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This programme contains some scenes which some viewers may find upsetting and strong language | 0:00:02 | 0:00:05 | |
MUSIC PLAYS: Big Yellow Taxi by Joni Mitchell | 0:00:05 | 0:00:08 | |
# They paved paradise And put up a parking lot | 0:00:11 | 0:00:14 | |
# With a pink hotel, a boutique And a swinging hot spot | 0:00:15 | 0:00:21 | |
# Don't it always seem to go | 0:00:21 | 0:00:24 | |
# That you don't know what you've got till it's gone | 0:00:24 | 0:00:27 | |
# They paved paradise And put up a parking lot | 0:00:27 | 0:00:31 | |
# Shoo-ba-ba-ba-ba | 0:00:31 | 0:00:33 | |
# Shoo-ba-ba-ba-ba | 0:00:33 | 0:00:36 | |
# They took all the trees And put 'em in a tree museum | 0:00:36 | 0:00:39 | |
# And they charged the people A dollar and a half to see 'em | 0:00:41 | 0:00:45 | |
# Don't it always seem to go... # | 0:00:47 | 0:00:49 | |
Come on. | 0:01:59 | 0:02:00 | |
Quickly. | 0:02:00 | 0:02:02 | |
I don't understand. Where are we? | 0:02:08 | 0:02:11 | |
You're in Harlsfleet, darling. | 0:02:11 | 0:02:13 | |
Are we in prison? | 0:02:13 | 0:02:14 | |
Hardly. Bags! | 0:02:14 | 0:02:16 | |
Don't worry. You can pick them up the other side. | 0:02:17 | 0:02:20 | |
Are you a guard? | 0:02:25 | 0:02:27 | |
We're not guards, we're custody officers. | 0:02:27 | 0:02:31 | |
Come on. | 0:02:31 | 0:02:33 | |
Come on! | 0:02:33 | 0:02:34 | |
BUZZER | 0:02:48 | 0:02:50 | |
-You've everything you need. -No locks on the doors. | 0:03:00 | 0:03:03 | |
The bathroom's down the corridor that way. | 0:03:04 | 0:03:06 | |
You'll be processed later. | 0:03:06 | 0:03:08 | |
The legal aid solicitor comes in twice a week. | 0:03:08 | 0:03:10 | |
How long will we be here for? | 0:03:10 | 0:03:12 | |
Ah, well, if we knew that! | 0:03:12 | 0:03:14 | |
No-one in this place knows when they're getting their ticket. | 0:03:14 | 0:03:16 | |
Ticket? | 0:03:16 | 0:03:18 | |
Airline ticket. To send you home. | 0:03:18 | 0:03:20 | |
Right, if you want to clean yourselves up, | 0:03:20 | 0:03:23 | |
we'll see you in a couple of minutes. | 0:03:23 | 0:03:25 | |
My brother was murdered. I need to find out what's happening. | 0:03:26 | 0:03:30 | |
Yeah, I'm sure there'll be somebody to help you with that. | 0:03:30 | 0:03:33 | |
Captain Shaw. | 0:03:41 | 0:03:43 | |
BELL TOLLS | 0:03:45 | 0:03:49 | |
Ah, there you are. | 0:04:03 | 0:04:06 | |
Safely returned to us. | 0:04:06 | 0:04:09 | |
I'm sorry, sir? | 0:04:09 | 0:04:11 | |
I wondered where you were, Captain. | 0:04:11 | 0:04:13 | |
I was on leave, sir. | 0:04:13 | 0:04:14 | |
I know. | 0:04:14 | 0:04:16 | |
It was a leave. I was due leave. | 0:04:16 | 0:04:19 | |
We've missed you. | 0:04:20 | 0:04:23 | |
Welcome back. | 0:04:23 | 0:04:24 | |
It's started again. | 0:04:32 | 0:04:34 | |
You should do something about it. Make a complaint. | 0:04:34 | 0:04:38 | |
What for? | 0:04:38 | 0:04:40 | |
You know what for. | 0:04:40 | 0:04:42 | |
He's smirking. | 0:04:47 | 0:04:49 | |
Exactly. | 0:04:49 | 0:04:51 | |
I go to the CO and say, "The Regimental Second-in-Command's | 0:04:51 | 0:04:54 | |
"always looking at my arse when I walk out the room?" | 0:04:54 | 0:04:59 | |
I just don't see why we should have to put up with it. | 0:04:59 | 0:05:02 | |
You know the answer. | 0:05:02 | 0:05:05 | |
Because this is the Army? | 0:05:05 | 0:05:06 | |
SOLDIERS PERFORM DRILL | 0:05:09 | 0:05:12 | |
You fell asleep, didn't you? | 0:05:24 | 0:05:25 | |
Did I? | 0:05:27 | 0:05:28 | |
You should have gone home. | 0:05:28 | 0:05:30 | |
Maybe. | 0:05:30 | 0:05:32 | |
I started thinking about those two sisters. | 0:05:36 | 0:05:40 | |
What bothers me - | 0:05:40 | 0:05:42 | |
they weren't surprised. | 0:05:42 | 0:05:44 | |
When their brother was killed. | 0:05:44 | 0:05:46 | |
Maybe they were expecting it. Where are they now? | 0:05:46 | 0:05:50 | |
In the hotel. | 0:05:50 | 0:05:53 | |
Wake them up and let's start again. | 0:05:53 | 0:05:55 | |
HE UNLOCKS DOOR | 0:06:22 | 0:06:24 | |
What happened to you? | 0:06:25 | 0:06:26 | |
What, me? | 0:06:26 | 0:06:27 | |
Yeah. | 0:06:27 | 0:06:29 | |
Oh, this. I fell over. | 0:06:29 | 0:06:31 | |
Where? | 0:06:31 | 0:06:33 | |
At home. | 0:06:33 | 0:06:34 | |
Where's home? | 0:06:34 | 0:06:35 | |
I'm staying with a mate at the moment. | 0:06:35 | 0:06:38 | |
I'd had a bit of a drink. | 0:06:38 | 0:06:39 | |
I got up in the night for a piss. | 0:06:39 | 0:06:41 | |
I'm looking for Laurie. | 0:06:41 | 0:06:43 | |
She's not coming in. | 0:06:43 | 0:06:45 | |
-Where is she? -I don't know. | 0:06:45 | 0:06:47 | |
Well, have you heard from her? | 0:06:47 | 0:06:49 | |
Well, she rang me and asked me to fire up the oven. | 0:06:49 | 0:06:52 | |
I wonder, have you got the credit card slips? | 0:06:52 | 0:06:55 | |
Yeah, sure. | 0:06:55 | 0:06:57 | |
From last night. | 0:06:57 | 0:06:58 | |
They're here. | 0:06:58 | 0:07:00 | |
You got nothing for Mars? Karen Mars? | 0:07:11 | 0:07:15 | |
I don't know. You'd have to ask Laurie. | 0:07:15 | 0:07:17 | |
So it's just Mrs Mars said she'd paid in advance. | 0:07:17 | 0:07:20 | |
Yeah, it's possible. | 0:07:21 | 0:07:23 | |
If it's all right, I'm going to take these. | 0:07:25 | 0:07:27 | |
CAR ENGINE IDLES | 0:07:39 | 0:07:42 | |
CHURCH BELL TOLLS | 0:07:51 | 0:07:56 | |
You're Laurie, aren't you? | 0:08:23 | 0:08:24 | |
I'm wondering if I can be any help. | 0:08:28 | 0:08:30 | |
No. I just stopped by. Is that all right? | 0:08:31 | 0:08:35 | |
Of course it's all right, it's a church. | 0:08:35 | 0:08:38 | |
I've seen you here before, with your mother. | 0:08:40 | 0:08:41 | |
The lady with the oxygen. | 0:08:41 | 0:08:43 | |
We shop around. We go to the Catholic as well. | 0:08:45 | 0:08:47 | |
Good. Our church says there's no one truth. | 0:08:47 | 0:08:51 | |
Actually... | 0:08:58 | 0:08:59 | |
..I wouldn't mind talking. | 0:09:01 | 0:09:03 | |
Come in. This is my friend Linh. | 0:09:09 | 0:09:11 | |
-This is Laurie. -Hi. | 0:09:11 | 0:09:13 | |
Linh helps us out with the homeless, so she's always in a rush. | 0:09:13 | 0:09:17 | |
Sit down, please. | 0:09:17 | 0:09:18 | |
You're still here. | 0:09:22 | 0:09:23 | |
You really need to go in and speak to the police. | 0:09:23 | 0:09:25 | |
You have to do what David told you. | 0:09:25 | 0:09:27 | |
Well, can't you get David to speak to them first? | 0:09:27 | 0:09:29 | |
I've got a home visit and then I'll come back and find you. | 0:09:29 | 0:09:32 | |
It was nice to meet you. | 0:09:32 | 0:09:33 | |
I'll make tea. | 0:09:38 | 0:09:40 | |
I'm sorry, I feel like I'm taking up your time. | 0:09:42 | 0:09:45 | |
SHE LIGHTS GAS Oh, it's no problem. | 0:09:45 | 0:09:47 | |
Are you having a thing with her? | 0:09:47 | 0:09:50 | |
What makes you ask? | 0:09:50 | 0:09:52 | |
Picked up on a vibe. | 0:09:52 | 0:09:54 | |
Do you have a problem with that? | 0:09:54 | 0:09:56 | |
Sorry. It was wrong of me to ask. | 0:09:58 | 0:10:01 | |
It's been a struggle. | 0:10:04 | 0:10:07 | |
The authorities are cracking down on foreign students. | 0:10:07 | 0:10:11 | |
I'm surprised. | 0:10:11 | 0:10:12 | |
I mean, that the church doesn't mind. | 0:10:12 | 0:10:15 | |
And you? | 0:10:17 | 0:10:19 | |
No. Nothing in that department. | 0:10:20 | 0:10:23 | |
My mother's my life. | 0:10:23 | 0:10:24 | |
I look after her. | 0:10:26 | 0:10:27 | |
She's dying. She hasn't got anyone else. | 0:10:29 | 0:10:32 | |
The council come in, but you can't depend on them. | 0:10:32 | 0:10:35 | |
They don't have the people. | 0:10:35 | 0:10:37 | |
They don't have the money. | 0:10:37 | 0:10:38 | |
Same thing. | 0:10:38 | 0:10:40 | |
Erm, where do you work? | 0:10:42 | 0:10:44 | |
Regal Pizza. I'm the manager. | 0:10:44 | 0:10:47 | |
Strange. | 0:10:49 | 0:10:50 | |
Linh saw the murder. | 0:10:52 | 0:10:54 | |
KETTLE STARTS TO WHISTLE | 0:10:54 | 0:10:56 | |
She saw the actual shooting? | 0:10:56 | 0:10:58 | |
She was out in the street. | 0:10:58 | 0:11:00 | |
Is it the killing that's upset you? | 0:11:03 | 0:11:06 | |
Is that why you're here? | 0:11:08 | 0:11:11 | |
Tell me. | 0:11:11 | 0:11:13 | |
It's hardly your fault. | 0:11:13 | 0:11:15 | |
Do you have an idea of him? | 0:11:25 | 0:11:27 | |
-You mean God? -Yeah. | 0:11:27 | 0:11:29 | |
I prefer to say her, but him if you insist. | 0:11:29 | 0:11:32 | |
Very clear idea. You? | 0:11:33 | 0:11:36 | |
I woke up this morning and I thought I'd just get out. | 0:11:39 | 0:11:42 | |
Escape. But if I do that, I'll just feel guilty. | 0:11:42 | 0:11:47 | |
Perhaps that is why I use the Catholic more often. | 0:11:47 | 0:11:49 | |
They are better on guilt. | 0:11:49 | 0:11:51 | |
Laurie, what did you do? | 0:11:51 | 0:11:52 | |
I sent a man to his death. | 0:11:54 | 0:11:56 | |
It was me that sent him out. | 0:11:58 | 0:12:00 | |
Not knowingly. Did you? | 0:12:00 | 0:12:03 | |
I sent him. | 0:12:03 | 0:12:05 | |
Laurie, did you know? | 0:12:05 | 0:12:06 | |
Well, then. | 0:12:11 | 0:12:12 | |
There's knowing and knowing. | 0:12:16 | 0:12:18 | |
There's...feeling. | 0:12:20 | 0:12:22 | |
CHURCH BELL TOLLS | 0:12:24 | 0:12:25 | |
I'm going to have to make my visit. | 0:12:28 | 0:12:30 | |
I'd like to feel you'll stay here if you want. | 0:12:30 | 0:12:33 | |
I'm not going to be long, and you're very welcome. | 0:12:33 | 0:12:37 | |
Thank you. | 0:12:37 | 0:12:38 | |
Good. | 0:12:38 | 0:12:40 | |
SHE PICKS UP KEYS | 0:12:40 | 0:12:42 | |
See you later, OK? | 0:12:42 | 0:12:44 | |
Oh, fuck. | 0:12:55 | 0:12:57 | |
This isn't going to work. | 0:13:15 | 0:13:16 | |
-What isn't? -Avoiding Deborah. Her office is going nuts. | 0:13:16 | 0:13:18 | |
-Oh, well, if it's just her office. -It isn't. It's herself in person. | 0:13:18 | 0:13:21 | |
Gosh, you spoke to the leader! | 0:13:21 | 0:13:23 | |
And that breakfast television woman called you. | 0:13:23 | 0:13:25 | |
-Really? -What does she want? Bit out of your class, isn't she? | 0:13:25 | 0:13:28 | |
I'm not going to tell you. Remember, information is power. | 0:13:28 | 0:13:31 | |
And The Standard wants a comment. | 0:13:31 | 0:13:32 | |
-On what? -On your dead Syrian. You need to reassure the public. | 0:13:32 | 0:13:35 | |
-Reassure them about what? -That the killer's going to be found. | 0:13:35 | 0:13:37 | |
What am I, Sherlock Holmes now? | 0:13:37 | 0:13:39 | |
You're not saying you're going to find him. | 0:13:39 | 0:13:40 | |
Listen, people have a higher chance of catching malaria | 0:13:40 | 0:13:44 | |
than they do of being shot dead by a killer in a rubber balaclava. | 0:13:44 | 0:13:47 | |
Rubber? How do you know that? | 0:13:47 | 0:13:49 | |
Because I happen to be a very good constituency MP. | 0:13:49 | 0:13:52 | |
I have to say something to Deborah. | 0:13:52 | 0:13:54 | |
-Why? -She thinks you're planning to break ranks in the surveillance | 0:13:54 | 0:13:58 | |
vote on Thursday. | 0:13:58 | 0:13:59 | |
Where on earth did she get that idea? | 0:13:59 | 0:14:01 | |
David, I can't hold her off for much longer. | 0:14:01 | 0:14:04 | |
I'm sure you will lie beautifully. | 0:14:04 | 0:14:06 | |
Oh, by the way... | 0:14:09 | 0:14:10 | |
Yes? | 0:14:10 | 0:14:11 | |
Can you please find the detective in charge of this case? | 0:14:11 | 0:14:14 | |
-Why? -I just told you - information is power. | 0:14:14 | 0:14:17 | |
PHONE RINGS | 0:14:17 | 0:14:20 | |
David Mars' office. ..No, I haven't seen him, he isn't in yet. | 0:14:21 | 0:14:24 | |
Of course, I'll let you know when he is. | 0:14:24 | 0:14:27 | |
For fuck's sake! I don't believe this. How the hell did this happen? | 0:14:29 | 0:14:33 | |
-What's going on? -Only now they've taken our witnesses away. | 0:14:33 | 0:14:36 | |
-Who? -Fucking JDG, who else? -What happened? | 0:14:36 | 0:14:39 | |
We put them in a hotel for the morning, | 0:14:39 | 0:14:40 | |
Border Force talks to JDG, JDG turns up, takes them away. | 0:14:40 | 0:14:43 | |
Apparently their paperwork was perfect. | 0:14:43 | 0:14:45 | |
It happens all the time. | 0:14:45 | 0:14:46 | |
You have to admit it's kind of impressive. At least it's efficient. | 0:14:46 | 0:14:49 | |
I suppose you know where Harlsfleet is. | 0:14:49 | 0:14:51 | |
I do. Essex. | 0:14:51 | 0:14:52 | |
Down the A12. 90 minutes in traffic. | 0:14:52 | 0:14:54 | |
I can tell you right now, you're going | 0:14:54 | 0:14:56 | |
-to have to make an appointment. -What? | 0:14:56 | 0:14:57 | |
You have to call ahead. You have to have a letter of instruction. | 0:14:57 | 0:15:00 | |
-Signed. -I thought we were the police. | 0:15:00 | 0:15:01 | |
So to them, we're just one more agency. They're suspicious. | 0:15:01 | 0:15:04 | |
-They're suspicious of everyone. -They think I have a hidden agenda? | 0:15:04 | 0:15:07 | |
Works for Panorama, goes in with a camera in my fucking hat? | 0:15:07 | 0:15:10 | |
KNOCK ON WINDOW | 0:15:10 | 0:15:11 | |
I called by the pizza place on the way in. | 0:15:14 | 0:15:17 | |
-Oh, yeah? -Laurie was due in for work but she hasn't appeared. | 0:15:17 | 0:15:19 | |
Oh, one day after she sends a guy out to be killed | 0:15:19 | 0:15:21 | |
-and she's not there? -That's what I'm saying. | 0:15:21 | 0:15:23 | |
Is she at the dentist? Isn't that what we do now? Find her? | 0:15:23 | 0:15:26 | |
You should get some sleep. | 0:15:26 | 0:15:27 | |
I'm not going to sleep until we make some progress. | 0:15:27 | 0:15:30 | |
-Mm-hm. -What? | 0:15:30 | 0:15:33 | |
What?! | 0:15:33 | 0:15:34 | |
Well, you may be awake for a very long time. | 0:15:34 | 0:15:36 | |
-What's this about? -What's what about? | 0:15:36 | 0:15:38 | |
Working through the night. Just because it's your first big case? | 0:15:38 | 0:15:41 | |
Or trouble at home? It's just stupid, over-working. | 0:15:41 | 0:15:43 | |
When it comes down to it, it's inefficient. | 0:15:43 | 0:15:46 | |
This case means something to you, doesn't it? | 0:15:46 | 0:15:48 | |
Are you going to say what? | 0:15:48 | 0:15:50 | |
So you have to talk to me, Sandrine. | 0:15:56 | 0:15:58 | |
If you don't, then you know the problem. | 0:15:58 | 0:16:00 | |
I fail. I don't pass. | 0:16:00 | 0:16:02 | |
It's not a test. | 0:16:02 | 0:16:03 | |
Don't think of it like that. It's not a hurdle. | 0:16:03 | 0:16:05 | |
It's a precaution. | 0:16:05 | 0:16:07 | |
And it's in everybody's interest. | 0:16:07 | 0:16:08 | |
You can't redeploy on operations and you certainly can't go back | 0:16:10 | 0:16:13 | |
to Special Duties until I'm convinced you've put away the past. | 0:16:13 | 0:16:17 | |
Yes. I know that. | 0:16:17 | 0:16:19 | |
Well, I'm really feeling much better. | 0:16:20 | 0:16:22 | |
Since? | 0:16:22 | 0:16:23 | |
Since we started this process. It's helped. | 0:16:23 | 0:16:25 | |
How's Regimental HQ? | 0:16:31 | 0:16:32 | |
Good. | 0:16:32 | 0:16:34 | |
You're comfortable there? | 0:16:34 | 0:16:36 | |
Completely. | 0:16:36 | 0:16:37 | |
No problems? | 0:16:37 | 0:16:39 | |
None. | 0:16:39 | 0:16:40 | |
I, erm, I want to hone in and talk about anger again. | 0:16:44 | 0:16:51 | |
The notes from Camp Bloodhound | 0:16:51 | 0:16:52 | |
say you arrived in Cyprus very, very angry. | 0:16:52 | 0:16:55 | |
-Not angry. -When you came back from the tour? Straight after? | 0:16:55 | 0:16:58 | |
No. Distressed. | 0:16:58 | 0:17:00 | |
They specifically say angry. | 0:17:00 | 0:17:03 | |
I felt responsible for what happened in Helmand. | 0:17:07 | 0:17:11 | |
In particular? | 0:17:11 | 0:17:14 | |
The Afghan women who were working for me. | 0:17:14 | 0:17:18 | |
You get close to them. | 0:17:18 | 0:17:20 | |
And losing your colleague? | 0:17:20 | 0:17:22 | |
That too. | 0:17:22 | 0:17:23 | |
Do you sleep? | 0:17:26 | 0:17:27 | |
Perfectly. | 0:17:27 | 0:17:29 | |
But it's about respect. | 0:17:29 | 0:17:31 | |
Explain? | 0:17:34 | 0:17:35 | |
My best friend was blown up in front of my eyes. | 0:17:40 | 0:17:44 | |
Elizabeth? | 0:17:44 | 0:17:46 | |
I picked up the pieces. | 0:17:46 | 0:17:49 | |
Yes. | 0:17:49 | 0:17:50 | |
Bits of her all over the ground. | 0:17:51 | 0:17:55 | |
Bits on my kit, | 0:17:56 | 0:17:59 | |
bits in my hair. | 0:17:59 | 0:18:01 | |
Even when I cleaned my weapon, wiping bits off. | 0:18:05 | 0:18:10 | |
I feel that if I forget her that would be disrespectful. | 0:18:14 | 0:18:18 | |
You were fond of Elizabeth? | 0:18:19 | 0:18:22 | |
Everyone was. | 0:18:22 | 0:18:23 | |
It's...it's a balance, isn't it? | 0:18:33 | 0:18:39 | |
Returning to normal life doesn't mean you're betraying the dead. | 0:18:39 | 0:18:42 | |
Sometimes that's how it feels. | 0:18:42 | 0:18:46 | |
And you see danger everywhere. | 0:18:46 | 0:18:50 | |
You're trained for it. | 0:18:50 | 0:18:53 | |
Everything makes you suspicious. | 0:18:55 | 0:18:57 | |
You become like a...an animal. | 0:18:57 | 0:18:59 | |
What do you play off? | 0:19:04 | 0:19:05 | |
Sorry? | 0:19:06 | 0:19:08 | |
Your handicap? | 0:19:08 | 0:19:10 | |
Oh, erm... | 0:19:10 | 0:19:12 | |
17. HE CHUCKLES | 0:19:13 | 0:19:16 | |
Why, do you play? | 0:19:16 | 0:19:18 | |
I played with my dad. | 0:19:18 | 0:19:19 | |
Well, perhaps we should play a round together. | 0:19:20 | 0:19:24 | |
SHE CHUCKLES Take your mind off things. | 0:19:24 | 0:19:27 | |
Perhaps. | 0:19:27 | 0:19:28 | |
HE KNOCKS | 0:19:39 | 0:19:41 | |
It's open. | 0:19:41 | 0:19:43 | |
We're police. We're looking for Laurie Stone. | 0:19:43 | 0:19:47 | |
TV AUDIO | 0:19:47 | 0:19:49 | |
Are you her mother? | 0:19:51 | 0:19:52 | |
I don't know where she is. I haven't seen her. | 0:19:52 | 0:19:54 | |
Since when? Regal Pizza say she hasn't appeared for work. | 0:19:54 | 0:19:57 | |
Well, she's not here. | 0:19:57 | 0:19:59 | |
Do you have any idea where she might be? | 0:19:59 | 0:20:01 | |
No. | 0:20:01 | 0:20:03 | |
You have a choice. | 0:20:04 | 0:20:06 | |
You can either let us look round the place, | 0:20:06 | 0:20:08 | |
look through her stuff. Or we can come back later officially. | 0:20:08 | 0:20:12 | |
How do you suggest I stop you? | 0:20:12 | 0:20:14 | |
Kip! | 0:20:56 | 0:20:57 | |
How much? | 0:21:08 | 0:21:09 | |
It's about a thousand. | 0:21:09 | 0:21:10 | |
So how long exactly since she left? | 0:21:17 | 0:21:19 | |
She left as usual this morning. | 0:21:19 | 0:21:21 | |
Did she? And did she say where she was going? | 0:21:21 | 0:21:24 | |
I thought she was going to work. | 0:21:24 | 0:21:26 | |
But then she rang me later and said not to worry. | 0:21:26 | 0:21:29 | |
Have you seen this money before? | 0:21:29 | 0:21:31 | |
Do you know why she might have had it? | 0:21:31 | 0:21:33 | |
No! | 0:21:33 | 0:21:35 | |
Why, does she usually have a lot of cash? | 0:21:35 | 0:21:37 | |
Does anyone? I haven't seen that much in years. | 0:21:37 | 0:21:41 | |
The point is this - there was a killing. | 0:21:41 | 0:21:43 | |
Yeah. I heard about that. | 0:21:43 | 0:21:46 | |
What did Laurie say about it? | 0:21:46 | 0:21:48 | |
She was very upset. | 0:21:48 | 0:21:50 | |
Nothing more than that? | 0:21:50 | 0:21:51 | |
She made my breakfast early and then she went out. | 0:21:51 | 0:21:54 | |
OK. We're going to keep in touch. | 0:21:54 | 0:21:58 | |
And we'll send someone round to look after you. | 0:21:58 | 0:22:00 | |
Are you going to take her money? | 0:22:00 | 0:22:02 | |
As a matter of fact, we are. | 0:22:02 | 0:22:04 | |
But she's going to get it back. | 0:22:04 | 0:22:07 | |
My dad said never let the police in. They bring bad luck. | 0:22:07 | 0:22:10 | |
Your dad was right. We do. | 0:22:10 | 0:22:12 | |
Well? What do you think? Something's going on. | 0:22:16 | 0:22:19 | |
A thousand pounds in a sock drawer seems strange to me. | 0:22:19 | 0:22:21 | |
You don't kill someone for a grand. | 0:22:21 | 0:22:24 | |
This postcode, killing's two grand at least. | 0:22:24 | 0:22:26 | |
A thousand might be for helping to kill. | 0:22:26 | 0:22:28 | |
The place was employing illegals. They paid everyone in cash. | 0:22:28 | 0:22:31 | |
If you think about it, it's not surprising Laurie's doing a runner. | 0:22:31 | 0:22:35 | |
-But she didn't own it. -No. | 0:22:35 | 0:22:36 | |
She was just managing. And even that's a big word for it. | 0:22:36 | 0:22:38 | |
All right, so she was caught in the middle. | 0:22:38 | 0:22:41 | |
It was all going fine till it wasn't, sort of thing. | 0:22:41 | 0:22:43 | |
Another way of looking at it - intentionally or not, | 0:22:43 | 0:22:46 | |
she sent a man to his death and, hey, now no-one can find her. | 0:22:46 | 0:22:50 | |
The two things have got to be connected. | 0:22:50 | 0:22:52 | |
Karen Mars says she paid on the phone, | 0:22:52 | 0:22:54 | |
but there's no record of any transaction. | 0:22:54 | 0:22:56 | |
There's no credit card slip. | 0:22:56 | 0:22:57 | |
So now we suspect mother of two Karen Mars, do we? | 0:22:57 | 0:23:00 | |
Murderess, is she, because she didn't pay for her pizza? | 0:23:00 | 0:23:02 | |
Well, no. Because she lies. And I suppose you think she's innocent | 0:23:02 | 0:23:05 | |
because she's married to an MP. | 0:23:05 | 0:23:07 | |
Not any more she isn't. That was years ago. | 0:23:07 | 0:23:09 | |
Oh, flame gone out, has it? | 0:23:09 | 0:23:10 | |
And have we found out who owns Regal Pizza? | 0:23:10 | 0:23:12 | |
Yeah. A person in Boca Raton. | 0:23:12 | 0:23:13 | |
And does this person have a name? | 0:23:13 | 0:23:15 | |
Well, they have a registered office. | 0:23:15 | 0:23:17 | |
So, no, we don't have a name? | 0:23:17 | 0:23:18 | |
-Meanwhile, I'm going to go check on Mikey Gowans. -You do that. | 0:23:18 | 0:23:21 | |
He's covered in bruises. He claims to have fallen over the crapper. | 0:23:21 | 0:23:24 | |
-And you don't believe him? -Do you? | 0:23:24 | 0:23:26 | |
And where the fuck is Boca Raton?! | 0:23:26 | 0:23:28 | |
You're new. | 0:23:38 | 0:23:39 | |
I saw you at roll-call. | 0:23:39 | 0:23:41 | |
I don't understand. What is this place? | 0:23:41 | 0:23:44 | |
Harlsfleet Removal Centre. It's meant to be detention, but it isn't. | 0:23:44 | 0:23:48 | |
It's removal. | 0:23:48 | 0:23:49 | |
When did you get here? | 0:23:49 | 0:23:50 | |
I've been here two years. | 0:23:50 | 0:23:52 | |
I've been living in England since I was three. | 0:23:52 | 0:23:54 | |
My mother brought me here. She died. | 0:23:54 | 0:23:57 | |
Now they've decided they don't like my paperwork. | 0:23:57 | 0:23:59 | |
I'm what they call an over-stayer. By about 30 years. | 0:23:59 | 0:24:03 | |
Is she all right? | 0:24:05 | 0:24:06 | |
She's fine. | 0:24:06 | 0:24:08 | |
Whatever you do, don't go to the clinic. Don't do anything medical. | 0:24:08 | 0:24:11 | |
They're a different company, they're even worse. | 0:24:11 | 0:24:13 | |
Still, it's better than getting your ticket. | 0:24:13 | 0:24:17 | |
Every day you stay here, you win. | 0:24:17 | 0:24:19 | |
SHE WHIMPERS | 0:24:32 | 0:24:34 | |
TRAIN PASSES OVERHEAD | 0:24:37 | 0:24:40 | |
SPEECH INAUDIBLE | 0:25:44 | 0:25:48 | |
I'll fucking kill you. | 0:25:54 | 0:25:56 | |
SPEECH INAUDIBLE | 0:25:56 | 0:25:59 | |
We're in business. | 0:26:03 | 0:26:04 | |
Now fuck off! | 0:26:04 | 0:26:06 | |
Steady on there, mate. | 0:26:31 | 0:26:33 | |
Sorry, mate. I'm just delivering a pizza. | 0:26:33 | 0:26:36 | |
All right, straight in and out, yeah? | 0:26:36 | 0:26:38 | |
Is that all right? | 0:26:38 | 0:26:39 | |
BUZZER | 0:26:41 | 0:26:43 | |
Oh, I see. Now I get it. | 0:26:55 | 0:26:56 | |
You're getting what you didn't get last night, | 0:26:56 | 0:26:59 | |
because Mikey didn't deliver? | 0:26:59 | 0:27:01 | |
Am I right? | 0:27:01 | 0:27:02 | |
Cash only? | 0:27:02 | 0:27:03 | |
I wouldn't do that if I were you. | 0:27:03 | 0:27:05 | |
And as for you, you're a fucking barefaced liar. | 0:27:05 | 0:27:08 | |
Why didn't you tell me about this last night? | 0:27:08 | 0:27:10 | |
This is nothing. It's recreational. | 0:27:10 | 0:27:12 | |
It's not heroin. It's not even illegal. | 0:27:12 | 0:27:14 | |
Yeah, using you might get away with. | 0:27:14 | 0:27:15 | |
Dealing's a different matter, isn't it, Mikey? | 0:27:15 | 0:27:17 | |
Bung him in the car. | 0:27:17 | 0:27:19 | |
Who was that? | 0:27:29 | 0:27:30 | |
Nobody you know. | 0:27:30 | 0:27:31 | |
What did they want? | 0:27:31 | 0:27:33 | |
It's so easy being a child, isn't it? | 0:27:33 | 0:27:35 | |
All you do is ask questions all day long. | 0:27:35 | 0:27:39 | |
"Why, Mummy? Why, Mummy?" You never have any answers, do you? | 0:27:39 | 0:27:42 | |
I really don't think you should smoke in front of the child. | 0:27:42 | 0:27:46 | |
Oh, don't you? | 0:27:46 | 0:27:48 | |
I thought you were the au pair, not Health and Safety. | 0:27:48 | 0:27:50 | |
It's not right. | 0:27:50 | 0:27:51 | |
Just so you know - by the time I was her age, | 0:27:51 | 0:27:53 | |
I'd already been bombed out of my house by Israeli shelling. | 0:27:53 | 0:27:56 | |
I don't think a stray B&H is going to do her much harm. | 0:27:56 | 0:27:59 | |
-Yeah! -Yeah, well, we all want to get away.... | 0:28:01 | 0:28:04 | |
You all right? | 0:28:05 | 0:28:07 | |
Yeah, I'm all right. | 0:28:07 | 0:28:08 | |
What's bugging you? | 0:28:14 | 0:28:16 | |
-Is it the sex-pest? -SHE LAUGHS | 0:28:16 | 0:28:19 | |
You should be careful. | 0:28:19 | 0:28:21 | |
The last girl he hit on, he broke into her e-mail account. | 0:28:21 | 0:28:24 | |
He read all her private stuff. | 0:28:24 | 0:28:26 | |
I have no private stuff. | 0:28:28 | 0:28:31 | |
No? | 0:28:31 | 0:28:32 | |
TV: We have some breaking news | 0:28:32 | 0:28:34 | |
regarding the shooting in South London. | 0:28:34 | 0:28:37 | |
Do we know the name of the victim? | 0:28:39 | 0:28:41 | |
We're not yet confirming the identity of the murdered man. | 0:28:41 | 0:28:44 | |
All we are saying is that he was Syrian. | 0:28:44 | 0:28:46 | |
Do we know that for a fact? | 0:28:46 | 0:28:48 | |
Well, all the signs are that he was from Aleppo | 0:28:48 | 0:28:50 | |
and that he'd recently arrived seeking political asylum. | 0:28:50 | 0:28:53 | |
-Arrived legally? -I don't want to say any more. | 0:28:53 | 0:28:55 | |
It wouldn't be right at this point in the investigation. | 0:28:55 | 0:28:57 | |
I don't want to say anything | 0:28:57 | 0:28:59 | |
that might prejudice that process. So thank you very much. | 0:28:59 | 0:29:01 | |
SOLDIERS DRILL, BELL TOLLS | 0:29:16 | 0:29:20 | |
I need to know - did I get the right one? | 0:29:31 | 0:29:34 | |
HE PANTS | 0:30:11 | 0:30:14 | |
Ah, as usual, Sarah, you're always ahead of me. | 0:30:25 | 0:30:28 | |
As you expect. | 0:30:28 | 0:30:29 | |
Did you have a nice evening? Don't you have a new one? | 0:30:29 | 0:30:33 | |
Yes. This one's a banker. | 0:30:33 | 0:30:35 | |
Very good. Aren't they all bankers? | 0:30:35 | 0:30:38 | |
Not always. Investment fund managers sometimes. | 0:30:38 | 0:30:41 | |
I've even dated private equity. | 0:30:41 | 0:30:43 | |
There's a message on the answerphone. I'll make coffee. | 0:30:43 | 0:30:46 | |
Thanks. | 0:30:46 | 0:30:47 | |
-ANSWERPHONE: -Enter your password. | 0:30:52 | 0:30:55 | |
You have one new message. | 0:30:55 | 0:30:58 | |
-SANDRINE: -I need to know - did I get the right one? | 0:30:58 | 0:31:01 | |
Message deleted. | 0:31:03 | 0:31:05 | |
I've got Mikey downstairs. | 0:31:12 | 0:31:14 | |
He's running a nice little drug distribution business. | 0:31:14 | 0:31:16 | |
Well done! Before we go in - | 0:31:16 | 0:31:18 | |
Fuzz, do you mind telling Nathan exactly what you told me? | 0:31:18 | 0:31:21 | |
Er, yeah, first thing, obvious, the man's an expert, | 0:31:21 | 0:31:23 | |
knows about forensics. | 0:31:23 | 0:31:25 | |
-Also... -Yeah? | 0:31:25 | 0:31:27 | |
A shell was found at the scene which we identified as military. | 0:31:27 | 0:31:31 | |
The bottom of the case has the letters RG - Radway Green. | 0:31:31 | 0:31:33 | |
That's the manufacturer that makes stuff for the armed forces. | 0:31:33 | 0:31:35 | |
So the shooter's a soldier? | 0:31:35 | 0:31:38 | |
Well, all I'd say is had access to military ammunition. | 0:31:38 | 0:31:41 | |
But it's British military? | 0:31:41 | 0:31:43 | |
I'll give you more as soon as I have it. | 0:31:43 | 0:31:45 | |
Doesn't sound like it's got much to do with Mikey. | 0:31:45 | 0:31:48 | |
Well, why don't we find out? | 0:31:48 | 0:31:50 | |
Do you recognise this? Do you know where we found it? | 0:31:55 | 0:32:00 | |
No. How much is it? | 0:32:02 | 0:32:03 | |
There's a thousand in there. | 0:32:03 | 0:32:05 | |
What I do is £20 packets. | 0:32:07 | 0:32:09 | |
I don't see that kind of money. | 0:32:09 | 0:32:11 | |
Is it just certain customers? | 0:32:11 | 0:32:13 | |
They say they want a special topping. | 0:32:16 | 0:32:18 | |
Special topping? | 0:32:18 | 0:32:20 | |
Who do they say it to? | 0:32:20 | 0:32:22 | |
Who do they say it to, Mikey? | 0:32:24 | 0:32:26 | |
It was my idea. I...I thought of it. | 0:32:28 | 0:32:30 | |
Sure. But it's not you on the phone, so who is it? | 0:32:30 | 0:32:32 | |
Is it someone who needs money to look after their mother? | 0:32:32 | 0:32:35 | |
It's me. I distribute. | 0:32:35 | 0:32:36 | |
I...er...I take the risk. | 0:32:36 | 0:32:38 | |
Yeah, but she gets a cut? | 0:32:38 | 0:32:40 | |
Look you can't expect me to say. | 0:32:43 | 0:32:45 | |
Rakhee, we need an All Ports Warning out as soon as you can. | 0:32:53 | 0:32:56 | |
For Laurie Stone? | 0:32:56 | 0:32:58 | |
Yeah, Laurie Stone, and someone needs to go to her flat, | 0:32:58 | 0:33:00 | |
-just in case. -I'm on it. | 0:33:00 | 0:33:02 | |
"Dear Jane. I'm going to go now. | 0:33:18 | 0:33:20 | |
"I've got to sort things out for myself, whatever that means. | 0:33:21 | 0:33:25 | |
"Funny how you're never ready when the moment comes. | 0:33:25 | 0:33:28 | |
"You think you'll be ready, but you're not. | 0:33:28 | 0:33:31 | |
"I knew what was right and I ignored it. | 0:33:31 | 0:33:34 | |
"What can I do? Thanks for listening. | 0:33:34 | 0:33:38 | |
"It means the world to me to talk to a priest. Laurie." | 0:33:38 | 0:33:42 | |
Sandrine! | 0:33:57 | 0:33:59 | |
Take it up, Amanda! Come on... | 0:33:59 | 0:34:01 | |
Get it! | 0:34:01 | 0:34:02 | |
Push forward...Sandrine! | 0:34:02 | 0:34:04 | |
Here! Here! | 0:34:04 | 0:34:05 | |
Sandrine! | 0:34:05 | 0:34:07 | |
Pass it back, pass it back! | 0:34:07 | 0:34:08 | |
Over here, over here. | 0:34:08 | 0:34:10 | |
Sandrine...forward...to the right...Sandrine! | 0:34:10 | 0:34:12 | |
For fuck's sake. | 0:34:19 | 0:34:22 | |
Seriously? | 0:34:22 | 0:34:23 | |
PHONE RINGS | 0:35:07 | 0:35:10 | |
Pimlico Travel. | 0:35:10 | 0:35:13 | |
Hello? | 0:35:13 | 0:35:14 | |
Hello? | 0:35:15 | 0:35:17 | |
Is that you? | 0:35:18 | 0:35:20 | |
Ah, excellent. | 0:35:29 | 0:35:31 | |
The phone rang again. | 0:35:31 | 0:35:32 | |
I heard you answer it. | 0:35:32 | 0:35:34 | |
I told her to throw it away. | 0:35:34 | 0:35:36 | |
Well, she hasn't. | 0:35:36 | 0:35:37 | |
Why not? | 0:35:37 | 0:35:39 | |
Parmesan? | 0:35:39 | 0:35:41 | |
I don't like what's happening. I smell panic. | 0:35:52 | 0:35:56 | |
We can't find Laurie. She's gone missing. | 0:35:56 | 0:36:00 | |
-The flat's up there. -Yeah, OK. | 0:36:00 | 0:36:02 | |
The police are after her as well. We just have to wait. | 0:36:02 | 0:36:07 | |
Right, you two, upstairs. | 0:36:07 | 0:36:08 | |
Sure. Whatever you want. No problem. | 0:36:08 | 0:36:12 | |
-Well, this is an honour. -Hardly. | 0:36:17 | 0:36:19 | |
We don't get many Members of Parliament. | 0:36:19 | 0:36:21 | |
-David Mars. -Kip Glaspie. | 0:36:21 | 0:36:23 | |
Kip Glaspie. Are you the... | 0:36:23 | 0:36:27 | |
Yeah. I was. | 0:36:27 | 0:36:29 | |
Goodness. The athlete. I remember watching you on the telly. | 0:36:29 | 0:36:32 | |
-That was...that was a bad one. -Yeah. | 0:36:32 | 0:36:34 | |
And you're the guy who wants to let everyone out of prison. | 0:36:34 | 0:36:38 | |
I did, until they moved me. | 0:36:38 | 0:36:40 | |
That's why they put me into Transport. | 0:36:40 | 0:36:44 | |
Listen, this is rather tricky. Do you mind if we speak outside? | 0:36:44 | 0:36:46 | |
Yeah. | 0:36:46 | 0:36:48 | |
Well? | 0:36:51 | 0:36:53 | |
This is difficult for me. | 0:36:53 | 0:36:55 | |
I have to guess whether it's possible to talk to you. | 0:36:55 | 0:36:58 | |
It's a character judgment. | 0:36:58 | 0:37:00 | |
I'm trying to guess what kind of person you are. | 0:37:02 | 0:37:07 | |
Guess away. | 0:37:07 | 0:37:09 | |
Is this about your ex? | 0:37:09 | 0:37:11 | |
No, as a matter of fact, it isn't. It's about your witness. | 0:37:11 | 0:37:14 | |
Which witness? | 0:37:14 | 0:37:15 | |
The Vietnamese girl. | 0:37:15 | 0:37:16 | |
Hanh Giang? | 0:37:16 | 0:37:17 | |
Well, she gave you a false name for a start. | 0:37:17 | 0:37:21 | |
What's her real name? | 0:37:21 | 0:37:23 | |
Linh Xuan Huy. | 0:37:23 | 0:37:25 | |
Why did she do that? | 0:37:25 | 0:37:26 | |
A whole bunch of reasons, nothing to do with the case. | 0:37:26 | 0:37:29 | |
Where does she live? | 0:37:29 | 0:37:31 | |
I'm going to find out anyway. | 0:37:31 | 0:37:33 | |
In fact, I can't see what you're doing here. | 0:37:33 | 0:37:35 | |
All you're doing is kicking her problems down the road. | 0:37:35 | 0:37:38 | |
She knows that. | 0:37:38 | 0:37:39 | |
Her residential status is uncertain. | 0:37:39 | 0:37:42 | |
We're all very keen that the focus of the investigation | 0:37:42 | 0:37:44 | |
remains on the murder. | 0:37:44 | 0:37:47 | |
You know I can't promise anything. | 0:37:54 | 0:37:57 | |
No. | 0:37:57 | 0:37:59 | |
But she's frightened. | 0:37:59 | 0:38:00 | |
Linh lives with a priest. | 0:38:02 | 0:38:04 | |
You're going to find all this out. | 0:38:04 | 0:38:06 | |
-Am I? -Yeah, the priest, she's already in trouble with the bishop. | 0:38:06 | 0:38:09 | |
Why? | 0:38:09 | 0:38:11 | |
Because she's a she. | 0:38:11 | 0:38:12 | |
So what's your connection? | 0:38:15 | 0:38:16 | |
I'm very good friends with the vicar. | 0:38:16 | 0:38:18 | |
Actually, I'm more of an admirer. | 0:38:18 | 0:38:21 | |
In this community, there are very few practical people who do | 0:38:21 | 0:38:24 | |
more than just talk about doing good. | 0:38:24 | 0:38:27 | |
That's Jane. | 0:38:27 | 0:38:28 | |
I hope you're not leaning on me. | 0:38:29 | 0:38:32 | |
I'm not. I'm briefing you. | 0:38:32 | 0:38:35 | |
Good. | 0:38:35 | 0:38:37 | |
These are good people. That's all. | 0:38:37 | 0:38:40 | |
Now, because she was on drugs, Linh was reluctant to tell you. | 0:38:41 | 0:38:46 | |
She can't be sure, but she thinks the killer was a woman. | 0:38:47 | 0:38:50 | |
A woman? | 0:38:50 | 0:38:51 | |
Yeah. | 0:38:51 | 0:38:53 | |
Did she see clearly? | 0:38:53 | 0:38:54 | |
No. | 0:38:54 | 0:38:56 | |
OK. I need to see her. Get her to come in, quickly. | 0:38:57 | 0:39:00 | |
-I will. -Is there anything else? | 0:39:00 | 0:39:02 | |
Yeah, you should know... | 0:39:02 | 0:39:04 | |
I signed her student visa application | 0:39:04 | 0:39:07 | |
without knowing she was here illegally. | 0:39:07 | 0:39:09 | |
Then at last I've met someone whose problems are worse than my own. | 0:39:12 | 0:39:16 | |
SHE PANTS | 0:39:44 | 0:39:48 | |
EXPLOSION, MEN SHOUT | 0:39:48 | 0:39:50 | |
GUNFIRE | 0:39:53 | 0:39:56 | |
-Let's go and see what the guv's saying. -See you later. | 0:40:13 | 0:40:17 | |
See ya. | 0:40:17 | 0:40:18 | |
I hope you're not coming in, sir. | 0:40:28 | 0:40:30 | |
I'm waiting outside. | 0:40:32 | 0:40:35 | |
I'm allowed to wait here. | 0:40:35 | 0:40:37 | |
I am your superior officer. | 0:40:37 | 0:40:39 | |
I can do what I want. | 0:40:39 | 0:40:41 | |
I think this is yours. | 0:40:46 | 0:40:47 | |
Will you fuck off? | 0:40:52 | 0:40:54 | |
Will you fuck off and leave me alone? | 0:40:54 | 0:40:58 | |
Sir? | 0:40:58 | 0:41:00 | |
What was all that about? | 0:41:26 | 0:41:28 | |
-What? -Outside. -Oh, I'll tell you later. -Will you? | 0:41:28 | 0:41:30 | |
-We're late! -You didn't want me to hear. What were you up to? | 0:41:30 | 0:41:33 | |
Nothing. Nothing, trust me. | 0:41:33 | 0:41:34 | |
-Fuzz. -Yeah. -The Vietnamese girl, the witness. | 0:41:34 | 0:41:36 | |
-Yeah? -She's now saying the shooter could have been a woman. | 0:41:36 | 0:41:39 | |
-When did she say that? -I'll tell you in a minute. | 0:41:39 | 0:41:42 | |
-Is it possible? -Yeah, I don't see why not. | 0:41:42 | 0:41:44 | |
-I was going to tell you. -When? -Straight away, as soon as I heard. | 0:41:44 | 0:41:47 | |
-I thought the witness was meant to come in. -She was. | 0:41:47 | 0:41:49 | |
She's coming back. She gave us a false address. | 0:41:49 | 0:41:51 | |
What are you saying? She's an illegal? | 0:41:51 | 0:41:53 | |
Oh, I see. Now I get it. That's what the wanker MP was doing. | 0:41:53 | 0:41:56 | |
-I didn't promise him anything. -Oh, like hell. | 0:41:56 | 0:41:58 | |
And you don't care that he was the husband of a principal suspect? | 0:41:58 | 0:42:00 | |
-Karen Mars? Is she a suspect? -What's the one thing everyone knows? | 0:42:00 | 0:42:03 | |
Every week, on the same day, at the same time, | 0:42:03 | 0:42:05 | |
the same person orders the same pizza. | 0:42:05 | 0:42:07 | |
With dope. And you don't think that person's implicated? | 0:42:07 | 0:42:09 | |
You don't think they set the killing up? | 0:42:09 | 0:42:11 | |
-I have to be honest, I don't. -Needless to say | 0:42:11 | 0:42:12 | |
-you don't want to prosecute the girl. -Oh, come on, be serious. | 0:42:12 | 0:42:15 | |
I am. If you'd asked me, "How will Kip react to a drugged-out illegal?" | 0:42:15 | 0:42:18 | |
I could have written the answer. "How she always reacts!" | 0:42:18 | 0:42:20 | |
This is little stuff, Nathan. We're on a murder case. | 0:42:20 | 0:42:23 | |
Policing isn't scorched earth. | 0:42:23 | 0:42:24 | |
No, and it isn't doing deals. | 0:42:24 | 0:42:26 | |
I think it is doing deals. That's exactly what it is. | 0:42:26 | 0:42:29 | |
I'm Kip Glaspie. This is Nathan Bilk. | 0:42:44 | 0:42:45 | |
This is a colleague from the security services. | 0:42:45 | 0:42:48 | |
-Do you have a name? -Sam Spence. MI5. | 0:42:48 | 0:42:49 | |
I'm here because we believe there's a national security dimension. | 0:42:49 | 0:42:53 | |
Yeah, I think we've worked that out for ourselves. | 0:42:53 | 0:42:56 | |
Always the same. Police can't get a result on their own. | 0:42:56 | 0:42:59 | |
We always have to step in and save the situation. | 0:42:59 | 0:43:03 | |
Like you did with Iraq. | 0:43:03 | 0:43:04 | |
They're really nice women. Truly. Most of them. | 0:43:05 | 0:43:09 | |
They all get on pretty well. | 0:43:09 | 0:43:12 | |
You don't have much trouble? | 0:43:12 | 0:43:13 | |
It's a lot like a slaughterhouse. You need to calm the animals. | 0:43:13 | 0:43:16 | |
They'll be down in a minute. | 0:43:19 | 0:43:21 | |
I thought you were bringing an interpreter? | 0:43:21 | 0:43:23 | |
We're conducting this interview in English. | 0:43:26 | 0:43:29 | |
My English not good. | 0:43:29 | 0:43:30 | |
Don't start this meeting with lies. You're an intelligent woman. | 0:43:30 | 0:43:33 | |
-You have money. -How you know that? | 0:43:33 | 0:43:35 | |
Fatima, we need to know everything that's happened to you | 0:43:44 | 0:43:47 | |
since you've arrived. | 0:43:47 | 0:43:49 | |
You say you've been working in a hotel? | 0:43:49 | 0:43:51 | |
Yes. | 0:43:51 | 0:43:52 | |
Why were you living in a garage? | 0:43:52 | 0:43:54 | |
We were hiding. | 0:43:54 | 0:43:56 | |
Hiding? So you're saying your brother was killed deliberately? | 0:43:56 | 0:44:01 | |
The bullet was meant for him? | 0:44:01 | 0:44:04 | |
Because? | 0:44:04 | 0:44:07 | |
Because he knew something. | 0:44:07 | 0:44:09 | |
What? | 0:44:09 | 0:44:10 | |
He had papers. | 0:44:10 | 0:44:12 | |
What papers? | 0:44:12 | 0:44:13 | |
Papers he found at sea. | 0:44:13 | 0:44:15 | |
What happened exactly? | 0:44:16 | 0:44:18 | |
Abdullah took over the boat. There was a fight with the captain. | 0:44:18 | 0:44:23 | |
We had to look out for ourselves. | 0:44:23 | 0:44:25 | |
We had to find a way to survive. | 0:44:25 | 0:44:27 | |
What way? | 0:44:27 | 0:44:28 | |
No. I don't want to say. | 0:44:30 | 0:44:31 | |
All right, I'm going to tell you something, Fatima. | 0:44:31 | 0:44:34 | |
You say you came through Turkey. Yeah? Where? Izmir, I'd guess. | 0:44:34 | 0:44:38 | |
Am I right? I know Izmir. I know Basmane Square. | 0:44:38 | 0:44:42 | |
I know every shop on the port that sells inflatable boats. | 0:44:42 | 0:44:46 | |
I know where you can buy engines, where you buy petrol, | 0:44:46 | 0:44:49 | |
where you buy life jackets. | 0:44:49 | 0:44:51 | |
I know where you buy balloons. | 0:44:51 | 0:44:53 | |
Did you buy balloons? Keep your possessions dry, right? | 0:44:53 | 0:44:57 | |
I probably know the beach where you landed on | 0:44:57 | 0:44:59 | |
and the beach where you arrived. | 0:44:59 | 0:45:01 | |
Was it Lesvos? Chios? | 0:45:01 | 0:45:03 | |
Samos. | 0:45:03 | 0:45:04 | |
Samos. OK. | 0:45:04 | 0:45:06 | |
You're going to have to tell me something I don't already know. | 0:45:06 | 0:45:09 | |
We set out. | 0:45:14 | 0:45:16 | |
Yes? | 0:45:16 | 0:45:18 | |
The boat was over-loaded. There were too many of us. | 0:45:18 | 0:45:22 | |
And we were packed together. | 0:45:22 | 0:45:23 | |
I was worried for Mona because she's... | 0:45:23 | 0:45:25 | |
Because what? | 0:45:25 | 0:45:26 | |
Abdullah decided we did something. There was a fight. | 0:45:33 | 0:45:37 | |
The captain was killed. That's all I know. | 0:45:37 | 0:45:41 | |
How was he killed? | 0:45:41 | 0:45:43 | |
I don't know. I didn't see. | 0:45:43 | 0:45:44 | |
HE SCOFFS | 0:45:44 | 0:45:46 | |
Fatima, I'm trying to make sense of this. | 0:45:46 | 0:45:49 | |
Did the captain have a gun? | 0:45:49 | 0:45:51 | |
Yes, I think so. | 0:45:53 | 0:45:54 | |
So, somehow, probably what you're saying is Abdullah must have | 0:45:55 | 0:45:59 | |
taken the gun from him? | 0:45:59 | 0:46:00 | |
Abdullah was defending himself. He had the right. | 0:46:00 | 0:46:03 | |
He used the gun? | 0:46:03 | 0:46:05 | |
And when we got to London, they murdered Abdullah | 0:46:05 | 0:46:07 | |
because he had papers. | 0:46:07 | 0:46:09 | |
He knew who the smugglers were. | 0:46:11 | 0:46:13 | |
Oh, so you can give us their names? | 0:46:13 | 0:46:15 | |
I can't. | 0:46:15 | 0:46:18 | |
No. | 0:46:18 | 0:46:20 | |
I bet you can't. | 0:46:20 | 0:46:21 | |
I'll tell you one thing. | 0:46:21 | 0:46:23 | |
One thing only. | 0:46:23 | 0:46:25 | |
They were English. | 0:46:25 | 0:46:27 | |
You're telling us the people smugglers were English? | 0:46:28 | 0:46:31 | |
-HE SCOFFS -I don't think that's very likely. | 0:46:34 | 0:46:37 | |
It's true. Englishman owns the boat. Englishman runs everything. | 0:46:37 | 0:46:41 | |
Everything. Passports, | 0:46:41 | 0:46:43 | |
trains, tickets. This is A-grade service. | 0:46:43 | 0:46:46 | |
-All right. You said you came from Aleppo? -Yes. | 0:46:46 | 0:46:48 | |
You worked in a hotel before the city was destroyed. | 0:46:48 | 0:46:50 | |
Can you name the hotel? | 0:46:50 | 0:46:52 | |
The Baron. | 0:46:52 | 0:46:53 | |
I know the Baron. What street is it on? | 0:46:53 | 0:46:54 | |
Al Mutanabbi. | 0:46:54 | 0:46:56 | |
No. | 0:46:56 | 0:46:58 | |
-Try again. -I may have made a mistake. | 0:46:58 | 0:47:01 | |
Yeah, you did. | 0:47:01 | 0:47:02 | |
It's on Al Khandaq. | 0:47:02 | 0:47:03 | |
No. | 0:47:03 | 0:47:05 | |
The Baron Hotel... | 0:47:05 | 0:47:08 | |
is on Baron Street. | 0:47:08 | 0:47:10 | |
Your whole fucking story is a lie. | 0:47:14 | 0:47:17 | |
You're no more Syrian than I am. | 0:47:20 | 0:47:22 | |
You lost your papers. | 0:47:22 | 0:47:24 | |
Please! We all know Syrians automatically qualify for asylum. | 0:47:24 | 0:47:27 | |
Suddenly everyone's Syrian. What are you? | 0:47:27 | 0:47:30 | |
I'm just a mid-level English racist, but I do know the difference. | 0:47:32 | 0:47:35 | |
You're fucking Iraqi. | 0:47:35 | 0:47:37 | |
Therefore, you have no right to asylum, | 0:47:37 | 0:47:39 | |
and if you think you can blackmail us by withholding information, | 0:47:39 | 0:47:42 | |
you're wrong. | 0:47:42 | 0:47:43 | |
I don't trust you. | 0:47:43 | 0:47:45 | |
Not till I have papers. | 0:47:45 | 0:47:48 | |
A residence permit, for me and for my sister. | 0:47:48 | 0:47:51 | |
That's not how it works. Information first and then we'll consider. | 0:47:51 | 0:47:54 | |
And we don't do promises. | 0:47:54 | 0:47:56 | |
Oh, by the way, I don't believe in your Englishman. | 0:47:59 | 0:48:03 | |
An English people-smuggler and we don't know of him? | 0:48:03 | 0:48:06 | |
Then why was Abdullah killed here? | 0:48:06 | 0:48:08 | |
She's a fucking liar. She'll say anything. | 0:48:12 | 0:48:14 | |
I didn't believe a word she said. | 0:48:14 | 0:48:16 | |
She'll say the Archbishop of Canterbury's running day trips | 0:48:16 | 0:48:18 | |
from Aleppo if she thinks that'll get her a visa. | 0:48:18 | 0:48:21 | |
-They're all the same. -Who are "they"? | 0:48:21 | 0:48:23 | |
You know perfectly well. | 0:48:23 | 0:48:24 | |
Her brother was shot in | 0:48:24 | 0:48:25 | |
the street because he knew the name of the smuggler. | 0:48:25 | 0:48:27 | |
-Think about it. What's your problem with that? -Who shot him? | 0:48:27 | 0:48:30 | |
We haven't even had 24 hours! | 0:48:30 | 0:48:31 | |
You people are utterly pathetic. | 0:48:31 | 0:48:34 | |
You've no balls. | 0:48:34 | 0:48:35 | |
You want to hand out visas like confetti. | 0:48:35 | 0:48:38 | |
You're not even police. You're social workers. They know that. | 0:48:38 | 0:48:41 | |
They'll hook you. Tell you exactly what you want to hear. | 0:48:41 | 0:48:45 | |
We don't even know their real names. | 0:48:46 | 0:48:47 | |
Could be anyone. Have you thought about that? | 0:48:47 | 0:48:50 | |
There's no deal until she gives us | 0:48:50 | 0:48:52 | |
the identity of this so-called English smuggler. | 0:48:52 | 0:48:54 | |
Or until we find the killer. | 0:48:54 | 0:48:56 | |
Oh, yeah. Call when you do. | 0:48:56 | 0:48:58 | |
Here, you seem smarter than her. Keep in touch. | 0:48:58 | 0:49:00 | |
Help us both. | 0:49:00 | 0:49:01 | |
LOUDSPEAKER: This is the final | 0:49:55 | 0:49:56 | |
call for the 21:58 West Coast Service to Portsmouth Harbour. | 0:49:56 | 0:49:59 | |
Now leaving from Platform three. | 0:49:59 | 0:50:02 | |
DOORS BEEP | 0:50:02 | 0:50:05 | |
What a depressing place. | 0:50:17 | 0:50:20 | |
Where? | 0:50:20 | 0:50:22 | |
Harlsfleet, of course. | 0:50:22 | 0:50:23 | |
What's depressing about it? | 0:50:23 | 0:50:25 | |
It doesn't bother you? | 0:50:27 | 0:50:28 | |
Why should it? It's clean. It's warm. It's decently run. | 0:50:28 | 0:50:32 | |
What's your problem? You want them all staying with you and Gerald? | 0:50:32 | 0:50:35 | |
If anyone does come to this country to do harm, | 0:50:35 | 0:50:37 | |
then I want them behind bars. | 0:50:37 | 0:50:39 | |
But I want the innocent ones treated like human beings. | 0:50:39 | 0:50:42 | |
Oh, you know how to tell the difference, do you? | 0:50:42 | 0:50:44 | |
Not always. | 0:50:44 | 0:50:46 | |
But I think I'm better at it than your new friend Sam. | 0:50:46 | 0:50:48 | |
CHATTER | 0:51:12 | 0:51:15 | |
Right. | 0:51:27 | 0:51:29 | |
Good night, everybody. | 0:51:30 | 0:51:32 | |
Mwa! | 0:51:32 | 0:51:34 | |
Mmmwa! | 0:51:34 | 0:51:35 | |
Try not to be too late. | 0:51:37 | 0:51:38 | |
I shan't. Mwa! | 0:51:38 | 0:51:40 | |
Or drunk. | 0:51:40 | 0:51:41 | |
That's more difficult. | 0:51:41 | 0:51:42 | |
Mwa! Good night. | 0:51:42 | 0:51:44 | |
# Bring me by bow | 0:51:44 | 0:51:48 | |
# Of burning gold | 0:51:48 | 0:51:51 | |
# Bring me my arrows of desire | 0:51:51 | 0:51:56 | |
# Bring me my spear | 0:51:56 | 0:51:58 | |
# O clouds unfold | 0:51:58 | 0:52:01 | |
# Bring me my chariot of fire | 0:52:01 | 0:52:07 | |
# I will not cease from mental fight | 0:52:07 | 0:52:12 | |
# Nor shall my sword sleep in my hand | 0:52:12 | 0:52:17 | |
# Till we have built Jerusalem | 0:52:17 | 0:52:23 | |
# In England's green and pleasant land. # | 0:52:23 | 0:52:29 | |
CHEERING AND LAUGHTER | 0:52:29 | 0:52:34 | |
Of course, not all of us can be in Special Reconnaissance, | 0:52:37 | 0:52:42 | |
-can we, Chips? -What's your point? | 0:52:42 | 0:52:44 | |
Well, Special Reconnaissance is sort of an elite. Special, you see. | 0:52:44 | 0:52:47 | |
Not for the likes of regular soldiers. | 0:52:47 | 0:52:51 | |
I mean, what you're doing in Special Reconnaissance | 0:52:51 | 0:52:55 | |
isn't really what I'd call soldiering, is it? | 0:52:55 | 0:52:58 | |
Because it's spying. | 0:53:00 | 0:53:02 | |
Spying's not soldiering. | 0:53:02 | 0:53:05 | |
It's girls' stuff. | 0:53:05 | 0:53:08 | |
Enough, Dyson. | 0:53:09 | 0:53:11 | |
Good time for a toast. | 0:53:11 | 0:53:12 | |
Ladies and gentlemen, | 0:53:14 | 0:53:17 | |
to the Regiment. | 0:53:17 | 0:53:18 | |
ALL: The Regiment! | 0:53:18 | 0:53:20 | |
DOOR CLOSES | 0:53:35 | 0:53:37 | |
MOTORBIKE WHOOSHES BY | 0:53:42 | 0:53:43 | |
BELL TOLLS | 0:53:45 | 0:53:47 | |
BELL TOLLS | 0:53:52 | 0:53:53 | |
VOICE IN THE DISTANCE | 0:53:58 | 0:54:00 | |
BELLS CHIME | 0:54:02 | 0:54:04 | |
SHOUTING | 0:54:09 | 0:54:11 | |
TYRES SCREECH | 0:54:13 | 0:54:15 | |
SHE SCREAMS | 0:54:15 | 0:54:17 | |
WATER SPLASHES | 0:54:23 | 0:54:24 | |
KNOCKING ON DOOR | 0:54:25 | 0:54:27 | |
SHE SCREAMS AND CRIES OUT | 0:54:29 | 0:54:32 | |
MUFFLED SCREAMS | 0:54:32 | 0:54:34 | |
MAN SHOUTS | 0:54:34 | 0:54:36 | |
KNOCKING ON DOOR | 0:54:36 | 0:54:38 | |
KNOCKING ON DOOR | 0:54:40 | 0:54:42 | |
KNOCKING ON DOOR | 0:54:45 | 0:54:47 | |
KNOCKING | 0:54:50 | 0:54:52 | |
CRYING | 0:54:52 | 0:54:54 | |
Please, please, please, please! | 0:54:54 | 0:54:59 | |
Sandrine. | 0:55:01 | 0:55:02 | |
Sir. | 0:55:02 | 0:55:04 | |
The Army's a hierarchical structure. | 0:55:06 | 0:55:08 | |
You think I don't know that? | 0:55:08 | 0:55:10 | |
I could have you out. | 0:55:10 | 0:55:12 | |
I know. | 0:55:14 | 0:55:15 | |
And I'd do it as well. | 0:55:16 | 0:55:18 | |
Interesting phone. | 0:55:23 | 0:55:24 | |
Has one number | 0:55:25 | 0:55:27 | |
and one number only. | 0:55:27 | 0:55:28 | |
Why's that? | 0:55:31 | 0:55:32 | |
If you could just relax. | 0:55:40 | 0:55:42 | |
If I could just relax, then what, sir? | 0:55:42 | 0:55:45 | |
Then you could get your phone back. | 0:55:46 | 0:55:48 | |
SHE BREATHES HEAVILY | 0:55:51 | 0:55:54 | |
What is it you want, sir? | 0:56:35 | 0:56:38 | |
What do you like? | 0:56:42 | 0:56:44 |