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This programme contains some violent scenes and some strong language | 0:00:02 | 0:00:08 | |
All right, there's your margherita. | 0:00:08 | 0:00:10 | |
Caribbean, I'm still waiting on that Caribbean. Get off the phone and get moving, please. | 0:00:10 | 0:00:14 | |
Hello? Hello? | 0:00:14 | 0:00:15 | |
All right, done. | 0:00:19 | 0:00:20 | |
PHONE RINGS | 0:00:21 | 0:00:23 | |
HUBBUB | 0:00:23 | 0:00:25 | |
No. | 0:00:25 | 0:00:27 | |
-Well, where's it going? -Bramham Gardens. Let Abdullah take it. Abdullah! | 0:00:27 | 0:00:30 | |
Abdullah! | 0:00:33 | 0:00:34 | |
-Bramham Gardens. -But I thought I was taking it. | 0:00:36 | 0:00:38 | |
-No. Not this time. -It was Mikey's. -And now it's yours. | 0:00:38 | 0:00:42 | |
Can I have a chicken special, please? | 0:00:49 | 0:00:51 | |
12-inch chicken special. I'm still waiting on the Caribbean, get off the phone and get moving, please! | 0:00:51 | 0:00:55 | |
PHONE RINGS | 0:00:55 | 0:00:58 | |
-Who is it? -Pizza. | 0:01:49 | 0:01:51 | |
DOOR BUZZES | 0:01:53 | 0:01:58 | |
BABY CRIES | 0:02:06 | 0:02:07 | |
I paid on the phone. Wait a mo. | 0:02:07 | 0:02:09 | |
No special topping? | 0:02:11 | 0:02:13 | |
Oh, forget it. | 0:02:14 | 0:02:15 | |
Thanks very much. | 0:02:20 | 0:02:22 | |
BABY CONTINUES CRYING | 0:02:22 | 0:02:24 | |
DOOR BUZZES | 0:02:35 | 0:02:36 | |
GUNSHOTS | 0:02:38 | 0:02:40 | |
BABY CRIES | 0:03:15 | 0:03:17 | |
DOOR OPENS | 0:03:27 | 0:03:30 | |
God, I'm a mess. | 0:03:57 | 0:03:59 | |
PHONE RINGS | 0:04:14 | 0:04:19 | |
Yep. | 0:04:24 | 0:04:26 | |
OK. | 0:04:29 | 0:04:31 | |
Is this a case? | 0:04:37 | 0:04:39 | |
It's a murder. | 0:04:39 | 0:04:40 | |
Are you sure it's a good idea? | 0:04:42 | 0:04:44 | |
Yeah, I want to do this one. | 0:04:44 | 0:04:46 | |
Good luck. | 0:04:46 | 0:04:47 | |
RADIO CHATTER | 0:04:54 | 0:05:00 | |
SIREN SWITCHES ON | 0:05:52 | 0:05:55 | |
Is that it? | 0:06:03 | 0:06:05 | |
Don't say it's still open. | 0:06:05 | 0:06:07 | |
Turn around. | 0:06:07 | 0:06:08 | |
What the hell is this? You're still serving?! | 0:06:23 | 0:06:25 | |
I've got your margherita there for you, mate, OK. | 0:06:25 | 0:06:27 | |
What are you doing? Close the place down. | 0:06:27 | 0:06:30 | |
I've got targets to meet. | 0:06:30 | 0:06:32 | |
-Yeah, so do we. -Where's my pizza?! -It's coming. | 0:06:32 | 0:06:35 | |
No, you're not! No-one's getting their pizza, are they? Cos you're shutting down. | 0:06:35 | 0:06:38 | |
Excuse me. Close the place down. | 0:06:38 | 0:06:41 | |
What? Where's my pizza? | 0:06:44 | 0:06:47 | |
Did you see anything? | 0:06:47 | 0:06:49 | |
He gave us our pizza. | 0:06:49 | 0:06:50 | |
And then I closed the door. | 0:06:50 | 0:06:52 | |
Then we heard gunfire out in the street. | 0:06:52 | 0:06:53 | |
Maybe, 30 seconds later. | 0:06:53 | 0:06:55 | |
How did you know it was gunfire? | 0:06:55 | 0:06:57 | |
Because I was brought up in Beirut. | 0:06:57 | 0:06:59 | |
OK. | 0:06:59 | 0:07:00 | |
You were alone? | 0:07:02 | 0:07:03 | |
Yeah. With the children. | 0:07:03 | 0:07:06 | |
She fell asleep afterwards. I think she had a reaction. | 0:07:06 | 0:07:08 | |
-Reaction? -To what happened. I think it was fear. | 0:07:08 | 0:07:12 | |
When did you order? | 0:07:12 | 0:07:14 | |
Erm, 9.30pm. We have a pizza every Monday. | 0:07:14 | 0:07:17 | |
At the same time? | 0:07:17 | 0:07:19 | |
-Yep. -By phone? What did you order? | 0:07:19 | 0:07:21 | |
Quatro formaggio. It's her favourite. Elfie. | 0:07:21 | 0:07:25 | |
Isn't that a bit late? How old is she? | 0:07:25 | 0:07:28 | |
Seven. Elfie's on her own clock. | 0:07:28 | 0:07:30 | |
-You said "children". -Yeah, yeah. -How many? | 0:07:30 | 0:07:33 | |
-Two. -Tell me your second child's name. | 0:07:33 | 0:07:36 | |
Lucy. But she doesn't come into it. She's a baby. | 0:07:36 | 0:07:38 | |
SIREN WAILS OUTSIDE | 0:07:38 | 0:07:41 | |
SIREN STOPS | 0:07:41 | 0:07:43 | |
You threw it in the corner, the pizza? | 0:07:44 | 0:07:46 | |
SHE LAUGHS | 0:07:48 | 0:07:51 | |
You live by yourselves? | 0:07:55 | 0:07:57 | |
Apart from the au pair, who's not here. | 0:07:58 | 0:08:00 | |
-You're not married? -I don't understand, I just ordered a pizza, | 0:08:00 | 0:08:03 | |
my marital status has nothing to do with it. | 0:08:03 | 0:08:06 | |
All right, if you have to know, the baby's not my husband's. | 0:08:09 | 0:08:12 | |
-Are you arresting me for that? -Did the pizza man say anything? | 0:08:12 | 0:08:16 | |
Apart from thank you when I gave him the tip, no, nothing at all. | 0:08:16 | 0:08:19 | |
Thank you? | 0:08:19 | 0:08:21 | |
-Yeah. -That's all? -Then he went. | 0:08:21 | 0:08:23 | |
Do you have the receipt? Did you pay cash? | 0:08:23 | 0:08:28 | |
I don't have cash. | 0:08:28 | 0:08:29 | |
I didn't have cash. I paid over the phone. | 0:08:31 | 0:08:33 | |
SHE CLEARS HER THROAT | 0:08:39 | 0:08:41 | |
SIREN WAILS | 0:08:58 | 0:09:01 | |
We've got to sort this out. | 0:09:01 | 0:09:03 | |
We can't go on like this. | 0:09:03 | 0:09:05 | |
I know. | 0:09:06 | 0:09:07 | |
We've been on three dates. | 0:09:09 | 0:09:10 | |
The first one, we never even made it to bed, | 0:09:10 | 0:09:13 | |
you had to take a call from your leader. | 0:09:13 | 0:09:16 | |
Tell me about it. | 0:09:16 | 0:09:17 | |
And then tonight, like the last time, | 0:09:17 | 0:09:20 | |
I'm sitting in a restaurant, eating fucking breadsticks. | 0:09:20 | 0:09:24 | |
You don't even call me. | 0:09:24 | 0:09:25 | |
I tried. The reception's terrible. | 0:09:25 | 0:09:28 | |
Look, David, you just have to decide what you want. | 0:09:29 | 0:09:32 | |
Has it never occurred to you that Labour may not even get back? | 0:09:32 | 0:09:35 | |
That there might not be another Labour government? | 0:09:35 | 0:09:37 | |
DOOR CLOSES | 0:09:43 | 0:09:46 | |
I don't understand. You're going to have to ask me again. | 0:09:50 | 0:09:52 | |
What I'm saying, I thought there was a rota. | 0:09:52 | 0:09:55 | |
-Sort of a rota. -Meaning what exactly? | 0:09:55 | 0:09:58 | |
-People take turns. -So it was Mikey's turn? | 0:09:58 | 0:10:01 | |
-Yeah. -In fact, you'd already told him, | 0:10:01 | 0:10:02 | |
you go to Bramham Gardens with a quattro formaggio. | 0:10:02 | 0:10:05 | |
Yeah. | 0:10:05 | 0:10:07 | |
So why did you decide not to send him? | 0:10:07 | 0:10:09 | |
I changed my mind. I sent Abdullah. I can do what I want. | 0:10:09 | 0:10:12 | |
-I know. -I am in charge. | 0:10:12 | 0:10:14 | |
I understand that. My question is, why did you do it? | 0:10:14 | 0:10:18 | |
Why? | 0:10:18 | 0:10:19 | |
Abdullah was killed delivering a pizza. | 0:10:21 | 0:10:23 | |
I don't know anything about that. | 0:10:24 | 0:10:26 | |
I'm not saying you do. I'm not accusing you of murder. | 0:10:27 | 0:10:29 | |
However, the murderer was waiting. Why didn't you send Mikey? | 0:10:29 | 0:10:33 | |
I'm asking, is the system random? | 0:10:38 | 0:10:40 | |
How could a gunman know who he was going to kill? | 0:10:42 | 0:10:45 | |
And if he wanted to kill anyone in particular, | 0:10:45 | 0:10:47 | |
was it just chance that you changed your mind? | 0:10:47 | 0:10:49 | |
Well? | 0:10:49 | 0:10:51 | |
I don't know. | 0:10:51 | 0:10:52 | |
Did you see anyone outside? Anyone following him? | 0:10:54 | 0:10:56 | |
-No. -Was there a reason? Was there a reason that you sent Abdullah? | 0:10:56 | 0:11:00 | |
He hadn't had a run all night. | 0:11:00 | 0:11:02 | |
-Abdullah hadn't had a run all night. -So you felt sorry for him? | 0:11:02 | 0:11:05 | |
-Yeah. -You sent him out of the goodness of your heart? | 0:11:05 | 0:11:07 | |
Who owns this place? | 0:11:12 | 0:11:13 | |
I manage it. | 0:11:13 | 0:11:15 | |
I know that. | 0:11:15 | 0:11:17 | |
-The owner changed. -When? | 0:11:17 | 0:11:18 | |
Last month. I've never even spoken to him. | 0:11:19 | 0:11:21 | |
They're in Boca Raton. | 0:11:22 | 0:11:23 | |
Right. So this is a south London pizza parlour | 0:11:25 | 0:11:28 | |
owned by a man in Boca Raton? | 0:11:28 | 0:11:30 | |
Yeah. | 0:11:32 | 0:11:33 | |
This is Mikey Gowans. | 0:11:52 | 0:11:53 | |
Yeah, we met. | 0:11:55 | 0:11:56 | |
Mikey's just realised it might have been him. | 0:11:56 | 0:11:59 | |
Mikey, you're going to have to tell us | 0:12:01 | 0:12:03 | |
why anyone might want to kill you. | 0:12:03 | 0:12:04 | |
Look, it doesn't make any sense. | 0:12:08 | 0:12:10 | |
Are you sure about that? | 0:12:10 | 0:12:12 | |
Did you know Abdullah? | 0:12:15 | 0:12:17 | |
Not really. | 0:12:17 | 0:12:19 | |
Did you know his second name? | 0:12:19 | 0:12:20 | |
He'd just started. | 0:12:20 | 0:12:22 | |
I think, erm... | 0:12:22 | 0:12:24 | |
I think he was Syrian or something. | 0:12:24 | 0:12:26 | |
Syrian? | 0:12:26 | 0:12:27 | |
Mm, that's what he said. | 0:12:27 | 0:12:29 | |
How do you get paid? | 0:12:29 | 0:12:30 | |
By the delivery. | 0:12:32 | 0:12:33 | |
Cash? | 0:12:33 | 0:12:35 | |
-Yeah. -Any paperwork? | 0:12:35 | 0:12:37 | |
It's not a paperwork kind of place. | 0:12:38 | 0:12:40 | |
What did you do before? | 0:12:42 | 0:12:44 | |
I was a bouncer. | 0:12:44 | 0:12:46 | |
In a night-club. | 0:12:46 | 0:12:48 | |
Till I got hit. | 0:12:48 | 0:12:49 | |
Which night-club? | 0:12:49 | 0:12:50 | |
The Turbine. | 0:12:50 | 0:12:52 | |
Then I'm not surprised you got hit. | 0:12:52 | 0:12:53 | |
Rakhee, take Mr Gowans back to the station? | 0:12:56 | 0:12:58 | |
I'm going to the scene. | 0:12:58 | 0:13:00 | |
Can I say something? | 0:13:42 | 0:13:43 | |
Yeah, you can say whatever you like. | 0:13:45 | 0:13:47 | |
The system is the system. | 0:13:49 | 0:13:50 | |
Disliking it isn't going to change it. | 0:13:51 | 0:13:53 | |
It carries on, regardless of what you feel about it. | 0:13:53 | 0:13:56 | |
And what has that got to do with my being late for a date? | 0:13:58 | 0:14:01 | |
You know, | 0:14:03 | 0:14:04 | |
you're a really nice man, David, | 0:14:04 | 0:14:06 | |
but you are so lost in things that you can't do anything about. | 0:14:06 | 0:14:10 | |
You no longer have any idea who you actually are. | 0:14:11 | 0:14:14 | |
Where are you going? Just stay. | 0:14:15 | 0:14:18 | |
No. | 0:14:21 | 0:14:22 | |
I can't stay here. | 0:14:22 | 0:14:24 | |
Come on, you'll feel differently in the morning. | 0:14:24 | 0:14:26 | |
I don't think so. | 0:14:26 | 0:14:28 | |
Well, at least let me order you a cab. | 0:14:29 | 0:14:32 | |
Oh, for fuck's sake. | 0:14:32 | 0:14:33 | |
Look, if the Labour Party makes you angry, what do you think it does to me? | 0:14:36 | 0:14:39 | |
It makes you boring. | 0:14:39 | 0:14:41 | |
DOOR OPENS | 0:14:58 | 0:14:59 | |
DOOR CLOSES | 0:15:01 | 0:15:02 | |
SIREN WAILS | 0:15:05 | 0:15:09 | |
SIREN WAILS IN THE DISTANCE | 0:16:14 | 0:16:17 | |
SHE CLEARS HER THROAT | 0:16:18 | 0:16:19 | |
Nathan, OK? | 0:16:25 | 0:16:27 | |
Are you making any sense of this? I don't get it. | 0:16:27 | 0:16:29 | |
There's no way a gunman can know which delivery person's coming. | 0:16:29 | 0:16:32 | |
What do you think it is? Random shooter? | 0:16:32 | 0:16:34 | |
-Does it for the hell of it? -I don't think so. -What, then? | 0:16:34 | 0:16:37 | |
Why would anyone kill a pizza-delivery man? | 0:16:37 | 0:16:40 | |
Well, have you ever eaten their pizza? | 0:16:40 | 0:16:42 | |
-Amusing. -Something else odd. -What? | 0:16:42 | 0:16:45 | |
So, you know I spoke to Karen Mars, the woman who ordered the pizza? | 0:16:45 | 0:16:47 | |
-Well? -She talked about her baby. | 0:16:47 | 0:16:49 | |
-She said "Oh, she doesn't come into it." -So? | 0:16:49 | 0:16:51 | |
"She doesn't come into it" - what does she mean by that? | 0:16:51 | 0:16:53 | |
What did she mean by it? | 0:16:53 | 0:16:55 | |
Probably like how a pizza delivery man was just murdered outside her door, | 0:16:55 | 0:16:59 | |
and, as a mother, she feels her baby was not involved. | 0:16:59 | 0:17:01 | |
That's probably what she meant. | 0:17:01 | 0:17:02 | |
"She doesn't come into it" - it's an odd way to put it. | 0:17:02 | 0:17:04 | |
-Evening Standard. -Yeah, we know that. | 0:17:04 | 0:17:07 | |
I got here before you. | 0:17:07 | 0:17:08 | |
-Congratulations. -Can I get past the tape, then? | 0:17:08 | 0:17:10 | |
What, so the Evening Standard can fuck up the scene? | 0:17:10 | 0:17:12 | |
-It's a Muslim killing, right? -No, it's a killing. | 0:17:12 | 0:17:14 | |
But the victim was a Muslim? | 0:17:14 | 0:17:16 | |
I know what the press want to make of this. | 0:17:16 | 0:17:18 | |
-What, a mind-reader, are you? -No, a newspaper reader. | 0:17:18 | 0:17:20 | |
Why didn't they kill him on the way in? | 0:17:21 | 0:17:23 | |
Why did they wait till he was on his way out? | 0:17:23 | 0:17:25 | |
I'm just saying, they could've killed him five minutes earlier. | 0:17:25 | 0:17:29 | |
You need to go on a communications course. | 0:17:29 | 0:17:31 | |
-Why? -That's not how to handle public relations. | 0:17:31 | 0:17:33 | |
They write what they want. Do you think being nice to them makes any difference? | 0:17:33 | 0:17:37 | |
It's true what he's saying, though. Why wait? | 0:17:37 | 0:17:39 | |
It means we've got a calm killer. | 0:17:39 | 0:17:41 | |
Semi-automatic. Two rounds of two. | 0:17:41 | 0:17:43 | |
Each time with perfect accuracy at 20 yards. | 0:17:43 | 0:17:46 | |
We're thinking a professional? | 0:17:46 | 0:17:47 | |
-Maybe a robbery gone wrong. -Robbing what? | 0:17:47 | 0:17:49 | |
Pizza drivers are the most-robbed people in London, do you know that? | 0:17:49 | 0:17:52 | |
-What about drugs? -You tell me. | 0:17:52 | 0:17:55 | |
There was a witness in the street but a long way away. | 0:17:55 | 0:17:57 | |
Is that her? | 0:17:57 | 0:17:59 | |
Hanh Giang. Make of her what you can. | 0:17:59 | 0:18:01 | |
She was in a K-hole. | 0:18:01 | 0:18:02 | |
-Where had she been? -She says taking a walk. | 0:18:02 | 0:18:05 | |
We asked her to turn out her pockets. | 0:18:05 | 0:18:07 | |
-Is that all she had? -It's enough. -Does she have a description? | 0:18:07 | 0:18:10 | |
Thin. Average height. | 0:18:10 | 0:18:11 | |
She only saw him for a second, she said his face was obscured. | 0:18:11 | 0:18:14 | |
-Obscured by? -She says a diving suit. | 0:18:14 | 0:18:16 | |
-How stoned was she? -More likely some sort of balaclava. | 0:18:16 | 0:18:20 | |
What she saw was the hood. Round his face. | 0:18:20 | 0:18:22 | |
Have a look at this gate. | 0:18:22 | 0:18:23 | |
Good chance our killer went over there. | 0:18:23 | 0:18:26 | |
-Any footprints? -No, nothing. -Who's the SIO? | 0:18:26 | 0:18:29 | |
Kip Glaspie. | 0:18:29 | 0:18:30 | |
I'm the new area forensic manager. | 0:18:30 | 0:18:32 | |
My name's Gupta. People call me Fuzz. | 0:18:32 | 0:18:34 | |
I don't think this scene's going to make you happy. | 0:18:34 | 0:18:36 | |
-Really? Why not? -The witness saw something. | 0:18:36 | 0:18:37 | |
Sounds like the guy may have been wearing rubber. | 0:18:37 | 0:18:40 | |
He's a professional, then? | 0:18:40 | 0:18:41 | |
Never mind. Every contact leaves a trace. | 0:18:41 | 0:18:43 | |
-Can I ask you a question? -Sure. -Weren't you an athlete? Didn't you do pole vault or something? | 0:18:43 | 0:18:46 | |
Yeah. I jumped for a while. | 0:18:46 | 0:18:47 | |
Wasn't there some kind of famous incident? | 0:18:47 | 0:18:49 | |
Yeah. She landed badly. | 0:18:49 | 0:18:51 | |
Still. Kip Glaspie. Pretty impressive. | 0:18:51 | 0:18:53 | |
You're Hanh Giang? | 0:18:57 | 0:18:58 | |
-Yeah. -Where did you get this? | 0:19:00 | 0:19:02 | |
Er, I went to a club. | 0:19:02 | 0:19:04 | |
Do you have any ID? | 0:19:04 | 0:19:06 | |
-Er, not on me, no. -Do you have any at home? | 0:19:06 | 0:19:09 | |
-Yeah. -Where's home? -Er...Stockwell Park Road. | 0:19:09 | 0:19:13 | |
OK, someone's going to take you down there in a few moments, OK? | 0:19:13 | 0:19:18 | |
As far as we can tell, you're the sole witness to a murder. | 0:19:18 | 0:19:21 | |
When your brain is functioning again, think back. | 0:19:21 | 0:19:24 | |
Think about if there's anything that you might have overlooked. | 0:19:24 | 0:19:27 | |
-Can you do that? -Yeah. -OK. | 0:19:27 | 0:19:29 | |
Come in first thing tomorrow morning. | 0:19:29 | 0:19:31 | |
Thank you. | 0:19:31 | 0:19:33 | |
Abdullah's phone. | 0:19:35 | 0:19:36 | |
Tell me. | 0:19:36 | 0:19:38 | |
I went into "frequent locations". | 0:19:38 | 0:19:40 | |
I'm thinking if that's work, that's home. | 0:19:40 | 0:19:42 | |
Let's go. | 0:19:42 | 0:19:44 | |
"Dear David... | 0:20:22 | 0:20:24 | |
"I think it's easier for me to write an old-fashioned, proper letter, | 0:20:24 | 0:20:28 | |
"because when I'm with you I never seem able to say what I mean. | 0:20:28 | 0:20:31 | |
"It comes out cruel, and that's not what I want. | 0:20:33 | 0:20:35 | |
"You've had so many failed relationships, you don't believe | 0:20:37 | 0:20:41 | |
"that anyone could possibly find you worth the effort. | 0:20:41 | 0:20:43 | |
"But believe it or not, I do. | 0:20:43 | 0:20:46 | |
"That's why I get so angry. | 0:20:48 | 0:20:50 | |
"Because if you just stopped for five minutes, | 0:20:50 | 0:20:52 | |
"there's something I can see and you can't - | 0:20:52 | 0:20:55 | |
"the truth is, you're a very good soul." | 0:20:55 | 0:20:58 | |
David! | 0:20:58 | 0:21:00 | |
What are you doing here? | 0:21:00 | 0:21:02 | |
Well, it's my constituency, Rob. | 0:21:02 | 0:21:04 | |
-Is that the only reason? -What do you know? | 0:21:04 | 0:21:07 | |
They're saying it's a hate crime. Immigrant shot in the street. | 0:21:07 | 0:21:09 | |
I'd love a quote if you can give me one. | 0:21:09 | 0:21:11 | |
David Mars. | 0:21:11 | 0:21:13 | |
Is everything all right? What happened? | 0:21:16 | 0:21:18 | |
Sorry. I didn't mean to call. I got frightened, that's all. | 0:21:18 | 0:21:21 | |
I don't understand. | 0:21:24 | 0:21:26 | |
Well, I won't say it again. It was me who ordered the pizza. | 0:21:26 | 0:21:29 | |
-Did you hear the shot? -Of course I heard it. Quite like old times. | 0:21:29 | 0:21:32 | |
You were the last person to speak to him? | 0:21:32 | 0:21:34 | |
Well, I suppose. | 0:21:34 | 0:21:36 | |
I don't get it, you don't seem very upset. | 0:21:38 | 0:21:40 | |
I thought I had a bottle of wine. | 0:21:40 | 0:21:42 | |
I must have drunk it. | 0:21:42 | 0:21:44 | |
Is that a new shirt? | 0:21:47 | 0:21:48 | |
You called me to come over here. | 0:21:52 | 0:21:54 | |
Sorry if that was a drag! I'm sure you're busy. | 0:21:54 | 0:21:58 | |
Don't worry about it. | 0:21:58 | 0:22:00 | |
Too busy for the mother of your child. | 0:22:00 | 0:22:02 | |
Karen, you know that is not fair. | 0:22:02 | 0:22:05 | |
I know what you're thinking - | 0:22:05 | 0:22:07 | |
I was only married to her for three months, | 0:22:07 | 0:22:09 | |
am I going to have to look after her for the rest of my life? | 0:22:09 | 0:22:12 | |
Four. Four months. | 0:22:12 | 0:22:14 | |
Well, the answer is yes. | 0:22:14 | 0:22:15 | |
Yes, for the rest of your life. Get used to it. | 0:22:15 | 0:22:18 | |
HE SIGHS | 0:22:18 | 0:22:19 | |
What's that? | 0:22:19 | 0:22:21 | |
This is a letter somebody wrote to me. | 0:22:22 | 0:22:26 | |
You mean, as in the 19th century, that kind of letter? | 0:22:26 | 0:22:30 | |
Don't politicians have e-mail? | 0:22:30 | 0:22:32 | |
Well, you seem in good shape. All things considered. | 0:22:35 | 0:22:38 | |
You've had a shock. | 0:22:38 | 0:22:39 | |
Well, that's why I called you, David. | 0:22:39 | 0:22:41 | |
Do you mind staying over? For Elfie's sake? | 0:22:41 | 0:22:44 | |
Don't look at me like that. You chose this job. | 0:23:11 | 0:23:13 | |
-You could have done anything. -I was a teacher. I gave it up, remember? | 0:23:13 | 0:23:17 | |
Why? | 0:23:17 | 0:23:18 | |
Too violent. | 0:23:18 | 0:23:20 | |
HE CHUCKLES | 0:23:20 | 0:23:21 | |
Home? | 0:23:33 | 0:23:34 | |
-Do you want me to do it? -No. I'm good. | 0:23:40 | 0:23:43 | |
We're from the police. | 0:23:51 | 0:23:52 | |
Can you tell me your names? | 0:23:55 | 0:23:57 | |
Do either of you speak English? | 0:24:02 | 0:24:04 | |
We were just called to a situation not far from here. | 0:24:11 | 0:24:15 | |
Do either of you know Abdullah Asif? | 0:24:15 | 0:24:17 | |
I'm going to assume you understand a little, | 0:24:23 | 0:24:25 | |
while we get someone here to help. | 0:24:25 | 0:24:27 | |
As I said, we were just called to an incident nearby, | 0:24:27 | 0:24:31 | |
where a male has been shot in the chest. | 0:24:31 | 0:24:34 | |
We believe it to be Abdullah Asif. | 0:24:38 | 0:24:40 | |
You shared a space with him so we're going to need to see your | 0:24:51 | 0:24:54 | |
paperwork, whatever you've got, any documents you happen to have - | 0:24:54 | 0:24:59 | |
it doesn't matter what they are, what language. | 0:24:59 | 0:25:01 | |
I'm going to get an interpreter | 0:25:01 | 0:25:03 | |
and we're going to ask you some questions. | 0:25:03 | 0:25:05 | |
We're here to help. | 0:25:07 | 0:25:09 | |
For now, all I can say is sorry. | 0:25:14 | 0:25:16 | |
That's how it ends up, is it? | 0:25:23 | 0:25:25 | |
Escape war, make your way to England and start your new life in a garage? | 0:25:25 | 0:25:29 | |
That's the best we can offer, is it? | 0:25:29 | 0:25:31 | |
Well, we've seen it before. | 0:25:31 | 0:25:32 | |
Yeah, we've seen it before - doesn't make it better, though, does it? | 0:25:32 | 0:25:35 | |
No views? | 0:25:37 | 0:25:38 | |
Oh, yeah, I've got a view, two hours in | 0:25:38 | 0:25:40 | |
and things are already out of control. | 0:25:40 | 0:25:42 | |
What are you getting? | 0:26:20 | 0:26:22 | |
At first glance, absolutely nothing. | 0:26:22 | 0:26:24 | |
Footprints? | 0:26:24 | 0:26:26 | |
I knew the moment I came. You can always tell. | 0:26:26 | 0:26:28 | |
It's a set up. | 0:26:30 | 0:26:31 | |
Look... Perfect place to hide, perfect darkness, | 0:26:31 | 0:26:34 | |
giving him a perfect view across the street, perfect getaway. | 0:26:34 | 0:26:37 | |
They want it to look random but it isn't - | 0:26:37 | 0:26:39 | |
there's nothing random about it. | 0:26:39 | 0:26:41 | |
First thing tomorrow. | 0:27:37 | 0:27:38 | |
Yeah. Thank you. | 0:27:38 | 0:27:40 | |
Where have you been? | 0:28:58 | 0:29:00 | |
I was out. | 0:29:04 | 0:29:05 | |
It's three o'clock in the morning. | 0:29:08 | 0:29:10 | |
Were you with someone else? | 0:29:13 | 0:29:15 | |
I want you to tell me. | 0:29:18 | 0:29:20 | |
Honestly. I... I'd rather know the truth. | 0:29:20 | 0:29:22 | |
-I wasn't with anyone! -Then what were you doing? | 0:29:22 | 0:29:25 | |
-I'm not gonna tell you if you're going to get angry. -I won't get angry. Even if... | 0:29:25 | 0:29:28 | |
Look, you're free. | 0:29:30 | 0:29:31 | |
You can do what you want. Of course you can. | 0:29:33 | 0:29:35 | |
I wanted to get high. | 0:29:38 | 0:29:40 | |
And did you? | 0:29:40 | 0:29:42 | |
Yeah. I needed some air. | 0:29:42 | 0:29:44 | |
I need some space. | 0:29:44 | 0:29:46 | |
You can be so clingy. | 0:29:46 | 0:29:48 | |
Linh, you're much the best thing in my life. | 0:29:50 | 0:29:52 | |
SHE SIGHS HEAVILY | 0:29:54 | 0:29:56 | |
Something's happened. Just tell me what's happened. | 0:29:59 | 0:30:01 | |
-I went to a club. -Which club? | 0:30:03 | 0:30:05 | |
I can guess. | 0:30:07 | 0:30:08 | |
And then I walk home and I felt quite weird. | 0:30:09 | 0:30:11 | |
So I sit down on the pavement and I don't know how long I'm there. | 0:30:11 | 0:30:15 | |
And? | 0:30:17 | 0:30:19 | |
Someone got shot dead, | 0:30:19 | 0:30:20 | |
across the street. | 0:30:20 | 0:30:21 | |
A pizza man. | 0:30:21 | 0:30:23 | |
Fuck! | 0:30:23 | 0:30:24 | |
And then the police arrive. | 0:30:24 | 0:30:26 | |
I was frightened, I panicked and... | 0:30:29 | 0:30:30 | |
-You spoke to them? -Yeah. | 0:30:30 | 0:30:32 | |
They emptied my pocket. | 0:30:32 | 0:30:34 | |
And what did they find? | 0:30:35 | 0:30:37 | |
Ketamine. MDMA. | 0:30:39 | 0:30:41 | |
I was scared. | 0:30:43 | 0:30:44 | |
I panicked. | 0:30:44 | 0:30:46 | |
But I didn't give them my real name. | 0:30:48 | 0:30:50 | |
-You made up a name? -Yeah, and address. | 0:30:51 | 0:30:53 | |
Why did you do that? | 0:30:53 | 0:30:55 | |
Why do you think? If they know who I am, I'm in trouble. | 0:30:55 | 0:30:58 | |
I panic. | 0:31:01 | 0:31:02 | |
I was terrified. | 0:31:03 | 0:31:05 | |
I don't want to go home. | 0:31:05 | 0:31:07 | |
I want to live in England. | 0:31:09 | 0:31:10 | |
I know. | 0:31:15 | 0:31:16 | |
People do. | 0:31:17 | 0:31:18 | |
Also, there's something else. | 0:31:22 | 0:31:24 | |
Something I didn't dare tell them, cos... | 0:31:24 | 0:31:27 | |
Cos I was off my head. | 0:31:27 | 0:31:29 | |
I told them the killer had a hood on. | 0:31:31 | 0:31:33 | |
-And that was true? -Yeah. | 0:31:34 | 0:31:36 | |
But what I didn't say is, er... | 0:31:37 | 0:31:39 | |
..I thought it was a woman. | 0:31:40 | 0:31:42 | |
They're terrified. | 0:34:06 | 0:34:07 | |
I'm sorry to ask this but how do we know they're his sisters? | 0:34:07 | 0:34:11 | |
They've got no papers. They're paperless. | 0:34:11 | 0:34:13 | |
Why would they lie? | 0:34:13 | 0:34:14 | |
All right, why would they lie about that? | 0:34:14 | 0:34:17 | |
They must have money. | 0:34:18 | 0:34:20 | |
They did. | 0:34:20 | 0:34:21 | |
Abdullah Asif had a driving licence, remember? | 0:34:21 | 0:34:23 | |
Well, he must have paid for that. | 0:34:23 | 0:34:25 | |
Syrian refugee. English driving licence. That's not cheap. | 0:34:25 | 0:34:28 | |
Provisional. | 0:34:28 | 0:34:30 | |
How long have they been here? | 0:34:30 | 0:34:32 | |
She doesn't want to say. | 0:34:32 | 0:34:33 | |
Well, she's going to have to. | 0:34:33 | 0:34:35 | |
SHE SPEAKS ARABIC | 0:34:40 | 0:34:44 | |
THEY SPEAK ARABIC | 0:34:44 | 0:34:48 | |
She doesn't know. | 0:34:48 | 0:34:50 | |
Of course you know. | 0:34:52 | 0:34:53 | |
Think of it her way. Her brother's just been killed. | 0:34:54 | 0:34:57 | |
She doesn't know who to trust. | 0:34:57 | 0:34:58 | |
Look, can you tell her we understand she's in grief, | 0:34:58 | 0:35:00 | |
but she has to stop fucking about and tell us the truth? | 0:35:00 | 0:35:03 | |
Whatever that is in Arabic. | 0:35:03 | 0:35:04 | |
TRANSLATOR SPEAKS ARABIC | 0:35:04 | 0:35:08 | |
WOMAN RESPONDS IN ARABIC | 0:35:08 | 0:35:11 | |
Maybe weeks. | 0:35:11 | 0:35:13 | |
Do you have a job? | 0:35:13 | 0:35:15 | |
THEY SPEAK ARABIC | 0:35:15 | 0:35:18 | |
She works in a hotel. | 0:35:18 | 0:35:19 | |
Where? TRANSLATOR SPEAKS ARABIC | 0:35:19 | 0:35:21 | |
SHE RESPONDS IN ARABIC | 0:35:23 | 0:35:24 | |
She can't say. It's dangerous for her. | 0:35:24 | 0:35:26 | |
What, they don't pay the National Minimum Wage? | 0:35:26 | 0:35:28 | |
Tell her there's a reason for what happened and we need to find that reason. | 0:35:28 | 0:35:31 | |
If this woman is remotely serious, she has to help us. Has to. | 0:35:31 | 0:35:35 | |
SHE SPEAKS ARABIC | 0:35:36 | 0:35:40 | |
She says she fears this is going to have a bad outcome. | 0:35:44 | 0:35:46 | |
How can it have a worse outcome? Her brother is dead. | 0:35:48 | 0:35:50 | |
So, did it work? Women only. | 0:36:38 | 0:36:41 | |
Stuff pour out of them, did it? | 0:36:41 | 0:36:42 | |
-Not much. -In the all-female environment? | 0:36:42 | 0:36:45 | |
What we did discover - turns out they lived in Aleppo. | 0:36:45 | 0:36:48 | |
They worked in a tourist hotel. | 0:36:48 | 0:36:49 | |
In Aleppo? Well, that's a triumph. | 0:36:49 | 0:36:51 | |
Sure. Before it was destroyed. | 0:36:51 | 0:36:54 | |
Abdullah was on reception. | 0:36:54 | 0:36:55 | |
They feared for their lives in Syria. | 0:36:55 | 0:36:57 | |
The war is never going to end. | 0:36:57 | 0:36:59 | |
Assad's a ruthless dictator who'd rather see his country | 0:36:59 | 0:37:02 | |
destroyed than yield power. | 0:37:02 | 0:37:04 | |
That's their view, is it? | 0:37:04 | 0:37:05 | |
It's Fatima's. Mona's not speaking. | 0:37:05 | 0:37:08 | |
-Nothing? -Not a word. | 0:37:08 | 0:37:09 | |
They're what our leaders call genuine asylum seekers. | 0:37:09 | 0:37:12 | |
They had to get out or they'd be killed. | 0:37:12 | 0:37:14 | |
So she'll give us her political views, but she won't actually give us any names, | 0:37:14 | 0:37:17 | |
like who got her here, how her brother found his job. Why not? | 0:37:17 | 0:37:20 | |
-Because they're frightened. -What, frightened of us? | 0:37:20 | 0:37:23 | |
No. | 0:37:23 | 0:37:24 | |
More like one of them's been killed and they're asking who's next. | 0:37:24 | 0:37:27 | |
They don't feel safe. | 0:37:27 | 0:37:29 | |
-You should go back to the station with them. We're going to need you later. -OK. | 0:37:31 | 0:37:35 | |
What do you want to do now? | 0:37:35 | 0:37:37 | |
Can we just think this thing through? | 0:37:37 | 0:37:39 | |
-Please. -Can we? | 0:37:39 | 0:37:41 | |
Like normally how you have a body and then you work out | 0:37:41 | 0:37:44 | |
who they are and who might want to kill them. | 0:37:44 | 0:37:47 | |
-Yeah? That's the procedure? -If you say so. | 0:37:47 | 0:37:49 | |
Only as I understand it - let me know if I'm going too fast for you - | 0:37:49 | 0:37:54 | |
this time we don't know who's meant to have been killed. | 0:37:54 | 0:37:57 | |
Yeah, I'm onto that. | 0:37:57 | 0:37:58 | |
So working out why seems more than normally difficult. | 0:37:58 | 0:38:00 | |
That's very good. You've got your speech ready for the superintendent. | 0:38:00 | 0:38:04 | |
Anything to add? | 0:38:05 | 0:38:07 | |
Nothing. You? | 0:38:07 | 0:38:08 | |
Yeah. | 0:38:10 | 0:38:11 | |
There's nobody here. Nobody except us. | 0:38:11 | 0:38:15 | |
-Why would there be? -Because these people are Syrian. | 0:38:15 | 0:38:17 | |
-So? -They're Syrian. | 0:38:17 | 0:38:19 | |
What I'm asking - where's MI5? Where's counter-terrorism? | 0:38:19 | 0:38:22 | |
-Where are they? -Yeah. Anything of this nature from the region, | 0:38:22 | 0:38:25 | |
they're like flies round dead meat. Why aren't they here? | 0:38:25 | 0:38:27 | |
My guess is they're still in bed. | 0:38:27 | 0:38:29 | |
OK, it seems we're finished with you. Do you want to go? | 0:38:45 | 0:38:49 | |
I can't sleep here? | 0:38:49 | 0:38:50 | |
It's not a hotel. | 0:38:50 | 0:38:51 | |
I'm just a bit shaky, that's all. | 0:38:53 | 0:38:55 | |
I'd got to know Abdullah a bit. | 0:38:56 | 0:38:58 | |
And? | 0:38:58 | 0:38:59 | |
He was a decent bloke, I liked him. | 0:38:59 | 0:39:01 | |
And? | 0:39:03 | 0:39:05 | |
That's what I wanted to say. | 0:39:05 | 0:39:07 | |
DOOR BUZZES | 0:39:07 | 0:39:08 | |
Well, you've said it. | 0:39:08 | 0:39:10 | |
Yeah, I guess I have. | 0:39:10 | 0:39:11 | |
We're privileged to have the Leader of the Opposition, | 0:39:56 | 0:39:58 | |
Deborah Clifford, here in the studio. | 0:39:58 | 0:40:00 | |
Good morning, Suki. | 0:40:00 | 0:40:02 | |
Obviously, you're aware that seven immigration bills | 0:40:02 | 0:40:04 | |
in the last eight years, | 0:40:04 | 0:40:05 | |
45,000 changes to those immigration rules since 2010. | 0:40:05 | 0:40:09 | |
-That's right. -And Labour has opposed many of those changes. | 0:40:09 | 0:40:13 | |
We support control of our borders and we always have. | 0:40:13 | 0:40:16 | |
We've been very clear about that. | 0:40:16 | 0:40:17 | |
Well, nevertheless, these days, | 0:40:17 | 0:40:19 | |
you seem to be taking a different approach. | 0:40:19 | 0:40:21 | |
Well, sometimes, in the past, Labour's given an impression | 0:40:21 | 0:40:24 | |
of caring more for newcomers than for the resident population. | 0:40:24 | 0:40:28 | |
That was wrong. | 0:40:28 | 0:40:30 | |
You regret that? | 0:40:30 | 0:40:32 | |
Look, Suki, | 0:40:32 | 0:40:34 | |
my grandparents were immigrants, | 0:40:34 | 0:40:36 | |
immigrants have done this country a lot of good. | 0:40:36 | 0:40:39 | |
But we also believe in a proper control of numbers. | 0:40:39 | 0:40:41 | |
This seems to be part of a whole shift from Labour, though, | 0:40:41 | 0:40:44 | |
on all sorts of things - | 0:40:44 | 0:40:46 | |
nuclear weapons, human rights, prisons. | 0:40:46 | 0:40:48 | |
On Thursday, the Labour party's got a big vote, | 0:40:48 | 0:40:51 | |
in support of the government's new surveillance measures | 0:40:51 | 0:40:54 | |
which many people see as a real threat to freedom. | 0:40:54 | 0:40:57 | |
That's an exaggeration, if you don't mind me saying so. | 0:40:57 | 0:40:59 | |
Oh, for fuck's sake! | 0:40:59 | 0:41:01 | |
Hi, Dad. | 0:41:02 | 0:41:04 | |
Hello, beautiful. | 0:41:04 | 0:41:06 | |
Where's your mother? Is she getting up? Isn't she going to work? | 0:41:06 | 0:41:09 | |
She lost her job. | 0:41:09 | 0:41:11 | |
OK. How did she lose it? Was she fired? When did that happen? | 0:41:11 | 0:41:14 | |
Last week. | 0:41:16 | 0:41:17 | |
Come on, let's get you something to eat. | 0:41:18 | 0:41:21 | |
Mum says you run the country. | 0:41:21 | 0:41:23 | |
Well, that's not quite true, actually. | 0:41:23 | 0:41:26 | |
I'm in something called Opposition. | 0:41:26 | 0:41:28 | |
Which means moaning about the people who run the country. | 0:41:28 | 0:41:32 | |
I'm with Mum all the time. | 0:41:32 | 0:41:34 | |
I know you are. | 0:41:34 | 0:41:36 | |
She's really difficult. | 0:41:36 | 0:41:37 | |
Well, your mother's a difficult woman, that's just a fact. | 0:41:37 | 0:41:42 | |
I think she doesn't like me. | 0:41:42 | 0:41:44 | |
She loves you, sweetpea, we both do. Come here. | 0:41:46 | 0:41:49 | |
There. | 0:41:52 | 0:41:54 | |
Well... | 0:41:59 | 0:42:01 | |
So, tell me, what's the view from the cheap seats? | 0:42:01 | 0:42:04 | |
We're just putting it together. | 0:42:04 | 0:42:06 | |
How long's that going to take? | 0:42:06 | 0:42:08 | |
We're just gathering facts. | 0:42:08 | 0:42:10 | |
If you see something we're missing, give us a shout. | 0:42:10 | 0:42:12 | |
Not on the face of it. Do you want coffee? It's proper. | 0:42:12 | 0:42:15 | |
No, thank you. | 0:42:15 | 0:42:17 | |
You on an all-nighter? Well, you know the drill. | 0:42:17 | 0:42:20 | |
Detention's been out-sourced, | 0:42:20 | 0:42:22 | |
it's now in the hands of our privatised colleagues. | 0:42:22 | 0:42:25 | |
I've had to report the Asif family as illegals. | 0:42:25 | 0:42:27 | |
They've only just begun to tell us what they know. | 0:42:27 | 0:42:29 | |
Yeah, well, look at it from their point of view. | 0:42:29 | 0:42:31 | |
There's not much profit in going into detail about how they got here. | 0:42:31 | 0:42:34 | |
-Why take the risk? -We're finding that already. | 0:42:34 | 0:42:36 | |
The younger one doesn't talk at all. | 0:42:36 | 0:42:38 | |
I'm wondering if she's pregnant. | 0:42:38 | 0:42:40 | |
Really? | 0:42:40 | 0:42:41 | |
Well, you'd know. | 0:42:41 | 0:42:42 | |
Have you asked? | 0:42:44 | 0:42:45 | |
Anything we get has to be dragged out of them. They just don't want to talk. | 0:42:45 | 0:42:48 | |
That's it, isn't it? We don't have any leverage. | 0:42:48 | 0:42:51 | |
How do we get some? | 0:42:51 | 0:42:52 | |
I've already had a morning call from Millbank. | 0:42:53 | 0:42:55 | |
I was wondering when that was coming. | 0:42:55 | 0:42:57 | |
Rubber balaclava, professional marksman, asylum seeker. | 0:42:57 | 0:43:00 | |
It's MI5 country, isn't it? | 0:43:00 | 0:43:02 | |
No doubt they'll turn up and give us some professional advice. | 0:43:02 | 0:43:04 | |
MI5'll come and patronise the country cousins, | 0:43:04 | 0:43:07 | |
tell us how useless we are. | 0:43:07 | 0:43:08 | |
That's how it usually works with the security services. | 0:43:08 | 0:43:10 | |
Do they know Abdullah Asif already? | 0:43:10 | 0:43:12 | |
If they do, they're not telling us. | 0:43:12 | 0:43:14 | |
With MI5, it's always one way. | 0:43:14 | 0:43:16 | |
They want your information, but they don't want to give up any of theirs. | 0:43:16 | 0:43:19 | |
Yeah, I've met people like that. | 0:43:19 | 0:43:21 | |
Karen! | 0:43:28 | 0:43:29 | |
Karen! | 0:43:29 | 0:43:30 | |
-What's happening? -You said you were taking Elfie to school! | 0:43:30 | 0:43:33 | |
-I am. -Well, you're late. | 0:43:33 | 0:43:35 | |
What day is it? | 0:43:35 | 0:43:37 | |
Tuesday. To take her to school, you have to get up! | 0:43:37 | 0:43:40 | |
Where's David? | 0:43:40 | 0:43:41 | |
He's gone. Now you still have to get up to look after Lucy. | 0:43:41 | 0:43:44 | |
Oh, fuck off! | 0:43:44 | 0:43:45 | |
Grrr! | 0:43:45 | 0:43:46 | |
Who's taking me to school? | 0:43:47 | 0:43:49 | |
I don't know. Mind your own business. | 0:43:49 | 0:43:51 | |
Now get down and get dressed and get a move on. | 0:43:51 | 0:43:54 | |
I don't have to do everything, do I? | 0:43:54 | 0:43:56 | |
Is Mummy getting up? | 0:43:56 | 0:43:57 | |
I have no idea. | 0:43:57 | 0:43:59 | |
KNOCK AT DOOR | 0:43:59 | 0:44:01 | |
This had better be important. | 0:44:09 | 0:44:11 | |
It is important. | 0:44:11 | 0:44:13 | |
I've had a hell of a night. | 0:44:14 | 0:44:16 | |
Me too. | 0:44:16 | 0:44:18 | |
Is Linh still with you? | 0:44:18 | 0:44:19 | |
Why wouldn't she be? | 0:44:19 | 0:44:20 | |
Is the bishop going to get rid of you? | 0:44:21 | 0:44:23 | |
He's going to try. | 0:44:23 | 0:44:25 | |
Isn't he a bit of an LGBT himself? | 0:44:25 | 0:44:27 | |
He has a boyfriend who runs a sauna in Brixton, if that's what you mean. | 0:44:27 | 0:44:32 | |
But the difference is he's not out and I am. | 0:44:32 | 0:44:35 | |
ON TV: Perhaps we should ask ourselves | 0:44:35 | 0:44:37 | |
whether the vicious rhetoric that's used against people | 0:44:37 | 0:44:40 | |
who come here legitimately to seek asylum | 0:44:40 | 0:44:42 | |
encourages exactly this kind of violence. | 0:44:42 | 0:44:45 | |
There are too many people who believe that hate speech | 0:44:45 | 0:44:48 | |
-doesn't have... -Do you know you come across as a bit of a tosser? | 0:44:48 | 0:44:51 | |
Now we... SHE SWITCHES TV OFF | 0:44:51 | 0:44:53 | |
Are you doing any work on that? | 0:44:53 | 0:44:56 | |
What did you need me for? | 0:44:56 | 0:44:58 | |
I've got a dilemma. | 0:44:58 | 0:45:01 | |
Linh was witness to the murder. | 0:45:01 | 0:45:03 | |
-Linh was? -Yes. The only witness. | 0:45:03 | 0:45:05 | |
I'm assuming she talked to the police? | 0:45:05 | 0:45:07 | |
Sure. But the problem is she was high. | 0:45:07 | 0:45:10 | |
And they found the gear on her. | 0:45:10 | 0:45:12 | |
That's more serious. | 0:45:12 | 0:45:13 | |
They've asked her to go to the police station this morning. | 0:45:13 | 0:45:15 | |
-Well, I hope she's going to. -She's scared. | 0:45:15 | 0:45:18 | |
Last night she gave a false name. | 0:45:18 | 0:45:20 | |
Well, that was a pretty stupid thing to do. | 0:45:20 | 0:45:22 | |
She was trying to protect me, David. I'm out on a limb here. | 0:45:22 | 0:45:25 | |
Also, ah, you'd better speak to her in person. | 0:45:25 | 0:45:28 | |
Because you helped her. | 0:45:28 | 0:45:29 | |
You signed her application for a student visa. | 0:45:29 | 0:45:32 | |
-I was happy to. -She respects you. | 0:45:32 | 0:45:34 | |
Jane, there's something you're not telling me. | 0:45:34 | 0:45:37 | |
Because I... I don't know how to say this. | 0:45:37 | 0:45:39 | |
Say it. | 0:45:40 | 0:45:41 | |
I love this girl and I don't want to lose her. | 0:45:44 | 0:45:46 | |
-Christ. -Please don't use that word. | 0:45:48 | 0:45:50 | |
I love swearing, I hate blasphemy. I really hate it. | 0:45:50 | 0:45:52 | |
If that makes me a fucking hypocrite, so be it. | 0:45:52 | 0:45:55 | |
Do you love her more than me? | 0:45:57 | 0:45:59 | |
You were an episode. | 0:45:59 | 0:46:01 | |
She's a whole chapter. | 0:46:01 | 0:46:02 | |
Or she was going to be. | 0:46:02 | 0:46:04 | |
David. | 0:46:15 | 0:46:16 | |
Linh. | 0:46:16 | 0:46:17 | |
Er, Jane thought you might have a minute for a chat. | 0:46:17 | 0:46:20 | |
Er, yeah. | 0:46:20 | 0:46:21 | |
Jane told me what happened. | 0:46:28 | 0:46:29 | |
You've got no choice, you have to go into the station. | 0:46:31 | 0:46:34 | |
Not going in will only make matters worse. | 0:46:34 | 0:46:37 | |
Yeah, I know. | 0:46:37 | 0:46:39 | |
And Jane says you have vital evidence. | 0:46:39 | 0:46:42 | |
You thought it was a woman. You've got to tell them that. | 0:46:42 | 0:46:44 | |
There is one other thing, David. | 0:46:46 | 0:46:48 | |
Tell me. | 0:46:51 | 0:46:52 | |
Well, you remember you signed her application? | 0:46:53 | 0:46:55 | |
To renew her student visa. I do. | 0:46:55 | 0:46:57 | |
Are you still at that stupid college? | 0:46:57 | 0:46:58 | |
-Sometimes. -Oh, only sometimes? | 0:46:58 | 0:47:00 | |
It's a legitimate place of education, David, | 0:47:00 | 0:47:02 | |
it's approved by the DoE. | 0:47:02 | 0:47:04 | |
Oh, well, in that case, that's a stamp of excellence. | 0:47:04 | 0:47:06 | |
What's it called, Kennington Poly? | 0:47:06 | 0:47:08 | |
But what we didn't tell you, er, when I asked you to sign... | 0:47:10 | 0:47:14 | |
Her first student visa had already expired. | 0:47:14 | 0:47:18 | |
-What? Hang on. -I didn't think to mention it. | 0:47:20 | 0:47:23 | |
-You mean she's here illegally? -It's a grey area. | 0:47:23 | 0:47:25 | |
Jane, I'm a fucking MP. I signed. | 0:47:25 | 0:47:28 | |
-You didn't sign it knowingly. -No! Because you didn't tell me! | 0:47:28 | 0:47:30 | |
-Well, we're telling you now. -Oh, thank you VERY much! | 0:47:30 | 0:47:32 | |
Fuck! Jane! | 0:47:32 | 0:47:35 | |
How could you do that!? | 0:47:35 | 0:47:36 | |
You see, that's why it's difficult. | 0:47:36 | 0:47:38 | |
You see why she doesn't want to talk to the police? | 0:47:38 | 0:47:40 | |
Ugh. | 0:47:44 | 0:47:46 | |
Give that a look over, will you? | 0:47:52 | 0:47:54 | |
Do you want to slip home? | 0:47:54 | 0:47:56 | |
I can take over for a while. | 0:47:56 | 0:47:57 | |
Bit late for that, isn't it? | 0:47:57 | 0:47:59 | |
Where are you off to? | 0:47:59 | 0:48:00 | |
I thought, one more word with our friends. | 0:48:00 | 0:48:02 | |
Look, I don't have any say in the matter. | 0:48:10 | 0:48:12 | |
You may well be detained. | 0:48:12 | 0:48:14 | |
After that, you may be sent home. | 0:48:15 | 0:48:17 | |
You should take the chance to talk, right now, today. | 0:48:18 | 0:48:24 | |
TRANSLATOR SPEAKS ARABIC | 0:48:24 | 0:48:27 | |
I'm interested, for instance, about your transport, | 0:48:35 | 0:48:38 | |
through Turkey from Syria, | 0:48:38 | 0:48:40 | |
a boat to Greece, | 0:48:40 | 0:48:42 | |
a lorry through Europe, then through the tunnel. | 0:48:42 | 0:48:45 | |
How long did it take? | 0:48:45 | 0:48:46 | |
TRANSLATOR REPEATS IN ARABIC | 0:48:46 | 0:48:51 | |
SHE REPLIES | 0:48:53 | 0:48:55 | |
Under a month. | 0:48:55 | 0:48:56 | |
That's impressively quick. | 0:48:58 | 0:49:00 | |
What are we dealing with, club class? | 0:49:00 | 0:49:02 | |
TRANSLATOR SPEAKS ARABIC | 0:49:02 | 0:49:07 | |
WOMAN RESPONDS | 0:49:09 | 0:49:11 | |
She says that's all she knows. | 0:49:11 | 0:49:13 | |
Murder cases can get bogged down. | 0:49:22 | 0:49:24 | |
Bogged down in bureaucracy as much as anything. | 0:49:24 | 0:49:27 | |
That's just a fact. | 0:49:27 | 0:49:28 | |
TRANSLATOR SPEAKS | 0:49:28 | 0:49:30 | |
People lose sight of the victims. | 0:49:34 | 0:49:37 | |
And in this case, you're among the victims. | 0:49:37 | 0:49:40 | |
You should make use of a sympathetic ear whilst you've got it. | 0:49:40 | 0:49:43 | |
TRANSLATOR SPEAKS | 0:49:49 | 0:49:52 | |
Well? | 0:49:59 | 0:50:00 | |
Mikey, haven't seen you for a while. | 0:50:14 | 0:50:16 | |
No. | 0:50:16 | 0:50:17 | |
But I wanted to warn you, yeah? The... The police are all over us. | 0:50:19 | 0:50:21 | |
Yeah, but have you got what we want? | 0:50:21 | 0:50:24 | |
Not yet. | 0:50:26 | 0:50:27 | |
Why don't we go round the back? | 0:50:29 | 0:50:31 | |
I don't want to go round the back. | 0:50:33 | 0:50:34 | |
Come on. | 0:50:34 | 0:50:36 | |
Please. | 0:50:36 | 0:50:38 | |
-Come on. -Come on. | 0:50:38 | 0:50:39 | |
I have to go out for a bit, Mum. | 0:50:49 | 0:50:51 | |
I'm leaving you water. | 0:50:51 | 0:50:53 | |
The council'll be around in an hour. | 0:50:54 | 0:50:56 | |
-Mum. -Mm. | 0:50:57 | 0:50:59 | |
You are a good girl. | 0:51:01 | 0:51:03 | |
Yeah, I wish. | 0:51:04 | 0:51:06 | |
I wouldn't be alive without you! | 0:51:09 | 0:51:10 | |
I'll see you later, all right? | 0:51:20 | 0:51:22 | |
Bye, love. | 0:51:22 | 0:51:24 | |
Hut! | 0:53:49 | 0:53:50 | |
MAN SHOUTS OUT COMMANDS | 0:53:53 | 0:53:55 | |
Right...turn! | 0:53:57 | 0:53:59 | |
Left...turn! | 0:54:01 | 0:54:03 |