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Connie, I made a judgment call, as we do. | 0:00:07 | 0:00:10 | |
I have no option but to report you to the Trust. | 0:00:10 | 0:00:13 | |
I know you want to find someone to blame. | 0:00:13 | 0:00:14 | |
But ruining Elle's career is not going to help Grace. | 0:00:14 | 0:00:17 | |
She is incompetent and she almost killed my daughter. | 0:00:17 | 0:00:20 | |
Hey! Where did you get that? | 0:00:22 | 0:00:24 | |
I've been looking for that everywhere. | 0:00:24 | 0:00:27 | |
-MEN TOGETHER: -Boring, boring driver! | 0:00:33 | 0:00:35 | |
Boring, boring driver! | 0:00:35 | 0:00:39 | |
He's a boring, boring driver! | 0:00:39 | 0:00:42 | |
Come on, Dylan! | 0:00:42 | 0:00:43 | |
Barry will have fallen into the sea by the time we get there. | 0:00:43 | 0:00:46 | |
-That's a good joke. -Thank you. | 0:00:46 | 0:00:48 | |
But then, I suppose I've got to laugh, haven't I, | 0:00:48 | 0:00:50 | |
in case you punch me in the face again? | 0:00:50 | 0:00:51 | |
Ah...! I know, I didn't know, did I? | 0:00:51 | 0:00:54 | |
Ow! | 0:00:54 | 0:00:56 | |
-What was that for? -Well, you're a bully, aren't you? | 0:00:57 | 0:01:00 | |
Sorry, I need to go to the little boys' room. | 0:01:00 | 0:01:02 | |
Blues and twos, Dylan. Put your foot down. We've got an emergency. | 0:01:02 | 0:01:05 | |
The speed limits aren't a suggestion. It's the law. | 0:01:05 | 0:01:08 | |
If you don't hurry up, I'll do it all over this minibus. | 0:01:08 | 0:01:12 | |
# Stop the bus, he needs a wee-wee | 0:01:12 | 0:01:15 | |
# Stop the bus, he needs a wee-wee... # | 0:01:15 | 0:01:18 | |
SHEEP BLEAT | 0:01:18 | 0:01:20 | |
-I thought you needed to go? -I can't go with everyone watching, can I? | 0:01:21 | 0:01:25 | |
You really think we're watching? | 0:01:25 | 0:01:26 | |
-DYLAN: -A minute ago we were in a hurry. | 0:01:26 | 0:01:29 | |
What's taking him so long? Come on. | 0:01:29 | 0:01:32 | |
-Lads, please! -Come on, Noel! | 0:01:34 | 0:01:36 | |
SHEEP BLEATS | 0:01:37 | 0:01:39 | |
Oh, go on! Shoo...! | 0:01:39 | 0:01:41 | |
-SHEEP BLEATS -I don't like a crowd. | 0:01:41 | 0:01:44 | |
-CRUNCHING -Argh! Oh! You bit me! | 0:01:44 | 0:01:47 | |
-That's one for the medics. -It bit me! | 0:01:47 | 0:01:49 | |
It got my hand! | 0:01:49 | 0:01:51 | |
That is one aggressive sheep. | 0:01:51 | 0:01:53 | |
-Let's get it! -What? -Come on, stags! | 0:01:53 | 0:01:56 | |
Let's get it! | 0:01:56 | 0:01:57 | |
Sheep! | 0:01:59 | 0:02:00 | |
I've got him. | 0:02:00 | 0:02:02 | |
You wait there, sheep. | 0:02:02 | 0:02:04 | |
This is how far mankind has evolved. | 0:02:04 | 0:02:07 | |
Fully-grown men, who have worked their entire lives | 0:02:07 | 0:02:09 | |
to become invaluable members of a progressive society, | 0:02:09 | 0:02:12 | |
in the blink of an eye, reduced to chasing a woolly ruminant. | 0:02:12 | 0:02:16 | |
Sheep! | 0:02:16 | 0:02:17 | |
Oh! Urgh! | 0:02:17 | 0:02:19 | |
-Cheers. -What? It was an accident. | 0:02:21 | 0:02:24 | |
-Well, I hope you're not going to be like this the whole trip. -Like what? | 0:02:24 | 0:02:27 | |
We're here for Charlie, so... | 0:02:27 | 0:02:30 | |
Yeah. | 0:02:31 | 0:02:32 | |
Yeah. | 0:02:32 | 0:02:34 | |
Of course. | 0:02:36 | 0:02:37 | |
-For Charlie. -Great. | 0:02:37 | 0:02:39 | |
-Sheep! Sheep! -More sheep! | 0:02:52 | 0:02:54 | |
Derv-laaaa! | 0:02:54 | 0:02:56 | |
We're here for one night. | 0:02:57 | 0:02:59 | |
I wear a lot of product. | 0:02:59 | 0:03:01 | |
Mr Fairhead. | 0:03:01 | 0:03:03 | |
-ALL: -Yay! | 0:03:03 | 0:03:05 | |
-Josh! -You thought I'd miss out on this? | 0:03:05 | 0:03:08 | |
We are cranking this one up to 11, my old mate. | 0:03:08 | 0:03:10 | |
Oooh, 11! | 0:03:10 | 0:03:12 | |
The veteran of the blues! | 0:03:14 | 0:03:17 | |
It's her. | 0:03:53 | 0:03:55 | |
-It's actually her! -I told you I'd track it down. | 0:03:55 | 0:03:58 | |
How long has it been, Lionel? What, 15 years? | 0:03:58 | 0:04:02 | |
More like 20. | 0:04:02 | 0:04:04 | |
-HE COUGHS -Time flies, eh? | 0:04:04 | 0:04:06 | |
But not as fast... | 0:04:06 | 0:04:08 | |
..as you used to. | 0:04:10 | 0:04:12 | |
-Tel... -Yes, mate? | 0:04:30 | 0:04:32 | |
I thought these days were long gone. | 0:04:32 | 0:04:34 | |
Let's call it a...pregnant pause, eh? | 0:04:34 | 0:04:37 | |
This is tighter than I remember. | 0:04:49 | 0:04:51 | |
Actually, Lionel, hang on a second, mate. | 0:04:53 | 0:04:56 | |
I think we're going to need a bigger can... | 0:04:56 | 0:04:58 | |
-BANG! -Argh! | 0:04:58 | 0:05:00 | |
Aarrgghh! | 0:05:02 | 0:05:04 | |
Terry? | 0:05:04 | 0:05:05 | |
-THUD! -Terry! | 0:05:05 | 0:05:06 | |
TERRY WHEEZES | 0:05:08 | 0:05:10 | |
HE COUGHS | 0:05:10 | 0:05:11 | |
HE SNORES GENTLY | 0:05:16 | 0:05:19 | |
CRASHING | 0:05:19 | 0:05:21 | |
Charlie? | 0:05:23 | 0:05:25 | |
SHEEP BLEATS | 0:05:31 | 0:05:34 | |
Oh... | 0:05:34 | 0:05:35 | |
sheeeeep! | 0:05:35 | 0:05:38 | |
SHEEP BLEATS | 0:05:39 | 0:05:40 | |
Oh... | 0:05:42 | 0:05:44 | |
Oh... | 0:05:44 | 0:05:45 | |
Oh, oh... | 0:05:45 | 0:05:47 | |
SNORING INTENSIFIES | 0:05:50 | 0:05:52 | |
Urgh! | 0:06:01 | 0:06:02 | |
Oh...! | 0:06:02 | 0:06:04 | |
Oh, is it yesterday or tomorrow? | 0:06:07 | 0:06:09 | |
SHEEP BLEATS | 0:06:09 | 0:06:11 | |
Oh, come on! | 0:06:11 | 0:06:13 | |
You promised me you were going to take that thing back to the field. | 0:06:13 | 0:06:16 | |
I've just spent over an hour cleaning wool out of the minibus. | 0:06:16 | 0:06:19 | |
-ALL: -Argh! | 0:06:23 | 0:06:24 | |
Dylan! | 0:06:24 | 0:06:26 | |
Guys... | 0:06:33 | 0:06:35 | |
Where did you get that? | 0:06:35 | 0:06:37 | |
Erm... | 0:06:40 | 0:06:42 | |
Anyone? | 0:06:42 | 0:06:43 | |
Hang on. Where's Charlie? | 0:06:44 | 0:06:47 | |
-Who's Charlie? -The groom. The reason we're all here. | 0:06:47 | 0:06:49 | |
SHEEP BLEATS | 0:06:55 | 0:06:56 | |
-Dr Gardner. -Thank you. | 0:06:58 | 0:07:01 | |
-Got an incoming in Resus, if you fancy it? -Er... | 0:07:01 | 0:07:04 | |
I'm in the middle of something. | 0:07:04 | 0:07:06 | |
Looks like you've got me instead. | 0:07:07 | 0:07:09 | |
WHISPERS: My lucky day. | 0:07:13 | 0:07:14 | |
This is Terry Boydell, 51 years old. | 0:07:22 | 0:07:24 | |
At half-past eight, he fired himself unsuccessfully from a cannon, | 0:07:24 | 0:07:27 | |
landing on outstretched hands. | 0:07:27 | 0:07:29 | |
He's complaining of tenderness over his distal radius. | 0:07:29 | 0:07:31 | |
He wasn't KO'd. GCS 15 throughout. Pulse 105. | 0:07:31 | 0:07:35 | |
-Given him ten of morphine. -Sorry, did you say a cannon? | 0:07:35 | 0:07:37 | |
Charlie, I'm getting butterflies. Do you see what you do to me? | 0:07:37 | 0:07:40 | |
Anyway, I've written some vows, but I wanted your opinion. | 0:07:40 | 0:07:44 | |
So give me a call, mister, OK? | 0:07:44 | 0:07:46 | |
-Ah! Working your wedding day? -Half shift. | 0:07:46 | 0:07:49 | |
They needed cover. | 0:07:49 | 0:07:51 | |
Hello. This is Lionel Withers, 52 years old. | 0:07:51 | 0:07:54 | |
At approximately 8.30 he was hit by flying debris | 0:07:54 | 0:07:57 | |
from an exploding cannon. | 0:07:57 | 0:07:59 | |
Not KO'd, but laceration to right forehead. | 0:07:59 | 0:08:01 | |
GCS 15. BP 125/75. | 0:08:01 | 0:08:04 | |
Pulse 84. Resps 16. Sats 97%. | 0:08:04 | 0:08:09 | |
-And he was given Entonox en route. -OK, bay three, please. | 0:08:09 | 0:08:12 | |
So you definitely said cannon? | 0:08:15 | 0:08:17 | |
I am the Icarus Kid. The bravest man in Britain. | 0:08:17 | 0:08:20 | |
No-one flies closer to the sun. | 0:08:20 | 0:08:23 | |
Right, can we get this wrist X-rayed, | 0:08:23 | 0:08:25 | |
once we've got him out of this...costume thing. | 0:08:25 | 0:08:30 | |
Have you ever seen a man fly? | 0:08:30 | 0:08:32 | |
It's a beautiful thing. | 0:08:32 | 0:08:33 | |
Yeah, until he lands. | 0:08:33 | 0:08:35 | |
Thank you. I'm going to begin primary survey | 0:08:36 | 0:08:39 | |
and can you have a look at the laceration for me, please? | 0:08:39 | 0:08:41 | |
-Yeah. -How's Terry? | 0:08:41 | 0:08:42 | |
Oh, he's fine. He's just there. | 0:08:42 | 0:08:44 | |
I thought his costume was too tight. I should've told him. | 0:08:44 | 0:08:48 | |
So have you guys got your glad rags for later? | 0:08:50 | 0:08:53 | |
-What time's kick off, babe? -2pm. | 0:08:53 | 0:08:55 | |
-Reception's in the pub afterwards. -Great. | 0:08:55 | 0:08:57 | |
Straight to the old people's home for their honeymoon. Lucky them! | 0:08:57 | 0:09:00 | |
And he loves a wedding. | 0:09:02 | 0:09:03 | |
He's not been right since his sister got sent back to the slammer. | 0:09:03 | 0:09:06 | |
So... | 0:09:06 | 0:09:09 | |
We could can always save her some cake - put a hacksaw in it! | 0:09:09 | 0:09:11 | |
SLAP! | 0:09:12 | 0:09:14 | |
Tell me what you did with the briefcase. | 0:09:15 | 0:09:18 | |
My mother always said to me, | 0:09:24 | 0:09:26 | |
"Sarvas, treat the ladies well. | 0:09:26 | 0:09:29 | |
"You're a boy who doesn't know his own strength. | 0:09:29 | 0:09:32 | |
"So be nice to people who are much frailer than you are." | 0:09:32 | 0:09:36 | |
Your mother... | 0:09:36 | 0:09:37 | |
Is no longer with us. | 0:09:38 | 0:09:40 | |
-What are you doing?! -I have been sent here to collect. | 0:09:49 | 0:09:52 | |
And collect I will. | 0:09:52 | 0:09:53 | |
-I want that briefcase. -Wait! Just wait! | 0:09:55 | 0:09:58 | |
I met a guy last night. I locked the briefcase to his wrist. | 0:09:59 | 0:10:03 | |
They were on a stag night, I swear! Him and his friends, blind drunk. | 0:10:04 | 0:10:08 | |
You must have agreed to meet with him. | 0:10:10 | 0:10:12 | |
He's at a B&B on the seafront. I was going to go there first thing. | 0:10:12 | 0:10:15 | |
Which B&B? | 0:10:15 | 0:10:17 | |
Which B&B?! | 0:10:17 | 0:10:19 | |
OK, you have a small fracture to the wrist. | 0:10:19 | 0:10:21 | |
It's undisplaced, so we just need to get it into a plaster. | 0:10:21 | 0:10:24 | |
Can we get a backslab, please? | 0:10:24 | 0:10:26 | |
Oh...I've got this meeting. | 0:10:26 | 0:10:29 | |
-You'll need to find cover. -On it. | 0:10:29 | 0:10:31 | |
You were very lucky. The laceration is only superficial. | 0:10:31 | 0:10:34 | |
Right, we'll take you to a cubicle and close it with some glue. | 0:10:34 | 0:10:37 | |
Hopefully, you'll just end up with a bit of a headache. | 0:10:37 | 0:10:40 | |
I don't suppose you know of anybody | 0:10:40 | 0:10:42 | |
-with an extra-large cannon going free, do you? -Excuse me? | 0:10:42 | 0:10:44 | |
Joking. | 0:10:44 | 0:10:46 | |
HE COUGHS AND SPLUTTERS | 0:10:46 | 0:10:48 | |
Had that cough long? | 0:10:48 | 0:10:50 | |
Nah. It's Lionel's smoking. | 0:10:51 | 0:10:54 | |
He does get nervous around a cannon. Puffs for England. | 0:10:54 | 0:10:56 | |
Well, I'm sorry your comeback wasn't quite as planned. | 0:10:56 | 0:11:00 | |
No, it's a minor glitch. | 0:11:00 | 0:11:02 | |
He'll patch the cannon and I'll go on a diet. | 0:11:02 | 0:11:05 | |
You see, I need to fly. | 0:11:06 | 0:11:08 | |
That's who I am. | 0:11:09 | 0:11:11 | |
OMG. | 0:11:14 | 0:11:15 | |
Yeah! Can you believe it? | 0:11:15 | 0:11:17 | |
I hired a dark suit. I know I did. | 0:11:17 | 0:11:19 | |
Well, you'll certainly clash with the bride. | 0:11:19 | 0:11:21 | |
Yeah, let's hope Charlie doesn't marry you instead. | 0:11:21 | 0:11:24 | |
You're actually looking worried. | 0:11:25 | 0:11:27 | |
Elle? | 0:11:30 | 0:11:32 | |
I've been called to an MPTS hearing. | 0:11:37 | 0:11:40 | |
But I thought this was all done with. | 0:11:42 | 0:11:44 | |
-The GMC have said there's been a second complaint. -From who? | 0:11:44 | 0:11:49 | |
The guy with the wig. Jamieson. | 0:11:50 | 0:11:52 | |
Connie must have talked to him. | 0:11:54 | 0:11:55 | |
And you didn't say something? | 0:11:55 | 0:11:58 | |
I didn't believe it would get this far. Why would it? | 0:11:58 | 0:12:00 | |
So what happens now? | 0:12:00 | 0:12:02 | |
Connie will be asked to give her version of events. Game over. | 0:12:02 | 0:12:05 | |
I will no longer be a doctor. | 0:12:05 | 0:12:07 | |
OK... | 0:12:20 | 0:12:21 | |
OK. | 0:12:21 | 0:12:23 | |
OK, the wedding's at...two o'clock. | 0:12:23 | 0:12:27 | |
So, if we're allowing for Dylan's driving, | 0:12:28 | 0:12:31 | |
we've got to find Charlie in the next... | 0:12:31 | 0:12:34 | |
Yes? | 0:12:34 | 0:12:35 | |
What's three hours minus 45 minutes? | 0:12:36 | 0:12:39 | |
-I don't know. -Has anyone got any wire cutters? | 0:12:39 | 0:12:42 | |
No. | 0:12:42 | 0:12:43 | |
I can't carry this around all day! | 0:12:43 | 0:12:45 | |
-Oh, no! -What? | 0:12:45 | 0:12:46 | |
I can't remember my name! | 0:12:46 | 0:12:48 | |
-Can you just be serious for a minute? -No, no! What am I called? | 0:12:48 | 0:12:51 | |
-Someone, anyone, what's my name? -It's Leslie. | 0:12:51 | 0:12:54 | |
Leslie. | 0:12:54 | 0:12:55 | |
Ah, right. | 0:12:55 | 0:12:57 | |
Leslie. | 0:12:57 | 0:12:58 | |
Of course it is. The lovely...Leslie. | 0:12:58 | 0:13:02 | |
Brainwave. Let's just phone Charlie. | 0:13:04 | 0:13:08 | |
Let's just phone him. Just phone him. We should have just phoned him. | 0:13:08 | 0:13:11 | |
Yeah... | 0:13:11 | 0:13:13 | |
Huh? | 0:13:13 | 0:13:15 | |
-Why have you got Duffy as your background? -Erm... | 0:13:15 | 0:13:17 | |
-Have you and her...? -No! | 0:13:17 | 0:13:19 | |
-PHONE RINGS Whoa... -She's phoning? | 0:13:19 | 0:13:22 | |
-This is Charlie's phone. -Look, who cares whose phone it is? | 0:13:22 | 0:13:25 | |
The ringing is frying my brain! | 0:13:25 | 0:13:28 | |
No! We can't speak to anyone. Not until we've found Charlie. | 0:13:29 | 0:13:32 | |
-They'll hold it against us forever. -Yeah, they will. | 0:13:32 | 0:13:35 | |
-They absolutely will. -Oh...all right. | 0:13:35 | 0:13:38 | |
Dylan is out with, erm... What's his name? | 0:13:39 | 0:13:41 | |
-Jim? -Josh! -Josh! | 0:13:41 | 0:13:44 | |
So let's...let's split up, maybe we'll cover more ground. Yeah? | 0:13:44 | 0:13:48 | |
OK, I'll take...Leslie. | 0:13:48 | 0:13:50 | |
Come on. | 0:13:50 | 0:13:52 | |
Looks like it's me and you...bro. | 0:13:52 | 0:13:55 | |
Charlie just rejected my call. | 0:14:03 | 0:14:06 | |
-You sure? -Positive. | 0:14:06 | 0:14:07 | |
Why would he do that? | 0:14:07 | 0:14:09 | |
-Any news on Tel? -I'll chase it up for you. | 0:14:09 | 0:14:12 | |
Oh, and is there a smoking room? | 0:14:12 | 0:14:14 | |
-It's called the car park. -Oh... | 0:14:14 | 0:14:16 | |
We hadn't spoken for 20 years. | 0:14:16 | 0:14:19 | |
And soon as we get back together, this happens. | 0:14:19 | 0:14:21 | |
-You don't think it's a sign, do you? -A sign? | 0:14:21 | 0:14:24 | |
That we should've let it lie. That it's all too late. | 0:14:24 | 0:14:27 | |
You know the saying - it's never too late. | 0:14:27 | 0:14:29 | |
And you know the other saying - leave well alone. | 0:14:29 | 0:14:32 | |
SHE GASPS AND STRAINS | 0:14:34 | 0:14:37 | |
-What do you mean, everyone's tied up? -We've got a busy ED. | 0:14:39 | 0:14:42 | |
HE GASPS AND CHOKES | 0:14:42 | 0:14:45 | |
OK, 4mg of lorazepam, please. Let's get him on his side. | 0:14:45 | 0:14:49 | |
MONITOR BEEPS | 0:14:49 | 0:14:51 | |
In your own time. | 0:14:53 | 0:14:55 | |
-Well, you want the correct dose, right? -When you can... | 0:14:56 | 0:14:59 | |
can you tell Elle she needs to find cover for me? | 0:14:59 | 0:15:02 | |
It's Charlie, which is C for, erm...Charlie. | 0:15:04 | 0:15:09 | |
Hotel, Alpha, Romeo, Lima... | 0:15:09 | 0:15:12 | |
It's Fairhead. Charlie Fairhead. | 0:15:12 | 0:15:15 | |
My esteemed colleagues were, er... | 0:15:18 | 0:15:22 | |
on a stag night last night. | 0:15:22 | 0:15:24 | |
They seem to have misplaced the groom. | 0:15:24 | 0:15:26 | |
No-one of that name here. | 0:15:26 | 0:15:29 | |
Oh, OK. Well, thanks, anyway. | 0:15:29 | 0:15:31 | |
What on earth did you get up to last night? | 0:15:32 | 0:15:36 | |
Get up. | 0:16:02 | 0:16:04 | |
-I'm busy. -Busy being pathetic. | 0:16:05 | 0:16:07 | |
There are people out there who need you. | 0:16:11 | 0:16:13 | |
Look, I am done being big brother to you. | 0:16:17 | 0:16:19 | |
If you've got no more fight left, then don't hide under the desk. | 0:16:19 | 0:16:23 | |
Clear it. | 0:16:23 | 0:16:25 | |
-Can you stop dawdling? -It's my leg. It really hurts. | 0:16:34 | 0:16:37 | |
You are such a wuss, man. | 0:16:37 | 0:16:39 | |
Whoa, whoa, whoa. Wait, wait, wait. | 0:16:39 | 0:16:41 | |
HE GASPS | 0:16:41 | 0:16:43 | |
What is that?! | 0:16:43 | 0:16:45 | |
Yeah, you, er... | 0:16:48 | 0:16:50 | |
Argh! | 0:16:50 | 0:16:52 | |
No, no, no! | 0:16:52 | 0:16:53 | |
What does it even say? | 0:16:53 | 0:16:55 | |
Er... | 0:16:55 | 0:16:57 | |
Yeah, "Eb erom Lac". | 0:16:58 | 0:17:01 | |
-I've got a tattoo? -Mm-hm. | 0:17:03 | 0:17:04 | |
No! That's the kind of thing you'd do! | 0:17:06 | 0:17:08 | |
Well, you pretty much are me now. | 0:17:08 | 0:17:10 | |
HE HUMS HERE COMES THE BRIDE | 0:17:15 | 0:17:19 | |
-Maybe save that until later on, yeah? -If there is a later. | 0:17:19 | 0:17:22 | |
Don't say that. | 0:17:22 | 0:17:23 | |
What if Charlie's changed his mind, eh? | 0:17:23 | 0:17:26 | |
What if we both have? In fact, what if we're just two stupid people | 0:17:27 | 0:17:31 | |
who missed the boat a long, long time ago? | 0:17:31 | 0:17:33 | |
Duffy...this is the love story to end all love stories. | 0:17:33 | 0:17:37 | |
I'll tell you what, I'll call Max. | 0:17:38 | 0:17:40 | |
I'll tell him to tell Charlie to ring you. | 0:17:40 | 0:17:42 | |
I was up half the night writing our vows. | 0:17:42 | 0:17:45 | |
He's not exactly rushing to hear them, is he? | 0:17:45 | 0:17:48 | |
Duffy! | 0:17:49 | 0:17:50 | |
DOOR OPENS | 0:17:51 | 0:17:53 | |
Dr Gardner... Did Jacob not come and see you? | 0:17:55 | 0:17:58 | |
I'm needed in a meeting. I'd like you to take my patient in Resus. | 0:18:00 | 0:18:04 | |
It came, then? | 0:18:06 | 0:18:07 | |
Good. | 0:18:09 | 0:18:11 | |
I must remember to get you a leaving card. | 0:18:11 | 0:18:14 | |
I said I will bring the money back, so bring the money back I will. | 0:18:16 | 0:18:20 | |
It's just taking a bit longer than I imagined. But I have a lead. | 0:18:20 | 0:18:23 | |
HEAVY METAL MUSIC | 0:18:26 | 0:18:30 | |
Hello... | 0:18:30 | 0:18:31 | |
Oh, it's you two again. | 0:18:31 | 0:18:33 | |
-Right. You know us? -Not that I want to. | 0:18:33 | 0:18:37 | |
The noise while you were being tattooed... | 0:18:37 | 0:18:39 | |
The screaming was horrendous! The loudest I've ever heard. | 0:18:39 | 0:18:44 | |
-That sounds about right. -Jade? | 0:18:44 | 0:18:47 | |
Yep? | 0:18:47 | 0:18:48 | |
Don't touch anything. | 0:18:48 | 0:18:50 | |
Or scream. | 0:18:50 | 0:18:52 | |
We need to get this open. | 0:18:55 | 0:18:57 | |
They must have tools in here or something, yeah? | 0:19:01 | 0:19:03 | |
Hang on... | 0:19:05 | 0:19:08 | |
You brought a stethoscope to a stag do? | 0:19:08 | 0:19:10 | |
Yeah. | 0:19:11 | 0:19:13 | |
-It's a comfort thing. -Oh, seriously? | 0:19:13 | 0:19:16 | |
Oh, right, yeah. You're actually being serious. | 0:19:21 | 0:19:24 | |
-Shh. -You are ridiculous. | 0:19:24 | 0:19:27 | |
Oh, hi! Erm... | 0:19:45 | 0:19:46 | |
Can... Can I have a look at some more designs, please? | 0:19:46 | 0:19:49 | |
I'm thinking of, er...a caterpillar. | 0:19:49 | 0:19:52 | |
Sure. | 0:19:52 | 0:19:54 | |
Caterpillar? | 0:19:54 | 0:19:56 | |
What the hell did we do last night? | 0:19:59 | 0:20:02 | |
-Oh, you'd been to a pole dancing club. -Oh, a pole dancing club! | 0:20:02 | 0:20:05 | |
-Which one? -There is only one. | 0:20:05 | 0:20:08 | |
Oooh! Oooh! Don't be shy, ladies! | 0:20:13 | 0:20:15 | |
There's a doctor in the house! | 0:20:15 | 0:20:18 | |
Are you sure that's your brother? | 0:20:18 | 0:20:20 | |
Yeah, funny. I've been asking myself that a lot recently. | 0:20:20 | 0:20:24 | |
You know, you always wonder what these places are going to be like | 0:20:24 | 0:20:27 | |
and then, once you get here... | 0:20:27 | 0:20:29 | |
# Recollect me, darling, raise me to your lips | 0:20:40 | 0:20:42 | |
# Two undernourished egos, four rotating hips | 0:20:42 | 0:20:45 | |
# Hold on to me tightly, I'm a sliding scale | 0:20:45 | 0:20:48 | |
# Can't endure, then you can't inhale clearly | 0:20:48 | 0:20:52 | |
# Out-of-body experience interferes | 0:20:52 | 0:20:55 | |
# And dreams of flying I fit nearly | 0:20:55 | 0:20:58 | |
# Surrounds me, though I get lonely slowly... # | 0:20:58 | 0:21:03 | |
Somebody, pinch me. | 0:21:03 | 0:21:05 | |
Well, who's this handsome stag? | 0:21:09 | 0:21:11 | |
Erm... | 0:21:12 | 0:21:14 | |
Hi, Terry. | 0:21:19 | 0:21:21 | |
I'm Dr Gardner. | 0:21:21 | 0:21:23 | |
Mrs Beach... The other doctor had to go to a meeting. | 0:21:23 | 0:21:26 | |
So you've got me. | 0:21:26 | 0:21:28 | |
-How are you feeling? -Like a million dollars. | 0:21:28 | 0:21:31 | |
-So when can I get out of here? -Oh, not for a bit. | 0:21:31 | 0:21:35 | |
You had a seizure. | 0:21:35 | 0:21:38 | |
Seizure schmeizure. | 0:21:38 | 0:21:40 | |
You ever wondered what it's like to fly? | 0:21:41 | 0:21:44 | |
Not lately. | 0:21:44 | 0:21:45 | |
It's beautiful. | 0:21:45 | 0:21:47 | |
For a few seconds you are up there and nothing can touch you. | 0:21:48 | 0:21:52 | |
Nothing. | 0:21:52 | 0:21:53 | |
Sounds lovely. | 0:21:53 | 0:21:55 | |
Hey... | 0:21:55 | 0:21:56 | |
-How you doing? -I am rocking it, Lionel. | 0:21:56 | 0:21:59 | |
The dream lives on, man. | 0:21:59 | 0:22:01 | |
Er...maybe not quite. | 0:22:01 | 0:22:04 | |
Terry's going to be out of action for a while, I'm afraid. | 0:22:04 | 0:22:08 | |
-How long are we talking? -A few weeks, maybe longer. | 0:22:08 | 0:22:11 | |
We'll know more once he's had a CT scan. | 0:22:11 | 0:22:13 | |
No, you don't understand. You see, I have to get out of here. | 0:22:13 | 0:22:17 | |
Tell her, Lionel! I'm the Icarus Kid! | 0:22:17 | 0:22:21 | |
HE COUGHS AND SPLUTTERS | 0:22:21 | 0:22:25 | |
Terry... Terry, relax. | 0:22:25 | 0:22:27 | |
OK, going up... | 0:22:27 | 0:22:28 | |
You see, what I'm thinking is, we need a vantage point. | 0:22:28 | 0:22:30 | |
All I can see are the spots in front of my eyes. | 0:22:30 | 0:22:32 | |
-PHONE RINGS -Sorry. | 0:22:32 | 0:22:34 | |
-Don't answer it. -Chill, man. | 0:22:34 | 0:22:36 | |
Oh...I don't recognise the number. | 0:22:36 | 0:22:39 | |
PHONE CONTINUES TO RING | 0:22:39 | 0:22:41 | |
What if it's Charlie calling from a phone box? | 0:22:41 | 0:22:44 | |
No! | 0:22:44 | 0:22:46 | |
We know something's wrong, so don't even think about lying, | 0:22:46 | 0:22:48 | |
cos I will hear it in your voice. | 0:22:48 | 0:22:50 | |
You don't recognise the number of the hospital you've worked at | 0:22:50 | 0:22:52 | |
for nearly ten years? | 0:22:52 | 0:22:54 | |
Hey, Louise. | 0:22:55 | 0:22:57 | |
How is the bride-to-be? | 0:22:57 | 0:23:00 | |
Yeah, OK, you can tell her. | 0:23:02 | 0:23:04 | |
Er, yeah, erm... | 0:23:07 | 0:23:09 | |
There has been a slight hitch. | 0:23:09 | 0:23:11 | |
Oh, no, no. Nothing we can't fix. | 0:23:11 | 0:23:14 | |
-We've lost Charlie. -'What?! How could you lose Charlie?!' | 0:23:14 | 0:23:17 | |
Leslie, Leslie, Leslie... | 0:23:17 | 0:23:20 | |
Lost him how? | 0:23:21 | 0:23:23 | |
Seems he's disappeared without any of them noticing | 0:23:23 | 0:23:25 | |
and they're all off looking for him. | 0:23:25 | 0:23:27 | |
Uh-oh... For Duffy, read huffy! | 0:23:27 | 0:23:28 | |
Well, they've got two hours. | 0:23:28 | 0:23:31 | |
Oh, Iain... Have you spoken to your sister? | 0:23:35 | 0:23:38 | |
I thought you would've learned your lesson. | 0:23:38 | 0:23:40 | |
-My business is my business. -Maybe you should try. | 0:23:40 | 0:23:42 | |
Explain to her that I made a mistake. | 0:23:42 | 0:23:44 | |
Like that's going to wash. | 0:23:44 | 0:23:46 | |
Hey... | 0:23:50 | 0:23:51 | |
-Are you all right? -Yeah. | 0:23:51 | 0:23:53 | |
I was thinking, we can wait until he's better. | 0:23:53 | 0:23:55 | |
Weeks, months, I don't care. The main thing is... | 0:23:55 | 0:23:58 | |
Lionel, Terry's probably not going to be performing any more stunts. | 0:23:58 | 0:24:03 | |
Oh, he will. | 0:24:03 | 0:24:04 | |
He's had tons of accidents and he's walked away from them all. | 0:24:04 | 0:24:08 | |
He hasn't told you, has he? | 0:24:09 | 0:24:11 | |
Told me what? | 0:24:11 | 0:24:12 | |
-TATTOO NEEDLE WHIRS -They'd been to a club. Drunk. | 0:24:14 | 0:24:18 | |
-Oh...! -Go on. | 0:24:18 | 0:24:20 | |
They came back again today. | 0:24:20 | 0:24:22 | |
One of them had a briefcase. | 0:24:22 | 0:24:24 | |
-Locked to his wrist? -Yeah. | 0:24:24 | 0:24:26 | |
So they're looking for the key. | 0:24:26 | 0:24:29 | |
They're looking for the girl. | 0:24:32 | 0:24:34 | |
Oh... | 0:24:40 | 0:24:41 | |
Charlie wouldn't still be here, would he? | 0:24:41 | 0:24:43 | |
PHONE BEEPS Who is it? | 0:24:43 | 0:24:46 | |
Erm...it's Alicia. | 0:24:47 | 0:24:50 | |
"You've lost Charlie? Is everything OK?" | 0:24:52 | 0:24:55 | |
OK, it's fine. Er... | 0:24:58 | 0:25:00 | |
"A-OK." | 0:25:00 | 0:25:02 | |
Do I put kisses? | 0:25:02 | 0:25:04 | |
What? | 0:25:04 | 0:25:06 | |
I don't know. I mean...there's more kisses than words nowadays. | 0:25:06 | 0:25:11 | |
No kisses. All right? | 0:25:11 | 0:25:13 | |
And no text. Not until we figure out what's happened to Charlie. | 0:25:13 | 0:25:16 | |
I'm not exactly too sure this is...me. | 0:25:27 | 0:25:31 | |
Just relax, you're about to be my last ever lap dance. | 0:25:31 | 0:25:34 | |
All the same, I think I'd rather if we just... | 0:25:34 | 0:25:38 | |
Talked? | 0:25:38 | 0:25:40 | |
Yeah. | 0:25:40 | 0:25:43 | |
Sure. | 0:25:43 | 0:25:44 | |
Pick a topic. | 0:25:44 | 0:25:46 | |
Right... | 0:25:46 | 0:25:48 | |
Oh, so you're quitting? | 0:25:49 | 0:25:52 | |
You're quitting this...? | 0:25:52 | 0:25:54 | |
I had a guy in here, coked up to his eyeballs. | 0:25:54 | 0:25:57 | |
Left a present behind. My ship came in. | 0:25:57 | 0:26:00 | |
Yeah? | 0:26:00 | 0:26:01 | |
Me, too. | 0:26:01 | 0:26:03 | |
I'm getting married. | 0:26:04 | 0:26:07 | |
Three decades ago, I should have said | 0:26:08 | 0:26:11 | |
what I should have said | 0:26:11 | 0:26:13 | |
when I did say what I should have said. | 0:26:13 | 0:26:16 | |
You know what? | 0:26:16 | 0:26:17 | |
She said yes. | 0:26:17 | 0:26:19 | |
You know, there's a theory that two people who are perfectly matched | 0:26:19 | 0:26:23 | |
are attached by an invisible thread. | 0:26:23 | 0:26:25 | |
-I could believe that. -Nothing can break it. | 0:26:25 | 0:26:28 | |
And it stretches all around the world, if it has to. | 0:26:28 | 0:26:31 | |
That's us. That's exactly us. | 0:26:31 | 0:26:34 | |
I'm going to use that... | 0:26:36 | 0:26:38 | |
in my speech. | 0:26:38 | 0:26:40 | |
PHONE RINGS | 0:26:40 | 0:26:43 | |
Yeah? | 0:26:43 | 0:26:44 | |
What? | 0:26:44 | 0:26:45 | |
When is he getting here? | 0:26:45 | 0:26:48 | |
OK, let me think. I'll call you back. | 0:26:48 | 0:26:50 | |
-Everything all right? -Charlie... | 0:26:53 | 0:26:55 | |
Hello! | 0:26:55 | 0:26:57 | |
-Are you, er... Are you done yet? -No. | 0:26:59 | 0:27:02 | |
-We didn't... -Well, it's just that... Ethan is demanding to get a tattoo. | 0:27:02 | 0:27:07 | |
So...I reckon we should bounce. | 0:27:07 | 0:27:10 | |
-You don't mind? -Of course not! | 0:27:11 | 0:27:14 | |
-Listen, make sure you have a proper dance with your bride. -Yeah. | 0:27:14 | 0:27:18 | |
That's a promise. | 0:27:18 | 0:27:20 | |
Hey... | 0:27:22 | 0:27:24 | |
Sorry to interrupt. | 0:27:24 | 0:27:25 | |
-Where are you from? -Holby. | 0:27:25 | 0:27:28 | |
When do you go back? | 0:27:29 | 0:27:32 | |
-HE CHUCKLES -Er...tomorrow. | 0:27:32 | 0:27:34 | |
Why? | 0:27:34 | 0:27:36 | |
Meet me first thing. | 0:27:36 | 0:27:38 | |
-What are you doing? -I'll come to where you're staying. | 0:27:42 | 0:27:45 | |
I'll have the key with me, so don't think about running off. | 0:27:45 | 0:27:48 | |
And then I'm taking a ride with you, OK? | 0:27:48 | 0:27:51 | |
Dylan, we were in a club last night | 0:27:51 | 0:27:54 | |
and, er...there was a dancer called Candy. | 0:27:54 | 0:27:57 | |
Er...we think Charlie might be with her. | 0:27:58 | 0:28:01 | |
No, no. Not in the Biblical sense. | 0:28:03 | 0:28:05 | |
Yeah. We have an address and we're going to go there now. | 0:28:06 | 0:28:09 | |
So we'll text it to you and Max. | 0:28:09 | 0:28:12 | |
All right. Great. | 0:28:14 | 0:28:16 | |
MONITOR BEEPS | 0:28:20 | 0:28:21 | |
Tel... | 0:28:26 | 0:28:27 | |
Lionel... | 0:28:35 | 0:28:37 | |
..I'm ill, mate. | 0:28:38 | 0:28:40 | |
Erm...Terry's trauma CT | 0:28:46 | 0:28:49 | |
included his head and chest. | 0:28:49 | 0:28:51 | |
Terry has lung cancer, which has spread to his brain. | 0:28:53 | 0:28:56 | |
That's what caused the seizure. | 0:28:56 | 0:28:59 | |
We've given him a drug called dexamethasone | 0:28:59 | 0:29:01 | |
to reduce the swelling. | 0:29:01 | 0:29:03 | |
How long have you known? | 0:29:05 | 0:29:06 | |
I called you the day after I got the news. | 0:29:06 | 0:29:09 | |
I mean, I didn't know about the old brain, mate. | 0:29:09 | 0:29:12 | |
I couldn't think of anyone else I'd rather call. | 0:29:14 | 0:29:17 | |
Are you...? | 0:29:20 | 0:29:21 | |
Are you dying? | 0:29:21 | 0:29:23 | |
I just wanted to fly again. | 0:29:24 | 0:29:26 | |
Just to go where nothing can touch you. | 0:29:28 | 0:29:30 | |
Hello? | 0:29:36 | 0:29:38 | |
Ethan! | 0:29:40 | 0:29:41 | |
-She's tachycardic. -OK. -Er... | 0:29:46 | 0:29:48 | |
Cal! | 0:29:48 | 0:29:49 | |
There's a great big piece of chair in her arm. | 0:29:49 | 0:29:53 | |
You brought my briefcase. I know a good man when I see one. | 0:29:53 | 0:29:57 | |
-Never mind that right now. -There's a key, just get me out of here. | 0:29:57 | 0:30:01 | |
-Is that it? -Yeah. | 0:30:05 | 0:30:07 | |
I'll call 999. | 0:30:10 | 0:30:11 | |
No! No hospitals. | 0:30:11 | 0:30:13 | |
You need urgent medical attention. | 0:30:13 | 0:30:14 | |
Oh, come on, please, I'm fine. We need to go. All of us. Now. | 0:30:14 | 0:30:18 | |
There's a man. He's looking for you. | 0:30:18 | 0:30:20 | |
You really don't want him finding you. | 0:30:20 | 0:30:23 | |
-Where's Charlie? -How would I know? | 0:30:23 | 0:30:25 | |
You need to have this removed under supervised medical conditions. | 0:30:25 | 0:30:28 | |
She just said she doesn't want that. | 0:30:28 | 0:30:30 | |
Well, she can't go around with it in her arm, can she? | 0:30:30 | 0:30:32 | |
-You're the expert. -No, that's not what I'm saying. | 0:30:32 | 0:30:34 | |
That's all you ever say. | 0:30:34 | 0:30:36 | |
You pretend you're all nerves and shyness, | 0:30:36 | 0:30:38 | |
but really you can't stop yelling about how smart you are. | 0:30:38 | 0:30:41 | |
-I'd really like to get moving. -OK. | 0:30:41 | 0:30:43 | |
If you've got something to say, if I've done something wrong, | 0:30:43 | 0:30:46 | |
-then man up and say it! -What could I possibly have to be angry about? | 0:30:46 | 0:30:49 | |
-Come on, tell me! -I don't have time for this! | 0:30:49 | 0:30:52 | |
Argh! | 0:30:52 | 0:30:53 | |
-Ah...! -We need to stem the flow. | 0:30:53 | 0:30:56 | |
Apply more pressure. | 0:30:56 | 0:30:57 | |
Oh...it's lucky I retired. | 0:31:01 | 0:31:03 | |
If you want to retire, I should be able to help you with that. | 0:31:03 | 0:31:07 | |
I believe that's mine. | 0:31:10 | 0:31:13 | |
All right... | 0:31:15 | 0:31:16 | |
here it is. | 0:31:16 | 0:31:18 | |
Urgh! | 0:31:20 | 0:31:23 | |
Argh! | 0:31:36 | 0:31:37 | |
Nobody touches my brother! | 0:31:47 | 0:31:49 | |
Be more Cal, hey? | 0:31:52 | 0:31:53 | |
Yeah. This looks about par for the course. | 0:31:58 | 0:32:01 | |
But still no Charlie. | 0:32:01 | 0:32:03 | |
All right, open them. | 0:32:05 | 0:32:06 | |
Ta-da! | 0:32:06 | 0:32:08 | |
It's your hen night. Just, you know, during the day. | 0:32:08 | 0:32:12 | |
-But where did you get all of this? -We have our ways and means. | 0:32:12 | 0:32:15 | |
-But you've got to pretend this is alcohol, though. -Of course! | 0:32:15 | 0:32:18 | |
Oh, great! You've got her distracted. | 0:32:18 | 0:32:21 | |
Distracted? Why would I need to be distracted? | 0:32:21 | 0:32:24 | |
I remember faces. | 0:32:28 | 0:32:30 | |
All of yours are imprinted in my brain. | 0:32:30 | 0:32:33 | |
I'll see you again. | 0:32:33 | 0:32:35 | |
Yeah, well, this isn't actually my face, so... | 0:32:37 | 0:32:40 | |
I hired it. | 0:32:40 | 0:32:42 | |
That's right. It's Dr Knight | 0:32:42 | 0:32:44 | |
and I really would like to get this young lady to a hospital. | 0:32:44 | 0:32:47 | |
Yes, I'm a doctor, as well, and I can definitely vouch for that. | 0:32:47 | 0:32:50 | |
I'm sure she'll give a full statement in due course. | 0:32:50 | 0:32:53 | |
-Your name is? -It's Dylan Keogh. | 0:32:55 | 0:32:58 | |
That's Kilo, Echo, Oscar, Golf, Hotel. | 0:32:58 | 0:33:02 | |
-You're Dylan Keogh? -Yeah. | 0:33:02 | 0:33:04 | |
Are you sure, sir? | 0:33:04 | 0:33:05 | |
Why did we stop, eh? | 0:33:09 | 0:33:11 | |
-People weren't interested. -Yeah, but you and me, that's what made us. | 0:33:11 | 0:33:14 | |
We're not fit for normal purpose. | 0:33:14 | 0:33:16 | |
Which is why you're getting back into that cannon. | 0:33:16 | 0:33:19 | |
-I've put on weight. -I'll make some adjustments. | 0:33:19 | 0:33:22 | |
You're heading into the sky, I promise you. | 0:33:23 | 0:33:25 | |
-Guys, what the hell? -Terry, you really need to be in a bed. | 0:33:25 | 0:33:29 | |
-I can't just lie there, that's not me. -Terry, please! | 0:33:29 | 0:33:31 | |
You're talking to the Icarus Kid. And I've got a fuse to light. | 0:33:31 | 0:33:35 | |
HE COUGHS | 0:33:36 | 0:33:39 | |
Whoa, whoa, whoa! Terry! | 0:33:39 | 0:33:41 | |
-Can we get a trolley, please? -No, Tel! No! | 0:33:41 | 0:33:43 | |
Oh, my... | 0:33:48 | 0:33:50 | |
You gave them my name. Why did you do that? | 0:33:54 | 0:33:57 | |
Imagine if Duffy found out about this. | 0:33:58 | 0:34:00 | |
Well, I've got a criminal record now, apparently. | 0:34:00 | 0:34:03 | |
Well... | 0:34:03 | 0:34:04 | |
drunkenness... | 0:34:04 | 0:34:06 | |
resisting arrest. | 0:34:06 | 0:34:09 | |
It's nothing, really. | 0:34:09 | 0:34:11 | |
Yeah, and impersonating a doctor. | 0:34:11 | 0:34:13 | |
I'm sure that's an offence, isn't it? | 0:34:13 | 0:34:15 | |
And all of these things go on record. | 0:34:15 | 0:34:17 | |
The next time there's trouble, | 0:34:17 | 0:34:19 | |
it's muggins they'll come looking for first. | 0:34:19 | 0:34:21 | |
By the way, I still haven't had my one phone call. | 0:34:22 | 0:34:26 | |
Charlie... | 0:34:27 | 0:34:29 | |
What is that? | 0:34:29 | 0:34:31 | |
He's not lost. | 0:34:33 | 0:34:35 | |
He just doesn't want to be found. | 0:34:35 | 0:34:37 | |
And I don't blame him. | 0:34:37 | 0:34:40 | |
He's been alone for a long time. | 0:34:40 | 0:34:42 | |
A person gets used to that. | 0:34:42 | 0:34:44 | |
4mg of lorazepam, please. | 0:34:47 | 0:34:49 | |
HE RASPS | 0:34:53 | 0:34:55 | |
Actually, forget the lorazepam. He's not supporting his airway. | 0:34:55 | 0:34:58 | |
I'll intubate him. | 0:34:58 | 0:34:59 | |
Jacob, RSI drugs, please. | 0:34:59 | 0:35:01 | |
Nurse... Thank you. | 0:35:01 | 0:35:03 | |
HE RASPS | 0:35:03 | 0:35:04 | |
That's right, lap it up. | 0:35:07 | 0:35:09 | |
You'll see I belong here. | 0:35:09 | 0:35:11 | |
Cricoid on. | 0:35:11 | 0:35:12 | |
Tube, please. | 0:35:19 | 0:35:21 | |
Sats? | 0:35:21 | 0:35:22 | |
94%. | 0:35:22 | 0:35:25 | |
-Dr Gardner? -Oh, just a second. | 0:35:29 | 0:35:31 | |
Go back to bagging. | 0:35:32 | 0:35:34 | |
-Dr Gardner, step aside. -No. | 0:35:34 | 0:35:36 | |
-Excuse me? -This is my ED. | 0:35:39 | 0:35:41 | |
Oxygen's at 92%. | 0:35:44 | 0:35:45 | |
Inflate the cuff. Tube position fine. Cricoid off. | 0:35:57 | 0:36:01 | |
Are you still watching? | 0:36:06 | 0:36:08 | |
It's half one. We'll never make it. | 0:36:22 | 0:36:25 | |
Yeah, well, if I was sober enough, I'd drive. Don't worry about that. | 0:36:25 | 0:36:28 | |
Maybe Dervla could put her paw to the metal, eh? | 0:36:30 | 0:36:32 | |
Relax, we'll just blame Dylan. | 0:36:34 | 0:36:37 | |
Gentlemen... | 0:36:37 | 0:36:38 | |
can I suggest that you buckle up? | 0:36:38 | 0:36:41 | |
Oooh! | 0:36:41 | 0:36:43 | |
MOTORHEAD PLAYS | 0:36:44 | 0:36:46 | |
TYRES SCREECH | 0:36:51 | 0:36:54 | |
# I don't share your greed | 0:36:57 | 0:36:59 | |
# The only card I need is the ace of spades... # | 0:36:59 | 0:37:02 | |
PHONE DINGS | 0:37:09 | 0:37:11 | |
Duffy! | 0:37:15 | 0:37:17 | |
Duffy! Duffy, he called! | 0:37:17 | 0:37:20 | |
Come here. | 0:37:38 | 0:37:39 | |
Thank you. Erm...? | 0:37:41 | 0:37:44 | |
Candy. | 0:37:44 | 0:37:45 | |
Candy. | 0:37:45 | 0:37:47 | |
I'm Leslie. | 0:37:47 | 0:37:49 | |
Well, Leslie...once I've been dropped off and got myself sorted, | 0:37:49 | 0:37:54 | |
I might give you a call. | 0:37:54 | 0:37:56 | |
Well, erm... | 0:37:56 | 0:37:59 | |
you can look me up at Holby City Hospital. I practically live there. | 0:37:59 | 0:38:02 | |
Then wait for my call, handsome. | 0:38:02 | 0:38:04 | |
How are you feeling? | 0:38:04 | 0:38:06 | |
Yeah, well... | 0:38:06 | 0:38:09 | |
I was thinking, er...maybe I should get a tattoo. | 0:38:09 | 0:38:13 | |
"Be more Ethan." | 0:38:14 | 0:38:16 | |
Yeah. | 0:38:17 | 0:38:19 | |
You were seriously impressive back there. | 0:38:19 | 0:38:21 | |
Yeah, well. | 0:38:23 | 0:38:25 | |
Then I'd have to get another one that said, "Be even more Cal" | 0:38:25 | 0:38:29 | |
and you'd have to get one that said, "Be even more Ethan" and I'd... | 0:38:29 | 0:38:31 | |
Just stop talking. | 0:38:31 | 0:38:33 | |
-OK? -Yeah. | 0:38:33 | 0:38:35 | |
Come here. | 0:38:35 | 0:38:37 | |
I swear I told him to write Duffy. | 0:38:43 | 0:38:46 | |
You airhead, Mr Fairhead. | 0:38:46 | 0:38:48 | |
It's fashionable to be late. | 0:39:04 | 0:39:06 | |
For the bride, not the groom. | 0:39:07 | 0:39:09 | |
DOOR CLATTERS | 0:39:09 | 0:39:10 | |
-Where's Alicia? -Resus emergency. | 0:39:15 | 0:39:18 | |
Smile, you got us here. | 0:39:18 | 0:39:20 | |
Well, given that I've got at least 12 points on my licence | 0:39:20 | 0:39:23 | |
and a fresh criminal record, | 0:39:23 | 0:39:24 | |
I'd say it's been a pretty staggeringly unsuccessful stag, | 0:39:24 | 0:39:27 | |
from my point of view. | 0:39:27 | 0:39:28 | |
Move it, Charles. It's time. | 0:39:33 | 0:39:35 | |
What took you so long? | 0:39:53 | 0:39:55 | |
I don't know what you're talking about. | 0:39:57 | 0:40:00 | |
It's only been 30 years. | 0:40:00 | 0:40:02 | |
-Are you ready to proceed? -I would say so. | 0:40:02 | 0:40:05 | |
Erm...I've added a few things. | 0:40:05 | 0:40:08 | |
-That's your prerogative. -What things? | 0:40:08 | 0:40:11 | |
Well, if you'd called me back, you'd know all about it. | 0:40:11 | 0:40:15 | |
Noel... | 0:40:21 | 0:40:22 | |
you've got wool in your hair. | 0:40:22 | 0:40:24 | |
Noel? | 0:40:26 | 0:40:28 | |
I, Charles Fairhead... | 0:40:32 | 0:40:34 | |
I, Charles Fairhead... | 0:40:36 | 0:40:38 | |
..take you, Lisa Duffin... | 0:40:38 | 0:40:40 | |
..take you, Duffy... | 0:40:40 | 0:40:43 | |
It's Lisa. | 0:40:44 | 0:40:45 | |
No. Duffy. | 0:40:45 | 0:40:47 | |
Which is it to be? | 0:40:51 | 0:40:53 | |
Duffy. | 0:40:54 | 0:40:56 | |
Are you sure? | 0:40:56 | 0:40:58 | |
Positive. | 0:40:59 | 0:41:00 | |
Then let's proceed. | 0:41:00 | 0:41:02 | |
..to have and to hold... | 0:41:02 | 0:41:05 | |
..to have and to hold, from this day forward... | 0:41:05 | 0:41:08 | |
..for better, for worse, | 0:41:10 | 0:41:12 | |
for richer, for poorer... | 0:41:12 | 0:41:15 | |
But no sickness because we're nurses. | 0:41:15 | 0:41:19 | |
We're nurses. | 0:41:19 | 0:41:20 | |
..all the days of my life. | 0:41:22 | 0:41:24 | |
This is my solemn vow. | 0:41:24 | 0:41:26 | |
And this is who I am and this is where I want to be. | 0:41:27 | 0:41:32 | |
-With you. -At long last. | 0:41:32 | 0:41:35 | |
Wonderful. | 0:41:35 | 0:41:36 | |
I now pronounce you man and wife. | 0:41:38 | 0:41:40 | |
You may kiss the bride. | 0:41:43 | 0:41:45 | |
I beat you to it, Charlie boy! | 0:41:45 | 0:41:47 | |
Oh! | 0:41:47 | 0:41:48 | |
APPLAUSE | 0:41:48 | 0:41:51 | |
Here... | 0:42:17 | 0:42:19 | |
This one's for you, Tel. | 0:42:19 | 0:42:21 | |
RECORDING OF A SUDDEN BANG | 0:42:24 | 0:42:25 | |
Yay! | 0:42:31 | 0:42:32 | |
Terry! | 0:42:32 | 0:42:34 | |
Ha-ha-ha! | 0:42:34 | 0:42:36 | |
Icarus Kid | 0:42:36 | 0:42:38 | |
Whoa! | 0:42:38 | 0:42:40 | |
Ha-ha-haaaa! | 0:42:40 | 0:42:41 | |
DISCO MUSIC | 0:42:41 | 0:42:43 | |
I'm glad he wasn't on the stag do. | 0:42:47 | 0:42:50 | |
-Iain...do you have a moment? -Not really. | 0:43:01 | 0:43:04 | |
Here... | 0:43:10 | 0:43:12 | |
Read. | 0:43:12 | 0:43:13 | |
A visiting order? | 0:43:18 | 0:43:19 | |
You can go and see Gem. | 0:43:19 | 0:43:21 | |
Hang on a minute, she hates me. How did you arrange this? | 0:43:23 | 0:43:25 | |
I have my ways. | 0:43:25 | 0:43:27 | |
Wow... | 0:43:28 | 0:43:30 | |
Thanks. | 0:43:31 | 0:43:32 | |
How could you lot let me give Candy the wrong name? | 0:43:33 | 0:43:36 | |
You never saw the way she looked at me. She could have been the one. | 0:43:36 | 0:43:40 | |
-Well, maybe she'll drop by Holby some time. -Yeah, and ask for Leslie! | 0:43:40 | 0:43:44 | |
Hey... | 0:43:49 | 0:43:51 | |
I missed the main event, so... | 0:43:53 | 0:43:56 | |
you're going to have to make up for it by taking your trousers off. | 0:43:56 | 0:43:59 | |
-I beg your pardon? -I want to see it. | 0:43:59 | 0:44:01 | |
Oh...you heard about that. | 0:44:01 | 0:44:03 | |
-Please... -No! | 0:44:03 | 0:44:05 | |
-Why? -Why do you think? | 0:44:05 | 0:44:08 | |
You know what always happens at weddings? | 0:44:09 | 0:44:12 | |
People get really romantic. The next thing you know... | 0:44:12 | 0:44:16 | |
Cal, what the hell are you doing?! | 0:44:20 | 0:44:22 | |
I, er...blame all the love in the air. | 0:44:24 | 0:44:27 | |
If this wasn't Charlie's wedding, I'd knock your perfect teeth out. | 0:44:27 | 0:44:31 | |
I'm just having some fun. | 0:44:31 | 0:44:33 | |
Good. Well, I hope it was worth it. But if you come near me again, | 0:44:33 | 0:44:36 | |
I'll show why you should never upset a Geordie. | 0:44:36 | 0:44:39 | |
SLOT MACHINE PLAYS A JUNGLE | 0:44:47 | 0:44:50 | |
COINS RATTLE | 0:44:50 | 0:44:52 | |
I won! I never win anything! Whoo! | 0:44:52 | 0:44:54 | |
Oi, oi! | 0:44:54 | 0:44:56 | |
Drinks are on this lucky lady! | 0:44:56 | 0:44:58 | |
Well, that's got to be a good thing. Your luck's changing. | 0:45:01 | 0:45:04 | |
Barman... | 0:45:04 | 0:45:07 | |
Hi! They can have whatever they want. | 0:45:07 | 0:45:10 | |
-I'm going to pop outside. -All right. | 0:45:10 | 0:45:12 | |
Well, where do you start? What do you lot want? Boys! Girls! | 0:45:14 | 0:45:17 | |
Connie...in case you didn't get it earlier. | 0:45:25 | 0:45:29 | |
I'm coming out fighting. So watch this space. | 0:45:30 | 0:45:32 | |
Well, today may have gone well, | 0:45:32 | 0:45:35 | |
but what worries me is that, in the heat of the moment, | 0:45:35 | 0:45:38 | |
you lose your head. You're not in control, are you? | 0:45:38 | 0:45:41 | |
And from the moment you arrived, | 0:45:41 | 0:45:43 | |
you've been chaotic and undisciplined. | 0:45:43 | 0:45:45 | |
Only the hours spent masquerading as a consultant have saved you. | 0:45:45 | 0:45:49 | |
-I can assure you... -You can assure me of nothing. | 0:45:49 | 0:45:51 | |
Because in the ten years you've been away, things have moved on | 0:45:51 | 0:45:54 | |
and you, Dr Gardner, most certainly haven't. | 0:45:54 | 0:45:57 | |
That...is your true failing. | 0:45:57 | 0:45:59 | |
Doctors like you eventually cost patients their lives. | 0:46:00 | 0:46:03 | |
So, by all means, enjoy the evening, | 0:46:03 | 0:46:06 | |
but come the tribunal... you're finished. | 0:46:06 | 0:46:10 | |
For the happy couple. | 0:46:14 | 0:46:16 | |
You're beautiful. | 0:46:32 | 0:46:34 | |
You're not so bad yourself. | 0:46:34 | 0:46:36 | |
-Ouch... -Sorry. Did you get hurt? | 0:46:38 | 0:46:40 | |
-No, it's nothing. -Well, do you want me to take a look? | 0:46:40 | 0:46:43 | |
Just be a good wife and dance with your husband. | 0:46:43 | 0:46:46 | |
Yes, sir. | 0:46:46 | 0:46:48 | |
Why would you do that to Alicia? | 0:46:53 | 0:46:55 | |
Well, you know... | 0:46:58 | 0:47:00 | |
Sometimes you can't help yourself. | 0:47:00 | 0:47:02 | |
So are you saying you don't want to be more like me now? | 0:47:04 | 0:47:07 | |
Because...tattoo removal really hurts. | 0:47:08 | 0:47:11 | |
That's the thing. | 0:47:13 | 0:47:15 | |
Whatever you do, however insane... | 0:47:15 | 0:47:18 | |
..I still look at you and think... | 0:47:20 | 0:47:22 | |
.."Yeah, that's my brother." | 0:47:23 | 0:47:25 | |
And you've got me for life, Nibbles. | 0:47:27 | 0:47:30 | |
Do you want to risk alcohol poisoning? | 0:47:36 | 0:47:38 | |
I thought you'd never ask. | 0:47:40 | 0:47:42 | |
Come on. | 0:47:44 | 0:47:45 | |
Oh, I almost forgot. | 0:47:47 | 0:47:48 | |
What? | 0:47:48 | 0:47:50 | |
It's nothing. | 0:47:51 | 0:47:52 | |
Tell me. | 0:47:52 | 0:47:54 | |
You sure? | 0:47:54 | 0:47:55 | |
There's nothing that you can hide from me. | 0:47:55 | 0:47:58 | |
Good. In that case... | 0:47:58 | 0:48:00 | |
..it's been worth the wait. | 0:48:03 | 0:48:05 | |
Oh! | 0:48:07 | 0:48:09 |