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This programme contains strong language | 0:00:02 | 0:00:05 | |
MUSIC: Queen Killer by Queen | 0:00:05 | 0:00:07 | |
SHE SINGS ALONG | 0:00:12 | 0:00:15 | |
PHONE RINGS | 0:00:26 | 0:00:28 | |
Hello. | 0:00:31 | 0:00:32 | |
Yes. As agreed, | 0:00:32 | 0:00:34 | |
I'll be there in ten minutes. | 0:00:34 | 0:00:36 | |
OK. Give me 15. | 0:00:36 | 0:00:38 | |
SIREN | 0:01:22 | 0:01:23 | |
QUIET TALKING | 0:01:34 | 0:01:37 | |
I'm sorry I'm a bit late. | 0:02:16 | 0:02:18 | |
Yeah, well, sit down. | 0:02:18 | 0:02:20 | |
Well, I'd love to say that I'm happy to see you all, but I'm not. | 0:02:23 | 0:02:26 | |
I never have meetings, I don't want to have this one. | 0:02:26 | 0:02:29 | |
I need to know that what happened last night won't happen again. | 0:02:29 | 0:02:31 | |
This has got to be closure. Well? | 0:02:31 | 0:02:34 | |
I think we've dealt with it. | 0:02:34 | 0:02:36 | |
Berna? | 0:02:36 | 0:02:38 | |
Last night we didn't ask Berna to join us. | 0:02:38 | 0:02:40 | |
-Why not? -Because the problem wasn't her fault. | 0:02:40 | 0:02:42 | |
Spared the unpleasantness, was she? | 0:02:42 | 0:02:44 | |
So whose fault was it? | 0:02:46 | 0:02:49 | |
Laurie turned out to be religious and was going to talk. | 0:02:49 | 0:02:52 | |
Did she know what she was being paid for? | 0:02:52 | 0:02:54 | |
Not at first. But she was always going to put two and two together. | 0:02:54 | 0:02:57 | |
At first she didn't want to take it. | 0:02:57 | 0:02:59 | |
She kept asking, "What am I being paid for?" | 0:02:59 | 0:03:01 | |
-And how much did you give her? -A grand. | 0:03:01 | 0:03:03 | |
-Where is it? -The grand? | 0:03:03 | 0:03:05 | |
Yes. | 0:03:05 | 0:03:07 | |
Erm, I don't know. | 0:03:07 | 0:03:10 | |
Looks like a loose end. | 0:03:10 | 0:03:11 | |
Not quite closure, is it? | 0:03:11 | 0:03:13 | |
Berna, they do a very good bacon sandwich. | 0:03:15 | 0:03:18 | |
-No, thank you. -No, really. | 0:03:18 | 0:03:20 | |
It's on me. You're not religious, are you? | 0:03:20 | 0:03:23 | |
No, not me, Peter. | 0:03:23 | 0:03:25 | |
I'm secular. Secular, but not hungry. | 0:03:25 | 0:03:28 | |
So tell me, are there any other loose ends? | 0:03:30 | 0:03:33 | |
There's a crazy entrepreneur called Mikey Gowans. | 0:03:33 | 0:03:35 | |
He sends out drugs with pizza. | 0:03:35 | 0:03:37 | |
And was Mikey working alone? | 0:03:37 | 0:03:39 | |
Ah, I've stumbled on something else! | 0:03:39 | 0:03:43 | |
Laurie was getting a cut. | 0:03:43 | 0:03:44 | |
Oh, very religious! She'd take Mikey's money but she didn't want to take yours? | 0:03:44 | 0:03:47 | |
Well, that's the point we put to her. In the back of the van, | 0:03:47 | 0:03:50 | |
before... Everyone has red lines, don't they? | 0:03:50 | 0:03:53 | |
-Do they? You tell me, where are yours? -The job was badly prepared. | 0:03:53 | 0:03:57 | |
On your side. | 0:03:57 | 0:03:58 | |
The Iraqi was taken out cleanly. | 0:04:00 | 0:04:02 | |
It was properly planned. | 0:04:02 | 0:04:04 | |
Laurie was bungled at speed and dumped down Shadwell way. | 0:04:04 | 0:04:07 | |
Not the same thing, is it? | 0:04:07 | 0:04:09 | |
And what I'd really like to know is where are the police in all this? | 0:04:09 | 0:04:13 | |
Berna? | 0:04:13 | 0:04:14 | |
What? | 0:04:14 | 0:04:16 | |
Sometimes you've been able to help us. | 0:04:16 | 0:04:18 | |
-Help you how? -With things you know that we don't, | 0:04:18 | 0:04:22 | |
in the past. Like when we closed down the Bari route, | 0:04:22 | 0:04:25 | |
that was your tip-off. | 0:04:25 | 0:04:26 | |
Yes. In the Mediterranean. | 0:04:26 | 0:04:29 | |
Long way from Kennington. | 0:04:29 | 0:04:31 | |
Just remind me, what are your plans? | 0:04:34 | 0:04:36 | |
I'm going back to Izmir. | 0:04:37 | 0:04:39 | |
When? | 0:04:39 | 0:04:40 | |
Tomorrow, | 0:04:40 | 0:04:42 | |
to get new boats and find a new captain. | 0:04:42 | 0:04:45 | |
Good. Tomorrow? | 0:04:46 | 0:04:47 | |
Yes. | 0:04:48 | 0:04:50 | |
What time? | 0:04:50 | 0:04:52 | |
Later in the day. | 0:04:53 | 0:04:54 | |
From Gatwick. | 0:04:59 | 0:05:00 | |
At five. | 0:05:00 | 0:05:02 | |
Gentlemen, I can't pretend I'm happy. I'm not. | 0:05:05 | 0:05:08 | |
I'm not a gambler but I recognise a streak of bad luck when I see it and I don't like it. | 0:05:08 | 0:05:12 | |
Human transport's the gift that keeps on giving, | 0:05:12 | 0:05:15 | |
or has until now. We're all rich men. | 0:05:15 | 0:05:18 | |
I came from the military and I expect military standards. | 0:05:18 | 0:05:22 | |
And on your side? | 0:05:24 | 0:05:25 | |
What? | 0:05:25 | 0:05:27 | |
No, you just said, the planning was bad on our side. | 0:05:27 | 0:05:31 | |
-Yeah? -And now I can see you're worried. | 0:05:31 | 0:05:34 | |
So? | 0:05:35 | 0:05:36 | |
We all agree, the second murder was messy, but I'm asking, on your side? | 0:05:37 | 0:05:42 | |
The first murder. For instance, the shooter - | 0:05:42 | 0:05:46 | |
everything OK? | 0:05:46 | 0:05:48 | |
I'll take care of the shooter. | 0:05:51 | 0:05:53 | |
The shooter's highly competent. That's my business. | 0:05:53 | 0:05:56 | |
Gentlemen, thanks. | 0:05:59 | 0:06:02 | |
CHIMING | 0:06:29 | 0:06:31 | |
MEN'S VOICES | 0:06:45 | 0:06:47 | |
SHE SIGHS | 0:07:30 | 0:07:32 | |
It's not good, is it? It doesn't make any sense. | 0:07:40 | 0:07:43 | |
-Why not? -Because everything's screaming that the two murders have got to be connected. | 0:07:43 | 0:07:47 | |
-Got to be. So? -Well, they're connected, but look at them, | 0:07:47 | 0:07:50 | |
they're completely different. | 0:07:50 | 0:07:52 | |
Laurie was beaten up, smashed in the face, thrown from a moving vehicle. | 0:07:52 | 0:07:56 | |
Does that sound like a woman's doing? I don't think so. | 0:07:56 | 0:07:59 | |
We don't know the first one was a woman. | 0:07:59 | 0:08:01 | |
-Don't we? -All we've got is one stoned witness. | 0:08:01 | 0:08:04 | |
Whatever, don't you think it's the exact opposite | 0:08:04 | 0:08:06 | |
of what we had on Monday? Monday was clean and professional. | 0:08:06 | 0:08:09 | |
-This is careless. -Maybe. | 0:08:09 | 0:08:11 | |
This is clumsy, Nathan. | 0:08:11 | 0:08:13 | |
It's lazy. Fuzz Gupta said there was a military connection, | 0:08:13 | 0:08:16 | |
military ammunition. | 0:08:16 | 0:08:17 | |
Does this look like a military killing to you? | 0:08:17 | 0:08:19 | |
-Look at this. -What is it? | 0:08:19 | 0:08:21 | |
Evening Standard website. | 0:08:21 | 0:08:24 | |
Shit. | 0:08:26 | 0:08:28 | |
How many people were at the interview in Harlsfleet last night? | 0:08:28 | 0:08:31 | |
-Five. -Two being interviewed, you, me and another. | 0:08:31 | 0:08:35 | |
And somehow it's all over the news 12 hours later that Asif wasn't Syrian. | 0:08:35 | 0:08:38 | |
He's Iraqi. And that means he was an economic migrant. | 0:08:38 | 0:08:41 | |
And that means bad thing. He's not an asylum seeker, meaning good thing. | 0:08:41 | 0:08:45 | |
Someone's leaking. | 0:08:45 | 0:08:46 | |
Reads like they want to discredit the victim. | 0:08:46 | 0:08:48 | |
Precisely. It's got to be that wanker from Millbank. | 0:08:48 | 0:08:51 | |
-Sam? -Ever get the feeling you're being played? | 0:08:51 | 0:08:54 | |
-He'd never do that. -Wouldn't he? | 0:08:55 | 0:08:57 | |
I know you've got a boy-crush on him. I haven't. | 0:08:57 | 0:08:59 | |
RINGING | 0:09:04 | 0:09:06 | |
Come on, pick up! | 0:09:09 | 0:09:11 | |
-MAN: -Berna? -Westbourne's on to me. | 0:09:13 | 0:09:15 | |
We need to meet up urgently. | 0:09:15 | 0:09:17 | |
-Morning. -Good morning. | 0:09:21 | 0:09:24 | |
How's your head? | 0:09:24 | 0:09:25 | |
Not too bad. | 0:09:25 | 0:09:27 | |
Good morning, ladies. Well, that was one special evening, wasn't it? | 0:09:28 | 0:09:31 | |
Yes. I've got a terrible hangover, sir. | 0:09:31 | 0:09:35 | |
This regiment certainly knows how to throw a party. | 0:09:35 | 0:09:38 | |
-Xan. -Sandrine? | 0:09:49 | 0:09:52 | |
You're not due back today. | 0:09:52 | 0:09:55 | |
I know. I-I wondered if you could give me some time. | 0:09:55 | 0:09:58 | |
Erm, yes. | 0:09:58 | 0:10:00 | |
I've got half an hour now if that's any use. | 0:10:00 | 0:10:02 | |
Come on through. | 0:10:02 | 0:10:04 | |
I-I-I just think that people forget, don't you? | 0:10:05 | 0:10:09 | |
Or perhaps they just don't want to know. | 0:10:09 | 0:10:11 | |
It-it's like we've come back and nobody wants to be reminded. | 0:10:11 | 0:10:15 | |
They would rather we stayed. | 0:10:15 | 0:10:16 | |
They think that we can go off and fight wars and that somehow nothing | 0:10:16 | 0:10:20 | |
changes when we come home. | 0:10:20 | 0:10:21 | |
Last year, no British soldier died in action overseas. | 0:10:23 | 0:10:27 | |
I mean, do you know when that last happened? | 0:10:27 | 0:10:29 | |
It was 1968. | 0:10:29 | 0:10:31 | |
That's Afghanistan. | 0:10:31 | 0:10:32 | |
Libya. Iraq. | 0:10:32 | 0:10:34 | |
Kosovo. Bosnia. Sierra Leone. | 0:10:34 | 0:10:35 | |
The Gulf. The Falklands. | 0:10:35 | 0:10:37 | |
I mean, have I missed anything out? | 0:10:37 | 0:10:39 | |
Northern Ireland. | 0:10:39 | 0:10:40 | |
Of course. | 0:10:42 | 0:10:44 | |
My father fought there. | 0:10:46 | 0:10:48 | |
He was a hero? | 0:10:48 | 0:10:50 | |
He was... | 0:10:51 | 0:10:53 | |
..a great hero. | 0:10:54 | 0:10:55 | |
Sandrine, what's this about? | 0:11:00 | 0:11:02 | |
I've got the feeling something's happened. | 0:11:03 | 0:11:05 | |
Do you want to tell me about it? Something in particular? | 0:11:05 | 0:11:09 | |
No, nothing. Nothing's happened. | 0:11:09 | 0:11:11 | |
Are you sure? | 0:11:11 | 0:11:13 | |
Then why did you come to see me? | 0:11:14 | 0:11:15 | |
There's no particular reason. | 0:11:17 | 0:11:19 | |
I think you should consider taking a little time off. | 0:11:22 | 0:11:25 | |
I don't want to do that. | 0:11:25 | 0:11:27 | |
I have no life but the Army. | 0:11:27 | 0:11:30 | |
Yes, and that may be the reason you should think about taking a break. | 0:11:30 | 0:11:33 | |
Do you still have family? | 0:11:35 | 0:11:37 | |
-My mother. -OK. | 0:11:38 | 0:11:41 | |
Would you stay with her for a while? | 0:11:41 | 0:11:43 | |
What, is that an order, sir? | 0:11:43 | 0:11:44 | |
Not yet. | 0:11:46 | 0:11:47 | |
Coming back home, you... | 0:11:53 | 0:11:54 | |
..you feel like a germ that's entered the bloodstream. | 0:11:56 | 0:12:00 | |
KNOCK | 0:12:12 | 0:12:13 | |
It's open. | 0:12:13 | 0:12:15 | |
-Ah, you're back. -Yes. | 0:12:16 | 0:12:19 | |
Nobody's been here at all. | 0:12:19 | 0:12:20 | |
No sign of Laurie all night. | 0:12:20 | 0:12:22 | |
I've been calling the social services. | 0:12:22 | 0:12:24 | |
No answers. Two hours of Johann Strauss. | 0:12:24 | 0:12:28 | |
Have you found Laurie? | 0:12:30 | 0:12:32 | |
I'm afraid we have. | 0:12:33 | 0:12:35 | |
OK, in you go. | 0:12:50 | 0:12:52 | |
OK, she's all yours. | 0:12:53 | 0:12:55 | |
Are you all right there, love? | 0:12:57 | 0:12:59 | |
Is it Mrs Stone? | 0:12:59 | 0:13:01 | |
KNOCK | 0:13:12 | 0:13:13 | |
Karen! | 0:13:13 | 0:13:14 | |
You have to get up. You really have to. | 0:13:15 | 0:13:19 | |
Karen! | 0:13:19 | 0:13:20 | |
Karen! TRIES DOOR HANDLE | 0:13:21 | 0:13:24 | |
Karen! | 0:13:26 | 0:13:27 | |
They want you out there sharpish to give the nation your thoughts. | 0:13:27 | 0:13:30 | |
-OK. -And also Genevieve rang. | 0:13:30 | 0:13:32 | |
-Saying what? My cheques aren't big enough? -No. Karen's still in bed | 0:13:32 | 0:13:36 | |
and somebody needs to take Lucy to the hospital for her appointment. | 0:13:36 | 0:13:39 | |
Do I need to know all this stuff? I mean, come on, it's perfectly obvious. | 0:13:39 | 0:13:42 | |
It's a bid for attention from a woman I left seven years ago. | 0:13:42 | 0:13:45 | |
I'm sure. But what do you want me to say? | 0:13:45 | 0:13:47 | |
A couple of days ago, I made a wrong turn. | 0:13:47 | 0:13:49 | |
I had Suki Vincent in my bed and I let her go. | 0:13:49 | 0:13:53 | |
Why did you do that, David? It's not rational. | 0:13:53 | 0:13:55 | |
Tell that French au pair to get my ex-wife out of bed. | 0:13:55 | 0:13:58 | |
What's your reaction to the overnight news that Asif wasn't in fact an asylum seeker? | 0:13:58 | 0:14:03 | |
OK, so he turned out to be an economic migrant, | 0:14:03 | 0:14:06 | |
but that doesn't mean he wasn't entitled to the full protection of the law. | 0:14:06 | 0:14:09 | |
But it is different, isn't it? | 0:14:09 | 0:14:11 | |
Can't we just say he was a human being, | 0:14:11 | 0:14:13 | |
who was shot down on a British street? | 0:14:13 | 0:14:15 | |
It doesn't matter where he came from. | 0:14:15 | 0:14:17 | |
We really are turning into a nasty little country. | 0:14:17 | 0:14:20 | |
-I'll call you back. -And isn't it time we had an immigration policy that wasn't just crass xenophobia? | 0:14:20 | 0:14:26 | |
I-I've been arguing for some time | 0:14:26 | 0:14:27 | |
that we need to fulfil our obligations, | 0:14:27 | 0:14:30 | |
and I'm not just talking about moral obligations, | 0:14:30 | 0:14:32 | |
I'm talking about legal obligations - | 0:14:32 | 0:14:34 | |
promises that were made that we seem conveniently to have forgotten. | 0:14:34 | 0:14:38 | |
Now, I believe that when the history of this time comes to be written, | 0:14:38 | 0:14:42 | |
we will feel ashamed of how few refugees we let in to this country | 0:14:42 | 0:14:46 | |
and how badly we treated them when they were here. | 0:14:46 | 0:14:49 | |
Thank you, David, that's great. | 0:14:50 | 0:14:53 | |
You're having a marvellous run, aren't you? | 0:14:57 | 0:14:59 | |
Man shot down in the street, the next day spent looking for a woman and you don't... | 0:14:59 | 0:15:03 | |
Where was she all day, by the way? | 0:15:03 | 0:15:05 | |
-We don't yet know. -You don't find her till she turns up dead, it's brilliant. | 0:15:05 | 0:15:09 | |
Anyone else you got your sights on? | 0:15:09 | 0:15:10 | |
I think we should warn them, don't you, since you seem to be a bit of a kiss of death. | 0:15:10 | 0:15:14 | |
Aren't the first 24 hours meant to be the best time to solve a crime, not make it worse? | 0:15:14 | 0:15:19 | |
How many more are we planning to lose? | 0:15:19 | 0:15:21 | |
Have you anything to say? | 0:15:22 | 0:15:23 | |
So, let's sum up. | 0:15:25 | 0:15:26 | |
First murder - | 0:15:26 | 0:15:28 | |
a woman, perhaps, but you're not sure. | 0:15:28 | 0:15:30 | |
-Possibly. -Perhaps with an army background. | 0:15:30 | 0:15:33 | |
We put a call into military police, alerting them. | 0:15:33 | 0:15:35 | |
Anyone gone AWOL, anyone missing. | 0:15:35 | 0:15:37 | |
Some involvement, as yet unclear, | 0:15:37 | 0:15:38 | |
with refugee traffic and also a drug distribution business. | 0:15:38 | 0:15:41 | |
I think we should be going after Karen Mars. | 0:15:41 | 0:15:43 | |
-Tell me why. -The killer has to know when and where the pizza's going to be delivered. | 0:15:43 | 0:15:46 | |
-How can it work unless the killing's a set-up? -Kip? -I don't agree. | 0:15:46 | 0:15:50 | |
Everyone at the pizza place knows that Karen makes the same order, same time every week. | 0:15:50 | 0:15:53 | |
And why? Cos the dope comes with it. | 0:15:53 | 0:15:56 | |
I'm sorry, but no-one commits murder for dope. | 0:15:56 | 0:15:58 | |
Not any dope I've ever smoked. | 0:15:58 | 0:15:59 | |
Nor me. | 0:15:59 | 0:16:00 | |
What I want to know is, does anybody really believe this could be a British soldier? | 0:16:00 | 0:16:06 | |
Complicit in people smuggling? | 0:16:06 | 0:16:08 | |
Going out to kill a refugee in the street? | 0:16:08 | 0:16:11 | |
-I don't think so. -So, second murder - what's the approach on that? | 0:16:11 | 0:16:15 | |
Laurie Stone's body was thrown from a moving vehicle. | 0:16:15 | 0:16:18 | |
We're searching CCTV footage, garages, approach roads, | 0:16:18 | 0:16:21 | |
we can do the car regs on ANPR. | 0:16:21 | 0:16:23 | |
We're searching the body for DNA traces. | 0:16:23 | 0:16:25 | |
Ranks off. You know what I find especially annoying? | 0:16:25 | 0:16:28 | |
What annoys you? | 0:16:28 | 0:16:30 | |
All the while we're sat here defining just how large a Horlicks we're making, | 0:16:30 | 0:16:34 | |
there's a woman locked up in Harlsfleet who knows all the answers. | 0:16:34 | 0:16:37 | |
Fatima Asif? | 0:16:37 | 0:16:39 | |
She knows everything. But she's not speaking. | 0:16:39 | 0:16:43 | |
-What was all that about? -What? | 0:16:49 | 0:16:50 | |
-That bit at the end? -Nathan? | 0:16:50 | 0:16:52 | |
-Oh. -The Vietnamese girl's finally arrived. | 0:16:52 | 0:16:54 | |
-OK. -She's brought along her vicar. | 0:16:54 | 0:16:56 | |
Rakhee, give them a call at Harlsfleet, | 0:16:57 | 0:16:59 | |
get me another appointment as soon as possible. | 0:16:59 | 0:17:01 | |
-Sure. -Oh, don't tell anyone else. | 0:17:01 | 0:17:03 | |
Ah, good. | 0:17:13 | 0:17:14 | |
We met on the pavement, remember? You were pretty far gone. | 0:17:14 | 0:17:17 | |
We need you to go over your story, | 0:17:17 | 0:17:19 | |
every detail, and we need you to work with a police artist | 0:17:19 | 0:17:21 | |
to give us an impression. It's going to take time. | 0:17:21 | 0:17:23 | |
Is it all right if I come in with her? | 0:17:23 | 0:17:25 | |
-Is she of age? -She's 23. -Then I don't think we're going to need you, thanks for offering. | 0:17:25 | 0:17:30 | |
And I wouldn't hang around, either, because this is going to be a very long day. | 0:17:30 | 0:17:33 | |
Please remember, she's doing this voluntarily. | 0:17:33 | 0:17:36 | |
No, she isn't. She was found with a stash of drugs. | 0:17:36 | 0:17:38 | |
She's doing it because it's the law. | 0:17:38 | 0:17:40 | |
Miss Xuan Huy. Would you like to step this way? | 0:17:40 | 0:17:43 | |
She's impossible. | 0:17:47 | 0:17:49 | |
-I'm sorry? -My friend. | 0:17:49 | 0:17:51 | |
She means well but she doesn't understand. | 0:17:51 | 0:17:54 | |
I got here from Vietnam. | 0:17:54 | 0:17:55 | |
I'm tougher than she thinks. | 0:17:55 | 0:17:57 | |
Yeah, that's my impression, too. | 0:17:57 | 0:17:59 | |
This isn't the best restaurant in the town by any means, | 0:18:02 | 0:18:05 | |
but it is one of the nicest, | 0:18:05 | 0:18:07 | |
because they have table-cloths and proper napkins. | 0:18:07 | 0:18:10 | |
I can't bear to eat without linen. | 0:18:12 | 0:18:14 | |
Do you know what you're having? | 0:18:16 | 0:18:17 | |
I always think steak is for men. | 0:18:18 | 0:18:21 | |
Your father ate steak. | 0:18:21 | 0:18:23 | |
I'd have fish. | 0:18:24 | 0:18:25 | |
Or macaroni cheese. | 0:18:26 | 0:18:28 | |
I still make macaroni. | 0:18:32 | 0:18:34 | |
Properly, not bought in. | 0:18:34 | 0:18:36 | |
Occasionally. | 0:18:37 | 0:18:39 | |
Now everyone's gone... | 0:18:41 | 0:18:44 | |
Yes. | 0:18:47 | 0:18:49 | |
I haven't cleared out your brother's room. | 0:18:53 | 0:18:55 | |
No? | 0:18:56 | 0:18:58 | |
I've left it. | 0:18:58 | 0:18:59 | |
Well, I'm sure that's best. | 0:19:01 | 0:19:03 | |
I read a book about bereavement. | 0:19:07 | 0:19:09 | |
Don't do it until you feel you need to. | 0:19:17 | 0:19:20 | |
The regiment did nothing. | 0:19:25 | 0:19:27 | |
They sent me a letter first off. | 0:19:29 | 0:19:32 | |
I remember. | 0:19:32 | 0:19:33 | |
Then a visit from a lieutenant colonel. | 0:19:33 | 0:19:36 | |
His uniform was dirty. | 0:19:39 | 0:19:41 | |
He said he visited relatives all day. | 0:19:42 | 0:19:45 | |
That's his job. | 0:19:45 | 0:19:46 | |
-Had he known Michael? -I couldn't say. | 0:19:47 | 0:19:50 | |
He died for nothing, didn't he? | 0:19:53 | 0:19:55 | |
Michael died fighting for his country. | 0:19:55 | 0:19:58 | |
Yes. | 0:20:01 | 0:20:02 | |
May I take your order, please? | 0:20:05 | 0:20:06 | |
Hm. | 0:20:06 | 0:20:08 | |
Have you decided what you want? | 0:20:09 | 0:20:11 | |
Yes, I'll have the...fish. | 0:20:11 | 0:20:14 | |
Your father had an interesting view. | 0:20:19 | 0:20:21 | |
He said if you left any institution without bitterness, | 0:20:22 | 0:20:26 | |
it meant you'd beaten it. | 0:20:26 | 0:20:28 | |
If you were bitter, the institution had won. | 0:20:28 | 0:20:31 | |
I know you. | 0:20:34 | 0:20:35 | |
I should think you'd be bored now you're back from your tour. | 0:20:38 | 0:20:41 | |
Nothing to do. | 0:20:41 | 0:20:43 | |
You like doing. | 0:20:43 | 0:20:45 | |
I'm not bored. | 0:20:45 | 0:20:47 | |
Aimless, maybe. | 0:20:48 | 0:20:50 | |
I want to go back to the battlefront. | 0:20:53 | 0:20:55 | |
I'm not sure they'll let me. | 0:20:56 | 0:20:58 | |
-Why not? -Oh, you know. | 0:20:58 | 0:21:00 | |
Office politics. Who's in, who's out. | 0:21:00 | 0:21:04 | |
Are you out? | 0:21:04 | 0:21:06 | |
You know me, Mum, | 0:21:07 | 0:21:09 | |
I've never been in. | 0:21:09 | 0:21:11 | |
You've a lot to give, Sandrine. | 0:21:15 | 0:21:18 | |
Don't let it waste. | 0:21:18 | 0:21:19 | |
You haven't told me why you're here. | 0:21:34 | 0:21:37 | |
Oh! | 0:21:37 | 0:21:38 | |
Today. | 0:21:38 | 0:21:41 | |
There's a man advising me at work, | 0:21:41 | 0:21:44 | |
who said perhaps I should come home for a while. | 0:21:44 | 0:21:48 | |
I'm not sure I'd want that. | 0:21:51 | 0:21:53 | |
It's very kind of you, but... | 0:21:54 | 0:21:57 | |
you're an independent girl. | 0:21:57 | 0:21:59 | |
-Do you mind? -No. | 0:21:59 | 0:22:01 | |
Don't you think we should deal with this separately? | 0:22:04 | 0:22:06 | |
I can't bear to be looked at. | 0:22:08 | 0:22:10 | |
By anyone. | 0:22:11 | 0:22:13 | |
I don't want my grief to be seen. | 0:22:13 | 0:22:16 | |
-Of course, if you feel differently... -No. | 0:22:18 | 0:22:21 | |
You must say if that's what you want. | 0:22:22 | 0:22:24 | |
No, I'll do something else. | 0:22:24 | 0:22:26 | |
-So it's agreed, yep? -Suki, you might want to come and see this. | 0:22:45 | 0:22:49 | |
Right, we'll talk later. | 0:22:49 | 0:22:51 | |
OK, so he turned out to be an economic migrant, | 0:22:51 | 0:22:54 | |
but that doesn't mean he wasn't entitled to the full protection of the law. | 0:22:54 | 0:22:58 | |
But it is different, isn't it? | 0:22:58 | 0:23:00 | |
Can't we just say he was a human being that was shot down on a British street? | 0:23:00 | 0:23:04 | |
It doesn't matter where he came from. | 0:23:04 | 0:23:05 | |
We really are turning into a nasty little country. | 0:23:05 | 0:23:08 | |
-And isn't it time... -Did he really just say that? | 0:23:08 | 0:23:10 | |
..we had an immigration policy that wasn't just crass xenophobia? | 0:23:10 | 0:23:13 | |
You know, the world is full of decent honest people | 0:23:13 | 0:23:16 | |
just like you and me, who want nothing more than to make a decent life for themselves. | 0:23:16 | 0:23:20 | |
Why can't we just admit that? | 0:23:20 | 0:23:22 | |
Now, I've been arguing for some time | 0:23:22 | 0:23:25 | |
that we need to fulfil our obligations, and I'm not just talking about... | 0:23:25 | 0:23:28 | |
-Was that about your brother? -Yes. | 0:23:28 | 0:23:30 | |
I don't understand. | 0:23:30 | 0:23:34 | |
They kill my brother and then they put me in prison. | 0:23:34 | 0:23:37 | |
It's not prison. Believe me, prison's better than this. | 0:23:37 | 0:23:40 | |
In prison you know when you're going to get out. | 0:23:40 | 0:23:42 | |
..ashamed of how few refugees we let into this country | 0:23:42 | 0:23:45 | |
and how badly we treated them, when they were here. | 0:23:45 | 0:23:49 | |
IN DIALECT | 0:23:51 | 0:23:54 | |
HOOTING | 0:24:19 | 0:24:22 | |
Sandrine, where are you going? Can I give you a lift? | 0:24:26 | 0:24:29 | |
How did you know where I was? | 0:24:47 | 0:24:49 | |
I spoke to your mother. | 0:24:49 | 0:24:50 | |
Oh. | 0:24:50 | 0:24:52 | |
She and I talk most days since your father died. | 0:24:53 | 0:24:56 | |
She told me where you were having lunch, | 0:24:57 | 0:25:00 | |
asked me to keep an eye out for you. | 0:25:00 | 0:25:02 | |
Peter, I'm not feeling great. | 0:25:13 | 0:25:15 | |
Can we stop and talk? | 0:25:15 | 0:25:16 | |
Yeah, sure. | 0:25:18 | 0:25:19 | |
Congratulations. You've really pushed the envelope this time. | 0:25:25 | 0:25:28 | |
-Meaning? -Deborah's off the scale. | 0:25:28 | 0:25:30 | |
Like I gave a damn. | 0:25:30 | 0:25:31 | |
-That interview. -What about it? | 0:25:31 | 0:25:33 | |
I don't think she cared for you calling Britain "a nasty little country." | 0:25:33 | 0:25:36 | |
Oh, God, did I say that? | 0:25:36 | 0:25:38 | |
-First thing tomorrow she's insisting on a meeting. No excuses. -When? | 0:25:38 | 0:25:42 | |
-5.30. -5.30? | 0:25:42 | 0:25:44 | |
Is she out of her mind? | 0:25:44 | 0:25:45 | |
No, out of her bath at five and prepped like an animal. | 0:25:45 | 0:25:48 | |
She's going to eat four men stronger than you before breakfast. | 0:25:48 | 0:25:51 | |
Oh, and there's more bad news from the grumpy French girl. | 0:25:51 | 0:25:53 | |
Karen still isn't up, and Genevieve doesn't know what to do. | 0:25:53 | 0:25:57 | |
Right, that's it. This time I'm going round. | 0:25:57 | 0:25:59 | |
I'm going to sort this out, once and for all. | 0:25:59 | 0:26:01 | |
Are you sure? Isn't that what she wants? | 0:26:01 | 0:26:03 | |
All right, tell me, is she still in the bedroom? | 0:26:18 | 0:26:20 | |
She's not going to see you, she's shut herself in. | 0:26:20 | 0:26:22 | |
Will you do me a favour and take those fucking buds out your ears!? | 0:26:22 | 0:26:25 | |
Er, just so you know, there's something else she's not telling you. | 0:26:26 | 0:26:29 | |
-What? -About the pizza. | 0:26:29 | 0:26:32 | |
What do I need to know about the pizza? | 0:26:32 | 0:26:34 | |
Karen! Karen! | 0:26:35 | 0:26:39 | |
Oh, hi. David. I didn't know you were coming round. | 0:26:42 | 0:26:44 | |
I wasn't. But Genevieve called me and said that you weren't getting up | 0:26:44 | 0:26:47 | |
and the baby needed to go to the hospital. | 0:26:47 | 0:26:50 | |
I don't know what she's talking about. The baby's fine. She's sleeping. | 0:26:50 | 0:26:52 | |
-So she hasn't got a doctor's appointment? -Well, I cancelled it. Come and have a drink. | 0:26:52 | 0:26:56 | |
I don't want a drink! | 0:26:56 | 0:26:57 | |
And now she's telling me stuff that I-I just can't believe. | 0:26:57 | 0:27:00 | |
Oh, yeah, what sort of stuff is that? | 0:27:00 | 0:27:02 | |
About your pizza. | 0:27:02 | 0:27:04 | |
-What about my pizza? -And what comes with it! | 0:27:05 | 0:27:07 | |
Oh, Christ, is that what this is about? | 0:27:07 | 0:27:10 | |
What-what's wrong with drifting off at the end of the day? | 0:27:10 | 0:27:13 | |
What, you're upset because I smoked a bit of weed? | 0:27:13 | 0:27:15 | |
You like to stay stressed in the evenings, don't you? | 0:27:15 | 0:27:18 | |
Talking politics with your friends in M&S suits?! | 0:27:18 | 0:27:22 | |
I don't mind that you ordered dope with your pizza, Karen. | 0:27:22 | 0:27:25 | |
-What I do mind is if you fail to mention the fact to the police! -Why? Why should I mention it? | 0:27:25 | 0:27:29 | |
Because I'm in the Shadow Cabinet, that's why! | 0:27:29 | 0:27:31 | |
The police coming round here to bust you! | 0:27:31 | 0:27:34 | |
-Right, so this isn't about me - this is about you! -No, it isn't. | 0:27:34 | 0:27:38 | |
-It's about honesty and it is about principle! -Oh, principle. | 0:27:38 | 0:27:41 | |
Principle, you mean like when you decided to fuck my best friend? | 0:27:41 | 0:27:44 | |
-That kind of principle? -After I'd left you, Karen. | 0:27:44 | 0:27:47 | |
-After! -Yeah, you left it a full three weeks! -You were a fling, | 0:27:47 | 0:27:51 | |
she was a fling, so what? | 0:27:51 | 0:27:53 | |
Yes, but I was a fling with a child, remember? | 0:27:53 | 0:27:55 | |
Who you never see! | 0:27:55 | 0:27:56 | |
No, Genevieve, you need to hear this, | 0:27:58 | 0:28:00 | |
cos she knows bloody well what this is about. | 0:28:00 | 0:28:02 | |
You lost your job and you didn't tell me. | 0:28:02 | 0:28:04 | |
Well, why should I tell you? Your words - I was a fling so what business is it of yours? | 0:28:04 | 0:28:08 | |
You-you don't even try to understand me. | 0:28:10 | 0:28:13 | |
You don't know what it is I go through! | 0:28:13 | 0:28:15 | |
What is it that you go through? | 0:28:15 | 0:28:17 | |
No, really, I'm asking. | 0:28:17 | 0:28:19 | |
Because a lot of people grow up in a war zone, a lot of people grow up | 0:28:19 | 0:28:22 | |
under fire, they lose their family, | 0:28:22 | 0:28:24 | |
they inherit a lot of money which they try their very best to get through as fast as they can, | 0:28:24 | 0:28:28 | |
but they don't all deliberately fuck up every situation that they walk into! | 0:28:28 | 0:28:33 | |
You're both heartless, the two of you. | 0:28:34 | 0:28:38 | |
You're loveless. If you just stood by me, if you just gave me some trust! | 0:28:38 | 0:28:44 | |
You're an addict, Karen. | 0:28:44 | 0:28:45 | |
You're an addict! | 0:28:45 | 0:28:48 | |
I know that, David. | 0:28:48 | 0:28:50 | |
And it's all some crazy revenge on me. | 0:28:50 | 0:28:52 | |
-You throw away your job... -I was working in a shop, it's not so wonderful! | 0:28:52 | 0:28:56 | |
You throw away your life, because you're so furious that I don't love you. | 0:28:56 | 0:29:01 | |
But I don't love you. | 0:29:01 | 0:29:02 | |
I know that, too. | 0:29:05 | 0:29:06 | |
I'm going to take Elfie away. | 0:29:10 | 0:29:11 | |
If this happens again. I mean it. | 0:29:11 | 0:29:13 | |
Oh, yeah? Take her away. Take her away to what? | 0:29:13 | 0:29:16 | |
You know, I keep reading that you're a socialist, David. | 0:29:16 | 0:29:19 | |
So it says in the paper. | 0:29:19 | 0:29:21 | |
Aren't socialists meant to care about other people? | 0:29:21 | 0:29:23 | |
Aren't they meant to be committed? | 0:29:23 | 0:29:25 | |
The only thing you're committed to is ducking and diving, | 0:29:25 | 0:29:29 | |
never answering your phone, | 0:29:29 | 0:29:30 | |
lying about where you are. | 0:29:30 | 0:29:32 | |
You know, if you have a spare moment, | 0:29:32 | 0:29:33 | |
I might introduce you to your daughter! | 0:29:33 | 0:29:35 | |
Three times you said you'd take her to see Beauty And The Beast at the cinema. | 0:29:35 | 0:29:38 | |
Three times you've cancelled. When are you going to take her, David? Next year? The year after? | 0:29:38 | 0:29:42 | |
Fuck! | 0:29:42 | 0:29:43 | |
Well, you handled that brilliantly. | 0:29:47 | 0:29:50 | |
Thank you. | 0:29:50 | 0:29:52 | |
DOOR SLAMS, BABY CRIES | 0:29:56 | 0:29:58 | |
-I've been calling you. -I know. | 0:30:00 | 0:30:02 | |
-I've been calling you over and over. -Sandrine, we had to be careful. | 0:30:02 | 0:30:05 | |
-So what's the answer? -The answer is yes. | 0:30:05 | 0:30:09 | |
Thank God. | 0:30:09 | 0:30:10 | |
I needed to be sure. | 0:30:10 | 0:30:12 | |
Asif pretended to be an asylum seeker. | 0:30:12 | 0:30:14 | |
He said he was Syrian. He wasn't. | 0:30:14 | 0:30:16 | |
You wanted to kill a terrorist and you did. | 0:30:16 | 0:30:20 | |
-Are you sure? -Certain. | 0:30:20 | 0:30:21 | |
Do you feel better? | 0:30:23 | 0:30:24 | |
No! | 0:30:25 | 0:30:27 | |
Peter, sometimes I'm frightened. | 0:30:29 | 0:30:32 | |
It's just so obvious. They're trying to kill us, | 0:30:32 | 0:30:35 | |
they're trying to take everything from us. | 0:30:35 | 0:30:37 | |
It's a way of life they want to destroy. | 0:30:37 | 0:30:40 | |
I'm beginning to think they've already destroyed it. | 0:30:40 | 0:30:42 | |
I look around, and everyone's carrying on as normal, | 0:30:42 | 0:30:45 | |
but this isn't normal. | 0:30:45 | 0:30:46 | |
Is that what's upsetting you? | 0:30:46 | 0:30:48 | |
I'm trying to convince them I need to go back. | 0:30:48 | 0:30:51 | |
I need to fight. But I'm not succeeding. | 0:30:51 | 0:30:54 | |
Your father was my best friend. | 0:30:59 | 0:31:03 | |
We went everywhere together. | 0:31:03 | 0:31:04 | |
-You know that. -He said you saved his life. | 0:31:04 | 0:31:07 | |
Yeah, I did. In a street fight in Londonderry. | 0:31:07 | 0:31:10 | |
He was a wonderful man. | 0:31:10 | 0:31:12 | |
But at a certain point, even to him, I said, "Ralph, you have to let go. | 0:31:12 | 0:31:17 | |
"It's just a job." | 0:31:17 | 0:31:19 | |
-I don't think I could do anything else. -You might have to. | 0:31:20 | 0:31:23 | |
I'm saying that for your own good. | 0:31:24 | 0:31:27 | |
There's a man at work who's obsessing on me. | 0:31:34 | 0:31:36 | |
Has he hurt you? | 0:31:36 | 0:31:38 | |
No, he's low-level. He's low-level sexual scum. | 0:31:38 | 0:31:41 | |
If you need help, you let me know. | 0:31:41 | 0:31:43 | |
-No, I can handle him. -Good. | 0:31:43 | 0:31:45 | |
Because I'm ready to kill anyone who harms you | 0:31:45 | 0:31:48 | |
or your mother. | 0:31:48 | 0:31:49 | |
Thanks, Peter. | 0:31:51 | 0:31:52 | |
I think we're done with you, Linh. | 0:32:31 | 0:32:33 | |
Thank you very much. Are you OK? | 0:32:33 | 0:32:35 | |
Yeah. Funny, actually - I feel pretty good. | 0:32:35 | 0:32:38 | |
No reason you shouldn't. You can go home now. | 0:32:38 | 0:32:41 | |
Here. | 0:32:48 | 0:32:49 | |
Well, I don't think we can put this out, do you? | 0:32:51 | 0:32:56 | |
It's all a bit Crimewatch? | 0:32:56 | 0:32:59 | |
Do you know where Kip's gone? | 0:32:59 | 0:33:01 | |
No. She didn't say. | 0:33:01 | 0:33:03 | |
Nathan, someone called Sam Spence phoned. | 0:33:05 | 0:33:07 | |
Can you call him back? | 0:33:07 | 0:33:08 | |
Sam. | 0:33:49 | 0:33:51 | |
Berna. | 0:33:51 | 0:33:52 | |
You always said, didn't you? | 0:33:54 | 0:33:56 | |
You always promised when it got to the point where my life was in danger, you'd take me out. | 0:33:56 | 0:34:01 | |
The second murder's a fuck-up. | 0:34:03 | 0:34:05 | |
Who did it? | 0:34:07 | 0:34:09 | |
Who do you think? | 0:34:09 | 0:34:10 | |
Your childhood friends? | 0:34:13 | 0:34:15 | |
Don't get me wrong, they're butchers, | 0:34:17 | 0:34:20 | |
but we grew up together and that's why they trust me. | 0:34:20 | 0:34:23 | |
We had the same childhood in Kirikkale. | 0:34:23 | 0:34:26 | |
-Never been. -Worst place on Earth. | 0:34:26 | 0:34:29 | |
We all came to England together. | 0:34:29 | 0:34:31 | |
Every morning we wake up and we're not in Turkey, we're happy. | 0:34:32 | 0:34:36 | |
Face it, we made mistakes, you and me. | 0:34:38 | 0:34:42 | |
You know what I'm talking about. | 0:34:44 | 0:34:45 | |
-Bari. -Yes, Bari. | 0:34:47 | 0:34:50 | |
Bari wasn't a mistake. | 0:34:50 | 0:34:51 | |
I had no choice. | 0:34:51 | 0:34:53 | |
The Italian police had names. | 0:34:53 | 0:34:55 | |
They were going to send you to jail! | 0:34:55 | 0:34:57 | |
I can't allow that. | 0:34:57 | 0:34:59 | |
You and I have put five years into this. | 0:35:02 | 0:35:04 | |
Westbourne's on to me. | 0:35:06 | 0:35:07 | |
He called a meeting, which he never does. | 0:35:07 | 0:35:10 | |
And every time, he brings up Bari. | 0:35:10 | 0:35:12 | |
How did I get the tip-off? | 0:35:12 | 0:35:14 | |
Well, did you tell him the story? | 0:35:14 | 0:35:15 | |
Yes. But he doesn't believe me. | 0:35:15 | 0:35:17 | |
-You're a good actress. -Not good enough. | 0:35:19 | 0:35:21 | |
Do you know who did the pizza guy? | 0:35:23 | 0:35:25 | |
Westbourne's like you - strictly need-to-know. | 0:35:26 | 0:35:29 | |
Gives nothing away. | 0:35:29 | 0:35:31 | |
Clearly, it's going to depend on the police. | 0:35:31 | 0:35:34 | |
Are they anywhere near? | 0:35:34 | 0:35:35 | |
Not last night they weren't. | 0:35:36 | 0:35:38 | |
Who's the investigating officer? | 0:35:38 | 0:35:40 | |
Kip Glaspie. | 0:35:41 | 0:35:43 | |
Used to be a teacher. | 0:35:43 | 0:35:45 | |
Her husband's head of a primary school. | 0:35:46 | 0:35:48 | |
Typical new intake. | 0:35:50 | 0:35:52 | |
Feeling sorry for the people they're meant to police. | 0:35:52 | 0:35:55 | |
Who's her boss? | 0:35:55 | 0:35:57 | |
Jack Haley. PR man. | 0:35:57 | 0:36:00 | |
It's not his fault. | 0:36:00 | 0:36:02 | |
That's the job nowadays. They're in the perception business, like everyone else. | 0:36:02 | 0:36:09 | |
But if they get close... | 0:36:09 | 0:36:13 | |
That's what I need, Sam. | 0:36:13 | 0:36:15 | |
I need police progress monitored. | 0:36:15 | 0:36:18 | |
-Sure. -Closely. | 0:36:18 | 0:36:19 | |
-Sure. -So that I know when the net's drawing in. | 0:36:19 | 0:36:22 | |
And I need you to tell me as soon as you know. | 0:36:22 | 0:36:25 | |
-It's going to save my life. -Just... | 0:36:25 | 0:36:27 | |
trust me. | 0:36:27 | 0:36:29 | |
Sandrine? | 0:37:17 | 0:37:19 | |
You're back! | 0:37:44 | 0:37:46 | |
Mm-hm. | 0:37:46 | 0:37:48 | |
I'm expecting the bishop. | 0:37:48 | 0:37:49 | |
How did it go? | 0:37:52 | 0:37:53 | |
-Fine. -What, you helped them? | 0:37:53 | 0:37:56 | |
Yeah. | 0:37:56 | 0:37:58 | |
I'm... | 0:38:01 | 0:38:02 | |
going to speak to David again. | 0:38:02 | 0:38:05 | |
Don't speak to David. | 0:38:05 | 0:38:06 | |
-Why not? -I don't want it. | 0:38:06 | 0:38:08 | |
But it was you who asked me to speak to him! | 0:38:08 | 0:38:11 | |
In your country everything's a deal, who you know, | 0:38:11 | 0:38:15 | |
what they can do for you. | 0:38:15 | 0:38:16 | |
-I'm not a beggar. -It isn't begging, Linh, it's using the system. | 0:38:17 | 0:38:21 | |
What, you want to fix things with your old boyfriend? | 0:38:21 | 0:38:24 | |
He wasn't my boyfriend! | 0:38:24 | 0:38:25 | |
We were on some committee together, we had some late nights - red wine, | 0:38:27 | 0:38:31 | |
too much self-pity, but from both of us. That's all. | 0:38:31 | 0:38:34 | |
He's a mess. | 0:38:35 | 0:38:36 | |
It wasn't love. | 0:38:38 | 0:38:40 | |
I'd rather go home. | 0:38:44 | 0:38:46 | |
I want to be legal. | 0:38:46 | 0:38:47 | |
Am I allowed to say this? | 0:38:49 | 0:38:51 | |
I'd like you to stay. | 0:38:52 | 0:38:54 | |
-RINGING -That's the bishop. | 0:38:55 | 0:38:58 | |
-I'll get it. -It's better you don't. | 0:38:58 | 0:39:01 | |
No, Jane, it's better I do. | 0:39:01 | 0:39:03 | |
-Bishop. -Yes. | 0:39:08 | 0:39:09 | |
-I'm Linh. -It's a pleasure to meet you, Linh. | 0:39:09 | 0:39:12 | |
I've heard a lot about you. | 0:39:12 | 0:39:14 | |
Come in. | 0:39:14 | 0:39:15 | |
Hello, Rufus. I've just made tea. | 0:39:20 | 0:39:22 | |
I'll be upstairs. | 0:39:28 | 0:39:30 | |
I hope I'll see you again. | 0:39:30 | 0:39:32 | |
You'd better get on with it, then. | 0:39:38 | 0:39:40 | |
Jane, you know what the issue is. | 0:39:40 | 0:39:44 | |
I wrote you a formal letter, remember? | 0:39:44 | 0:39:46 | |
-I answered it. -I know you did. Your letter's on file. I have it. | 0:39:46 | 0:39:51 | |
So tell me, what's changed? | 0:39:51 | 0:39:53 | |
I'll tell you what's changed. | 0:39:53 | 0:39:56 | |
The woman you live with has been found with Class A drugs, | 0:39:57 | 0:40:01 | |
on a pavement, in the middle of the night. | 0:40:01 | 0:40:04 | |
And it appears she's overstaying in the UK without permission. | 0:40:04 | 0:40:07 | |
I'm a good priest, Rufus. | 0:40:08 | 0:40:11 | |
I know you are. | 0:40:11 | 0:40:12 | |
-Pastorally. -I know what I'm doing. | 0:40:13 | 0:40:15 | |
I help people. I'm valuable. | 0:40:16 | 0:40:18 | |
As for the rest of it, the private stuff is unimportant. | 0:40:19 | 0:40:22 | |
-It's private. -You can say that, | 0:40:22 | 0:40:24 | |
it's me who has to deal with the parishioners. | 0:40:24 | 0:40:26 | |
There are rules. | 0:40:26 | 0:40:27 | |
And if you enforce those rules, | 0:40:27 | 0:40:29 | |
can you honestly say this parish will be better off? | 0:40:29 | 0:40:32 | |
Yeah, but that isn't the point. | 0:40:32 | 0:40:34 | |
Look, when we discussed this a few months ago, you made me a promise. | 0:40:34 | 0:40:38 | |
It was a promise | 0:40:38 | 0:40:40 | |
that you wouldn't draw attention to your arrangements. | 0:40:40 | 0:40:44 | |
You'd keep things low-key. | 0:40:44 | 0:40:46 | |
And now, Linh's in newspapers all over the parish. | 0:40:46 | 0:40:49 | |
Low-key? I don't think so. | 0:40:49 | 0:40:51 | |
Our church is thriving here. | 0:40:51 | 0:40:54 | |
We're serving the poor. | 0:40:54 | 0:40:55 | |
We-we're doing what Christ wanted us to. | 0:40:55 | 0:40:59 | |
Does it really matter if I sleep with a woman? | 0:41:01 | 0:41:03 | |
It matters if you're seen to sleep with a woman! | 0:41:03 | 0:41:06 | |
We had a deal, Jane. | 0:41:07 | 0:41:08 | |
Did we? | 0:41:09 | 0:41:11 | |
You know we did. | 0:41:11 | 0:41:12 | |
You'll find it in Paul's Letter to the Ephesians, or somewhere, | 0:41:14 | 0:41:18 | |
I don't care where. | 0:41:18 | 0:41:20 | |
"Do what you like, but for goodness' sake, keep it to yourself." | 0:41:20 | 0:41:24 | |
-Ah. -As far as I'm concerned, that's Gospel. | 0:41:24 | 0:41:28 | |
I live with a man. You know that. | 0:41:33 | 0:41:36 | |
I do. | 0:41:36 | 0:41:37 | |
He's my... | 0:41:39 | 0:41:41 | |
companion. | 0:41:41 | 0:41:43 | |
Yes. | 0:41:43 | 0:41:45 | |
When he comes to church, John stands at the back. | 0:41:45 | 0:41:48 | |
We can sleep in the same bed, church doesn't mind, | 0:41:48 | 0:41:51 | |
just as long as we don't touch genitals, nobody objects. | 0:41:51 | 0:41:55 | |
That's the rule. | 0:41:59 | 0:42:00 | |
Now, you can call it hypocrisy, | 0:42:02 | 0:42:05 | |
I call it sensitivity. | 0:42:05 | 0:42:07 | |
Rufus, people no longer believe in institutions and it's for exactly the reasons you're giving me. | 0:42:07 | 0:42:12 | |
Everything's fudge and falsity. | 0:42:12 | 0:42:15 | |
Do you know, Jane, I believe the opposite. | 0:42:15 | 0:42:17 | |
It's only what you call fudge and falsity which is holding things together at all. | 0:42:17 | 0:42:21 | |
I can't have a priest who openly sleeps with a girlfriend | 0:42:21 | 0:42:26 | |
who's an illegal immigrant and who's found stoned in the street. | 0:42:26 | 0:42:30 | |
I can't have that. | 0:42:32 | 0:42:34 | |
So what do you want me to do? | 0:42:36 | 0:42:38 | |
You're alone this time. | 0:43:15 | 0:43:16 | |
Yes. | 0:43:16 | 0:43:18 | |
The men are not with you. | 0:43:18 | 0:43:20 | |
No. | 0:43:20 | 0:43:22 | |
Is there a reason for that? | 0:43:22 | 0:43:24 | |
I made a friend here called Gillian. | 0:43:32 | 0:43:34 | |
I told her your name. | 0:43:35 | 0:43:37 | |
She said Kip Glaspie, great athlete. | 0:43:37 | 0:43:39 | |
I wouldn't say great. | 0:43:40 | 0:43:42 | |
On television, you fall on your back and bounce. | 0:43:43 | 0:43:45 | |
It's famous footage. | 0:43:49 | 0:43:51 | |
Because it's painful to watch. | 0:43:51 | 0:43:53 | |
You hurt when you see it. | 0:43:53 | 0:43:55 | |
Look, I'll show you. It's on my phone. | 0:43:57 | 0:43:59 | |
And here comes Great Britain's Kip Glaspie for the pole vault. | 0:44:02 | 0:44:05 | |
-Is that you? -It certainly is. | 0:44:05 | 0:44:07 | |
And here she comes for the approach... | 0:44:07 | 0:44:10 | |
and... Oh, no she's down! Oh, my God! She is down! That has got to hurt! | 0:44:10 | 0:44:15 | |
I think she might have bounced. | 0:44:15 | 0:44:17 | |
-It's very funny. -I know. | 0:44:17 | 0:44:19 | |
Why have it on your phone? | 0:44:21 | 0:44:22 | |
Because, I don't know, it'll always be something that happened to me. | 0:44:24 | 0:44:28 | |
What about you? | 0:44:28 | 0:44:30 | |
I'm not famous for anything. | 0:44:30 | 0:44:32 | |
No, I mean, what did you do, before? | 0:44:32 | 0:44:36 | |
I wanted to study at Baghdad University. | 0:44:37 | 0:44:40 | |
Agronomy. | 0:44:40 | 0:44:41 | |
Make the desert fertile. | 0:44:41 | 0:44:42 | |
That was the plan. | 0:44:44 | 0:44:45 | |
But that wasn't possible. | 0:44:47 | 0:44:48 | |
Obviously, the Americans came in. | 0:44:50 | 0:44:52 | |
Gillian's lived here her whole life. | 0:44:58 | 0:45:01 | |
Now they're throwing her out. | 0:45:01 | 0:45:03 | |
She has no rights without papers. | 0:45:04 | 0:45:06 | |
-30 years count for nothing. -It happens. | 0:45:06 | 0:45:10 | |
It's always the same. | 0:45:12 | 0:45:13 | |
People get picked up when they make a mistake. | 0:45:13 | 0:45:16 | |
What have you come to ask me today? | 0:45:18 | 0:45:19 | |
I need those names. | 0:45:23 | 0:45:25 | |
What are you offering me in return? | 0:45:25 | 0:45:27 | |
Fatima, it must have occurred to you, that even if you do get out of here, | 0:45:27 | 0:45:31 | |
there's no question of you being able to stay in the UK, | 0:45:31 | 0:45:34 | |
because until we find your brother's killer, | 0:45:34 | 0:45:36 | |
you're never going to be safe. | 0:45:36 | 0:45:38 | |
I know that. | 0:45:38 | 0:45:40 | |
-So? -That's what Abdullah said when we got here, the very same thing. | 0:45:40 | 0:45:45 | |
We can never be safe. | 0:45:45 | 0:45:46 | |
Abdullah said that the smugglers were bound to find us. | 0:45:47 | 0:45:50 | |
Because you knew who they were? | 0:45:50 | 0:45:51 | |
Abdullah knew who the boss was. | 0:45:53 | 0:45:55 | |
He wanted to make a deal. | 0:45:56 | 0:45:58 | |
What was he? Crazy? | 0:45:59 | 0:46:00 | |
No. | 0:46:00 | 0:46:02 | |
Desperate. | 0:46:02 | 0:46:04 | |
Mona's pregnant, did you guess? | 0:46:06 | 0:46:08 | |
I thought she might be. | 0:46:08 | 0:46:10 | |
Yeah. | 0:46:10 | 0:46:12 | |
-How many months? -Eight. | 0:46:13 | 0:46:15 | |
And you? | 0:46:15 | 0:46:16 | |
Just six. | 0:46:18 | 0:46:19 | |
Mona was raped. | 0:46:22 | 0:46:23 | |
She was raped in Baghdad. | 0:46:25 | 0:46:27 | |
It's a disgrace for our family. | 0:46:27 | 0:46:29 | |
We had to leave. | 0:46:29 | 0:46:30 | |
We cannot go back, whatever happens. | 0:46:31 | 0:46:33 | |
I told Abdullah. I told him over and over, | 0:46:35 | 0:46:38 | |
"England is a big country, we can get lost." | 0:46:38 | 0:46:41 | |
He said, "They'll find us." | 0:46:41 | 0:46:43 | |
Did he find him? Did he find the boss? | 0:46:43 | 0:46:46 | |
Fatima, you're being offered a chance. | 0:46:46 | 0:46:49 | |
Take it. | 0:46:49 | 0:46:50 | |
There's no tape. There's no recording. | 0:46:50 | 0:46:52 | |
This meeting never happened. | 0:46:52 | 0:46:54 | |
Are you offering me residence? | 0:46:56 | 0:46:58 | |
And for Mona? | 0:46:58 | 0:46:59 | |
-You have to trust me. -How can I trust you? | 0:47:01 | 0:47:04 | |
-Do you have power? -No. | 0:47:04 | 0:47:07 | |
-Then... -But I know people who do. | 0:47:07 | 0:47:08 | |
You have to trust the kind of person I am. | 0:47:10 | 0:47:13 | |
That's what it comes down to - you have to look at me. | 0:47:13 | 0:47:16 | |
It comes down to people. | 0:47:18 | 0:47:20 | |
Good. | 0:47:32 | 0:47:33 | |
Then we're making a deal. | 0:47:35 | 0:47:36 | |
Nathan, we've got an address, | 0:47:36 | 0:47:38 | |
I've texted you, The Newbury Hotel. | 0:47:38 | 0:47:40 | |
I need uniformed officers, a warrant, the whole fucking thing. | 0:47:40 | 0:47:43 | |
I'll tell you later. | 0:47:43 | 0:47:45 | |
You're not going to like this. She's rung again. | 0:47:50 | 0:47:53 | |
-Deborah? -No. | 0:47:53 | 0:47:55 | |
The au pair. She says Karen never came back. | 0:47:55 | 0:47:57 | |
Do you have any idea where she is? | 0:47:57 | 0:47:59 | |
Yeah. | 0:48:02 | 0:48:03 | |
I can make a pretty good guess. | 0:48:03 | 0:48:05 | |
-How did you find me? -Well, it's not the first time, is it? | 0:48:34 | 0:48:37 | |
Look, I'm-I'm on a roll, OK, don't spoil it. | 0:48:37 | 0:48:40 | |
I've had a great night. | 0:48:40 | 0:48:41 | |
David, I am on an incredible streak. | 0:48:42 | 0:48:46 | |
This is...this is happening, | 0:48:46 | 0:48:48 | |
OK, this, this is my chance to put things right. | 0:48:48 | 0:48:51 | |
-Where did you get it? -What? | 0:48:51 | 0:48:53 | |
-The money. -I'm winning. | 0:48:53 | 0:48:55 | |
I know that. But where did you get the original stake? | 0:48:55 | 0:48:57 | |
You've been broke for months! I had to pay off gangsters. | 0:48:57 | 0:49:01 | |
-Russians! -David, finally something goes right! It goes right! | 0:49:01 | 0:49:04 | |
Now just let me have this spin. | 0:49:04 | 0:49:06 | |
A man gets shot on your doorstep and all of a sudden you've got loads of cash? | 0:49:06 | 0:49:10 | |
And we're supposed to believe that that's just coincidence, are we? | 0:49:10 | 0:49:13 | |
Do you really think that has something to do with me? | 0:49:13 | 0:49:15 | |
-Where did you get it? -It's none of your business. -Where did you get it? | 0:49:15 | 0:49:19 | |
-Come on. -No, get off. | 0:49:19 | 0:49:20 | |
-We're leaving! We are leaving! -No, get off! | 0:49:20 | 0:49:22 | |
-We are le... -Just let go! | 0:49:22 | 0:49:24 | |
-Stop! -Karen... | 0:49:24 | 0:49:26 | |
Fuck! Get off of me! | 0:49:26 | 0:49:29 | |
-Get off! -We are leaving. | 0:49:29 | 0:49:30 | |
Get off! | 0:49:30 | 0:49:31 | |
Stop! Both leave now. Cash your chips. | 0:49:31 | 0:49:34 | |
-Kip, all right? -Yeah. | 0:49:46 | 0:49:48 | |
-We're all briefed? -Yeah. | 0:49:48 | 0:49:50 | |
Right, here we go. | 0:49:50 | 0:49:51 | |
Yes, please, how can I help? | 0:50:08 | 0:50:09 | |
We're looking to interview some of your employees. | 0:50:09 | 0:50:12 | |
I don't think that's going to be possible. | 0:50:12 | 0:50:15 | |
OK. Well, then, we'll go out and come back in through the front. | 0:50:15 | 0:50:18 | |
Loudly. Lots of glasses knocked over. | 0:50:18 | 0:50:20 | |
I hope you have authorisation. | 0:50:24 | 0:50:26 | |
-Who's got the warrant? -Let's go. | 0:50:26 | 0:50:29 | |
You had someone working here called Fatima Asif. | 0:50:29 | 0:50:32 | |
Everyone here is freelance. | 0:50:34 | 0:50:36 | |
Don't bullshit me, you know who I'm talking about. She has a locker. | 0:50:36 | 0:50:39 | |
I can't open it for you if that's what you want. | 0:50:40 | 0:50:43 | |
OK, just to be clear, we're going to charge you, | 0:50:43 | 0:50:45 | |
for employing illegal immigrants. | 0:50:45 | 0:50:47 | |
We don't do any such thing. | 0:50:47 | 0:50:49 | |
No? We'll start interviews. | 0:50:49 | 0:50:51 | |
In an hour you may find you have no staff at all. | 0:50:51 | 0:50:54 | |
You'll be cleaning the fucking toilets on your own. | 0:50:54 | 0:50:56 | |
What is this? Cleaning materials? | 0:51:17 | 0:51:19 | |
They provide their own. | 0:51:19 | 0:51:21 | |
-Out of their wages? -They're self-employed. | 0:51:21 | 0:51:24 | |
They don't have to work here. | 0:51:24 | 0:51:26 | |
Get the fuck out. | 0:51:26 | 0:51:28 | |
Fatima's phone. | 0:51:39 | 0:51:41 | |
Do you want a lift? | 0:51:50 | 0:51:51 | |
-She had that all along? -Yeah, but she'd hidden it. | 0:51:51 | 0:51:54 | |
-Yeah, I know she'd hidden it. -She didn't want to have it on her. | 0:51:54 | 0:51:56 | |
-Yeah, I know that. -Too big a risk. | 0:51:56 | 0:51:58 | |
Kip, you may be a flyer but I'm not as stupid as you think I am. | 0:51:58 | 0:52:01 | |
-I don't think you're stupid. -You went down to Harlsfleet without me. You made her a promise, didn't you? | 0:52:01 | 0:52:05 | |
-I went down to talk to her. -I know how you did this. -Come on, Nathan. -I know what you did. Fuck you, Kip. | 0:52:05 | 0:52:09 | |
Fuck you and your methods. This is how it is with you. | 0:52:09 | 0:52:11 | |
-It's always on your own terms and fuck everyone else. -Nathan! -No, fuck you, Kip! | 0:52:11 | 0:52:14 | |
Fuck you! | 0:52:14 | 0:52:15 | |
RINGING | 0:52:47 | 0:52:50 | |
Kip, I found you. I've been trying all day. | 0:52:50 | 0:52:53 | |
Yeah, I'm not going to make it. | 0:52:53 | 0:52:54 | |
I need to work. I need to think and to work. | 0:52:54 | 0:52:57 | |
Oh, that's the third night in a row! | 0:52:57 | 0:52:59 | |
I know. I'm sorry. | 0:52:59 | 0:53:01 | |
Are you all right? I'm worried. Is something upsetting you? | 0:53:01 | 0:53:03 | |
I promise it's fine. I'd say if it wasn't. | 0:53:03 | 0:53:05 | |
I know, I know you would. | 0:53:05 | 0:53:07 | |
Look after yourself. | 0:53:08 | 0:53:10 | |
SPEAK IN OWN LANGUAGE | 0:53:19 | 0:53:22 | |
Where is your money? | 0:53:24 | 0:53:26 | |
Hello. | 0:53:29 | 0:53:32 | |
No, no, no - 3,000 euro each. 3,000 for you and 3,000 for your wife. | 0:53:38 | 0:53:42 | |
They're now on the boat. | 0:53:47 | 0:53:49 | |
SHOUTING | 0:54:38 | 0:54:41 | |
GUNSHOT, SCREAMING | 0:55:03 | 0:55:06 |