23 | 0:26:26 | |
CHATTER | 0:26:43 | 0:26:45 | |
Hang on. Grace, what are you doing here? | 0:26:45 | 0:26:48 | |
I'm looking for my mum. We're going shopping. | 0:26:48 | 0:26:50 | |
Oh. Is she back? | 0:26:50 | 0:26:52 | |
-I don't think so. -She's gone out on a job. | 0:26:52 | 0:26:55 | |
What job? | 0:26:55 | 0:26:56 | |
She's attending an entrapment. | 0:26:56 | 0:26:58 | |
There was an explosion at... | 0:26:58 | 0:27:00 | |
Sorry, excuse me. | 0:27:00 | 0:27:02 | |
Why don't we wait in her office? | 0:27:02 | 0:27:04 | |
-Is she going to be OK? -Oh, yeah. | 0:27:04 | 0:27:05 | |
She's going to be fine. Ignore him. | 0:27:05 | 0:27:07 | |
Have you got any homework with you that I can do? | 0:27:07 | 0:27:10 | |
MUMBLING | 0:27:18 | 0:27:20 | |
You know, he proposed to me earlier on. Russell. | 0:27:24 | 0:27:27 | |
It's part of his bucket list. | 0:27:27 | 0:27:28 | |
He wants to get married like in "Mamma Mia!". | 0:27:28 | 0:27:30 | |
"Mamma Mia!"? | 0:27:30 | 0:27:32 | |
His words - not mine. | 0:27:32 | 0:27:34 | |
Bless him. It's just awful. | 0:27:34 | 0:27:36 | |
Yeah. | 0:27:36 | 0:27:37 | |
LIFT BEEPS | 0:27:37 | 0:27:38 | |
Just try not to kill anyone, all right? | 0:27:40 | 0:27:42 | |
Max, can I have a word? | 0:27:42 | 0:27:44 | |
Yeah. I'll catch you up. | 0:27:44 | 0:27:46 | |
Isn't that...? | 0:27:48 | 0:27:49 | |
-Connor. Mercedes' son. -Yeah, what's he doing here? | 0:27:49 | 0:27:51 | |
Mm, it's a bit of...unofficial work experience. | 0:27:51 | 0:27:54 | |
Oh, Max. That's...that's a no. | 0:27:54 | 0:27:56 | |
Er, what do you mean... | 0:27:57 | 0:27:59 | |
-no? -This isn't something you really should be doing. | 0:27:59 | 0:28:03 | |
OK, but... | 0:28:03 | 0:28:04 | |
You know you're not my boss, right? | 0:28:05 | 0:28:08 | |
I was just being a friend... | 0:28:08 | 0:28:09 | |
-You're right. Taken it on board. -Fine. Do whatever you like. | 0:28:09 | 0:28:11 | |
Ooh! You all right? | 0:28:14 | 0:28:15 | |
Oh, it's Max. It's always Max. | 0:28:15 | 0:28:18 | |
It's like I don't matter. | 0:28:18 | 0:28:20 | |
Let him just make his own mistakes, Rita. | 0:28:20 | 0:28:22 | |
It's not my job any more, is it? | 0:28:22 | 0:28:24 | |
Sorry, do you know about Connie? | 0:28:24 | 0:28:25 | |
Yeah, she's gone out on an entrapment. | 0:28:25 | 0:28:27 | |
No. There's been a collapse at the building. | 0:28:27 | 0:28:30 | |
She's trapped. | 0:28:30 | 0:28:32 | |
She and Jacob are trapped. | 0:28:32 | 0:28:33 | |
Well, are they going to be all right? | 0:28:33 | 0:28:35 | |
That's all I know, I'm afraid. | 0:28:35 | 0:28:36 | |
I've got Grace waiting in her office. | 0:28:36 | 0:28:39 | |
Are you all right? | 0:28:39 | 0:28:40 | |
Yep. I...think so. | 0:28:40 | 0:28:43 | |
SHE WINCES | 0:28:43 | 0:28:44 | |
THEY GRUNT | 0:28:44 | 0:28:45 | |
SHE PANTS | 0:28:46 | 0:28:47 | |
You? You all right? | 0:28:50 | 0:28:53 | |
-RADIO: -Jacob, mate, can you hear me? | 0:28:53 | 0:28:55 | |
Iain, we're, erm... | 0:29:01 | 0:29:03 | |
We're in some kind of... | 0:29:05 | 0:29:08 | |
basement. It's, erm... | 0:29:08 | 0:29:10 | |
-RADIO: -Are you both all right? | 0:29:10 | 0:29:11 | |
JACOB COUGHS | 0:29:11 | 0:29:12 | |
I don't know. You all right? | 0:29:14 | 0:29:15 | |
I don't think I can move. | 0:29:17 | 0:29:18 | |
-HE PANTS -What? | 0:29:18 | 0:29:21 | |
My leg. | 0:29:21 | 0:29:22 | |
What? | 0:29:22 | 0:29:23 | |
HE PANTS | 0:29:28 | 0:29:30 | |
-OK. -HE GRUNTS | 0:29:30 | 0:29:32 | |
I can't move. | 0:29:32 | 0:29:33 | |
I can't do it. | 0:29:33 | 0:29:35 | |
Iain! | 0:29:35 | 0:29:36 | |
-Iain! -HE GRUNTS | 0:29:36 | 0:29:37 | |
We're trapped! | 0:29:37 | 0:29:38 | |
Iain, Jacob's stuck. | 0:29:41 | 0:29:43 | |
And there's sand coming in. How soon can you get to us? | 0:29:43 | 0:29:46 | |
RADIO BEEPS | 0:29:46 | 0:29:47 | |
-RADIO: -Just looking into that. Give us a minute. | 0:29:47 | 0:29:50 | |
Nobody's going in there until we can secure the building. | 0:29:50 | 0:29:53 | |
We're not going to wait here while they're stuck in there, are we? | 0:29:53 | 0:29:56 | |
We've got the Usar team en route | 0:29:56 | 0:29:57 | |
and I've got two men doing a perimeter check as we speak, | 0:29:57 | 0:30:00 | |
but the whole building is unstable. | 0:30:00 | 0:30:01 | |
We can't wait for a rescue team. We need to get in there now! | 0:30:01 | 0:30:04 | |
They're trapped in the basement with sand pouring in... | 0:30:04 | 0:30:07 | |
I can't risk any more casualties! | 0:30:07 | 0:30:08 | |
That building is a deathtrap. | 0:30:08 | 0:30:10 | |
All right, tell me this. | 0:30:10 | 0:30:11 | |
If it was your men in there, what would you do? | 0:30:11 | 0:30:13 | |
RADIO CHATTER | 0:30:13 | 0:30:15 | |
You're doing really well. Won't be long. | 0:30:23 | 0:30:26 | |
Russell, can you hear me? | 0:30:28 | 0:30:29 | |
Yes. | 0:30:29 | 0:30:30 | |
Hey. | 0:30:34 | 0:30:36 | |
You can speak to him, if you like. | 0:30:36 | 0:30:38 | |
It's OK. | 0:30:39 | 0:30:41 | |
Russell? Can you hear me? | 0:30:52 | 0:30:54 | |
Dad? | 0:30:54 | 0:30:56 | |
I CAN hear you. | 0:30:56 | 0:30:58 | |
Bit like being in a sci-fi movie, this, innit, eh? | 0:30:58 | 0:31:02 | |
All of this. | 0:31:02 | 0:31:03 | |
But you're used to it. | 0:31:05 | 0:31:07 | |
And you've never once complained, have you? | 0:31:07 | 0:31:11 | |
I'm sorry I can't protect you from all of this. | 0:31:11 | 0:31:14 | |
-HE SOBS -I'm sorry I wasn't there for you. | 0:31:16 | 0:31:19 | |
Dad, I'm scared. | 0:31:20 | 0:31:22 | |
I know. | 0:31:23 | 0:31:24 | |
So am I. | 0:31:25 | 0:31:26 | |
But I'm here. | 0:31:28 | 0:31:30 | |
I'm here. | 0:31:31 | 0:31:33 | |
JACOB GRUNTS, SAND POURS | 0:31:35 | 0:31:38 | |
Iain? What is going on out there? | 0:31:41 | 0:31:44 | |
-RADIO BEEPS -We need to do something. | 0:31:44 | 0:31:45 | |
-We need to plug that hole. -Watch your eyes. | 0:31:45 | 0:31:48 | |
-HE GRUNTS -OK. | 0:31:48 | 0:31:50 | |
SHE GROANS | 0:31:54 | 0:31:55 | |
-No, it's not going to work. It's coming down too fast. -Come on! | 0:31:57 | 0:32:01 | |
HE GRUNTS | 0:32:01 | 0:32:02 | |
Well, we need to do something! | 0:32:02 | 0:32:04 | |
SHE GRUNTS | 0:32:07 | 0:32:08 | |
HE YELLS | 0:32:12 | 0:32:13 | |
Iain, we are slowly but surely being buried alive here! | 0:32:14 | 0:32:17 | |
-What's going on? -RADIO BEEPS | 0:32:17 | 0:32:19 | |
Yeah, we're working on it. We are coming to get you. Over. | 0:32:19 | 0:32:22 | |
We head into the basement here. | 0:32:22 | 0:32:24 | |
Presuming they fell straight through, | 0:32:24 | 0:32:26 | |
they'll be here - the old store. | 0:32:26 | 0:32:27 | |
-And when we get there... -We break down the wall | 0:32:27 | 0:32:29 | |
-and get them out. -Wait a minute. | 0:32:29 | 0:32:31 | |
If we do that, the building could fall down. | 0:32:31 | 0:32:33 | |
Listen, we wait, they die. Simple as. | 0:32:33 | 0:32:35 | |
You two - we're going in via the basement. | 0:32:37 | 0:32:39 | |
I need you on standby for extraction. | 0:32:39 | 0:32:42 | |
THEY COUGH | 0:32:42 | 0:32:44 | |
-SHE COUGHS -Iain, where are you? | 0:32:45 | 0:32:48 | |
Go. | 0:32:48 | 0:32:49 | |
Go. | 0:32:49 | 0:32:50 | |
-Get out of here. -I'm not leaving you. | 0:32:50 | 0:32:52 | |
There is no point both of us... | 0:32:52 | 0:32:54 | |
-HE COUGHS -..both of us dying. | 0:32:54 | 0:32:55 | |
-Right. Neither of us is dying! -CREAKING | 0:32:55 | 0:32:58 | |
That is not going to happen. | 0:32:58 | 0:33:00 | |
HE GROANS | 0:33:01 | 0:33:03 | |
CLATTERING | 0:33:03 | 0:33:06 | |
Connie? | 0:33:06 | 0:33:07 | |
Connie! | 0:33:09 | 0:33:10 | |
Connie, wake up! | 0:33:10 | 0:33:12 | |
Connie! | 0:33:12 | 0:33:13 | |
Why is she taking so long? | 0:33:17 | 0:33:18 | |
I'm sure she'll be here any minute. | 0:33:18 | 0:33:20 | |
Yeah, I mean, she's probably on her way now. | 0:33:22 | 0:33:24 | |
Nothing. | 0:33:27 | 0:33:28 | |
Connie! | 0:33:30 | 0:33:32 | |
Connie, get the hell up. Come on, Connie! | 0:33:32 | 0:33:34 | |
HE COUGHS | 0:33:34 | 0:33:35 | |
BANGING | 0:33:35 | 0:33:38 | |
-Steady. -CLANGING | 0:33:38 | 0:33:39 | |
-JACOB ON RADIO: -Iain! | 0:33:39 | 0:33:41 | |
You guys need to get in here now, all right? | 0:33:41 | 0:33:44 | |
We are trapped. | 0:33:44 | 0:33:46 | |
-And Connie's knocked out cold. -HE COUGHS | 0:33:47 | 0:33:49 | |
Guys, get in here now! | 0:33:49 | 0:33:50 | |
Right, gents, we need to get a move on. | 0:33:50 | 0:33:53 | |
So... | 0:33:59 | 0:34:01 | |
I have no idea what this text is about. | 0:34:01 | 0:34:03 | |
JACOB GRUNTS | 0:34:10 | 0:34:11 | |
JACOB PANTS | 0:34:11 | 0:34:13 | |
CONNIE COUGHS | 0:34:13 | 0:34:14 | |
Connie? | 0:34:18 | 0:34:19 | |
HE PANTS | 0:34:20 | 0:34:21 | |
COUGHING | 0:34:23 | 0:34:24 | |
CONNIE STIRS | 0:34:25 | 0:34:26 | |
COUGHING AND PANTING | 0:34:26 | 0:34:27 | |
I c... | 0:34:29 | 0:34:30 | |
HE PANTS | 0:34:30 | 0:34:32 | |
I can't...I can't move, Jacob. | 0:34:32 | 0:34:34 | |
HE PANTS | 0:34:36 | 0:34:37 | |
I can't...I can't move! | 0:34:37 | 0:34:38 | |
SHE PANTS | 0:34:39 | 0:34:41 | |
Nobody's coming for us. | 0:34:43 | 0:34:45 | |
No. | 0:34:45 | 0:34:46 | |
-HE MUMBLES -Listen... | 0:34:46 | 0:34:48 | |
we're not done yet, all right? | 0:34:48 | 0:34:50 | |
We are not done yet. They are coming for us. | 0:34:50 | 0:34:52 | |
I need to speak to Grace. | 0:34:52 | 0:34:53 | |
I need to speak to Grace. | 0:34:55 | 0:34:57 | |
Please, Jacob! | 0:34:58 | 0:34:59 | |
HE PANTS | 0:35:00 | 0:35:01 | |
SHE PANTS | 0:35:03 | 0:35:05 | |
SHE COUGHS | 0:35:05 | 0:35:06 | |
This is Connie Beauchamp. | 0:35:11 | 0:35:13 | |
Please patch me through to Holby ED. | 0:35:13 | 0:35:15 | |
MUSIC: Make You Feel My Love by Adele | 0:35:20 | 0:35:23 | |
CAMERA CLICKS | 0:35:28 | 0:35:29 | |
# When the rain is blowing in your face | 0:35:43 | 0:35:48 | |
# And the whole world is on your case... # | 0:35:49 | 0:35:53 | |
Babe... | 0:35:53 | 0:35:54 | |
you look fab! | 0:35:54 | 0:35:56 | |
-MUSIC PLAYS -You too. | 0:35:56 | 0:35:58 | |
Ladies and gentlemen, we are gathered here today | 0:36:00 | 0:36:03 | |
to witness the... | 0:36:03 | 0:36:05 | |
-marriage, I guess... -HE LAUGHS | 0:36:05 | 0:36:07 | |
-Does anyone know the words to this? -LAUGHTER | 0:36:07 | 0:36:09 | |
..the marriage of Robyn and Russell! | 0:36:10 | 0:36:12 | |
-Whoo! -Whey! | 0:36:12 | 0:36:14 | |
APPLAUSE | 0:36:14 | 0:36:15 | |
Smile. | 0:36:16 | 0:36:19 | |
CAMERA CLICKS Lovely! | 0:36:19 | 0:36:20 | |
# I could hold you for a million years | 0:36:20 | 0:36:24 | |
# To make you feel my love. # | 0:36:26 | 0:36:29 | |
Grace? | 0:36:29 | 0:36:30 | |
Your mum just wants a quick word with you, | 0:36:30 | 0:36:33 | |
so we're going to use this radio. | 0:36:33 | 0:36:34 | |
Why hasn't she got her phone? | 0:36:34 | 0:36:36 | |
-Well... -She... | 0:36:36 | 0:36:38 | |
She just wants to have a few words with you, | 0:36:41 | 0:36:43 | |
all right, darling? | 0:36:43 | 0:36:45 | |
-Hello? -RADIO BEEPS | 0:36:46 | 0:36:48 | |
-RADIO: -Connie, I've got Grace with me. | 0:36:50 | 0:36:52 | |
-I'm just going to pass you over. -RADIO BEEPS | 0:36:52 | 0:36:54 | |
Grace, it's Mummy. Can you hear me? | 0:36:57 | 0:37:01 | |
Just...just press there. | 0:37:01 | 0:37:02 | |
Grace, can you hear me? | 0:37:02 | 0:37:04 | |
Mum, where are you? | 0:37:05 | 0:37:07 | |
Grace... | 0:37:09 | 0:37:10 | |
..I need you to listen very carefully to me. | 0:37:12 | 0:37:14 | |
Can you do that for Mummy? | 0:37:14 | 0:37:16 | |
Mum, what's happening? | 0:37:16 | 0:37:18 | |
When are you coming back? | 0:37:18 | 0:37:19 | |
Mum, where are you? | 0:37:22 | 0:37:24 | |
I'm here. | 0:37:24 | 0:37:25 | |
There, um... | 0:37:27 | 0:37:28 | |
Something's happened. There's been an accident. | 0:37:28 | 0:37:31 | |
I'm OK. I'll be OK. | 0:37:31 | 0:37:33 | |
Just come back. | 0:37:33 | 0:37:34 | |
Mum? | 0:37:37 | 0:37:38 | |
I'm trying my best, sweetheart. | 0:37:39 | 0:37:41 | |
All right, darling, | 0:37:46 | 0:37:48 | |
I need you to listen to me. | 0:37:48 | 0:37:49 | |
-SOBS: -I love you very much. | 0:37:51 | 0:37:53 | |
I want you to come home. | 0:37:53 | 0:37:55 | |
Mum, tell us where you are. | 0:37:58 | 0:38:00 | |
We'll come and get you. | 0:38:00 | 0:38:02 | |
We'll come and get you now. | 0:38:03 | 0:38:05 | |
-SHE CRIES -I love you very much. | 0:38:05 | 0:38:07 | |
SAND POURS | 0:38:07 | 0:38:09 | |
CONNIE SOBS | 0:38:09 | 0:38:10 | |
RADIO CRACKLES | 0:38:10 | 0:38:12 | |
Mum? RADIO CRACKLES | 0:38:12 | 0:38:14 | |
Mum? | 0:38:14 | 0:38:15 | |
Come on, Jez! | 0:38:20 | 0:38:22 | |
RADIO CHATTER | 0:38:22 | 0:38:24 | |
Here we are. | 0:38:27 | 0:38:28 | |
They'll look after you very well upstairs. | 0:38:29 | 0:38:31 | |
And hopefully... | 0:38:31 | 0:38:34 | |
you'll be home tomorrow. | 0:38:34 | 0:38:35 | |
You mean...back to respite. | 0:38:35 | 0:38:38 | |
No. | 0:38:38 | 0:38:39 | |
He means home. | 0:38:40 | 0:38:42 | |
HE CHUCKLES | 0:38:42 | 0:38:44 | |
Ooh, and remember... | 0:38:44 | 0:38:46 | |
no water on this plaster. | 0:38:46 | 0:38:47 | |
I don't want you back in here with a soggy cast, OK? | 0:38:47 | 0:38:49 | |
LAUGHTER | 0:38:49 | 0:38:50 | |
LIFT BEEPS | 0:38:50 | 0:38:51 | |
Guys! | 0:38:53 | 0:38:54 | |
-Look at this. -Awh! | 0:38:54 | 0:38:56 | |
Hey! 117 likes! | 0:38:56 | 0:38:58 | |
Well, that's another one off the list. | 0:38:58 | 0:38:59 | |
Just need to meet Taylor Swift now. | 0:38:59 | 0:39:02 | |
THEY CHUCKLE | 0:39:02 | 0:39:03 | |
Bye. | 0:39:03 | 0:39:04 | |
Thank you. | 0:39:12 | 0:39:14 | |
Bye, babes. | 0:39:15 | 0:39:16 | |
LIFT: 'Doors closing.' | 0:39:16 | 0:39:18 | |
Forget making every day count - | 0:39:20 | 0:39:22 | |
he's making every second count. | 0:39:22 | 0:39:24 | |
That's got to be it. | 0:39:29 | 0:39:30 | |
Jacob! | 0:39:31 | 0:39:32 | |
Connie! | 0:39:34 | 0:39:35 | |
Iain! | 0:39:35 | 0:39:36 | |
-Iain, we're in here, mate! -SAND POURS | 0:39:36 | 0:39:38 | |
Iain, hurry up, please! | 0:39:38 | 0:39:40 | |
Right, we're outside. | 0:39:40 | 0:39:41 | |
Right, let's get this moved, lads. | 0:39:41 | 0:39:43 | |
We're going to try and get this wall down. | 0:39:43 | 0:39:45 | |
We're in here! Iain, hurry up! | 0:39:47 | 0:39:50 | |
SHE COUGHS | 0:39:50 | 0:39:51 | |
IAIN GRUNTS | 0:39:54 | 0:39:56 | |
IAIN GRUNTS | 0:39:57 | 0:39:59 | |
-It's not shifting. -Just keep going. | 0:40:00 | 0:40:03 | |
IAIN GRUNTS | 0:40:03 | 0:40:05 | |
SHE COUGHS | 0:40:05 | 0:40:06 | |
BANGING | 0:40:08 | 0:40:10 | |
JACOB SPITS | 0:40:10 | 0:40:11 | |
IAIN GRUNTS | 0:40:12 | 0:40:14 | |
It's not doing owt! | 0:40:15 | 0:40:17 | |
We haven't got anything else! Keep going. | 0:40:17 | 0:40:19 | |
Wait, wait! | 0:40:19 | 0:40:20 | |
-Have you got a winch on the truck? -What are you thinking? | 0:40:20 | 0:40:22 | |
I've got NO idea if it's going to work, | 0:40:22 | 0:40:24 | |
but, Iain, mate, you need to keep going. | 0:40:24 | 0:40:26 | |
All right, guys, back up the truck. | 0:40:26 | 0:40:29 | |
-IAIN GRUNTS -We need to get the winch in. | 0:40:29 | 0:40:31 | |
THEY COUGH WEAKLY | 0:40:34 | 0:40:35 | |
SAND POURS | 0:40:35 | 0:40:37 | |
SMASHING | 0:40:38 | 0:40:40 | |
Come on, Iain, we need some give! | 0:40:40 | 0:40:43 | |
SAND POURS | 0:40:43 | 0:40:44 | |
MUFFLED GRUNTING | 0:40:44 | 0:40:45 | |
IAIN GRUNTS IAIN YELLS | 0:40:51 | 0:40:53 | |
All right, get the crowbar in! | 0:40:53 | 0:40:55 | |
OK. | 0:41:03 | 0:41:04 | |
ENGINE REVS | 0:41:04 | 0:41:06 | |
CLATTERING | 0:41:06 | 0:41:07 | |
IAIN GRUNTS | 0:41:07 | 0:41:09 | |
SAND POURS | 0:41:12 | 0:41:14 | |
IAIN GRUNTS | 0:41:23 | 0:41:24 | |
Mrs Beauchamp! | 0:41:25 | 0:41:26 | |
Can you hear me? It's Iain. | 0:41:28 | 0:41:30 | |
Jacob? Jacob? | 0:41:30 | 0:41:32 | |
Jacob? Talk to me, Jacob. | 0:41:32 | 0:41:34 | |
Talk to me. Are you OK? | 0:41:34 | 0:41:36 | |
Jacob. | 0:41:36 | 0:41:37 | |
SHE COUGHS | 0:41:42 | 0:41:43 | |
OK. | 0:41:43 | 0:41:45 | |
HE WHEEZES | 0:41:46 | 0:41:48 | |
It's Jez, it's Jez. We got you. | 0:41:48 | 0:41:50 | |
3006 to Holby ED. | 0:41:50 | 0:41:52 | |
-RADIO: -Charlie here. | 0:41:52 | 0:41:53 | |
Charlie, it's Iain. | 0:41:53 | 0:41:54 | |
-RADIO: -We've found them. They're alive. | 0:41:54 | 0:41:56 | |
Oh! | 0:41:56 | 0:41:57 | |
Oh! | 0:41:59 | 0:42:00 | |
All received. | 0:42:00 | 0:42:01 | |
Thank you. | 0:42:03 | 0:42:04 | |
-RADIO BEEPS -Thank you. | 0:42:04 | 0:42:05 | |
SIREN WAILS | 0:42:08 | 0:42:11 | |
You should probably be getting home for your tea. | 0:42:15 | 0:42:17 | |
Mum doesn't like to cook. | 0:42:17 | 0:42:19 | |
So, what do you do for... | 0:42:19 | 0:42:20 | |
..you know, food? | 0:42:22 | 0:42:24 | |
Cereal. | 0:42:24 | 0:42:26 | |
Cereal's good. I like cereal. But... | 0:42:26 | 0:42:30 | |
why don't you get yourself a bag of chips on the way home? | 0:42:30 | 0:42:32 | |
-You sure? -Yeah. | 0:42:32 | 0:42:34 | |
Treat yourself to a battered sausage while you're at it. | 0:42:34 | 0:42:37 | |
See you around. | 0:42:37 | 0:42:38 | |
You've got my number. Any emergencies, just give me a ring. | 0:42:38 | 0:42:41 | |
See you later. | 0:42:45 | 0:42:46 | |
I...just heard about Mrs Beauchamp and Jacob. | 0:42:52 | 0:42:55 | |
Yeah, they're en route right now. | 0:42:55 | 0:42:57 | |
They're saying there are no serious injuries, | 0:42:57 | 0:42:59 | |
which is a bit of a miracle. | 0:42:59 | 0:43:02 | |
Yeah. It really is. | 0:43:02 | 0:43:04 | |
Have you talked to your brother? | 0:43:05 | 0:43:07 | |
No. | 0:43:09 | 0:43:11 | |
Why? | 0:43:11 | 0:43:13 | |
He went awol earlier on. | 0:43:13 | 0:43:15 | |
I've been covering for him all day. | 0:43:15 | 0:43:17 | |
Right. | 0:43:17 | 0:43:18 | |
Look, I know you've been through a lot. | 0:43:19 | 0:43:22 | |
But... | 0:43:23 | 0:43:25 | |
he's just been looking out for you, you know? | 0:43:25 | 0:43:28 | |
Can you think where he might have gone? | 0:43:28 | 0:43:30 | |
Yes. I have a pretty good idea. | 0:43:33 | 0:43:36 | |
Leave it with me. | 0:43:36 | 0:43:37 | |
Ta-da! | 0:43:39 | 0:43:41 | |
There you go. | 0:43:42 | 0:43:45 | |
It's yours. | 0:43:45 | 0:43:47 | |
Again. | 0:43:47 | 0:43:48 | |
Really? | 0:43:49 | 0:43:51 | |
Really. | 0:43:51 | 0:43:52 | |
In that case... | 0:43:59 | 0:44:00 | |
..you better have these. | 0:44:02 | 0:44:04 | |
Come home. | 0:44:08 | 0:44:09 | |
I thought you'd never ask, buddy. | 0:44:11 | 0:44:13 | |
THEY LAUGH ENTHUSIASTICALLY | 0:44:15 | 0:44:18 | |
SIREN WAILS | 0:44:18 | 0:44:19 | |
Ooh, coffee! Which one did you go for? | 0:44:23 | 0:44:26 | |
Sorry, did you want something? | 0:44:26 | 0:44:28 | |
No. Well, yeah. | 0:44:28 | 0:44:30 | |
Look. I know you miss Lofty... | 0:44:30 | 0:44:32 | |
Do I? | 0:44:32 | 0:44:33 | |
Yeah, I do too. | 0:44:33 | 0:44:34 | |
And if you ever wanted to talk about it, then... | 0:44:34 | 0:44:36 | |
Maybe not. | 0:44:38 | 0:44:39 | |
LAUGHTER | 0:44:40 | 0:44:42 | |
Yeah, it's going to be just like old times. | 0:44:42 | 0:44:43 | |
Mac and Noel. Noel and Mac. | 0:44:43 | 0:44:46 | |
Like mac and cheese. | 0:44:46 | 0:44:48 | |
HE CHUCKLES | 0:44:48 | 0:44:49 | |
Hey! What's up with you, faceache? | 0:44:49 | 0:44:51 | |
So you're going to move back in with him? Just like that? | 0:44:51 | 0:44:54 | |
I thought you wanted me gone. | 0:44:54 | 0:44:55 | |
What about me toenail clippings on your sofa? | 0:44:55 | 0:44:58 | |
Awh! I'm going to miss you too, buddy. | 0:44:58 | 0:45:00 | |
I am not going to miss you. | 0:45:00 | 0:45:02 | |
What, really? What, not even just... | 0:45:02 | 0:45:05 | |
# Ooh-ah, just a little bit? | 0:45:05 | 0:45:07 | |
# Ooh-ah... # | 0:45:07 | 0:45:08 | |
I hate you. NOEL LAUGHS | 0:45:08 | 0:45:10 | |
I hate you, too. | 0:45:10 | 0:45:11 | |
-Where is she? -Connie, Connie. You should be immobilised. | 0:45:16 | 0:45:18 | |
-You know that. -No, it was my decision. | 0:45:18 | 0:45:20 | |
I just want to see my daughter. | 0:45:20 | 0:45:22 | |
-Connie, please, this is dangerous. -SHE MUMBLES | 0:45:22 | 0:45:24 | |
-I know. -We have to get you checked over! -In a minute. | 0:45:24 | 0:45:26 | |
I just want to see Grace. | 0:45:26 | 0:45:28 | |
DOOR OPENS Mum! | 0:45:28 | 0:45:30 | |
Oh, my baby girl! | 0:45:30 | 0:45:32 | |
-CONNIE CRIES -Oh, my baby girl. | 0:45:32 | 0:45:35 | |
I love you so much. | 0:45:35 | 0:45:36 | |
I love you, too. | 0:45:37 | 0:45:39 | |
I love you. | 0:45:43 | 0:45:44 | |
CONNIE SNIFFLES | 0:45:47 | 0:45:48 | |
SEAGULLS CRY | 0:45:53 | 0:45:55 | |
WIND BLOWS | 0:45:57 | 0:46:00 | |
Cal. | 0:46:10 | 0:46:11 | |
Oh! | 0:46:17 | 0:46:18 | |
ETHAN SIGHS | 0:46:18 | 0:46:20 | |
At least it's a bit better than last time we were here. | 0:46:21 | 0:46:24 | |
I heard what you said. | 0:46:28 | 0:46:30 | |
WAVES ROLL | 0:46:30 | 0:46:31 | |
About... | 0:46:32 | 0:46:34 | |
me deserving it, not you. | 0:46:34 | 0:46:35 | |
Oh! | 0:46:38 | 0:46:40 | |
I was angry. | 0:46:40 | 0:46:42 | |
I didn't mean it. | 0:46:43 | 0:46:44 | |
Yeah, well, you were probably right. | 0:46:46 | 0:46:48 | |
No. | 0:46:48 | 0:46:49 | |
No. It's not true. | 0:46:49 | 0:46:51 | |
You don't deserve this. | 0:46:51 | 0:46:53 | |
No-one does. | 0:46:53 | 0:46:54 | |
I was just upset and... | 0:46:58 | 0:47:01 | |
I still am. | 0:47:01 | 0:47:03 | |
But I know that blaming you isn't going to help me. | 0:47:03 | 0:47:06 | |
You missed the funeral, Ethan. | 0:47:07 | 0:47:10 | |
I know. | 0:47:11 | 0:47:13 | |
And that is something | 0:47:13 | 0:47:15 | |
I'm going to have to live with. | 0:47:15 | 0:47:17 | |
I'm sorry, Mum. | 0:47:21 | 0:47:23 | |
CAL LAUGHS | 0:47:28 | 0:47:29 | |
It's got a seat belt on. | 0:47:29 | 0:47:30 | |
Safety first, as always. | 0:47:32 | 0:47:33 | |
I am really sorry. | 0:47:36 | 0:47:37 | |
Oh, you don't need to be sorry, | 0:47:37 | 0:47:39 | |
you idiot, you know? Just... | 0:47:39 | 0:47:41 | |
just talk to me. | 0:47:41 | 0:47:42 | |
Please, I'm... | 0:47:44 | 0:47:45 | |
I'm here for you. | 0:47:45 | 0:47:46 | |
"Be more Cal." | 0:47:50 | 0:47:52 | |
-Hm? -That's what I'm going to do. | 0:47:52 | 0:47:54 | |
It's my new resolution. | 0:47:54 | 0:47:55 | |
Be more Cal? | 0:47:57 | 0:47:59 | |
Yeah, you know... | 0:47:59 | 0:48:00 | |
carpe diem. | 0:48:00 | 0:48:02 | |
Run...recklessly headfirst | 0:48:02 | 0:48:04 | |
into improbably dangerous situations. | 0:48:04 | 0:48:07 | |
Be more Cal. | 0:48:07 | 0:48:08 | |
OK, so are you coming in? | 0:48:13 | 0:48:15 | |
Coming in...where? | 0:48:16 | 0:48:17 | |
You...you've got to be kidding me. That is... | 0:48:20 | 0:48:23 | |
Ethan, it's freezing! | 0:48:23 | 0:48:24 | |
ETHAN SHOUTS Come on! | 0:48:28 | 0:48:29 | |
ETHAN LAUGHS | 0:48:30 | 0:48:32 | |
ETHAN CHEERS | 0:48:32 | 0:48:33 | |
-Whoo! Yeah! -Go on! | 0:48:33 | 0:48:36 | |
THEY CHEER | 0:48:37 | 0:48:39 | |
THEY LAUGH | 0:48:41 | 0:48:43 |