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-Robyn, I'm a nurse. -You are not a midwife and you are not well. | 0:00:02 | 0:00:05 | |
New look, videos... Do I need to get a restraining order? | 0:00:05 | 0:00:09 | |
You know... I just want to be a surgeon. | 0:00:09 | 0:00:12 | |
-You're giving birth! Think about it! -You think about it! | 0:00:12 | 0:00:15 | |
Go on! | 0:00:15 | 0:00:16 | |
-There's something wrong. -Um... | 0:00:20 | 0:00:22 | |
-There's something wrong. -Robyn, no, don't. Robyn! | 0:00:22 | 0:00:26 | |
Come on! Robyn! | 0:00:26 | 0:00:27 | |
INDISTINCT CHATTER | 0:01:20 | 0:01:23 | |
This has to be the best day of my life. | 0:01:57 | 0:02:01 | |
I'm going to meet you for the very first time. | 0:02:01 | 0:02:04 | |
-Hi! Thanks for coming. -It's fine. | 0:02:04 | 0:02:07 | |
I can't wait to meet her! | 0:02:07 | 0:02:10 | |
I totally forgot. Did she have hair? Was she totally gorgeous? | 0:02:10 | 0:02:14 | |
Well, let's go and find out. But should you be out of bed so soon? | 0:02:14 | 0:02:17 | |
Oh, I'm fine. Come on, let's do this. | 0:02:17 | 0:02:19 | |
Robyn, this unit... It's pretty full-on, you know? | 0:02:24 | 0:02:29 | |
-You've got to be prepared. -She's alive and she made it. | 0:02:29 | 0:02:33 | |
That's all that matters. | 0:02:33 | 0:02:35 | |
MONITORS BEEPING | 0:02:43 | 0:02:47 | |
Is it Robyn? Have you got a name for her? | 0:02:54 | 0:02:56 | |
-I was going to tell her first. -Let me know. | 0:02:56 | 0:02:59 | |
I'll just run through her chart. Her main problems are her sats. | 0:02:59 | 0:03:02 | |
-They've been fluctuating. -Can I just see her? -Oh, I assumed you'd want... | 0:03:02 | 0:03:07 | |
Wow! | 0:03:07 | 0:03:08 | |
There she is. | 0:03:11 | 0:03:13 | |
Oh, Duffy, she's lovely! | 0:03:15 | 0:03:17 | |
My little girl! | 0:03:17 | 0:03:19 | |
So sweet. | 0:03:19 | 0:03:21 | |
Can I hold her? | 0:03:21 | 0:03:22 | |
I'm sorry, it's only touching at the moment. | 0:03:22 | 0:03:24 | |
You have scrub-washed to the elbow, removed all jewellery, | 0:03:24 | 0:03:27 | |
no nail varnish? Good. | 0:03:27 | 0:03:29 | |
This is Miriam Kelling. 84 years old, end-stage lung cancer. | 0:03:33 | 0:03:36 | |
She is having palliative therapy after chemo and radiotherapy. | 0:03:36 | 0:03:39 | |
Found in acute respiratory distress with haemoptysis and | 0:03:39 | 0:03:43 | |
aspirated blood. GCS 14, BP 140 over 90, pulse 85. Sats 89%. 100% oxygen. | 0:03:43 | 0:03:49 | |
And she's on a diamorph syringe driver. | 0:03:49 | 0:03:51 | |
Her daughter changed her mind when we got there, | 0:03:51 | 0:03:54 | |
but Miriam was so distressed, we had to bring her in. | 0:03:54 | 0:03:57 | |
OK, can we get suction, please, Louise. OK, Miriam. | 0:03:57 | 0:04:00 | |
You're in hospital, all right? Try to stay calm. | 0:04:00 | 0:04:02 | |
Mum, I'm here with you! | 0:04:02 | 0:04:04 | |
-It's OK. -SHE COUGHS AND SPLUTTERS | 0:04:04 | 0:04:07 | |
Nurse, stop, stop, please! Stop, now, please! | 0:04:07 | 0:04:09 | |
Please, don't! | 0:04:09 | 0:04:11 | |
It could sell really quickly. | 0:04:11 | 0:04:13 | |
And they're sending us stuff to look at. | 0:04:13 | 0:04:15 | |
-Are you sure you don't mind? -We've waited long enough. | 0:04:15 | 0:04:19 | |
Robyn's on cloud nine, Charlie. | 0:04:22 | 0:04:25 | |
It's like she's pretending everything's normal. | 0:04:25 | 0:04:28 | |
-That's her way of coping. -Or not. | 0:04:28 | 0:04:31 | |
That's what worries me. | 0:04:31 | 0:04:33 | |
It's the first time I've been able to touch her. | 0:04:45 | 0:04:48 | |
Hello, Charlotte. | 0:04:53 | 0:04:54 | |
My little sweetheart. | 0:04:54 | 0:04:56 | |
That's lovely, Robyn. | 0:04:57 | 0:05:00 | |
Charlie for short, of course. | 0:05:00 | 0:05:02 | |
Ring Max, would you? | 0:05:02 | 0:05:04 | |
Tell him to bring some of her nice little dresses. | 0:05:04 | 0:05:07 | |
-Oh, it's probably a bit early... -I want them here. | 0:05:07 | 0:05:09 | |
-Ready and waiting. -You need to keep trying for your milk, Robyn. | 0:05:09 | 0:05:12 | |
Your baby's tummy's so small that just | 0:05:12 | 0:05:15 | |
a few drops would make all the difference. | 0:05:15 | 0:05:17 | |
She's just so perfect. | 0:05:19 | 0:05:21 | |
-Mum didn't want this. -Has your mum made an end-of-life plan? | 0:05:24 | 0:05:28 | |
Yes, to die at home with me, not here in a hospital. | 0:05:28 | 0:05:31 | |
Did she formalise that in writing? | 0:05:31 | 0:05:33 | |
Look, I've cared for her, I'm speaking for her. | 0:05:33 | 0:05:35 | |
-Do you not believe me? -SHOUTING | 0:05:35 | 0:05:39 | |
Can you shut these animals up? | 0:05:39 | 0:05:41 | |
Do you expect her to die here in this mayhem? | 0:05:41 | 0:05:44 | |
-Pin point pupils. She's very knocked off. -OK, here's what happens. | 0:05:44 | 0:05:48 | |
She's not dying here with all these drunks and strangers in this madhouse. | 0:05:48 | 0:05:52 | |
Please, I just need you to stabilise her and just let me take her home. | 0:05:52 | 0:05:54 | |
OK, going home at this point, Neeve, is not an option. | 0:05:54 | 0:05:58 | |
But she's dying! What's the risk? | 0:05:58 | 0:06:01 | |
Just let an ambulance take her, please. | 0:06:01 | 0:06:03 | |
Dying here is just an awful, stupid mistake. | 0:06:03 | 0:06:06 | |
-I'm sorry, we can't move her. -I tried to tell them. | 0:06:06 | 0:06:09 | |
I begged them, but because I phoned them, they had to take her in. | 0:06:09 | 0:06:12 | |
They couldn't just leave her. You must not blame them. | 0:06:12 | 0:06:15 | |
It's not about them! It's not about you! It's about my mum! | 0:06:15 | 0:06:18 | |
-It's about my mum! -SHE SOBS | 0:06:18 | 0:06:21 | |
KNOCKS ON DOOR | 0:06:25 | 0:06:27 | |
Hey. I managed two meals. I'm just about to feed her now. | 0:06:27 | 0:06:31 | |
That's great, Robyn. | 0:06:31 | 0:06:33 | |
Hey. | 0:06:33 | 0:06:35 | |
Hey, Charlie. | 0:06:37 | 0:06:38 | |
-Did you bring the clothes? -She'll have to pile on the pounds. | 0:06:38 | 0:06:42 | |
-You are hopeless! You brought the wrong ones. -I brought the blanket. | 0:06:42 | 0:06:47 | |
Here we go, baby girl. | 0:06:47 | 0:06:49 | |
Let's have some peace and quiet, shall we? | 0:06:49 | 0:06:51 | |
-It's a bit early for visitors. -Yeah. | 0:06:51 | 0:06:54 | |
OK, Robyn, time to slowly put your colostrum into the feeding tube. | 0:06:54 | 0:06:58 | |
-Take a photo, Max. -Of that? -Yeah. | 0:06:59 | 0:07:02 | |
Do you want to wait until there's a bit less kit in the way? | 0:07:02 | 0:07:05 | |
No. I want all the gang to see her. | 0:07:05 | 0:07:08 | |
And start an album on Facebook, put a few pictures up. | 0:07:08 | 0:07:11 | |
-Is her nursery finished yet? -Nearly. | 0:07:11 | 0:07:13 | |
We could have a little party to welcome her home. | 0:07:13 | 0:07:16 | |
OK. | 0:07:19 | 0:07:20 | |
SUCTION AND GURGLING | 0:07:23 | 0:07:26 | |
She's drowning in her own blood, Neeve. | 0:07:26 | 0:07:28 | |
We can't stand by and watch that happen. | 0:07:28 | 0:07:31 | |
-OK, prep drugs for an RSI. -Cal? -Just a last resort. | 0:07:31 | 0:07:34 | |
-I can't let her suffer. -No! Don't put her on a machine! | 0:07:34 | 0:07:36 | |
-Please, no, don't! Please! -Cricoid pressure, if and when I say. | 0:07:36 | 0:07:39 | |
-She doesn't want this! -She's not breathing, Cal. | 0:07:39 | 0:07:42 | |
I may still need to intubate. | 0:07:42 | 0:07:44 | |
It's OK, Mum. | 0:07:46 | 0:07:47 | |
It's OK. | 0:07:47 | 0:07:49 | |
She's still not breathing. | 0:07:51 | 0:07:52 | |
SWITCHES OFF MACHINE | 0:08:02 | 0:08:06 | |
I'm really very sorry, Neeve. Take all the time you need. | 0:08:08 | 0:08:12 | |
There's nothing more we can do. | 0:08:12 | 0:08:14 | |
-Time of death, 22:36. -I'm sorry. | 0:08:14 | 0:08:18 | |
SHE SOBS | 0:08:20 | 0:08:22 | |
It was your job to let her die. You had to put her through all this! | 0:08:26 | 0:08:31 | |
Neeve... | 0:08:33 | 0:08:35 | |
Cal. | 0:08:35 | 0:08:37 | |
Make sure you write up the notes very carefully. | 0:08:39 | 0:08:42 | |
Ah, there we go. | 0:08:48 | 0:08:50 | |
-Good girl. -MACHINE BEEPS, BABY WHIMPERS | 0:08:50 | 0:08:54 | |
-Maybe I tweaked a wire, or something. -What's wrong? | 0:08:54 | 0:08:56 | |
-All babies cry, Max. -Excuse me. Thank you. | 0:08:56 | 0:09:00 | |
Sorry about meeting on the hoof, Robyn. | 0:09:02 | 0:09:05 | |
Mr Barling. Jonathon. | 0:09:05 | 0:09:07 | |
-Jude? -Small temperature drop. | 0:09:10 | 0:09:12 | |
-Could be environmental, or the beginning of an infection. -What? | 0:09:12 | 0:09:15 | |
-Since when? -It happens. Very common in prems. | 0:09:15 | 0:09:19 | |
They have very little immunity. | 0:09:19 | 0:09:21 | |
I hoped we'd be going home soon. | 0:09:23 | 0:09:26 | |
Probably best not to make too many plans. | 0:09:26 | 0:09:28 | |
Wasn't supposed to be like this. | 0:09:40 | 0:09:42 | |
After all we've been through, it just seems so awful, | 0:09:42 | 0:09:46 | |
so wrong, so...unfair. | 0:09:46 | 0:09:49 | |
(Come on.) | 0:09:58 | 0:10:00 | |
Prems don't like being touched much. | 0:10:03 | 0:10:06 | |
Just try speaking to her. She knows your voice from the womb. | 0:10:06 | 0:10:09 | |
Except it's not my voice she's hearing now, is it? | 0:10:09 | 0:10:12 | |
She's weak, Robyn. It may be best to leave her right now. | 0:10:12 | 0:10:15 | |
So, what happens next? What sort of infection is it? | 0:10:15 | 0:10:19 | |
We'll do some tests and reassess her in a few hours. | 0:10:19 | 0:10:21 | |
-She's only just started feeding. -Yeah, except now she's stopped. | 0:10:21 | 0:10:24 | |
What about her sats, what about her resp rate? Come on, I'm an ED nurse. | 0:10:24 | 0:10:29 | |
But not neo-natal. It's a very different discipline, Robyn. | 0:10:29 | 0:10:32 | |
And strictly speaking, mums don't wear aprons. | 0:10:32 | 0:10:35 | |
I'm sorry, but you know the score, it's just about who does what. | 0:10:35 | 0:10:39 | |
Urgh! | 0:10:39 | 0:10:41 | |
Urgh! | 0:10:41 | 0:10:43 | |
MOBILE RINGS | 0:10:50 | 0:10:54 | |
Robyn? | 0:10:54 | 0:10:56 | |
All right, slow down. | 0:10:56 | 0:10:58 | |
No, she's busy. | 0:10:58 | 0:11:00 | |
Wait. | 0:11:00 | 0:11:02 | |
I'll come up. | 0:11:02 | 0:11:04 | |
-I'm going to use my break to go up to NICU. -Course. Robyn OK? | 0:11:04 | 0:11:09 | |
I think she feels they're not listening to her. | 0:11:09 | 0:11:11 | |
-Does she want me to talk to them? -No, it's fine. | 0:11:11 | 0:11:14 | |
-Give me a minute and I'll go. -No, no. You shower and change. | 0:11:14 | 0:11:17 | |
I've got it. | 0:11:17 | 0:11:19 | |
-She does need dealing with, Cal. -Mm-hm, that's why she's here. | 0:11:35 | 0:11:39 | |
-I called her in. -Oh. Good. OK. | 0:11:39 | 0:11:43 | |
Well, tread carefully. Finesse her, charm her, see her off. | 0:11:43 | 0:11:48 | |
Patient complaints on an application for surgical training, Cal, | 0:11:48 | 0:11:52 | |
not a beautiful thing. | 0:11:52 | 0:11:53 | |
Yup. | 0:11:53 | 0:11:55 | |
-They're all so up themselves. -Well, Jonathon's a one-off. | 0:11:59 | 0:12:05 | |
How many surgeons do you know who do ward rounds all day long? | 0:12:05 | 0:12:10 | |
He paces himself, emotionally. | 0:12:10 | 0:12:12 | |
He has to. | 0:12:12 | 0:12:14 | |
And you have to try and do the same thing. | 0:12:16 | 0:12:19 | |
And you have to stop fretting. | 0:12:19 | 0:12:22 | |
Go and get some sleep. | 0:12:22 | 0:12:23 | |
How can I? Things happen and they don't bother to tell me. | 0:12:24 | 0:12:27 | |
Robyn, we've had an inquiry about your baby, | 0:12:27 | 0:12:29 | |
but we need your permission before we can answer. | 0:12:29 | 0:12:31 | |
-It's your friend, David Hide. -No! | 0:12:31 | 0:12:33 | |
-No, not my friend. He's not... -All right, don't get upset. | 0:12:33 | 0:12:37 | |
You don't tell him anything, OK? You tell her why, Charlie. | 0:12:37 | 0:12:41 | |
-Robyn, don't do this. -I need to see him. Where is he? -No. | 0:12:41 | 0:12:45 | |
-No, that's not a good idea. -Charlie! I need you to stand by me! | 0:12:45 | 0:12:50 | |
For once in your life, will you just stop being so reasonable! | 0:12:50 | 0:12:53 | |
Look at them. Low level, suppressed rage. | 0:12:55 | 0:12:58 | |
Everyone, everywhere, don't you feel it? | 0:12:58 | 0:13:01 | |
Huh? We're all prisoners. Everyone's hostile. The anger simmers. | 0:13:01 | 0:13:05 | |
Look at you. | 0:13:05 | 0:13:07 | |
-I'm not angry. -But you're one step away. | 0:13:07 | 0:13:09 | |
-Worried to see me, under pressure. -Right. Well, I called you in because you were angry. | 0:13:09 | 0:13:13 | |
-No, you called me in because you thought I was going to make a complaint. -I'd like to explain... | 0:13:13 | 0:13:17 | |
You'll defend it till the end, don't you just long to be honest? | 0:13:17 | 0:13:21 | |
Your mum was suffering, Neeve. We had to do what we could. | 0:13:21 | 0:13:24 | |
My mum was 84, Cal. She had cancer. | 0:13:24 | 0:13:26 | |
The doctors threw all they could at her. | 0:13:26 | 0:13:28 | |
Chemo, more chemo, radiotherapy, drugs, and the false hope of what? | 0:13:28 | 0:13:33 | |
Yes, but your mum knew her choices. | 0:13:33 | 0:13:36 | |
Someone had to have the courage to say to her that life isn't always everything. | 0:13:36 | 0:13:41 | |
You were the same, you were on autopilot. | 0:13:41 | 0:13:43 | |
You tried to save a woman who was trying to die. | 0:13:43 | 0:13:46 | |
No, no, I was trying to save her from further suffering. It was never an attempt to prolong her life. | 0:13:46 | 0:13:52 | |
Cal! | 0:13:52 | 0:13:54 | |
For goodness' sake! | 0:13:54 | 0:13:56 | |
Ms Kelling, I just wondered if I could have a moment with you. | 0:13:56 | 0:14:00 | |
Yes, well, enough of your passive aggressive, highly toxic charm. | 0:14:00 | 0:14:04 | |
I'd like to make a complaint. | 0:14:04 | 0:14:05 | |
-Robyn? -Duffy, where's David? -Robyn, stop. | 0:14:11 | 0:14:14 | |
-Where is he? -Come to Charlie's office. -I need to see him. | 0:14:14 | 0:14:17 | |
-Is he here? -He was ill, Robyn. You know, he was ill. | 0:14:17 | 0:14:22 | |
And now, he's on the Psych ward. | 0:14:22 | 0:14:23 | |
So, he's here in Holby? Thank you, that's all I need to know. | 0:14:23 | 0:14:26 | |
-Don't even think about it! -Tucked up nicely, is he? Being looked after? | 0:14:26 | 0:14:30 | |
Tackling his anxiety, taking the edge off every stupid, | 0:14:30 | 0:14:33 | |
dangerous, unforgiveable thing he's ever done? | 0:14:33 | 0:14:36 | |
I need to see him. I need to tell him what a total and utter git he is. | 0:14:36 | 0:14:39 | |
-No, Robyn. -He doesn't give a second thought about me. | 0:14:39 | 0:14:42 | |
-As for ringing about my baby... -Robyn, please. | 0:14:42 | 0:14:45 | |
-He doesn't even give a toss if I'm dead or alive! -He'll be exhausted. | 0:14:45 | 0:14:48 | |
He'll probably be fast asleep. | 0:14:48 | 0:14:50 | |
Ah, lucky him! | 0:14:50 | 0:14:52 | |
OK. Can we all get back to work, please? | 0:14:52 | 0:14:55 | |
-Robyn, listen, you're OK. Charlotte's fine. -Not fine, Charlie! | 0:14:55 | 0:15:01 | |
Not fine! She's six weeks early and in intensive care, living on wires! | 0:15:01 | 0:15:06 | |
Everything she's going through is because David stopped his | 0:15:06 | 0:15:10 | |
meds and he knew how crazy that was! | 0:15:10 | 0:15:12 | |
He lied to us all. He lied to me. | 0:15:12 | 0:15:13 | |
And worse, I should have realised it. | 0:15:13 | 0:15:16 | |
It wasn't your fault. | 0:15:16 | 0:15:17 | |
Before him, I picked a bloke who thought it was OK to leave me at the altar. | 0:15:17 | 0:15:21 | |
So when my little girl asks about her daddy, I can say, | 0:15:21 | 0:15:24 | |
"Well, he didn't give a damn about us either! In fact, I don't even know if he's dead or alive!" | 0:15:24 | 0:15:28 | |
Don't try and stop me! | 0:15:28 | 0:15:30 | |
-Charlie! -He's sedated! He won't be remotely himself. | 0:15:30 | 0:15:34 | |
He may not even recognise you. | 0:15:34 | 0:15:36 | |
-This is not the time. -Robyn? | 0:15:36 | 0:15:38 | |
The unit have called and they need you back up there. It's urgent. | 0:15:38 | 0:15:43 | |
What's going on? | 0:15:46 | 0:15:48 | |
We need to run tests to get on top of the source of the infection. | 0:15:48 | 0:15:51 | |
We've been trying to take blood. I just need you to calm her for me. | 0:15:51 | 0:15:54 | |
-What difference am I going to make? -A great deal. Trust me. | 0:15:54 | 0:15:58 | |
BABY CRIES | 0:15:58 | 0:16:01 | |
# Hush, little baby, don't say a word | 0:16:08 | 0:16:12 | |
# Mama's gonna buy you a mockingbird... # | 0:16:12 | 0:16:16 | |
CRYING STOPS There. See how she responds? | 0:16:16 | 0:16:18 | |
# And if that mockingbird don't sing | 0:16:18 | 0:16:23 | |
# Mama's gonna buy you a diamond ring... # | 0:16:23 | 0:16:26 | |
Her heart rate slows and her BP drops. | 0:16:26 | 0:16:30 | |
That's special. | 0:16:30 | 0:16:32 | |
Only a mum can do that. | 0:16:32 | 0:16:35 | |
# And if that diamond ring turns brass | 0:16:35 | 0:16:39 | |
# Mama's gonna buy you a looking glass. # | 0:16:39 | 0:16:42 | |
(There we go.) | 0:16:47 | 0:16:49 | |
(OK. Good girl.) | 0:16:49 | 0:16:50 | |
Sh, good girl. | 0:16:53 | 0:16:54 | |
OK, I'm going to make this work. | 0:17:03 | 0:17:06 | |
Sod it, I'm a nurse and that's got to count. | 0:17:06 | 0:17:10 | |
I'll work with them for my little girl. You'll be OK, Charlotte. | 0:17:10 | 0:17:14 | |
I'll make a difference. I promise. | 0:17:14 | 0:17:17 | |
This is no good, Robyn. | 0:17:23 | 0:17:25 | |
Staying up all the time when your rest is so important. | 0:17:25 | 0:17:28 | |
I've got to know how to ask the right questions. | 0:17:28 | 0:17:31 | |
Be there for her. I'm all she's got. | 0:17:31 | 0:17:34 | |
We feel so alone. | 0:17:34 | 0:17:36 | |
Look... | 0:17:40 | 0:17:42 | |
When you get out, | 0:17:42 | 0:17:44 | |
why don't you come and live with me and Charlie for a bit, | 0:17:44 | 0:17:47 | |
so you can get settled and have some extra support for Charlotte? | 0:17:47 | 0:17:52 | |
-You've only just moved in together. -Oh, come on. We're hardly teenagers. | 0:17:52 | 0:17:55 | |
That's really kind. It helps me feel that this is all possible. | 0:17:59 | 0:18:03 | |
-But don't you need to ask Charlie? -Course not. | 0:18:03 | 0:18:06 | |
Not for you. | 0:18:06 | 0:18:08 | |
-OK. -Yeah? -Yeah. | 0:18:10 | 0:18:12 | |
Good. | 0:18:12 | 0:18:13 | |
-KNOCK ON DOOR -Yeah. | 0:18:18 | 0:18:22 | |
-Oh, Robyn, I'm so sorry, but... -I won't keep you. | 0:18:24 | 0:18:28 | |
But please, I need to know exactly what you're doing. | 0:18:28 | 0:18:31 | |
If you're thinking sepsis, the source could be anywhere. | 0:18:31 | 0:18:34 | |
Meningitis, pneumonia, gastroenteritis... | 0:18:34 | 0:18:36 | |
We're not ruling anything out. The blood cultures may help. | 0:18:36 | 0:18:39 | |
You must be thinking NEC's a possibility. | 0:18:39 | 0:18:41 | |
Currently, there isn't any sign of necrosis of the gut on the | 0:18:41 | 0:18:46 | |
X-rays or the scans. | 0:18:46 | 0:18:49 | |
Now, I'm sorry, Robyn, but I'm due back in the unit. | 0:18:49 | 0:18:52 | |
You do crazy hours, you doss down in your office. That's huge. | 0:18:52 | 0:18:56 | |
No other surgeon does that. | 0:18:56 | 0:18:59 | |
It tells me that you care. | 0:18:59 | 0:19:01 | |
Please, include me. | 0:19:01 | 0:19:02 | |
-Jude. -You're needed for the handover review, Mr Barling. -So what? | 0:19:04 | 0:19:08 | |
-We just wait for her to get worse? -Or better. | 0:19:08 | 0:19:11 | |
At this stage, it's very much a waiting game. | 0:19:11 | 0:19:14 | |
All right, don't give yourself a hernia. I'm going. | 0:19:14 | 0:19:18 | |
Hi. Can I speak to Mrs Beauchamp, please? | 0:19:25 | 0:19:27 | |
No, it has to be her. | 0:19:27 | 0:19:29 | |
I'll wait. | 0:19:29 | 0:19:32 | |
I was dealing with that man in a suit. Tell them. | 0:19:32 | 0:19:35 | |
Neeve, tone it down a bit, will you, love? | 0:19:35 | 0:19:37 | |
You tone it down, you jobsworth van driver. | 0:19:37 | 0:19:40 | |
And here's me thinking we were getting on really well. | 0:19:40 | 0:19:43 | |
Neeve? What happened? | 0:19:43 | 0:19:45 | |
She's fallen approximately 4ft off a ladder at home and dislocated | 0:19:45 | 0:19:48 | |
her left shoulder. We found her wandering around on a driveway. | 0:19:48 | 0:19:52 | |
GCS 14. No other injuries. | 0:19:52 | 0:19:53 | |
She's had 5mg of morphine and I reckon | 0:19:53 | 0:19:56 | |
a fair amount of self medication prior to the fall. | 0:19:56 | 0:19:59 | |
-SLURRING: -I should have walked. Much less painful. | 0:19:59 | 0:20:03 | |
Oh, Robyn. | 0:20:10 | 0:20:12 | |
Poor you. | 0:20:14 | 0:20:16 | |
How can I help? | 0:20:16 | 0:20:19 | |
I'm worried they're not doing enough. | 0:20:19 | 0:20:22 | |
OK. Um... | 0:20:22 | 0:20:24 | |
Well, that's good. As a mother, you know, voice your concerns. | 0:20:24 | 0:20:29 | |
But give yourself time to think. | 0:20:29 | 0:20:31 | |
But as a medic, | 0:20:34 | 0:20:37 | |
you have to consider when enough is enough and when to say no. | 0:20:37 | 0:20:40 | |
I don't even want to think about that. | 0:20:40 | 0:20:42 | |
You have to. Things happen fast in neonates. | 0:20:42 | 0:20:45 | |
And it's awful watching your child go to hell and back. | 0:20:47 | 0:20:50 | |
Medicine's far from black and white. You've got to challenge it. | 0:20:50 | 0:20:54 | |
-Right. Do you have her notes, then? -Yeah, but, um... | 0:20:57 | 0:21:02 | |
I'll speak to the team for you, shall I? | 0:21:02 | 0:21:05 | |
They're trying to save her life. I don't want to fall out with them. | 0:21:05 | 0:21:08 | |
Robyn, this is your life and your daughter's life. | 0:21:08 | 0:21:11 | |
I know you've had... | 0:21:11 | 0:21:13 | |
Well, I know you're having a terrible time, Mrs Beauchamp... | 0:21:13 | 0:21:17 | |
Connie, please. | 0:21:17 | 0:21:18 | |
But this, my baby, is different. | 0:21:20 | 0:21:24 | |
Yeah. | 0:21:29 | 0:21:31 | |
Let's hope so. | 0:21:31 | 0:21:33 | |
-So, would you like me to read her notes? -Maybe it's best if I do that. | 0:21:36 | 0:21:41 | |
I'm the one that's here all the time and it's the mum's job. | 0:21:41 | 0:21:45 | |
You've helped me see that. | 0:21:45 | 0:21:48 | |
I really am so sorry for you, Connie. | 0:21:48 | 0:21:51 | |
You take care. | 0:21:54 | 0:21:56 | |
She's over there. | 0:22:09 | 0:22:12 | |
-Neeve, you must not leave your cubicle. -It's so tragic, dying here. | 0:22:12 | 0:22:17 | |
So crass. Stupid. Totally wrong. | 0:22:17 | 0:22:21 | |
Right. Well, one dislocated shoulder and too many whiskies. | 0:22:21 | 0:22:24 | |
Can we go back to the cubicles, please? | 0:22:24 | 0:22:27 | |
Just shove it back with gas and air. Just do it, please. | 0:22:27 | 0:22:32 | |
Call yourself a doctor? | 0:22:32 | 0:22:33 | |
Right. Well, you might have a fracture, so you need an X-ray. | 0:22:33 | 0:22:37 | |
Yeah, but you need a lawyer. | 0:22:37 | 0:22:39 | |
This used to happen all the time. I played rugby. | 0:22:39 | 0:22:42 | |
Right, fine. Let's get you back on the bed, then. | 0:22:42 | 0:22:45 | |
-Ah. -Come on. | 0:22:45 | 0:22:48 | |
There we go. | 0:22:48 | 0:22:52 | |
Entenox, please. | 0:22:52 | 0:22:54 | |
Thanks. | 0:22:57 | 0:22:59 | |
Lie back down. | 0:22:59 | 0:23:01 | |
So, rugby, yeah? | 0:23:03 | 0:23:05 | |
Yeah. | 0:23:05 | 0:23:07 | |
I was the fastest, best-looking scrum half ever. | 0:23:07 | 0:23:11 | |
I've made a complaint, by the way. | 0:23:11 | 0:23:14 | |
Yeah, I'm aware. OK, deep breaths. | 0:23:14 | 0:23:18 | |
-Ride the pain. -Just do it. Get on with it, please. | 0:23:18 | 0:23:20 | |
There you go. Well done. | 0:23:28 | 0:23:30 | |
That feels good. | 0:23:31 | 0:23:33 | |
Could Mum still hear me? Did she know that I was fighting for her? | 0:23:37 | 0:23:41 | |
Yeah. Yeah, she could. She would have known. | 0:23:41 | 0:23:45 | |
I thought I'd done enough. | 0:23:47 | 0:23:49 | |
How could I know what was going to happen? | 0:23:49 | 0:23:53 | |
What are you talking about, Neeve? | 0:23:53 | 0:23:55 | |
I did what I had to do. | 0:23:56 | 0:23:58 | |
Neeve. | 0:23:58 | 0:24:00 | |
Neeve, come on. | 0:24:00 | 0:24:02 | |
Neeve! | 0:24:06 | 0:24:07 | |
Neeve, come on! | 0:24:10 | 0:24:12 | |
Right, Mrs Fairhead. Take a look at this. | 0:24:16 | 0:24:19 | |
Sun room, | 0:24:19 | 0:24:20 | |
big garden, | 0:24:20 | 0:24:23 | |
-open-plan kitchen. -Ah, Charlie. We might have to delay this. | 0:24:23 | 0:24:27 | |
-But you said it was important. -It was. | 0:24:27 | 0:24:31 | |
It is. But listen, | 0:24:31 | 0:24:33 | |
I've suggested that Robyn brings Charlotte back to live with us, | 0:24:33 | 0:24:37 | |
just for the first stage, just for a few weeks. | 0:24:37 | 0:24:40 | |
You don't mind, do you? | 0:24:40 | 0:24:42 | |
-How many weeks? -I don't know. | 0:24:42 | 0:24:43 | |
-Look, if you've got a problem, you'd better say. -No, of course not. | 0:24:45 | 0:24:50 | |
-It's just, I mean... -And you'll let the estate agents know? | 0:24:50 | 0:24:55 | |
-Yeah. -Yeah. Thanks. | 0:24:55 | 0:24:57 | |
Yes, that's right. Miriam Kelling. | 0:25:00 | 0:25:03 | |
Yeah, it's on the 27th. | 0:25:03 | 0:25:06 | |
Right. So, are you her GP? | 0:25:06 | 0:25:09 | |
Great. | 0:25:09 | 0:25:10 | |
Well, she died here and I was just wanting to check on the | 0:25:10 | 0:25:14 | |
dosages of her diamorphine. | 0:25:14 | 0:25:15 | |
-Her breathing's got much worse. -Her diaphragm's elevated. | 0:25:17 | 0:25:20 | |
It means her lungs are compromised. | 0:25:20 | 0:25:22 | |
-Will she need an operation? -An op on a baby this small is a big deal. | 0:25:22 | 0:25:26 | |
We'd never subject her to that, unless we were certain. | 0:25:26 | 0:25:30 | |
But more immediately, Robyn, we may have to consider ventilating her. | 0:25:30 | 0:25:33 | |
What? Hang on, why would you? | 0:25:33 | 0:25:36 | |
I'm suggesting we do this electively, rather than... | 0:25:36 | 0:25:38 | |
But her blood gases, they've not been that bad. | 0:25:38 | 0:25:41 | |
They're borderline. It may be best to play it safe. | 0:25:41 | 0:25:44 | |
If we intubate her, | 0:25:44 | 0:25:45 | |
it'll give her less work to do and make her generally more stable. | 0:25:45 | 0:25:49 | |
If she's sedated, it's harder to monitor how she's coping. | 0:25:49 | 0:25:52 | |
It's a trade-off. | 0:25:52 | 0:25:55 | |
It's such a big decision. What if she never comes off it? | 0:25:55 | 0:25:58 | |
There are always worst-case scenarios. And nothing's definitive. | 0:25:58 | 0:26:02 | |
If it was essential, you wouldn't be asking me, would you? | 0:26:02 | 0:26:05 | |
We can review it shortly, Robyn. I'll go with your decision. | 0:26:05 | 0:26:09 | |
I want you to wait. | 0:26:10 | 0:26:12 | |
# This is to mother you | 0:26:24 | 0:26:30 | |
# To comfort you and get you through | 0:26:30 | 0:26:35 | |
# Through when your nights are lonely | 0:26:36 | 0:26:42 | |
# Through when your dreams are only blue | 0:26:42 | 0:26:48 | |
# This is to mother you. # | 0:26:49 | 0:26:53 | |
ALARM BEEPS | 0:27:05 | 0:27:08 | |
I just don't think... | 0:27:35 | 0:27:39 | |
I don't think I can do this. | 0:27:39 | 0:27:41 | |
SHE SOBS | 0:27:44 | 0:27:47 | |
FOOTSTEPS APPROACHING Robyn? | 0:27:53 | 0:27:55 | |
Robyn? KNOCKING | 0:27:55 | 0:27:58 | |
He's intubating her? | 0:28:00 | 0:28:03 | |
I need a smaller ET tube, 2.5, please, bag her. | 0:28:03 | 0:28:06 | |
This is all my fault. We should have done this earlier. | 0:28:06 | 0:28:09 | |
There's no fault, Robyn. We made a decision together. | 0:28:09 | 0:28:12 | |
Please, baby girl. | 0:28:14 | 0:28:17 | |
Come on, please. | 0:28:17 | 0:28:19 | |
Please. | 0:28:19 | 0:28:21 | |
Please. | 0:28:21 | 0:28:23 | |
Shouldn't you be researching a delightful ITU nurse who | 0:28:34 | 0:28:37 | |
showed a transparent interest in you only earlier today? | 0:28:37 | 0:28:41 | |
Advice noted. | 0:28:41 | 0:28:43 | |
With thanks. | 0:28:43 | 0:28:44 | |
Seriously, Cal, stay well away from this one. | 0:28:46 | 0:28:49 | |
Noted. | 0:28:49 | 0:28:51 | |
Goodnight, Maestro. | 0:28:53 | 0:28:55 | |
Good girl, baby Charlotte. | 0:28:57 | 0:29:00 | |
It's OK. | 0:29:00 | 0:29:02 | |
You're in. | 0:29:02 | 0:29:05 | |
It's OK, Robyn. Her breathing's safe again. She's back. | 0:29:05 | 0:29:08 | |
Right. No more delays. | 0:29:10 | 0:29:12 | |
Let's get her straight down to theatre. | 0:29:12 | 0:29:15 | |
If you could sign this, please? | 0:29:15 | 0:29:17 | |
You said surgery wasn't necessary. | 0:29:17 | 0:29:19 | |
It has to be NEC, Robyn. This confirms it. She went off so fast. | 0:29:19 | 0:29:22 | |
It'll perforate if we don't get there first. | 0:29:22 | 0:29:25 | |
I've researched this. Read your papers. | 0:29:25 | 0:29:27 | |
Nearly half of the babies that go to surgery don't make it. | 0:29:27 | 0:29:30 | |
And half live. You have to stay strong, Robyn. | 0:29:30 | 0:29:33 | |
-Robyn... -Leave me alone! | 0:29:48 | 0:29:50 | |
-Duffy, we need to talk. -MOBILE RINGS | 0:29:55 | 0:29:58 | |
Oh. Just a minute, sorry. | 0:29:58 | 0:30:00 | |
Hello? | 0:30:00 | 0:30:03 | |
Um, yeah, yeah. OK. I'll be right up. | 0:30:04 | 0:30:07 | |
They're prepping Charlotte for theatre. So I'm going up. | 0:30:07 | 0:30:10 | |
-You can spare me. -Just, about Robyn. About her staying. | 0:30:10 | 0:30:14 | |
-Yeah? -Well, don't get the wrong idea... | 0:30:14 | 0:30:17 | |
-I am trying really hard not to. -OK. | 0:30:17 | 0:30:20 | |
KNOCKS ON DOOR | 0:30:32 | 0:30:35 | |
LOUD MUSIC PLAYS INSIDE | 0:30:38 | 0:30:41 | |
KNOCKS ON DOOR | 0:30:41 | 0:30:44 | |
Neeve? | 0:30:45 | 0:30:48 | |
Neeve, I know you're in there. Can you come and open the door, please? | 0:30:49 | 0:30:53 | |
Robyn? | 0:31:06 | 0:31:07 | |
Oh, love. | 0:31:07 | 0:31:09 | |
Please, don't. Thank you for your invitation. | 0:31:09 | 0:31:12 | |
-But I couldn't possibly accept. -Hang on. | 0:31:15 | 0:31:19 | |
No, she's too ill and Max would be gutted. | 0:31:19 | 0:31:22 | |
# Since you went away | 0:31:26 | 0:31:30 | |
# The days grow long | 0:31:30 | 0:31:35 | |
# And soon I'll hear... # | 0:31:35 | 0:31:39 | |
You were trying to tell me something back at the hospital. | 0:31:39 | 0:31:42 | |
About your mum. | 0:31:42 | 0:31:43 | |
I want to help. | 0:31:43 | 0:31:45 | |
SWITCHES MUSIC OFF | 0:31:47 | 0:31:50 | |
Neeve. Your mum's behaviour didn't match the prescribed dosage. | 0:31:50 | 0:31:56 | |
She was too knocked off. | 0:31:56 | 0:31:58 | |
-Please, tell me what happened. -So I don't sue you? | 0:32:00 | 0:32:04 | |
So you don't torture yourself for the rest of your life. | 0:32:04 | 0:32:08 | |
I ruined her life. | 0:32:08 | 0:32:09 | |
-We all have guilt about our parents somehow. -No, I'm adopted. | 0:32:11 | 0:32:15 | |
I went looking for my birth mum. | 0:32:15 | 0:32:19 | |
I was really stupid, clumsy, hurtful, | 0:32:19 | 0:32:22 | |
and I just broke poor Miriam's heart. | 0:32:22 | 0:32:25 | |
We didn't speak for years. | 0:32:26 | 0:32:28 | |
And then, when I came back and found her dying... | 0:32:28 | 0:32:32 | |
Now, I just miss her beautiful soul. | 0:32:34 | 0:32:36 | |
Did you ever get to meet your real mum? | 0:32:37 | 0:32:41 | |
Yeah, I met her in a pub. | 0:32:41 | 0:32:43 | |
And I had her eyes and her smile and her laugh and she saw it too | 0:32:43 | 0:32:48 | |
and she... She said, "Nice to meet you. | 0:32:48 | 0:32:52 | |
"Spare me the long-lost daughter routine," and that was that. | 0:32:52 | 0:32:56 | |
I... | 0:32:57 | 0:32:59 | |
I went to look for my birth mum too. | 0:32:59 | 0:33:02 | |
And so the wounded find each other. | 0:33:03 | 0:33:06 | |
Yeah. | 0:33:06 | 0:33:07 | |
She was done, Cal. She wanted to die, she begged me. | 0:33:09 | 0:33:13 | |
It was the least I could do. | 0:33:13 | 0:33:15 | |
And I just massively upped her diamorphine and it killed her. | 0:33:16 | 0:33:20 | |
So just go on. Do your job. | 0:33:21 | 0:33:25 | |
Report me. | 0:33:25 | 0:33:27 | |
I don't care any more. | 0:33:27 | 0:33:29 | |
Hey. | 0:33:31 | 0:33:33 | |
MOBILE RINGS | 0:33:35 | 0:33:38 | |
FOOTSTEPS ON STAIRS | 0:33:49 | 0:33:52 | |
Hey. | 0:33:52 | 0:33:54 | |
Come up. | 0:33:54 | 0:33:55 | |
There you go. | 0:33:57 | 0:33:59 | |
Neeve, how much have you had? | 0:34:01 | 0:34:02 | |
Nothing. Nothing to drink. | 0:34:02 | 0:34:05 | |
HE SNIFFS | 0:34:05 | 0:34:08 | |
Squeeze my hand for me. | 0:34:10 | 0:34:13 | |
Neeve, try and squeeze my hand. | 0:34:13 | 0:34:15 | |
LULLABY PLAYS | 0:34:17 | 0:34:20 | |
Thank you. | 0:34:34 | 0:34:36 | |
-Where's Robyn? -I don't know. | 0:34:36 | 0:34:38 | |
It may just be too much for her, so I'm scrubbing in to observe. | 0:34:38 | 0:34:42 | |
-That's really not appropriate. -I don't care. | 0:34:42 | 0:34:45 | |
Forgive me. But I am a senior midwife. | 0:34:45 | 0:34:49 | |
And I can understand what you're doing and I need to be able | 0:34:49 | 0:34:51 | |
to tell Robyn exactly what is happening to Charlotte. | 0:34:51 | 0:34:55 | |
Thank you. | 0:34:56 | 0:34:58 | |
Have you taken these? Neeve, how many have you taken? | 0:35:06 | 0:35:09 | |
-SLURRED: -Don't remember. -Neeve. | 0:35:09 | 0:35:12 | |
Neeve? | 0:35:12 | 0:35:13 | |
Right, we need to get you to the hospital. | 0:35:15 | 0:35:18 | |
We need the antidote. | 0:35:18 | 0:35:20 | |
Stay with me. | 0:35:20 | 0:35:21 | |
Robyn... | 0:35:25 | 0:35:27 | |
It's OK, isn't it? Bringing her back here? | 0:35:27 | 0:35:31 | |
I mean, I know she'll need quiet and everything super clean, so... | 0:35:31 | 0:35:34 | |
I wouldn't worry about it. She... She might not even make it here. | 0:35:34 | 0:35:37 | |
Robyn. | 0:35:37 | 0:35:39 | |
When I first found out I was pregnant, | 0:35:39 | 0:35:41 | |
I thought about having an abortion, I really did. | 0:35:41 | 0:35:45 | |
And now I wish I had cos anything would have been easier than | 0:35:45 | 0:35:49 | |
-losing her like this. -Don't say that. Come on. | 0:35:49 | 0:35:52 | |
No, sorry, cos mums aren't supposed to say things like that, are they? | 0:35:52 | 0:35:56 | |
Everything's supposed to be so wonderful and even when it's not, | 0:35:56 | 0:35:59 | |
they're still supposed to say the things that everybody wants to hear. | 0:35:59 | 0:36:02 | |
-Right, you get the wine. -You get the glasses. | 0:36:02 | 0:36:06 | |
Robyn... | 0:36:06 | 0:36:07 | |
I can't go back, Max. I can't face it. | 0:36:13 | 0:36:17 | |
Yeah, but you have to. | 0:36:17 | 0:36:19 | |
You have to. | 0:36:19 | 0:36:22 | |
I can't. If she lives or dies, | 0:36:22 | 0:36:24 | |
I can't face any of it. | 0:36:24 | 0:36:27 | |
Great. So, you're doing what your mum did to you. | 0:36:29 | 0:36:33 | |
Don't you dare! | 0:36:33 | 0:36:35 | |
No, come on. | 0:36:35 | 0:36:37 | |
She left you when you needed her most. | 0:36:37 | 0:36:40 | |
And you said that hurt goes on and on. | 0:36:40 | 0:36:42 | |
And now, your little girl is fighting for her life and | 0:36:42 | 0:36:46 | |
you're doing exactly the same thing to her. | 0:36:46 | 0:36:49 | |
-She doesn't know if I'm there or not. -So, be there, | 0:36:49 | 0:36:53 | |
when she pulls through. | 0:36:53 | 0:36:55 | |
Maybe my mum left because it was just too hard. | 0:36:59 | 0:37:03 | |
And maybe she went on regretting it for the rest of her life. | 0:37:04 | 0:37:08 | |
It's up to you, Robyn. | 0:37:08 | 0:37:10 | |
We have a problem. | 0:37:16 | 0:37:18 | |
There's much more necrotic tissue than we thought. | 0:37:18 | 0:37:21 | |
It's extensive and close to perforation. | 0:37:21 | 0:37:24 | |
I'll have to cut that section out completely. | 0:37:24 | 0:37:27 | |
It means we have to abandon the laparoscopy and open her up. | 0:37:27 | 0:37:32 | |
'Please, please, please. | 0:37:37 | 0:37:40 | |
'Please, please, please.' | 0:37:40 | 0:37:42 | |
The ambulance delay's too long, so I'm going to get you in myself. | 0:37:46 | 0:37:50 | |
CAR UNLOCKS | 0:37:50 | 0:37:52 | |
Stay awake for me. | 0:37:54 | 0:37:56 | |
Take deep breaths. | 0:37:56 | 0:37:57 | |
As I'm driving... Listen, while I'm driving, I want you to count for me. | 0:37:59 | 0:38:03 | |
OK? | 0:38:03 | 0:38:05 | |
OK. | 0:38:07 | 0:38:08 | |
Baby has significant blood loss due to friable tissue. | 0:38:08 | 0:38:12 | |
Weigh those swabs, please. | 0:38:12 | 0:38:14 | |
This is why she's losing BP. | 0:38:14 | 0:38:16 | |
We'll need plasma. Quickly, please. | 0:38:16 | 0:38:19 | |
And IV dopamine to get the BP up. | 0:38:19 | 0:38:21 | |
Ah. Right. More swabs here, please. | 0:38:23 | 0:38:25 | |
We've got a much bigger problem. The bowel has just perforated. | 0:38:25 | 0:38:29 | |
Clamp, please. | 0:38:29 | 0:38:31 | |
Suction. Hold it closed. Quickly. | 0:38:31 | 0:38:34 | |
Try and stay awake for me, Neeve. Breathe, OK? | 0:38:41 | 0:38:44 | |
Charlie, I've got an opiate OD. She's very flat. | 0:38:44 | 0:38:47 | |
I'll get a trolley, a bag and an airway. | 0:38:47 | 0:38:49 | |
We need that BP up or I will have to stop this surgery. | 0:38:49 | 0:38:52 | |
Keep going with the plasma and blood. | 0:38:52 | 0:38:56 | |
That extra dopamine should have kicked in by now. | 0:38:56 | 0:39:00 | |
OK, we're there. We're good. | 0:39:00 | 0:39:03 | |
Good. | 0:39:03 | 0:39:05 | |
Ah. That's better. | 0:39:05 | 0:39:07 | |
Bleeding's slowed right down. OK. | 0:39:07 | 0:39:11 | |
Now the hard bit. | 0:39:11 | 0:39:14 | |
Charlotte has extensive necrosis, | 0:39:14 | 0:39:16 | |
so I've had to remove a lot of gut and I can't join the ilium | 0:39:16 | 0:39:21 | |
back together because the tissue needs time to recover. | 0:39:21 | 0:39:24 | |
So I'll have to fix a stoma and do an end-to-end anastomosis at | 0:39:24 | 0:39:28 | |
a later date. | 0:39:28 | 0:39:30 | |
It's gone as well as it could have. | 0:39:34 | 0:39:36 | |
We'll get her sewn up and back in recovery as soon as we can. | 0:39:36 | 0:39:40 | |
But...be realistic with her, Duffy. | 0:39:42 | 0:39:45 | |
Please. | 0:39:45 | 0:39:47 | |
Has it perforated? | 0:39:55 | 0:39:57 | |
She's going to get peritonitis? | 0:39:57 | 0:40:00 | |
She's on heavy-duty antibiotics already, Robyn. | 0:40:00 | 0:40:03 | |
And they've got to it right away. John Barling is the best. | 0:40:03 | 0:40:08 | |
And the stoma's only temporary. | 0:40:08 | 0:40:10 | |
She's going to be OK, though, right? I mean, she will be, right? | 0:40:11 | 0:40:15 | |
She has to get through the next few hours. She's through the worst. | 0:40:17 | 0:40:21 | |
And she's a little fighter. | 0:40:23 | 0:40:25 | |
I just want to hold her close. | 0:40:26 | 0:40:29 | |
-Has she vomited more than once? -Yeah, twice on the way in. | 0:40:31 | 0:40:35 | |
Can we get 400 micrograms of Naloxone ASAP, please? | 0:40:35 | 0:40:39 | |
Come on, Neeve. Stay awake. Come on. | 0:40:39 | 0:40:42 | |
Come on, you mad Scottish person. Get angry! Sing! | 0:40:42 | 0:40:45 | |
Right, Neeve. This should wake you up. | 0:40:48 | 0:40:50 | |
SHE COUGHS AND SPLUTTERS | 0:40:53 | 0:40:54 | |
All right. | 0:40:54 | 0:40:57 | |
Am I dead? | 0:40:57 | 0:40:59 | |
-Not unless you've taken us with you. -Ah, I made it to hell, then. | 0:40:59 | 0:41:03 | |
Look, Neeve, this is very important. | 0:41:05 | 0:41:08 | |
Charlie, can you give us a minute? | 0:41:08 | 0:41:10 | |
OK, you need to tell me the truth. | 0:41:13 | 0:41:15 | |
-Did you do this deliberately? -No. | 0:41:15 | 0:41:18 | |
No, I'm too frightened of dying. I just needed to sleep. | 0:41:18 | 0:41:22 | |
I just needed to shut it all out. | 0:41:22 | 0:41:24 | |
I got it wrong again. | 0:41:24 | 0:41:26 | |
-So you weren't trying to...? -No. | 0:41:26 | 0:41:29 | |
No, I need to... I need to see out my plight. | 0:41:29 | 0:41:33 | |
I need to face the consequences. | 0:41:33 | 0:41:36 | |
Neeve. | 0:41:36 | 0:41:38 | |
You've spent your whole life not knowing why the mother that | 0:41:38 | 0:41:42 | |
carried you gave you away. | 0:41:42 | 0:41:45 | |
I know what that does. | 0:41:45 | 0:41:47 | |
And of course you went looking. | 0:41:47 | 0:41:50 | |
Sometimes we get stuff wrong. | 0:41:51 | 0:41:54 | |
It's your job to report me. | 0:41:54 | 0:41:56 | |
Look, Miriam was on big doses of morphine. | 0:41:59 | 0:42:03 | |
And will have developed a very high tolerance. | 0:42:03 | 0:42:07 | |
So, the truth is, we'll never know the exact cause of death. | 0:42:07 | 0:42:13 | |
She asked me to make it stop, Cal. | 0:42:13 | 0:42:15 | |
And you've put yourself through hell because of it and probably | 0:42:15 | 0:42:19 | |
always will. What good would it do if I made that worse? | 0:42:19 | 0:42:23 | |
Forgive yourself. | 0:42:25 | 0:42:27 | |
Forgive yourself for all of it. | 0:42:28 | 0:42:30 | |
So the wounded heal each other, eh? | 0:42:32 | 0:42:34 | |
Maybe you'll stop telling me what a useless doctor I am. | 0:42:35 | 0:42:39 | |
Maybe. | 0:42:39 | 0:42:41 | |
Maybe that's another thing I got wrong. | 0:42:41 | 0:42:44 | |
MONITORS BEEP | 0:42:55 | 0:42:58 | |
Hey. You OK? | 0:43:20 | 0:43:21 | |
Yeah. | 0:43:21 | 0:43:23 | |
Ms Kelling, she's obviously slightly bonkers, so you don't need to | 0:43:23 | 0:43:26 | |
worry about that one, even though you completely ignored my advice. | 0:43:26 | 0:43:30 | |
-I acted on pure instincts and as it happened... -Instinct and audacity, | 0:43:30 | 0:43:33 | |
all well and fine in the chaos department, | 0:43:33 | 0:43:36 | |
but reckless line crossing - sorry, no room for that in surgery. | 0:43:36 | 0:43:40 | |
She's waking up, Duffy. | 0:43:49 | 0:43:52 | |
-She's fighting the tube. What do I do? -I'll get Jonathon. | 0:43:52 | 0:43:56 | |
She's fighting it. | 0:43:56 | 0:43:58 | |
It must be her gag reflex. | 0:43:58 | 0:44:01 | |
Yes, that's good. | 0:44:01 | 0:44:03 | |
She's really alert, already. | 0:44:10 | 0:44:12 | |
All right. | 0:44:12 | 0:44:14 | |
Let's just see if we can manage without this, eh? | 0:44:14 | 0:44:18 | |
Shall we? | 0:44:18 | 0:44:19 | |
Right. Gently. | 0:44:19 | 0:44:22 | |
-She's deciding for herself. -She's rejecting it. | 0:44:22 | 0:44:25 | |
She's rid of it. | 0:44:28 | 0:44:30 | |
Oh, my darling girl! That's it! | 0:44:30 | 0:44:32 | |
-You have a big, big cry. -Her BP's back up. -She's going to make it. | 0:44:32 | 0:44:37 | |
-Charlie. -Charlie, she's through the worst of it. | 0:44:37 | 0:44:42 | |
She's breathing by herself and her BP's stable. | 0:44:42 | 0:44:44 | |
That's really wonderful. | 0:44:44 | 0:44:46 | |
Listen, Robyn. | 0:44:48 | 0:44:49 | |
Please. | 0:44:49 | 0:44:52 | |
Duffy and I would really love for you and little Charlotte to | 0:44:52 | 0:44:55 | |
come and stay. | 0:44:55 | 0:44:57 | |
It's as important for us as it is for you. | 0:44:59 | 0:45:02 | |
We mean it. | 0:45:02 | 0:45:04 | |
When she woke up, I realised how much I...absolutely love her. | 0:45:05 | 0:45:09 | |
I hadn't dare to before, | 0:45:10 | 0:45:13 | |
but I've finally let myself. | 0:45:13 | 0:45:16 | |
Thank you. | 0:45:31 | 0:45:33 | |
Really. | 0:45:33 | 0:45:35 | |
-So much. -Hey. | 0:45:35 | 0:45:37 | |
It's my job. | 0:45:37 | 0:45:40 | |
No, it's my daughter, it's my whole life. | 0:45:40 | 0:45:44 | |
So much more than your job, yet you push this away, don't you? | 0:45:53 | 0:45:57 | |
It's what makes what we do worthwhile. | 0:45:57 | 0:46:00 | |
It's what makes what I do so hard. | 0:46:00 | 0:46:02 | |
This department, Robyn. We're on the edge of life itself. | 0:46:04 | 0:46:08 | |
There are so many deaths, so many grieving parents, it's easier... | 0:46:08 | 0:46:12 | |
No, it's essential that I just work with my patients. | 0:46:12 | 0:46:18 | |
With the babies, but...thank you. You were right | 0:46:18 | 0:46:23 | |
to remind me. | 0:46:23 | 0:46:25 | |
Why this job? | 0:46:25 | 0:46:28 | |
It was the challenge at first. The medicine. | 0:46:28 | 0:46:31 | |
And then it got real. | 0:46:33 | 0:46:35 | |
But there's another reason. | 0:46:36 | 0:46:40 | |
They were all prem babies and, yeah, | 0:46:40 | 0:46:44 | |
that's me. | 0:46:44 | 0:46:47 | |
Duffy, I love you. And I want what you want. | 0:46:50 | 0:46:56 | |
Because our love is not just the romantic thing. | 0:46:56 | 0:47:01 | |
It's bigger, it's more grown-up than that. | 0:47:01 | 0:47:05 | |
You are the sweetest man alive. | 0:47:05 | 0:47:07 | |
So bring on the sleepless nights. | 0:47:11 | 0:47:14 | |
They're family, aren't they? | 0:47:14 | 0:47:17 | |
Our family. | 0:47:17 | 0:47:19 | |
Hey, guys! | 0:47:21 | 0:47:22 | |
I'm sorry you can't come up to see us, | 0:47:22 | 0:47:25 | |
but she's doing really well...now. | 0:47:25 | 0:47:29 | |
My brave little daughter. Charlotte. | 0:47:29 | 0:47:31 | |
There she is. Having a little sleep. | 0:47:35 | 0:47:38 | |
-Cos it's hard work having an uncle like Max. -Aw! -She's beautiful. | 0:47:38 | 0:47:43 | |
She can't wait to meet you all, guys. | 0:47:45 | 0:47:49 | |
ALL: Aw! | 0:47:49 | 0:47:50 |