Browse content similar to It Had to Be You. Check below for episodes and series from the same categories and more!
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-Mrs Beauchamp is off sick. -Connie is off sick? | 0:00:02 | 0:00:03 | |
Doesn't normally do sick, does she? | 0:00:03 | 0:00:05 | |
She was quite under the weather yesterday. | 0:00:05 | 0:00:07 | |
Scott. Hey! | 0:00:14 | 0:00:18 | |
The Trust has decided that further cuts need to be made here, | 0:00:19 | 0:00:23 | |
at Holby City. | 0:00:23 | 0:00:25 | |
All consultants will be asked to re-interview for their jobs. | 0:00:25 | 0:00:29 | |
All right, question 12 - "If you could wake up tomorrow | 0:00:34 | 0:00:38 | |
"having gained any one quality or ability, what would it be?" | 0:00:38 | 0:00:42 | |
I think... | 0:00:43 | 0:00:45 | |
..I'd like to be able to sing. | 0:00:46 | 0:00:48 | |
Hm. Didn't have you down as a warbler. | 0:00:48 | 0:00:50 | |
I'm not. But, you know, it's nice. I think it's a gift. | 0:00:50 | 0:00:54 | |
-How about you? -Eh... | 0:00:57 | 0:00:59 | |
You have to answer. | 0:00:59 | 0:01:01 | |
Rules are rules. | 0:01:01 | 0:01:03 | |
It's a bit silly. | 0:01:03 | 0:01:04 | |
I promise I won't laugh. | 0:01:04 | 0:01:06 | |
OK. I wish... | 0:01:07 | 0:01:10 | |
I wish that I knew more...about stuff. | 0:01:10 | 0:01:13 | |
I should have paid more attention at school. | 0:01:13 | 0:01:16 | |
So maybe something like that? | 0:01:16 | 0:01:19 | |
Well, I think that is really admirable. | 0:01:19 | 0:01:21 | |
Hm... | 0:01:21 | 0:01:22 | |
13 - "If a crystal ball could tell you the truth about yourself, | 0:01:23 | 0:01:28 | |
"your life, the future or anything else, what would you want to know?" | 0:01:28 | 0:01:32 | |
Hm... | 0:01:32 | 0:01:33 | |
Am I going to get laid again before work? | 0:01:33 | 0:01:35 | |
THEY LAUGH | 0:01:35 | 0:01:37 | |
What? | 0:01:40 | 0:01:42 | |
Just never seen you laugh like that before. | 0:01:42 | 0:01:44 | |
There's a lot... | 0:01:46 | 0:01:47 | |
..you don't know about me. | 0:01:48 | 0:01:50 | |
Sam... Sam? | 0:02:29 | 0:02:33 | |
Who's that trip-trapping over my bridge? | 0:02:33 | 0:02:35 | |
Ah, Mrs Beauchamp! What a nice surprise, you're back. | 0:02:35 | 0:02:38 | |
Rested and recuperated, I hope? | 0:02:38 | 0:02:40 | |
Grace has a physio appointment. | 0:02:40 | 0:02:41 | |
Yes, I know. I am leaving straight after the interview. | 0:02:41 | 0:02:44 | |
-Well, I would like to attend. -Connie... | 0:02:44 | 0:02:47 | |
I'm her mother. | 0:02:47 | 0:02:49 | |
And your daughter doesn't want you there. | 0:02:49 | 0:02:51 | |
Look, I'm not prepared to do anything yet | 0:02:52 | 0:02:54 | |
that might cause further stress. | 0:02:54 | 0:02:56 | |
As her mother, you'll understand that. | 0:02:56 | 0:02:58 | |
Nice shoes. You know, you really don't need to worry | 0:03:00 | 0:03:02 | |
about the interview - you'll be fine, I'm sure. | 0:03:02 | 0:03:05 | |
Lee? Lee? Lee? | 0:03:07 | 0:03:11 | |
Just gimme a minute, yeah? | 0:03:11 | 0:03:12 | |
Just eat these for now, I'll be back. | 0:03:20 | 0:03:22 | |
I don't like salt and vinegar! | 0:03:22 | 0:03:23 | |
Well, don't eat them, then! | 0:03:23 | 0:03:25 | |
-Have you seen my bag? -I'm not talking to you. | 0:03:27 | 0:03:30 | |
-Get off. -I'm just borrowing it, I'll be back. -I'm telling Mum! | 0:03:33 | 0:03:36 | |
Darren, just sit down. Don't answer the door to anyone, all right? | 0:03:36 | 0:03:40 | |
Mum, Lee's got my bag again. | 0:03:55 | 0:03:58 | |
And he says I have to eat salt and vinegar crisps, | 0:03:58 | 0:04:02 | |
but I don't like them. | 0:04:02 | 0:04:04 | |
He's really getting my goat! | 0:04:04 | 0:04:06 | |
-What are you reading? It's not Nietzsche, is it? -Oh, I wish! | 0:04:06 | 0:04:09 | |
No, I haven't interviewed in years. | 0:04:09 | 0:04:12 | |
Everyone knows I was parachuted in by Hanssen. | 0:04:12 | 0:04:14 | |
Are you really not the least bit worried? | 0:04:16 | 0:04:18 | |
To tell you the truth, at this stage, I couldn't care less. | 0:04:18 | 0:04:20 | |
I wish I shared your sense of nihilism. | 0:04:20 | 0:04:23 | |
It is just a charade, isn't it? An exercise in ritual humiliation. | 0:04:23 | 0:04:28 | |
-You know who else they're interviewing, don't you? -No. Who? | 0:04:28 | 0:04:30 | |
You'll find out. | 0:04:30 | 0:04:32 | |
Hey. | 0:04:37 | 0:04:38 | |
It's like death row over there. | 0:04:38 | 0:04:39 | |
Here is an internet fact for you - nearly a quarter of inmates | 0:04:39 | 0:04:43 | |
on death row die of natural causes while awaiting execution. | 0:04:43 | 0:04:45 | |
You know what this means is that Dr Chao gets the gig, don't you? | 0:04:45 | 0:04:48 | |
They'll be getting rid of two consultants - not one. | 0:04:48 | 0:04:51 | |
It's like a blood bath. | 0:04:51 | 0:04:53 | |
-Chicken parmigiana. -How many? -That would be my last meal. | 0:04:53 | 0:04:55 | |
Chicken parmigiana. Sticky toffee pudding with vanilla ice cream. | 0:04:55 | 0:04:58 | |
Wouldn't rule out a coke-float. | 0:04:58 | 0:04:59 | |
-Mm, I like the sound of that, buddy! -You? | 0:04:59 | 0:05:02 | |
Hm... I'll have to have a think about that. | 0:05:02 | 0:05:06 | |
Please do get back to me. | 0:05:06 | 0:05:08 | |
The word "precocious" comes to mind. | 0:05:31 | 0:05:34 | |
Thank you. I think. | 0:05:34 | 0:05:35 | |
Dr Chao, can you describe to me in your own words what it is you | 0:05:36 | 0:05:41 | |
think you can offer to the Trust? | 0:05:41 | 0:05:44 | |
Mrs Beauchamp, how can I help? | 0:05:48 | 0:05:50 | |
Oh, I think that's my question. This is my office. | 0:05:51 | 0:05:54 | |
-What, you didn't get the memo? -No. | 0:05:54 | 0:05:57 | |
Right. Well, this is the only office that can be spared, apparently. | 0:05:57 | 0:06:00 | |
-Hanssen's bright idea. -What are you doing here? | 0:06:00 | 0:06:03 | |
I'm interviewing for the consultant's post. | 0:06:04 | 0:06:07 | |
-RHETORICALLY: -Are you? | 0:06:08 | 0:06:09 | |
Well, excuse me for interrupting. | 0:06:12 | 0:06:14 | |
DOOR SLAMS | 0:06:17 | 0:06:19 | |
Jackpot! | 0:06:21 | 0:06:22 | |
METAL CLANGS | 0:06:24 | 0:06:26 | |
-Darren! What are you doing here? -You took my bag! | 0:06:44 | 0:06:48 | |
How did you even get out of the house? | 0:06:48 | 0:06:50 | |
I want my bag! | 0:06:50 | 0:06:52 | |
Darren, you need to go home. | 0:06:52 | 0:06:54 | |
-Go home. -Don't touch me! | 0:06:56 | 0:06:58 | |
HE YELLS IN PAIN | 0:06:58 | 0:06:59 | |
-SOFTLY: -Lee? | 0:07:01 | 0:07:03 | |
Everything all right? | 0:07:15 | 0:07:18 | |
Well, apart from the medical director annexing my office and for | 0:07:18 | 0:07:21 | |
-some unknown reason interviewing Dr Chao... -Oh, yeah. | 0:07:21 | 0:07:24 | |
The man's running rough shod over the department. | 0:07:24 | 0:07:26 | |
Charlie, I've had enough. | 0:07:26 | 0:07:28 | |
Well, who was it that said if a law is unjust, a man not only | 0:07:28 | 0:07:31 | |
has the right to disobey it but is obliged to do so? | 0:07:31 | 0:07:34 | |
Do you know what, Charlie? You're absolutely right! | 0:07:36 | 0:07:38 | |
If he wants a war, he's got one. | 0:07:41 | 0:07:43 | |
That's not exactly what I had in mind. | 0:07:45 | 0:07:47 | |
But close enough. | 0:07:49 | 0:07:50 | |
MUSIC: It Had To Be You | 0:07:51 | 0:07:55 | |
Are you warm enough? | 0:08:03 | 0:08:05 | |
I'm grand. | 0:08:05 | 0:08:06 | |
I could get another blanket from the boot? | 0:08:06 | 0:08:09 | |
-Nina... -Shhh. | 0:08:10 | 0:08:12 | |
-Did you bring the milk? -I've brought some UHT. | 0:08:18 | 0:08:21 | |
That stuff doesn't taste of anything. | 0:08:21 | 0:08:24 | |
Well, it's a good job I brought you this, then, isn't it? | 0:08:24 | 0:08:28 | |
Now you're talking. Whisky? | 0:08:28 | 0:08:31 | |
Semi-skimmed. | 0:08:32 | 0:08:33 | |
Ready? | 0:08:43 | 0:08:44 | |
Count to ten and close your eyes. | 0:08:50 | 0:08:52 | |
-Count to ten and close your eyes. -Darren... Darren... | 0:08:52 | 0:08:55 | |
Darren, listen to me. It's OK, yeah? | 0:08:55 | 0:08:57 | |
I'm going to be OK. You just need to give me a hand. | 0:08:57 | 0:08:59 | |
HE GROANS | 0:08:59 | 0:09:00 | |
That's it, now pull my arm out quickly. | 0:09:00 | 0:09:03 | |
I don't like it. | 0:09:03 | 0:09:04 | |
I know, but I'm OK. | 0:09:04 | 0:09:06 | |
It's going to be OK. | 0:09:06 | 0:09:07 | |
You just grab my arm and pull it quickly, yeah? | 0:09:07 | 0:09:10 | |
Just like a plaster, man. | 0:09:10 | 0:09:11 | |
HE SCREAMS | 0:09:11 | 0:09:13 | |
-Count to ten and close your eyes. -Darren, Darren... | 0:09:13 | 0:09:16 | |
-Count to ten and close your eyes. -It's going to be OK. | 0:09:16 | 0:09:18 | |
Take my phone. | 0:09:18 | 0:09:19 | |
It's in my pocket. You need to call 999. | 0:09:19 | 0:09:22 | |
-I can ring Mum. -No! 999. | 0:09:22 | 0:09:24 | |
That's it. | 0:09:26 | 0:09:27 | |
"The 36 questions that lead to love!" | 0:09:32 | 0:09:36 | |
Oi, nosey! | 0:09:36 | 0:09:37 | |
Aw... I've heard about this article. | 0:09:37 | 0:09:39 | |
Jez! | 0:09:39 | 0:09:40 | |
"Given the choice of anyone in the world, | 0:09:40 | 0:09:43 | |
"who would you want as a dinner guest?" | 0:09:43 | 0:09:46 | |
Cut it out. | 0:09:46 | 0:09:47 | |
-So who are you trying to cast under your spell? -Your mum. | 0:09:48 | 0:09:51 | |
HE LAUGHS | 0:09:51 | 0:09:53 | |
Witty! No, come on. Who is it? | 0:09:53 | 0:09:55 | |
You didn't, did you? | 0:09:58 | 0:09:59 | |
-You nailed the Ice Queen? -Eh, eh. eh. Don't call her that. | 0:10:00 | 0:10:04 | |
Yes, you did! | 0:10:04 | 0:10:05 | |
HE LAUGHS, RADIO CHATTER | 0:10:05 | 0:10:07 | |
Yes! Mate, this is HUGE! | 0:10:07 | 0:10:10 | |
That's what she said. | 0:10:10 | 0:10:11 | |
3006 to Control, go ahead. | 0:10:11 | 0:10:14 | |
SIREN BLARES | 0:10:14 | 0:10:17 | |
I'm looking at people... | 0:10:24 | 0:10:26 | |
..on the street or in shops, and I'm thinking... | 0:10:27 | 0:10:29 | |
.."What are you doing?" | 0:10:32 | 0:10:34 | |
Do you know what's happened? | 0:10:34 | 0:10:35 | |
I called you last night. | 0:10:38 | 0:10:39 | |
You didn't answer. | 0:10:41 | 0:10:42 | |
Yeah, I-I went for a drive. | 0:10:47 | 0:10:51 | |
Where? | 0:10:51 | 0:10:52 | |
Just... | 0:10:53 | 0:10:54 | |
Could've been... I can't think straight. | 0:10:56 | 0:10:59 | |
Sorry. | 0:11:02 | 0:11:03 | |
Ethan, you know what, you're exhausted. | 0:11:07 | 0:11:09 | |
Promise me you'll get some sleep before you head home. | 0:11:09 | 0:11:12 | |
Use the on-call room or something. | 0:11:12 | 0:11:14 | |
Ethan? | 0:11:16 | 0:11:17 | |
Yeah. | 0:11:21 | 0:11:22 | |
It was a beautiful service. | 0:11:26 | 0:11:28 | |
Yeah. Yeah, it was. | 0:11:28 | 0:11:30 | |
Poor Ethan, though, eh? | 0:11:30 | 0:11:32 | |
What he must be going through... | 0:11:32 | 0:11:34 | |
Fajitas! | 0:11:35 | 0:11:37 | |
No, no, maybe not fajitas. | 0:11:37 | 0:11:39 | |
I can get fajitas any time. | 0:11:39 | 0:11:41 | |
Argh! This is a real tough one, buddy. | 0:11:41 | 0:11:44 | |
You really got me thinking here... OK, so not them. | 0:11:44 | 0:11:48 | |
Ah, Dr Gardner, if you were on death row, what would your last meal be? | 0:11:50 | 0:11:56 | |
Dr Gardner? | 0:11:56 | 0:11:57 | |
Dr Gardner? | 0:11:59 | 0:12:01 | |
-Dr Gardner! -Noel, shut up! | 0:12:01 | 0:12:03 | |
Right you are. | 0:12:04 | 0:12:06 | |
Come on, come on. Where are you? | 0:12:06 | 0:12:09 | |
It could be any one of these. | 0:12:09 | 0:12:10 | |
What about a Frozen-theme wedding? | 0:12:10 | 0:12:13 | |
Yeah, you know... The Ice Queen! | 0:12:13 | 0:12:17 | |
-Lily! -Frozen? | 0:12:17 | 0:12:20 | |
You watch that on your gay days, do you? | 0:12:20 | 0:12:22 | |
Now, shut up, we need to find this kid. | 0:12:22 | 0:12:24 | |
Anyway, Lily's not like that. | 0:12:24 | 0:12:26 | |
All right? People think that she's this hard, cold whatever, | 0:12:26 | 0:12:29 | |
but she's not. | 0:12:29 | 0:12:31 | |
3006 to Control. | 0:12:31 | 0:12:34 | |
Listen, have you got a more precise location? | 0:12:34 | 0:12:36 | |
There's loads of factories round here. | 0:12:36 | 0:12:38 | |
-RADIO: -Control to 3006. We're afraid not. | 0:12:38 | 0:12:40 | |
We think the caller has a learning disability, | 0:12:40 | 0:12:42 | |
but we know the patient has been impaled. Over. | 0:12:42 | 0:12:45 | |
OK, so can we have his number so we can call him directly? | 0:12:45 | 0:12:48 | |
Yeah, give us a second. Over. | 0:12:48 | 0:12:50 | |
You know I'm only messing. | 0:12:50 | 0:12:52 | |
Look, if you like her, just go for it. | 0:12:52 | 0:12:55 | |
Well, thank you very much for your blessing. | 0:12:55 | 0:12:57 | |
Control to 3006. The number is 07968... | 0:12:57 | 0:13:03 | |
HE GROANS | 0:13:03 | 0:13:04 | |
Hello? | 0:13:04 | 0:13:05 | |
Hello, Darren? | 0:13:05 | 0:13:07 | |
Darren, My name's Iain, I'm a paramedic. | 0:13:07 | 0:13:09 | |
My brother, he's hurt. | 0:13:09 | 0:13:11 | |
OK, mate. Listen, we're on our way, to you but you need to tell us | 0:13:11 | 0:13:14 | |
a little bit more about where you are if you can. | 0:13:14 | 0:13:16 | |
I'm in a building. In a factory. | 0:13:18 | 0:13:21 | |
OK, what can you see, Darren? | 0:13:21 | 0:13:23 | |
I don't know, I don't know... | 0:13:23 | 0:13:25 | |
HE YELLS | 0:13:25 | 0:13:28 | |
-Count to ten... Count to ten and close your eyes. -Darren? | 0:13:28 | 0:13:31 | |
-Count to ten and close your eyes. -Darren? | 0:13:31 | 0:13:33 | |
Darren, I don't know if you can hear me. | 0:13:33 | 0:13:36 | |
Just try and stay nice and calm, OK? | 0:13:36 | 0:13:38 | |
We're doing our best to locate you. | 0:13:38 | 0:13:39 | |
Lee? | 0:13:41 | 0:13:42 | |
Lee... | 0:13:44 | 0:13:46 | |
Wake up. | 0:13:46 | 0:13:47 | |
And you won't find a more harder working, | 0:13:47 | 0:13:49 | |
passionate, ambitious candidate than me. | 0:13:49 | 0:13:52 | |
That, Mr Strachan, I can promise you. | 0:13:52 | 0:13:53 | |
Where do you see yourself in ten years' time? | 0:13:53 | 0:13:56 | |
It's you. Again. | 0:13:58 | 0:14:00 | |
Dr Chao, you're needed in resus. | 0:14:00 | 0:14:01 | |
No, no, no. Sorry, we're in the middle of a meeting. | 0:14:01 | 0:14:04 | |
I wasn't asking. We have an incoming... | 0:14:04 | 0:14:06 | |
Yeah, and you have other doctors. | 0:14:06 | 0:14:08 | |
Do you really want to be known as the medical director who put | 0:14:08 | 0:14:11 | |
lives at risk? | 0:14:11 | 0:14:13 | |
Resus. Now. | 0:14:13 | 0:14:14 | |
-Lee. I want to go home. -Darren... Darren? | 0:14:19 | 0:14:23 | |
Lee. I want to go home. | 0:14:23 | 0:14:25 | |
OK, Darren, listen, what I'm going to do, | 0:14:25 | 0:14:27 | |
I'm going to put our sirens on. | 0:14:27 | 0:14:29 | |
I want you to tell me if you can hear it. | 0:14:29 | 0:14:31 | |
-SIREN SOUNDS BRIEFLY -Darren, are you there? | 0:14:31 | 0:14:33 | |
I want to go home now. | 0:14:33 | 0:14:34 | |
All right, mate, look, I think we might be close, | 0:14:34 | 0:14:36 | |
just tell me if you can hear it, even if it's faint. | 0:14:36 | 0:14:39 | |
SIREN IN THE DISTANCE | 0:14:47 | 0:14:50 | |
Now. I can hear you now. | 0:14:50 | 0:14:51 | |
OK, Darren, I think we've got you. | 0:14:51 | 0:14:53 | |
Morning, ladies. | 0:14:59 | 0:15:01 | |
Step aside, Sam. What have we got? | 0:15:01 | 0:15:03 | |
OK, this is Lee Tailor. 17. He impaled his arm on a metal rod. | 0:15:03 | 0:15:06 | |
FB still in situ. | 0:15:06 | 0:15:08 | |
He lost consciousness from pain at the scene, but no evidence of | 0:15:08 | 0:15:11 | |
trauma to his head and no clinical indication of a neck injury. | 0:15:11 | 0:15:14 | |
OK... | 0:15:14 | 0:15:16 | |
GCS 15. | 0:15:16 | 0:15:17 | |
BP maintained at 110 systolic. | 0:15:17 | 0:15:20 | |
That's it, nice and easy, Lee. Nice and easy. | 0:15:20 | 0:15:22 | |
Sats are now 97% on air. | 0:15:22 | 0:15:24 | |
He's had 750mls of saline, Entonox and ten of morphine. | 0:15:24 | 0:15:28 | |
All right, let's have a full trauma assessment, please. | 0:15:28 | 0:15:31 | |
And this is Darren, Lee's brother - he is the one that raised the alarm. | 0:15:31 | 0:15:36 | |
-Is he going to be OK? -I'm going to be fine, mate. | 0:15:36 | 0:15:37 | |
We reckon they were stripping some electrics to sell on... | 0:15:37 | 0:15:40 | |
Sorry. Connie, we've got one, two, three consultants, a registrar, | 0:15:40 | 0:15:43 | |
a junior doctor, one of those... | 0:15:43 | 0:15:46 | |
Is this really necessary? | 0:15:46 | 0:15:47 | |
-Yes. -No. | 0:15:47 | 0:15:49 | |
Just so that you know, we're not pawns in your Game Of Thrones. | 0:15:49 | 0:15:53 | |
Right, I'm worried the rod's gone through the adipose tissue | 0:15:59 | 0:16:02 | |
in the lower bicep. | 0:16:02 | 0:16:03 | |
Is that a computer? | 0:16:03 | 0:16:04 | |
Yes, why don't you get Mr Strachan to show you what it does? | 0:16:04 | 0:16:09 | |
Darren, you need to come here. | 0:16:09 | 0:16:10 | |
He'll be fine with Mr Strachan. | 0:16:10 | 0:16:12 | |
He's police, isn't he? | 0:16:12 | 0:16:13 | |
No, he certainly isn't. | 0:16:13 | 0:16:15 | |
Darren, come here! | 0:16:15 | 0:16:17 | |
Let's just concentrate on you for now, shall we? | 0:16:17 | 0:16:19 | |
-Count to ten and close your eyes. -I'm sorry, it's all right. | 0:16:19 | 0:16:22 | |
Hey, whoa, whoa, whoa! DARREN SCREAMS | 0:16:22 | 0:16:24 | |
Oh, no, no, no, no! That's not a good idea. | 0:16:24 | 0:16:27 | |
HE YELLS IN PAIN | 0:16:27 | 0:16:30 | |
All right, Sam, why don't you get him out of here? | 0:16:30 | 0:16:33 | |
All right, Darren, you come with me, yeah? | 0:16:33 | 0:16:36 | |
All right, thank you. | 0:16:37 | 0:16:38 | |
Hey, hey. Daren, it's OK, it's all right. It's all over now. | 0:16:41 | 0:16:45 | |
The doctors will look after him. | 0:16:45 | 0:16:47 | |
How about we get you a nice cup of coffee? | 0:16:47 | 0:16:48 | |
I don't drink coffee. I like pop. I am allowed. | 0:16:48 | 0:16:53 | |
I like the blue ones. | 0:16:53 | 0:16:55 | |
All right. Let's see what we can find you, shall we? | 0:16:55 | 0:16:57 | |
Then I need to phone Mum. | 0:16:57 | 0:16:59 | |
Yeah. Of course, yeah. | 0:16:59 | 0:17:00 | |
What on earth did you think you were doing? | 0:17:04 | 0:17:06 | |
You could have severed an artery. | 0:17:08 | 0:17:10 | |
Then what good would you have been to him? | 0:17:10 | 0:17:12 | |
When was the last time you ate? | 0:17:19 | 0:17:21 | |
It's still not connecting, are you sure you gave me the right number? | 0:17:25 | 0:17:28 | |
Mum doesn't like to speak - she likes to listen. | 0:17:28 | 0:17:32 | |
Sorry, she...she just listens? | 0:17:32 | 0:17:35 | |
Darren, when was the last time you saw your mum? | 0:17:37 | 0:17:39 | |
Just before she went on holiday. | 0:17:39 | 0:17:41 | |
When was that? | 0:17:43 | 0:17:44 | |
This many weeks... | 0:17:49 | 0:17:51 | |
Months ago. | 0:17:51 | 0:17:53 | |
I don't know. | 0:17:53 | 0:17:54 | |
DOG BARKS | 0:18:00 | 0:18:02 | |
Can you hear me? Hello! | 0:18:13 | 0:18:16 | |
I need a word. | 0:18:20 | 0:18:22 | |
-Now is not the time. -Not with you. | 0:18:22 | 0:18:24 | |
Where's my brother? | 0:18:24 | 0:18:25 | |
He's currently in Mrs Beauchamp's office. | 0:18:25 | 0:18:28 | |
On the telephone. | 0:18:28 | 0:18:30 | |
You don't know anything about us. | 0:18:30 | 0:18:32 | |
-All right, Sam... -I know that he's a very confused young man. | 0:18:32 | 0:18:36 | |
Were you ever thinking of telling him? | 0:18:36 | 0:18:37 | |
-You don't know anything! -HE GROANS | 0:18:37 | 0:18:39 | |
All right, enough. | 0:18:39 | 0:18:41 | |
Get out of my resus. Now. | 0:18:41 | 0:18:43 | |
SIREN SOUNDS | 0:18:56 | 0:18:58 | |
RADIO TURNS ON, POP MUSIC PLAYS | 0:19:11 | 0:19:13 | |
GCS 13 but drowsy, pulse 30, BP 70/40. | 0:19:27 | 0:19:32 | |
Given him atropine and fluids with little effect. | 0:19:32 | 0:19:34 | |
Monitors please, 12 lead ECG, FBC, U&E, creatine, calcium and a CK. | 0:19:34 | 0:19:39 | |
OK, this is Nina Barnes, Clive's wife, 78. | 0:19:39 | 0:19:42 | |
She vomited en route. | 0:19:42 | 0:19:43 | |
But her vital signs are good. GCS 14 but drowsy, pulse 50. | 0:19:43 | 0:19:48 | |
OK, thanks. Hello, Nina, can you hear me? | 0:19:48 | 0:19:52 | |
We're just going to check you over, is that OK? | 0:19:52 | 0:19:54 | |
Duffy, let's move her to cubicles. | 0:19:54 | 0:19:57 | |
I can't leave him, he doesn't know where he is. | 0:19:57 | 0:20:00 | |
We'll check you over and then you can come back and see him. | 0:20:00 | 0:20:03 | |
Is that all right? Can we do that? | 0:20:03 | 0:20:05 | |
Good, OK. | 0:20:05 | 0:20:06 | |
Let's prep an activated charcoal solution. | 0:20:10 | 0:20:12 | |
Yes. | 0:20:12 | 0:20:13 | |
See, the X-ray shows some debris left in the wound, | 0:20:14 | 0:20:17 | |
-so that will need to be taken out. -Taken out how? | 0:20:17 | 0:20:19 | |
In theatre. Surgeon should be down shortly. | 0:20:19 | 0:20:22 | |
I'm sorry, I thought I made myself perfectly clear. | 0:20:22 | 0:20:25 | |
His brother would like to see him. | 0:20:25 | 0:20:26 | |
Darren made you a get well card. Didn't you, Darren? | 0:20:26 | 0:20:29 | |
I made it with my friend, Noel. | 0:20:29 | 0:20:31 | |
Are you sick? I spoke to Mum... | 0:20:33 | 0:20:35 | |
No, you didn't. | 0:20:37 | 0:20:39 | |
I told her you were poorly, but you were on the mend. | 0:20:39 | 0:20:42 | |
Darren, you didn't speak to her. | 0:20:43 | 0:20:45 | |
It's all right, you don't have to do this. | 0:20:45 | 0:20:47 | |
I left her a message. | 0:20:49 | 0:20:50 | |
Mum is dead. | 0:20:54 | 0:20:55 | |
She's on holiday. When is Mum coming home? | 0:20:55 | 0:21:00 | |
Darren, look at me. | 0:21:00 | 0:21:02 | |
She's never coming back. | 0:21:04 | 0:21:05 | |
Mum is in heaven. | 0:21:09 | 0:21:10 | |
Oh, I know it doesn't taste particularly nice, | 0:21:22 | 0:21:26 | |
but you do need to try and get it all down, if you can. | 0:21:26 | 0:21:29 | |
Yeah? | 0:21:29 | 0:21:30 | |
That's it, nearly there. | 0:21:34 | 0:21:36 | |
No... Uh. | 0:21:36 | 0:21:37 | |
Mrs Barnes, your husband is stabilising and his BP is | 0:21:39 | 0:21:43 | |
slowly improving. | 0:21:43 | 0:21:44 | |
Can I see him? | 0:21:44 | 0:21:46 | |
In a short while, yes. | 0:21:46 | 0:21:47 | |
I managed to locate your husband's medical records and I can see | 0:21:47 | 0:21:50 | |
a history of angina, atrial fibrillation, | 0:21:50 | 0:21:53 | |
high blood pressure and multiple heart attacks. | 0:21:53 | 0:21:56 | |
It isn't just that. | 0:21:56 | 0:21:57 | |
You need to understand... | 0:21:59 | 0:22:01 | |
Understand what? | 0:22:01 | 0:22:02 | |
Why we did it. | 0:22:02 | 0:22:04 | |
And I hope you understand that the pills he's taken, | 0:22:05 | 0:22:08 | |
in such large quantities, may have caused some serious damage. | 0:22:08 | 0:22:11 | |
You're very lucky to have vomited when you did. | 0:22:11 | 0:22:14 | |
What happened in the car, Nina? | 0:22:16 | 0:22:18 | |
It's very important we know. | 0:22:19 | 0:22:21 | |
They were going to take him away from me, split us up. | 0:22:23 | 0:22:28 | |
Who was? | 0:22:28 | 0:22:29 | |
They were going to put him in a home. | 0:22:29 | 0:22:32 | |
-So you gave him the pills? -Dr Chao. | 0:22:32 | 0:22:34 | |
It's what he wanted. What WE wanted. | 0:22:34 | 0:22:39 | |
We wanted to go together. | 0:22:39 | 0:22:41 | |
Oh, all right, all right. That's better, yeah? | 0:22:42 | 0:22:46 | |
SHE COUGHS | 0:22:47 | 0:22:49 | |
OK. | 0:22:49 | 0:22:51 | |
Hey, this was in the back of Nina and Clive's car, | 0:22:56 | 0:23:00 | |
it's some old photos and stuff. | 0:23:00 | 0:23:01 | |
I thought she might want it with her. | 0:23:01 | 0:23:04 | |
That's really thoughtful of you. | 0:23:04 | 0:23:05 | |
-Maybe leave it with reception for now? -OK. | 0:23:05 | 0:23:07 | |
How are they? | 0:23:07 | 0:23:08 | |
The husband is critical but stable. | 0:23:08 | 0:23:11 | |
The wife is, by her own admission, culpable. | 0:23:11 | 0:23:14 | |
Culpable, how? | 0:23:14 | 0:23:16 | |
She plied herself and her husband with pills | 0:23:16 | 0:23:18 | |
so they could die together. | 0:23:18 | 0:23:20 | |
That's not the answer, there's help out there. | 0:23:20 | 0:23:22 | |
She didn't have to do that. | 0:23:22 | 0:23:24 | |
It is assisted suicide, and it is illegal. | 0:23:24 | 0:23:26 | |
-Wait, you're not thinking of...? -The police will have to be informed. | 0:23:31 | 0:23:34 | |
Whoa, whoa, Lily... | 0:23:34 | 0:23:35 | |
Lily, slow down. You need to think about this. | 0:23:35 | 0:23:38 | |
Remember what happened last time you jumped the gun with Gemma? | 0:23:38 | 0:23:42 | |
OK, that woman don't deserve to be carted off like some criminal. | 0:23:42 | 0:23:45 | |
I don't make the rules. | 0:23:45 | 0:23:46 | |
No, I get that. But this isn't a criminal matter, is it? | 0:23:46 | 0:23:49 | |
Any decent human being can see that. | 0:23:49 | 0:23:51 | |
Lily, please do not do that. | 0:23:54 | 0:23:57 | |
What you're asking of me is impossible. Rules are rules. | 0:23:57 | 0:24:00 | |
Fine, fine. Rules are rules, but it's like... | 0:24:00 | 0:24:04 | |
Like what? | 0:24:04 | 0:24:05 | |
-It's like you don't even care. -I am just doing my job. | 0:24:05 | 0:24:08 | |
-So am I. -It's a very different job. | 0:24:08 | 0:24:10 | |
Look, I'm just trying to say you wouldn't understand. | 0:24:11 | 0:24:15 | |
No, you're right. I don't understand. | 0:24:15 | 0:24:19 | |
-You're twisting my words. -I've got to get back to work. | 0:24:19 | 0:24:22 | |
SHE SIGHS | 0:24:22 | 0:24:25 | |
Impressive CV, Dr Keogh. | 0:24:39 | 0:24:41 | |
Perhaps you'd like to talk me through it? | 0:24:41 | 0:24:44 | |
Talk you through it? Yeah, OK. | 0:24:44 | 0:24:46 | |
Nursery. Pre-school. School. | 0:24:47 | 0:24:49 | |
Medical school. | 0:24:49 | 0:24:51 | |
Junior doctor. Registrar. Consultant. | 0:24:51 | 0:24:55 | |
Mm-hm. Anything you'd like to add? | 0:24:55 | 0:24:57 | |
Very good consultant? | 0:24:59 | 0:25:01 | |
You know, it's almost like you want me to pass you over, | 0:25:02 | 0:25:05 | |
and I'm just wondering exactly why you're so intent on self-sabotage. | 0:25:05 | 0:25:10 | |
My job is to help patients, isn't it? To save lives. | 0:25:14 | 0:25:16 | |
If I wasn't able to do that with Cal, what am I even doing here? | 0:25:16 | 0:25:20 | |
Was there anything else? | 0:25:22 | 0:25:24 | |
No. | 0:25:24 | 0:25:25 | |
-I'm sorry to have been such a nuisance. -Oh! | 0:25:28 | 0:25:30 | |
Nonsense. Worse things have happened at sea, eh? | 0:25:30 | 0:25:35 | |
How long have you been married? | 0:25:37 | 0:25:39 | |
Well, quite recently, actually. | 0:25:39 | 0:25:42 | |
Like you, I got lucky, I married my best friend. | 0:25:42 | 0:25:46 | |
-How many years have you and Clive...? -60 years. | 0:25:46 | 0:25:48 | |
Gosh! So that must be... | 0:25:48 | 0:25:50 | |
1957 we tied the knot. | 0:25:50 | 0:25:53 | |
Though we had been courting for quite some time. | 0:25:53 | 0:25:56 | |
I was just a girl when we met. | 0:25:56 | 0:25:59 | |
That all sounds rather romantic to me. | 0:25:59 | 0:26:01 | |
I don't think you can call a two-up-two-down romantic | 0:26:01 | 0:26:05 | |
these days, but maybe it was back then. | 0:26:05 | 0:26:08 | |
We haven't spent more than one night apart from each other - | 0:26:09 | 0:26:13 | |
not in all those years. | 0:26:13 | 0:26:15 | |
Do you and your husband have children? | 0:26:17 | 0:26:20 | |
Four boys. Three, from my first marriage. | 0:26:21 | 0:26:24 | |
Two halfway around the world now. | 0:26:24 | 0:26:26 | |
Mrs Barnes, you can go and see your husband now. | 0:26:28 | 0:26:31 | |
Can you tell them that I'm sorry for what I did? | 0:26:31 | 0:26:36 | |
But it is what we wanted... | 0:26:36 | 0:26:37 | |
Please, Nina, try not to worry. | 0:26:37 | 0:26:40 | |
The police will ask a few questions, that's all. | 0:26:40 | 0:26:43 | |
Belt and braces stuff. | 0:26:43 | 0:26:44 | |
-I'm not a criminal... -I know. | 0:26:44 | 0:26:46 | |
When I spoke to them, I stressed the personal circumstances. | 0:26:51 | 0:26:55 | |
As Sister Duffin says, it's...it's procedure. | 0:26:55 | 0:26:58 | |
-You can take Mrs Barnes through now. -OK. | 0:26:58 | 0:27:01 | |
Hey. You haven't seen my keys, have you? | 0:27:11 | 0:27:13 | |
Actually, yeah. I found them earlier. | 0:27:14 | 0:27:17 | |
-You must have dropped them or something. -Thank you. | 0:27:17 | 0:27:20 | |
Are you OK? | 0:27:21 | 0:27:22 | |
Yeah, I'm going to head home, I think. | 0:27:22 | 0:27:25 | |
I'll call you later. | 0:27:28 | 0:27:30 | |
Charlie? You have to see this. | 0:27:44 | 0:27:47 | |
Take your time. | 0:28:02 | 0:28:03 | |
Clive? | 0:28:06 | 0:28:08 | |
What have I done? | 0:28:11 | 0:28:12 | |
This isn't your fault. | 0:28:12 | 0:28:15 | |
That's not what they seem to think. | 0:28:17 | 0:28:19 | |
The police want to talk to me. | 0:28:21 | 0:28:23 | |
I've already said goodbye to you once, | 0:28:24 | 0:28:27 | |
I don't want to have to do it again. | 0:28:27 | 0:28:29 | |
That's enough of that now. | 0:28:29 | 0:28:32 | |
You remember the good times, do you hear me? | 0:28:32 | 0:28:35 | |
You remember the laughter. | 0:28:37 | 0:28:40 | |
And the love. | 0:28:41 | 0:28:42 | |
And your two left feet. | 0:28:42 | 0:28:44 | |
He used to take me dancing. | 0:28:46 | 0:28:48 | |
He was a terrible dancer. | 0:28:50 | 0:28:52 | |
He only came for the whisky. | 0:28:52 | 0:28:54 | |
I came for you! | 0:28:54 | 0:28:57 | |
I love you, Nina. | 0:29:00 | 0:29:02 | |
I love you too, Clive. | 0:29:03 | 0:29:05 | |
-MACHINE BEEPS WORRIEDLY: -Doctor? | 0:29:07 | 0:29:10 | |
He's much more bradycardic. | 0:29:10 | 0:29:12 | |
Let's.. Dr Keogh, a hand, please? | 0:29:12 | 0:29:14 | |
Let's increase O2, fluid rate | 0:29:16 | 0:29:17 | |
and let's give him another 1.2mgs of atropine. | 0:29:17 | 0:29:20 | |
Clive! | 0:29:20 | 0:29:21 | |
Shall I repeat the 12 lead? | 0:29:21 | 0:29:23 | |
BP is through the floor. | 0:29:23 | 0:29:24 | |
Let's intubate. | 0:29:24 | 0:29:26 | |
Clive! | 0:29:26 | 0:29:27 | |
What if he does something stupid? | 0:29:36 | 0:29:38 | |
Ethan's grieving, people do strange things. | 0:29:38 | 0:29:41 | |
But he's not dangerous. | 0:29:41 | 0:29:43 | |
So what do I do? | 0:29:43 | 0:29:45 | |
Just be there for him. That's all any of us can do. | 0:29:45 | 0:29:48 | |
Count to ten. Close my eyes... | 0:29:48 | 0:29:52 | |
I need to close my eyes. | 0:29:52 | 0:29:55 | |
Look, Darren, let's not play around any more, eh? | 0:29:55 | 0:29:57 | |
Close my eyes... | 0:29:57 | 0:29:59 | |
Do you want to try and take a seat for me over here? | 0:29:59 | 0:30:02 | |
You OK? | 0:30:06 | 0:30:08 | |
Darren? | 0:30:08 | 0:30:10 | |
Charlie... | 0:30:10 | 0:30:11 | |
-Yes. -He's... | 0:30:11 | 0:30:13 | |
Darren? Are you all right? | 0:30:15 | 0:30:17 | |
I don't feel good. | 0:30:17 | 0:30:19 | |
No, you're looking very pale. | 0:30:19 | 0:30:20 | |
Right, let's get you checked over. | 0:30:20 | 0:30:22 | |
-You got breath sounds? -Yes. | 0:30:26 | 0:30:28 | |
That's a start, anyway. | 0:30:28 | 0:30:30 | |
He is in complete heart block, though, | 0:30:32 | 0:30:34 | |
-he's not responding to the atropine. -Let's try externally pacing him. | 0:30:34 | 0:30:36 | |
OK. | 0:30:36 | 0:30:38 | |
Can you please detail a time when a new and different approach | 0:30:38 | 0:30:41 | |
proved beneficial to your patient? | 0:30:41 | 0:30:44 | |
What did you do and what was the outcome? | 0:30:44 | 0:30:47 | |
Would you care to venture an answer? | 0:30:47 | 0:30:50 | |
-Are we really doing this? -Sorry, I don't quite follow. | 0:30:50 | 0:30:54 | |
You know exactly what I'm capable of. | 0:30:54 | 0:30:58 | |
Hm. | 0:30:58 | 0:30:59 | |
There are questions I need to ask. | 0:30:59 | 0:31:02 | |
You're enjoying this, aren't you? | 0:31:04 | 0:31:06 | |
This is about funding, budgets, and a big black, | 0:31:06 | 0:31:10 | |
gaping hole in the middle of the NHS, Connie. | 0:31:10 | 0:31:13 | |
It's not about you and me. | 0:31:13 | 0:31:15 | |
Really? Cos you could have fooled me. | 0:31:15 | 0:31:18 | |
And why were you interviewing Dr Chao? | 0:31:18 | 0:31:21 | |
I believe she is capable. | 0:31:21 | 0:31:22 | |
-Dr Chao is... -Is what, Connie? Your creation? | 0:31:24 | 0:31:28 | |
Little miniature Connie walking around, | 0:31:28 | 0:31:29 | |
clicking those heels? Oh, come on. | 0:31:29 | 0:31:32 | |
KNOCK ON DOOR | 0:31:32 | 0:31:34 | |
Sorry, to interrupt. Mrs Beauchamp, you're needed in resus. | 0:31:34 | 0:31:37 | |
No, absolutely not! Connie, I've had just about enough of your games. | 0:31:37 | 0:31:40 | |
Connie! | 0:31:40 | 0:31:41 | |
Close your eyes and count to ten. | 0:31:41 | 0:31:43 | |
Darren, it's very important that you listen to me. | 0:31:43 | 0:31:46 | |
What's happened here? | 0:31:48 | 0:31:49 | |
Well, Darren has got abdo pains, he seems confused, | 0:31:49 | 0:31:52 | |
but there's no obvious signs of injury. | 0:31:52 | 0:31:54 | |
OK, let's check his BM, | 0:31:54 | 0:31:56 | |
put out some IV fluids and find out what the hell is going on. | 0:31:56 | 0:31:59 | |
This look like a game to you? | 0:31:59 | 0:32:00 | |
Where's the brother gone? | 0:32:01 | 0:32:03 | |
-Let's set it to 70. -OK. | 0:32:06 | 0:32:08 | |
It's not pacing, let's increase the current. | 0:32:11 | 0:32:13 | |
There, pacing spikes. | 0:32:16 | 0:32:18 | |
Please... Give him some dignity. | 0:32:19 | 0:32:21 | |
This is reversible, Mrs Barnes. | 0:32:21 | 0:32:23 | |
I know it's hard, but we are doing what's best for the patient. | 0:32:23 | 0:32:26 | |
That patient is my husband. | 0:32:26 | 0:32:28 | |
The doctors need to do their job. | 0:32:28 | 0:32:30 | |
He doesn't want this! He doesn't want it! | 0:32:30 | 0:32:33 | |
No - he's arrested. | 0:32:33 | 0:32:34 | |
-Commencing CPR. -OK. | 0:32:34 | 0:32:36 | |
Please stop, I'm begging you! | 0:32:41 | 0:32:44 | |
Nina, without any clear indication of his wishes, | 0:32:44 | 0:32:47 | |
we are obliged to keep going. | 0:32:47 | 0:32:49 | |
-BONE CRACKS -Ah! | 0:32:51 | 0:32:53 | |
Lee, it is Sam Strachan at Holby City. | 0:32:58 | 0:32:59 | |
Look, your brother is really quite unwell. | 0:32:59 | 0:33:02 | |
And I also gather you are awaiting a theatre slot, | 0:33:02 | 0:33:04 | |
so you need to get back to the Holby ED as soon as you get this. | 0:33:04 | 0:33:08 | |
I just don't get it, I mean, the BM is fine. | 0:33:08 | 0:33:11 | |
Possibly he's taken something. | 0:33:11 | 0:33:12 | |
Yeah. Darren, have you taken anything? | 0:33:12 | 0:33:14 | |
I want my brother. I want Lee. | 0:33:14 | 0:33:17 | |
OK... | 0:33:17 | 0:33:18 | |
-FORCEFULLY: -Move! | 0:33:18 | 0:33:20 | |
-Waste of space... -Hey, don't speak to me like that. | 0:33:20 | 0:33:22 | |
I can talk to you how I like. I have a patient that needs my help. | 0:33:22 | 0:33:25 | |
-Show some respect. -Some respect? | 0:33:25 | 0:33:27 | |
You push a pen and wield an axe. | 0:33:27 | 0:33:29 | |
Mr Strachan, you are not fit for purpose. | 0:33:29 | 0:33:31 | |
Do I actually need to remind you that I am your medical director? | 0:33:31 | 0:33:33 | |
Then behave like one because from where I stand, | 0:33:33 | 0:33:36 | |
the NHS, this hospital, my department - | 0:33:36 | 0:33:38 | |
it all runs not because of people like you | 0:33:38 | 0:33:40 | |
but despite people like you. | 0:33:40 | 0:33:42 | |
STEADY BEEP SOUNDS | 0:33:50 | 0:33:53 | |
-No output. -OK, more adrenaline, please. Recommencing. | 0:33:54 | 0:33:58 | |
No! | 0:33:59 | 0:34:00 | |
You're hurting him! | 0:34:00 | 0:34:02 | |
SHE SIGHS | 0:34:14 | 0:34:16 | |
Lily, Lily, he's asystolic. There is no BP, there is no output. | 0:34:22 | 0:34:26 | |
Do we all agree? | 0:34:31 | 0:34:33 | |
Time of death. | 0:34:36 | 0:34:38 | |
16.25. | 0:34:38 | 0:34:39 | |
SHE SOBS | 0:34:48 | 0:34:50 | |
-SOFTLY: -It's all right, Nina. | 0:34:56 | 0:34:57 | |
Ah, Dr Chao, what do you want me to do with this? | 0:35:03 | 0:35:06 | |
Iain left it. | 0:35:06 | 0:35:08 | |
Everything OK? | 0:35:23 | 0:35:24 | |
Lily? | 0:35:26 | 0:35:27 | |
Could you help me with something, please? | 0:35:28 | 0:35:30 | |
CAR DOORS LOCK | 0:35:39 | 0:35:43 | |
Lee, I know you're in there. Open the door! | 0:35:55 | 0:35:58 | |
Lee, your brother's taken something, we need to know what it is. | 0:36:00 | 0:36:03 | |
Lee! | 0:36:13 | 0:36:14 | |
Lee, listen to me, | 0:36:15 | 0:36:17 | |
I know what you were doing in that factory. | 0:36:17 | 0:36:19 | |
You were stripping cables to buy food. | 0:36:19 | 0:36:21 | |
I know you're doing everything you can for him. I know that. | 0:36:23 | 0:36:26 | |
But you don't need to do this all by yourself. | 0:36:26 | 0:36:28 | |
I have a daughter, Grace. | 0:36:37 | 0:36:40 | |
She suffered a brain injury. | 0:36:41 | 0:36:43 | |
I look after her. | 0:36:43 | 0:36:44 | |
But I can't do it by myself. | 0:36:46 | 0:36:47 | |
I need people around me. | 0:36:47 | 0:36:49 | |
There are people who can help you. Both of you. | 0:36:51 | 0:36:54 | |
You just need to say the word. | 0:36:54 | 0:36:56 | |
Lee, please, do not give up on him now. | 0:37:00 | 0:37:03 | |
He's better off without me. | 0:37:09 | 0:37:10 | |
I don't think Darren sees it like that. | 0:37:12 | 0:37:14 | |
Now, look, you really need to think - | 0:37:16 | 0:37:18 | |
have you got anything in your cupboards? | 0:37:18 | 0:37:20 | |
Chemicals, bleach? Anything like that? | 0:37:20 | 0:37:22 | |
-Um... -Can I? | 0:37:22 | 0:37:24 | |
Yeah. | 0:37:26 | 0:37:28 | |
Nah, there's nothing here. | 0:37:28 | 0:37:30 | |
Well, let's just see anyway. | 0:37:31 | 0:37:33 | |
He wouldn't have drunk bleach anyway, he's not stupid. | 0:37:35 | 0:37:38 | |
Yeah, well... | 0:37:38 | 0:37:39 | |
So, who do I ask, then? For help? | 0:37:42 | 0:37:45 | |
Well, I will personally put you in touch. | 0:37:46 | 0:37:50 | |
I want Lee... | 0:38:06 | 0:38:09 | |
HE RETCHES | 0:38:09 | 0:38:10 | |
Oh, no, no, no... | 0:38:10 | 0:38:12 | |
Oh, Darren... No, no, no. Let's get a bowl, quick. | 0:38:12 | 0:38:15 | |
Oh, Darren, what are you doing to us? | 0:38:15 | 0:38:17 | |
PHONE RINGS | 0:38:17 | 0:38:20 | |
HE MUMBLES | 0:38:20 | 0:38:22 | |
Oh, Darren... | 0:38:23 | 0:38:24 | |
-That's Sam. -Oh, ignore it. | 0:38:24 | 0:38:27 | |
-It might be important. -No, he always thinks he's important. | 0:38:27 | 0:38:30 | |
Text from Sam, it's anti-freeze. | 0:38:33 | 0:38:35 | |
All right, IV - fomepizole. | 0:38:35 | 0:38:38 | |
All right, Darren, we are going to sort you out. | 0:38:38 | 0:38:42 | |
RAPID KNOCKING | 0:38:56 | 0:38:58 | |
What are you doing? | 0:39:08 | 0:39:10 | |
He's got away with murder, Alicia. | 0:39:11 | 0:39:13 | |
What do you think is going to happen? | 0:39:16 | 0:39:17 | |
You think Scott is going to do | 0:39:17 | 0:39:19 | |
a drug deal out here on the street or... | 0:39:19 | 0:39:21 | |
..stab someone else right in front of you? | 0:39:22 | 0:39:24 | |
I don't know, but I need to do something. | 0:39:24 | 0:39:26 | |
And this is all I can think to do. | 0:39:26 | 0:39:27 | |
-Ethan. -What? -Let me in, I'm bloody freezing. | 0:39:30 | 0:39:34 | |
MUSIC: It Had To Be You | 0:39:47 | 0:39:51 | |
SHE BLOWS DUST OFF | 0:39:54 | 0:39:56 | |
# For nobody else gave me a thrill | 0:40:10 | 0:40:17 | |
# With all your faults, I love you still | 0:40:17 | 0:40:22 | |
# It had to be you | 0:40:22 | 0:40:25 | |
# Wonderful you | 0:40:25 | 0:40:28 | |
# It had to be you. # | 0:40:28 | 0:40:35 | |
Iain. | 0:41:06 | 0:41:07 | |
I don't want to argue. | 0:41:09 | 0:41:10 | |
Then don't. | 0:41:17 | 0:41:19 | |
I didn't have a choice. I had to follow procedure. | 0:41:19 | 0:41:22 | |
Yeah, you're right. Rules are rules, aren't they? | 0:41:23 | 0:41:26 | |
It's just that, what with me being a caveman and all, | 0:41:26 | 0:41:29 | |
I can't seem to get my head around | 0:41:29 | 0:41:31 | |
the ins and outs of your ethical obligations. | 0:41:31 | 0:41:33 | |
Who said you were a caveman? | 0:41:33 | 0:41:35 | |
-You did. -I didn't say that. | 0:41:35 | 0:41:37 | |
Yeah, you did. That's what you insinuated. | 0:41:37 | 0:41:39 | |
In my interview, | 0:41:44 | 0:41:46 | |
Mr Strachan asked where I see myself in ten years, | 0:41:46 | 0:41:50 | |
and I didn't know how to answer. | 0:41:50 | 0:41:52 | |
Because... | 0:41:52 | 0:41:53 | |
..the older I get, the more I realise life doesn't run on plans. | 0:41:55 | 0:41:59 | |
Even the best laid ones. | 0:42:00 | 0:42:01 | |
People come into your life and it changes things. | 0:42:03 | 0:42:07 | |
I don't know what this is, or where we are going. | 0:42:10 | 0:42:15 | |
But I want to find out. | 0:42:15 | 0:42:17 | |
The question is - do you? | 0:42:18 | 0:42:20 | |
Whatever you have to say, just say it. There's obviously an issue here. | 0:42:26 | 0:42:29 | |
OK. | 0:42:31 | 0:42:33 | |
This morning, when I told you I wish I'd tried harder at school... | 0:42:33 | 0:42:36 | |
..that's about as close to opening up as you're going to get from me. | 0:42:38 | 0:42:41 | |
And at the first opportunity, you make me feel like a thick | 0:42:41 | 0:42:44 | |
little kid, by telling me that I couldn't possibly understand. | 0:42:44 | 0:42:47 | |
-Do you expect me to...? -I expect some compassion, Lily! | 0:42:47 | 0:42:50 | |
And at the end of the day, you did. | 0:42:51 | 0:42:53 | |
You made me feel about this big. | 0:42:53 | 0:42:55 | |
OK? And another thing, | 0:42:55 | 0:42:57 | |
don't think I didn't see you clock Mr Strachan | 0:42:57 | 0:42:59 | |
before you promptly towed the party line | 0:42:59 | 0:43:01 | |
-and threw that woman under the bus. -I did no such thing. -You did | 0:43:01 | 0:43:03 | |
what was right for your career. | 0:43:03 | 0:43:06 | |
You always do. | 0:43:06 | 0:43:07 | |
I thought you were different, Iain. | 0:43:08 | 0:43:10 | |
But you are just as insecure as the next man. | 0:43:10 | 0:43:13 | |
Your intellect, or lack thereof, is not my responsibility. | 0:43:13 | 0:43:16 | |
-So shame on you! -Hang on a minute, shame on me? | 0:43:16 | 0:43:19 | |
Shame on you! | 0:43:19 | 0:43:20 | |
I'm not insecure, Lily. | 0:43:20 | 0:43:22 | |
I might not be a match for your intellectual standards, | 0:43:22 | 0:43:24 | |
but at least I've got standards. | 0:43:24 | 0:43:26 | |
At least I've got morals. What you did to that woman was totally unforgiveable. | 0:43:26 | 0:43:29 | |
-What I did was right! -You're hollow. | 0:43:29 | 0:43:31 | |
And you're heartless. | 0:43:31 | 0:43:32 | |
Wait, wait, I didn't mean that. | 0:43:37 | 0:43:39 | |
I'm sorry. | 0:43:41 | 0:43:42 | |
Yeah. So am I. | 0:43:44 | 0:43:46 | |
HE SIGHS | 0:43:52 | 0:43:53 | |
Lee? | 0:43:55 | 0:43:57 | |
Right, young man, we still need to look at that arm. | 0:43:57 | 0:43:59 | |
Just...give him a minute. | 0:43:59 | 0:44:02 | |
I didn't know it was bad to drink. | 0:44:02 | 0:44:04 | |
I was thirsty... | 0:44:04 | 0:44:05 | |
This isn't your fault. | 0:44:05 | 0:44:06 | |
How is he? | 0:44:08 | 0:44:09 | |
We got the antidote to him before he deteriorated. | 0:44:09 | 0:44:13 | |
We have a few follow-up tests to do, but with a fair wind, | 0:44:14 | 0:44:18 | |
he should make a full recovery. | 0:44:18 | 0:44:20 | |
OK? | 0:44:21 | 0:44:23 | |
I should have taken better care of you, mate. | 0:44:23 | 0:44:26 | |
Lee, I've seen a lot of people mistakenly drink anti-freeze | 0:44:26 | 0:44:32 | |
in my time. It's not so unusual. | 0:44:32 | 0:44:34 | |
You shouldn't blame yourself for this. | 0:44:36 | 0:44:38 | |
I'm sorry, Darren. | 0:44:42 | 0:44:44 | |
I'm sorry that I haven't been there for you, mate. | 0:44:46 | 0:44:49 | |
You've always been there for me. I can't get rid of you. | 0:44:50 | 0:44:53 | |
Are you sad because Mum went to heaven? | 0:44:58 | 0:45:01 | |
Yeah. Yeah. | 0:45:01 | 0:45:03 | |
Yeah, yeah, I am. | 0:45:06 | 0:45:08 | |
It's OK to be sad. | 0:45:09 | 0:45:12 | |
I'll look after you. | 0:45:12 | 0:45:13 | |
Come here. | 0:45:15 | 0:45:16 | |
Max! Max! Wait! | 0:45:28 | 0:45:31 | |
"A starter of tempura prawns. | 0:45:35 | 0:45:36 | |
"A main course of lamb korma followed by Angel Delight | 0:45:36 | 0:45:39 | |
"and an ice-cold Dandelion and Burdock." | 0:45:39 | 0:45:41 | |
-Spent a lot of time on that! -OK. | 0:45:41 | 0:45:43 | |
Oh, sorry, I didn't... | 0:46:06 | 0:46:08 | |
You didn't. | 0:46:08 | 0:46:10 | |
Ran out of clean shirts. | 0:46:10 | 0:46:11 | |
So, when should we expect the decision? | 0:46:15 | 0:46:18 | |
I've already made it. | 0:46:18 | 0:46:20 | |
You win. | 0:46:22 | 0:46:23 | |
-Meaning? -Meaning - I've come up with a financial solution that I | 0:46:23 | 0:46:28 | |
believe will satisfy the board whilst also saving jobs | 0:46:28 | 0:46:32 | |
-on the shop floor. -Good. Glad to hear it. | 0:46:32 | 0:46:36 | |
Did you want to stay while I take off my trousers, too? | 0:46:38 | 0:46:41 | |
Henrik Hanssen, please. | 0:47:04 | 0:47:05 | |
No, I'll leave a message. | 0:47:07 | 0:47:08 | |
Henrik, it's Sam. | 0:47:10 | 0:47:12 | |
It's with regret that I resign from my post as medical director | 0:47:13 | 0:47:17 | |
with immediate effect. | 0:47:17 | 0:47:18 | |
I'm sure we'll speak soon. | 0:47:20 | 0:47:22 |