Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-There's a baby in the house! -EXPLOSION | 0:00:02 | 0:00:03 | |
I just wanted to say sorry to your wife. I never knew you had a baby. | 0:00:03 | 0:00:07 | |
How do you do it? Does it ever get you down, at all? | 0:00:07 | 0:00:10 | |
HE SPLUTTERS | 0:00:10 | 0:00:11 | |
Time of death, 17:42. | 0:00:11 | 0:00:13 | |
There's nothing else I can do, but you can. | 0:00:13 | 0:00:16 | |
-You think this is what these people need to see? -Dylan, she's bled out. | 0:00:16 | 0:00:20 | |
Where are we going? | 0:00:20 | 0:00:21 | |
You're coming with me. | 0:00:21 | 0:00:22 | |
MELANCHOLY MUSIC | 0:00:25 | 0:00:28 | |
-The girl's brother? -Yeah. | 0:00:33 | 0:00:34 | |
We do what we can. | 0:00:36 | 0:00:37 | |
But sometimes we want to do more, eh? | 0:00:37 | 0:00:39 | |
I'm just a doctor, I know my limitations... | 0:00:40 | 0:00:43 | |
We had a medic in Calais. | 0:00:44 | 0:00:45 | |
Tried to take two of the children back with him. | 0:00:45 | 0:00:47 | |
-What? To England? -Hm. | 0:00:47 | 0:00:49 | |
With a housing crisis and a crumbling NHS, | 0:00:50 | 0:00:52 | |
it's not the warmest of welcomes for refugees, is it? | 0:00:52 | 0:00:54 | |
-I think your colleague was probably insane. -Hm... | 0:00:54 | 0:00:56 | |
Unfortunately for him, the courts do not believe he was. | 0:00:56 | 0:01:00 | |
So, you going into work today? | 0:01:38 | 0:01:41 | |
I want to, but, er... | 0:01:41 | 0:01:44 | |
I'm still not 100%, so... | 0:01:44 | 0:01:45 | |
OK. | 0:01:47 | 0:01:48 | |
Well, I'll be back later. We'll put on a movie or something, yeah? | 0:01:48 | 0:01:51 | |
-Mm-hm. -Your choice. Within reason, though. | 0:01:51 | 0:01:54 | |
Have a good day. | 0:01:57 | 0:01:59 | |
I'll see you later. | 0:01:59 | 0:02:00 | |
BABY CRIES IN BACKGROUND | 0:02:06 | 0:02:07 | |
I'm going to the shop, do you want anything? | 0:02:07 | 0:02:09 | |
Er, no, thanks. | 0:02:09 | 0:02:11 | |
-We're out of milk. Unless you want to fill us up? -Eew! | 0:02:11 | 0:02:15 | |
BABY CRIES IN BACKGROUND | 0:02:18 | 0:02:19 | |
It's just a bad case of tonsillitis, it is very easily | 0:02:25 | 0:02:29 | |
spread in close quarters like this. | 0:02:29 | 0:02:31 | |
Um, I've given her some pain relief. | 0:02:31 | 0:02:33 | |
You can take this one away with you, all right? | 0:02:33 | 0:02:35 | |
If it gets any worse, come back and I'll give you some antibiotics. | 0:02:35 | 0:02:39 | |
All right? But in any event, I'll come and find you tomorrow | 0:02:39 | 0:02:41 | |
and make sure that she's feeling a little bit better. OK? | 0:02:41 | 0:02:44 | |
-Thank you, Doctor. -No, no. Quite all right. | 0:02:44 | 0:02:47 | |
You, little lady... | 0:02:53 | 0:02:54 | |
Shall we put some music on? | 0:02:54 | 0:02:56 | |
SHE GASPS | 0:02:56 | 0:02:57 | |
Let's see what rubbish Uncle Max is listening to these days. | 0:02:57 | 0:03:01 | |
GLASS SMASHES | 0:03:01 | 0:03:02 | |
ROBYN SCREAMS AND BABY CRIES | 0:03:02 | 0:03:05 | |
Jez! | 0:03:05 | 0:03:06 | |
-Jez! Help! -SMOKE ALARM | 0:03:08 | 0:03:09 | |
-Robyn?! -I can't get out! Help! | 0:03:09 | 0:03:12 | |
Jez! | 0:03:15 | 0:03:16 | |
Robyn! | 0:03:16 | 0:03:17 | |
ROBYN CHOKES | 0:03:17 | 0:03:19 | |
Robyn! Robyn! | 0:03:20 | 0:03:23 | |
Robyn! Can you hear me?! | 0:03:23 | 0:03:25 | |
Jez! | 0:03:25 | 0:03:26 | |
-What happened? -I don't know! | 0:03:26 | 0:03:27 | |
I was upstairs and I just heard the window smash. | 0:03:27 | 0:03:29 | |
I'm going in. | 0:03:29 | 0:03:31 | |
-Robyn! -JEZ STRAINS | 0:03:31 | 0:03:33 | |
Right, er, grab a jacket! | 0:03:33 | 0:03:35 | |
-OK. -Open it up. -One, two, three. -Go! | 0:03:35 | 0:03:37 | |
-Robyn?! -ROBYN COUGHS | 0:03:39 | 0:03:40 | |
I'm here. | 0:03:40 | 0:03:41 | |
Get Charlotte out. | 0:03:41 | 0:03:43 | |
CHARLOTTE CRIES | 0:03:43 | 0:03:45 | |
Jez! Get her out! | 0:03:45 | 0:03:46 | |
Just give her to me. | 0:03:46 | 0:03:48 | |
OK, let's go. | 0:03:51 | 0:03:52 | |
Yeah, come on. Come on. | 0:03:52 | 0:03:53 | |
COUGHING | 0:03:53 | 0:03:56 | |
Let me see her. | 0:04:00 | 0:04:01 | |
Why isn't she crying? | 0:04:03 | 0:04:04 | |
Why isn't she crying? | 0:04:05 | 0:04:07 | |
-Is she breathing? -Jez? -I don't know, I can't hear. | 0:04:08 | 0:04:11 | |
-She's breathing. -What happened? Jez? | 0:04:16 | 0:04:19 | |
Somebody threw a burning bottle through the window. | 0:04:19 | 0:04:21 | |
Let me guess, you thought you'd play fireman again, did you? | 0:04:21 | 0:04:25 | |
She was in the house for two or three minutes. | 0:04:25 | 0:04:27 | |
Airway's clear, no signs of any burns. | 0:04:27 | 0:04:29 | |
Let Iain get her to the ambulance, give her a proper assess, OK? | 0:04:29 | 0:04:31 | |
-Yeah, come on. -She doesn't need to be assessed. She's fine, she's breathing on her own. | 0:04:31 | 0:04:35 | |
Yes, but we don't know what she's breathed in, do we? Give her here. | 0:04:35 | 0:04:38 | |
It's OK, Mummy's here. | 0:04:45 | 0:04:47 | |
Dr Dylan, when we get to England, can we...? | 0:05:00 | 0:05:03 | |
Hey, keep your voice down, keep your voice down. | 0:05:03 | 0:05:05 | |
When we get there, can we go to one of those windows | 0:05:05 | 0:05:08 | |
where you can order hamburgers right from the car? | 0:05:08 | 0:05:10 | |
-What are they called, those places? -Drive-thru. | 0:05:10 | 0:05:12 | |
Yes, drive-thru! And ketchup, Mariam told me about them. | 0:05:12 | 0:05:15 | |
She's always wanted to go to one. So, can maybe me and you do it? | 0:05:15 | 0:05:18 | |
-Maybe. -Please, Dr Dylan? | 0:05:18 | 0:05:19 | |
And when I get to your house, will I have my own bedroom? | 0:05:19 | 0:05:23 | |
Because me and Mariam always had to share. | 0:05:23 | 0:05:25 | |
All right, OK. Um... | 0:05:25 | 0:05:27 | |
Look... | 0:05:27 | 0:05:29 | |
I can't do this, Sanosi. | 0:05:29 | 0:05:31 | |
I don't even have a house, I live on a boat. You know... | 0:05:32 | 0:05:36 | |
But you said. | 0:05:36 | 0:05:37 | |
-Yeah, I know, I know, but I wasn't thinking.... -But you said! | 0:05:37 | 0:05:40 | |
What we are... | 0:05:40 | 0:05:41 | |
What we are proposing is a very, very serious crime. | 0:05:41 | 0:05:45 | |
OK? I could lose my job. | 0:05:45 | 0:05:47 | |
-If they find you, I could go to jail. -They won't... | 0:05:47 | 0:05:49 | |
No! | 0:05:49 | 0:05:50 | |
Sanosi, the answer is no. | 0:05:51 | 0:05:53 | |
All right, this is five-month-old Charlotte Miller, | 0:06:07 | 0:06:10 | |
involved in a house fire, | 0:06:10 | 0:06:12 | |
she was trapped for no more than three minutes | 0:06:12 | 0:06:14 | |
and initially assessed by Jez at the scene. | 0:06:14 | 0:06:16 | |
-Airway seems clear, GCS, 15. -Resus Two. -Thank you. | 0:06:16 | 0:06:19 | |
Chest is clear bilaterally, there was no signs of stridor. | 0:06:19 | 0:06:22 | |
Initial sats of 92, but maintaining at 98% on ten litres of O2. | 0:06:22 | 0:06:26 | |
Central cap refill, less than two seconds. | 0:06:26 | 0:06:29 | |
This is Robyn Miller, 25, trapped for the same amount of time. | 0:06:29 | 0:06:33 | |
She's got partial thickness burns to her arms and hands, | 0:06:33 | 0:06:36 | |
but she's refusing treatment. | 0:06:36 | 0:06:37 | |
That's because I'm fine. | 0:06:37 | 0:06:39 | |
Can you please just worry about my baby? | 0:06:39 | 0:06:41 | |
Robyn, she's our priority, OK? | 0:06:41 | 0:06:43 | |
But we need to get you checked over, as well. | 0:06:43 | 0:06:45 | |
All right, sweetheart. OK. | 0:06:45 | 0:06:47 | |
Right, airway's clear, no sign of airway burns. | 0:06:47 | 0:06:49 | |
Let's have a chest X-ray and capillary gas, please. Ethan. | 0:06:49 | 0:06:52 | |
Ethan. | 0:06:55 | 0:06:56 | |
-Capillary gas. -Yeah. Sorry. | 0:06:56 | 0:06:58 | |
Did you see who did this, Robyn? | 0:07:01 | 0:07:03 | |
No, it just all happened so fast... | 0:07:03 | 0:07:06 | |
Why would anybody want to hurt a baby? | 0:07:06 | 0:07:08 | |
Robyn, let me take a listen to your chest and dress those burns. | 0:07:08 | 0:07:10 | |
No, I'm not leaving her. | 0:07:10 | 0:07:12 | |
Go over there, just over there in the corner. All right? | 0:07:12 | 0:07:15 | |
OK. She's all yours. | 0:07:15 | 0:07:16 | |
CHARLOTTE CRIES | 0:07:16 | 0:07:19 | |
How's she doing? | 0:07:19 | 0:07:20 | |
Yeah, she's fine. | 0:07:20 | 0:07:22 | |
Listen, er... | 0:07:22 | 0:07:24 | |
I apologise for having a go at you. You did good, getting her out. | 0:07:24 | 0:07:27 | |
I didn't. | 0:07:27 | 0:07:29 | |
Max did. | 0:07:29 | 0:07:30 | |
Well, yeah, but you went in. | 0:07:30 | 0:07:32 | |
Yeah, but... | 0:07:32 | 0:07:33 | |
-I don't know what happened, I... -OK. -I just bottled it. | 0:07:34 | 0:07:37 | |
You need to stop being yourself up about what happened with Stella. | 0:07:37 | 0:07:40 | |
It's got nothing to do with that! | 0:07:40 | 0:07:42 | |
-So why haven't you been at work, then? -I've been ill! | 0:07:42 | 0:07:44 | |
INDISTINCT VOICES ON POLICE RADIO | 0:07:44 | 0:07:46 | |
All right, boys. | 0:07:46 | 0:07:47 | |
They want to speak to you, too. | 0:07:47 | 0:07:49 | |
But I don't know anything. | 0:07:49 | 0:07:50 | |
Yeah, but you were in the house. | 0:07:50 | 0:07:52 | |
Jez, can you think of anybody that might have got it in for you? | 0:07:53 | 0:07:57 | |
MUSIC PLAYS | 0:08:00 | 0:08:02 | |
Hey, children. I have something for you. Come. | 0:08:19 | 0:08:22 | |
Only one each. | 0:08:24 | 0:08:25 | |
Hey! Stop! | 0:08:26 | 0:08:27 | |
Show the women some respect. | 0:08:27 | 0:08:29 | |
Stop, stop, stop... | 0:08:30 | 0:08:32 | |
That's enough, that's enough, calm down! | 0:08:32 | 0:08:35 | |
-That's enough! -There's no need to fight, OK? | 0:08:35 | 0:08:37 | |
Can we calm down? There are children here! | 0:08:37 | 0:08:39 | |
That's enough! | 0:08:39 | 0:08:40 | |
Anyone hurt? | 0:08:42 | 0:08:43 | |
OK? You all right? | 0:08:43 | 0:08:45 | |
Sanosi, you OK? | 0:08:45 | 0:08:46 | |
Don't act like you care. | 0:08:46 | 0:08:47 | |
Hey, wait. Wait. | 0:08:55 | 0:08:57 | |
Here, for you. | 0:08:57 | 0:08:59 | |
Next time, you come to me, OK? | 0:09:00 | 0:09:02 | |
Tomorrow, more food. Yes? | 0:09:02 | 0:09:05 | |
DISTANT SIREN | 0:09:09 | 0:09:10 | |
Hey, hey... How's Charlotte, is she OK? | 0:09:10 | 0:09:12 | |
We don't know yet. We're waiting on X-rays. | 0:09:12 | 0:09:15 | |
Did you see anyone hanging outside the house this morning? | 0:09:17 | 0:09:20 | |
No, course not. | 0:09:21 | 0:09:23 | |
Like who? | 0:09:23 | 0:09:24 | |
Come on, Mickey. | 0:09:24 | 0:09:25 | |
Someone that hates me? | 0:09:25 | 0:09:27 | |
You think my mum did this? | 0:09:30 | 0:09:32 | |
It makes sense. | 0:09:32 | 0:09:33 | |
No. No, she's not happy we're together, I know that, | 0:09:33 | 0:09:37 | |
but she wouldn't go that far. | 0:09:37 | 0:09:38 | |
Well, whoever did it waited for you and Max to leave. | 0:09:38 | 0:09:41 | |
They knew I was still in there. | 0:09:43 | 0:09:44 | |
Right, we should phone the police. | 0:09:50 | 0:09:52 | |
-No, please. Don't, not yet. -You're joking, aren't you? | 0:09:54 | 0:09:57 | |
They're looking for any excuse to arrest her. | 0:09:57 | 0:09:59 | |
Just give me a chance to prove she had nothing to do with it. | 0:09:59 | 0:10:02 | |
Please. | 0:10:07 | 0:10:08 | |
And how do we do that? | 0:10:11 | 0:10:12 | |
-Lily? -Mm-hm? | 0:10:17 | 0:10:18 | |
You dropped this. | 0:10:18 | 0:10:19 | |
Oh, thank you, it's a... | 0:10:21 | 0:10:22 | |
So, are you sure I won't get into trouble for this? | 0:10:28 | 0:10:31 | |
Not if you don't actually lie, no. | 0:10:31 | 0:10:33 | |
All right, er, what's her number? | 0:10:33 | 0:10:36 | |
It's cruel. | 0:10:37 | 0:10:38 | |
If I'm wrong, I apologise. | 0:10:39 | 0:10:41 | |
DIALLING TONE | 0:10:47 | 0:10:49 | |
-Hello, is that Mrs Ellison? -INDISTINCT TELEPHONE VOICE | 0:10:49 | 0:10:52 | |
This is Noel Garcia from the Holby City Emergency Department. | 0:10:52 | 0:10:56 | |
It's about your son, Mickey. | 0:10:56 | 0:10:58 | |
INDISTINCT VOICE | 0:10:58 | 0:11:00 | |
Hi. | 0:11:08 | 0:11:09 | |
Are you looking for help? | 0:11:09 | 0:11:11 | |
I'm Alicia. What's your name? | 0:11:12 | 0:11:14 | |
Hadia. | 0:11:14 | 0:11:16 | |
Can I help you with something, Hadia? I'm a doctor. | 0:11:16 | 0:11:20 | |
I have blood. | 0:11:22 | 0:11:23 | |
THEY SPEAK IN NATIVE LANGUAGE | 0:11:24 | 0:11:26 | |
Sorry, sorry, can you leave her alone, please? | 0:11:28 | 0:11:30 | |
Sayid! Let me clean up those cuts. | 0:11:30 | 0:11:33 | |
SAYID SPEAKS IN NATIVE LANGUAGE | 0:11:33 | 0:11:35 | |
Please. | 0:11:35 | 0:11:36 | |
OK. | 0:11:42 | 0:11:43 | |
Who was that? | 0:11:45 | 0:11:46 | |
Bad man. | 0:11:48 | 0:11:49 | |
Sorry, you said you were bleeding? Are you hurt? | 0:11:49 | 0:11:52 | |
Oh, er, pregnant? | 0:11:54 | 0:11:56 | |
Oh, so, you just need some, er, sanitary products. | 0:11:59 | 0:12:02 | |
Do they not provide you? | 0:12:02 | 0:12:04 | |
No. Of course they don't. | 0:12:06 | 0:12:09 | |
Erm... | 0:12:10 | 0:12:11 | |
Mrs Ellison, thanks for coming in. | 0:12:19 | 0:12:21 | |
Where's Mickey? Is he all right? | 0:12:21 | 0:12:24 | |
I'm afraid not, no. | 0:12:24 | 0:12:25 | |
He's suffered some very serious injuries. | 0:12:25 | 0:12:28 | |
What do you mean? What's happened? | 0:12:28 | 0:12:32 | |
He got trapped in a house fire. | 0:12:32 | 0:12:34 | |
How is Ethan today? | 0:12:42 | 0:12:43 | |
Yeah, I'm keeping an eye on him. | 0:12:43 | 0:12:45 | |
I don't understand. | 0:12:49 | 0:12:51 | |
How did it happen? | 0:12:51 | 0:12:52 | |
Well, we're not too sure yet. | 0:12:52 | 0:12:54 | |
He left for an interview, forgot his phone and came back. | 0:12:54 | 0:12:57 | |
-No, but I... -No? | 0:12:58 | 0:13:00 | |
-Doesn't matter, I need to see him. -Why are you saying no? | 0:13:01 | 0:13:04 | |
Just get out my way. | 0:13:04 | 0:13:06 | |
But how do you know if he came back or not? | 0:13:06 | 0:13:08 | |
I don't have to explain anything to you. | 0:13:08 | 0:13:10 | |
Then explain it to me, Mum. | 0:13:11 | 0:13:13 | |
Ethan... | 0:13:22 | 0:13:23 | |
About the invitation you saw earlier... | 0:13:23 | 0:13:25 | |
It's to my cousin's wedding. | 0:13:25 | 0:13:27 | |
Normally, I go to such events on my own, | 0:13:29 | 0:13:32 | |
but I am just so sick and tired of my aunts grilling me | 0:13:32 | 0:13:35 | |
on my relationship status, or the...ever-louder ticking | 0:13:35 | 0:13:39 | |
of my biological clock. | 0:13:39 | 0:13:40 | |
Er, right. | 0:13:43 | 0:13:44 | |
As I've been allocated a plus-one, | 0:13:44 | 0:13:48 | |
I was wondering if you could pose as my date. | 0:13:48 | 0:13:50 | |
It's next Saturday. | 0:13:50 | 0:13:52 | |
Er, yeah, sure. | 0:13:54 | 0:13:55 | |
Thanks. | 0:13:58 | 0:13:59 | |
How could you let them scare me like that? | 0:14:02 | 0:14:05 | |
Because it was the only way to get you here. | 0:14:05 | 0:14:08 | |
And I had to hear it for myself. | 0:14:08 | 0:14:10 | |
Hear what? I never said anything. | 0:14:11 | 0:14:13 | |
-Come off it, Mum. -Mickey, I don't know what you're talking about. | 0:14:13 | 0:14:16 | |
A mother and her baby nearly died. | 0:14:16 | 0:14:18 | |
I don't believe a word they say. | 0:14:18 | 0:14:21 | |
A five-month-old baby was in the house, Mum. | 0:14:21 | 0:14:24 | |
Robyn's little girl. | 0:14:24 | 0:14:25 | |
You...you can't pin that on me. | 0:14:26 | 0:14:28 | |
I don't know anything about that fire. | 0:14:28 | 0:14:30 | |
Right, this is pointless. I'm going to get the police. | 0:14:30 | 0:14:33 | |
Don't look at me like that, Mickey. | 0:14:37 | 0:14:39 | |
Let's just go home, eh? | 0:14:41 | 0:14:42 | |
Come on, you and me. | 0:14:42 | 0:14:44 | |
I had a home. | 0:14:45 | 0:14:46 | |
And you destroyed it. | 0:14:48 | 0:14:49 | |
The least you can do is tell me why. | 0:14:50 | 0:14:52 | |
OK. | 0:14:55 | 0:14:56 | |
Thank you. Right... | 0:14:56 | 0:14:57 | |
I need you to hold that firmly. OK? | 0:14:59 | 0:15:01 | |
Oh, Hadia? | 0:15:01 | 0:15:03 | |
Keep that pressure on. | 0:15:05 | 0:15:07 | |
Now you have to hold it hard... | 0:15:07 | 0:15:09 | |
Dylan, can you have a word and get him to stop doing that, please? | 0:15:18 | 0:15:21 | |
Yeah, of course. Um... | 0:15:21 | 0:15:23 | |
Sanosi, sorry, would you mind doing that elsewhere? | 0:15:24 | 0:15:28 | |
Thank you. | 0:15:29 | 0:15:31 | |
Sorry, er... What was all that about? | 0:15:33 | 0:15:36 | |
What's it about? It's probably about him | 0:15:36 | 0:15:38 | |
having to watch his sister die, David. | 0:15:38 | 0:15:40 | |
I don't know, why don't you ask him? | 0:15:40 | 0:15:42 | |
Hadia's scared of him. | 0:15:49 | 0:15:50 | |
I think he's dangerous. | 0:15:51 | 0:15:53 | |
Quite possibly. | 0:15:53 | 0:15:55 | |
I've seen women with signs of rape here. Children, too. | 0:15:55 | 0:15:59 | |
Well, do you know anything about him? | 0:15:59 | 0:16:00 | |
He's from Morocco, | 0:16:00 | 0:16:02 | |
which makes him a migrant, not a refugee. | 0:16:02 | 0:16:05 | |
Hadia's Syrian, so I don't know why he's interested. | 0:16:07 | 0:16:09 | |
But they were both part of the group that tried to cross the other day. | 0:16:11 | 0:16:15 | |
What, the boat that sank? | 0:16:15 | 0:16:17 | |
Hadia's husband and baby both drowned. | 0:16:17 | 0:16:19 | |
That's so sad. | 0:16:21 | 0:16:22 | |
-Emile? -Yeah? | 0:16:28 | 0:16:30 | |
-You know the supplies that get sent? -Yeah? | 0:16:30 | 0:16:32 | |
Do people ever donate, er, sanitary products? | 0:16:32 | 0:16:35 | |
Mm. Not really often. | 0:16:35 | 0:16:37 | |
But the women can buy such things in the shop, no? | 0:16:37 | 0:16:41 | |
Yeah, what if they can't afford them? | 0:16:41 | 0:16:44 | |
I mean, it's a pretty basic human right. | 0:16:44 | 0:16:46 | |
I quite agree, but it's not up to me what people donate. | 0:16:46 | 0:16:50 | |
I wish it was, I really wish. | 0:16:50 | 0:16:52 | |
I'm sorry. | 0:16:52 | 0:16:54 | |
You know what? My family runs a small hotel. | 0:16:56 | 0:16:59 | |
I can ask my uncle to part with a few boxes. | 0:16:59 | 0:17:02 | |
OK. | 0:17:04 | 0:17:06 | |
Perhaps I can persuade him to make it like a regular donation. | 0:17:06 | 0:17:09 | |
Would that satisfy you? | 0:17:09 | 0:17:11 | |
It would. Thank you. | 0:17:12 | 0:17:14 | |
Don't thank me yet, my uncle isn't so nice. | 0:17:14 | 0:17:16 | |
Oh, look at you! | 0:17:18 | 0:17:20 | |
You're looking so big. | 0:17:20 | 0:17:22 | |
Mm? How are you? | 0:17:22 | 0:17:24 | |
INDISTINCT VOICE Yes? | 0:17:24 | 0:17:25 | |
MELANCHOLY MUSIC | 0:17:34 | 0:17:35 | |
How's Robyn and the baby? | 0:18:17 | 0:18:18 | |
They're keeping them in overnight. | 0:18:18 | 0:18:20 | |
I've booked us all a B&B. | 0:18:20 | 0:18:22 | |
We can't go in yet, it's not safe. | 0:18:22 | 0:18:24 | |
There's a... | 0:18:32 | 0:18:33 | |
There's a warrant out for your mum's arrest. | 0:18:34 | 0:18:36 | |
You know... | 0:18:41 | 0:18:42 | |
Even now, there's still a part of me that thinks she didn't do it. | 0:18:44 | 0:18:47 | |
I was the same with my dad and Scott. | 0:18:49 | 0:18:51 | |
It's hard to believe. I know. | 0:18:51 | 0:18:54 | |
Yeah... | 0:18:54 | 0:18:56 | |
Is it all right? | 0:18:59 | 0:19:00 | |
It's about the only thing that is. | 0:19:00 | 0:19:02 | |
-Downstairs, anyway. -Max, I'm so sorry. | 0:19:03 | 0:19:06 | |
They'll fix it. It'll be fine. | 0:19:06 | 0:19:09 | |
Yeah. | 0:19:09 | 0:19:10 | |
Do you ever want to just go? | 0:19:17 | 0:19:18 | |
What do you mean? | 0:19:20 | 0:19:21 | |
Start over? Somewhere else? | 0:19:21 | 0:19:23 | |
It's been a rough day. Come on, let's get a drink. | 0:19:28 | 0:19:31 | |
-What are you so scared of? -Nothing. | 0:19:36 | 0:19:39 | |
You've been hiding in your room for days. | 0:19:39 | 0:19:41 | |
I've been ill. | 0:19:41 | 0:19:43 | |
Why won't people believe me? | 0:19:43 | 0:19:45 | |
Jez... | 0:19:47 | 0:19:48 | |
I'm asking you to come away with me. | 0:19:48 | 0:19:50 | |
Please. | 0:19:53 | 0:19:54 | |
I need it and so do you. | 0:19:56 | 0:19:58 | |
There's just too many things... | 0:20:02 | 0:20:04 | |
I can't just get up and leave. | 0:20:04 | 0:20:06 | |
I can't. | 0:20:07 | 0:20:09 | |
I'm sorry. | 0:20:11 | 0:20:12 | |
Come on, let's get a drink. | 0:20:17 | 0:20:19 | |
Hadia. | 0:20:51 | 0:20:52 | |
Come. Come here. | 0:20:52 | 0:20:54 | |
Hey, Hadia, we agreed yesterday, | 0:21:00 | 0:21:01 | |
no more queue for you, yes? | 0:21:01 | 0:21:03 | |
Et voila. | 0:21:06 | 0:21:07 | |
With some extra fruit thrown in. | 0:21:07 | 0:21:10 | |
Bon appetit. | 0:21:10 | 0:21:11 | |
Hi. Do you speak English? | 0:21:17 | 0:21:19 | |
OK, Hadia, she doesn't need you creeping around. | 0:21:20 | 0:21:22 | |
She's been through enough, OK? | 0:21:22 | 0:21:24 | |
OK. | 0:21:25 | 0:21:26 | |
Good. | 0:21:26 | 0:21:27 | |
Dr Alicia! | 0:21:32 | 0:21:33 | |
I forgot, I have a very, very strange gift for you. | 0:21:33 | 0:21:36 | |
Stay here, I come back. | 0:21:36 | 0:21:37 | |
You'll let me know if she turns up, will you? Yeah? OK. | 0:21:41 | 0:21:44 | |
Oh, Sanosi, Sanosi, um... | 0:21:47 | 0:21:50 | |
I've a little news about Mariam. Erm... | 0:21:50 | 0:21:54 | |
The police have still got her, er, um... | 0:21:55 | 0:21:59 | |
They're going to bury her nearby. OK? In a cemetery. | 0:22:00 | 0:22:04 | |
Um... | 0:22:19 | 0:22:20 | |
I've just been to check up on a woman, um, Fida, | 0:22:20 | 0:22:23 | |
and her two-year-old, who had a bad case of tonsillitis yesterday. | 0:22:23 | 0:22:27 | |
Now, um, Fida's gone, overnight, | 0:22:27 | 0:22:30 | |
and the little one's being looked after by strangers. | 0:22:30 | 0:22:32 | |
Now, the woman I met yesterday wouldn't just abandon her child, | 0:22:32 | 0:22:35 | |
we need to report her missing. | 0:22:35 | 0:22:37 | |
There's no point. | 0:22:38 | 0:22:39 | |
I beg your pardon? | 0:22:39 | 0:22:41 | |
People come and go. | 0:22:43 | 0:22:45 | |
The police rarely investigate, even when children disappear. | 0:22:45 | 0:22:49 | |
HE SIGHS | 0:22:52 | 0:22:53 | |
Well, what's the point of any of this, then? | 0:22:53 | 0:22:55 | |
Why are we bothering to treat people if we can't even keep them safe? | 0:22:55 | 0:22:58 | |
Don't follow me, David. I'm going home. | 0:23:00 | 0:23:02 | |
Dylan. | 0:23:02 | 0:23:04 | |
I should've gone for the rabbit. | 0:23:04 | 0:23:06 | |
For the last time, it had goggly eyes, | 0:23:06 | 0:23:09 | |
it would've freaked her out. | 0:23:09 | 0:23:10 | |
Hey, what are you doing? | 0:23:14 | 0:23:15 | |
What are you doing here? | 0:23:22 | 0:23:24 | |
-I never meant to hurt anyone. -Does that include me? | 0:23:24 | 0:23:27 | |
What did I ever do that was so bad, except love your son, Denise? | 0:23:28 | 0:23:31 | |
He's not yours to love. | 0:23:31 | 0:23:33 | |
You don't get to decide that. | 0:23:33 | 0:23:35 | |
You're the one. | 0:23:37 | 0:23:38 | |
-You're the one who's changed him. -No, I didn't. | 0:23:38 | 0:23:42 | |
He was always a good person, despite what he was taught. | 0:23:42 | 0:23:46 | |
I'm not listening to this. | 0:23:47 | 0:23:48 | |
You know he wants to leave the country because of you, right? | 0:23:48 | 0:23:51 | |
Because of the shame of it all. | 0:23:51 | 0:23:53 | |
You can't let him. | 0:23:56 | 0:23:57 | |
He's all I've got. | 0:23:58 | 0:23:59 | |
Then make it right. | 0:24:03 | 0:24:04 | |
He loves you, Denise, but he's not proud of you. | 0:24:09 | 0:24:12 | |
You've never given him reason to be. | 0:24:12 | 0:24:14 | |
Nice one, Alicia. | 0:24:21 | 0:24:23 | |
Yeah, pretty pleased with that. | 0:24:23 | 0:24:25 | |
So you just plan to hand these out to anyone who asks for them? | 0:24:25 | 0:24:27 | |
Yes, whoever can't afford them. | 0:24:27 | 0:24:30 | |
And do you think anyone is going to want to pay for them | 0:24:30 | 0:24:33 | |
if they can get them for free? | 0:24:33 | 0:24:34 | |
Cameron, you've been here a long time, we get it. | 0:24:34 | 0:24:37 | |
Maybe it's been too long? | 0:24:37 | 0:24:38 | |
Where are you going? | 0:24:44 | 0:24:46 | |
There's a ferry leaving in an hour. I am going to be on that, OK? | 0:24:46 | 0:24:48 | |
We're all leaving tonight. | 0:24:48 | 0:24:49 | |
You can't wait a few hours to drive back with us? | 0:24:49 | 0:24:51 | |
No, I can't, I'll see you back in Holby, | 0:24:51 | 0:24:53 | |
I really have had enough of this place. | 0:24:53 | 0:24:54 | |
Thanks for the team spirit, Dylan. | 0:24:54 | 0:24:56 | |
David... No, no, no. What are you doing? Please, will you get out? | 0:24:56 | 0:24:59 | |
No, I'm coming with you. | 0:24:59 | 0:25:00 | |
No, I've asked you not to follow me, David. | 0:25:00 | 0:25:01 | |
No, no, no, quite right. You said I'm not to follow you. | 0:25:01 | 0:25:04 | |
I'm not following you, I'm coming with you. | 0:25:04 | 0:25:06 | |
David, I'm not joking. Get out of the car. | 0:25:06 | 0:25:08 | |
No. | 0:25:08 | 0:25:09 | |
I am not going anywhere until you get out. I mean it. | 0:25:09 | 0:25:13 | |
Well, then, I guess we're going nowhere, then. | 0:25:15 | 0:25:19 | |
Hey. I'm glad you called. | 0:25:31 | 0:25:34 | |
They let me into the house so I can get some of our stuff. | 0:25:34 | 0:25:36 | |
Mickey... | 0:25:36 | 0:25:38 | |
Listen, can we talk? | 0:25:38 | 0:25:41 | |
Don't. | 0:25:46 | 0:25:47 | |
I haven't got long. | 0:25:47 | 0:25:50 | |
I've... | 0:25:50 | 0:25:51 | |
I've told them everything. | 0:25:51 | 0:25:53 | |
I just want you to know that I'm sorry. | 0:25:55 | 0:25:59 | |
And that I love you. | 0:26:00 | 0:26:02 | |
And I will always love you. You do know that, don't you? | 0:26:04 | 0:26:07 | |
Even now? | 0:26:11 | 0:26:13 | |
Even now. | 0:26:16 | 0:26:18 | |
It's just along here. | 0:26:49 | 0:26:51 | |
Come, it's OK. Come. | 0:26:51 | 0:26:53 | |
Do you want a hotel job? Yes? Work? | 0:26:53 | 0:26:57 | |
You want work? | 0:26:57 | 0:26:59 | |
Work. Please. | 0:26:59 | 0:27:00 | |
Yes, work! Come. | 0:27:00 | 0:27:02 | |
Hadia! | 0:27:13 | 0:27:14 | |
No, no, no, it's OK, it's OK. Don't worry. | 0:27:26 | 0:27:29 | |
OK, you ready? Put your seat belt on. | 0:27:31 | 0:27:33 | |
I know how hard that must have been for you. | 0:27:44 | 0:27:46 | |
But at least we... | 0:27:49 | 0:27:50 | |
You know, we can get back to normal. | 0:27:51 | 0:27:53 | |
No, I told you, I'm done with this place. | 0:27:53 | 0:27:57 | |
I'm off, Jez. | 0:28:00 | 0:28:02 | |
What are you talking about now? | 0:28:02 | 0:28:04 | |
Some of my friends are backpacking in Southeast Asia. | 0:28:05 | 0:28:08 | |
If I leave tonight I can catch them before they move on. | 0:28:08 | 0:28:12 | |
You can still come with me. | 0:28:16 | 0:28:18 | |
Your passport's in there. | 0:28:20 | 0:28:22 | |
We could wake up tomorrow to a whole different life. | 0:28:22 | 0:28:25 | |
I thought we had something. | 0:28:33 | 0:28:34 | |
We do. | 0:28:34 | 0:28:36 | |
But you'd rather stick around here feeling guilty. | 0:28:36 | 0:28:38 | |
That's not true! And I don't want you to go. | 0:28:38 | 0:28:40 | |
But you can't let anything go, though, can you? | 0:28:43 | 0:28:45 | |
Tell everyone I said goodbye. | 0:28:50 | 0:28:52 | |
Hey! | 0:29:02 | 0:29:04 | |
Hey! He's taken... | 0:29:04 | 0:29:06 | |
-He took Hadia. -What?! | 0:29:06 | 0:29:08 | |
-Who's...who's taken her? -The Frenchman, Emile! | 0:29:08 | 0:29:10 | |
He took her, he put her in his van. I tried to stop him. | 0:29:10 | 0:29:13 | |
That's ridiculous. Why would Emile take Hadia anywhere? | 0:29:13 | 0:29:16 | |
He's a bad man. He's a very bad man. | 0:29:16 | 0:29:19 | |
-What do you mean? -Said, if you've done something to her... | 0:29:19 | 0:29:22 | |
I protect her! I don't do nothing to her. | 0:29:22 | 0:29:25 | |
Let me take a look at you. | 0:29:25 | 0:29:26 | |
No. I think he has taken other women. | 0:29:26 | 0:29:29 | |
He was talking to other women, alone. | 0:29:29 | 0:29:31 | |
-So you actually saw him take Hadia in his van? -Yes. | 0:29:31 | 0:29:33 | |
-You've no idea where? -No. | 0:29:33 | 0:29:35 | |
They went up to the dirt road. | 0:29:36 | 0:29:39 | |
Emile did tell me he and his family run a hotel. | 0:29:39 | 0:29:41 | |
There's thousands of hotels in Northern France. | 0:29:41 | 0:29:43 | |
Yeah, look. Hotel Delassant. | 0:29:45 | 0:29:47 | |
There's the address. | 0:29:47 | 0:29:49 | |
Come, this way. Just here. | 0:29:52 | 0:29:54 | |
Sorry for the mess. We're painting. | 0:29:54 | 0:29:57 | |
-Voila. -No, please. -Go, go, go, it's OK. | 0:29:59 | 0:30:01 | |
Please. No! | 0:30:01 | 0:30:03 | |
No! Please! | 0:30:03 | 0:30:06 | |
Hadia? | 0:30:06 | 0:30:08 | |
So what do you reckon, then, Jez? Spare room's a bit of a tip. | 0:30:10 | 0:30:13 | |
But I tell you what, I'll put some boyband posters up for you, | 0:30:13 | 0:30:16 | |
make you both feel at home. | 0:30:16 | 0:30:18 | |
No? | 0:30:19 | 0:30:21 | |
Well, go on, then. I'll sort this. | 0:30:25 | 0:30:28 | |
They discharged her already? | 0:30:28 | 0:30:30 | |
Yeah. Her X-rays were all clear, | 0:30:30 | 0:30:33 | |
sats all normal, blood gases all good. | 0:30:33 | 0:30:36 | |
You're a little fighter, aren't you? | 0:30:36 | 0:30:38 | |
Jez, we're all alive. | 0:30:41 | 0:30:43 | |
You can smile, you know. | 0:30:43 | 0:30:45 | |
Yeah, I know. I'm very thankful, believe me. | 0:30:46 | 0:30:50 | |
It's just...me and Mickey broke up. | 0:30:50 | 0:30:54 | |
I think that this is just something Mickey has to do. | 0:31:01 | 0:31:04 | |
And what about you? | 0:31:04 | 0:31:06 | |
What have you got to do that's worth losing him for? | 0:31:08 | 0:31:12 | |
CHARLOTTE COUGHS | 0:31:12 | 0:31:14 | |
Don't worry. They said she'd cough a bit because of the smoke. | 0:31:14 | 0:31:18 | |
No, something's wrong. Her airway's blocked. | 0:31:20 | 0:31:23 | |
Jez, Jez, Jez. | 0:31:23 | 0:31:25 | |
Jez, wait. | 0:31:25 | 0:31:26 | |
Charlotte... Charlotte! | 0:31:28 | 0:31:29 | |
-She's cyanotic. -What's happening? | 0:31:29 | 0:31:32 | |
She can't breathe. | 0:31:32 | 0:31:33 | |
-What? -She can't breathe. Come on. | 0:31:33 | 0:31:35 | |
Right, get me suction. | 0:31:35 | 0:31:38 | |
Suction. | 0:31:42 | 0:31:43 | |
Come on. Please. | 0:31:48 | 0:31:50 | |
CHARLOTTE CRIES | 0:31:55 | 0:31:58 | |
Sats are 100%. | 0:31:58 | 0:32:00 | |
So, why the early departure? | 0:32:20 | 0:32:23 | |
Well, you know, David, there's only so much you can witness, isn't there? | 0:32:26 | 0:32:30 | |
Are you all right? | 0:32:30 | 0:32:32 | |
Yeah, absolutely. I've just had a holiday from hell. | 0:32:32 | 0:32:37 | |
I think humanity must have regressed | 0:32:37 | 0:32:39 | |
about 2,000 years in that place. | 0:32:39 | 0:32:42 | |
So, yeah, no, no, I'm fine, absolutely perfect, | 0:32:43 | 0:32:45 | |
couldn't be better, really. | 0:32:45 | 0:32:47 | |
RUSTLING | 0:32:47 | 0:32:48 | |
Don't, David, don't. | 0:32:52 | 0:32:54 | |
Have you lost...? Have you lost your mind?! | 0:32:59 | 0:33:01 | |
Just face the front. Face the front, David. | 0:33:01 | 0:33:03 | |
Sanosi, stay still, please. | 0:33:03 | 0:33:05 | |
We could go to prison for this. | 0:33:05 | 0:33:06 | |
How could you be so stupid? | 0:33:06 | 0:33:08 | |
He's got family in the UK, David, | 0:33:08 | 0:33:10 | |
he can't stay in the camp, it isn't safe, is it? | 0:33:10 | 0:33:12 | |
It's not safe for anyone! You said so yourself. | 0:33:12 | 0:33:15 | |
You can't save everyone, Dylan! | 0:33:15 | 0:33:18 | |
I know what I said, David. | 0:33:18 | 0:33:20 | |
Bonjour. Identification. | 0:33:21 | 0:33:24 | |
What was your business here in France? | 0:33:30 | 0:33:34 | |
Volunteer work. | 0:33:34 | 0:33:36 | |
We're medics at a hospital in England. | 0:33:36 | 0:33:40 | |
Holby Hospital. | 0:33:40 | 0:33:41 | |
We've been asked to go back urgently. | 0:33:41 | 0:33:43 | |
Bonjour. | 0:33:43 | 0:33:45 | |
We're short-staffed, we are... | 0:33:45 | 0:33:48 | |
Yeah. | 0:33:48 | 0:33:51 | |
Step out of the vehicle, please. We need to search the back. | 0:33:53 | 0:33:57 | |
Right. I'll hold my hands up to this, David, OK? | 0:33:58 | 0:34:01 | |
No, you don't say another word, understood? | 0:34:01 | 0:34:03 | |
Open the doors, please. | 0:34:08 | 0:34:10 | |
Step back. | 0:34:10 | 0:34:12 | |
Look, OK, you can stop... | 0:34:23 | 0:34:25 | |
HE SHOUTS IN FRENCH | 0:34:33 | 0:34:35 | |
Could you please tell me why there is a man under this car? | 0:34:40 | 0:34:43 | |
Under the car? | 0:34:45 | 0:34:46 | |
Yes. | 0:34:46 | 0:34:47 | |
-Are you sure you're OK? -I'm fine. | 0:35:08 | 0:35:11 | |
Why're you helping Hadia? | 0:35:13 | 0:35:15 | |
She told me you were a bad man. | 0:35:15 | 0:35:18 | |
Why would she say that? | 0:35:18 | 0:35:21 | |
I could have helped her husband and her child, but I didn't. | 0:35:23 | 0:35:28 | |
There were too many people on the boat. | 0:35:28 | 0:35:32 | |
I will help her now. | 0:35:32 | 0:35:34 | |
You all right? | 0:35:40 | 0:35:41 | |
Yes, Iainski, I'm good. | 0:35:41 | 0:35:43 | |
In fact, I'm more than good. | 0:35:43 | 0:35:45 | |
Charlotte's going to be OK, and now I am going to celebrate, | 0:35:45 | 0:35:48 | |
so, yeah, drinks on me. | 0:35:48 | 0:35:49 | |
How does Mickey feel about that? I heard about his mum. | 0:35:49 | 0:35:53 | |
-He's... He's gone. -What do you mean he's gone? | 0:35:53 | 0:35:57 | |
He's already gone to the airport, | 0:35:57 | 0:35:59 | |
wants to find himself in some rainforest or something. | 0:35:59 | 0:36:03 | |
What, and you've just let him go? | 0:36:03 | 0:36:04 | |
I didn't let him go, it was his choice. | 0:36:04 | 0:36:07 | |
-What? -You're an idiot. | 0:36:09 | 0:36:11 | |
Why am I? | 0:36:11 | 0:36:12 | |
Because you two are actually good for each other. | 0:36:12 | 0:36:15 | |
I might be straight, but I'm not stupid. | 0:36:15 | 0:36:17 | |
He asked me to go with him, twice. | 0:36:18 | 0:36:20 | |
I let him down, and now he's gone... | 0:36:20 | 0:36:22 | |
so, yeah, let's make that pint five or six. | 0:36:22 | 0:36:26 | |
And a couple of shots, shall we? | 0:36:26 | 0:36:28 | |
All right, if he asked you one more time, what would you say? | 0:36:28 | 0:36:31 | |
We patently don't know the guy. | 0:36:34 | 0:36:36 | |
I mean, how could we have known he was there? | 0:36:36 | 0:36:38 | |
I've never laid eyes on him. | 0:36:38 | 0:36:40 | |
The fact is he's probably crawled under the car here. | 0:36:40 | 0:36:43 | |
I mean, we can't be responsible for the security of this place, can we? | 0:36:43 | 0:36:45 | |
For the ports. That's your job, isn't it, to maintain security here? | 0:36:45 | 0:36:49 | |
Ignorance is no excuse. | 0:36:49 | 0:36:51 | |
It's your responsibility to check your vehicle. | 0:36:51 | 0:36:55 | |
Excusez-moi? | 0:36:55 | 0:36:58 | |
You wait here. | 0:36:58 | 0:37:01 | |
THEY TALK IN FRENCH | 0:37:01 | 0:37:04 | |
Right, my colleague says she recognises him. | 0:37:22 | 0:37:26 | |
He's been caught trying this a couple of times before. | 0:37:26 | 0:37:29 | |
Next time, be more careful. | 0:37:33 | 0:37:35 | |
Yes, yes, yes. Of course. Merci, monsieur. | 0:37:35 | 0:37:37 | |
We can go, can we, now? | 0:37:37 | 0:37:38 | |
Wait! | 0:37:44 | 0:37:46 | |
Lock these doors. | 0:37:51 | 0:37:53 | |
There's the van. | 0:38:05 | 0:38:06 | |
Now what? | 0:38:17 | 0:38:19 | |
Let's split up, I think. I'll go this way. | 0:38:20 | 0:38:24 | |
Hey! Alicia? What are you doing here? | 0:38:37 | 0:38:40 | |
I'm looking for Hadia. | 0:38:40 | 0:38:43 | |
Who? | 0:38:43 | 0:38:45 | |
You know who. From the camp. | 0:38:45 | 0:38:49 | |
And why would she be here? I mean, why? | 0:38:49 | 0:38:51 | |
Let me past, please. | 0:38:56 | 0:38:58 | |
Are you alone? | 0:38:58 | 0:38:59 | |
No. Cameron's here. And Louise, and Said. | 0:39:02 | 0:39:05 | |
Then I suggest you leave with them. | 0:39:06 | 0:39:10 | |
You have no business being here. | 0:39:10 | 0:39:11 | |
KNOCKING | 0:39:11 | 0:39:14 | |
-Help! -Help us! | 0:39:14 | 0:39:15 | |
No! | 0:39:17 | 0:39:19 | |
No! Get off me! | 0:39:19 | 0:39:22 | |
Help! | 0:39:26 | 0:39:28 | |
Help! | 0:39:34 | 0:39:37 | |
Are you OK? Has he hurt you? | 0:39:44 | 0:39:47 | |
-Stop! -You will have to try and kick it from the inside. | 0:39:51 | 0:39:53 | |
Stand clear! | 0:39:53 | 0:39:55 | |
You're OK. It's OK, you're safe now. | 0:40:05 | 0:40:09 | |
My little girl, Hana. | 0:40:09 | 0:40:11 | |
We're looking after her. | 0:40:11 | 0:40:13 | |
Shukraan, Said. | 0:40:13 | 0:40:14 | |
Shukraan! | 0:40:14 | 0:40:16 | |
Said? | 0:40:19 | 0:40:20 | |
Pulse is weak. | 0:40:25 | 0:40:27 | |
Asymmetrical breathing. Hyper-resonant on percussion. | 0:40:27 | 0:40:31 | |
Possible deviated trachea. | 0:40:31 | 0:40:33 | |
Resps 48. | 0:40:33 | 0:40:35 | |
It's a tension pneumothorax. | 0:40:35 | 0:40:36 | |
I'll call for an ambulance. | 0:40:36 | 0:40:38 | |
There's no time for that. We'll have to do something now or he'll die. | 0:40:38 | 0:40:41 | |
How? We don't have any equipment! | 0:40:41 | 0:40:44 | |
There's no signal. I'll try outside. | 0:40:44 | 0:40:46 | |
What are you going to do with that? | 0:40:54 | 0:40:56 | |
Improvise. | 0:40:56 | 0:40:58 | |
Maybe he's already gone through security. | 0:41:09 | 0:41:12 | |
Right, what flight's he on? | 0:41:12 | 0:41:14 | |
I don't know... Southeast Asia? | 0:41:16 | 0:41:20 | |
That helps. | 0:41:20 | 0:41:22 | |
Well, it looks like you're out of luck. | 0:41:22 | 0:41:24 | |
You can still talk to him, fly out later. | 0:41:27 | 0:41:30 | |
He's rejecting my calls, Iain. | 0:41:31 | 0:41:34 | |
I've blown it. | 0:41:34 | 0:41:36 | |
Well, we tried. Come on. | 0:41:37 | 0:41:40 | |
Let's go and get that pint. | 0:41:40 | 0:41:42 | |
Found these in the mini-bar. | 0:41:57 | 0:41:59 | |
Brilliant. | 0:41:59 | 0:42:00 | |
No, no, no, what are you doing?! | 0:42:00 | 0:42:02 | |
The aerial's sharp and hollow, it's perfect. | 0:42:02 | 0:42:05 | |
It's too thick. If you miss, you'll hit his intercostal artery. | 0:42:05 | 0:42:09 | |
-He'll bleed into his lung. -Well, I won't miss, then. | 0:42:09 | 0:42:12 | |
OK, wait! | 0:42:12 | 0:42:14 | |
At least make an incision first. | 0:42:15 | 0:42:17 | |
Not bad. | 0:42:37 | 0:42:38 | |
Look, Jez. | 0:42:52 | 0:42:54 | |
Emile and his uncle have been arrested. | 0:43:13 | 0:43:17 | |
Said is OK? | 0:43:20 | 0:43:21 | |
He's still in the hospital, but he's doing well. | 0:43:23 | 0:43:25 | |
Look after yourself, Hadia. | 0:43:29 | 0:43:31 | |
Look me up if you get to the UK, yeah? | 0:43:32 | 0:43:34 | |
Thank you. | 0:43:36 | 0:43:38 | |
Bye. | 0:43:38 | 0:43:40 | |
Alicia. | 0:43:44 | 0:43:46 | |
I underestimated you. | 0:43:48 | 0:43:51 | |
Actually, I think I underestimated myself. | 0:43:53 | 0:43:55 | |
Goodbye, Cameron. | 0:43:57 | 0:44:00 | |
Look, you do amazing things here. | 0:44:00 | 0:44:01 | |
Just remember you're still human, yeah? | 0:44:05 | 0:44:08 | |
Bye. | 0:44:08 | 0:44:09 | |
You know, I've always tried to be a good doctor to impress other people. | 0:44:15 | 0:44:18 | |
And from now on, I'm going to do it for myself, and no-one else. | 0:44:18 | 0:44:22 | |
Good for you. | 0:44:22 | 0:44:24 | |
So, no more booze and no more men. | 0:44:24 | 0:44:28 | |
Are you serious? For how long? | 0:44:28 | 0:44:32 | |
A year. Starting from now. | 0:44:33 | 0:44:35 | |
You're my witness. | 0:44:35 | 0:44:37 | |
OK. | 0:44:37 | 0:44:38 | |
Hi, welcome to Ma's Smokehouse, can I take your order, please? | 0:44:55 | 0:44:58 | |
Um, yes, can I have two cheeseburgers, please? | 0:44:58 | 0:45:00 | |
-Some fries, large fries. -Ketchup! Ketchup, Dr Dylan! | 0:45:00 | 0:45:03 | |
Ketchup, Dylan, ketchup. | 0:45:03 | 0:45:05 | |
An orange juice, please, | 0:45:05 | 0:45:06 | |
and ketchup, a lot of ketchup. | 0:45:06 | 0:45:09 | |
-Ketchup. -Hey, who needs Nietzsche to feel alive | 0:45:09 | 0:45:11 | |
when you've got cheeseburgers? | 0:45:11 | 0:45:12 | |
Yeah, not me, I need money. | 0:45:12 | 0:45:13 | |
Oh, money! | 0:45:15 | 0:45:17 | |
Thank you. | 0:45:17 | 0:45:18 | |
Thank you very much indeed. There you go. | 0:45:21 | 0:45:24 | |
Is this everything you'd hoped it would be, Sanosi? | 0:45:24 | 0:45:26 | |
-Yes! -OK, don't speak too soon, you haven't tasted it yet. | 0:45:26 | 0:45:29 | |
Well, that is a lot of ketchup. Thank you very much indeed. | 0:45:30 | 0:45:33 | |
Thank you. OK. | 0:45:35 | 0:45:37 | |
-Goodbye. -See you tomorrow. -Thank you. | 0:45:37 | 0:45:39 | |
Sorry I made you miss your flight. | 0:45:42 | 0:45:44 | |
We can book new ones. | 0:45:44 | 0:45:46 | |
To anywhere we want. | 0:45:46 | 0:45:47 | |
Whoa, whoa, whoa. | 0:45:49 | 0:45:50 | |
That's enough of that, you two, or else I'll call security. | 0:45:50 | 0:45:53 | |
Listen, as much as I love departure lounges, | 0:45:53 | 0:45:56 | |
I am going to leave you two love birds to it. | 0:45:56 | 0:45:59 | |
Jez, it's been a pleasure. | 0:45:59 | 0:46:03 | |
Thank you for everything. | 0:46:03 | 0:46:05 | |
And make sure you watch your back lifting those patients. | 0:46:05 | 0:46:09 | |
You're getting old! | 0:46:09 | 0:46:10 | |
Shut up. Send me a postcard, yeah? Good luck. | 0:46:10 | 0:46:13 | |
Mickey. | 0:46:13 | 0:46:15 | |
Cheers, buddy. | 0:46:15 | 0:46:17 | |
I'm sorry you didn't get to say goodbye to your sister. | 0:46:36 | 0:46:39 | |
Please, don't be sorry, Dr Dylan. | 0:46:43 | 0:46:46 | |
Why did you help us, David? | 0:46:54 | 0:46:56 | |
We could have been arrested. We still could. | 0:46:58 | 0:47:01 | |
Because you're my friend. | 0:47:03 | 0:47:04 |