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-What's going on? -He's my brother. He just...fell. -Did he collapse | 0:00:02 | 0:00:05 | |
-or did he fall on the rocks? -Can you hear me? -OK. Let's do a BM, David. | 0:00:05 | 0:00:08 | |
PEOPLE CRY AND COUGH | 0:00:08 | 0:00:11 | |
You're coming with me. | 0:00:12 | 0:00:14 | |
I thought you were different, Iain. | 0:00:15 | 0:00:17 | |
But you're just as insecure as the next man. | 0:00:17 | 0:00:20 | |
Your intellect or lack thereof is not my responsibility | 0:00:20 | 0:00:23 | |
so shame on you. | 0:00:23 | 0:00:24 | |
As I have been allocated a plus one, | 0:00:24 | 0:00:27 | |
I was wondering if you could pose as my date. | 0:00:27 | 0:00:30 | |
Er, yes, sure. | 0:00:30 | 0:00:31 | |
Your brother, he was coming at me and he wouldn't back down. | 0:00:33 | 0:00:37 | |
Please, stop. | 0:00:37 | 0:00:38 | |
I never meant it. | 0:00:38 | 0:00:40 | |
MACHINE FLATLINES | 0:00:40 | 0:00:42 | |
Ethan, he's gone. | 0:00:42 | 0:00:43 | |
Today's the day. | 0:01:03 | 0:01:04 | |
I just let nature take its course... | 0:01:13 | 0:01:16 | |
..didn't I? | 0:01:19 | 0:01:20 | |
Whatever happens, at least it will finally be over. | 0:01:38 | 0:01:41 | |
I can maybe get some sleep. | 0:01:41 | 0:01:43 | |
OK. | 0:01:54 | 0:01:56 | |
Wish me luck. | 0:01:59 | 0:02:00 | |
OWL HOOTS | 0:02:01 | 0:02:03 | |
-WOMAN: -I know you're here, vengeful spirit. | 0:02:44 | 0:02:46 | |
I can feel your presence all around me. Show yourself. | 0:02:46 | 0:02:49 | |
Why aren't you dressed? | 0:02:51 | 0:02:53 | |
They'll be here any minute. | 0:02:53 | 0:02:54 | |
Can I sit this one out? | 0:02:54 | 0:02:57 | |
I still feel a bit groggy from last week. | 0:02:57 | 0:02:59 | |
But I can't do it on my own. | 0:02:59 | 0:03:00 | |
We could just cancel. | 0:03:00 | 0:03:02 | |
And give everyone a refund? | 0:03:02 | 0:03:05 | |
You know the bank are breathing down my neck - | 0:03:05 | 0:03:07 | |
they will repossess the house. | 0:03:07 | 0:03:10 | |
Maybe it's time we start thinking about selling up. | 0:03:10 | 0:03:12 | |
This house has been in our family for generations. It's our home. | 0:03:14 | 0:03:18 | |
We can find a new home. One we can afford to heat. | 0:03:18 | 0:03:22 | |
METAL GATES CREAK | 0:03:22 | 0:03:24 | |
They're here. | 0:03:24 | 0:03:26 | |
Please, Mia, it won't work without you. | 0:03:34 | 0:03:37 | |
-You're such a natural performer. -DOORBELL RINGS | 0:03:37 | 0:03:39 | |
Fine, fine. | 0:03:39 | 0:03:41 | |
Thank you. | 0:03:41 | 0:03:42 | |
Go on, then. | 0:03:43 | 0:03:45 | |
MIA SIGHS | 0:03:46 | 0:03:48 | |
Wow, Lily, that is gorgeous. | 0:04:01 | 0:04:04 | |
You planning on accessorising it with blood and vomit? | 0:04:05 | 0:04:08 | |
I'm going to my cousin's wedding after the shift. | 0:04:08 | 0:04:10 | |
You're driving to a wedding after a night shift? | 0:04:10 | 0:04:12 | |
-Rather you than me. -Ethan is driving me. | 0:04:12 | 0:04:15 | |
Ethan is your plus one? That's nice. | 0:04:15 | 0:04:18 | |
You will make a very handsome couple. | 0:04:18 | 0:04:20 | |
A match made in heaven. | 0:04:22 | 0:04:23 | |
I couldn't agree more. | 0:04:24 | 0:04:26 | |
This house has been in my family since the 18th century | 0:04:27 | 0:04:31 | |
and stories of its supernatural activity have been | 0:04:31 | 0:04:35 | |
passed down through the generations. | 0:04:35 | 0:04:37 | |
CLASSICAL MUSIC PLAYS | 0:04:37 | 0:04:39 | |
This way. | 0:04:39 | 0:04:40 | |
My great, great grandmother Constance | 0:04:50 | 0:04:53 | |
and her young daughter, Rowena. | 0:04:53 | 0:04:56 | |
When Rowena's father died, | 0:04:56 | 0:04:58 | |
they were left all alone in this crumbling house. | 0:04:58 | 0:05:03 | |
Sounds familiar. | 0:05:03 | 0:05:04 | |
Desperate for company, Constance started an affair with Joseph, | 0:05:04 | 0:05:09 | |
a handsome, young servant. | 0:05:09 | 0:05:11 | |
But, as soon as the family found out about the affair, they forced | 0:05:11 | 0:05:14 | |
her to marry a rich nobleman and banished Joseph from the house. | 0:05:14 | 0:05:19 | |
Joseph was so devastated, he locked himself in this room. | 0:05:21 | 0:05:27 | |
And stabbed himself through the heart. | 0:05:27 | 0:05:29 | |
CAT MEOWS LOUDLY | 0:05:31 | 0:05:32 | |
I'm so sorry, he keeps doing that. | 0:05:32 | 0:05:34 | |
Since then, this room is said to be cursed. | 0:05:34 | 0:05:38 | |
Joseph's vengeful spirit has never left this room. | 0:05:40 | 0:05:43 | |
Today, we're going to cleanse it once and for all. | 0:05:45 | 0:05:50 | |
HE SHOUTS IN HIS SLEEP | 0:06:01 | 0:06:05 | |
All right? | 0:06:07 | 0:06:08 | |
OK, all right, it's fine, it's fine. | 0:06:08 | 0:06:10 | |
It's just a nightmare. | 0:06:10 | 0:06:12 | |
It's just a nightmare, OK? | 0:06:12 | 0:06:14 | |
Do you remember where you are? | 0:06:14 | 0:06:16 | |
You're on my boat. | 0:06:16 | 0:06:17 | |
I'm sorry... I think I... | 0:06:19 | 0:06:23 | |
Oh, OK. All right, never mind. | 0:06:24 | 0:06:26 | |
Never mind. Let's...let's get these off, then, shall we? | 0:06:26 | 0:06:29 | |
All right. | 0:06:29 | 0:06:31 | |
Yeah, don't worry. Don't worry. You stay where you are, that's fine. | 0:06:31 | 0:06:34 | |
We'll get you some dry things. And... | 0:06:34 | 0:06:37 | |
..and when it gets light, we'll...we'll carry on looking | 0:06:37 | 0:06:41 | |
for your uncle, all right? | 0:06:41 | 0:06:43 | |
But I don't even have his phone number. | 0:06:43 | 0:06:45 | |
Yeah, I know, we've been through this. | 0:06:45 | 0:06:48 | |
We'll sort it, all right? | 0:06:48 | 0:06:50 | |
-Hey. Morning. -Morning. Thank you. | 0:07:10 | 0:07:12 | |
Have you heard anything on the Scott Ellisson inquest? | 0:07:12 | 0:07:15 | |
Not yet. I was hoping to find out before we leave for the wedding. | 0:07:15 | 0:07:18 | |
We are meeting later, right? | 0:07:20 | 0:07:22 | |
I'm really sorry, I told Mrs Beauchamp I could work today. | 0:07:22 | 0:07:25 | |
Is there anyone else who can take you? | 0:07:25 | 0:07:28 | |
It's fine. | 0:07:28 | 0:07:30 | |
It would have been nice of you to let me know. | 0:07:30 | 0:07:32 | |
Mrs Beauchamp. Any news on the inquest? | 0:07:35 | 0:07:38 | |
Yes, the coroner's come to a decision. | 0:07:38 | 0:07:41 | |
Accidental death secondary to a fall. OK? | 0:07:42 | 0:07:47 | |
That's it? | 0:07:47 | 0:07:48 | |
Well, there's some action plans to be put into place, | 0:07:48 | 0:07:51 | |
-but overall that's the best outcome we could have hoped for. -Yup. | 0:07:51 | 0:07:56 | |
OK. | 0:07:57 | 0:07:58 | |
Thank you. | 0:07:58 | 0:08:00 | |
It's over. | 0:08:01 | 0:08:03 | |
I know you're here, vengeful spirit. | 0:08:12 | 0:08:15 | |
I can feel your presence all around me. | 0:08:15 | 0:08:17 | |
Show your face! | 0:08:26 | 0:08:28 | |
SHE MURMURS MYSTERIOUSLY | 0:08:35 | 0:08:39 | |
SHE SCREAMS | 0:08:55 | 0:08:57 | |
Are you all right? | 0:08:57 | 0:08:59 | |
SHE LAUGHS MANIACALLY | 0:08:59 | 0:09:02 | |
DISTORTED VOICE: I'll never leave this house. | 0:09:09 | 0:09:11 | |
I'll come for you in your sleep. | 0:09:11 | 0:09:14 | |
CREAKING, GLASS TINKLES | 0:09:17 | 0:09:20 | |
Leave her alone, I tell you! Leave her alone! | 0:09:27 | 0:09:30 | |
SHE SCREAMS | 0:09:32 | 0:09:34 | |
No! | 0:09:34 | 0:09:36 | |
-Oi. -Help! | 0:10:31 | 0:10:33 | |
You all right? | 0:10:36 | 0:10:38 | |
-Oi. -Help! -Stop! | 0:10:38 | 0:10:40 | |
Yeah, police, please. | 0:10:44 | 0:10:47 | |
Oi! | 0:10:50 | 0:10:51 | |
What are you doing back at work? | 0:10:51 | 0:10:53 | |
You should be at home, resting. | 0:10:53 | 0:10:54 | |
Charlotte's with Duffy all day so I have no reason not to come in. | 0:10:54 | 0:10:58 | |
Not too soon? | 0:10:59 | 0:11:00 | |
Don't be like that. We have been looking after this one | 0:11:00 | 0:11:03 | |
and Charlotte for a week now and we decided it was time | 0:11:03 | 0:11:06 | |
to release her back into the wild. | 0:11:06 | 0:11:07 | |
Oh, wow! | 0:11:07 | 0:11:09 | |
And he's been cooking me amazing food. This roast was immense. | 0:11:10 | 0:11:15 | |
Yes, it was. Even if I say so myself. | 0:11:15 | 0:11:18 | |
How's it going living with Noel? | 0:11:18 | 0:11:20 | |
Yes, it's all right. I cooked him the Maximilian Special. | 0:11:20 | 0:11:23 | |
-What, and he ate it? -He loved it. | 0:11:23 | 0:11:25 | |
It's only you who doesn't appreciate my culinary expertise. | 0:11:25 | 0:11:27 | |
What exactly is the Maximilian Special? | 0:11:27 | 0:11:30 | |
Frankfurters, tinned sausages and corned beef | 0:11:30 | 0:11:32 | |
all baked together to get the juices flowing. | 0:11:32 | 0:11:34 | |
You must write that down for me. | 0:11:34 | 0:11:36 | |
What else do we do? I played my new song on guitar. | 0:11:36 | 0:11:39 | |
Yeah, it was a thoroughly pleasant evening, thank you. | 0:11:39 | 0:11:41 | |
You and Noel make such a dreamy couple. | 0:11:41 | 0:11:44 | |
Speaking of which, have you seen Jez and Mickey selfies from Mexico? | 0:11:44 | 0:11:47 | |
Yes, what I wouldn't give right now for some sun, sea, sand and tequila. | 0:11:47 | 0:11:51 | |
SIREN | 0:11:51 | 0:11:54 | |
-Right, come here. -Don't you touch me. Get off me. -Have you got him? | 0:11:54 | 0:11:59 | |
-Get off. -Good. -Calm down, sir. -Where is the other one? | 0:11:59 | 0:12:02 | |
There was a girl as well. He was chasing a girl, definitely. | 0:12:02 | 0:12:05 | |
-Get off me. -Calm down. -Did you see her? No? | 0:12:05 | 0:12:09 | |
There was... There was definitely somebody. | 0:12:11 | 0:12:13 | |
Hang on, wait. Wait, wait, wait. | 0:12:19 | 0:12:21 | |
Are you OK? | 0:12:23 | 0:12:25 | |
Hello? | 0:12:26 | 0:12:27 | |
Hello? | 0:12:32 | 0:12:34 | |
Nice and gentle. one, two, three. | 0:12:35 | 0:12:37 | |
Looks like she's been very lucky. | 0:12:37 | 0:12:40 | |
The chandelier hasn't crushed any part of her body. | 0:12:40 | 0:12:43 | |
It's all right, darling, I'm here, I'm here. | 0:12:43 | 0:12:45 | |
-You having a bit of pain there? -Yeah. -It looks like it could be dislocated. | 0:12:48 | 0:12:51 | |
All right, just bear with us. We'll get you some pain relief | 0:12:51 | 0:12:54 | |
and some backup, all right? | 0:12:54 | 0:12:55 | |
Mia, you're doing really well. OK. | 0:12:55 | 0:12:58 | |
Did you, did you bang your head at all, Mia, when you fell? | 0:13:01 | 0:13:04 | |
I don't think so. | 0:13:07 | 0:13:09 | |
I don't think so. | 0:13:09 | 0:13:10 | |
Well, it doesn't look like there's any significant head injuries. | 0:13:10 | 0:13:14 | |
OK, I tell you what I am going to do. I'm going to pop a line in | 0:13:14 | 0:13:16 | |
and we'll get her to the hospital. We'll get you patched up, all right? | 0:13:16 | 0:13:20 | |
Good girl. Just stay nice and still. | 0:13:20 | 0:13:21 | |
So why did the chandelier fall? | 0:13:25 | 0:13:27 | |
It's like she was possessed. | 0:13:28 | 0:13:31 | |
Really? Well, I have never heard that one before. | 0:13:33 | 0:13:37 | |
Hello. | 0:13:50 | 0:13:51 | |
Hello? | 0:13:59 | 0:14:00 | |
Is there anybody here? | 0:14:03 | 0:14:05 | |
Hel... Hello. | 0:14:14 | 0:14:15 | |
Why are you following me? | 0:14:17 | 0:14:19 | |
Well... I heard the shouting up there. I just... | 0:14:20 | 0:14:25 | |
Yeah, OK. | 0:14:25 | 0:14:26 | |
I can see I misread the situation. Right. I don't believe this. | 0:14:28 | 0:14:31 | |
-I've already called the police. -Thanks for that. | 0:14:31 | 0:14:35 | |
-Now, jog on. Keep your mouth shut if you know what's good for you. -OK. | 0:14:37 | 0:14:42 | |
Right, do you want me to have a look at that for you? I'm a doctor. | 0:14:43 | 0:14:46 | |
-Come on, let me have a look. -Get away from me. | 0:14:46 | 0:14:49 | |
I think that needs re-dressing. I think you need to go to hospital. | 0:14:52 | 0:14:55 | |
-Come on... -I'm warning you. -OK. | 0:14:55 | 0:14:56 | |
I'm going to take this. OK? I just going to take this. | 0:14:59 | 0:15:01 | |
-It doesn't belong to you. -That's mine. -No, it isn't yours. | 0:15:01 | 0:15:04 | |
That's mine. | 0:15:04 | 0:15:05 | |
That is mine. | 0:15:05 | 0:15:07 | |
Get off. Go on. Get off. | 0:15:09 | 0:15:13 | |
No, come on, give it back to me. | 0:15:14 | 0:15:16 | |
It's your last chance to get off my property. | 0:15:22 | 0:15:25 | |
No. | 0:15:26 | 0:15:27 | |
-Give that back to me. That does not belong to you. -Leave me alone. | 0:15:34 | 0:15:38 | |
Come on. Give it back to me. | 0:15:42 | 0:15:44 | |
HE GASPS | 0:15:47 | 0:15:49 | |
Ah, great, you've got the kettle on. | 0:16:10 | 0:16:12 | |
Cheers. Now that is a lot of food... | 0:16:16 | 0:16:18 | |
You can't beat leftover roast dinner for lunch! | 0:16:18 | 0:16:22 | |
I'm never eating again. | 0:16:22 | 0:16:23 | |
Max made me the most revolting meal last night. | 0:16:23 | 0:16:26 | |
The Maximilian Special. We heard you loved it! | 0:16:27 | 0:16:30 | |
I didn't want to hurt his feelings, Charlie. | 0:16:32 | 0:16:34 | |
-I was straight on the bog. -Eugh! | 0:16:34 | 0:16:35 | |
Those tinned sausages pass straight through you. | 0:16:35 | 0:16:37 | |
-Noel! -And Max had used all the toilet paper | 0:16:37 | 0:16:39 | |
so I was left in a very awkward predicament. | 0:16:39 | 0:16:42 | |
But not as awkward as when I had to pretend to like his guitar playing! | 0:16:42 | 0:16:46 | |
Surely it can't have been that bad. | 0:16:46 | 0:16:49 | |
Bad?! | 0:16:49 | 0:16:50 | |
Let's just say I will be investing in a very effective pair of ear plugs. | 0:16:50 | 0:16:55 | |
If you didn't buy the cheap stuff I wouldn't have to use half a roll. | 0:16:55 | 0:16:57 | |
Max... Mate... | 0:16:58 | 0:17:02 | |
HE GROANS | 0:17:21 | 0:17:24 | |
PHONE RINGS | 0:17:29 | 0:17:32 | |
HE GROANS | 0:17:34 | 0:17:36 | |
HE GROANS | 0:17:40 | 0:17:42 | |
HE SHOUTS IN PAIN | 0:17:45 | 0:17:48 | |
HE GASPS | 0:17:49 | 0:17:51 | |
PHONE CONTINUES TO RING | 0:17:51 | 0:17:55 | |
Hello, David. I... I never thought I'd be so happy to hear from you. | 0:17:56 | 0:18:01 | |
Yeah... Shut up, shut up, shut up. Just for a second. | 0:18:03 | 0:18:07 | |
I'm... I think I've found myself in a spot of bother. | 0:18:07 | 0:18:12 | |
-Ethan, would you like to lead on this? -Yeah. Yeah. | 0:18:13 | 0:18:16 | |
Right what have we got? | 0:18:18 | 0:18:20 | |
Right, this is Mia Kovak, 20 years old. | 0:18:20 | 0:18:22 | |
At 5.45, a chandelier fell from a ceiling, trapping her underneath. | 0:18:22 | 0:18:26 | |
She was briefly KO'd, | 0:18:26 | 0:18:27 | |
but there's no sign of any contact or crush injuries | 0:18:27 | 0:18:30 | |
apart from a shard of glass in the upper aspects of her left arm. | 0:18:30 | 0:18:33 | |
Now, she was seen to be behaving | 0:18:33 | 0:18:34 | |
-erratically before the chandelier fell. -OK. | 0:18:34 | 0:18:36 | |
Obs-wise, she's tachy at 110, GCS 15, but she's getting agitated | 0:18:36 | 0:18:41 | |
and her temperature is 39.5. | 0:18:41 | 0:18:43 | |
-Oh, OK. -Query cause. | 0:18:43 | 0:18:44 | |
She's had a gram of IV paracetamol and half a bag of saline. | 0:18:44 | 0:18:47 | |
-So we're saying the trauma is minor but she has markers of sepsis? -Sepsis. | 0:18:47 | 0:18:51 | |
Yeah. Right. Resus, please. OK, Elle... | 0:18:51 | 0:18:53 | |
SHE GROANS | 0:18:54 | 0:18:56 | |
-It's OK. It's OK. -Nice and still for us. -OK. Try and stay calm, you're in a safe place. | 0:18:56 | 0:19:00 | |
Suspected dislocated shoulder. | 0:19:00 | 0:19:03 | |
Now, cubicles are full so we're going to put her in Resus. | 0:19:03 | 0:19:06 | |
-Oh, and... -OK, right. Iain? | 0:19:06 | 0:19:07 | |
I cleared them at the scene. They're just superficial wounds. | 0:19:07 | 0:19:10 | |
I sent them to Minor Injuries | 0:19:10 | 0:19:12 | |
but they've obviously come for the show. | 0:19:12 | 0:19:14 | |
Fine. Yes, go through to Resus. | 0:19:16 | 0:19:18 | |
Sorry. Can you go to reception, please? Someone will come through later. | 0:19:18 | 0:19:21 | |
I hear you're taking Lily to a wedding? | 0:19:22 | 0:19:25 | |
No, my services were needed here. Bay one, please. | 0:19:25 | 0:19:28 | |
So Ethan stood you up then. | 0:19:40 | 0:19:42 | |
There was a miscommunication. | 0:19:44 | 0:19:46 | |
Yes, if that's what you want to call it. | 0:19:50 | 0:19:52 | |
Don't you have any work to do? | 0:19:53 | 0:19:55 | |
Or are you just going to sit there and gloat like a child? | 0:19:55 | 0:19:57 | |
No my shift's finished so I've got all the time in the world. | 0:19:57 | 0:20:00 | |
The coroner decided that Scott Ellisson's death was accidental. | 0:20:05 | 0:20:08 | |
Lily, that is great. | 0:20:10 | 0:20:12 | |
And I am going to celebrate by heading home | 0:20:14 | 0:20:17 | |
for a well-deserved nap, | 0:20:17 | 0:20:18 | |
so you'll have to find someone else to annoy. | 0:20:18 | 0:20:20 | |
Hang on, what about the wedding? | 0:20:20 | 0:20:23 | |
I'm not going. | 0:20:23 | 0:20:24 | |
What? Don't be daft. | 0:20:24 | 0:20:26 | |
You can't just miss your cousin's wedding | 0:20:26 | 0:20:28 | |
because of a miscommunication. | 0:20:28 | 0:20:29 | |
There'll be too many questions if I turn up on my own. | 0:20:31 | 0:20:34 | |
I'd just... I'd rather just miss the whole thing. | 0:20:34 | 0:20:37 | |
Why? Going to a wedding on your tod isn't that bad! | 0:20:37 | 0:20:40 | |
You don't know my family. | 0:20:40 | 0:20:41 | |
Plus there is no way of me getting there. | 0:20:41 | 0:20:43 | |
It's not like I can drive my moped in that dress. | 0:20:43 | 0:20:46 | |
Well, like I said, my shift's finished. | 0:20:50 | 0:20:52 | |
All I've got to do is take the ambo back | 0:20:52 | 0:20:54 | |
and then I suppose I could drive you there. | 0:20:54 | 0:20:58 | |
I don't have to stay or owt, I can just drop you off. | 0:20:58 | 0:21:01 | |
It's not that I don't want you to stay. | 0:21:03 | 0:21:05 | |
I told my family I'm bringing Ethan, who is a doctor... | 0:21:05 | 0:21:08 | |
Well, how are they going to know? | 0:21:09 | 0:21:12 | |
All I've got to do is puff my chest out | 0:21:12 | 0:21:13 | |
and look like I'm really full of myself. | 0:21:13 | 0:21:16 | |
But if you'd rather miss the whole thing... | 0:21:18 | 0:21:21 | |
I suppose that would be a shame. | 0:21:24 | 0:21:26 | |
So do you want to ask me? | 0:21:30 | 0:21:33 | |
Would you mind accompanying me to my cousin's wedding? | 0:21:38 | 0:21:41 | |
Hm. Pretty please? | 0:21:44 | 0:21:47 | |
Don't push it. | 0:21:48 | 0:21:49 | |
VOICEMAIL: This is Dylan Keogh. | 0:21:55 | 0:21:57 | |
Please leave a message after the tone. | 0:21:57 | 0:21:59 | |
-BEEP -Yeah, hello? Hello? | 0:21:59 | 0:22:01 | |
Dylan! | 0:22:06 | 0:22:07 | |
Dylan... | 0:22:07 | 0:22:08 | |
David... David? | 0:22:08 | 0:22:12 | |
Dylan? | 0:22:12 | 0:22:14 | |
Where are you, David? I'm in here. | 0:22:14 | 0:22:16 | |
Good grief! | 0:22:27 | 0:22:28 | |
How did you get down there? | 0:22:30 | 0:22:32 | |
Oh...um...it's... | 0:22:32 | 0:22:36 | |
It's a long story. | 0:22:36 | 0:22:38 | |
Don't come too close to the edge. | 0:22:38 | 0:22:39 | |
All right, all right. | 0:22:39 | 0:22:41 | |
You OK? | 0:22:42 | 0:22:44 | |
-Uh... -You don't look great. | 0:22:44 | 0:22:47 | |
No? | 0:22:47 | 0:22:49 | |
Um...I just need to get back to the boat. | 0:22:49 | 0:22:52 | |
I think I've dislocated my knee. | 0:22:52 | 0:22:55 | |
Sanosi's there. He's on his own. | 0:22:55 | 0:22:57 | |
-It's not a good situation, David. -All right, all right. | 0:22:57 | 0:22:59 | |
I think we should just look... | 0:22:59 | 0:23:01 | |
I think we should just get you to the ED. | 0:23:01 | 0:23:03 | |
As a doctor, I don't have to tell you, falling from up here, | 0:23:03 | 0:23:06 | |
you could have hurt your head as well. | 0:23:06 | 0:23:08 | |
Yeah, thanks for that. | 0:23:08 | 0:23:09 | |
Can we just get me out of here? I'm fine, I just... | 0:23:09 | 0:23:12 | |
I need to get back there and... | 0:23:12 | 0:23:14 | |
All right. | 0:23:14 | 0:23:16 | |
I can't see any way out. | 0:23:16 | 0:23:17 | |
It...obviously... | 0:23:17 | 0:23:19 | |
David, just get me out, please. | 0:23:19 | 0:23:21 | |
Aye-aye, captain! | 0:23:22 | 0:23:24 | |
Don't move a muscle. | 0:23:28 | 0:23:29 | |
Where have you gone, David? | 0:23:43 | 0:23:45 | |
Mind your head. | 0:23:50 | 0:23:51 | |
David, I can't... | 0:23:56 | 0:23:58 | |
I can't climb up a rope, I've got a dislocated knee. | 0:23:58 | 0:24:01 | |
No, it's all right, it's all right - I'll hoist you up. | 0:24:01 | 0:24:04 | |
No, you won't, that's ludicrous! | 0:24:04 | 0:24:06 | |
It's not ludicrous, I've seen it done before. | 0:24:06 | 0:24:09 | |
I've seen it done on telly. | 0:24:09 | 0:24:10 | |
You're not on the telly! | 0:24:10 | 0:24:12 | |
All right, don't worry - panic ye not. | 0:24:14 | 0:24:18 | |
I'll get you out in a...in a jiffy, all right? | 0:24:18 | 0:24:21 | |
Now, just try and get hold of that, and...and pull. | 0:24:21 | 0:24:26 | |
No, no, not now, no. Wait... | 0:24:26 | 0:24:28 | |
DAVID YELLS | 0:24:28 | 0:24:31 | |
DYLAN SCREAMS | 0:24:31 | 0:24:33 | |
No, no, I'm OK, I'm OK. | 0:24:35 | 0:24:38 | |
-I'm OK, I've...I've... -DYLAN GROANS | 0:24:38 | 0:24:40 | |
Are you all right? | 0:24:40 | 0:24:42 | |
-No! -Argh! | 0:24:42 | 0:24:44 | |
Sorry... OK. | 0:24:44 | 0:24:46 | |
Let's take a look at that knee. | 0:24:46 | 0:24:48 | |
Dr Dylan? | 0:24:51 | 0:24:53 | |
Dr Dylan? | 0:24:54 | 0:24:56 | |
DOG WHINES | 0:25:00 | 0:25:02 | |
BARKING | 0:25:11 | 0:25:13 | |
Hey... | 0:25:15 | 0:25:18 | |
What are you doing on Dr Keogh's boat? | 0:25:18 | 0:25:20 | |
Hey! | 0:25:22 | 0:25:24 | |
She's pyrexial at 38.9, | 0:25:27 | 0:25:31 | |
heart rate 110, BP 105/60, GCS 14. | 0:25:31 | 0:25:38 | |
OK - that is right in there, isn't it? | 0:25:38 | 0:25:42 | |
You OK, Mia? Have you got a headache? | 0:25:42 | 0:25:44 | |
I think so... | 0:25:44 | 0:25:45 | |
All right, let's get her booked in for a head and neck CT - | 0:25:47 | 0:25:50 | |
I want to rule out a bleed or a c-spine fracture. | 0:25:50 | 0:25:53 | |
Right, I'll book her in now. | 0:25:53 | 0:25:55 | |
Raquel, as I thought, | 0:25:55 | 0:25:56 | |
the X-ray's confirmed your shoulder is dislocated | 0:25:56 | 0:25:59 | |
but fortunately, there are no breaks. | 0:25:59 | 0:26:01 | |
We can re-locate it in here for you. | 0:26:01 | 0:26:03 | |
Do you just want to just hop up onto the bed for me? | 0:26:03 | 0:26:06 | |
RAQUEL GROANS | 0:26:06 | 0:26:07 | |
OK, let's start with some pain relief. | 0:26:07 | 0:26:09 | |
Gas and air, please, Robyn. | 0:26:09 | 0:26:10 | |
-How are you doing, love? -I'm OK. | 0:26:10 | 0:26:13 | |
Hi. We are going to take her for a CT scan. | 0:26:13 | 0:26:15 | |
She seems a bit confused | 0:26:15 | 0:26:16 | |
so I just want to rule out anything more serious. | 0:26:16 | 0:26:18 | |
Looks like you're in safe hands with that one. | 0:26:18 | 0:26:20 | |
OK, let's sort your shoulder out | 0:26:20 | 0:26:22 | |
and then you can spend time with your daughter, all right? | 0:26:22 | 0:26:24 | |
RAQUEL GROANS | 0:26:24 | 0:26:26 | |
Oi! This is a hospital! | 0:26:26 | 0:26:29 | |
Stop it, or I will call security! | 0:26:29 | 0:26:31 | |
-Is he filming her? -Yeah. | 0:26:33 | 0:26:35 | |
They think Mia's possessed. | 0:26:35 | 0:26:36 | |
We run ghost tours round the house. It helps with the mortgage. | 0:26:40 | 0:26:44 | |
We make a great team, don't we? | 0:26:44 | 0:26:46 | |
The best. | 0:26:47 | 0:26:49 | |
Sorry, I don't mean to hurry you, David, | 0:26:51 | 0:26:53 | |
but can I be the one to point out that the moment an African boy | 0:26:53 | 0:26:56 | |
is seen disembarking my boat | 0:26:56 | 0:26:58 | |
is the moment we're both going to jail? | 0:26:58 | 0:27:00 | |
All right, look, just...calm down. | 0:27:00 | 0:27:01 | |
Look, look, let's stop worrying about him getting off your boat. | 0:27:01 | 0:27:05 | |
Let's concentrate on us getting off this one. | 0:27:05 | 0:27:07 | |
A task you have just made immeasurably harder! | 0:27:07 | 0:27:10 | |
All right, look, to be honest, | 0:27:10 | 0:27:12 | |
I think at this precise moment, we... | 0:27:12 | 0:27:15 | |
CREAKING | 0:27:15 | 0:27:17 | |
..we have...bigger things to worry about. | 0:27:17 | 0:27:20 | |
DYLAN SCREAMS | 0:27:23 | 0:27:26 | |
Not bad...for somebody who's just come off a night shift. | 0:27:37 | 0:27:41 | |
I'll take that as a compliment. | 0:27:41 | 0:27:42 | |
-Your tie's wonky. -Is it? | 0:27:44 | 0:27:47 | |
Let me. | 0:27:49 | 0:27:51 | |
Much better. | 0:27:58 | 0:27:59 | |
Good. | 0:28:01 | 0:28:03 | |
-We better get going. My family's always early. -Yeah. | 0:28:03 | 0:28:06 | |
So...you going to introduce me as your boyfriend? | 0:28:14 | 0:28:18 | |
No. | 0:28:18 | 0:28:19 | |
Oh... | 0:28:24 | 0:28:25 | |
Who are they going to think I am? | 0:28:25 | 0:28:27 | |
Some sort of doctor for hire? | 0:28:27 | 0:28:29 | |
We'll keep it vague - let them make their own assumptions. | 0:28:29 | 0:28:32 | |
Thank you. | 0:28:32 | 0:28:33 | |
You're welcome...my lady. | 0:28:34 | 0:28:37 | |
DYLAN GROANS | 0:28:42 | 0:28:45 | |
Are you all right? Are you all right? | 0:28:45 | 0:28:48 | |
-Are you sure? -I'm going to be sick. | 0:28:48 | 0:28:50 | |
Just not on me. | 0:28:50 | 0:28:52 | |
-We need to call for help. -Where's your phone? | 0:28:52 | 0:28:54 | |
It's just there, but it's... It's out of battery. | 0:28:54 | 0:28:57 | |
OK, look, don't worry. I'll use mine. | 0:28:57 | 0:28:58 | |
Oh, no. | 0:29:03 | 0:29:04 | |
Dylan, I left it up there. | 0:29:04 | 0:29:06 | |
Of course you have. | 0:29:07 | 0:29:08 | |
Don't...don't worry. | 0:29:08 | 0:29:10 | |
Don't worry. | 0:29:10 | 0:29:12 | |
I'll shimmy up this | 0:29:12 | 0:29:13 | |
and we'll be out of here in a jiffy, all right? | 0:29:13 | 0:29:16 | |
Here we go. | 0:29:16 | 0:29:17 | |
Hey...! | 0:29:17 | 0:29:19 | |
Argh! | 0:29:19 | 0:29:20 | |
Are you all right? | 0:29:20 | 0:29:21 | |
Dylan? | 0:29:25 | 0:29:26 | |
-SCOTT: -Dr Hardy? | 0:29:38 | 0:29:40 | |
Dr Hardy? | 0:29:42 | 0:29:44 | |
So...you got away with it. | 0:29:47 | 0:29:49 | |
How does it feel? | 0:29:55 | 0:29:56 | |
You think you can just carry on like normal, don't you? | 0:29:58 | 0:30:02 | |
But you're a murderer. | 0:30:04 | 0:30:05 | |
I'm not a murderer. | 0:30:08 | 0:30:09 | |
I'm a good person. | 0:30:12 | 0:30:14 | |
I'm a good doctor. | 0:30:15 | 0:30:17 | |
You used to be. | 0:30:19 | 0:30:21 | |
Now, your dirty little secret will infect everything that you do. | 0:30:21 | 0:30:26 | |
You're a monster... | 0:30:30 | 0:30:32 | |
..just like me. | 0:30:33 | 0:30:35 | |
-No...no, I'm nothing like you. -Ethan? | 0:30:35 | 0:30:40 | |
Ethan...? | 0:30:40 | 0:30:43 | |
CHARLIE: Ethan? | 0:30:43 | 0:30:44 | |
Sorry - you all right? | 0:30:49 | 0:30:51 | |
Yeah. | 0:30:51 | 0:30:53 | |
Yeah, sorry, um... | 0:30:53 | 0:30:55 | |
Must have, um... | 0:30:55 | 0:30:57 | |
I just...need this coffee. | 0:30:57 | 0:31:00 | |
OK - Mia's about to go to CT. | 0:31:01 | 0:31:06 | |
Could you write her up some more analgesia? | 0:31:06 | 0:31:08 | |
Yeah. Yeah, yeah, I'll be right with you. | 0:31:08 | 0:31:12 | |
OK. | 0:31:12 | 0:31:14 | |
OK...that's it... | 0:31:25 | 0:31:27 | |
David, if I'm going to climb that ladder, | 0:31:30 | 0:31:32 | |
then...you need to help me | 0:31:32 | 0:31:34 | |
reposition my knee. | 0:31:34 | 0:31:36 | |
No, please, don't. | 0:31:36 | 0:31:38 | |
-If I touch it, it's going to hurt. -David, shut up. You need to do it. | 0:31:38 | 0:31:40 | |
-Please, don't make me do this. -You're going to do it. | 0:31:40 | 0:31:42 | |
OK, after three, then. One, two, three... | 0:31:42 | 0:31:46 | |
CRACKING AND SCREAMING | 0:31:46 | 0:31:48 | |
# I'm horny | 0:31:55 | 0:31:56 | |
# Horny, horny, horny | 0:31:56 | 0:31:59 | |
# So horny | 0:31:59 | 0:32:00 | |
# I'm horny, horny, horny | 0:32:00 | 0:32:02 | |
# I'm horny | 0:32:02 | 0:32:04 | |
# Horny, horny, horny | 0:32:04 | 0:32:06 | |
# So horny... # | 0:32:06 | 0:32:08 | |
SWITCHES TO CLASSICAL MUSIC | 0:32:08 | 0:32:10 | |
We, um... We should decide what sort of doctor you're going to be. | 0:32:10 | 0:32:15 | |
My family can be very inquisitive. | 0:32:15 | 0:32:16 | |
Gynaecologist? | 0:32:18 | 0:32:19 | |
SHE SIGHS | 0:32:19 | 0:32:22 | |
No? | 0:32:22 | 0:32:23 | |
How about a cardiologist? | 0:32:23 | 0:32:26 | |
I know a fair bit about the heart. | 0:32:26 | 0:32:28 | |
Sure you do. | 0:32:28 | 0:32:30 | |
A consultant cardiologist. | 0:32:30 | 0:32:33 | |
You'd better let me do all the talking. | 0:32:33 | 0:32:35 | |
You're nervous, aren't you? | 0:32:36 | 0:32:38 | |
-Don't be ridiculous! -HE CHUCKLES | 0:32:38 | 0:32:41 | |
I never thought I'd see the day - | 0:32:41 | 0:32:44 | |
Dr Chao, Medicine Woman, | 0:32:44 | 0:32:46 | |
bricking it about going to a family wedding. | 0:32:46 | 0:32:48 | |
I'm not nervous. | 0:32:48 | 0:32:49 | |
There's just so many questions about what I'm doing with my life. | 0:32:49 | 0:32:53 | |
Turn right. | 0:32:53 | 0:32:55 | |
You haven't exactly got 'owt to be embarrassed about, have you? | 0:32:56 | 0:32:59 | |
After my father died, | 0:33:01 | 0:33:03 | |
my aunt started taking a much greater interest in my life. | 0:33:03 | 0:33:06 | |
I know she's just looking out for me, | 0:33:06 | 0:33:08 | |
but she can be a bit of a... | 0:33:08 | 0:33:09 | |
Cow! | 0:33:09 | 0:33:11 | |
Stop! Stop! | 0:33:11 | 0:33:12 | |
TYRES SCREECH | 0:33:12 | 0:33:13 | |
COWS MOO | 0:33:16 | 0:33:20 | |
-AUTOMATED: -Breathe in and hold your breath. | 0:33:25 | 0:33:28 | |
Well, that's all clear - no sign of a neck or head injury. | 0:33:28 | 0:33:32 | |
No... | 0:33:32 | 0:33:35 | |
Get her out. Let's get her out of there - she's having a seizure. | 0:33:35 | 0:33:38 | |
Can I borrow someone, please? | 0:33:38 | 0:33:39 | |
Let's get the cradle down manually. That's it. | 0:33:39 | 0:33:44 | |
All right, Mia. All right, darling. | 0:33:44 | 0:33:46 | |
All right, we're here. | 0:33:46 | 0:33:48 | |
Let's ease her down, can we? | 0:33:48 | 0:33:49 | |
-Yeah. -All right. | 0:33:49 | 0:33:51 | |
Get her on her side. | 0:33:53 | 0:33:54 | |
OK... | 0:33:56 | 0:33:58 | |
Airway's clear. | 0:33:58 | 0:33:59 | |
We need to get her into Resus - | 0:33:59 | 0:34:01 | |
let's get 4mg of lorazepam on standby, please. | 0:34:01 | 0:34:03 | |
All right, Morna? I'll get the trolley. | 0:34:03 | 0:34:05 | |
-SCOTT: -Dr Hardy? | 0:34:05 | 0:34:06 | |
Dr Hardy? | 0:34:08 | 0:34:09 | |
Managed to get away pretty unscathed. | 0:34:12 | 0:34:14 | |
What on earth happened to you? | 0:34:14 | 0:34:17 | |
Um...it was a fishing accident. | 0:34:17 | 0:34:21 | |
-Really? -Yeah. -Good grief. | 0:34:21 | 0:34:24 | |
Just to let you know, there was a young intruder | 0:34:24 | 0:34:26 | |
poking around your boat earlier, but I gave him a flea in his ear. | 0:34:26 | 0:34:29 | |
Did you? OK, well, thanks for that. | 0:34:31 | 0:34:34 | |
You look like a man who could do with a drink. | 0:34:34 | 0:34:37 | |
Don't suppose you fancy the pub quiz later? | 0:34:37 | 0:34:39 | |
I do not. | 0:34:39 | 0:34:40 | |
What about you? | 0:34:42 | 0:34:43 | |
-Oh... -Mind that leg. | 0:34:52 | 0:34:54 | |
Yeah, no, the leg's fine, I just feel so...odd. | 0:34:54 | 0:34:57 | |
Have you got anything stronger than water? | 0:34:57 | 0:35:00 | |
I'm fine, thanks. Anything from Sanosi? | 0:35:00 | 0:35:04 | |
Hi, Sanosi. I'm sorry I've been so long. | 0:35:04 | 0:35:07 | |
Sanosi? | 0:35:07 | 0:35:09 | |
You haven't even put water down for Dervla. | 0:35:09 | 0:35:12 | |
Sanosi? | 0:35:13 | 0:35:15 | |
-Dylan? -Ah... | 0:35:19 | 0:35:21 | |
Dylan, he's not here. | 0:35:21 | 0:35:23 | |
What do you mean, he's not here? Of course he's here. | 0:35:23 | 0:35:26 | |
-Sanosi? -He's not in the room. -Sanosi? | 0:35:26 | 0:35:28 | |
Hey, wh...? | 0:35:28 | 0:35:30 | |
I don't believe this. | 0:35:30 | 0:35:32 | |
-What? -There is a 12-year-old Sudanese boy | 0:35:32 | 0:35:35 | |
wandering around the docks. David, we're totally finished! | 0:35:35 | 0:35:37 | |
We may as well just hand ourselves in to the police now. | 0:35:37 | 0:35:40 | |
Dylan, wait! What are you doing? | 0:35:40 | 0:35:41 | |
I'm going to go and look for him, aren't I? | 0:35:41 | 0:35:43 | |
THUDDING Argh! Oh...! | 0:35:43 | 0:35:45 | |
All right, all right, all right! | 0:35:45 | 0:35:47 | |
Sit down, sit down, sit down. | 0:35:47 | 0:35:49 | |
DYLAN GASPS IN PAIN | 0:35:49 | 0:35:51 | |
-Sit down, sit down. -Argh! | 0:35:51 | 0:35:53 | |
All right, all right, shh! Let me have a look. | 0:35:53 | 0:35:55 | |
-DON'T TOUCH ME! -Argh! All right, OK, OK. | 0:35:58 | 0:36:01 | |
It's obviously gone again. | 0:36:01 | 0:36:03 | |
That's why we've got to get you to the ED. | 0:36:03 | 0:36:05 | |
Here, take some of those, get your leg in a splint. | 0:36:05 | 0:36:07 | |
We can't go to the ED! They'll want to X-ray me. | 0:36:07 | 0:36:10 | |
That'll take ages, and they'll ask all sorts of questions | 0:36:10 | 0:36:13 | |
that we don't have the answers to. | 0:36:13 | 0:36:14 | |
-We need to find him. -How will we find him if you can't even walk? | 0:36:14 | 0:36:17 | |
We've got to get you to the ED and looked at. | 0:36:17 | 0:36:20 | |
We can get in and out without them even noticing us. | 0:36:20 | 0:36:23 | |
Look at us! | 0:36:24 | 0:36:25 | |
All right, maybe... | 0:36:27 | 0:36:28 | |
Maybe not dressed like this. But... | 0:36:28 | 0:36:30 | |
-Hurry up! -I didn't sign up for this! | 0:36:32 | 0:36:35 | |
If you'd kept your eyes on the road, we wouldn't be in this mess! | 0:36:35 | 0:36:37 | |
-This ain't my fault! Them cows came out of nowhere. -Oh, cows! | 0:36:37 | 0:36:41 | |
Hello?! | 0:36:44 | 0:36:45 | |
-Come on... -Yeah, I'm trying. | 0:36:47 | 0:36:51 | |
All right, get your leg over. | 0:36:51 | 0:36:52 | |
Take your time, come on. | 0:36:54 | 0:36:56 | |
-Argh! -Come on! RIPPING SOUND | 0:36:56 | 0:36:58 | |
Oops. | 0:37:10 | 0:37:12 | |
Oh, Iain! | 0:37:12 | 0:37:13 | |
-RAQUEL: -A seizure?! | 0:37:18 | 0:37:19 | |
-Is she OK? -She's stable. | 0:37:19 | 0:37:22 | |
The good news is there was no head injury on the scan | 0:37:22 | 0:37:25 | |
so we're just looking at another cause. | 0:37:25 | 0:37:27 | |
-Has she ever had a seizure before, do you know? -No. Never. | 0:37:27 | 0:37:30 | |
OK - we need to consider meningitis or encephalitis. | 0:37:30 | 0:37:34 | |
She had all the meningitis checks last week - | 0:37:34 | 0:37:36 | |
they said they were clear, they sent her home. | 0:37:36 | 0:37:39 | |
Sorry - she was in the ED this week? | 0:37:39 | 0:37:41 | |
She thought she had the flu - she's been fine these last few days. | 0:37:41 | 0:37:44 | |
OK, I'll go and check on her records. | 0:37:44 | 0:37:46 | |
Yeah - I'll check the PCR results for the last lumbar puncture. | 0:37:46 | 0:37:50 | |
But in the meantime, let's give her 2g IV cefotaxime | 0:37:50 | 0:37:54 | |
and IV acicolvir, please. | 0:37:54 | 0:37:56 | |
Right. Should we maybe think about removing the foreign bodies | 0:37:56 | 0:37:59 | |
while she's still sedated? | 0:37:59 | 0:38:01 | |
Sorry - yes, of course, I'll do that now. | 0:38:02 | 0:38:05 | |
This is all my fault. | 0:38:07 | 0:38:08 | |
Mia said she wasn't up for the tour, but I insisted. | 0:38:08 | 0:38:11 | |
We need the money. | 0:38:11 | 0:38:12 | |
Try not to worry, OK? | 0:38:12 | 0:38:14 | |
Once we've got the results of the lumbar puncture, | 0:38:14 | 0:38:16 | |
if it is meningitis, it's easily treated in the hospital | 0:38:16 | 0:38:19 | |
with the right drugs, OK? | 0:38:19 | 0:38:21 | |
Max... | 0:38:25 | 0:38:27 | |
Sorry about earlier. All that stuff you heard. | 0:38:28 | 0:38:31 | |
You know I was only joking, right? | 0:38:32 | 0:38:34 | |
So you actually like the song, then? | 0:38:34 | 0:38:36 | |
Well... | 0:38:36 | 0:38:38 | |
Let's just say you've got a lot of enthusiasm. | 0:38:38 | 0:38:40 | |
You're not the ideal housemate yourself, you know. | 0:38:40 | 0:38:43 | |
I mean, Jez gets to spend every morning waking up, | 0:38:43 | 0:38:45 | |
staring at the Caribbean Sea. | 0:38:45 | 0:38:46 | |
What do I get? You parading around in your pants. | 0:38:46 | 0:38:49 | |
Well, if you find the sight of my semi-naked body so off-putting, | 0:38:49 | 0:38:52 | |
why don't you go and kip on someone else's sofa?! | 0:38:52 | 0:38:54 | |
It's fine, I am going to ask Louise if I can stay with her. | 0:38:54 | 0:38:56 | |
Good! Give my poor eardrums a break! | 0:38:56 | 0:38:59 | |
-Hang on. Where you going? -Back to Holby. | 0:39:17 | 0:39:19 | |
What?! We've only just got here. | 0:39:19 | 0:39:21 | |
We've missed the service. And look at me! Can't go in. | 0:39:21 | 0:39:24 | |
-Nobody'll notice that, right? Could be part of the dress. -Ugh! | 0:39:24 | 0:39:28 | |
Listen, how do you think we're going to get back, anyway? | 0:39:28 | 0:39:30 | |
Have you forgot? We almost totalled the car? | 0:39:30 | 0:39:33 | |
"We"? This is all your fault! | 0:39:33 | 0:39:34 | |
No! You distracted me - this is both our faults. | 0:39:34 | 0:39:37 | |
There you are! | 0:39:37 | 0:39:39 | |
You missed the whole thing! | 0:39:39 | 0:39:41 | |
What on earth happened to you? | 0:39:42 | 0:39:44 | |
Our car broke down. | 0:39:50 | 0:39:51 | |
Who's this? | 0:39:51 | 0:39:53 | |
Dr Iain Dean. | 0:39:54 | 0:39:55 | |
Aunt Ling. | 0:39:56 | 0:39:57 | |
Ah - Auntie Ling. | 0:39:57 | 0:40:00 | |
I've heard wonderful things. | 0:40:00 | 0:40:03 | |
Do come inside - we must get you a drink. | 0:40:03 | 0:40:06 | |
SHE SIGHS | 0:40:07 | 0:40:09 | |
-Just...just act naturally. -Act naturally? | 0:40:16 | 0:40:19 | |
-Feel very unnatural. -We'll get you into a cubicle straightaway. | 0:40:19 | 0:40:22 | |
-Come on... -Oh... Ah! | 0:40:22 | 0:40:25 | |
Oh, Connie, Connie... | 0:40:28 | 0:40:30 | |
Keep calm, keep pushing. | 0:40:30 | 0:40:32 | |
-How did it go in France? -Uneventful. | 0:40:32 | 0:40:34 | |
It was very...uneventful. | 0:40:34 | 0:40:36 | |
Absolutely nothing out of the ordinary happened whatsoever. | 0:40:36 | 0:40:41 | |
Uh, well, what are you doing here? | 0:40:43 | 0:40:46 | |
You're not on shift. | 0:40:46 | 0:40:47 | |
We're bringing a wheelchair back. | 0:40:47 | 0:40:49 | |
We're returning a wheelchair, we took it with us to France | 0:40:49 | 0:40:51 | |
and we thought it'd be a good idea to bring it back | 0:40:51 | 0:40:54 | |
and...boost the number of wheelchairs in the hospital. | 0:40:54 | 0:40:57 | |
OK. | 0:41:00 | 0:41:01 | |
Looking a bit peaky. | 0:41:03 | 0:41:04 | |
What happened out there? | 0:41:04 | 0:41:05 | |
I fell over. Got a bit dirty. | 0:41:07 | 0:41:09 | |
Right, well, rest up. | 0:41:11 | 0:41:13 | |
Need you back on top form when you return. | 0:41:14 | 0:41:17 | |
-AMERICAN ACCENT: -Sure thing, Mrs Beauchamp - | 0:41:17 | 0:41:19 | |
we'll head home straightaway. | 0:41:19 | 0:41:21 | |
CONNIE MUTTERS | 0:41:22 | 0:41:25 | |
DYLAN GROANS | 0:41:27 | 0:41:29 | |
I think that's all of it, and we'll get that dressed as well. | 0:41:43 | 0:41:46 | |
Right, I've checked the lumbar puncture results from last week | 0:41:48 | 0:41:51 | |
and there's nothing to suggest meningitis or encephalitis. | 0:41:51 | 0:41:54 | |
But look at this. | 0:41:54 | 0:41:56 | |
INR is 1.8, gases abnormal. | 0:41:58 | 0:42:02 | |
Lactate raised, LFTs abnormal. | 0:42:02 | 0:42:07 | |
And...she looks a bit jaundiced. | 0:42:09 | 0:42:11 | |
If it's not meningitis, what's making her so sick? | 0:42:11 | 0:42:14 | |
Uh... | 0:42:15 | 0:42:17 | |
OK... | 0:42:19 | 0:42:20 | |
We must have missed something. | 0:42:20 | 0:42:22 | |
Right, let's get a urinary catheter, please. | 0:42:25 | 0:42:28 | |
And we'll do an abdominal ultrasound next. | 0:42:28 | 0:42:30 | |
No - um...let's do a CANCA profile and an AMA | 0:42:30 | 0:42:34 | |
and can we get a urinary catheter as well, please? | 0:42:34 | 0:42:37 | |
Actually, you already said that. | 0:42:37 | 0:42:38 | |
Why don't we leave that for the medics when you refer her? | 0:42:38 | 0:42:42 | |
OK, I would appreciate it if you didn't question me | 0:42:42 | 0:42:44 | |
in front of my patient, please. | 0:42:44 | 0:42:46 | |
Maybe you should take a bit of a break. | 0:42:46 | 0:42:48 | |
I don't need a break, Charlie! I need... | 0:42:48 | 0:42:50 | |
-Whoa, whoa, whoa! -Oh! -MIA GASPS | 0:42:50 | 0:42:52 | |
All right, Mia. All right, darling. | 0:42:52 | 0:42:54 | |
-SCOTT: -You're a monster, just like me. | 0:42:55 | 0:42:58 | |
Don't mind if I do - thank you. | 0:43:01 | 0:43:04 | |
It's such a pity your mother couldn't make it. | 0:43:04 | 0:43:07 | |
She has terrible flu - she sends her apologies. | 0:43:07 | 0:43:10 | |
She must be very pleased with this young man. | 0:43:10 | 0:43:13 | |
Cardiology must be so exciting. | 0:43:13 | 0:43:16 | |
I bet you've got some amazing stories! | 0:43:16 | 0:43:18 | |
Oh, too many to mention... | 0:43:18 | 0:43:21 | |
I did once save a man in ventricular standstill | 0:43:21 | 0:43:24 | |
when the pacing machine at work failed. | 0:43:24 | 0:43:26 | |
Yeah - we were struggling to get capture | 0:43:26 | 0:43:29 | |
so...well, basically, I kept his heart beating with my bare hands | 0:43:29 | 0:43:32 | |
till we stabilised his rhythm. | 0:43:32 | 0:43:34 | |
A good half an hour. | 0:43:34 | 0:43:35 | |
A real-life hero! | 0:43:35 | 0:43:38 | |
Your father would be so pleased | 0:43:39 | 0:43:41 | |
you've finally found someone worthy of your affection. | 0:43:41 | 0:43:43 | |
I know you always thought he judged your suitors a little too harshly, | 0:43:45 | 0:43:49 | |
but he only ever wanted the best for you. | 0:43:49 | 0:43:51 | |
Have you asked Iain about helping you get a foot on the ladder? | 0:43:53 | 0:43:57 | |
You've been stuck in that wretched hospital for years. | 0:43:57 | 0:43:59 | |
Believe me, Lily doesn't need my help. | 0:43:59 | 0:44:02 | |
She's the best doctor I know. | 0:44:03 | 0:44:05 | |
That's an exaggeration. | 0:44:05 | 0:44:06 | |
Nonsense! You've always been the brightest person in the room. | 0:44:06 | 0:44:10 | |
But intellect will only get her so far. | 0:44:10 | 0:44:13 | |
She needs to be fiercely ambitious | 0:44:13 | 0:44:15 | |
in order to achieve her full potential. | 0:44:15 | 0:44:18 | |
You know how much your father wanted you to be a surgeon. | 0:44:20 | 0:44:23 | |
Have you had any more thoughts? | 0:44:24 | 0:44:27 | |
I'm looking into it. | 0:44:27 | 0:44:28 | |
It's been so busy at work. | 0:44:28 | 0:44:30 | |
You never told me you wanted to be a surgeon. | 0:44:30 | 0:44:32 | |
You've never asked. | 0:44:32 | 0:44:34 | |
Wouldn't you be happy if Lily was more on your level? | 0:44:35 | 0:44:39 | |
Unless you feel threatened by powerful women? | 0:44:39 | 0:44:42 | |
Auntie! | 0:44:42 | 0:44:43 | |
Whatever Lily decides to do with her future, | 0:44:43 | 0:44:46 | |
I will support her 100%. | 0:44:46 | 0:44:49 | |
MUSIC: Come On Eileen by Dexys Midnight Runners | 0:44:49 | 0:44:51 | |
Come on - there's nobody on the dance floor. | 0:44:53 | 0:44:56 | |
My dress... | 0:44:56 | 0:44:58 | |
Chill out about your dress, nobody's watching. Come on. | 0:44:58 | 0:45:00 | |
Everyone is staring... | 0:45:14 | 0:45:16 | |
Don't worry about them - why do you care about what they think? | 0:45:16 | 0:45:20 | |
Oh...! | 0:45:20 | 0:45:21 | |
Blood pressure is really low, now - 80 systolic. | 0:45:33 | 0:45:37 | |
Uh...OK, more fluids, please. | 0:45:37 | 0:45:39 | |
Why is she getting worse? | 0:45:39 | 0:45:40 | |
MIA COUGHS AND SPLUTTERS All right, darling... | 0:45:40 | 0:45:42 | |
SHE RETCHES | 0:45:42 | 0:45:44 | |
-SCOTT: -No! Please! Please, help me! You need to... | 0:45:46 | 0:45:53 | |
Why's he just standing there? Do something! | 0:45:54 | 0:45:57 | |
-CONNIE: -Ethan? | 0:45:57 | 0:45:59 | |
What's happened? Ethan? | 0:46:00 | 0:46:03 | |
Ethan? | 0:46:07 | 0:46:08 | |
Big haemoptysis - she's getting shocked. | 0:46:09 | 0:46:12 | |
The test results from the lumbar puncture last week were normal, | 0:46:12 | 0:46:16 | |
so we've ruled out meningitis. | 0:46:16 | 0:46:18 | |
Start her on fluid resuscitation. | 0:46:18 | 0:46:20 | |
OK, can we get a big line in? Let's get two units of O-neg stat. | 0:46:20 | 0:46:24 | |
Cross-match four for packed red cell, four for FFP. | 0:46:24 | 0:46:27 | |
Let's have a portable X-ray as well, please. | 0:46:27 | 0:46:29 | |
Pull yourself together. | 0:46:29 | 0:46:31 | |
Ethan? | 0:46:32 | 0:46:33 | |
Marked metabolic acidosis, low bicarbonate. | 0:46:33 | 0:46:38 | |
Urine's dark... | 0:46:38 | 0:46:40 | |
-SCOTT: -Help me - you need... You need to... | 0:46:40 | 0:46:44 | |
Ethan? Help me... | 0:46:44 | 0:46:46 | |
Ethan - how does it feel? | 0:46:48 | 0:46:51 | |
-CONNIE: -Liver isn't coping very well and the kidneys... | 0:46:51 | 0:46:53 | |
-SCOTT: -Dirty little secret. You got away with it. | 0:46:53 | 0:46:59 | |
Ethan? You need to... | 0:46:59 | 0:47:00 | |
You're a monster, just like me. | 0:47:00 | 0:47:02 | |
You're a monster. You're a monster. | 0:47:02 | 0:47:05 | |
You're a monster. You're a monster... | 0:47:05 | 0:47:08 | |
Excuse me. | 0:47:08 | 0:47:09 | |
Do you, um...? Do you happen to live in an old house? | 0:47:12 | 0:47:17 | |
It is a beautiful ancestral home, actually. | 0:47:17 | 0:47:19 | |
And...I don't mean to be rude, | 0:47:19 | 0:47:21 | |
but have you had trouble with rats recently? | 0:47:21 | 0:47:25 | |
We've had one or two in and out. | 0:47:25 | 0:47:27 | |
It's been much better since we got the cat. | 0:47:27 | 0:47:30 | |
-Yeah. -Yeah. | 0:47:30 | 0:47:31 | |
Thank you. | 0:47:32 | 0:47:33 | |
Dylan? Dylan, Dylan, come on, here we go. | 0:47:37 | 0:47:41 | |
That's it. That's it. | 0:47:41 | 0:47:42 | |
-DYLAN CHUCKLES -Dylan, shush! | 0:47:42 | 0:47:45 | |
Now, come on, trousers down. | 0:47:45 | 0:47:48 | |
-Trousers off. -No! | 0:47:48 | 0:47:50 | |
Oh, forget it. Come on. | 0:47:50 | 0:47:52 | |
What are you doing? David, what are you doing? | 0:47:52 | 0:47:54 | |
I'm taking your trousers down. I've got to get to your knee. | 0:47:54 | 0:47:57 | |
All right, all right, I'll roll your trouser leg up. | 0:47:57 | 0:48:00 | |
-Oh... -It's going to hurt. | 0:48:00 | 0:48:04 | |
DYLAN GROANS | 0:48:04 | 0:48:05 | |
That's it - well done, well done. | 0:48:05 | 0:48:08 | |
All right, come on. | 0:48:08 | 0:48:10 | |
Ooh...! | 0:48:10 | 0:48:12 | |
Dylan? Dylan, you've just got to do what you did earlier. | 0:48:12 | 0:48:15 | |
-No, I don't want to. -Dylan, Dylan, you've got to... | 0:48:15 | 0:48:17 | |
-I shan't. Shan't. -You've got to relocate your knee. | 0:48:17 | 0:48:19 | |
-I don't wish to. -No, come on. | 0:48:19 | 0:48:21 | |
-You pop it for me. -No, I'm not going to do it. | 0:48:21 | 0:48:23 | |
You do it - yeah, go on, pop it in. | 0:48:23 | 0:48:24 | |
-I'm not popping it in. -Pop it in. -No. | 0:48:24 | 0:48:26 | |
-Pop it in. Pop it in. Pop it in. -You pop it in. Shh...! | 0:48:26 | 0:48:28 | |
There's a good boy. Pop it in. | 0:48:28 | 0:48:30 | |
Come on, Ducky, do it. | 0:48:31 | 0:48:32 | |
Right. Right... | 0:48:34 | 0:48:36 | |
Haven't I got to get back to the boat for something? | 0:48:36 | 0:48:38 | |
-You've got to get back for Sanosi. -Oh, Sanosi. | 0:48:38 | 0:48:41 | |
-Get on with it, then. -All right, after three. -Yeah. | 0:48:41 | 0:48:44 | |
-One... -One... | 0:48:44 | 0:48:45 | |
-Two... -Two... | 0:48:45 | 0:48:47 | |
CRACKING | 0:48:47 | 0:48:48 | |
-MUFFLED YELPS -Shh! Shh! | 0:48:48 | 0:48:50 | |
WHIMPERING | 0:48:50 | 0:48:51 | |
MUSIC: Girls And Boys by Blur | 0:48:53 | 0:48:55 | |
Ta-dah! | 0:49:10 | 0:49:12 | |
See? That's much better! | 0:49:15 | 0:49:16 | |
Whoo! | 0:49:16 | 0:49:17 | |
Ow! Ow, my foot. | 0:49:34 | 0:49:36 | |
Sorry, sorry, sorry! | 0:49:36 | 0:49:38 | |
Just leave it, you clumsy oaf! Ow... | 0:49:38 | 0:49:41 | |
LAUGHING: Sorry. | 0:49:41 | 0:49:42 | |
CHOKING | 0:49:46 | 0:49:48 | |
Oh! Uncle! | 0:49:52 | 0:49:53 | |
OK, fine, that's great. Thank you, bye. | 0:49:57 | 0:49:59 | |
So Louise said it's fine, I can stay at hers. | 0:50:00 | 0:50:03 | |
Great. | 0:50:03 | 0:50:05 | |
I'll get my stuff out tonight. | 0:50:06 | 0:50:08 | |
I'll be gone by the time you get home. | 0:50:08 | 0:50:10 | |
There's no rush... Why not leave it till the weekend? | 0:50:10 | 0:50:13 | |
Yeah, I'd rather get it over with. | 0:50:13 | 0:50:14 | |
Also, she's having some Mexican-themed party | 0:50:14 | 0:50:17 | |
inspired by Jez and Mickey's selfies or something - I don't know. | 0:50:17 | 0:50:20 | |
Have a nice night in. | 0:50:20 | 0:50:21 | |
How is she? | 0:50:26 | 0:50:28 | |
Well...she's gone up to our Intensive Care Unit. | 0:50:28 | 0:50:32 | |
Now, the tests that we've done show that her kidneys are failing, | 0:50:32 | 0:50:35 | |
so they're planning on starting dialysis. | 0:50:35 | 0:50:37 | |
You can go and see her in a while. | 0:50:37 | 0:50:39 | |
We suspect Mia has Weil's disease. | 0:50:39 | 0:50:42 | |
It's carried in rats' urine - | 0:50:42 | 0:50:43 | |
that's why I was asking about the rats. | 0:50:43 | 0:50:45 | |
It's incredibly difficult to diagnose. | 0:50:45 | 0:50:48 | |
But you can cure her, right? She's going to be OK? | 0:50:48 | 0:50:50 | |
Well, I...wouldn't like to say at the moment, | 0:50:51 | 0:50:56 | |
but she's in the best possible hands, yes. | 0:50:56 | 0:50:58 | |
She's been telling me to leave that house for so long. | 0:50:58 | 0:51:01 | |
This is all my fault. | 0:51:01 | 0:51:02 | |
No, you can't say that - it's no-one's fault. | 0:51:02 | 0:51:05 | |
You don't understand. | 0:51:05 | 0:51:06 | |
Yes, I need an ambulance, please, to Peasbrook, north of Holby. | 0:51:12 | 0:51:16 | |
A 58-year-old male with an occluded airway. | 0:51:16 | 0:51:18 | |
I can't shift the blockage, I think it's completely occluded his airway. | 0:51:18 | 0:51:21 | |
Half an hour! He doesn't have that long. | 0:51:21 | 0:51:23 | |
He's going to arrest. We need to get him on the floor. | 0:51:23 | 0:51:25 | |
We can't wait for the ambulance. | 0:51:25 | 0:51:27 | |
We'll have to do a cricothyroidotomy. | 0:51:27 | 0:51:29 | |
-Without any equipment? -We don't have any other choice. | 0:51:29 | 0:51:32 | |
Whatever it takes. I can't lose him. | 0:51:32 | 0:51:35 | |
Right. Get me some alcohol, the sharpest knife you can find | 0:51:36 | 0:51:40 | |
-and some sort of tube - anything he can breathe through. -OK. | 0:51:40 | 0:51:43 | |
Excuse me. | 0:51:43 | 0:51:44 | |
It's all right, Uncle, I've got you. | 0:51:46 | 0:51:48 | |
WHEEZING | 0:51:50 | 0:51:52 | |
-SCOTT: -Ethan? | 0:51:54 | 0:51:56 | |
Ethan? | 0:51:56 | 0:51:58 | |
Ethan? Ethan? | 0:51:58 | 0:52:00 | |
Great minds. | 0:52:00 | 0:52:02 | |
How's Mia? | 0:52:02 | 0:52:04 | |
She's on the Intensive Care Unit. | 0:52:04 | 0:52:06 | |
They said she has Weil's disease. | 0:52:08 | 0:52:10 | |
Right, of course... | 0:52:17 | 0:52:20 | |
I'm sorry - I'm not as good a doctor as I thought I was. | 0:52:23 | 0:52:26 | |
They said it was very difficult to diagnose. | 0:52:26 | 0:52:29 | |
Yes, but I still should have spotted it. | 0:52:30 | 0:52:33 | |
And I put your daughter's life at risk. | 0:52:33 | 0:52:35 | |
No, you didn't. | 0:52:35 | 0:52:37 | |
I'm the one who kept her living in that run-down old house. | 0:52:37 | 0:52:40 | |
If only we'd moved out. | 0:52:40 | 0:52:42 | |
No, no - there's no way you could have known that that would happen. | 0:52:42 | 0:52:45 | |
I paid the bank off six months ago | 0:52:47 | 0:52:50 | |
and let Mia still believe we were in debt. | 0:52:50 | 0:52:53 | |
I knew if she thought we were out of trouble, | 0:52:53 | 0:52:55 | |
she'd want to leave me and go to university. | 0:52:55 | 0:52:57 | |
I didn't want things to change. I wanted to keep her close. | 0:52:57 | 0:53:00 | |
And now, I could lose her forever. | 0:53:00 | 0:53:02 | |
She's on ITU, OK? | 0:53:04 | 0:53:06 | |
That's the best place for her, | 0:53:06 | 0:53:08 | |
and they'll be doing everything they can to help her. | 0:53:08 | 0:53:11 | |
But if I hadn't lied to her for all these months, | 0:53:11 | 0:53:14 | |
she wouldn't be so sick. | 0:53:14 | 0:53:15 | |
How can I live with myself? | 0:53:16 | 0:53:17 | |
You need to tell her the truth. | 0:53:20 | 0:53:22 | |
What if she can't forgive me? | 0:53:24 | 0:53:26 | |
You can't carry around a secret like that forever. | 0:53:30 | 0:53:32 | |
It will destroy you, | 0:53:36 | 0:53:38 | |
and it will destroy your relationship with your daughter. | 0:53:38 | 0:53:41 | |
Can everybody take a step back, please, | 0:53:47 | 0:53:49 | |
while Lily performs the procedure? | 0:53:49 | 0:53:51 | |
Why aren't you doing it? | 0:53:51 | 0:53:53 | |
Um...Lily is far more able than I'll ever be. | 0:53:53 | 0:53:57 | |
Don't be absurd! | 0:53:57 | 0:53:59 | |
You're a consultant cardiologist. | 0:53:59 | 0:54:00 | |
We're running out of time. | 0:54:00 | 0:54:02 | |
Please, Lily, he needs to be in the best hands. | 0:54:02 | 0:54:05 | |
Iain is a paramedic, OK? | 0:54:05 | 0:54:06 | |
-He can't perform the procedure. -What? | 0:54:06 | 0:54:09 | |
I don't understand. | 0:54:09 | 0:54:11 | |
If you don't let go of my arm, he's going to die! | 0:54:11 | 0:54:13 | |
Knife, please... | 0:54:15 | 0:54:16 | |
Right, got it! | 0:54:35 | 0:54:37 | |
Tube, please. | 0:54:37 | 0:54:38 | |
Spare filter tube from the coffee machine. | 0:54:38 | 0:54:41 | |
Nice. | 0:54:41 | 0:54:43 | |
Lily - just breathe, all right? | 0:54:49 | 0:54:52 | |
You've got this. | 0:54:52 | 0:54:54 | |
I'm in. | 0:55:00 | 0:55:01 | |
He's breathing. | 0:55:09 | 0:55:10 | |
He's breathing! | 0:55:10 | 0:55:12 | |
APPLAUSE | 0:55:12 | 0:55:14 | |
-Make a good team, huh? -Well done. | 0:55:18 | 0:55:20 | |
I knew you could do it. | 0:55:20 | 0:55:21 | |
OK. | 0:55:25 | 0:55:26 | |
All right, let me just take a look at this. | 0:55:26 | 0:55:28 | |
Don't worry, I'll take it really easy. | 0:55:28 | 0:55:32 | |
Oh, dear - that looks very painful. | 0:55:35 | 0:55:38 | |
Why didn't you come in sooner? | 0:55:38 | 0:55:40 | |
Been moving around a lot recently. | 0:55:40 | 0:55:43 | |
All right, not to worry. | 0:55:43 | 0:55:44 | |
How did you get these bruises? | 0:55:47 | 0:55:48 | |
-No idea. I've always bruised easily. -Excuse me. | 0:55:48 | 0:55:52 | |
Dylan? Dylan? | 0:55:52 | 0:55:55 | |
-Hello? -Charlie. | 0:55:55 | 0:55:57 | |
I didn't know you were back from France. | 0:55:57 | 0:55:59 | |
Yes, yes, we're back from France, Charlie. | 0:55:59 | 0:56:01 | |
Hey - I don't believe it, that's her! | 0:56:01 | 0:56:05 | |
I've been lying to you for so long. | 0:56:05 | 0:56:07 | |
I've paid off our debts. | 0:56:07 | 0:56:09 | |
-The bank isn't going to repossess the house. -What? | 0:56:09 | 0:56:11 | |
I couldn't bear the thought of you leaving. | 0:56:11 | 0:56:13 | |
It's been you and me in that house for so long. | 0:56:13 | 0:56:15 | |
I didn't think I could manage on my own. | 0:56:15 | 0:56:17 | |
I didn't want things to change. | 0:56:17 | 0:56:19 | |
I told myself I lied to you because I loved you so much. | 0:56:19 | 0:56:22 | |
But this isn't love, you almost died... | 0:56:22 | 0:56:25 | |
-SCOTT: -Ethan? You got away with it. | 0:56:25 | 0:56:26 | |
You're a murderer, just like me. | 0:56:27 | 0:56:32 | |
MONITOR BEEPS | 0:56:32 | 0:56:34 | |
All right, Mia. | 0:56:34 | 0:56:37 | |
Some deep breaths for me. | 0:56:37 | 0:56:38 | |
OK? | 0:56:41 | 0:56:43 | |
It's OK. | 0:56:43 | 0:56:45 | |
I want you to know I'm finally selling the house. | 0:56:46 | 0:56:49 | |
It's not fit for purpose. | 0:56:49 | 0:56:52 | |
I have to let go. | 0:56:52 | 0:56:53 | |
So you made it in. I made it in as well, you'll be pleased to know. | 0:56:56 | 0:56:58 | |
What are you doing? | 0:56:58 | 0:57:00 | |
I think he's made a mistake. | 0:57:00 | 0:57:01 | |
I haven't made any mistake. That is stolen - not yours. | 0:57:01 | 0:57:04 | |
-Please... -Excuse me? | 0:57:04 | 0:57:05 | |
That is not yours. None of this is yours. | 0:57:05 | 0:57:08 | |
-All of this is stolen, stolen from a man in the marina. -Please! | 0:57:08 | 0:57:10 | |
-It's mine. -This isn't yours - Jonathan Birch. | 0:57:10 | 0:57:13 | |
Jonathan Birch, is that you? | 0:57:13 | 0:57:15 | |
Jonathan Birch, I arrest you in the name of the law. | 0:57:15 | 0:57:17 | |
Do you think I want to be nicking stuff just so I can eat? | 0:57:17 | 0:57:19 | |
My ex froze my account. I've got nothing. | 0:57:19 | 0:57:22 | |
Excuse me. | 0:57:22 | 0:57:25 | |
This ex - did he ever hurt you? | 0:57:25 | 0:57:27 | |
He can't find me now. | 0:57:27 | 0:57:30 | |
-OK, not to worry. -Been doing fine by myself the last month. | 0:57:30 | 0:57:33 | |
You've been stealing - is that fine? Is it fine to break the law, David? | 0:57:33 | 0:57:36 | |
You know what it feels like not to have a home to go back to? | 0:57:36 | 0:57:38 | |
To be stranded in a strange city by yourself? | 0:57:38 | 0:57:41 | |
Unable to go to the authorities cos you're scared they'll lock you up? | 0:57:41 | 0:57:44 | |
I think you might be surprised, actually. I do understand. | 0:57:44 | 0:57:46 | |
Charlie, I'll leave this in your more-than-capable hands. | 0:57:46 | 0:57:49 | |
-We have to go. -Yes, thank you. | 0:57:49 | 0:57:51 | |
-Have we got...? -Yes, shh! Don't tell anyone. | 0:57:51 | 0:57:53 | |
All right... | 0:57:55 | 0:57:56 | |
Ignore that, OK? | 0:57:56 | 0:57:59 | |
Don't worry about it. All right. | 0:57:59 | 0:58:03 | |
Now, I'm going to call someone down to talk to you, now, | 0:58:03 | 0:58:06 | |
who is a specialist in domestic violence. | 0:58:06 | 0:58:10 | |
So you don't have to go through it on your own, all right? | 0:58:10 | 0:58:14 | |
-SHE SIGHS -All right. | 0:58:16 | 0:58:18 | |
They managed to remove the obstruction from his airway. | 0:58:22 | 0:58:25 | |
He's doing really well. | 0:58:25 | 0:58:26 | |
What was it? | 0:58:28 | 0:58:30 | |
A prawn vol au vent. | 0:58:31 | 0:58:32 | |
Thank you. | 0:58:33 | 0:58:35 | |
For everything you did today. | 0:58:36 | 0:58:37 | |
I just don't understand why you had to lie to us. | 0:58:40 | 0:58:43 | |
With all due respect, Mrs Ling, | 0:58:45 | 0:58:49 | |
I think Lily is just trying to live up to your expectations. | 0:58:49 | 0:58:52 | |
That's not true... | 0:58:52 | 0:58:53 | |
Is it? | 0:58:56 | 0:58:57 | |
I know you mean well, | 0:59:00 | 0:59:01 | |
and you think my father would want you to look out for me. | 0:59:01 | 0:59:06 | |
But I feel like whatever I do, it's never good enough. | 0:59:06 | 0:59:09 | |
Your father knew your mother was too soft on you. | 0:59:09 | 0:59:11 | |
He didn't care about what I wanted - and neither do you. | 0:59:11 | 0:59:14 | |
Of course I care! | 0:59:14 | 0:59:15 | |
OK, then - if I said I don't want to be a surgeon, | 0:59:15 | 0:59:18 | |
would you be OK with that? | 0:59:18 | 0:59:20 | |
And if I said I'd fallen in love with a paramedic, | 0:59:20 | 0:59:22 | |
would you be happy for me? | 0:59:22 | 0:59:24 | |
But you'd make a great surgeon. | 0:59:27 | 0:59:29 | |
You just need to push yourself out of your comfort zone. | 0:59:29 | 0:59:33 | |
I don't want to be a surgeon. | 0:59:33 | 0:59:34 | |
I'm happy. I love my job. | 0:59:35 | 0:59:38 | |
But I'd be letting your father down | 0:59:38 | 0:59:40 | |
if I didn't urge you to strive for something more | 0:59:40 | 0:59:43 | |
than a job in an NHS hospital. | 0:59:43 | 0:59:46 | |
It's my life and I'll do what I want with it. | 0:59:46 | 0:59:49 | |
And if you can't support my choices, then I don't need to hear | 0:59:50 | 0:59:54 | |
your opinions on what I do ever again. | 0:59:54 | 0:59:56 | |
A cup of Earl Grey - that'll cheer us up. | 1:00:09 | 1:00:12 | |
Yeah, well, I've got tea. | 1:00:12 | 1:00:14 | |
It's in there if you want some. | 1:00:14 | 1:00:15 | |
If it's any consolation, I don't think the police will have got him, | 1:00:18 | 1:00:21 | |
because if they had, they'd have arrested us by now. | 1:00:21 | 1:00:24 | |
Yeah, but then at least we'd know that he was all right, wouldn't we? | 1:00:24 | 1:00:27 | |
Argh...! | 1:00:27 | 1:00:28 | |
That would be something, | 1:00:28 | 1:00:29 | |
but he's just a young boy in a totally alien city, I... | 1:00:29 | 1:00:34 | |
Literally anything could have happened to him. | 1:00:34 | 1:00:36 | |
All right, all right. No need to panic. | 1:00:36 | 1:00:38 | |
-I'll call a couple of the local hospitals... -Dr Dylan! | 1:00:38 | 1:00:41 | |
..and see if he's been brought in. | 1:00:41 | 1:00:43 | |
-Dr Dylan! -Could you get some water for Dervla? | 1:00:43 | 1:00:45 | |
I don't believe it - David, David, he's here! He's here. Sanosi's here. | 1:00:45 | 1:00:48 | |
HE LAUGHS | 1:00:48 | 1:00:50 | |
Master-blaster! | 1:00:50 | 1:00:51 | |
Where have you been? | 1:00:51 | 1:00:54 | |
-ARGH! -Oh! I'm sorry, I'm sorry! | 1:00:54 | 1:00:58 | |
-Come here. -I've been laying low so the angry man couldn't find me. | 1:00:58 | 1:01:02 | |
Was that not the right thing to do? | 1:01:02 | 1:01:04 | |
-No... -No, no. | 1:01:04 | 1:01:05 | |
We're just... We're pleased you're all right. | 1:01:05 | 1:01:07 | |
That's the main thing. | 1:01:07 | 1:01:09 | |
But we've got to find your uncle. | 1:01:09 | 1:01:11 | |
This is not sustainable. | 1:01:11 | 1:01:13 | |
Yes, yes, that's exactly what I was doing. | 1:01:13 | 1:01:16 | |
Why I was calling you this morning. | 1:01:16 | 1:01:19 | |
Hang on, um...yes. | 1:01:19 | 1:01:21 | |
I've found... I found... | 1:01:21 | 1:01:24 | |
I found his number on one of his social media accounts. | 1:01:24 | 1:01:28 | |
He really should be more careful - anybody can find him. | 1:01:28 | 1:01:31 | |
Have you had this all day? | 1:01:39 | 1:01:41 | |
Um... | 1:01:42 | 1:01:44 | |
Yes. | 1:01:44 | 1:01:45 | |
Well, I'm tempted to say you're not as stupid as you look, | 1:01:45 | 1:01:48 | |
but I'm in two minds. | 1:01:48 | 1:01:50 | |
Well, I'll take that as a compliment. | 1:01:50 | 1:01:54 | |
I told you we'd find him. | 1:01:54 | 1:01:55 | |
HE LAUGHS | 1:01:55 | 1:01:57 | |
Ha...ah, ah! | 1:01:59 | 1:02:01 | |
SANOSI LAUGHS | 1:02:01 | 1:02:03 | |
-ETHAN: -Dear Mrs Beauchamp, | 1:02:30 | 1:02:32 | |
this is the hardest letter I've ever had to write. | 1:02:32 | 1:02:35 | |
But if I don't tell you what I've done, | 1:02:36 | 1:02:39 | |
it's going to be hanging over me forever. | 1:02:39 | 1:02:41 | |
I let Scott Ellisson die. | 1:02:49 | 1:02:52 | |
And I need to take responsibility for my actions. | 1:02:54 | 1:02:58 | |
You saw what happened with me today. | 1:02:59 | 1:03:01 | |
I feel like I've lost whatever there was inside me | 1:03:01 | 1:03:04 | |
that made me a good doctor. | 1:03:04 | 1:03:06 | |
I'm no longer a good person. | 1:03:08 | 1:03:12 | |
I'm a murderer. | 1:03:12 | 1:03:13 | |
So I wish to hand in my resignation... | 1:03:15 | 1:03:17 | |
..and offer myself up to be judged fairly by the hospital trust | 1:03:19 | 1:03:23 | |
and, moreover, the criminal justice system. | 1:03:23 | 1:03:26 | |
Max, you got a sec? | 1:03:50 | 1:03:51 | |
Can't stop - I've got to find somewhere to buy a sombrero. | 1:03:51 | 1:03:54 | |
But I got you a pressie. | 1:03:54 | 1:03:56 | |
MAX SIGHS | 1:03:56 | 1:03:57 | |
This better be good... | 1:03:57 | 1:03:59 | |
Go on. | 1:03:59 | 1:04:01 | |
Ta-dah! | 1:04:01 | 1:04:03 | |
It's the posh stuff! | 1:04:05 | 1:04:07 | |
It's a pound more expensive than the stuff I usually buy. | 1:04:07 | 1:04:10 | |
A pound? I don't know what to say... | 1:04:10 | 1:04:11 | |
I'll give it to Louise as a token of my appreciation. | 1:04:11 | 1:04:14 | |
No, no, I don't want you to give it to Louise. | 1:04:14 | 1:04:15 | |
I want you to use it at my gaff. | 1:04:15 | 1:04:17 | |
That's...weird. What are you trying to say? | 1:04:17 | 1:04:20 | |
That I... That I don't think you should move out - just yet, anyway. | 1:04:20 | 1:04:25 | |
Hold on - you want me to sack off this party to move back in with you, | 1:04:26 | 1:04:29 | |
where I can't even play guitar without being ridiculed? | 1:04:29 | 1:04:31 | |
-I said I was sorry. -Sometimes, sorry is not good enough. | 1:04:31 | 1:04:34 | |
Look, I quite like having you around, all right? | 1:04:34 | 1:04:37 | |
Despite our different tastes in music, | 1:04:38 | 1:04:41 | |
I didn't realise how nice it was to have a housemate to come back to. | 1:04:41 | 1:04:45 | |
And even though your cooking is atrocious... | 1:04:45 | 1:04:47 | |
..it certainly beats a meal for one. | 1:04:49 | 1:04:50 | |
Well, I'm not missing this party. | 1:04:54 | 1:04:56 | |
You can come if you want, though..."housemate". | 1:04:56 | 1:04:59 | |
HE LAUGHS | 1:04:59 | 1:05:01 | |
Noel? | 1:05:01 | 1:05:02 | |
Dr Hardy, have you seen him anywhere? I can't find him. | 1:05:04 | 1:05:07 | |
Not since this morning. | 1:05:07 | 1:05:08 | |
Do you want me to pass on a message at all? | 1:05:08 | 1:05:10 | |
I guess not. | 1:05:10 | 1:05:12 | |
-Noel? Noel, can you send this upstairs please? -Yeah. | 1:05:12 | 1:05:15 | |
-It's my uncle's file. -OK. -Thank you. | 1:05:15 | 1:05:18 | |
So...who's this paramedic you're in love with? | 1:05:18 | 1:05:21 | |
-Have we met him? -I was just saying it to make a point. | 1:05:21 | 1:05:25 | |
OK. So...how do you feel about him? | 1:05:25 | 1:05:28 | |
I think he's a pain in the backside. | 1:05:28 | 1:05:31 | |
LIFT PINGS | 1:05:31 | 1:05:32 | |
Yeah, I think that sums him up pretty well. | 1:05:32 | 1:05:34 | |
Whoa, whoa, whoa... | 1:05:35 | 1:05:38 | |
You all right? Sleep deprivation finally sent you loopy? | 1:05:38 | 1:05:40 | |
Shut up. | 1:05:40 | 1:05:42 | |
THUNDER RUMBLES | 1:05:48 | 1:05:50 | |
There you are. | 1:06:01 | 1:06:02 | |
I need you to come downstairs now. | 1:06:03 | 1:06:05 | |
I take it you've read my letter. | 1:06:11 | 1:06:13 | |
No - I didn't. I put it in the bin. I haven't got time | 1:06:13 | 1:06:17 | |
for half-hearted attempts at resignations. | 1:06:17 | 1:06:22 | |
-You haven't...? -No. | 1:06:22 | 1:06:24 | |
I need to explain my behaviour today. | 1:06:27 | 1:06:29 | |
What? So you froze in Resus. | 1:06:29 | 1:06:32 | |
Why you making a song and dance about it? | 1:06:32 | 1:06:34 | |
It's... | 1:06:34 | 1:06:35 | |
Not for the first time, I put a patient's life at risk. | 1:06:37 | 1:06:40 | |
Right, but you're putting patients' lives at risk now | 1:06:40 | 1:06:42 | |
by leaving me high and dry in the middle of your shift. | 1:06:42 | 1:06:45 | |
I wish you'd read the letter. | 1:06:45 | 1:06:47 | |
Ethan, I don't have time for your juvenile neuroses. | 1:06:47 | 1:06:50 | |
OK - what do you want me to say? You're the best doctor we've had? | 1:06:50 | 1:06:54 | |
The place would grind to a halt without you? | 1:06:54 | 1:06:56 | |
No. I don't want praise. It's the opposite. | 1:06:56 | 1:06:59 | |
Good, good, because this conversation | 1:06:59 | 1:07:02 | |
is exceedingly tiresome. | 1:07:02 | 1:07:03 | |
I need you to pull yourself together, get downstairs | 1:07:03 | 1:07:05 | |
and treat the long line of irate patients in Resus, OK? | 1:07:05 | 1:07:09 | |
You've picked a particularly bad day to have a pseudo meltdown. | 1:07:09 | 1:07:12 | |
If you're struggling with Cal's death, | 1:07:17 | 1:07:20 | |
there's help available. | 1:07:20 | 1:07:21 | |
It's not about Cal. | 1:07:26 | 1:07:27 | |
OK. Good. I'm glad we've had this conversation. | 1:07:31 | 1:07:34 | |
But I need you to get on with your job, OK? | 1:07:34 | 1:07:38 | |
OK. | 1:07:42 | 1:07:43 | |
That's more like it. | 1:07:43 | 1:07:44 | |
Chop chop - work to be done. | 1:07:44 | 1:07:47 | |
THUNDER RUMBLES | 1:07:47 | 1:07:49 |