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And you really think that's acceptable behaviour? | 0:00:03 | 0:00:07 | |
Broad daylight? | 0:00:07 | 0:00:08 | |
Kids, old people walking past? | 0:00:08 | 0:00:10 | |
A public toilet just down there in the park. | 0:00:10 | 0:00:13 | |
Why didn't you use that? | 0:00:13 | 0:00:14 | |
Needed a waz. I was desperate, man. | 0:00:14 | 0:00:16 | |
So desperate you had to urinate all over this man's shop-front? | 0:00:16 | 0:00:19 | |
Don't care. Don't like fruit. | 0:00:19 | 0:00:22 | |
(Oh...God.) | 0:00:22 | 0:00:24 | |
HE SLURPS NOISILY | 0:00:29 | 0:00:31 | |
Mmmm, delicious(!) | 0:00:31 | 0:00:33 | |
It is. Actually. | 0:00:33 | 0:00:34 | |
Yeah, I can see that from the way you look like you want to throw up | 0:00:34 | 0:00:37 | |
every time you take a sip. | 0:00:37 | 0:00:40 | |
So you ready for tonight? Big date? | 0:00:40 | 0:00:42 | |
Yeah. Yep. Yeah, yeah, yep. Totally. | 0:00:42 | 0:00:45 | |
What? | 0:00:45 | 0:00:46 | |
It's just... I don't know what she's expecting. | 0:00:47 | 0:00:50 | |
If I need to do any prep or... | 0:00:50 | 0:00:51 | |
-Prep? -Yeah. | 0:00:51 | 0:00:53 | |
Y'know, what do I need to know about her? | 0:00:53 | 0:00:56 | |
I told you, there's nothing to know. | 0:00:56 | 0:00:58 | |
Alice used to work with her sister. | 0:01:02 | 0:01:03 | |
She's looking for a bit of fun. | 0:01:03 | 0:01:05 | |
Whoa...! | 0:01:07 | 0:01:08 | |
Control, this is Kilo Two Three Zero. | 0:01:17 | 0:01:21 | |
Priority call, all units, we have an escaped prisoner on Nunhead Road. | 0:01:21 | 0:01:25 | |
Nah, no way. | 0:01:28 | 0:01:29 | |
Can't do this. Humiliatin', man. | 0:01:29 | 0:01:31 | |
-POLICE RADIO: -'Lee McNair, dark trousers, dark top, about six foot, | 0:01:31 | 0:01:34 | |
'has exited the rear doors of a prison escort van | 0:01:34 | 0:01:37 | |
'which were blown out using an explosive. | 0:01:37 | 0:01:39 | |
'The male has got onto a motorbike and is heading north.' | 0:01:39 | 0:01:43 | |
'Control this is Kilo Two Three Zero. | 0:01:51 | 0:01:53 | |
'We have sight of the black motorbike. | 0:01:53 | 0:01:55 | |
'Registration number Alpha Juliet Five Eight November Golf Victor.' | 0:01:55 | 0:01:59 | |
The motorbike is heading towards Woodingdean | 0:01:59 | 0:02:01 | |
travelling at speeds in excess of six-zero miles per hour. | 0:02:01 | 0:02:03 | |
Kilo Two Three Zero, this is Inspector Webb, | 0:02:03 | 0:02:05 | |
you do not have authority to break the speed limit. | 0:02:05 | 0:02:08 | |
-'Boss, it's McNair!' -Understood. | 0:02:08 | 0:02:10 | |
'You are authorised to follow the subject vehicle | 0:02:10 | 0:02:12 | |
'at speeds and in a manner consistent with the Highway Code.' | 0:02:12 | 0:02:15 | |
Kilo Two Three Zero are at the scene. | 0:02:17 | 0:02:19 | |
Please keep this channel clear unless priority. | 0:02:19 | 0:02:22 | |
'This is South Sussex Police, | 0:02:22 | 0:02:24 | |
'we have an ongoing incident with a prison van break-out. | 0:02:24 | 0:02:26 | |
Ground units are following a suspect vehicle - a motorbike. | 0:02:26 | 0:02:29 | |
Can you provide air support? | 0:02:29 | 0:02:31 | |
20 minutes...? | 0:02:31 | 0:02:32 | |
'This is Kilo Two Three Zero, | 0:02:32 | 0:02:34 | |
'we are heading north onto Dalton Hill. | 0:02:34 | 0:02:36 | |
Kilo Two Three Zero, air support has been requested. | 0:02:36 | 0:02:38 | |
'Please continue with commentary' | 0:02:38 | 0:02:40 | |
while you have the vehicle in sight.' | 0:02:40 | 0:02:42 | |
The weather is clear, the road is dry. | 0:02:45 | 0:02:47 | |
Control, this is Kilo Two Two Zero, | 0:02:47 | 0:02:49 | |
we're approaching the south side of Dalton Hill. | 0:02:49 | 0:02:52 | |
Prison van break out, sir. Motorbike. | 0:02:53 | 0:02:55 | |
I've authorised a follow. NPAS are 20 minutes away. | 0:02:55 | 0:02:58 | |
Divisional Commander Vickers, South Sussex. | 0:02:58 | 0:03:00 | |
I am requesting an urgent NPAS. | 0:03:00 | 0:03:02 | |
This is a priority call. | 0:03:02 | 0:03:03 | |
This is Kilo Two Two Zero, we are in position. | 0:03:06 | 0:03:09 | |
'Stand by, Kilo Two Two Zero.' | 0:03:09 | 0:03:11 | |
'He's going over the crest of Dalton Hill - you eyes-on yet?' | 0:03:11 | 0:03:15 | |
OK, got him. | 0:03:15 | 0:03:16 | |
Control, we have eyes on the subject vehicle. | 0:03:16 | 0:03:18 | |
No, I do not have 20 minutes for a transit, I need a chopper here now. | 0:03:20 | 0:03:24 | |
Control, this is Kilo Two Two Zero, | 0:03:24 | 0:03:26 | |
subject vehicle is 20... | 0:03:26 | 0:03:28 | |
30 metres ahead of us. | 0:03:28 | 0:03:29 | |
70 miles away. Insufficient fuel. | 0:03:30 | 0:03:32 | |
-COMMS: -'Permission to engage?' | 0:03:32 | 0:03:34 | |
They need to increase their speed, sir. | 0:03:34 | 0:03:35 | |
Nah, it's too high risk to engage. | 0:03:39 | 0:03:40 | |
I have to consider the vulnerability of the rider. | 0:03:40 | 0:03:42 | |
A bank robber? | 0:03:42 | 0:03:44 | |
Abort. | 0:03:45 | 0:03:46 | |
Abort. | 0:03:47 | 0:03:48 | |
'All units involved, this is Inspector Webb.' | 0:03:58 | 0:04:00 | |
You do not have authority to pursue a motorbike. | 0:04:00 | 0:04:04 | |
We do not have air support at this time. | 0:04:04 | 0:04:06 | |
'All units to acknowledge, over.' | 0:04:06 | 0:04:08 | |
Come on! | 0:04:08 | 0:04:09 | |
MOTORBIKE ACCELERATES | 0:04:09 | 0:04:12 | |
SIREN CONTINUES | 0:04:17 | 0:04:19 | |
It's a loss. | 0:04:19 | 0:04:20 | |
'A loss, a loss.' | 0:04:20 | 0:04:22 | |
We had an abandoned 999 call from this address. | 0:05:23 | 0:05:26 | |
Can we come in, please? | 0:05:26 | 0:05:27 | |
I'm sorry. | 0:05:27 | 0:05:29 | |
It's a mistake. | 0:05:29 | 0:05:30 | |
Even if it's a mistake, | 0:05:32 | 0:05:33 | |
we still need to check. | 0:05:33 | 0:05:35 | |
Find out who called the police. | 0:05:35 | 0:05:38 | |
Are you sure you're OK? | 0:05:39 | 0:05:41 | |
< Tell 'em we don't need 'em. | 0:05:43 | 0:05:44 | |
I'm all right. | 0:05:47 | 0:05:49 | |
Really. | 0:05:49 | 0:05:50 | |
Thank you. | 0:05:52 | 0:05:53 | |
If you don't let us in, | 0:05:57 | 0:05:59 | |
we can use our own powers of entry to come in anyway, all right? | 0:05:59 | 0:06:02 | |
Just open the door for me, please? | 0:06:02 | 0:06:04 | |
Thank you. | 0:06:11 | 0:06:13 | |
TV: SCREAMING AND GUNFIRE | 0:06:33 | 0:06:39 | |
Do you want a tea. | 0:06:47 | 0:06:48 | |
I'm all right. Thanks. | 0:06:48 | 0:06:50 | |
Do you remember I came here before? | 0:06:53 | 0:06:55 | |
Couple of weeks ago? | 0:06:55 | 0:06:56 | |
The neighbours heard you screaming. | 0:06:56 | 0:06:59 | |
And it wasn't the first time. | 0:06:59 | 0:07:00 | |
They don't like us. | 0:07:02 | 0:07:04 | |
The little one. | 0:07:05 | 0:07:06 | |
The noise. | 0:07:06 | 0:07:08 | |
They were worried about you. | 0:07:08 | 0:07:10 | |
I'm worried about you. | 0:07:15 | 0:07:17 | |
Why did you call us, Stacey? | 0:07:21 | 0:07:23 | |
You made an emergency call to the police. | 0:07:24 | 0:07:26 | |
You must've wanted us to come here. | 0:07:27 | 0:07:30 | |
Those red marks on your face... | 0:07:32 | 0:07:34 | |
How did you get them? | 0:07:36 | 0:07:38 | |
I don't know. | 0:07:38 | 0:07:39 | |
You don't know? | 0:07:40 | 0:07:42 | |
I had a drink. I know I shouldn't. | 0:07:44 | 0:07:47 | |
I fell over. | 0:07:50 | 0:07:51 | |
You hit the door? | 0:07:53 | 0:07:55 | |
Is that what you're saying? | 0:07:56 | 0:07:58 | |
Can you just get him out of here? | 0:08:07 | 0:08:08 | |
All right. | 0:08:13 | 0:08:14 | |
It's all right. | 0:08:15 | 0:08:17 | |
So what happened here? | 0:08:20 | 0:08:22 | |
See him. Camper. | 0:08:24 | 0:08:26 | |
Sets himself up, waits for me to come along. | 0:08:26 | 0:08:28 | |
Then blows me brains out. | 0:08:29 | 0:08:31 | |
Look, I've asked you... | 0:08:31 | 0:08:33 | |
Leave your game for a minute and tell me what happened here. | 0:08:33 | 0:08:36 | |
I'll tell you what happened. | 0:08:39 | 0:08:41 | |
She went mental, like she always does. | 0:08:41 | 0:08:43 | |
What d'you mean, "mental"? | 0:08:43 | 0:08:45 | |
She's a head-case, mate. | 0:08:45 | 0:08:48 | |
She's been on them anti-depressants for months. | 0:08:48 | 0:08:50 | |
Makes no difference. She gets all worked up and goes for me. | 0:08:50 | 0:08:53 | |
So you're saying that Stacey attacked you? | 0:08:53 | 0:08:55 | |
We were having words. | 0:08:55 | 0:08:56 | |
She starts screaming, kicking out. I tried to get away, but... | 0:08:56 | 0:08:59 | |
..you know what birds are like, mate. | 0:09:00 | 0:09:02 | |
Vodka and hormones. | 0:09:02 | 0:09:03 | |
You stay in here a second, Reece, | 0:09:15 | 0:09:17 | |
I need to have a chat with my colleague. | 0:09:17 | 0:09:19 | |
So what do we do? | 0:09:27 | 0:09:28 | |
Obviously, the priority is to get him away from her. | 0:09:28 | 0:09:31 | |
And how do we do that? | 0:09:31 | 0:09:34 | |
Nick him on suspicion of assault, criminal damage... | 0:09:34 | 0:09:37 | |
Get a female officer down here, | 0:09:37 | 0:09:39 | |
talk to her, try and get a statement. | 0:09:39 | 0:09:41 | |
Good. | 0:09:41 | 0:09:44 | |
You see the doors? | 0:09:44 | 0:09:45 | |
He's taken off all the handles, | 0:09:49 | 0:09:50 | |
so she can't shut herself in the room, hide from him. | 0:09:50 | 0:09:53 | |
Congratulations, we're trending(!) | 0:10:01 | 0:10:03 | |
#lockyourdoors. | 0:10:03 | 0:10:05 | |
"Hapless police lose dangerous prisoner!" | 0:10:05 | 0:10:07 | |
-We did our best. -You think that makes a difference? | 0:10:09 | 0:10:11 | |
In half an hour, this nick'll be crawling with brass | 0:10:11 | 0:10:13 | |
and a load of hacks cutting and pasting their headlines. | 0:10:13 | 0:10:16 | |
"Keystone Cops at it again". | 0:10:16 | 0:10:18 | |
Why do they always write that? | 0:10:18 | 0:10:20 | |
What are the Keystone Cops, anyway? | 0:10:20 | 0:10:22 | |
Silent film comedies featuring a gang of policemen | 0:10:22 | 0:10:25 | |
known for their incompetence. | 0:10:25 | 0:10:27 | |
Boss, what do you want us to do? | 0:10:29 | 0:10:31 | |
I don't know. | 0:10:31 | 0:10:33 | |
Find him. | 0:10:33 | 0:10:35 | |
Today! | 0:10:35 | 0:10:36 | |
Three muggings in two weeks. | 0:10:47 | 0:10:49 | |
The first two picked up on CCTV, | 0:10:49 | 0:10:51 | |
this last one called in by a member of the public. | 0:10:51 | 0:10:54 | |
I was jumped when I was a kid. | 0:10:56 | 0:10:58 | |
50p dinner money and a Curly Wurly. | 0:10:58 | 0:11:01 | |
Do they still have Curly Wurlys? | 0:11:01 | 0:11:02 | |
All the kids who were attacked were from the same school. | 0:11:04 | 0:11:08 | |
None of them reported the crime. | 0:11:08 | 0:11:10 | |
Right. | 0:11:12 | 0:11:14 | |
Time to visit Lord Snooty's Academy for Over-Privileged Young Gents. | 0:11:14 | 0:11:18 | |
I'm a celebrity, mate. | 0:11:27 | 0:11:29 | |
And remember, you don't have to stay here | 0:11:51 | 0:11:53 | |
if you don't want to. | 0:11:53 | 0:11:55 | |
My mum won't have us. | 0:11:55 | 0:11:58 | |
Well, we can move you and Tyler to a refuge? | 0:11:58 | 0:12:00 | |
Or if you do want to stay, we can change the locks, | 0:12:03 | 0:12:06 | |
place a panic alarm, sort out a safety plan. | 0:12:06 | 0:12:09 | |
I don't know. | 0:12:11 | 0:12:12 | |
You have a think, and I'll be back in a minute. All right? | 0:12:13 | 0:12:17 | |
-Did you get one of the door? -Yep. | 0:12:19 | 0:12:22 | |
She's had too much to drink to get a statement now. | 0:12:23 | 0:12:25 | |
So I'll have to wait. Try again tomorrow. | 0:12:25 | 0:12:27 | |
-You all right to finish up here? -Course. -Excellent. | 0:12:27 | 0:12:29 | |
I've got to convince her to go into hospital - | 0:12:29 | 0:12:31 | |
get her injuries looked at, photographed. Cheers. | 0:12:31 | 0:12:34 | |
Yeah, I'll hold. | 0:12:41 | 0:12:42 | |
Do you mind? | 0:12:44 | 0:12:46 | |
'Lee McNair, a convicted armed robber | 0:12:51 | 0:12:54 | |
'who was being escorted to court this morning has escaped.' | 0:12:54 | 0:12:58 | |
Your dad doesn't look too happy. | 0:12:59 | 0:13:01 | |
'We don't believe McNair poses a risk to the public...' | 0:13:01 | 0:13:03 | |
Mum reckons he does that thing with his eyebrow when he's stressed. | 0:13:03 | 0:13:06 | |
'..not to approach him but call 999 immediately if you see Lee McNair.' | 0:13:06 | 0:13:11 | |
You know, my kids' school... | 0:13:44 | 0:13:47 | |
have to hold a raffle every time they want to buy new text books. | 0:13:47 | 0:13:50 | |
Obviously, we need these boys' names, | 0:14:00 | 0:14:02 | |
so we can start taking their statements. | 0:14:02 | 0:14:04 | |
As I think I've already explained, | 0:14:04 | 0:14:07 | |
I've not asked for police involvement in this matter. | 0:14:07 | 0:14:11 | |
Now as far as I'm concerned, it's been dealt with internally. | 0:14:11 | 0:14:14 | |
-Internally? -Mm. | 0:14:14 | 0:14:16 | |
The muggers are still out there, sir. | 0:14:16 | 0:14:18 | |
There's other kids still at risk of being attacked. | 0:14:19 | 0:14:21 | |
Yeah. And to that end we've taken precautionary measures. | 0:14:21 | 0:14:25 | |
-Such as? -We've advised the students not to carry valuables | 0:14:28 | 0:14:32 | |
and to cover their uniforms with hoodies when they're out in town. | 0:14:32 | 0:14:36 | |
Which is all well and good, | 0:14:36 | 0:14:37 | |
but we'll still need the names of the boys. | 0:14:37 | 0:14:39 | |
Well, I'm sorry, but that's not something that I can help you with. | 0:14:39 | 0:14:44 | |
You want to protect the school's reputation? | 0:14:47 | 0:14:50 | |
Yes, I suppose. | 0:14:50 | 0:14:52 | |
How do you think that reputation would be affected | 0:14:52 | 0:14:54 | |
if I were to march you out of here in handcuffs? | 0:14:54 | 0:14:57 | |
I'm sorry? | 0:15:00 | 0:15:01 | |
In front of your students, | 0:15:01 | 0:15:03 | |
your staff, | 0:15:03 | 0:15:05 | |
prospective parents... | 0:15:05 | 0:15:07 | |
I don't understand. | 0:15:07 | 0:15:09 | |
I will arrest you for obstructing police enquiries, | 0:15:09 | 0:15:13 | |
if you do not give me the names of the boys in your school | 0:15:13 | 0:15:16 | |
who have been mugged. | 0:15:16 | 0:15:17 | |
Now do you understand? | 0:15:19 | 0:15:20 | |
Were you really going to arrest him? | 0:15:31 | 0:15:33 | |
No. | 0:15:35 | 0:15:36 | |
Control, this is Kilo Two Three Zero, | 0:15:49 | 0:15:51 | |
we've located a burnt-out vehicle on Spithandle Lane. | 0:15:51 | 0:15:55 | |
Early indications it's from the prison-van escape. | 0:15:55 | 0:15:57 | |
Can we have CSI to the scene, please, | 0:15:57 | 0:15:59 | |
and can you alert the Duty Detective Sergeant? | 0:15:59 | 0:16:01 | |
And although my client fully recognises | 0:16:04 | 0:16:06 | |
the seriousness of the offence | 0:16:06 | 0:16:08 | |
-and takes full responsibility... -I haven't done nothing wrong! | 0:16:08 | 0:16:11 | |
Unfortunately, he seems to be deviating from the text. | 0:16:11 | 0:16:14 | |
I would ask your worship to consider my client's | 0:16:16 | 0:16:18 | |
intellectual impairment as a mitigating factor. | 0:16:18 | 0:16:22 | |
In addition to his diagnosis of dyslexia, ADHD... | 0:16:22 | 0:16:25 | |
You calling me stupid? | 0:16:25 | 0:16:27 | |
My client has been medically evaluated as having | 0:16:27 | 0:16:29 | |
significant difficulties controlling | 0:16:29 | 0:16:31 | |
his impulsive urges. | 0:16:31 | 0:16:33 | |
Don't call me thick! | 0:16:33 | 0:16:35 | |
Out of the way, please. | 0:16:49 | 0:16:52 | |
'Scuse me, please. | 0:17:09 | 0:17:10 | |
Leave my boy alone! | 0:17:10 | 0:17:12 | |
WOMAN SHOUTING | 0:17:12 | 0:17:15 | |
Get off me! Get off me! | 0:17:18 | 0:17:20 | |
Calm down. You're just making it worse for yourself. | 0:17:20 | 0:17:23 | |
-What you arresting me for? -Let's start with escaping lawful custody. | 0:17:23 | 0:17:26 | |
Add the charge of ABH. | 0:17:26 | 0:17:28 | |
You know, you can be having the worst day ever - | 0:17:40 | 0:17:43 | |
and then this happens. | 0:17:43 | 0:17:45 | |
MORETTI LAUGHS | 0:17:45 | 0:17:47 | |
-A ray of hope. -Do you think he cried? | 0:17:47 | 0:17:50 | |
I HOPE he cried. | 0:17:50 | 0:17:51 | |
THEY LAUGH | 0:17:51 | 0:17:53 | |
Right. Pinch the top. | 0:17:53 | 0:17:56 | |
That's it. | 0:17:56 | 0:17:58 | |
Got to stop the bleeding. | 0:17:58 | 0:18:00 | |
Your colleagues are laughing at me. | 0:18:00 | 0:18:03 | |
Especially the fat one. | 0:18:05 | 0:18:07 | |
Do you want to come back to the station, make a statement now? | 0:18:08 | 0:18:11 | |
Last thing I want to do, thank you very much. | 0:18:11 | 0:18:13 | |
I would like to go home, close the door | 0:18:14 | 0:18:18 | |
and drink myself into oblivion. | 0:18:18 | 0:18:20 | |
You sure I can't help? | 0:18:20 | 0:18:22 | |
What would you do? | 0:18:24 | 0:18:25 | |
I'm a police officer, trained in, er, victim support. | 0:18:25 | 0:18:29 | |
I understand you've been mugged but you're OK, | 0:18:57 | 0:18:59 | |
and keen to put it all behind you. | 0:18:59 | 0:19:01 | |
But we have a duty to catch who's responsible for this | 0:19:01 | 0:19:03 | |
so that's why we're talking to you. | 0:19:03 | 0:19:05 | |
We've had a look at the CCTV footage. | 0:19:05 | 0:19:09 | |
A nasty little gang. Tooled up. | 0:19:10 | 0:19:12 | |
So is there anything you can tell us about them, | 0:19:12 | 0:19:14 | |
anything...that you remember? | 0:19:14 | 0:19:17 | |
What sort of thing? | 0:19:17 | 0:19:18 | |
Physical description? Clothing? | 0:19:18 | 0:19:20 | |
What did they say to you? What did they steal from you? | 0:19:20 | 0:19:23 | |
Actually, it'd probably be easier if we do this alone. | 0:19:29 | 0:19:32 | |
These lads... You don't want an audience, do you? | 0:19:32 | 0:19:34 | |
Very well. | 0:19:39 | 0:19:41 | |
So, what exactly did they steal from you? | 0:19:50 | 0:19:52 | |
Money, about a tenner, and my phone. | 0:19:53 | 0:19:57 | |
What else? | 0:19:57 | 0:19:59 | |
I had a bit of green. | 0:20:00 | 0:20:02 | |
They took it out of my jacket. It was only a little bit. | 0:20:02 | 0:20:05 | |
Oh. OK. What about you two? | 0:20:05 | 0:20:08 | |
They steal weed from you, as well? | 0:20:08 | 0:20:09 | |
Easy pickings, eh? | 0:20:12 | 0:20:14 | |
Your headmaster knows? | 0:20:15 | 0:20:17 | |
Will I get a criminal record? | 0:20:21 | 0:20:24 | |
I want to be a barrister. BLURT OF LAUGHTER | 0:20:24 | 0:20:26 | |
Sorry about that, mate. | 0:20:26 | 0:20:27 | |
Do you know the muggers? | 0:20:27 | 0:20:30 | |
Have you seen them around town? | 0:20:30 | 0:20:32 | |
So you'd recognise them if you saw them again? | 0:20:33 | 0:20:36 | |
-Suit? You're joking. -Yeah. -What would you wear that for? | 0:20:49 | 0:20:52 | |
-It's called making a effort. -Mate! | 0:20:52 | 0:20:55 | |
Jake, would you wear a suit on a first date? | 0:20:56 | 0:20:58 | |
Dunno. Depends. | 0:20:58 | 0:21:00 | |
On whether you wanted to look like a cheap pimp from Naples? | 0:21:00 | 0:21:02 | |
-HE SPEAKS ITALIAN -Unbelievable. | 0:21:02 | 0:21:05 | |
-I really think you should reconsider that. -Why?! -Bit much! | 0:21:05 | 0:21:09 | |
-Yep. -'Miss Howe from Shoreham High. | 0:21:09 | 0:21:11 | |
-'Is Corey sick today?' -No. Why? | 0:21:11 | 0:21:13 | |
'It was his GCSE physics mock, and he missed it.' | 0:21:13 | 0:21:16 | |
What do you mean he missed his mock? | 0:21:16 | 0:21:18 | |
'He didn't turn up for his exam. He'll be marked as a no-show.' | 0:21:18 | 0:21:21 | |
All right, I'll talk to him. | 0:21:21 | 0:21:23 | |
-'I appreciate that, Mr Draper.' -Thank you. | 0:21:23 | 0:21:26 | |
-Don't ask him for fashion advice! -Why not? | 0:21:27 | 0:21:29 | |
He probably wears a leather vest and nipple clamps. | 0:21:29 | 0:21:32 | |
That's nice! Diversity awareness. | 0:21:32 | 0:21:34 | |
For the benefit of the camera, that was a joke! | 0:21:34 | 0:21:37 | |
Look. You're gonna have to write the report. | 0:21:38 | 0:21:40 | |
-I need to go home. All right? -Uh-huh. | 0:21:40 | 0:21:43 | |
-See you later, guys. -See you later. | 0:21:44 | 0:21:47 | |
..and that's why we need to catch Lee McNair. | 0:21:57 | 0:22:00 | |
And I want to say I appreciate you all staying late. | 0:22:00 | 0:22:04 | |
No doubt with all your hard work we'll have our man back behind bars | 0:22:04 | 0:22:07 | |
before too long. | 0:22:07 | 0:22:08 | |
Excuse me. Thank you. | 0:22:08 | 0:22:10 | |
Sir, the letters of immunity - | 0:22:12 | 0:22:14 | |
if you could just check and sign for us. | 0:22:14 | 0:22:16 | |
You sure this is necessary? | 0:22:18 | 0:22:20 | |
These are young people who were mugged at knife-point. | 0:22:20 | 0:22:22 | |
With these, they'll talk to us, | 0:22:22 | 0:22:24 | |
and we've got a good chance of making some arrests. | 0:22:24 | 0:22:26 | |
You know you'll have to seize any controlled substances | 0:22:29 | 0:22:32 | |
-these kids have still got on them. -Sir. | 0:22:32 | 0:22:34 | |
Right. That it? | 0:22:37 | 0:22:39 | |
Thank you. | 0:22:39 | 0:22:41 | |
That's what eight grand a term buys you. | 0:22:49 | 0:22:51 | |
Guaranteed A-stars and no criminal record. | 0:22:51 | 0:22:54 | |
MUFFLED CHORAL MUSIC | 0:23:05 | 0:23:07 | |
I'll meet you here. | 0:23:15 | 0:23:16 | |
-All right? -Fine. | 0:23:16 | 0:23:19 | |
BOYS' CHOIR SINGING | 0:23:32 | 0:23:37 | |
Here you go. | 0:24:02 | 0:24:04 | |
This is a letter to state you cannot be prosecuted for possession of cannabis. | 0:24:06 | 0:24:10 | |
We'll see you all at the station tomorrow. | 0:24:10 | 0:24:12 | |
MUSIC: Black Lake by Bjork | 0:24:46 | 0:24:50 | |
MUSIC CONTINUES | 0:25:21 | 0:25:25 | |
MUSIC CONTINUES, TEXT ALERTS | 0:25:34 | 0:25:37 | |
MUSIC CONTINUES | 0:25:55 | 0:25:59 | |
MUSIC CONTINUES | 0:26:04 | 0:26:08 | |
MUSIC CONTINUES | 0:26:21 | 0:26:26 | |
MUSIC CONTINUES | 0:26:37 | 0:26:41 | |
MUSIC CONTINUES | 0:26:52 | 0:26:56 | |
MUSIC CONTINUES | 0:27:03 | 0:27:05 | |
MUSIC CONTINUES | 0:27:08 | 0:27:11 | |
Stacey, it's Jo again, from South Sussex Police. | 0:27:26 | 0:27:29 | |
Hope you're feeling better. | 0:27:29 | 0:27:31 | |
As I said, I'd really like you to come down today, | 0:27:31 | 0:27:34 | |
as soon as possible, to take your statement. | 0:27:34 | 0:27:36 | |
So if you could call me back when you get this message, | 0:27:36 | 0:27:38 | |
that would be great. Thank you. Bye-bye. | 0:27:38 | 0:27:41 | |
Right, this is a proper rogue's gallery. | 0:28:10 | 0:28:13 | |
All known street criminals, so I want you to take your time. | 0:28:13 | 0:28:17 | |
Have a good look. | 0:28:17 | 0:28:18 | |
Do you recognise any of them as your attackers? | 0:28:24 | 0:28:27 | |
Him. | 0:28:40 | 0:28:41 | |
And him. | 0:28:43 | 0:28:45 | |
And him. | 0:28:47 | 0:28:48 | |
Tom, just to confirm... | 0:28:51 | 0:28:52 | |
Him. | 0:28:52 | 0:28:53 | |
Him. | 0:28:55 | 0:28:56 | |
And him. | 0:28:57 | 0:28:58 | |
Yeah. | 0:29:00 | 0:29:01 | |
Nice, lads. | 0:29:04 | 0:29:05 | |
I can drop 'em back at the school, unless you want to? | 0:29:05 | 0:29:08 | |
Why would I want to do that? | 0:29:08 | 0:29:11 | |
Well, y'know, quick fumble with the matron for old times' sake? | 0:29:11 | 0:29:14 | |
Come on... How come you never said it was your old school? | 0:29:16 | 0:29:19 | |
In what way is this pertinent to the investigation? | 0:29:21 | 0:29:24 | |
Drive the boys back. | 0:29:27 | 0:29:29 | |
I'll bring in the suspects. | 0:29:29 | 0:29:31 | |
Go on. Down there. | 0:29:38 | 0:29:40 | |
SEA GULLS CRY | 0:29:46 | 0:29:49 | |
We're just asking the public to be vigilant, don't approach him | 0:29:52 | 0:29:55 | |
but if you do see him, just give us a call. OK? | 0:29:55 | 0:29:57 | |
Thanks for your time, thanks for being patient. | 0:29:57 | 0:30:00 | |
She, er, she really liked my dad's cannelloni. | 0:30:03 | 0:30:05 | |
She asked for the recipe, which is like a big-time family secret. | 0:30:05 | 0:30:08 | |
Just hold it there for me, sir. | 0:30:08 | 0:30:10 | |
-Look. She texted me. -Yeah? | 0:30:12 | 0:30:14 | |
Oh, no, no, no. | 0:30:16 | 0:30:18 | |
No. No, listen. | 0:30:18 | 0:30:19 | |
She said you were really nice. | 0:30:19 | 0:30:21 | |
"Nice"? | 0:30:21 | 0:30:23 | |
And what's wrong with being nice? | 0:30:23 | 0:30:25 | |
What's wrong with paying someone a bit of attention? | 0:30:26 | 0:30:28 | |
Look, maybe you went a bit overboard. The suit. | 0:30:28 | 0:30:31 | |
Your mum and dad's restaurant - it's a bit much. | 0:30:31 | 0:30:33 | |
-Y'know what, that's it. -What you doing? | 0:30:33 | 0:30:35 | |
Bald tyres, dodgy plates. Y'know what? I'm not nice. Not any more. | 0:30:35 | 0:30:38 | |
-I'm gonna be a right... -HE MOUTHS | 0:30:38 | 0:30:41 | |
Hello, mate. | 0:30:42 | 0:30:43 | |
Are you aware of the Highway Code? | 0:30:43 | 0:30:45 | |
Thanks for your patience, sir. Sorry about that. | 0:30:45 | 0:30:48 | |
SIRENS | 0:30:48 | 0:30:49 | |
-Dodgy kebab last night. -Yeah, really? | 0:31:09 | 0:31:12 | |
Not an appointment with a solicitor, no? | 0:31:12 | 0:31:15 | |
I can smell it coming off you, mate. | 0:31:16 | 0:31:18 | |
-How dare you come in to work like this? -I'll be fine. | 0:31:18 | 0:31:21 | |
Yeah, you better be. | 0:31:21 | 0:31:22 | |
Or I'll send you home, write this up and put it on your file. | 0:31:22 | 0:31:26 | |
I said I was sorry. | 0:31:29 | 0:31:30 | |
REVS CAR WILDLY | 0:31:43 | 0:31:45 | |
All right, there you go, you've had your brush | 0:31:53 | 0:31:55 | |
with the criminal justice system, now back to Double Maths. | 0:31:55 | 0:31:58 | |
-Thanks for the lift, sir. -Don't call me "sir". It's Carl. | 0:31:58 | 0:32:00 | |
-As in Marx? -Yeah. Yeah. Exactly like that. | 0:32:00 | 0:32:03 | |
Thank you, Detective. Will you be needing them again? | 0:32:03 | 0:32:06 | |
No, that should be it, thanks. | 0:32:06 | 0:32:07 | |
We've ID'D the muggers, taken statements... | 0:32:07 | 0:32:09 | |
Straight back to class then, boys. | 0:32:09 | 0:32:11 | |
I just need to search their rooms, remove and destroy their stash. | 0:32:11 | 0:32:14 | |
MOVIE PLAYS | 0:32:22 | 0:32:26 | |
You understand the immunity agreement | 0:33:59 | 0:34:01 | |
only covered the boys for possession. | 0:34:01 | 0:34:03 | |
This is evidence of dealing. | 0:34:03 | 0:34:05 | |
I'm going to have to arrest him. | 0:34:09 | 0:34:11 | |
PHONE RINGS | 0:34:53 | 0:34:56 | |
-Yes? -'Boss.' | 0:34:58 | 0:35:01 | |
Bit of a problem. | 0:35:01 | 0:35:02 | |
Tom Atu's just nicked a teacher's car. | 0:35:02 | 0:35:06 | |
RECORDING: 'Please. You have to come. Please.' | 0:35:10 | 0:35:14 | |
'Put it down! | 0:35:14 | 0:35:16 | |
-'Please...! -PUT IT DOWN! | 0:35:16 | 0:35:19 | |
'I'M WARNING YOU, STACEY. PUT IT DOWN NOW. | 0:35:19 | 0:35:21 | |
-OPERATOR: -'Can you speak to me? Is there something wrong? | 0:35:21 | 0:35:24 | |
'Hello?' | 0:35:25 | 0:35:27 | |
MOFFAT STOPS TAPE | 0:35:28 | 0:35:29 | |
Can you tell me who called 999? | 0:35:37 | 0:35:39 | |
Why did Stacey call 999? | 0:35:46 | 0:35:48 | |
Hurry this up, love. | 0:35:53 | 0:35:55 | |
LOCK BUZZER | 0:36:24 | 0:36:26 | |
LOCK BUZZER | 0:36:35 | 0:36:37 | |
That's my DV in five. | 0:36:52 | 0:36:55 | |
I want him in for the full 24. | 0:36:55 | 0:36:56 | |
We need to give that girl a chance to make a statement. | 0:36:58 | 0:37:01 | |
Right, that's a traffic offence report. | 0:37:14 | 0:37:17 | |
You've also got to present an MOT at a police station | 0:37:17 | 0:37:20 | |
in the next seven days. Do you understand? | 0:37:20 | 0:37:22 | |
-Do you understand? -Yeah, yeah. -Yes. Thank you. | 0:37:22 | 0:37:25 | |
-Was he chatting you up? -Mm? | 0:37:38 | 0:37:40 | |
No! Yeah, he was, I saw him! He gave you his number. | 0:37:42 | 0:37:45 | |
-What? -You're gay! You're not even looking for someone | 0:37:48 | 0:37:50 | |
and you're the one who ends up getting a date! | 0:37:50 | 0:37:52 | |
-Lino, it's not that big a deal. -Not today, Donna. Not today. | 0:37:52 | 0:37:56 | |
(We'll talk about this later, all right?) | 0:37:56 | 0:37:58 | |
Thanks for your patience. | 0:37:58 | 0:37:59 | |
-All right, let's go. I'll call it in. -OK. | 0:38:17 | 0:38:19 | |
-I've got it. Let's go! -Yeah, yeah, yeah. | 0:38:19 | 0:38:21 | |
Control, this is Kilo Two Three Zero, | 0:38:25 | 0:38:27 | |
we have a serious injury RTC with a decamp on Madeira Drive. | 0:38:27 | 0:38:31 | |
Driver is on foot, IC3 male, | 0:38:31 | 0:38:33 | |
about 18, maroon coat. | 0:38:33 | 0:38:36 | |
We are not pursuing, we have a casualty trapped under the vehicle. | 0:38:36 | 0:38:40 | |
Hello, can you hear me? | 0:38:40 | 0:38:42 | |
My name's Lino, I'm a police officer. | 0:38:42 | 0:38:45 | |
What's your name? | 0:38:45 | 0:38:47 | |
Vivian. | 0:38:47 | 0:38:48 | |
Vivian... It's all right, Vivian. I'm here to help you, OK? | 0:38:48 | 0:38:51 | |
The ambulance is on its way. | 0:38:51 | 0:38:53 | |
We have a casualty under the vehicle. | 0:39:00 | 0:39:02 | |
Female, conscious and breathing but trapped and deteriorating. | 0:39:02 | 0:39:05 | |
I need an ambulance and the fire service as a priority, please. | 0:39:05 | 0:39:08 | |
'Please be advised there has been a serious incident, | 0:39:08 | 0:39:11 | |
'no ETA on an ambulance at present.' | 0:39:11 | 0:39:13 | |
-I'm cold... -Yeah. I know. | 0:39:16 | 0:39:18 | |
I know, it's the shock. But we'll get you out. | 0:39:18 | 0:39:20 | |
We'll get you warmed up. | 0:39:20 | 0:39:22 | |
You've just got to hold on a little bit longer. | 0:39:22 | 0:39:24 | |
Ambulance? | 0:39:27 | 0:39:28 | |
Two on their way were diverted to more "serious" incidents. | 0:39:28 | 0:39:31 | |
I can't even get an ETA on any others. | 0:39:31 | 0:39:33 | |
She's trapped under the axle. Can't breathe. | 0:39:33 | 0:39:35 | |
We need to get her out. Now. | 0:39:35 | 0:39:36 | |
-VIVIAN GROANS -Right, Vivian, you're OK. Come on. | 0:39:38 | 0:39:41 | |
Come on. Slowly, slowly... | 0:39:41 | 0:39:43 | |
We've got this. Eh? | 0:39:43 | 0:39:45 | |
There... | 0:39:46 | 0:39:48 | |
There we go. Here, never thought you'd end up here this morning, eh? | 0:39:48 | 0:39:52 | |
No. | 0:39:52 | 0:39:53 | |
So, where were you going today, then? | 0:39:55 | 0:39:57 | |
Vivian, keep talking to me. Where were you going? Today? | 0:39:57 | 0:40:00 | |
Shops. | 0:40:00 | 0:40:02 | |
Son's coming...for dinner. | 0:40:02 | 0:40:04 | |
And what's he called? | 0:40:04 | 0:40:05 | |
Chris... | 0:40:07 | 0:40:09 | |
Christopher. | 0:40:09 | 0:40:10 | |
Right, well you keep thinking about him. Keep thinking about Chris... | 0:40:10 | 0:40:13 | |
and how proud he would be of you. | 0:40:13 | 0:40:16 | |
Cos if you were my mum, I'd be proud of you, being so brave. | 0:40:16 | 0:40:20 | |
Can someone... Can you get a towel or a blanket, please? | 0:40:28 | 0:40:32 | |
We need to keep this... this lady warm. | 0:40:32 | 0:40:34 | |
(It's OK. It's OK.) | 0:40:37 | 0:40:40 | |
(It's there, Vivian.) | 0:40:42 | 0:40:43 | |
(It's there. OK?) | 0:40:43 | 0:40:46 | |
SIREN APPROACHES | 0:40:46 | 0:40:48 | |
Thank...you. | 0:40:49 | 0:40:51 | |
Oi. Do you want to tell him to stop filming, yeah? | 0:40:58 | 0:41:00 | |
Come on, put that away, mate. | 0:41:01 | 0:41:03 | |
-You might've noticed I'm in the doghouse with him. -Didn't notice. | 0:41:05 | 0:41:10 | |
Yeah... Came into work a bit worse for wear. | 0:41:10 | 0:41:13 | |
Heavy night, you know how it is. | 0:41:14 | 0:41:15 | |
No. | 0:41:15 | 0:41:17 | |
I don't drink. | 0:41:17 | 0:41:18 | |
-And which direction did he head off in? -He ran towards Duke's Mound. | 0:41:22 | 0:41:26 | |
What kind of state was he is in? | 0:41:26 | 0:41:27 | |
Sorry, sir. Didn't get a good enough look at him. | 0:41:27 | 0:41:30 | |
Had our hands full with the casualty. | 0:41:30 | 0:41:32 | |
DISPATCH RADIO APB ON RUNAWAY DRIVER | 0:41:36 | 0:41:40 | |
Right. There goes a lady - man! | 0:41:44 | 0:41:47 | |
Oh, don't say that. | 0:41:47 | 0:41:49 | |
-Oh, come on! -Just don't. | 0:41:49 | 0:41:51 | |
-KANE: -Call from CCTV. | 0:41:52 | 0:41:53 | |
Young boy matching Tom's description spotted on top of the multistorey. | 0:41:53 | 0:41:57 | |
Let's go. | 0:41:57 | 0:41:58 | |
Stairs or car? | 0:42:35 | 0:42:37 | |
Car. | 0:42:37 | 0:42:38 | |
This is DI Kane. | 0:43:06 | 0:43:07 | |
I have a suspected suicide attempt at Trinity multistorey. | 0:43:07 | 0:43:10 | |
I need a fire crew and a negotiator as a priority, please. | 0:43:10 | 0:43:14 | |
Go away. Leave me alone. | 0:43:29 | 0:43:32 | |
Tom? | 0:43:37 | 0:43:38 | |
Tom, I'm not going to do that, mate, because I don't think | 0:43:38 | 0:43:41 | |
-that's what you really want. -I do! I do. | 0:43:41 | 0:43:44 | |
Go away. I'm gonna do this. | 0:43:46 | 0:43:47 | |
I've killed someone. An old lady. | 0:43:50 | 0:43:53 | |
No, you haven't. | 0:43:53 | 0:43:54 | |
I ran her over. She went under the car. | 0:43:54 | 0:43:56 | |
She's got chest injuries. She's got a crushed pelvis. | 0:43:56 | 0:43:59 | |
-She's dead! -She's not, mate! | 0:43:59 | 0:44:01 | |
-You're lying. Just saying that so I don't... -Tom? Tom? Look at me. | 0:44:03 | 0:44:05 | |
It's bad. | 0:44:10 | 0:44:11 | |
I'm not going to lie to you, | 0:44:11 | 0:44:13 | |
but she's not dead, mate. All right? | 0:44:13 | 0:44:15 | |
What about the drugs? | 0:44:20 | 0:44:22 | |
Bit of weed you split between your mates, | 0:44:22 | 0:44:24 | |
doesn't exactly make you Scarface, does it? | 0:44:24 | 0:44:27 | |
Things are never as bad as they seem. | 0:44:27 | 0:44:29 | |
Everything... | 0:44:32 | 0:44:33 | |
Everything's ruined! | 0:44:35 | 0:44:36 | |
I've got a kid... | 0:44:40 | 0:44:42 | |
exactly your age. | 0:44:42 | 0:44:43 | |
Bethany. | 0:44:45 | 0:44:47 | |
Every day, she comes back, there's some drama, | 0:44:49 | 0:44:52 | |
some big crisis, end of the world stuff... | 0:44:52 | 0:44:54 | |
Except it's not. Is it? | 0:44:54 | 0:44:56 | |
She's a kid. | 0:44:58 | 0:44:59 | |
And kids - all kids - make mistakes. | 0:45:00 | 0:45:03 | |
And sometimes those mistakes, they spiral out of control | 0:45:03 | 0:45:06 | |
and you think that it's over, that it's irreversible, | 0:45:06 | 0:45:09 | |
but the thing is, Tom, the thing that you learn... | 0:45:09 | 0:45:11 | |
..is that there's always a way back. | 0:45:13 | 0:45:15 | |
Unless you go over the edge. | 0:45:17 | 0:45:19 | |
You go that way, I can't help you. | 0:45:22 | 0:45:24 | |
But you stay here... | 0:45:27 | 0:45:29 | |
..we can talk about it, we can sort it out. | 0:45:30 | 0:45:33 | |
Yeah? | 0:45:35 | 0:45:36 | |
Where were you driving to when you took the car? | 0:45:42 | 0:45:46 | |
My mum's. | 0:45:46 | 0:45:47 | |
I want my mum. | 0:45:49 | 0:45:51 | |
Come on. | 0:45:54 | 0:45:56 | |
HAWKINS CHATS SOFTLY TO TOM | 0:46:22 | 0:46:24 | |
Guys? | 0:46:27 | 0:46:28 | |
-HE SIGHS -..you'll warm up in the ambulance... | 0:46:32 | 0:46:37 | |
Best days of your life, eh? | 0:46:37 | 0:46:38 | |
Not for him. | 0:46:40 | 0:46:42 | |
My father sent me to that school when I was seven. | 0:46:46 | 0:46:49 | |
Seven? | 0:46:50 | 0:46:51 | |
Tiny. | 0:46:54 | 0:46:55 | |
Who... Why would someone do that to a kid? | 0:46:56 | 0:46:59 | |
My mum died. | 0:47:02 | 0:47:03 | |
The funeral was on a Friday, | 0:47:03 | 0:47:05 | |
the following Monday, I was measured for my uniform. | 0:47:05 | 0:47:07 | |
Full boarder. Ten years. | 0:47:10 | 0:47:12 | |
Hated every second. | 0:47:14 | 0:47:15 | |
They said you were here? | 0:47:33 | 0:47:34 | |
Just wanted to say sorry. | 0:47:34 | 0:47:36 | |
For not coming in. | 0:47:36 | 0:47:37 | |
Doing a statement. | 0:47:37 | 0:47:39 | |
You don't have to apologise. | 0:47:39 | 0:47:41 | |
I know it's hard. | 0:47:41 | 0:47:42 | |
And nobody wants to force you to do anything. | 0:47:43 | 0:47:45 | |
We just want to protect you. | 0:47:47 | 0:47:48 | |
I'm sorry. | 0:47:51 | 0:47:52 | |
You don't have to live like this, Stacey. | 0:47:55 | 0:47:57 | |
It's your home, your flat. | 0:47:59 | 0:48:02 | |
Somewhere you should feel safe. | 0:48:02 | 0:48:04 | |
PHONE RINGS | 0:48:04 | 0:48:06 | |
-Yeah? -'Where are you?' | 0:48:09 | 0:48:13 | |
I'm here. Round the front. | 0:48:13 | 0:48:14 | |
'What you doing round there? I'm waiting at the back.' | 0:48:14 | 0:48:16 | |
I'm sorry. | 0:48:16 | 0:48:18 | |
-'Stace, I am sick of waiting.' -I'm coming. | 0:48:18 | 0:48:20 | |
Better go. | 0:48:25 | 0:48:26 | |
Stacey? | 0:48:28 | 0:48:30 | |
I'm sorry you didn't feel ready this time. | 0:48:31 | 0:48:33 | |
But you know where I am, all right? | 0:48:35 | 0:48:37 | |
Hey, what are you doing later? | 0:49:01 | 0:49:02 | |
Why? Want to set me up with another blind date | 0:49:02 | 0:49:04 | |
whilst you go home to wifey? | 0:49:04 | 0:49:06 | |
Er, no, actually, I was gonna invite you to Alice's open house tonight. | 0:49:06 | 0:49:10 | |
She's got an exhibit of her work at home. Sort of informal showing. | 0:49:10 | 0:49:13 | |
-Tempting, but... No, thanks. -Charming(!) | 0:49:13 | 0:49:15 | |
Earnest lesbians, bad art? | 0:49:15 | 0:49:17 | |
-Probably an under-seasoned vegan stew? -Only so much fun I can take. | 0:49:17 | 0:49:21 | |
Right. Whatever. | 0:49:21 | 0:49:22 | |
She wasn't invited anyway. | 0:49:22 | 0:49:24 | |
-See you in a bit. -See ya. | 0:49:26 | 0:49:28 | |
All right. | 0:49:31 | 0:49:32 | |
Yep. All right, Mum. Calm down. | 0:49:34 | 0:49:37 | |
I'll be there as soon as I can, all right? See you later. | 0:49:37 | 0:49:39 | |
Can you believe that? | 0:49:45 | 0:49:47 | |
-Seriously, what is the point? -Don't you dare. | 0:49:47 | 0:49:50 | |
-What the hell?! -Don't you dare! -Get off me! | 0:49:50 | 0:49:53 | |
What's the matter with you? | 0:49:53 | 0:49:55 | |
Don't you dare judge! | 0:49:55 | 0:49:56 | |
Come with me. I want to show you something. | 0:50:01 | 0:50:04 | |
Pub? | 0:50:16 | 0:50:18 | |
Meh. | 0:50:18 | 0:50:19 | |
Aw, come on, what have you got to go home to, eh? | 0:50:19 | 0:50:23 | |
Your flatulent old dog? | 0:50:23 | 0:50:24 | |
Ha-ha(!) | 0:50:24 | 0:50:26 | |
Besides, I need a pint. I need to build up my strength. | 0:50:26 | 0:50:29 | |
-Sandy's ovulating. -I don't need to know that! | 0:50:29 | 0:50:32 | |
No, and neither does she. | 0:50:32 | 0:50:33 | |
So, if she calls, we're working late. | 0:50:33 | 0:50:35 | |
All right. | 0:50:35 | 0:50:36 | |
MUSIC PLAYS | 0:50:42 | 0:50:44 | |
Hi. | 0:50:57 | 0:50:59 | |
SOCIABLE HUBBUB | 0:50:59 | 0:51:02 | |
-Cheers. -So what were you going to be doing tonight? Revising? | 0:51:25 | 0:51:28 | |
I have got the board in three weeks, haven't I? | 0:51:28 | 0:51:30 | |
Well, that's the price you pay for chasing promotion. | 0:51:30 | 0:51:32 | |
Oh, did you hear your Liam made DI? Horsham. | 0:51:35 | 0:51:39 | |
Don't care. | 0:51:39 | 0:51:41 | |
Course you do. Your ex-husband? | 0:51:41 | 0:51:43 | |
The more you tell me you don't care, the more your eyes tell me you do. | 0:51:43 | 0:51:46 | |
You should be a detective. Seriously. You're brilliant. | 0:51:46 | 0:51:48 | |
Look, he's history. You've got to keep your options open. | 0:51:48 | 0:51:51 | |
This here could be your meat market. Your smorgasbord of male delight. | 0:51:51 | 0:51:55 | |
Oh, God, shut up, Carl. Just shut up. | 0:51:55 | 0:51:57 | |
Any one of these fine gentlemen could be the next Mr Right. | 0:51:57 | 0:52:00 | |
Shhh, now. | 0:52:00 | 0:52:01 | |
Is that...? | 0:52:05 | 0:52:07 | |
Lee McNair. | 0:52:09 | 0:52:12 | |
Yes. Yes, it is. | 0:52:12 | 0:52:14 | |
After you. | 0:52:14 | 0:52:15 | |
ENTRY PHONE BUZZER | 0:52:30 | 0:52:32 | |
Hello, Mum. | 0:53:11 | 0:53:12 | |
Come in. | 0:53:15 | 0:53:17 | |
What is it? | 0:54:22 | 0:54:23 | |
Who is this? | 0:54:25 | 0:54:26 | |
This is Jake, Mum. | 0:54:28 | 0:54:30 | |
We work together. | 0:54:30 | 0:54:31 | |
Oi! Everyone stay where you are! | 0:54:49 | 0:54:51 | |
Took on a guy with a samurai sword. | 0:54:55 | 0:54:57 | |
I'm basically a warrior. | 0:54:57 | 0:54:59 | |
FAT PIG! | 0:55:00 | 0:55:01 | |
-Put the shoe down! -FAT PIG. | 0:55:01 | 0:55:03 | |
SCREAMING | 0:55:03 | 0:55:05 | |
DC Carl Hawkins. Oh, come on...! | 0:55:05 | 0:55:08 | |
Lads! | 0:55:08 | 0:55:09 | |
Someone left that dog here for you. | 0:55:10 | 0:55:13 | |
They tell me it's on cocaine. | 0:55:13 | 0:55:14 | |
Calm down. Calm down...! | 0:55:18 | 0:55:20 | |
Can you get on the radio? | 0:55:21 | 0:55:23 | |
Try and get hold of my dad? He's on call tonight. | 0:55:23 | 0:55:25 | |
-POLICE RADIO: -'Kilo Two Two Zero, the Chief isn't on duty tonight.' | 0:55:25 | 0:55:28 |