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This programme contains some strong language from the start | 0:00:02 | 0:00:06 | |
and some scenes which some viewers may find upsetting. | 0:00:06 | 0:00:11 | |
MUSIC: Bright Side Of The Road by Van Morrison | 0:00:11 | 0:00:13 | |
SIREN IN DISTANCE | 0:00:21 | 0:00:22 | |
'This is Nathan Bilk. Leave a message.' | 0:00:24 | 0:00:26 | |
Good morning. | 0:00:29 | 0:00:30 | |
Good morning. | 0:00:30 | 0:00:31 | |
We kick down the front door? | 0:00:31 | 0:00:32 | |
-Oh, yeah. -I bet you £500 he comes out the back. | 0:00:32 | 0:00:35 | |
I don't have that kind of money. | 0:00:35 | 0:00:37 | |
Nor do I. That's why I want you to take the bet. | 0:00:37 | 0:00:39 | |
-Which way? -That way. | 0:00:39 | 0:00:40 | |
Right, come on, boys. | 0:00:40 | 0:00:42 | |
This way. | 0:00:42 | 0:00:43 | |
Three, two, one, go! | 0:00:45 | 0:00:48 | |
Garage team, go left. | 0:00:49 | 0:00:51 | |
Team ascending stairs. | 0:00:55 | 0:00:56 | |
Someone check in the cars. | 0:01:01 | 0:01:03 | |
Clear. | 0:01:07 | 0:01:08 | |
All clear. | 0:01:10 | 0:01:11 | |
Clear. | 0:01:15 | 0:01:16 | |
All clear. All clear. | 0:01:16 | 0:01:19 | |
-Clear. -Clear. | 0:01:26 | 0:01:27 | |
INCOHERENT SHOUTING | 0:01:33 | 0:01:35 | |
Oi! Armed police! Armed police! | 0:01:35 | 0:01:39 | |
Don't fucking move! | 0:01:39 | 0:01:41 | |
Do not fucking move! | 0:01:43 | 0:01:45 | |
You're Mehmet Akman, I think. | 0:01:53 | 0:01:56 | |
How did you find 'em? | 0:02:04 | 0:02:06 | |
They got them off the film on Fatima's phone. | 0:02:06 | 0:02:08 | |
Rakhee's been running facial recognition all night. | 0:02:08 | 0:02:11 | |
How many are we looking for? | 0:02:11 | 0:02:12 | |
There was three identifiable on the beach. | 0:02:12 | 0:02:14 | |
These two. | 0:02:14 | 0:02:15 | |
Last one's trickier. | 0:02:15 | 0:02:17 | |
Kip's up there. | 0:02:17 | 0:02:18 | |
Ah, so you're joining us at last. | 0:02:23 | 0:02:25 | |
You went ahead without me. | 0:02:25 | 0:02:27 | |
I called you three times. | 0:02:27 | 0:02:28 | |
I turned it off. | 0:02:28 | 0:02:30 | |
Do they both live here? | 0:02:30 | 0:02:32 | |
Seems like it. | 0:02:32 | 0:02:34 | |
Are you sure you've got the right people? | 0:02:34 | 0:02:36 | |
If you'd seen the film... | 0:02:36 | 0:02:38 | |
Look, here she is. | 0:02:42 | 0:02:45 | |
This looks like her. | 0:02:46 | 0:02:48 | |
Look, you can see half the name. | 0:02:48 | 0:02:51 | |
So find the cafe. | 0:02:51 | 0:02:53 | |
How do I do that? | 0:02:53 | 0:02:54 | |
I thought you were good at that sort of thing. | 0:02:54 | 0:02:56 | |
I'll catch up. I've got to make a quick stop on the way. | 0:02:56 | 0:02:59 | |
-Don't we have to interview the Turks? -Well, watch the film, and then start the interviews. | 0:02:59 | 0:03:02 | |
I'm sure you can manage without me. | 0:03:02 | 0:03:04 | |
I thought you must be a night-worker. | 0:03:12 | 0:03:15 | |
Not me. | 0:03:15 | 0:03:17 | |
I didn't know MPs worked this early. | 0:03:17 | 0:03:18 | |
Who's your boss? | 0:03:18 | 0:03:20 | |
Deborah Clifford. | 0:03:20 | 0:03:22 | |
Oh! Now, I like her. | 0:03:22 | 0:03:23 | |
She's tough, isn't she? | 0:03:23 | 0:03:24 | |
-Very. -Yeah, that's what you lot need. | 0:03:24 | 0:03:27 | |
If you say so. | 0:03:28 | 0:03:29 | |
Look, just let me out here, will you? | 0:03:30 | 0:03:32 | |
You know what you're in for. | 0:04:11 | 0:04:12 | |
HE SIGHS | 0:04:12 | 0:04:14 | |
Do I get coffee? | 0:04:14 | 0:04:15 | |
-No. -You've got one. | 0:04:15 | 0:04:16 | |
So? On no account piss me about. | 0:04:16 | 0:04:19 | |
You've spent four days avoiding me. | 0:04:19 | 0:04:23 | |
There was a murder in my constituency. | 0:04:23 | 0:04:25 | |
Oh, and you can't multi-task? Don't be a prick, David. | 0:04:25 | 0:04:28 | |
All right, if this is what you want to talk about - | 0:04:32 | 0:04:34 | |
we have an immigration policy which makes no sense. | 0:04:34 | 0:04:38 | |
That's for me to decide. | 0:04:38 | 0:04:39 | |
No, it's for you to listen to colleagues who respectfully disagree with you. | 0:04:39 | 0:04:43 | |
Wrong. The time for listening is over. | 0:04:43 | 0:04:45 | |
I need to attract back all the people that hate us | 0:04:45 | 0:04:48 | |
and get them voting Labour again. | 0:04:48 | 0:04:50 | |
It's called a free market, Deborah. | 0:04:50 | 0:04:52 | |
Do you know what comes with a free market? | 0:04:52 | 0:04:53 | |
I think I do. | 0:04:53 | 0:04:55 | |
The free movement of people - you can't have one without the other. | 0:04:55 | 0:04:57 | |
What is this? Civics class? | 0:04:57 | 0:04:59 | |
We're not going to be able to build hospitals, build schools, | 0:04:59 | 0:05:02 | |
do any of the things that we need unless we have a dynamic economy, | 0:05:02 | 0:05:05 | |
and that's never going to happen in a place called Fortress Britain. | 0:05:05 | 0:05:08 | |
This isn't your remit - you're Shadow Transport Secretary. | 0:05:08 | 0:05:12 | |
Thank you. | 0:05:12 | 0:05:14 | |
And I've heard it before. | 0:05:14 | 0:05:15 | |
All right, yeah, let's just put the Labour Party aside | 0:05:15 | 0:05:18 | |
for a few moments. What are we going to do for the next 300 years? | 0:05:18 | 0:05:21 | |
Live behind walls? Is that a serious policy? | 0:05:21 | 0:05:25 | |
Keep people out because we're rich and they're poor | 0:05:25 | 0:05:28 | |
and that's the way it's going to stay? For ever? I don't think so. | 0:05:28 | 0:05:31 | |
History tells us that's never going to work. | 0:05:31 | 0:05:33 | |
The one thing we do know is things change. | 0:05:33 | 0:05:35 | |
They always do. | 0:05:35 | 0:05:37 | |
So, for God's sake, let's be open to that change. | 0:05:37 | 0:05:40 | |
No, I'm not going to do this. I'm not going to debate at six o'clock in the morning. | 0:05:40 | 0:05:43 | |
You chose the time, not me! | 0:05:43 | 0:05:45 | |
You say put the Labour Party aside. | 0:05:45 | 0:05:48 | |
Well, and you may want to do that. | 0:05:48 | 0:05:50 | |
But I can't. I'm riding a horse that's been shot through | 0:05:50 | 0:05:53 | |
the legs and all I care about is getting it up and running again. | 0:05:53 | 0:05:56 | |
And I-I'll do anything to make that happen, including sacking you. | 0:05:56 | 0:05:59 | |
You don't give any more interviews sounding sorrier for immigrants | 0:06:01 | 0:06:04 | |
than for the people who've lived here 100 years. | 0:06:04 | 0:06:06 | |
That's non-negotiable. You're all over the papers. | 0:06:06 | 0:06:09 | |
If we hear "nasty little country" once more, you're out. | 0:06:09 | 0:06:14 | |
I can get you deselected, and I'll do it, too. | 0:06:14 | 0:06:17 | |
Well, that's very clear, thank you. | 0:06:21 | 0:06:23 | |
I've tried to be clear. | 0:06:23 | 0:06:24 | |
You've succeeded. | 0:06:24 | 0:06:26 | |
I didn't want ambiguity. | 0:06:26 | 0:06:27 | |
-There's none. -Good. | 0:06:27 | 0:06:28 | |
And vote for unfettered powers for the security services tonight, | 0:06:28 | 0:06:32 | |
along with the rest of the party. | 0:06:32 | 0:06:35 | |
Is that it? Is the meeting over? | 0:06:35 | 0:06:38 | |
It's over. | 0:06:38 | 0:06:39 | |
Oh, what's this about signing the application for an illegal over-stayer? | 0:06:41 | 0:06:45 | |
Who told you that? | 0:06:45 | 0:06:47 | |
Who's having an affair with a gay vicar? | 0:06:47 | 0:06:50 | |
Great! I can't wait to read about that in the press. | 0:06:50 | 0:06:53 | |
Well? | 0:06:54 | 0:06:56 | |
Can I go back to bed? | 0:06:57 | 0:06:58 | |
CHIMING | 0:06:59 | 0:07:02 | |
"Dear Jane, I'm going to go now. | 0:07:43 | 0:07:46 | |
"I've got to sort things out for myself - whatever that means. | 0:07:46 | 0:07:50 | |
"Funny how you're never ready when the moment comes. | 0:07:50 | 0:07:53 | |
"You think you'll be ready, but you're not. | 0:07:53 | 0:07:56 | |
"I knew what was right and I ignored it. | 0:07:56 | 0:07:59 | |
"What can I do? Thanks for listening. | 0:07:59 | 0:08:02 | |
"It means the world to me to talk to a priest. Laurie." | 0:08:02 | 0:08:07 | |
Have you any idea what time it is? | 0:08:26 | 0:08:27 | |
-No. -Yeah, well, I do, cos I've got a friend up there. | 0:08:27 | 0:08:31 | |
Well, the quicker you answer my questions, the quicker you can get back to her. Or him. | 0:08:31 | 0:08:37 | |
Coffee? | 0:08:37 | 0:08:39 | |
No. | 0:08:39 | 0:08:40 | |
What's this about? | 0:08:42 | 0:08:43 | |
So, I had a meeting on Tuesday at Harslfeet Detention Centre | 0:08:43 | 0:08:47 | |
with Mona and Fatima Asif. | 0:08:47 | 0:08:49 | |
But I'm telling you something the Evening Standard already knows. | 0:08:49 | 0:08:52 | |
-Do I know that? -I'm sure you do. | 0:08:52 | 0:08:54 | |
How else could you have splashed the story the next day? | 0:08:54 | 0:08:56 | |
Oh, I get it! | 0:08:56 | 0:08:58 | |
This is the police asking journalists to disclose their sources, is it? | 0:08:58 | 0:09:01 | |
I wouldn't expect that. | 0:09:01 | 0:09:03 | |
I know how deep your professional ethics go. | 0:09:03 | 0:09:05 | |
First came the economic migrant bollocks... | 0:09:06 | 0:09:09 | |
Yeah, is it bollocks, though? I don't think so. | 0:09:09 | 0:09:11 | |
Then the Islamic gang war bollocks. | 0:09:11 | 0:09:13 | |
Where did that one come from? | 0:09:13 | 0:09:15 | |
Someone's spitting in your mouth, Robert. | 0:09:16 | 0:09:19 | |
And I've got a fair idea who it is. | 0:09:19 | 0:09:21 | |
What do you want to ask? | 0:09:24 | 0:09:25 | |
Nothing. | 0:09:25 | 0:09:26 | |
I don't want to ask anything. That's why I came in person. | 0:09:26 | 0:09:29 | |
I didn't want to phone. I wanted to see your face when I said "security services". | 0:09:29 | 0:09:33 | |
I'm not telling you anything. | 0:09:37 | 0:09:39 | |
No. | 0:09:40 | 0:09:41 | |
Thank you. | 0:09:45 | 0:09:47 | |
Go and join your friend. | 0:09:47 | 0:09:48 | |
Please... | 0:09:59 | 0:10:01 | |
..my sister's having the baby. | 0:10:01 | 0:10:02 | |
She needs a hospital. | 0:10:02 | 0:10:04 | |
She was promised a hospital. | 0:10:04 | 0:10:06 | |
She needs a midwife. | 0:10:06 | 0:10:08 | |
OK. | 0:10:14 | 0:10:15 | |
I'll call for an ambulance. | 0:10:15 | 0:10:17 | |
SPEAKS IN OWN LANGUAGE | 0:10:19 | 0:10:23 | |
Get your boots. | 0:10:37 | 0:10:38 | |
Come on, hurry up. | 0:10:38 | 0:10:39 | |
It's all right. | 0:11:05 | 0:11:07 | |
Don't be frightened. | 0:11:07 | 0:11:08 | |
Why are you carrying a gun? | 0:11:08 | 0:11:10 | |
Sit down. | 0:11:10 | 0:11:11 | |
I've come to talk to you about your husband. | 0:11:13 | 0:11:16 | |
Tim? | 0:11:16 | 0:11:17 | |
He's Major Dyson to me. | 0:11:17 | 0:11:19 | |
Can you put the gun down, please, Sandrine? It's impossible to talk. | 0:11:22 | 0:11:26 | |
Tim tells me that you had a very bad tour and came back distraught. | 0:11:28 | 0:11:33 | |
He said that, did he? | 0:11:33 | 0:11:35 | |
-Yes. -That's his diagnosis, is it? | 0:11:35 | 0:11:38 | |
Well, I can call him if you like, get him to join us. | 0:11:38 | 0:11:40 | |
No. It's you I want to talk to. | 0:11:40 | 0:11:42 | |
What your husband told you is a lie. | 0:11:42 | 0:11:44 | |
He is a compulsive liar and a lecher | 0:11:44 | 0:11:47 | |
and he drove his last assistant to a nervous breakdown. | 0:11:47 | 0:11:50 | |
As I understand it, she had issues with promiscuity | 0:11:50 | 0:11:53 | |
and lowered morale among serving male soldiers. | 0:11:53 | 0:11:56 | |
Is that what he told you? | 0:11:56 | 0:11:57 | |
That's what he said, yes. | 0:11:57 | 0:11:59 | |
And I trust him 100%. | 0:11:59 | 0:12:01 | |
SHE SIGHS | 0:12:04 | 0:12:06 | |
I was out in the garden, all night, thinking about your children | 0:12:08 | 0:12:13 | |
and how they'll have to deal with it. | 0:12:13 | 0:12:15 | |
Deal with what? | 0:12:15 | 0:12:16 | |
Having a rapist for a father. | 0:12:16 | 0:12:18 | |
A rapist? What makes you say that? | 0:12:18 | 0:12:21 | |
What do you think? | 0:12:21 | 0:12:23 | |
What exactly did happen on your last tour? | 0:12:25 | 0:12:29 | |
That's not what we're talking about. | 0:12:29 | 0:12:31 | |
Isn't it? | 0:12:31 | 0:12:32 | |
I went into the military to serve my country. | 0:12:34 | 0:12:37 | |
Not expecting to be thanked - nobody expects to be thanked - | 0:12:37 | 0:12:41 | |
I didn't - but expecting to enjoy what my father called | 0:12:41 | 0:12:45 | |
the bonds of decency. | 0:12:45 | 0:12:47 | |
Shared values. | 0:12:47 | 0:12:48 | |
That's what I wanted. Your husband shat on those values. | 0:12:48 | 0:12:51 | |
So you claim. | 0:12:51 | 0:12:52 | |
He fucked me for no other reason but because he had an advantage. | 0:12:52 | 0:12:57 | |
Ask him. | 0:12:57 | 0:12:58 | |
I intend to. | 0:12:59 | 0:13:01 | |
Can I ask you what the advantage was? | 0:13:02 | 0:13:05 | |
I wanted you to know who you're living with, that's all. | 0:13:10 | 0:13:12 | |
You know, don't you? The woman always knows. | 0:13:15 | 0:13:19 | |
Then you didn't have to tell me. | 0:13:19 | 0:13:22 | |
Well, then, fuck you, Phoebe Dyson, because you know who he is! | 0:13:22 | 0:13:26 | |
And you live with it. | 0:13:26 | 0:13:28 | |
You're the enabler. | 0:13:28 | 0:13:29 | |
You are as guilty as he is. | 0:13:29 | 0:13:31 | |
Please put it down. | 0:13:33 | 0:13:35 | |
Put it down and we can talk this over. | 0:13:35 | 0:13:37 | |
No, there is nothing to talk over. | 0:13:37 | 0:13:39 | |
It's not going to matter by the end of today. | 0:13:39 | 0:13:42 | |
What does that mean? | 0:13:42 | 0:13:44 | |
Sandrine, I'd like you to tell me what that means. | 0:13:44 | 0:13:49 | |
It means, you're going to give me your car. | 0:13:49 | 0:13:51 | |
I know you have what nice people call a run-around. | 0:13:54 | 0:13:57 | |
I have a car, yes. | 0:13:57 | 0:13:58 | |
Hm. I'm going to take it and then I'm going to leave you for the | 0:13:58 | 0:14:03 | |
rest of your ruined life, with your screwed-up fuck of a rapist husband. | 0:14:03 | 0:14:08 | |
Keys! | 0:14:12 | 0:14:13 | |
Zapper. | 0:14:32 | 0:14:34 | |
Thank you. | 0:14:38 | 0:14:40 | |
Now you know who he is, and you can never say that you don't. | 0:14:47 | 0:14:51 | |
MOANING | 0:15:14 | 0:15:16 | |
Ah, so how did the meeting go with our leader? | 0:15:42 | 0:15:44 | |
Like a dream. | 0:15:44 | 0:15:45 | |
Do I still have a job? | 0:15:45 | 0:15:47 | |
You made a bad career move many years ago. | 0:15:47 | 0:15:50 | |
You should have attached yourself to a rising star. | 0:15:50 | 0:15:53 | |
That's what I thought you were. | 0:15:53 | 0:15:54 | |
No, not me. I'm not built for the system. | 0:15:54 | 0:15:57 | |
You're built to outwit the system. | 0:15:57 | 0:15:58 | |
Isn't that the point of systems? To outwit them! | 0:15:58 | 0:16:00 | |
BUZZING Suki Vincent. | 0:16:00 | 0:16:03 | |
Tell her I'm not here. | 0:16:03 | 0:16:04 | |
Hello? | 0:16:04 | 0:16:06 | |
Yes, he's here. | 0:16:06 | 0:16:07 | |
She said she saw you committing suicide on television. | 0:16:09 | 0:16:12 | |
Give it here. | 0:16:12 | 0:16:13 | |
Yeah, it's me. | 0:16:15 | 0:16:16 | |
Yeah. Thank you for asking. | 0:16:18 | 0:16:20 | |
Erm... I don't know. | 0:16:22 | 0:16:24 | |
I'm not sure. | 0:16:25 | 0:16:27 | |
The truth is, I have to decide. | 0:16:28 | 0:16:31 | |
-Yeah, yeah. -Nice to see you. | 0:16:33 | 0:16:35 | |
Interview rooms two and three. | 0:16:36 | 0:16:38 | |
All right, can you come this way, please? | 0:16:38 | 0:16:41 | |
Yeah, it's Nathan Bilk. | 0:16:53 | 0:16:55 | |
Yeah, you asked me to call you and let you know how we were doing. | 0:16:56 | 0:16:59 | |
We got some pictures of the smugglers last night. | 0:16:59 | 0:17:02 | |
OK, good, where? | 0:17:02 | 0:17:05 | |
Mobile phone. Good footage. We picked them up pretty quickly. | 0:17:05 | 0:17:08 | |
No problem. That's what I wanted to ask you. | 0:17:08 | 0:17:10 | |
Can you give us any help? | 0:17:10 | 0:17:13 | |
Yeah, have you heard of Mehmet Akman? | 0:17:13 | 0:17:16 | |
No? | 0:17:16 | 0:17:17 | |
Bhuran Demir? | 0:17:17 | 0:17:19 | |
No. | 0:17:19 | 0:17:20 | |
Is that it? Is that everyone on the footage? | 0:17:22 | 0:17:25 | |
No, I, erm... | 0:17:30 | 0:17:32 | |
No, I don't know of any woman, er... | 0:17:33 | 0:17:36 | |
I'm going to make inquiries, though. | 0:17:36 | 0:17:38 | |
Thanks. | 0:17:40 | 0:17:42 | |
Berna. | 0:17:54 | 0:17:56 | |
Bad news, I'm afraid. | 0:17:56 | 0:17:58 | |
OK. | 0:18:01 | 0:18:03 | |
Berna Yalaz? | 0:18:26 | 0:18:28 | |
Yes? | 0:18:28 | 0:18:30 | |
We've got evidence you may be involved in illegal activity. | 0:18:30 | 0:18:33 | |
Come on. | 0:18:36 | 0:18:38 | |
Thank you. | 0:18:41 | 0:18:43 | |
Kip, you know how you were looking for a female soldier? | 0:18:50 | 0:18:53 | |
-Well? -At Calfhill this morning a captain in the Royal Surreys went crazy, | 0:18:53 | 0:18:57 | |
took a hostage. She's now disappeared. | 0:18:57 | 0:18:59 | |
-You need to get down there quick. Let me know what you find. What's her name? -Sandrine Shaw. | 0:18:59 | 0:19:03 | |
Sir? | 0:19:09 | 0:19:11 | |
I'd close the door if I were you. | 0:19:11 | 0:19:12 | |
Where's Nathan? | 0:19:16 | 0:19:18 | |
Oh, he's just in the process of starting the interviews. | 0:19:18 | 0:19:21 | |
Well, I'm going to be very interested in what you have to say. | 0:19:23 | 0:19:26 | |
I'm sure you will, sir. | 0:19:26 | 0:19:27 | |
Perhaps you could summarise. | 0:19:27 | 0:19:29 | |
Things are moving. | 0:19:29 | 0:19:31 | |
We've got very good CCTV footage of the two men. | 0:19:31 | 0:19:33 | |
We've got them on the road after they dumped Laurie Stone. | 0:19:33 | 0:19:36 | |
-The woman? -No, she wasn't with them. | 0:19:36 | 0:19:38 | |
So we've got nothing on the woman except the phone footage? | 0:19:38 | 0:19:40 | |
We're bringing her in right now. | 0:19:40 | 0:19:42 | |
Rakhee found the cafe where she has breakfast and the owner told us where she lived. | 0:19:42 | 0:19:45 | |
So we have the smugglers but we don't yet know who killed the pizza man? | 0:19:45 | 0:19:48 | |
My guess is the three Turks were all working for someone else. | 0:19:48 | 0:19:51 | |
But they will speak, won't they, given the right incentive? | 0:19:51 | 0:19:55 | |
I ask because you seem to have developed some extraordinary skill | 0:19:57 | 0:20:00 | |
in getting silent people to open their mouths. | 0:20:00 | 0:20:03 | |
I was going to talk to you about this, sir. | 0:20:07 | 0:20:10 | |
So why didn't you? | 0:20:10 | 0:20:12 | |
Yes, a woman sits in Harlsfleet for 36 hours, giving us nothing, | 0:20:12 | 0:20:15 | |
suddenly she gives us everything, the whole case is thrown wide open. | 0:20:15 | 0:20:18 | |
By what powers of persuasion did you get her to change her mind? | 0:20:18 | 0:20:22 | |
What, you thought I wouldn't ask? | 0:20:24 | 0:20:25 | |
No. | 0:20:25 | 0:20:27 | |
You are so far out to sea, Kip, | 0:20:27 | 0:20:29 | |
I don't know how you think you're going to swim back. | 0:20:29 | 0:20:32 | |
Well? | 0:20:32 | 0:20:33 | |
Somehow, at our meeting yesterday, I felt I had authorisation. | 0:20:35 | 0:20:41 | |
Did you? | 0:20:41 | 0:20:42 | |
Yes. | 0:20:42 | 0:20:44 | |
You felt? | 0:20:44 | 0:20:45 | |
To offer British residency to Fatima Asif. | 0:20:45 | 0:20:49 | |
So you went ahead. | 0:20:49 | 0:20:50 | |
Did you throw the sister in, too? | 0:20:50 | 0:20:53 | |
As a matter of fact, I did. | 0:20:53 | 0:20:56 | |
The two of them living in Britain for the rest of their lives | 0:20:57 | 0:21:00 | |
so we can crack a case? Did I discuss such an offer? | 0:21:00 | 0:21:03 | |
Not in so many words. | 0:21:03 | 0:21:05 | |
Well, then. | 0:21:05 | 0:21:06 | |
I discerned it. | 0:21:06 | 0:21:08 | |
It was in the air. | 0:21:08 | 0:21:09 | |
Do you have gifts of the paranormal? | 0:21:09 | 0:21:11 | |
I don't think so. | 0:21:11 | 0:21:13 | |
And even if I had suggested it, did you think | 0:21:13 | 0:21:15 | |
I was in a position to make such an offer? | 0:21:15 | 0:21:17 | |
No. | 0:21:19 | 0:21:20 | |
Then why did you think you were? | 0:21:20 | 0:21:22 | |
How long you been in this job? | 0:21:24 | 0:21:26 | |
Eight years. | 0:21:30 | 0:21:31 | |
And you don't get it yet? | 0:21:31 | 0:21:32 | |
We're below stairs, Kip. | 0:21:34 | 0:21:36 | |
We're answerable to everyone and we control no-one. | 0:21:36 | 0:21:40 | |
You've done eight, I've done 20. | 0:21:40 | 0:21:41 | |
I feel it more. | 0:21:41 | 0:21:43 | |
Sir, don't you think, if they won't give us any wiggle room, | 0:21:45 | 0:21:48 | |
we have to make some for ourselves? | 0:21:48 | 0:21:50 | |
These are people's lives, Kip. | 0:21:50 | 0:21:52 | |
Have you considered it from their point of view? | 0:21:52 | 0:21:54 | |
You're holding out hope you're in no position to give. | 0:21:54 | 0:21:57 | |
Are you at peace with that? How dare you? | 0:21:57 | 0:21:59 | |
Has it occurred to you what's going to happen to these women | 0:21:59 | 0:22:01 | |
when they find out you lied? | 0:22:01 | 0:22:03 | |
I didn't lie. I calculated. | 0:22:03 | 0:22:05 | |
You should have asked me. | 0:22:05 | 0:22:06 | |
I knew if I'd asked you, you'd have had to say no. | 0:22:06 | 0:22:09 | |
Sir, I think I'm going to be able to make good on my promises. | 0:22:09 | 0:22:13 | |
Oh, yeah? How the hell are you going to do that? | 0:22:13 | 0:22:16 | |
You're gambling, Kip, | 0:22:16 | 0:22:18 | |
and you don't even know if this gamble's going to pay off. | 0:22:18 | 0:22:21 | |
SIRENS | 0:22:26 | 0:22:29 | |
Congratulations. You've had a bit of luck. | 0:22:59 | 0:23:02 | |
Not luck. | 0:23:02 | 0:23:03 | |
Well, no, but... | 0:23:03 | 0:23:05 | |
getting somewhere. | 0:23:05 | 0:23:07 | |
You sound surprised. | 0:23:07 | 0:23:10 | |
How did you know? | 0:23:10 | 0:23:12 | |
Sorry? | 0:23:12 | 0:23:13 | |
About our luck. How did you know? | 0:23:13 | 0:23:15 | |
It interests me why you've been protecting these bastards. | 0:23:18 | 0:23:22 | |
Have I been protecting them? | 0:23:22 | 0:23:23 | |
Yes. You've been feeding misleading stories to the press. | 0:23:23 | 0:23:26 | |
I was wondering why you'd bother to do that. | 0:23:26 | 0:23:28 | |
I would wonder that, too, if it were true. | 0:23:28 | 0:23:30 | |
I've decided there can only be one reason. | 0:23:31 | 0:23:34 | |
What reason's that? | 0:23:34 | 0:23:35 | |
Because you've got a cock in this fight. | 0:23:35 | 0:23:37 | |
Either that or you're a people-smuggler. | 0:23:40 | 0:23:43 | |
Do you have any evidence? | 0:23:45 | 0:23:46 | |
It started as an instinct. | 0:23:46 | 0:23:48 | |
Oh, well! | 0:23:48 | 0:23:50 | |
There's a feeling, a feeling of being played. | 0:23:50 | 0:23:54 | |
Then I spoke to Robert Walsh. | 0:23:55 | 0:23:57 | |
Robert Walsh? Remind me... | 0:23:57 | 0:23:59 | |
The friend you were at school with. | 0:23:59 | 0:24:00 | |
That Robert Walsh. | 0:24:00 | 0:24:01 | |
Tottenham, was it? | 0:24:02 | 0:24:04 | |
Highbury. | 0:24:04 | 0:24:05 | |
Just so you know, | 0:24:07 | 0:24:08 | |
I've had to offer residency to Fatima Asif and to Mona. | 0:24:08 | 0:24:11 | |
I'm surprised you can do that. | 0:24:11 | 0:24:14 | |
I can't. | 0:24:14 | 0:24:15 | |
I need you to fix it for me. | 0:24:15 | 0:24:17 | |
Oh, right, that's why you're here. | 0:24:17 | 0:24:19 | |
Yes. | 0:24:19 | 0:24:21 | |
That's what you need me for. | 0:24:21 | 0:24:23 | |
At MI5 you hand out citizenship like Smarties to anyone who helps | 0:24:23 | 0:24:26 | |
the cause, so, Fatima helped the cause. | 0:24:26 | 0:24:29 | |
What's your answer? | 0:24:32 | 0:24:33 | |
You know the answer. | 0:24:33 | 0:24:34 | |
I'm not going to do that. | 0:24:34 | 0:24:36 | |
Why not? | 0:24:36 | 0:24:37 | |
Protect your arse? | 0:24:37 | 0:24:39 | |
One more corner-cutting detective who breaks the rules. | 0:24:39 | 0:24:42 | |
-At least we have rules. -One more grunt with a grievance. | 0:24:42 | 0:24:45 | |
I don't think so. | 0:24:45 | 0:24:46 | |
I'm holding some people who are of value to you. | 0:24:46 | 0:24:49 | |
In what way? | 0:24:49 | 0:24:51 | |
The last thing you can allow is for these people | 0:24:51 | 0:24:53 | |
to live their lives behind bars. | 0:24:53 | 0:24:55 | |
We're going to have to trade, you and I. | 0:24:55 | 0:24:58 | |
We can either do it now or we can do it later. | 0:24:58 | 0:25:01 | |
An intelligent man would do it now. | 0:25:01 | 0:25:04 | |
First mistake, Sam - you took me for an idiot. | 0:25:04 | 0:25:07 | |
I can't believe you're making a second. | 0:25:07 | 0:25:10 | |
Sorry, I think this is a bluff. | 0:25:15 | 0:25:17 | |
If we're going to trade you'd have to be holding something important to me. | 0:25:17 | 0:25:20 | |
I am. | 0:25:20 | 0:25:21 | |
If you think those men are of any significance to me... | 0:25:21 | 0:25:24 | |
Did I say men? | 0:25:24 | 0:25:26 | |
Ah, suddenly you're interested. | 0:25:30 | 0:25:33 | |
OK. Breaking news. | 0:25:34 | 0:25:36 | |
We're bringing in Berna Yalaz. | 0:25:36 | 0:25:38 | |
No. | 0:25:40 | 0:25:41 | |
No deal. | 0:25:41 | 0:25:43 | |
-Think about it. -No. | 0:25:43 | 0:25:44 | |
-Nothing. -What difference does it make to you | 0:25:44 | 0:25:46 | |
if a couple of Iraqis spend the rest of their lives in Britain? | 0:25:46 | 0:25:49 | |
Not exactly opening the floodgates, is it? | 0:25:49 | 0:25:51 | |
If I did this for you, I'd be admitting MI5 involvement. I'm not going to do that. | 0:25:51 | 0:25:54 | |
Fine. | 0:25:56 | 0:25:57 | |
Though I'm a little shocked at how lightly you betray your friends. | 0:25:58 | 0:26:01 | |
I'd have expected better of your outfit. | 0:26:03 | 0:26:05 | |
I'm not betraying anyone. | 0:26:05 | 0:26:06 | |
Well, you can discuss that point when you visit your agent in prison. | 0:26:09 | 0:26:12 | |
Your call. | 0:26:12 | 0:26:14 | |
I'm going back. | 0:26:14 | 0:26:15 | |
Oh, my God, darling. Are you all right? | 0:26:43 | 0:26:45 | |
Yes, of course I'm all right. Why wouldn't I be? | 0:26:45 | 0:26:47 | |
I never thought for a moment she was going to use it. | 0:26:47 | 0:26:49 | |
Oh, Phoebe, how awful for you! | 0:26:49 | 0:26:51 | |
Yes. | 0:26:51 | 0:26:52 | |
I wonder if I could have a moment alone with my wife. | 0:26:55 | 0:26:58 | |
Right. | 0:26:58 | 0:26:59 | |
She said you blackmailed her with something you found out | 0:27:04 | 0:27:08 | |
and forced her to bed. | 0:27:08 | 0:27:09 | |
Oh, come on, sweetheart, she'll say anything! | 0:27:09 | 0:27:13 | |
The woman's mad! | 0:27:13 | 0:27:15 | |
Are all women mad? | 0:27:16 | 0:27:18 | |
Do you want me to stay? She may come back. | 0:27:20 | 0:27:23 | |
I can stay home all day if you like. | 0:27:25 | 0:27:27 | |
The trouble is, Tim... | 0:27:27 | 0:27:29 | |
..I believe every word she said. | 0:27:31 | 0:27:33 | |
OK. | 0:27:41 | 0:27:43 | |
SHOUTING | 0:27:43 | 0:27:46 | |
How are we doing? | 0:27:46 | 0:27:48 | |
Why are you in here? | 0:27:48 | 0:27:49 | |
I've been ordered to stay in the room. | 0:27:49 | 0:27:51 | |
This is inhuman. | 0:27:51 | 0:27:53 | |
This may be acceptable at Harlsfleet - it is not acceptable here. | 0:27:53 | 0:27:57 | |
Get out of this room! Now! | 0:27:57 | 0:28:00 | |
Thank you so much. | 0:28:04 | 0:28:06 | |
Now, let's see what we have here. | 0:28:06 | 0:28:09 | |
Look at this. | 0:28:21 | 0:28:23 | |
Genevieve sent it. It's her bank account. | 0:28:23 | 0:28:25 | |
Look, there and there. | 0:28:25 | 0:28:27 | |
Karen's stealing. | 0:28:31 | 0:28:32 | |
Yeah. | 0:28:32 | 0:28:33 | |
Well, I suppose in a way it's a relief. | 0:28:36 | 0:28:38 | |
A relief? Why? | 0:28:38 | 0:28:40 | |
I'm going to deal with it. | 0:28:42 | 0:28:44 | |
You have to be back for the vote. | 0:28:44 | 0:28:46 | |
David, you have to! | 0:28:46 | 0:28:47 | |
Thank you. I will bear that in mind. | 0:28:47 | 0:28:49 | |
Nathan, how are you getting on? Has anyone spoken to Berna yet? | 0:28:49 | 0:28:54 | |
Good, then don't till I get there. | 0:28:55 | 0:28:57 | |
And when's that going to be? | 0:28:57 | 0:28:59 | |
Kip, are you still there? | 0:28:59 | 0:29:01 | |
Do we have Berna's phone? | 0:29:01 | 0:29:02 | |
-Yeah. -Good. On no account allow it into evidence. | 0:29:02 | 0:29:05 | |
Do you mind if I lead? | 0:29:05 | 0:29:07 | |
So, you're not going to want a lawyer, are you, Berna? | 0:29:16 | 0:29:19 | |
What makes you think that? | 0:29:19 | 0:29:21 | |
And since we're not yet charging you with anything, | 0:29:21 | 0:29:23 | |
we can leave that off. | 0:29:23 | 0:29:25 | |
OK by you? Good. | 0:29:25 | 0:29:28 | |
Just to bring you up to speed, | 0:29:28 | 0:29:30 | |
we're getting DNA evidence for the murder of Laurie Stone | 0:29:30 | 0:29:32 | |
off the back of a van owned by Mehmet Akman and Bhuran Demir. | 0:29:32 | 0:29:35 | |
Do you know these men? | 0:29:35 | 0:29:37 | |
Sure. My whole life. | 0:29:37 | 0:29:40 | |
How so? | 0:29:40 | 0:29:42 | |
-From childhood. -Do you know what they do for a living? | 0:29:42 | 0:29:45 | |
Logistics. | 0:29:45 | 0:29:47 | |
And you? What do you do for a living? | 0:29:47 | 0:29:49 | |
I'm a translator. | 0:29:49 | 0:29:50 | |
Translating what? | 0:29:50 | 0:29:52 | |
Turkish/English. | 0:29:52 | 0:29:53 | |
That's books? | 0:29:53 | 0:29:54 | |
Books, films. | 0:29:54 | 0:29:56 | |
I do the subtitles. | 0:29:56 | 0:29:58 | |
And that keeps you going, does it? | 0:29:58 | 0:30:00 | |
Turkish cinema's very strong. | 0:30:00 | 0:30:02 | |
Many people think Nuri Bilge Ceylan is the greatest film director now working. | 0:30:02 | 0:30:08 | |
Did you see Winter Sleep? | 0:30:08 | 0:30:10 | |
Was it at my local Odeon? | 0:30:10 | 0:30:12 | |
I'm not sure why I've been brought in. | 0:30:15 | 0:30:17 | |
-You'll have to explain. -Nathan? | 0:30:17 | 0:30:21 | |
Because you're starring in a piece of film helping illegals onto a boat. | 0:30:21 | 0:30:24 | |
Where? | 0:30:25 | 0:30:26 | |
Izmir. | 0:30:26 | 0:30:28 | |
And you've identified me? | 0:30:28 | 0:30:29 | |
Yeah. | 0:30:29 | 0:30:31 | |
I don't know how you've done that. | 0:30:31 | 0:30:33 | |
You're allowed one phone call. | 0:30:34 | 0:30:36 | |
Remember that's the rule. | 0:30:36 | 0:30:39 | |
Maybe you should think about calling Sam Spence? | 0:30:39 | 0:30:41 | |
Sorry? | 0:30:41 | 0:30:43 | |
It's another name I'm trying on you. | 0:30:43 | 0:30:45 | |
I don't know...Sam Spence. | 0:30:45 | 0:30:48 | |
Odd, cos he knows you. | 0:30:49 | 0:30:51 | |
What does this Sam Spence do? | 0:30:53 | 0:30:56 | |
Well, he doesn't write subtitles for arty films. | 0:30:56 | 0:30:59 | |
Where are we, please? | 0:31:01 | 0:31:03 | |
What level are we at? | 0:31:05 | 0:31:07 | |
What level? | 0:31:07 | 0:31:09 | |
Yes. | 0:31:09 | 0:31:10 | |
I'm afraid you're at ground level, Berna. | 0:31:10 | 0:31:13 | |
Among the humble police. | 0:31:13 | 0:31:15 | |
Who are perfectly willing to send you to prison | 0:31:15 | 0:31:18 | |
and face the consequences. | 0:31:18 | 0:31:19 | |
I doubt that. | 0:31:20 | 0:31:22 | |
Oh, you think you're protected, do you? | 0:31:22 | 0:31:23 | |
Because you work for a British government agency? | 0:31:23 | 0:31:26 | |
I haven't yet told my colleague, but I just had a mineral water | 0:31:26 | 0:31:29 | |
at the Tate Britain with Sam, and he seemed to be walking away. | 0:31:29 | 0:31:33 | |
Shocking, isn't it? | 0:31:35 | 0:31:38 | |
I gave him the chance to save you but he didn't take it. | 0:31:38 | 0:31:41 | |
You're right. | 0:31:46 | 0:31:47 | |
This is above my pay grade. I should get my superintendent. | 0:31:47 | 0:31:50 | |
Wait. | 0:31:50 | 0:31:51 | |
Tell me what you're proposing. | 0:31:53 | 0:31:55 | |
I'll need two things. | 0:31:55 | 0:31:57 | |
First, obvious, I want the boss of the people smuggling. | 0:31:57 | 0:31:59 | |
But second, I want the name of Asif's killer. | 0:31:59 | 0:32:02 | |
Who's got your phone? You're going to need it, aren't you? | 0:32:04 | 0:32:07 | |
Nathan? | 0:32:07 | 0:32:08 | |
Why did they have to kill him? | 0:32:24 | 0:32:25 | |
Why did they have to kill Asif? | 0:32:27 | 0:32:29 | |
Because he knew the name of the boss. | 0:32:29 | 0:32:31 | |
How did Asif find it? | 0:32:31 | 0:32:33 | |
The captain had an e-mail. | 0:32:35 | 0:32:37 | |
It was from the boss' secretary. | 0:32:37 | 0:32:39 | |
Asif came to England, contacted her, tried to do a deal. | 0:32:39 | 0:32:43 | |
Big mistake. | 0:32:43 | 0:32:45 | |
If the boss was so careful about protecting his identity, | 0:32:45 | 0:32:48 | |
how did the captain have his e-mail address? | 0:32:48 | 0:32:50 | |
Long story short - someone misdirected it. | 0:32:50 | 0:32:54 | |
Human error, you're saying? | 0:32:55 | 0:32:56 | |
Have you never done that? | 0:32:58 | 0:33:00 | |
Sent an e-mail thread, not noticed | 0:33:00 | 0:33:02 | |
there's information on it you shouldn't be giving? | 0:33:02 | 0:33:05 | |
It was you, wasn't it? | 0:33:07 | 0:33:09 | |
Asif's death is your fault. | 0:33:10 | 0:33:12 | |
You can put it like that. | 0:33:16 | 0:33:18 | |
Here. | 0:33:34 | 0:33:36 | |
Thank you. | 0:33:36 | 0:33:37 | |
I'll call Sam and I'll tell him I'm going | 0:33:40 | 0:33:42 | |
to give you the name of the boss. | 0:33:42 | 0:33:44 | |
And the killer? We'll need the killer, too. | 0:33:44 | 0:33:48 | |
Peter? | 0:33:52 | 0:33:54 | |
It's Eleanor, I'm afraid. | 0:33:54 | 0:33:56 | |
I don't know who else to ring. | 0:33:58 | 0:34:00 | |
It's about Sandrine. | 0:34:00 | 0:34:01 | |
Apparently, she attacked her Major's wife with a gun... | 0:34:02 | 0:34:05 | |
Yes... | 0:34:08 | 0:34:09 | |
No, no-one knows... | 0:34:11 | 0:34:12 | |
Oh, that's so kind of you. | 0:34:15 | 0:34:18 | |
You've always been so good to us. | 0:34:18 | 0:34:21 | |
Thanks. | 0:34:22 | 0:34:24 | |
There's no point in getting angry. | 0:34:30 | 0:34:31 | |
I'm not angry. | 0:34:31 | 0:34:33 | |
I took an initiative, David, and look how much I made! | 0:34:33 | 0:34:36 | |
I-I had a good night. | 0:34:36 | 0:34:38 | |
Yeah. You stole it. You stole money from your own au pair. | 0:34:38 | 0:34:40 | |
I borrowed it. | 0:34:40 | 0:34:42 | |
And she'll get it back. And I'll give her a bonus. | 0:34:42 | 0:34:44 | |
You hacked into Genevieve's bank account | 0:34:44 | 0:34:47 | |
and you stole the wages that I pay her. | 0:34:47 | 0:34:51 | |
You stole her wages. | 0:34:51 | 0:34:52 | |
Oh, it's not a big deal. | 0:34:52 | 0:34:54 | |
No, it is a big deal. | 0:34:57 | 0:35:01 | |
We're done. | 0:35:03 | 0:35:05 | |
I'm not going to engage any more. | 0:35:06 | 0:35:08 | |
The blackmail is over. | 0:35:08 | 0:35:09 | |
I'm growing up, | 0:35:10 | 0:35:11 | |
and you have to grow up as well. | 0:35:11 | 0:35:13 | |
Now, you always used to say to me that I couldn't change. | 0:35:16 | 0:35:19 | |
Well, I can. | 0:35:20 | 0:35:21 | |
Never again will I clear up your mess, | 0:35:24 | 0:35:28 | |
and if that means me taking Elfie, | 0:35:28 | 0:35:32 | |
I will go to court and that is what I will do. | 0:35:32 | 0:35:37 | |
You would never do that. | 0:35:37 | 0:35:39 | |
I will. | 0:35:39 | 0:35:41 | |
David... | 0:35:46 | 0:35:47 | |
OK, I'm going to stay this afternoon | 0:35:47 | 0:35:52 | |
and we can see Elfie together, | 0:35:52 | 0:35:54 | |
and then we can put her to bed together. | 0:35:54 | 0:35:57 | |
Quality time. | 0:35:57 | 0:36:00 | |
But when she falls asleep, I am going to leave. | 0:36:00 | 0:36:06 | |
You won't. | 0:36:09 | 0:36:11 | |
Watch me. | 0:36:12 | 0:36:14 | |
Hello. | 0:36:57 | 0:36:58 | |
I want a room for the night. | 0:36:58 | 0:36:59 | |
Of course. | 0:36:59 | 0:37:01 | |
-Just for tonight? -Mm. | 0:37:01 | 0:37:02 | |
And what name is it? | 0:37:02 | 0:37:05 | |
Shaw. | 0:37:05 | 0:37:06 | |
Is that Miss or Ms? | 0:37:06 | 0:37:08 | |
Captain. | 0:37:08 | 0:37:09 | |
Before I take a last step, I would like to write down | 0:37:53 | 0:37:57 | |
exactly what I feel about the path I took | 0:37:57 | 0:38:00 | |
and the reasons I did things wrong. | 0:38:00 | 0:38:02 | |
I'd like to put everything down to my anger... | 0:38:04 | 0:38:06 | |
I'm not sure I can. | 0:38:08 | 0:38:09 | |
War has entered the blood. | 0:38:11 | 0:38:13 | |
I think this may be the moment. | 0:38:17 | 0:38:19 | |
Well, you always said it would come. | 0:38:19 | 0:38:21 | |
I did. I had a call from Eleanor. | 0:38:21 | 0:38:23 | |
Sandrine's not good. | 0:38:23 | 0:38:25 | |
I'm sorry. | 0:38:25 | 0:38:26 | |
Yes, I've made a mistake there. | 0:38:29 | 0:38:30 | |
I'm going to miss it. The chartering business. | 0:38:32 | 0:38:35 | |
It's interesting work. | 0:38:35 | 0:38:36 | |
Have you got somewhere to go to? | 0:38:36 | 0:38:37 | |
Oh, you know me, Peter. | 0:38:37 | 0:38:39 | |
Never short of friends. | 0:38:39 | 0:38:41 | |
We had a good run. We'll be all right. | 0:38:41 | 0:38:46 | |
I'm sorry. | 0:39:04 | 0:39:05 | |
-No. -I've been horrible. | 0:39:05 | 0:39:08 | |
No. | 0:39:08 | 0:39:09 | |
I get angry all the time, and... | 0:39:09 | 0:39:11 | |
I'm angry cos I'm insecure. | 0:39:13 | 0:39:15 | |
The police are coming round. | 0:39:16 | 0:39:18 | |
It turns out Laurie left me a note. | 0:39:20 | 0:39:23 | |
It made me feel terrible. I should have saved her. | 0:39:23 | 0:39:26 | |
Yeah? How? | 0:39:26 | 0:39:28 | |
Also, I had a long talk with the bishop. | 0:39:33 | 0:39:35 | |
I had to decide what's, er, more important. | 0:39:41 | 0:39:44 | |
My own happiness, | 0:39:44 | 0:39:47 | |
or... | 0:39:47 | 0:39:48 | |
Or what? | 0:39:48 | 0:39:49 | |
The life of the parish. | 0:39:49 | 0:39:52 | |
I thought... | 0:39:54 | 0:39:55 | |
..if my heart's broken, er, I'm going to be less effective, | 0:39:57 | 0:40:02 | |
because, like you, I'll be angry. | 0:40:02 | 0:40:06 | |
But... | 0:40:13 | 0:40:14 | |
Linh, the system's beaten me, truly. | 0:40:15 | 0:40:17 | |
Because, I can't avoid it. It's just a fact... | 0:40:19 | 0:40:24 | |
People round here need my help. | 0:40:27 | 0:40:29 | |
I'll live somewhere else. | 0:40:32 | 0:40:34 | |
No, no, we should decide together. | 0:40:34 | 0:40:36 | |
You've already decided. | 0:40:36 | 0:40:38 | |
I live somewhere else and wait for the Home Office. | 0:40:38 | 0:40:41 | |
You know I love you? | 0:40:41 | 0:40:44 | |
-So? What does that mean? The church comes first. -Linh! | 0:40:44 | 0:40:47 | |
Yeah, sure, I'll do that. | 0:41:01 | 0:41:03 | |
I'll see you soon. | 0:41:04 | 0:41:06 | |
Sam agrees to the conditions. | 0:41:09 | 0:41:11 | |
Good. | 0:41:11 | 0:41:12 | |
What took him so long? | 0:41:12 | 0:41:14 | |
He's losing his best-placed agent. | 0:41:14 | 0:41:16 | |
You wouldn't like that. | 0:41:16 | 0:41:18 | |
No, but I'd be smarter about it. | 0:41:18 | 0:41:20 | |
He's coming to collect me. | 0:41:20 | 0:41:22 | |
And now your side of the deal? | 0:41:22 | 0:41:24 | |
The boss of the smugglers is ex-military. | 0:41:26 | 0:41:28 | |
Military was always his highest term of praise. | 0:41:30 | 0:41:33 | |
So you think he used a soldier for the pizza hit? | 0:41:33 | 0:41:35 | |
Yes, I do. | 0:41:35 | 0:41:36 | |
He talked about taking him out. | 0:41:36 | 0:41:39 | |
You could search through the people he served with. | 0:41:39 | 0:41:42 | |
Did he say which regiment? | 0:41:42 | 0:41:43 | |
I think the Royal Surrey. | 0:41:43 | 0:41:45 | |
The Royal Surrey? | 0:41:45 | 0:41:46 | |
Fuck! Where's Rakhee? | 0:41:48 | 0:41:50 | |
Has anyone heard from Rakhee? | 0:41:50 | 0:41:51 | |
You've forgotten to give us his name. | 0:41:54 | 0:41:56 | |
Peter Westbourne. | 0:41:58 | 0:42:01 | |
And his address? | 0:42:01 | 0:42:03 | |
OK, Nathan, we should split up, that's easiest. | 0:42:07 | 0:42:09 | |
You go get Westbourne. I'll see if I can find this soldier. | 0:42:09 | 0:42:12 | |
Yeah, good idea. | 0:42:12 | 0:42:13 | |
Can I just say... Look, I talked to Sam. | 0:42:13 | 0:42:17 | |
That was my fault. I'm sorry. | 0:42:17 | 0:42:18 | |
It was me that told him we had the smugglers. | 0:42:18 | 0:42:20 | |
Why do you do that? | 0:42:20 | 0:42:21 | |
Because I was angry. I was angry at you and Haley. | 0:42:21 | 0:42:24 | |
Why? | 0:42:24 | 0:42:25 | |
Cos you shut me out. | 0:42:25 | 0:42:26 | |
You're both in a club. | 0:42:26 | 0:42:28 | |
The educated club, you think it's all a joke | 0:42:28 | 0:42:30 | |
and don't take it seriously. | 0:42:30 | 0:42:32 | |
I take it seriously. | 0:42:32 | 0:42:33 | |
Just my serious is different from yours. | 0:42:33 | 0:42:36 | |
I'm sorry I couldn't tell you MI5 had an agent in there. | 0:42:38 | 0:42:41 | |
Why not? | 0:42:41 | 0:42:42 | |
Cos it was a guess. | 0:42:42 | 0:42:44 | |
I don't know why I did what I did. | 0:43:03 | 0:43:05 | |
My whole life I wanted to be in the Army. | 0:43:08 | 0:43:10 | |
And it's not turned out how I hoped. | 0:43:13 | 0:43:15 | |
So? | 0:43:20 | 0:43:22 | |
So I'm waiting for you. | 0:43:22 | 0:43:23 | |
Let's do it. | 0:43:23 | 0:43:25 | |
Three, two, one, ram! | 0:43:29 | 0:43:32 | |
I was asked to do a job. | 0:43:37 | 0:43:39 | |
I did it to prove I could do it. | 0:43:41 | 0:43:43 | |
I thought at the time it was right. | 0:43:44 | 0:43:47 | |
Police! Search warrant. | 0:43:47 | 0:43:48 | |
Police! Search warrant. | 0:43:48 | 0:43:50 | |
Stay where you are. | 0:43:50 | 0:43:51 | |
Shit! | 0:44:02 | 0:44:04 | |
I'm 35 years old and I'm totally exhausted. | 0:44:12 | 0:44:16 | |
I'm ashamed. | 0:44:20 | 0:44:22 | |
Now, I'm looking for honour. | 0:44:24 | 0:44:26 | |
I regret not doing better. | 0:44:30 | 0:44:32 | |
I regret not staying strong. | 0:44:32 | 0:44:35 | |
I regret not being good. | 0:44:36 | 0:44:39 | |
Sandrine Shaw, Captain. | 0:44:40 | 0:44:43 | |
How much did you tell them? | 0:45:26 | 0:45:28 | |
Everything I know. | 0:45:28 | 0:45:30 | |
Why not? | 0:45:30 | 0:45:31 | |
I'll take you to the airport. | 0:45:37 | 0:45:40 | |
Thank you. | 0:45:40 | 0:45:42 | |
They put your stuff in the back. | 0:45:42 | 0:45:43 | |
Are you going to be all right? | 0:45:43 | 0:45:45 | |
Of course. | 0:45:45 | 0:45:46 | |
Do you have, er, significant others? | 0:45:46 | 0:45:50 | |
Do you know, that's the first time you've asked? | 0:45:52 | 0:45:55 | |
You've probably saved hundreds of British lives by correctly | 0:45:57 | 0:46:00 | |
identifying potential terrorists en route to the UK. | 0:46:00 | 0:46:03 | |
Hundreds is putting it low. | 0:46:04 | 0:46:06 | |
Having you embedded in the smuggling business was the most | 0:46:06 | 0:46:09 | |
intelligent thing intelligence ever did. | 0:46:09 | 0:46:12 | |
It all has to end because of some fucking Iraqi picking a fight. | 0:46:15 | 0:46:18 | |
Not quite, Sam. | 0:46:18 | 0:46:20 | |
He was saving lives. | 0:46:21 | 0:46:23 | |
I'd have him dead every time if it meant we went on with our work. | 0:46:23 | 0:46:27 | |
Fuck him! | 0:46:28 | 0:46:30 | |
It was like everything else. | 0:46:30 | 0:46:32 | |
Too good to last. | 0:46:32 | 0:46:34 | |
Kip, Rakhee's at the barracks. | 0:46:41 | 0:46:43 | |
Apparently, they've found Shaw's car stuck away down a lane. | 0:46:43 | 0:46:45 | |
They think they know where she is. Go for the Olde Bell. | 0:46:45 | 0:46:48 | |
Romeo Hotel Five. | 0:46:48 | 0:46:50 | |
Six Bravo Uniform. | 0:46:50 | 0:46:51 | |
-How are you doing? -Zero. Zilch. | 0:46:51 | 0:46:53 | |
Nothing. Empty office. | 0:46:53 | 0:46:55 | |
-Dead end. -Any leads? | 0:46:55 | 0:46:57 | |
Some old copies of Yachting Monthly. | 0:46:57 | 0:47:00 | |
Keep cheerful. | 0:47:00 | 0:47:01 | |
Yeah, and you. | 0:47:01 | 0:47:03 | |
Inspector Shields. | 0:47:14 | 0:47:15 | |
Kip Glaspie. | 0:47:15 | 0:47:16 | |
We were asked by the Army to keep it low-key. | 0:47:16 | 0:47:18 | |
-And you do what the Army says? -In this part of the world. | 0:47:18 | 0:47:21 | |
So she checked in about three hours ago. She was very polite, she was very nice. | 0:47:21 | 0:47:24 | |
-She hasn't moved from her room. -Do we know if she's armed? | 0:47:24 | 0:47:26 | |
-She was in uniform. -Thanks. | 0:47:26 | 0:47:28 | |
-I'm going to go up, if I may. -No, no, I can't allow you to do that. | 0:47:28 | 0:47:30 | |
Why not? | 0:47:30 | 0:47:31 | |
For the obvious reason. | 0:47:31 | 0:47:32 | |
There are rules about situations involving pregnant officers. | 0:47:32 | 0:47:35 | |
You've reminded me of them. | 0:47:35 | 0:47:37 | |
Thanks. | 0:47:37 | 0:47:38 | |
SHE KNOCKS | 0:47:59 | 0:48:00 | |
Captain Shaw... | 0:48:03 | 0:48:04 | |
..this is Detective Inspector Glaspie. | 0:48:06 | 0:48:08 | |
We understand you might have a gun in there with you. | 0:48:09 | 0:48:12 | |
Can you answer, please, in a clear voice? | 0:48:15 | 0:48:17 | |
My name's Kip. | 0:48:27 | 0:48:28 | |
I'm unarmed. | 0:48:29 | 0:48:31 | |
For now, I'm alone. | 0:48:32 | 0:48:34 | |
I'd rather we talk quietly. | 0:48:36 | 0:48:38 | |
Are you still there? | 0:48:40 | 0:48:42 | |
I have a key. | 0:48:51 | 0:48:53 | |
I'm going to use it unless you tell me not to. | 0:48:55 | 0:48:58 | |
Don't use the key. | 0:49:04 | 0:49:06 | |
OK. | 0:49:07 | 0:49:09 | |
I'm glad to hear you're there, Sandrine. | 0:49:11 | 0:49:13 | |
If I can call you Sandrine? | 0:49:14 | 0:49:16 | |
I've been looking for you for some time now. | 0:49:19 | 0:49:22 | |
I know you've had a hard time. | 0:49:24 | 0:49:26 | |
I know what you did for your country. | 0:49:29 | 0:49:31 | |
I know what service you've given. | 0:49:32 | 0:49:34 | |
I'm wondering why you've come to this hotel. | 0:49:37 | 0:49:40 | |
It was my father's favourite. | 0:49:43 | 0:49:47 | |
OK. | 0:49:47 | 0:49:49 | |
When we were children, we came here for lunch. | 0:49:49 | 0:49:53 | |
He said they do a very good roast. | 0:49:53 | 0:49:55 | |
And was it? | 0:49:56 | 0:49:58 | |
Yes. | 0:49:59 | 0:50:01 | |
What else? What else was great about it? | 0:50:04 | 0:50:08 | |
There was always a fire. | 0:50:10 | 0:50:12 | |
A real fire. | 0:50:14 | 0:50:15 | |
You loved your father? | 0:50:17 | 0:50:18 | |
Very much. | 0:50:20 | 0:50:22 | |
It was a long time ago. | 0:50:22 | 0:50:25 | |
I've spent three days looking for you. | 0:50:31 | 0:50:35 | |
It's been quite a job. | 0:50:35 | 0:50:37 | |
I got promoted recently and this is one of my first cases. | 0:50:38 | 0:50:42 | |
For three nights I've hardly slept. | 0:50:44 | 0:50:46 | |
Why not? | 0:50:48 | 0:50:50 | |
I don't know. | 0:50:52 | 0:50:53 | |
I had a colleague ask me, | 0:50:53 | 0:50:56 | |
"What does this case mean to you? It's only a case." | 0:50:56 | 0:50:59 | |
And what did you say? | 0:50:59 | 0:51:01 | |
I saw the chance to put something right. | 0:51:05 | 0:51:08 | |
Sandrine? | 0:51:15 | 0:51:16 | |
Sandrine, are you still there? | 0:51:19 | 0:51:22 | |
I'm here. | 0:51:23 | 0:51:24 | |
I took out a terrorist. | 0:51:26 | 0:51:28 | |
Yes. | 0:51:28 | 0:51:30 | |
He was a terrorist. | 0:51:30 | 0:51:32 | |
I know...someone told you that, | 0:51:33 | 0:51:38 | |
and I know why they told you that. | 0:51:38 | 0:51:40 | |
Are you saying that he wasn't? | 0:51:45 | 0:51:47 | |
Sandrine? | 0:51:54 | 0:51:56 | |
Sandrine? | 0:52:01 | 0:52:03 | |
Sandrine? | 0:52:06 | 0:52:09 | |
Sandrine, I'm going to come in now... | 0:52:09 | 0:52:11 | |
BABY CRIES | 0:52:18 | 0:52:20 | |
RINGING | 0:53:27 | 0:53:30 | |
Hello? | 0:53:34 | 0:53:36 | |
Yes? | 0:53:36 | 0:53:37 | |
SHE GASPS | 0:53:50 | 0:53:53 | |
This is a final call for DB162 to Luxembourg, | 0:54:08 | 0:54:11 | |
now boarding at Gate 6. | 0:54:11 | 0:54:13 | |
You OK? | 0:54:26 | 0:54:28 | |
Yeah, I'm managing. | 0:54:28 | 0:54:29 | |
You? | 0:54:29 | 0:54:30 | |
Drink? | 0:54:31 | 0:54:33 | |
Paperwork. | 0:54:33 | 0:54:34 | |
Fine. | 0:54:36 | 0:54:37 | |
..to find herself growing so tremendously tall. | 0:54:53 | 0:54:56 | |
Because of course, it would be easy | 0:54:56 | 0:54:58 | |
enough now to reach the little key... | 0:54:58 | 0:55:00 | |
Goodnight. | 0:55:13 | 0:55:14 | |
Are you sure this is all right? | 0:55:39 | 0:55:41 | |
Certain. | 0:55:41 | 0:55:42 | |
I want to go to dinner with you. | 0:55:42 | 0:55:44 | |
You're missing the vote. | 0:55:46 | 0:55:47 | |
Yeah. | 0:55:47 | 0:55:48 | |
Which makes me a sworn enemy of the leadership of the Labour Party. | 0:55:48 | 0:55:52 | |
Are you OK with that? | 0:55:52 | 0:55:54 | |
I'm at peace if she is. | 0:55:54 | 0:55:56 | |
RINGING | 0:56:26 | 0:56:27 | |
Kip, is that you? | 0:56:31 | 0:56:32 | |
Yeah. | 0:56:32 | 0:56:33 | |
Are you out again tonight? | 0:56:33 | 0:56:35 | |
No, I'm coming home. | 0:56:35 | 0:56:37 | |
Oh, you said two days. | 0:56:37 | 0:56:38 | |
I was one out. | 0:56:40 | 0:56:42 | |
Did you finish the job? Did you get what you wanted? | 0:56:42 | 0:56:44 | |
I got close. | 0:56:46 | 0:56:48 | |
All I want now is sleep. | 0:56:49 | 0:56:50 | |
He's here. | 0:57:01 | 0:57:03 | |
He's here. | 0:57:03 | 0:57:04 | |
You said that is yours. | 0:57:04 | 0:57:05 | |
-Right, OK, enjoy it, mate, all right? -Cheers, mate. | 0:57:05 | 0:57:08 | |
MUSIC: Dem Neva Warn Ya by Stefflon Don | 0:57:11 | 0:57:13 |