Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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You can't catch me! Won't catch me! | 0:00:09 | 0:00:11 | |
110. Still elevated. | 0:00:19 | 0:00:22 | |
Hardly surprising, what you've been through. | 0:00:22 | 0:00:24 | |
No. | 0:00:24 | 0:00:25 | |
You know, there can be a lot of side effects - not just physical. | 0:00:25 | 0:00:29 | |
Anxiety. | 0:00:29 | 0:00:31 | |
Agitation. | 0:00:31 | 0:00:33 | |
Dislocation. | 0:00:33 | 0:00:34 | |
A sense of unreality. | 0:00:34 | 0:00:36 | |
Ladies. | 0:00:41 | 0:00:43 | |
Don't let him get off the end. | 0:00:47 | 0:00:49 | |
I can't believe I did that. | 0:00:51 | 0:00:53 | |
To Jake! | 0:00:53 | 0:00:54 | |
LINO CHUCKLES Of all people. | 0:00:54 | 0:00:56 | |
Get down on the ground. | 0:01:00 | 0:01:01 | |
On the ground, now! | 0:01:01 | 0:01:03 | |
HE CHUCKLES | 0:01:03 | 0:01:05 | |
How are you? Yeah... | 0:01:05 | 0:01:07 | |
Get down on the ground, mate. | 0:01:07 | 0:01:09 | |
I'll get down on the ground. I'll get... | 0:01:09 | 0:01:10 | |
Ooh, a clean-shaven officer. | 0:01:10 | 0:01:13 | |
That's what I like. | 0:01:13 | 0:01:15 | |
HE CHUCKLES | 0:01:15 | 0:01:17 | |
How? Explain to me how this happened. | 0:01:17 | 0:01:21 | |
We were in pursuit. | 0:01:21 | 0:01:22 | |
Suspected drug dealer. | 0:01:22 | 0:01:23 | |
He was high, sir. | 0:01:23 | 0:01:24 | |
Completely off his face. Uncontrollable. | 0:01:24 | 0:01:27 | |
I'm a Taser officer. I need you to put that down. | 0:01:27 | 0:01:30 | |
"I'm a Taser officer. I need you to put that down." | 0:01:30 | 0:01:33 | |
If you don't put that down, I'm authorised to shoot you. | 0:01:33 | 0:01:36 | |
Put that down now. | 0:01:36 | 0:01:38 | |
You're not going to shoot me. | 0:01:39 | 0:01:41 | |
'The suspect was brandishing a weapon. | 0:01:41 | 0:01:43 | |
'Donna was the Taser officer. | 0:01:43 | 0:01:45 | |
'As far as I'm concerned, she followed all correct protocols...' | 0:01:45 | 0:01:48 | |
I'm going to... Taser! Taser! Taser! | 0:01:49 | 0:01:51 | |
HE GROANS | 0:01:51 | 0:01:53 | |
Don't move. Stay on the ground. | 0:01:59 | 0:02:01 | |
You shot me! | 0:02:01 | 0:02:03 | |
'What happened next was entirely unpredictable.' | 0:02:04 | 0:02:06 | |
Sorry to interrupt, sir. | 0:02:08 | 0:02:09 | |
There's been a bit of an incident. on the pier. It's Jake. | 0:02:09 | 0:02:12 | |
Stay down. I'm warning you. Just stay down. | 0:02:13 | 0:02:16 | |
No, wait! | 0:02:16 | 0:02:17 | |
THEY GROAN | 0:02:18 | 0:02:20 | |
Oh! | 0:02:23 | 0:02:24 | |
Hey! | 0:02:51 | 0:02:52 | |
You all right? Sorry. | 0:02:57 | 0:02:59 | |
I shouldn't have jumped in. | 0:03:01 | 0:03:02 | |
No need to apologise, mate. She loved it. | 0:03:02 | 0:03:05 | |
Yeah, well, it's not every day you get to shoot the boss's son. | 0:03:05 | 0:03:09 | |
Trust me - you're going to be the talk of the division. | 0:03:09 | 0:03:11 | |
You're a legend! LINO CHUCKLES | 0:03:11 | 0:03:14 | |
What? Come on! | 0:03:14 | 0:03:16 | |
Just stop! | 0:03:16 | 0:03:18 | |
SIREN WAILS | 0:04:15 | 0:04:18 | |
I have a jewellery box in my bedroom. | 0:04:29 | 0:04:32 | |
And the other one must've gone up there | 0:04:33 | 0:04:36 | |
while I was in the garden with the boy... | 0:04:36 | 0:04:39 | |
looking for his dog. | 0:04:39 | 0:04:41 | |
Yeah, I'm not sure there was a dog. | 0:04:41 | 0:04:42 | |
But he had a lead - a red lead in his hand. | 0:04:44 | 0:04:47 | |
I-I saw it. | 0:04:47 | 0:04:48 | |
Doesn't mean there was a dog. | 0:04:48 | 0:04:50 | |
Maybe he just said that to get you out the house | 0:04:50 | 0:04:53 | |
while his friend went upstairs. | 0:04:53 | 0:04:55 | |
Mrs Simpson... | 0:04:57 | 0:04:58 | |
Oh, Tilly, dear. | 0:04:58 | 0:05:00 | |
Tilly. Er, did you notice anything about the boys? | 0:05:00 | 0:05:05 | |
Clothes? Height? | 0:05:05 | 0:05:07 | |
Er...I don't know. I didn't really... | 0:05:07 | 0:05:10 | |
Oh! They had a motorbike. | 0:05:12 | 0:05:14 | |
Younger one had long hair and the other had a red T-shirt. | 0:05:14 | 0:05:19 | |
I-I can't believe I let them in. | 0:05:19 | 0:05:21 | |
CLOCK CHIMES | 0:05:23 | 0:05:25 | |
HE GROANS HAPPILY | 0:05:34 | 0:05:36 | |
Bene! Right, OK, we'll get on to local inquiries... | 0:05:38 | 0:05:41 | |
Is that a hot-water crust? | 0:05:41 | 0:05:43 | |
You know your pastry. | 0:05:43 | 0:05:45 | |
My nonna makes a rabbit pie - pasticcio di coniglio - | 0:05:45 | 0:05:49 | |
almost as good as yours. | 0:05:49 | 0:05:51 | |
Donna? | 0:05:51 | 0:05:52 | |
Vegetarian. Oh. | 0:05:55 | 0:05:57 | |
Yeah. Yeah, we'll see if anyone saw anything. | 0:05:57 | 0:05:59 | |
My Bill. | 0:06:01 | 0:06:03 | |
He'd have known how to deal with those boys. | 0:06:03 | 0:06:06 | |
We were married for 50 years. | 0:06:06 | 0:06:08 | |
On the market. | 0:06:13 | 0:06:14 | |
OK. Thanks. | 0:06:14 | 0:06:17 | |
Right. CSI will be here within half an hour, so we'll just hang on. | 0:06:17 | 0:06:21 | |
Make sure we preserve any prints or DNA for them. | 0:06:21 | 0:06:24 | |
RADIO: 'Any patrol, please, for an immediate graded call | 0:06:24 | 0:06:26 | |
'to the Joy of Ink Tattoo Parlour...' | 0:06:26 | 0:06:28 | |
VOLUME DECREASES | 0:06:28 | 0:06:30 | |
'Reports of a violent disturbance.' | 0:06:30 | 0:06:32 | |
SHE SIGHS | 0:06:39 | 0:06:41 | |
SIREN WAILS | 0:06:41 | 0:06:43 | |
Stop it. | 0:06:47 | 0:06:48 | |
Control, this is Kilo 220. Show us state six. Over. | 0:06:48 | 0:06:51 | |
What's going on? A customer. He's gone completely... | 0:06:51 | 0:06:55 | |
Look at crazy man! | 0:06:55 | 0:06:57 | |
THEY SHOUT INDISTINCTLY | 0:07:02 | 0:07:04 | |
Get off him. Back away now! | 0:07:04 | 0:07:07 | |
Back away! Stay back. | 0:07:07 | 0:07:09 | |
Stay back. Come on! Come on! | 0:07:09 | 0:07:12 | |
Come on. Come on! Jake! You want some more? Jake! | 0:07:12 | 0:07:16 | |
Jake! Jake, for God's sake, come on. | 0:07:20 | 0:07:23 | |
Come on, then! | 0:07:23 | 0:07:24 | |
HE EXHALES LOUDLY | 0:07:42 | 0:07:45 | |
And we're going to keep you here, pending further forensic analysis | 0:07:58 | 0:08:02 | |
on the substances we found on you, OK? | 0:08:02 | 0:08:04 | |
Can't exactly say how long. | 0:08:06 | 0:08:07 | |
The time... | 0:08:07 | 0:08:09 | |
Pete, you want to listen to me? | 0:08:09 | 0:08:10 | |
The time and my consciousness are one... | 0:08:10 | 0:08:14 | |
travelling together. | 0:08:14 | 0:08:15 | |
We're going to use your door keys to access your property. | 0:08:16 | 0:08:20 | |
To cross frontiers to the... | 0:08:20 | 0:08:22 | |
To the flesh of the universe. | 0:08:22 | 0:08:25 | |
You all right with that, are you? | 0:08:25 | 0:08:27 | |
Rather than us breaking your door down... | 0:08:27 | 0:08:29 | |
SHE GASPS | 0:08:32 | 0:08:33 | |
I see you. | 0:08:36 | 0:08:38 | |
Lost. | 0:08:38 | 0:08:39 | |
Blocked. | 0:08:40 | 0:08:41 | |
But you hold the key that unlocks your own enlightenment. | 0:08:43 | 0:08:47 | |
I'm your trip guide. | 0:08:48 | 0:08:49 | |
Your psychic travel agent. | 0:08:51 | 0:08:55 | |
HE CHUCKLES | 0:08:56 | 0:08:57 | |
Excellent. Thank you very much. | 0:08:57 | 0:08:59 | |
And we'll come and sort out those security measures for you, OK? | 0:09:05 | 0:09:08 | |
It will be a uniformed officer | 0:09:08 | 0:09:10 | |
but you make sure you check his ID before you let him in. | 0:09:10 | 0:09:12 | |
Yes. You're very kind. | 0:09:12 | 0:09:15 | |
Tilly, Control have just told me | 0:09:15 | 0:09:16 | |
this is the third time you've been burgled. | 0:09:16 | 0:09:18 | |
Yes. Yes, I think so. | 0:09:20 | 0:09:22 | |
You ever thought about moving somewhere | 0:09:22 | 0:09:24 | |
with a bit more support, Tilly? | 0:09:24 | 0:09:26 | |
Sheltered accommodation or... | 0:09:26 | 0:09:27 | |
You sound like Martha, my daughter. | 0:09:27 | 0:09:30 | |
Always on about bungalow... Basingstoke... | 0:09:30 | 0:09:33 | |
You're not keen, then? | 0:09:33 | 0:09:34 | |
I've lived off this land all my life. | 0:09:34 | 0:09:37 | |
Two stupid little boys won't scare me off. | 0:09:37 | 0:09:39 | |
You'll have to carry me out, feet first. | 0:09:40 | 0:09:43 | |
All right, Tilly. | 0:09:43 | 0:09:44 | |
Oh! | 0:09:44 | 0:09:46 | |
I nearly forgot... | 0:09:46 | 0:09:47 | |
(Be nice.) | 0:09:49 | 0:09:51 | |
SHE MOUTHS | 0:09:51 | 0:09:52 | |
(You're not...) FOOTSTEPS APPROACH | 0:09:52 | 0:09:55 | |
There you are. | 0:09:55 | 0:09:56 | |
Martha made it for me. | 0:09:56 | 0:09:58 | |
It's a record - my jewellery. | 0:09:58 | 0:10:01 | |
I'll show you what's missing. | 0:10:01 | 0:10:03 | |
That'll be really useful, Tilly. We'll make sure this gets to CID. | 0:10:03 | 0:10:06 | |
12,843 results for a gold locket. | 0:10:19 | 0:10:24 | |
Needle in a haystack? | 0:10:24 | 0:10:25 | |
First you've got to find your haystack. | 0:10:25 | 0:10:27 | |
HE SIGHS | 0:10:28 | 0:10:30 | |
Three times last night. | 0:10:36 | 0:10:39 | |
Can't keep up the pace. | 0:10:39 | 0:10:41 | |
Sandy not pregnant yet? | 0:10:41 | 0:10:42 | |
It's not for dint of trying. | 0:10:42 | 0:10:45 | |
She's all fallopians and fertility windows. | 0:10:45 | 0:10:47 | |
But what about me, eh? | 0:10:47 | 0:10:49 | |
Oh, I'm just expected to perform, | 0:10:49 | 0:10:51 | |
on demand. | 0:10:51 | 0:10:52 | |
A...gigolo. | 0:10:52 | 0:10:55 | |
Carl... Mm? | 0:11:05 | 0:11:07 | |
Do you ever feel, like... | 0:11:09 | 0:11:10 | |
..blocked? | 0:11:12 | 0:11:13 | |
Bran flakes, every time. | 0:11:13 | 0:11:15 | |
No, just, you know, the... | 0:11:15 | 0:11:18 | |
Your conscious...ness... | 0:11:18 | 0:11:22 | |
You all right? | 0:11:24 | 0:11:25 | |
No. | 0:11:25 | 0:11:26 | |
RYAN: You froze. | 0:11:32 | 0:11:34 | |
I didn't. | 0:11:34 | 0:11:35 | |
So, why didn't you jump in, then? | 0:11:35 | 0:11:36 | |
Well, I tried that on the pier, didn't I? Nearly got fried. | 0:11:36 | 0:11:40 | |
Anyway, I-I was keeping a reactionary gap. | 0:11:42 | 0:11:44 | |
You know, a distance between me and... | 0:11:44 | 0:11:46 | |
BOTH: The violent offender. | 0:11:46 | 0:11:47 | |
Yeah, I know the theory. It doesn't really work in practice, though, does it? | 0:11:47 | 0:11:51 | |
By the time you get your head out the textbook, they've smashed each other's faces in. | 0:11:51 | 0:11:54 | |
What were they fighting about, anyway? | 0:11:56 | 0:11:58 | |
JAKE CHUCKLES | 0:12:03 | 0:12:04 | |
Your son's been arrested for possession with intent to supply | 0:12:05 | 0:12:08 | |
and I have written authority to search this address for evidence. | 0:12:08 | 0:12:11 | |
Any questions? | 0:12:13 | 0:12:14 | |
Peter wouldn't be involved in all this. | 0:12:14 | 0:12:16 | |
He's a student. | 0:12:16 | 0:12:18 | |
He is doing his PhD. | 0:12:18 | 0:12:19 | |
Oh, in what? | 0:12:19 | 0:12:21 | |
Pure and applied chemistry. | 0:12:21 | 0:12:22 | |
He's always been so very bright. | 0:12:22 | 0:12:25 | |
Even at primary school, they noticed him. G and T. | 0:12:25 | 0:12:29 | |
Sorry? "Gifted and talented". | 0:12:29 | 0:12:32 | |
My husband used to call him our little inventor. | 0:12:32 | 0:12:35 | |
Always beavering away in the garage. | 0:12:35 | 0:12:37 | |
PHONE LINE RINGS OUT | 0:13:30 | 0:13:33 | |
I have to see you... | 0:13:38 | 0:13:40 | |
..tonight. | 0:13:42 | 0:13:43 | |
No, I don't think that's possible. | 0:13:46 | 0:13:48 | |
It's not an operational imperative. | 0:13:53 | 0:13:55 | |
Could you bring it up at the next SMT? | 0:14:03 | 0:14:06 | |
Mm. | 0:14:06 | 0:14:07 | |
You can go if you need to. | 0:14:11 | 0:14:13 | |
I could pop back in after dinner, if you're sure. | 0:14:15 | 0:14:18 | |
A-ha. | 0:14:19 | 0:14:20 | |
MUSIC: Drops by Jungle | 0:14:40 | 0:14:42 | |
# When you're so high, you | 0:14:42 | 0:14:47 | |
# Don't think | 0:14:47 | 0:14:49 | |
# When you fall from the sky, you | 0:14:51 | 0:14:55 | |
# Won't break | 0:14:55 | 0:14:57 | |
# So come down from the clouds | 0:15:00 | 0:15:02 | |
# Come down | 0:15:04 | 0:15:06 | |
# So come down from the clouds | 0:15:08 | 0:15:11 | |
# Come down | 0:15:13 | 0:15:15 | |
# When you're so high, you | 0:15:18 | 0:15:22 | |
# Don't think... # | 0:15:22 | 0:15:25 | |
HORN HONKS | 0:15:26 | 0:15:27 | |
# When you fall from the sky, you | 0:15:27 | 0:15:31 | |
# Won't break | 0:15:31 | 0:15:33 | |
# I've been loving you | 0:15:35 | 0:15:37 | |
# Too long | 0:15:39 | 0:15:41 | |
# I've been loving you for | 0:15:44 | 0:15:47 | |
# Too long | 0:15:49 | 0:15:50 | |
# Hm-hm | 0:16:10 | 0:16:11 | |
# Hm-hm | 0:16:12 | 0:16:14 | |
# Hm-hm | 0:16:17 | 0:16:18 | |
# Hm-hm | 0:16:27 | 0:16:28 | |
# Hm-hm | 0:16:28 | 0:16:30 | |
# Hm-hm. # | 0:16:30 | 0:16:32 | |
OK, OK, team four. We're not done yet. | 0:16:37 | 0:16:40 | |
OK, so, erm... HE CLEARS THROAT | 0:16:41 | 0:16:43 | |
Today's doughnuts, courtesy of... | 0:16:43 | 0:16:47 | |
..Student Constable Vickers. | 0:16:49 | 0:16:50 | |
CRIES OF APPROVAL | 0:16:50 | 0:16:52 | |
Ah-ah-ah. | 0:16:53 | 0:16:55 | |
An electrifying arrest. HE CHUCKLES | 0:16:55 | 0:17:00 | |
And for those of you that didn't see it live... | 0:17:00 | 0:17:03 | |
we have here an action replay. | 0:17:03 | 0:17:05 | |
I don't know if I want to see this. | 0:17:06 | 0:17:08 | |
Team four at its finest. | 0:17:08 | 0:17:10 | |
'Put that down now. | 0:17:10 | 0:17:11 | |
'You're not going to shoot me. | 0:17:11 | 0:17:14 | |
'Taser. Taser. Taser.' LINO: Don't do it... | 0:17:14 | 0:17:16 | |
300 hits and counting. HE CHUCKLES | 0:17:16 | 0:17:20 | |
Don't be stupid. | 0:17:20 | 0:17:21 | |
Drumroll. | 0:17:21 | 0:17:23 | |
Drumroll. Get ready. | 0:17:23 | 0:17:24 | |
50,000 volts? Someone want 50,000 volts? | 0:17:24 | 0:17:27 | |
Here we go, here we go... | 0:17:27 | 0:17:28 | |
THEY CHEER | 0:17:28 | 0:17:30 | |
And then see this. | 0:17:30 | 0:17:32 | |
Watch him now... | 0:17:32 | 0:17:33 | |
Er... HE CLEARS THROAT | 0:17:38 | 0:17:40 | |
Sir? | 0:17:43 | 0:17:44 | |
Sit down. Sit down. | 0:17:46 | 0:17:49 | |
Carry on. | 0:17:49 | 0:17:50 | |
Erm... | 0:17:50 | 0:17:52 | |
Er, DS Moffat, you had something... | 0:17:53 | 0:17:55 | |
Boss. Sir. | 0:17:55 | 0:17:57 | |
Quick request before you head out. | 0:17:58 | 0:18:01 | |
For those of you who don't know, this is Peter Foyles, | 0:18:01 | 0:18:03 | |
also known as Red Pete. He's an alleged drug dealer. | 0:18:03 | 0:18:06 | |
Now, I have him in custody and we're building a case while we wait for the results from the drugs lab. | 0:18:06 | 0:18:10 | |
In the meantime, can you ask around whether people on the street | 0:18:10 | 0:18:13 | |
know him and what he's selling? Thank you. | 0:18:13 | 0:18:15 | |
Did I really sound like that? Yeah, you did. | 0:18:15 | 0:18:17 | |
Oh, and if you do seize any bags | 0:18:17 | 0:18:19 | |
similar to the ones he's been manufacturing, just be careful, | 0:18:19 | 0:18:22 | |
as ideally I want to take fingerprints | 0:18:22 | 0:18:23 | |
to try and connect him to the drugs supply. Thanks a lot. Cheers. | 0:18:23 | 0:18:26 | |
Let's do it. Come on. | 0:18:26 | 0:18:28 | |
One for the road? | 0:18:29 | 0:18:31 | |
Take mine. Go on. | 0:18:31 | 0:18:33 | |
Not two! | 0:18:33 | 0:18:35 | |
Cheers, Jake. Are you going to do this once a week? | 0:18:35 | 0:18:37 | |
Yeah, yeah. No worries. | 0:18:37 | 0:18:39 | |
They giving you a hard time? | 0:18:48 | 0:18:49 | |
Bit of banter. It's fine. | 0:18:49 | 0:18:51 | |
I, er, heard you found your mum last night. | 0:18:53 | 0:18:56 | |
Yeah. She was in a bit of a state. | 0:18:56 | 0:18:59 | |
Mm. Yeah. Work called. She said it was all right for me to go. | 0:18:59 | 0:19:02 | |
She would say that, wouldn't she? | 0:19:02 | 0:19:04 | |
You know what she's like - brave face. | 0:19:04 | 0:19:06 | |
I think we should talk to the doctor | 0:19:07 | 0:19:09 | |
about getting her some different anti-emetics... I'm onto that. | 0:19:09 | 0:19:11 | |
Look, it's brilliant | 0:19:20 | 0:19:22 | |
that you've come back home. | 0:19:22 | 0:19:24 | |
That you're there for her. | 0:19:24 | 0:19:26 | |
Means a lot to her. | 0:19:26 | 0:19:28 | |
To both of us. | 0:19:29 | 0:19:31 | |
That, however... | 0:19:35 | 0:19:36 | |
..is shocking. | 0:19:38 | 0:19:39 | |
Landlord reckoned he came in about midnight. | 0:20:57 | 0:21:00 | |
Paid in cash. | 0:21:00 | 0:21:01 | |
On his own? | 0:21:04 | 0:21:05 | |
No. With a lady. | 0:21:05 | 0:21:07 | |
She left by herself around two hours later. | 0:21:09 | 0:21:12 | |
No wallet? Car keys? | 0:21:16 | 0:21:18 | |
Nothing. | 0:21:18 | 0:21:19 | |
Put the call in to the MPLO. See if anyone's reported him missing. | 0:21:23 | 0:21:27 | |
Sand... Look, I can't guarantee I'll be back, | 0:21:35 | 0:21:37 | |
but I'll be home as soon as I can. | 0:21:37 | 0:21:39 | |
Sand... | 0:21:40 | 0:21:41 | |
Babe, listen... I can't make any promises - you know that - | 0:21:49 | 0:21:52 | |
but some fatty's died in the saddle and I'm stuck here with the boss. | 0:21:52 | 0:21:57 | |
Hey... Oh, come on, you know what Felix is like. | 0:22:01 | 0:22:05 | |
He's hardly Mr Family Man. | 0:22:05 | 0:22:07 | |
MACHINE BEEPS | 0:22:12 | 0:22:13 | |
Can you explain to me | 0:22:30 | 0:22:31 | |
why we found drug manufacturing equipment in your mother's garage? | 0:22:31 | 0:22:35 | |
No... | 0:22:35 | 0:22:36 | |
comment. | 0:22:36 | 0:22:37 | |
For the benefit of the tape, I'm showing the suspect exhibit JM1. | 0:22:39 | 0:22:43 | |
Are these yours? No comment. | 0:22:43 | 0:22:44 | |
What are they? No comment. | 0:22:44 | 0:22:46 | |
How much do you charge for them, and who are you selling them to? | 0:22:46 | 0:22:49 | |
No comment. OK, great. Interview terminated at 1500 hours. | 0:22:49 | 0:22:53 | |
Already? Intense. | 0:22:53 | 0:22:55 | |
Oh, don't worry. We will be interviewing you again | 0:22:55 | 0:22:57 | |
when we get the results back from the lab. | 0:22:57 | 0:22:59 | |
(I haven't done anything wrong.) | 0:22:59 | 0:23:01 | |
So, your mum's sick? | 0:23:06 | 0:23:07 | |
Yep. | 0:23:11 | 0:23:12 | |
Cancer. | 0:23:13 | 0:23:14 | |
What kind? | 0:23:16 | 0:23:17 | |
Lung. | 0:23:17 | 0:23:18 | |
Prognosis? | 0:23:21 | 0:23:23 | |
Too early to tell. | 0:23:23 | 0:23:25 | |
How's she coping? | 0:23:27 | 0:23:28 | |
Mainly by being furious. HE CHUCKLES | 0:23:29 | 0:23:32 | |
Already sworn at the Macmillan woman! | 0:23:32 | 0:23:34 | |
Difficult patient, then? | 0:23:34 | 0:23:37 | |
Not really. She just... | 0:23:37 | 0:23:39 | |
She likes being in control. | 0:23:39 | 0:23:40 | |
The old man might be the boss at work, but at home she wears the... | 0:23:42 | 0:23:45 | |
Ryan... | 0:23:45 | 0:23:46 | |
Oh, no. No way. | 0:23:47 | 0:23:49 | |
SIREN WAILS Not having that. | 0:23:49 | 0:23:50 | |
Your collar, Jake. | 0:23:51 | 0:23:53 | |
Control, this is Kilo 220 for a vehicle PNC check. | 0:23:54 | 0:23:59 | |
Dukes Mount, code two... | 0:23:59 | 0:24:00 | |
Know why we pulled you over? | 0:24:00 | 0:24:02 | |
Slow day? | 0:24:02 | 0:24:03 | |
You were riding without a helmet. | 0:24:05 | 0:24:07 | |
Hey, do I know you? | 0:24:07 | 0:24:08 | |
Don't think so. | 0:24:10 | 0:24:12 | |
I do. I recognise you. You... | 0:24:12 | 0:24:13 | |
You used to surf, man. | 0:24:15 | 0:24:17 | |
Shoreham. Yeah... You and me, bro. | 0:24:18 | 0:24:21 | |
Remember? We shared some line-ups... | 0:24:21 | 0:24:23 | |
Yeah. Maybe. Caught a break or two back in the day. Few dawn patrols. | 0:24:23 | 0:24:26 | |
Well, you can't drive on a public highway without a helmet, so... | 0:24:26 | 0:24:29 | |
Yeah. Look, man, I'm sorry about that. I forgot it. | 0:24:29 | 0:24:32 | |
I'm still acclimatising, you know? Acclimatising? | 0:24:32 | 0:24:35 | |
Yeah. Culture shock, you know? | 0:24:35 | 0:24:36 | |
Just got back from six months on Siargao Island. It's... | 0:24:36 | 0:24:41 | |
It's basic. But, oh, it is paradise. | 0:24:41 | 0:24:44 | |
Killer reefs. | 0:24:44 | 0:24:46 | |
RADIO: 'Kilo 220, vehicle is confirmed as a Vespa scooter. | 0:24:46 | 0:24:50 | |
'No reports of it lost or stolen.' | 0:24:50 | 0:24:52 | |
I'm going have to give you a traffic offence report. | 0:24:52 | 0:24:55 | |
You're giving me a ticket? | 0:24:55 | 0:24:57 | |
The Central Ticket Office will write to you offering you a fine, | 0:24:57 | 0:24:59 | |
a course or a court date. | 0:24:59 | 0:25:01 | |
And you'll have to push that bike home. | 0:25:05 | 0:25:07 | |
Know what, man? You've changed. | 0:25:11 | 0:25:14 | |
Who are you, Mr Pixelated? | 0:25:29 | 0:25:30 | |
Ain't on the fingerprint database, no-one's reported you missing... | 0:25:32 | 0:25:35 | |
Briefcase... Mm. | 0:25:36 | 0:25:37 | |
Recognise her? | 0:25:41 | 0:25:42 | |
Yep. | 0:25:42 | 0:25:43 | |
She goes by the name of Pearl. | 0:25:43 | 0:25:45 | |
Don't think I need to tell you what she does for a living. | 0:25:46 | 0:25:49 | |
They're going to need a big fridge. | 0:25:53 | 0:25:55 | |
Cos, er... | 0:25:58 | 0:26:00 | |
th-that's what they say, isn't it? | 0:26:00 | 0:26:01 | |
That the average size of coffins has, er, | 0:26:01 | 0:26:05 | |
doubled... | 0:26:05 | 0:26:06 | |
PHONE CHIMES | 0:26:08 | 0:26:10 | |
'Scuse me, boss. | 0:26:10 | 0:26:12 | |
Oh. The old lady's jewellery's turned up online. | 0:26:15 | 0:26:18 | |
I'll, er... | 0:26:20 | 0:26:21 | |
I'll respond to the, er... | 0:26:21 | 0:26:24 | |
Donna, it's Carl. | 0:26:38 | 0:26:40 | |
I've got an address for your distraction burglars. | 0:26:41 | 0:26:45 | |
Ashwell's Yard. | 0:26:45 | 0:26:46 | |
Yeah. | 0:26:46 | 0:26:47 | |
Listen... Right, watch your back. I know this family. | 0:26:47 | 0:26:51 | |
Nicked the boys myself several times. | 0:26:51 | 0:26:53 | |
Trust me, they can get rough. | 0:26:53 | 0:26:54 | |
Remind you of home? | 0:27:01 | 0:27:02 | |
Yeah, this is just like Italy. | 0:27:02 | 0:27:04 | |
That's them. | 0:27:17 | 0:27:20 | |
Gavers! | 0:27:20 | 0:27:21 | |
HE PANTS | 0:27:32 | 0:27:34 | |
Kilo 230, this is a priority call. | 0:27:44 | 0:27:47 | |
I have a male making off on foot at Ashwell's Yard. | 0:27:47 | 0:27:49 | |
Suspect is Sean Ashwell, wanted for burglary. | 0:27:49 | 0:27:52 | |
Any units to assist? | 0:27:52 | 0:27:54 | |
On the ground! On the ground now! | 0:27:57 | 0:27:59 | |
Get on the ground now! | 0:27:59 | 0:28:01 | |
Lino. Lino, I need... | 0:28:01 | 0:28:02 | |
Ah! | 0:28:02 | 0:28:03 | |
SHE GROANS Are you OK? You all right? | 0:28:05 | 0:28:08 | |
Are you OK? | 0:28:08 | 0:28:09 | |
The suspect...is a loss over the perimeter fence, | 0:28:11 | 0:28:16 | |
towards the A283. | 0:28:16 | 0:28:18 | |
HE PANTS | 0:28:18 | 0:28:19 | |
My colleague has been booted in the face. | 0:28:19 | 0:28:22 | |
She is conscious and breathing... | 0:28:22 | 0:28:24 | |
Where the hell were you? | 0:28:24 | 0:28:26 | |
RADIO: 'Roger that, Kilo 230. Do you require an ambulance? | 0:28:26 | 0:28:29 | |
Stop. | 0:28:32 | 0:28:33 | |
I've got a warrant to search your premises. Hey! | 0:28:33 | 0:28:35 | |
What do you want? I'll have that. | 0:28:37 | 0:28:39 | |
Get off it. That's my bag. Let's have a look. Let's have a look. | 0:28:39 | 0:28:41 | |
What's this? | 0:28:43 | 0:28:44 | |
This yours? | 0:28:46 | 0:28:47 | |
This you, is it? This your husband? What are you doing? | 0:28:49 | 0:28:52 | |
Get away from me. I'm arresting you on suspicion of handling stolen goods. | 0:28:52 | 0:28:55 | |
There she is. There she is. | 0:29:01 | 0:29:03 | |
There she is. | 0:29:03 | 0:29:04 | |
Hello, Pearl. HE CHUCKLES | 0:29:04 | 0:29:06 | |
Pearl. | 0:29:09 | 0:29:10 | |
Pearl! | 0:29:10 | 0:29:11 | |
Don't know why you're asking me. I don't know what you're talking about. | 0:29:16 | 0:29:19 | |
Oaklea Bed and Breakfast. Your client died. You left the scene. | 0:29:19 | 0:29:23 | |
What client? PHONE RINGS | 0:29:23 | 0:29:25 | |
Yeah, hello. | 0:29:27 | 0:29:29 | |
Fat bloke. | 0:29:29 | 0:29:30 | |
Looked like he liked pies. | 0:29:31 | 0:29:33 | |
Pies and prostitutes. | 0:29:34 | 0:29:36 | |
What's he done now? | 0:29:38 | 0:29:39 | |
Look, I'm working at the moment - I can't get out of it. | 0:29:41 | 0:29:43 | |
Pearl, come on, don't make this hard on yourself. We know you were there. | 0:29:44 | 0:29:48 | |
I wasn't there! I told you, it wasn't me... Really? | 0:29:48 | 0:29:50 | |
Right, well, so... | 0:29:50 | 0:29:51 | |
Who is... | 0:29:51 | 0:29:53 | |
Who's that? | 0:29:53 | 0:29:54 | |
Could be anyone. | 0:29:56 | 0:29:58 | |
My hair's not like that. She looks a right state. | 0:29:58 | 0:30:00 | |
OK. Thank you. Bye. | 0:30:02 | 0:30:04 | |
You all right, boss? | 0:30:04 | 0:30:05 | |
If you don't cooperate, I'll be sending patrol cars | 0:30:08 | 0:30:10 | |
up and down your street every five minutes - understand? | 0:30:10 | 0:30:13 | |
I only took the cash I was owed. | 0:30:19 | 0:30:21 | |
That's all. | 0:30:24 | 0:30:25 | |
Just what I was owed. | 0:30:27 | 0:30:29 | |
DI Kane. | 0:30:37 | 0:30:39 | |
Can you put a name though PNC and the local system for me, please? | 0:30:39 | 0:30:43 | |
KC Malone. | 0:30:44 | 0:30:45 | |
Do you know who he was? | 0:30:50 | 0:30:51 | |
That's what we're trying to find out. | 0:30:51 | 0:30:54 | |
So, it's not a, er... | 0:30:54 | 0:30:56 | |
Not a regular client, then, no? | 0:30:56 | 0:30:57 | |
We were...right in the middle of it, you know? | 0:31:04 | 0:31:08 | |
He went a funny colour, | 0:31:10 | 0:31:13 | |
made this weird noise... | 0:31:13 | 0:31:14 | |
It was awful. SHE SOBS | 0:31:16 | 0:31:18 | |
She's pretty. | 0:31:24 | 0:31:26 | |
My daughter. Oh, right, I didn't know you had... | 0:31:26 | 0:31:28 | |
She's got one of her own now - Lexi. | 0:31:28 | 0:31:30 | |
That's a nice name. | 0:31:32 | 0:31:33 | |
So, where do they live? | 0:31:34 | 0:31:36 | |
Please... | 0:31:39 | 0:31:41 | |
I don't want any trouble. | 0:31:41 | 0:31:42 | |
I just want my script. | 0:31:43 | 0:31:45 | |
Please - I just need my methadone. | 0:31:46 | 0:31:48 | |
Kevin Malone. Shoreham-by-Sea. | 0:31:50 | 0:31:52 | |
Verbal warning last year for kerb-crawling. | 0:31:53 | 0:31:56 | |
Deputy head? | 0:31:56 | 0:31:57 | |
Also, er... | 0:31:59 | 0:32:00 | |
Married with two kids. | 0:32:02 | 0:32:03 | |
SHE GROANS | 0:32:13 | 0:32:14 | |
I'm sorry. It's all right. | 0:32:16 | 0:32:18 | |
Look, it's my choice. My risk. | 0:32:24 | 0:32:26 | |
I shouldn't have run ahead. Just trying to catch the bad guy. | 0:32:26 | 0:32:29 | |
And, er... | 0:32:36 | 0:32:38 | |
just so you know, I... | 0:32:38 | 0:32:39 | |
I am going to get back into shape. | 0:32:40 | 0:32:42 | |
I'm going to go to the gym. Double my training. | 0:32:42 | 0:32:44 | |
I know you will. | 0:32:47 | 0:32:48 | |
Yeah, that's fine. I'll hold. | 0:33:01 | 0:33:02 | |
Oh, you... | 0:33:13 | 0:33:15 | |
Damn it. Damn it! | 0:33:21 | 0:33:23 | |
All right. Turn around. Turn around. | 0:33:23 | 0:33:25 | |
Thank you. Good to go. | 0:33:25 | 0:33:27 | |
I need to see the doctor. Yeah, I know. | 0:33:29 | 0:33:32 | |
I need something. | 0:33:32 | 0:33:33 | |
Come on. Pearl, sit down, be quiet. | 0:33:33 | 0:33:35 | |
HE SIGHS Timed this well. | 0:33:37 | 0:33:39 | |
Right. Book her in, then you can head to Shoreham, do the death knock. | 0:33:39 | 0:33:43 | |
I need to clock off early tonight, boss. I did mention it. | 0:33:43 | 0:33:46 | |
You need to inform the family of the victim's death. But I can't. | 0:33:46 | 0:33:49 | |
It's Madison's... | 0:33:51 | 0:33:53 | |
She's my youngest - it's her birthday, | 0:33:53 | 0:33:55 | |
and I promised the family I'd get home on time...for once. | 0:33:55 | 0:33:58 | |
I'll see you in the morning. | 0:34:00 | 0:34:02 | |
So, you're not coming with me? | 0:34:02 | 0:34:03 | |
Boss, listen, I know that something's come up for you - | 0:34:06 | 0:34:10 | |
and it is none of my business, I know - but... | 0:34:10 | 0:34:14 | |
..Felix, I really need to get back to my family tonight. | 0:34:16 | 0:34:19 | |
Please. | 0:34:21 | 0:34:22 | |
Just do your job, DC Hawkins. | 0:34:26 | 0:34:28 | |
GATE BUZZES | 0:34:31 | 0:34:33 | |
We've had the results back from the lab | 0:34:46 | 0:34:48 | |
and they tested negative for controlled substances. | 0:34:48 | 0:34:51 | |
You're going to be charged with affray, | 0:34:51 | 0:34:53 | |
but released without charge for the drugs. | 0:34:53 | 0:34:55 | |
At this time, we intend to take no further action against you | 0:34:55 | 0:34:57 | |
relating to these offences. You are now free to go. | 0:34:57 | 0:35:00 | |
I tried to tell you... | 0:35:00 | 0:35:01 | |
I did nothing wrong. | 0:35:01 | 0:35:03 | |
Yeah, well, I don't agree, but then what do I know? | 0:35:03 | 0:35:06 | |
I'm not "gifted" or "talented". | 0:35:07 | 0:35:11 | |
I don't understand what chemicals you use, | 0:35:11 | 0:35:12 | |
what compounds you copy, how you keep it all legal. | 0:35:12 | 0:35:16 | |
But I do know one thing... | 0:35:16 | 0:35:18 | |
Legislation moves forward. | 0:35:19 | 0:35:21 | |
Laws change. | 0:35:21 | 0:35:23 | |
I will catch up with you. | 0:35:25 | 0:35:27 | |
Bye. | 0:35:32 | 0:35:33 | |
GATE BUZZES | 0:35:40 | 0:35:42 | |
Cheers, Shaz. | 0:35:43 | 0:35:44 | |
There. Thanks. | 0:35:46 | 0:35:47 | |
Corey used to do all that - | 0:35:49 | 0:35:51 | |
surfing. | 0:35:51 | 0:35:53 | |
Now he just chucks himself off tall buildings. | 0:35:53 | 0:35:55 | |
Ah. Parkour. | 0:35:55 | 0:35:57 | |
I don't care what it's called. It's bloody stupid. | 0:35:58 | 0:36:01 | |
His mother would be turning in her grave. | 0:36:05 | 0:36:07 | |
RADIO: 'Any patrol, please, for an immediate graded call | 0:36:17 | 0:36:19 | |
'to 24A, Princeton Drive. | 0:36:19 | 0:36:21 | |
'The landlady has reported a suicide.' | 0:36:21 | 0:36:24 | |
I got four lodgers in the house. 22 years - not a problem. | 0:36:29 | 0:36:33 | |
But this one? Always in arrears. He hasn't paid the rent in months. | 0:36:33 | 0:36:38 | |
I came here to give him notice to quit. | 0:36:38 | 0:36:41 | |
Control, this is Kilo 220. The male is deceased. Evidence of suicide. | 0:36:41 | 0:36:46 | |
Come outside with me. I'll take some details. What am I going to do about my money, then? | 0:36:46 | 0:36:49 | |
Can you inform the duty DI? I'm going to need CSI at this location. | 0:36:49 | 0:36:53 | |
I've got so much to pay for, you wouldn't believe it. | 0:36:53 | 0:36:56 | |
How could he do this? | 0:36:56 | 0:36:57 | |
MAN SNEEZES, JAKE GASPS | 0:37:28 | 0:37:30 | |
Ryan? | 0:37:32 | 0:37:33 | |
Shit! | 0:37:38 | 0:37:39 | |
'So, now, we're either Tasering each other | 0:37:40 | 0:37:42 | |
'or mistaking people for corpses.' | 0:37:42 | 0:37:44 | |
No wonder everyone out there thinks we're useless, incompetent and uncaring. | 0:37:44 | 0:37:48 | |
Let's not make it easy for them. | 0:37:49 | 0:37:51 | |
Boss, it was a confusing situation. | 0:37:51 | 0:37:55 | |
The suicide victim... That wasn't... | 0:37:55 | 0:37:57 | |
He thought his landlady was going to chuck him out. | 0:37:59 | 0:38:01 | |
He was trying to make her feel sorry for him. | 0:38:01 | 0:38:04 | |
Oh, great plan(!) | 0:38:04 | 0:38:05 | |
Except she called an ambulance, | 0:38:05 | 0:38:07 | |
and he didn't know when to stop pretending. | 0:38:07 | 0:38:09 | |
Probably just before they nailed down the coffin lid. | 0:38:09 | 0:38:12 | |
Right. Well, as you can imagine, | 0:38:14 | 0:38:16 | |
I've just had a very embarrassing conversation with CSI, | 0:38:16 | 0:38:20 | |
explaining why they weren't needed, and sent my apologies to the FME... | 0:38:20 | 0:38:25 | |
who were all very impressed with our police work(!) | 0:38:25 | 0:38:30 | |
Boss, he poured fake blood everywhere. | 0:38:30 | 0:38:33 | |
Hundreds of suicide notes. | 0:38:33 | 0:38:34 | |
Honestly, I-I couldn't... I couldn't find a pulse. | 0:38:35 | 0:38:38 | |
This is Inspector Webb. | 0:38:44 | 0:38:45 | |
Are you smiling? | 0:38:57 | 0:38:58 | |
No. | 0:39:00 | 0:39:01 | |
Take this is as a learning opportunity. | 0:39:01 | 0:39:04 | |
Don't take anything for granted. | 0:39:05 | 0:39:07 | |
Check everything twice. | 0:39:07 | 0:39:08 | |
Everyone can make mistakes. | 0:39:10 | 0:39:12 | |
Even you? | 0:39:12 | 0:39:13 | |
Don't push it. | 0:39:15 | 0:39:16 | |
You can't keep doing this, Dad. | 0:39:46 | 0:39:48 | |
I have to work. | 0:39:48 | 0:39:50 | |
They look after you now. | 0:39:50 | 0:39:51 | |
It's what we decided - remember? | 0:39:53 | 0:39:55 | |
Are you listening, Dad? | 0:40:08 | 0:40:09 | |
No. | 0:40:09 | 0:40:10 | |
No. | 0:40:12 | 0:40:13 | |
NO! | 0:40:13 | 0:40:15 | |
HE BREATHES HEAVILY | 0:40:47 | 0:40:49 | |
HE SLURPS | 0:41:07 | 0:41:09 | |
HE COUGHS | 0:41:09 | 0:41:10 | |
TOY SQUEAKS | 0:41:32 | 0:41:33 | |
I'm sorry. I'm sorry. | 0:41:44 | 0:41:46 | |
I had to go to Shoreham. | 0:41:50 | 0:41:51 | |
Ruin a family's evening. | 0:41:53 | 0:41:55 | |
Break their hearts. | 0:41:55 | 0:41:56 | |
How was it? | 0:42:01 | 0:42:02 | |
Oh, er... | 0:42:03 | 0:42:04 | |
mental. | 0:42:04 | 0:42:06 | |
Screaming. Cake...Vomit. | 0:42:07 | 0:42:11 | |
SHE CHUCKLES Yeah, they loved it. | 0:42:11 | 0:42:13 | |
Maddie? She's in bed. | 0:42:15 | 0:42:17 | |
I put her in the bath. She was nearly half asleep already. | 0:42:17 | 0:42:19 | |
She had a lovely time. | 0:42:24 | 0:42:25 | |
Yeah, and I missed it. | 0:42:26 | 0:42:27 | |
I'll make it up to you. | 0:42:42 | 0:42:43 | |
Oh, er, are you going to have a shower? Yeah. Yeah. | 0:42:46 | 0:42:49 | |
Er... Well, don't take too long. I've taken my basal temperature. | 0:42:49 | 0:42:53 | |
Good. Good. | 0:42:53 | 0:42:54 | |
Er... Right - ready when you are. | 0:42:54 | 0:42:56 | |
Oh, come on, gorgeous! We only want to see your Elgin marbles... | 0:43:04 | 0:43:07 | |
That's assault! | 0:43:07 | 0:43:08 | |
Touch me again, I'll perform a citizen's arrest. | 0:43:08 | 0:43:11 | |
I told you. Step away from each other. Now! | 0:43:11 | 0:43:14 | |
Oh, come on. | 0:43:15 | 0:43:16 | |
Nice to see you've got such authority. | 0:43:19 | 0:43:21 | |
It's all right, mate, they've lost interest in you. | 0:43:21 | 0:43:25 | |
Nice helmet! | 0:43:25 | 0:43:26 | |
It's a hat. | 0:43:26 | 0:43:28 | |
RADIO: 'Any unit for an immediate graded call | 0:43:28 | 0:43:30 | |
'to Burr Farm, Chisenhale Lane, for intruders on the premises. | 0:43:30 | 0:43:34 | |
'Elderly female caller reports intruders inside her house. | 0:43:34 | 0:43:37 | |
'The caller is the victim of a distraction burglary yesterday.' | 0:43:37 | 0:43:41 | |
SIREN WAILS | 0:43:41 | 0:43:42 | |
This is Kilo 230. Can you show us state five to that request, please. | 0:43:42 | 0:43:46 | |
'We were at the address yesterday. | 0:43:46 | 0:43:48 | |
'We're leaving Marine Parade now | 0:43:48 | 0:43:50 | |
'and our ETA to Burr Farm should be approximately ten minutes. Over. | 0:43:50 | 0:43:54 | |
'Received, Kilo 230. Are any other units available to assist? Over. | 0:43:54 | 0:43:58 | |
'Kilo 220. Show us state five to that. Our ETA is 15 minutes.' | 0:43:58 | 0:44:03 | |
They're here. They're back. | 0:44:03 | 0:44:05 | |
'Stay calm. I'll need some more information.' | 0:44:05 | 0:44:07 | |
Please. Please send someone. | 0:44:09 | 0:44:14 | |
'My name's Karen. Can I call you Tilly?' | 0:44:14 | 0:44:16 | |
Oh, yes. Yes. 'OK, Tilly. The police are on their way to you. | 0:44:17 | 0:44:20 | |
'In the meantime, I need to ask you some questions. | 0:44:20 | 0:44:22 | |
'Where are you in the house? Can you get to somewhere safe, | 0:44:22 | 0:44:25 | |
'like a bathroom, where you can lock the door?' | 0:44:25 | 0:44:28 | |
BANGING | 0:44:28 | 0:44:29 | |
No...I-I can't. | 0:44:29 | 0:44:32 | |
I can't. They're in the house. | 0:44:32 | 0:44:35 | |
'OK, tell me what's happening.' | 0:44:35 | 0:44:37 | |
'When you said, "They're in the house," how many do you mean, Tilly? | 0:44:42 | 0:44:45 | |
'Tilly?' | 0:44:46 | 0:44:47 | |
DIALLING TONE | 0:44:50 | 0:44:52 | |
'All units attending Burr Farm, we've lost contact with the caller.' | 0:44:52 | 0:44:56 | |
CLOCK CHIMES | 0:45:04 | 0:45:06 | |
RADIO: 'State six received. Over.' | 0:45:15 | 0:45:16 | |
This is Kilo 230. Show us state six at Burr Farm. Over. | 0:45:16 | 0:45:20 | |
Tilly. | 0:45:24 | 0:45:26 | |
Tilly...look at me. | 0:45:26 | 0:45:28 | |
Can you hear me, mate? Give me the gun. | 0:45:28 | 0:45:31 | |
Please? Can you hear me? Look at me. Look at me. | 0:45:31 | 0:45:34 | |
Give it to me, Tilly. | 0:45:34 | 0:45:36 | |
That's it. That's it. | 0:45:36 | 0:45:38 | |
It's all right. It's all right, mate. | 0:45:41 | 0:45:43 | |
Request ambulance. Request ambulance. | 0:45:47 | 0:45:49 | |
Control, I have recovered a shotgun from the caller. | 0:45:49 | 0:45:51 | |
'It looks like this weapon has been used to shoot a young male in the house. | 0:45:51 | 0:45:55 | |
'I have the female householder detained safely.' | 0:45:55 | 0:45:57 | |
That's it. Next right. | 0:45:58 | 0:46:01 | |
Right. | 0:46:01 | 0:46:02 | |
Control, this is Kilo 220. Show us... | 0:46:04 | 0:46:07 | |
Whoa, stop, stop, stop. | 0:46:07 | 0:46:08 | |
Please. Please help my brother. Please! | 0:46:10 | 0:46:13 | |
Please, please. He's been shot. She shot him. | 0:46:13 | 0:46:16 | |
You go! I'll stay with him. | 0:46:16 | 0:46:18 | |
Calm down, all right? Tell me what happened. | 0:46:18 | 0:46:21 | |
M-My colleague is still applying pressure. | 0:46:23 | 0:46:26 | |
No. Still no response. | 0:46:27 | 0:46:30 | |
Tilly, look at me. It's all right. | 0:46:30 | 0:46:32 | |
The ambulance is on its way. It's going to be all right. | 0:46:32 | 0:46:35 | |
Just look at me. CPR? | 0:46:35 | 0:46:36 | |
On... On what? | 0:46:36 | 0:46:38 | |
No, er, no signs of life... | 0:46:41 | 0:46:44 | |
RYAN: It's OK, Jake. | 0:46:53 | 0:46:54 | |
It's all right. | 0:47:02 | 0:47:04 | |
Stop. | 0:47:04 | 0:47:05 | |
Just stop. | 0:47:07 | 0:47:08 | |
All right? | 0:47:09 | 0:47:10 | |
It's... It's too late. | 0:47:13 | 0:47:15 | |
SIREN WAILS | 0:47:39 | 0:47:42 | |
Are you sure it's my man? | 0:47:55 | 0:47:57 | |
Tall, wiry, swinging some kind of walking stick, cane thing... | 0:47:57 | 0:48:01 | |
MUSIC: Warrior's Dance by Prodigy | 0:48:11 | 0:48:14 | |
# Come with me to the dancefloor | 0:48:26 | 0:48:30 | |
# You and me, cos that's what it's... # | 0:48:30 | 0:48:32 | |
Returned so soon? | 0:48:49 | 0:48:50 | |
Hmm. | 0:48:50 | 0:48:52 | |
I'm arresting you on suspicion of maliciously administering poison, | 0:48:53 | 0:48:56 | |
so as to endanger life or inflict grievous bodily harm. | 0:48:56 | 0:48:59 | |
Tilly... | 0:49:02 | 0:49:03 | |
I'm arresting you on suspicion of murder. | 0:49:05 | 0:49:08 | |
You do not have to say anything, but it may harm your defence | 0:49:08 | 0:49:10 | |
if you fail to mention when questioned | 0:49:10 | 0:49:12 | |
something you later rely on in court. | 0:49:12 | 0:49:15 | |
Anything you do say may be given in evidence. | 0:49:15 | 0:49:18 | |
ENGINE STARTS | 0:49:25 | 0:49:28 | |
SIREN WAILS | 0:49:28 | 0:49:30 | |
PHONE RINGS | 0:51:22 | 0:51:24 | |
Hey, Mum. | 0:51:32 | 0:51:34 | |
'Don't you "hey" me.' | 0:51:34 | 0:51:35 | |
What have you said to your father? | 0:51:35 | 0:51:36 | |
He's fussing around me like Florence Nightingale. | 0:51:36 | 0:51:39 | |
'Jake?' | 0:51:43 | 0:51:45 | |
Er, I don't know. | 0:51:45 | 0:51:46 | |
'What do you mean, you don't know?' | 0:51:47 | 0:51:49 | |
Jake? What's the matter? What's going on? | 0:51:52 | 0:51:54 | |
Nothing, Mum. It's... It's all good. | 0:51:54 | 0:51:57 | |
Bit damp? | 0:52:17 | 0:52:18 | |
Just washing off the blood. | 0:52:20 | 0:52:22 | |
Yeah, I heard. | 0:52:23 | 0:52:24 | |
Are you all right? | 0:52:24 | 0:52:26 | |
Mm. | 0:52:26 | 0:52:27 | |
Still, I know something that'll cheer you up. | 0:52:30 | 0:52:33 | |
I saw you online. | 0:52:34 | 0:52:35 | |
JAKE CHUCKLES | 0:52:35 | 0:52:37 | |
Getting Tasered. Mm. | 0:52:37 | 0:52:39 | |
I like to entertain. Oh, you did. | 0:52:39 | 0:52:41 | |
If you want to sue the police... | 0:52:51 | 0:52:54 | |
(you've got my number.) | 0:52:54 | 0:52:55 | |
MUSIC: Winter Fields by Bat for Lashes | 0:53:05 | 0:53:07 | |
The third time she's been burgled. | 0:53:23 | 0:53:25 | |
I know. | 0:53:26 | 0:53:27 | |
Third time. | 0:53:28 | 0:53:30 | |
What did we offer her? | 0:53:32 | 0:53:33 | |
A little chain across her front door. | 0:53:34 | 0:53:37 | |
# Hurtling through heavy snow | 0:54:01 | 0:54:05 | |
# Our hands are cold and the moon sets low | 0:54:05 | 0:54:09 | |
# Little sister, let your sharp teeth show | 0:54:09 | 0:54:12 | |
# Pass winter fields | 0:54:12 | 0:54:15 | |
# Stop the car by the old wire post | 0:54:17 | 0:54:21 | |
# Scaredy rabbits make good paper ghosts | 0:54:21 | 0:54:25 | |
# That lick the salt off the Sussex coast | 0:54:25 | 0:54:28 | |
# And fall into winter fields | 0:54:28 | 0:54:32 | |
# Rows | 0:54:32 | 0:54:36 | |
# Of white | 0:54:36 | 0:54:38 | |
# Spelled our escape in the old torchlights | 0:54:39 | 0:54:46 | |
# Oh, Mother, I'm scared to close my eyes | 0:54:49 | 0:54:54 | |
# Some winter dreams | 0:54:55 | 0:54:58 | |
# Make you dive and dive | 0:54:58 | 0:55:02 | |
# And dive down | 0:55:02 | 0:55:06 | |
# In sub zero, I can't stand still | 0:55:21 | 0:55:25 | |
# Colours of absence flooding the hill | 0:55:25 | 0:55:29 | |
# In wonderment, I trip and spill | 0:55:29 | 0:55:32 | |
# Through winter fields | 0:55:32 | 0:55:36 | |
# Under the stairs taps the metronome | 0:55:37 | 0:55:40 | |
# The diver suit that we've all outgrown | 0:55:41 | 0:55:45 | |
# I need to get to where the wild things roam | 0:55:45 | 0:55:48 | |
# Through all of my winter dreams | 0:55:48 | 0:55:52 | |
# Rows | 0:55:52 | 0:55:56 | |
# Of white | 0:55:56 | 0:55:58 | |
# Spelled our escaped in the old torchlights. # | 0:55:59 | 0:56:06 | |
CARL: Sometimes those mistakes spiral out of control | 0:56:18 | 0:56:21 | |
and you think that it's over, that it's irreversible. | 0:56:21 | 0:56:23 | |
But the thing that you learn... | 0:56:23 | 0:56:25 | |
is that there's always a way back. | 0:56:25 | 0:56:27 | |
Unless you go over the edge. | 0:56:27 | 0:56:29 | |
Let's have a house party! We are not having a house party. | 0:57:15 | 0:57:18 | |
I don't want people having sex in my bedroom. | 0:57:18 | 0:57:20 | |
A policy you've stuck to for the last year. | 0:57:20 | 0:57:22 | |
Life for Josh never runs smoothly... | 0:57:22 | 0:57:25 |