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# Tony came back to town | 0:00:03 | 0:00:04 | |
# With his cap and gown | 0:00:04 | 0:00:06 | |
# That they give him at the state | 0:00:06 | 0:00:08 | |
# Him breaking it every few day | 0:00:08 | 0:00:11 | |
# Tony's mamma said he's only human | 0:00:11 | 0:00:15 | |
# Look what the cat dragged in | 0:00:15 | 0:00:17 | |
# Papa snatched your kin | 0:00:17 | 0:00:18 | |
# Little sister hugs the tin man | 0:00:18 | 0:00:20 | |
# Tony, she's grown... # | 0:00:20 | 0:00:25 | |
Her name is Valeria Dukes. She's a mid-stage Alzheimer's patient. | 0:00:25 | 0:00:29 | |
She has longish grey hair. Second time this month she's done it. | 0:00:29 | 0:00:34 | |
She keeps trying to go home. | 0:00:34 | 0:00:36 | |
All right, thank you very much. | 0:00:36 | 0:00:38 | |
We'll get back to you as soon as we find anything. Cheers. | 0:00:38 | 0:00:43 | |
RADIO: Any unit for an immediate graded call to Ditchling Beacon? | 0:00:43 | 0:00:46 | |
We have reports of concern for an elderly female | 0:00:46 | 0:00:49 | |
wearing a white nightdress. | 0:00:49 | 0:00:51 | |
Control, this is Kilo Two Two Zero. | 0:00:51 | 0:00:53 | |
We've just taken a report of a high risk misper with Alzheimer's | 0:00:53 | 0:00:56 | |
who fits that description. | 0:00:56 | 0:00:58 | |
Show us State Five, please. Thank you. | 0:00:58 | 0:01:00 | |
How could she have got this far? | 0:01:06 | 0:01:09 | |
She's only a little old lady in a nightdress. | 0:01:09 | 0:01:11 | |
I had an 80-year-old misper once. | 0:01:11 | 0:01:14 | |
-Nearly got to London barefoot. -No way! -Way. | 0:01:14 | 0:01:16 | |
Hey, that's her! | 0:01:22 | 0:01:24 | |
We'll intercept her at the next bridge. | 0:01:24 | 0:01:26 | |
SIREN BLARES | 0:01:26 | 0:01:28 | |
-Hey! -Don't! You'll startle her. | 0:01:32 | 0:01:35 | |
Control, this is Kilo Two Two Zero. Priority. | 0:01:35 | 0:01:38 | |
RADIO: Priority caller, go ahead. | 0:01:38 | 0:01:40 | |
We've located Valerie Dukes, the Alzheimer's misper. | 0:01:40 | 0:01:42 | |
'She's on the Heritage Railway track, under the bridge. | 0:01:42 | 0:01:46 | |
'We need to make urgent contact with the line to stop the trains.' | 0:01:46 | 0:01:49 | |
Kilo Two Three Zero. Show as State Five, over. | 0:01:49 | 0:01:51 | |
-RADIO: -There's an oncoming train in that vicinity. | 0:01:56 | 0:01:59 | |
The train is in section, the driver cannot be contacted. | 0:01:59 | 0:02:01 | |
Control, we need immediate authorisation to go on the tracks. | 0:02:01 | 0:02:04 | |
We have a vulnerable person in danger. | 0:02:04 | 0:02:06 | |
RADIO: You do not have authorisation, PC Draper. | 0:02:06 | 0:02:08 | |
Another patrol is on the way to assist. | 0:02:08 | 0:02:10 | |
You must not go on the track, PC Draper. | 0:02:10 | 0:02:12 | |
I repeat, do not go on the tracks. | 0:02:12 | 0:02:14 | |
This is ridiculous. | 0:02:14 | 0:02:16 | |
What do we do? | 0:02:16 | 0:02:17 | |
Go that way and try to stop the train. | 0:02:19 | 0:02:21 | |
Go! | 0:02:25 | 0:02:26 | |
Valerie, there's no need to be alarmed, OK? | 0:02:35 | 0:02:39 | |
I'm PC Draper. I'm a police officer. | 0:02:39 | 0:02:41 | |
I'm going home. | 0:02:41 | 0:02:43 | |
-Leave me alone. -Valerie, you need to come off those tracks. | 0:02:43 | 0:02:47 | |
Hey! | 0:02:51 | 0:02:52 | |
Give me your hand. | 0:02:52 | 0:02:54 | |
POLICE SIREN SOUNDS | 0:02:55 | 0:02:57 | |
SHE WHIMPERS | 0:02:57 | 0:02:59 | |
Hey! Stop! | 0:03:02 | 0:03:04 | |
I want to help you. | 0:03:07 | 0:03:08 | |
Stop! | 0:03:08 | 0:03:10 | |
There we go. | 0:03:14 | 0:03:15 | |
It's all right. I've got you. I've got you. | 0:03:15 | 0:03:17 | |
That was close. | 0:03:34 | 0:03:36 | |
That was amazing. | 0:03:36 | 0:03:38 | |
TITLE MUSIC PLAYS | 0:03:41 | 0:03:44 | |
It was a blatant disregard for policy. | 0:04:21 | 0:04:24 | |
Correct protocol was to flag down the train and wait for backup, | 0:04:24 | 0:04:28 | |
-not to go on the tracks. -Sir... | 0:04:28 | 0:04:30 | |
You have a duty of care, not only to members of the public, | 0:04:30 | 0:04:33 | |
but also to your colleagues, some of whom are young | 0:04:33 | 0:04:36 | |
and inexperienced enough to actually trust you. | 0:04:36 | 0:04:38 | |
If your actions ever put them in danger again, | 0:04:38 | 0:04:41 | |
there will be severe consequences. | 0:04:41 | 0:04:43 | |
Do you understand? | 0:04:43 | 0:04:45 | |
Batman's getting his wings clipped, eh? | 0:04:45 | 0:04:47 | |
-Morning. -Hey. | 0:04:52 | 0:04:55 | |
DS Moffat. | 0:05:10 | 0:05:12 | |
'I've got a Leila Kamal who wants to speak to someone.' | 0:05:12 | 0:05:15 | |
What's it about? | 0:05:15 | 0:05:17 | |
She won't tell me. It's personal, apparently. | 0:05:17 | 0:05:20 | |
Oh, all right, I'll send somebody down. Cheers. | 0:05:20 | 0:05:23 | |
There's a woman in downstairs, says she needs to speak to someone | 0:05:23 | 0:05:26 | |
about a personal matter. Can you go? | 0:05:26 | 0:05:28 | |
No, no, I can't. I've got paperwork. I've cleared the day. | 0:05:28 | 0:05:31 | |
Why can't you go? | 0:05:31 | 0:05:32 | |
I'm studying. I've got the board tomorrow, remember? | 0:05:32 | 0:05:35 | |
Biggest day of my career. | 0:05:35 | 0:05:36 | |
-You aced all the others. -Come on, help me out. | 0:05:36 | 0:05:39 | |
Heads or tails? | 0:05:42 | 0:05:43 | |
Tails. Heads! No, tails. | 0:05:43 | 0:05:46 | |
Oooh! Nightmare. Sorry about that. | 0:05:48 | 0:05:53 | |
Shame as well cos I would've gone. | 0:05:53 | 0:05:55 | |
-What happened? What did they say? -Don't want to talk about it. | 0:06:12 | 0:06:15 | |
-Well, they're wrong. -I broke the rules, didn't I? | 0:06:15 | 0:06:18 | |
To save a life. They should be thanking you for what you did. | 0:06:18 | 0:06:21 | |
Neither of those guys would've had the guts. | 0:06:21 | 0:06:23 | |
Look, can we just get back to work, yeah? | 0:06:23 | 0:06:26 | |
Leila Kamal? | 0:06:51 | 0:06:53 | |
She must have left, Sarge. | 0:06:55 | 0:06:57 | |
I've told you, there wasn't time. | 0:07:02 | 0:07:05 | |
I'd just stepped off the boat. | 0:07:05 | 0:07:06 | |
They came up behind, pushed me, grabbed my wallet and phone | 0:07:06 | 0:07:10 | |
and made off, and that's it. | 0:07:10 | 0:07:11 | |
-You didn't see anything? -No! | 0:07:11 | 0:07:13 | |
Mr Hollins, you've been badly injured. | 0:07:16 | 0:07:18 | |
There are slash marks on your arms and you've two broken ribs. | 0:07:18 | 0:07:22 | |
That seems like a lot of trouble to go to | 0:07:22 | 0:07:24 | |
for a Nokia phone and a wallet. | 0:07:24 | 0:07:25 | |
-What are you suggesting? -He's asking if you can remember | 0:07:25 | 0:07:28 | |
-anything at all about your attackers? -And I've told you, no. | 0:07:28 | 0:07:31 | |
What do you want me to do?! Start making it up?! | 0:07:31 | 0:07:33 | |
Bob, come on. Take it easy. | 0:07:33 | 0:07:35 | |
He's got a bad heart. | 0:07:36 | 0:07:38 | |
Better let him get some rest, then. | 0:07:40 | 0:07:42 | |
If you do remember something, you know where we are. | 0:07:43 | 0:07:46 | |
Time wasters. As if we've nothing better to be doing. | 0:07:50 | 0:07:53 | |
Excuse me. | 0:07:55 | 0:07:57 | |
Sorry. I know you're very busy. It's just... | 0:07:57 | 0:08:01 | |
I think I might need your help. | 0:08:01 | 0:08:04 | |
-What? -Eh? -What? -Nothing. | 0:08:12 | 0:08:15 | |
It's just, you know, you seem better. | 0:08:19 | 0:08:24 | |
-Better? -Yeah. You...sorted it with your fella? | 0:08:24 | 0:08:29 | |
-Yeah. Stop fishing, Carl. -What?! I'm just being a mate. | 0:08:31 | 0:08:33 | |
Look, all you need to know is that I've finished it. | 0:08:37 | 0:08:40 | |
All right? We're moving on. | 0:08:40 | 0:08:43 | |
Wish I could. Sandy's a nympho, Bethany's a she-devil, I'm a wreck. | 0:08:45 | 0:08:51 | |
Sorry about that. | 0:08:51 | 0:08:53 | |
You know... | 0:08:58 | 0:09:00 | |
I don't know. Sometimes desperate... | 0:09:00 | 0:09:05 | |
times call for desperate measures, don't they? | 0:09:05 | 0:09:09 | |
What are you talking about? | 0:09:09 | 0:09:10 | |
Cheers, fella. Thank you, mate. | 0:09:13 | 0:09:15 | |
Doesn't matter. | 0:09:18 | 0:09:19 | |
What sort of strange behaviour? | 0:09:30 | 0:09:33 | |
He's... | 0:09:37 | 0:09:39 | |
He's just...not himself. | 0:09:40 | 0:09:43 | |
The tyres on his car were slashed last month at the harbour... | 0:09:46 | 0:09:50 | |
..but Bob wouldn't report it. | 0:09:52 | 0:09:54 | |
And I used to bring his lunch to the boat everyday. | 0:09:54 | 0:09:59 | |
I'd sit with him while he ate. | 0:09:59 | 0:10:01 | |
It was our ritual. | 0:10:01 | 0:10:03 | |
And couple of weeks ago, he told me to stop. | 0:10:05 | 0:10:09 | |
Said he doesn't want me coming down there any more. | 0:10:09 | 0:10:12 | |
And what about at the house? | 0:10:15 | 0:10:16 | |
He's been getting some phone calls late at night. | 0:10:19 | 0:10:23 | |
He won't tell me who he's talking to. | 0:10:23 | 0:10:26 | |
I can hear him shouting downstairs. | 0:10:35 | 0:10:37 | |
See, he needed some repairs on the boat a few months back. | 0:10:39 | 0:10:43 | |
Bob got the money from somewhere, but... | 0:10:46 | 0:10:48 | |
I'm scared he's done something stupid, taken out a loan, | 0:10:52 | 0:10:57 | |
got mixed up with some bad people. | 0:10:57 | 0:10:59 | |
You don't think he has, do you? | 0:11:01 | 0:11:03 | |
We'll have to look into it. | 0:11:11 | 0:11:12 | |
You free? | 0:11:17 | 0:11:18 | |
-I... -Can you run a PNC check for me? -Yep. | 0:11:19 | 0:11:23 | |
Bob Hollins. Owns a tug boat down on Shoreham Harbour. | 0:11:23 | 0:11:27 | |
No, nothing's coming up. | 0:11:43 | 0:11:45 | |
-OK. Get your coat. -What? No. Er... No. | 0:11:45 | 0:11:48 | |
I'm on desk duty. I've got all those reports to file. | 0:11:48 | 0:11:51 | |
Reports can wait. You've two years on the marine unit. | 0:11:51 | 0:11:54 | |
I need you on this. | 0:11:56 | 0:11:58 | |
Let's go. | 0:12:00 | 0:12:02 | |
Jake? | 0:12:12 | 0:12:13 | |
See you downstairs. | 0:12:16 | 0:12:17 | |
-You all right after this morning? -I wasn't anywhere near the tracks. | 0:12:21 | 0:12:25 | |
Look, I know what Ryan did seems impressive, | 0:12:25 | 0:12:27 | |
but it's a dangerous stunt. | 0:12:27 | 0:12:29 | |
I'd don't want you following in his footsteps. | 0:12:29 | 0:12:32 | |
You'd rather I follow yours? | 0:12:32 | 0:12:35 | |
Sitting behind a desk all day, | 0:12:35 | 0:12:36 | |
watching other people risk their lives. | 0:12:36 | 0:12:39 | |
-I do my job. -Yeah. Well, he went beyond his | 0:12:39 | 0:12:42 | |
cos he wasn't thinking about himself, | 0:12:42 | 0:12:44 | |
he was thinking of someone else. | 0:12:44 | 0:12:46 | |
But then I guess that's something you're too familiar with, is it? | 0:12:46 | 0:12:49 | |
SCREAMING | 0:12:57 | 0:12:59 | |
OK, can everyone keep back, please? | 0:13:02 | 0:13:05 | |
Can you keep back? Can you put that away, please? | 0:13:05 | 0:13:07 | |
I need you to move over. Can you put that phone away, please? Step back! | 0:13:07 | 0:13:11 | |
Come on, it's quite dangerous here. | 0:13:11 | 0:13:13 | |
Are you all right, Mish? | 0:13:13 | 0:13:15 | |
Can everyone just...? Why don't you just stand behind this iron thing? | 0:13:15 | 0:13:18 | |
Thank you, sir. | 0:13:18 | 0:13:19 | |
-Mish, I don't get it. What's going on? -Look. There, look. | 0:13:19 | 0:13:23 | |
Oh. Oh, God! | 0:13:23 | 0:13:24 | |
-Are you serious? -Yeah. No, sorry, they freak me out. | 0:13:24 | 0:13:27 | |
I'm not joking. I don't... | 0:13:27 | 0:13:29 | |
Come on, it's fine. | 0:13:29 | 0:13:31 | |
Jesus! I wasn't expecting that. Mish! | 0:13:37 | 0:13:40 | |
I should stop those kids. You guys got this, yeah? | 0:13:43 | 0:13:45 | |
Yeah, of course. | 0:13:47 | 0:13:49 | |
Hey! Guys! You can't do that here. | 0:13:52 | 0:13:56 | |
Stop it, now! | 0:13:57 | 0:13:59 | |
It's a free country. | 0:14:03 | 0:14:04 | |
Move it along, now! | 0:14:06 | 0:14:08 | |
It's got nothing to do with not being manly. | 0:14:12 | 0:14:15 | |
Shh, don't scare it. | 0:14:17 | 0:14:19 | |
See? Easy. | 0:14:28 | 0:14:29 | |
Uh-huh. | 0:14:35 | 0:14:37 | |
Thank you for alerting us. | 0:14:38 | 0:14:40 | |
That was Maggie Hollins. Bob's discharged himself from hospital. | 0:14:42 | 0:14:49 | |
Insists on getting back to his boat right away. | 0:14:49 | 0:14:51 | |
-This the one? -Yeah. | 0:14:53 | 0:14:55 | |
It's a tidy little number, isn't she? | 0:14:55 | 0:14:58 | |
Right...you're the expert. | 0:14:58 | 0:15:02 | |
What are we looking for? | 0:15:02 | 0:15:04 | |
Er...drug smuggling, any number of things. | 0:15:04 | 0:15:07 | |
Suspicious modifications to the vessel...minor damages... | 0:15:07 | 0:15:14 | |
unusual activity. | 0:15:14 | 0:15:15 | |
-Come on, then. -Yeah. | 0:15:19 | 0:15:21 | |
About bloody time. | 0:16:07 | 0:16:08 | |
-All right? -Hi. | 0:16:11 | 0:16:13 | |
-So, where is it? -It's under there. | 0:16:15 | 0:16:18 | |
Under there? Whose brilliant idea was that? | 0:16:19 | 0:16:23 | |
Hers. It was. | 0:16:23 | 0:16:25 | |
Well, what were we supposed to do? We can't just pick it up. | 0:16:25 | 0:16:28 | |
Why? | 0:16:28 | 0:16:30 | |
Cos it could be poisonous or something. | 0:16:30 | 0:16:33 | |
Poisonous? | 0:16:33 | 0:16:35 | |
It's an iguana. They're harmless. | 0:16:35 | 0:16:37 | |
In fact, this fella looks well-minded. | 0:16:42 | 0:16:46 | |
Clean skin, no scratches. | 0:16:47 | 0:16:49 | |
I bet his owner is worried sick about him. | 0:16:50 | 0:16:53 | |
Should've looked after it better then, shouldn't they? | 0:16:53 | 0:16:55 | |
-What, like throwing a coat over him? -HE SCOFFS | 0:16:55 | 0:16:58 | |
Yeah. OK, thank you. We should be getting on. | 0:17:00 | 0:17:02 | |
Yeah, can I...? Can I touch it? | 0:17:02 | 0:17:06 | |
-Oh, now you want to touch it? -Yeah, of course. | 0:17:06 | 0:17:09 | |
Always wanted one of these ever since I was a kid. | 0:17:10 | 0:17:13 | |
It won't hurt you. | 0:17:13 | 0:17:15 | |
I'm about as skilled with lizards as I am with the ladies. | 0:17:17 | 0:17:20 | |
It's just about knowing the right way to handle them. | 0:17:20 | 0:17:23 | |
Oh, is it? Do I...? Do I need a firm grip? | 0:17:23 | 0:17:26 | |
-OK, come on, St Francis. We've got work to do. -Yeah. | 0:17:26 | 0:17:30 | |
I... I should probably get going. | 0:17:30 | 0:17:33 | |
Hey! Have you got a card or something? | 0:17:37 | 0:17:40 | |
What an annoying cow. | 0:17:52 | 0:17:55 | |
Who? Orla? | 0:17:55 | 0:17:56 | |
Bossing everyone around. I can't stand people like that. | 0:17:56 | 0:17:59 | |
No wonder she works with animals - | 0:17:59 | 0:18:01 | |
probably the only ones that can put up with her. | 0:18:01 | 0:18:03 | |
-We still on for training tonight? -Erm... | 0:18:05 | 0:18:08 | |
I thought you wanted to reach your target. | 0:18:08 | 0:18:10 | |
-Yeah, I do want to reach... -So it takes commitment, Lino. | 0:18:10 | 0:18:13 | |
You can't just keep flaking out every time you don't feel like it. | 0:18:13 | 0:18:16 | |
I'm not flaking out. I'm not. | 0:18:16 | 0:18:18 | |
-What about Alice? -What about Alice? | 0:18:19 | 0:18:21 | |
-Doesn't she ever expect you to be at home? -What? | 0:18:21 | 0:18:24 | |
PHONE BEEPS | 0:18:24 | 0:18:26 | |
Who is it? | 0:18:30 | 0:18:32 | |
It's the bossy cow. She wants to go for dinner sometime. | 0:18:32 | 0:18:36 | |
Here we go. Boss? | 0:18:54 | 0:18:55 | |
-You OK? -Yeah, yeah, yeah. | 0:18:58 | 0:19:00 | |
Just a little bit of indigestion, that's all. | 0:19:00 | 0:19:03 | |
This is the AIS - Automatic Identification System - | 0:19:06 | 0:19:08 | |
it's a radar. | 0:19:08 | 0:19:10 | |
It lets the port track ships coming in and out. | 0:19:10 | 0:19:12 | |
It's meant to be kept on at all times, but this has been disabled. | 0:19:12 | 0:19:16 | |
It looks like... | 0:19:16 | 0:19:18 | |
Bob doesn't want people to know where he's going. | 0:19:18 | 0:19:21 | |
Let's get surveillance on this. | 0:19:23 | 0:19:25 | |
Hey! | 0:19:38 | 0:19:40 | |
What do you think you're doing? | 0:19:42 | 0:19:44 | |
RADIO: Any unit for an ASB call to the seafront, please? | 0:19:47 | 0:19:50 | |
Reports of youths jumping over railings, causing a disturbance. | 0:19:50 | 0:19:54 | |
That better not be Corey. | 0:19:54 | 0:19:57 | |
Control, this is Kilo Two Two Zero. Show us State Five. | 0:19:57 | 0:20:00 | |
SIREN BLARES | 0:20:00 | 0:20:02 | |
Oi! | 0:20:10 | 0:20:12 | |
Get on the wall. | 0:20:14 | 0:20:15 | |
Get back there. | 0:20:16 | 0:20:18 | |
This is public disorder, boys. What's happening? | 0:20:19 | 0:20:22 | |
We're only messing around. | 0:20:22 | 0:20:24 | |
You could've caused a major incident, someone really hurt. | 0:20:24 | 0:20:27 | |
We'll let you off with a warning this time, | 0:20:29 | 0:20:31 | |
but if it happens again... | 0:20:31 | 0:20:34 | |
We will arrest you. Is that understood? | 0:20:34 | 0:20:38 | |
Go on! Go home! | 0:20:38 | 0:20:42 | |
PJ! | 0:20:48 | 0:20:51 | |
Where are you going? Come here. | 0:20:51 | 0:20:53 | |
Hi, Mr Draper. | 0:20:56 | 0:20:58 | |
Is Corey here? | 0:20:58 | 0:20:59 | |
No. | 0:21:01 | 0:21:02 | |
PJ, do you want me to call your mum? | 0:21:05 | 0:21:08 | |
HE SIGHS | 0:21:08 | 0:21:09 | |
Yes. He's up there, having a smoke with Dan. | 0:21:11 | 0:21:15 | |
Right. | 0:21:15 | 0:21:17 | |
Don't be too hard on him. | 0:21:28 | 0:21:30 | |
I used to nick Mum's ciggies all the time. | 0:21:30 | 0:21:32 | |
I'm not having it. He's been told. | 0:21:32 | 0:21:34 | |
That's two strikes and I'm coming down on him like a ton of bricks. | 0:21:34 | 0:21:38 | |
Oi! | 0:21:45 | 0:21:47 | |
What are you doing? What the hell is this? | 0:21:49 | 0:21:52 | |
Get off him. What the hell is this?! | 0:21:52 | 0:21:55 | |
-That's my son! -Dad, what are you doing? | 0:21:55 | 0:21:57 | |
ALL SHOUT OVER EACH OTHER | 0:21:57 | 0:21:59 | |
-Get off him! -Leave him alone! | 0:22:05 | 0:22:08 | |
-He is my son! -Ryan! | 0:22:08 | 0:22:10 | |
No! | 0:22:10 | 0:22:11 | |
What is wrong with you?! What is wrong with you?! | 0:22:11 | 0:22:15 | |
What is wrong with you?! | 0:22:15 | 0:22:16 | |
Stop it, Dad, please. | 0:22:16 | 0:22:18 | |
Hey. Get off him! Get off him! Get off him! | 0:22:18 | 0:22:23 | |
Give me the keys. | 0:22:52 | 0:22:54 | |
Give me the keys. I'm taking the boys home. | 0:22:54 | 0:22:57 | |
-Corey! -Don't speak to him! | 0:23:10 | 0:23:12 | |
I should report you. | 0:23:16 | 0:23:18 | |
Will you be all right? | 0:23:35 | 0:23:37 | |
Going to go to my gran's. | 0:23:39 | 0:23:40 | |
Corey... | 0:23:53 | 0:23:54 | |
I can give you a lift. | 0:23:56 | 0:23:58 | |
It's OK. | 0:24:00 | 0:24:01 | |
PHONE RINGS | 0:24:56 | 0:24:57 | |
-DS Moffat. -'Oh, Jo, thank God!' | 0:25:00 | 0:25:02 | |
HE GROANS | 0:25:02 | 0:25:04 | |
Carl? Where are you? | 0:25:04 | 0:25:06 | |
'Can you...? Can you come to the toilet?' | 0:25:06 | 0:25:09 | |
What? | 0:25:09 | 0:25:11 | |
'Look, I'll explain when you get here. Please?' | 0:25:11 | 0:25:14 | |
All right, I'm coming. All right. | 0:25:14 | 0:25:15 | |
Hello? | 0:25:24 | 0:25:26 | |
-Carl? -Yeah. | 0:25:27 | 0:25:29 | |
Ooh... Ooh, shouldn't you be at home? | 0:25:33 | 0:25:36 | |
I could ask you the same thing. | 0:25:36 | 0:25:38 | |
-Sandy know you're here? -No. I... | 0:25:40 | 0:25:43 | |
I told her I'm on nights so that she didn't find out that I'd... | 0:25:43 | 0:25:48 | |
I've had the... | 0:25:50 | 0:25:52 | |
-What? -Don't joke please. | 0:25:52 | 0:25:54 | |
Boss wants me down the docks at 5am and, mate, | 0:25:54 | 0:25:57 | |
I feel like I'm on fire down there. | 0:25:57 | 0:25:59 | |
Oh, my God! | 0:25:59 | 0:26:00 | |
-Can you do me a favour? -Yeah, of course. | 0:26:02 | 0:26:04 | |
Could you, er, get me some painkillers and... | 0:26:04 | 0:26:07 | |
-..a bag of frozen peas? -Yeah. Yeah. Are you all right? | 0:26:08 | 0:26:11 | |
-Yeah, yeah, I'm fine. -All right. | 0:26:11 | 0:26:13 | |
Well, just stay there. | 0:26:13 | 0:26:14 | |
Go, go, go. Let's smash your personal best. | 0:26:19 | 0:26:21 | |
Come on, head up, mate! Let's do it! | 0:26:21 | 0:26:23 | |
-# All I want is nothing more... # -Come on! | 0:26:23 | 0:26:27 | |
-Let's go, let's go, let's go! -Yes, yes! I'm going! | 0:26:27 | 0:26:29 | |
# To hear you knocking at my door | 0:26:29 | 0:26:32 | |
# Cos if I could see your face once more | 0:26:36 | 0:26:40 | |
# I could die a happy man I'm sure | 0:26:43 | 0:26:46 | |
# When you said your last goodbye | 0:26:50 | 0:26:54 | |
# I died a little bit inside | 0:26:56 | 0:27:00 | |
# I lay in tears in bed all night | 0:27:03 | 0:27:07 | |
# Alone without you by my side... # | 0:27:09 | 0:27:12 | |
DOORBELL RINGS | 0:27:12 | 0:27:16 | |
# But if you loved me | 0:27:16 | 0:27:19 | |
# Why'd you leave me? | 0:27:19 | 0:27:22 | |
# Take my body | 0:27:23 | 0:27:26 | |
# Take my body | 0:27:28 | 0:27:29 | |
# All I want is | 0:27:31 | 0:27:34 | |
# And all I need is | 0:27:35 | 0:27:37 | |
# To find somebody | 0:27:39 | 0:27:41 | |
# I'll find somebody | 0:27:43 | 0:27:45 | |
# Cos you are... | 0:27:47 | 0:27:50 | |
# Ahhh-ahh... | 0:27:50 | 0:27:52 | |
# Ahh...ahh...ahh... | 0:27:54 | 0:27:57 | |
# You... # | 0:28:01 | 0:28:04 | |
Control, this is Romeo India Four Eight Two. | 0:28:15 | 0:28:18 | |
We've got eyes on him now, over. | 0:28:18 | 0:28:20 | |
Do you want a mint? | 0:28:37 | 0:28:39 | |
They're chewy. | 0:28:42 | 0:28:43 | |
Thanks. | 0:28:53 | 0:28:54 | |
I like it when they're warm. | 0:28:57 | 0:28:59 | |
OK. | 0:29:17 | 0:29:18 | |
OK. | 0:29:19 | 0:29:20 | |
Right. Morning, all. | 0:29:21 | 0:29:23 | |
-Morning. -Morning. | 0:29:23 | 0:29:25 | |
OK, so Ryan called in sick today, | 0:29:25 | 0:29:27 | |
so we're going to be shaking things up a bit. | 0:29:27 | 0:29:29 | |
-What's going on there? -Jake, you'll be riding with Donna. | 0:29:32 | 0:29:35 | |
SHE GASPS | 0:29:35 | 0:29:37 | |
And, Lino, you will of course be single-crewed. | 0:29:37 | 0:29:39 | |
Molto-bene. | 0:29:39 | 0:29:41 | |
Right, kicking off today... | 0:29:43 | 0:29:45 | |
Can't remember the last time I was let off the leash! | 0:29:45 | 0:29:47 | |
Yeah, all right! Don't look too happy about it. | 0:29:47 | 0:29:50 | |
Like the Lone Ranger, me. Out on a limb, fighting crime. | 0:29:50 | 0:29:53 | |
You going to wear a cowboy hat? | 0:29:53 | 0:29:55 | |
-Yeah, well, there's no-one to stop me! -Erm, what you doing? | 0:29:55 | 0:29:58 | |
I am just getting a water. Relax. | 0:29:58 | 0:30:01 | |
Oh, yeah. All right. | 0:30:01 | 0:30:02 | |
-I'll miss you, too. -No, you won't. | 0:30:02 | 0:30:04 | |
Perfect team. Gayest crew in Brighton. | 0:30:04 | 0:30:07 | |
Y'us! | 0:30:07 | 0:30:09 | |
-So, what happened yesterday, then? -What do you mean? | 0:30:17 | 0:30:20 | |
Why's Ryan pulled a sickie? | 0:30:20 | 0:30:22 | |
Maybe he's sick. | 0:30:22 | 0:30:24 | |
Ryan? No chance. | 0:30:24 | 0:30:26 | |
He's not invincible. | 0:30:29 | 0:30:30 | |
Maybe not, | 0:30:30 | 0:30:32 | |
but he's never taken a single day off work before either. | 0:30:32 | 0:30:35 | |
Ms Kamal? | 0:30:39 | 0:30:40 | |
Go through. | 0:30:42 | 0:30:43 | |
I don't even think this is really a police matter. | 0:30:49 | 0:30:52 | |
My sister was the one who told me to come. | 0:30:52 | 0:30:55 | |
For all I know, he's just away on business and forgot to call me. | 0:30:56 | 0:31:00 | |
Right, so let's just get this timeline straight. | 0:31:00 | 0:31:03 | |
You met on this website about three months ago, right? | 0:31:03 | 0:31:07 | |
But we've been in touch everyday since. | 0:31:07 | 0:31:10 | |
Emails, texts... | 0:31:10 | 0:31:12 | |
We talk most nights before bed. | 0:31:12 | 0:31:13 | |
I speak to him more than I do my own family. | 0:31:14 | 0:31:17 | |
But you've never actually met him? | 0:31:18 | 0:31:21 | |
You sound just like them. | 0:31:22 | 0:31:25 | |
If only I'd married a good Pakistani boy instead of my career, | 0:31:25 | 0:31:28 | |
I wouldn't have to date online then, would I? | 0:31:28 | 0:31:30 | |
Look...he has a business based in Germany, | 0:31:32 | 0:31:34 | |
but he's from Brighton originally. | 0:31:34 | 0:31:36 | |
He's planning on moving back here. | 0:31:36 | 0:31:38 | |
That's the whole point, look. | 0:31:38 | 0:31:40 | |
That's Anthony's house, see? | 0:31:44 | 0:31:46 | |
He's buying it for when he comes back. | 0:31:46 | 0:31:48 | |
I even went to a viewing for him. | 0:31:48 | 0:31:50 | |
They'd exchanged contracts and everything, | 0:31:50 | 0:31:52 | |
and then there was some... | 0:31:52 | 0:31:53 | |
problem with the exchange rate and he was £5,000 short, so... | 0:31:53 | 0:31:56 | |
So, you offered to help him out | 0:31:56 | 0:31:58 | |
and now he's disappeared with your money? | 0:31:58 | 0:32:00 | |
It just doesn't make sense. | 0:32:00 | 0:32:02 | |
If you knew Anthony... | 0:32:02 | 0:32:04 | |
So, am I right in thinking, Leila, that you wish to report a theft? | 0:32:04 | 0:32:07 | |
The Empress. | 0:32:32 | 0:32:34 | |
Fertility. | 0:32:35 | 0:32:37 | |
Careful. | 0:32:39 | 0:32:41 | |
Pretty girl like you. | 0:32:41 | 0:32:43 | |
GIRL SCREAMS | 0:32:43 | 0:32:45 | |
You bastard! You're going to pay for this! | 0:32:45 | 0:32:47 | |
So if you're not going to dish on Ryan, | 0:32:49 | 0:32:51 | |
you might as well tell me what it feels like to be Julia Roberts. | 0:32:51 | 0:32:53 | |
What? | 0:32:55 | 0:32:56 | |
Sleeping With The Enemy. | 0:32:56 | 0:32:58 | |
-Ah. Bit before my time. -Oh-ho-ho! That's depressing. | 0:32:58 | 0:33:01 | |
But if you're asking how things are going with Simon... | 0:33:01 | 0:33:04 | |
Pretty good, thanks. I'm staying at his at the moment. | 0:33:04 | 0:33:07 | |
Careful. | 0:33:08 | 0:33:09 | |
The only reason snakes get into bed with people | 0:33:09 | 0:33:12 | |
is so they can size them up before they eat them. | 0:33:12 | 0:33:15 | |
I've been researching reptiles. | 0:33:15 | 0:33:16 | |
-Don't ask. -'Any call-sign, please, to an immediate graded call | 0:33:16 | 0:33:19 | |
'to a violent disturbance under the arches at Madeira Drive.' | 0:33:19 | 0:33:23 | |
Control, this is Kilo Two Three Four. | 0:33:26 | 0:33:28 | |
'I'll get that.' | 0:33:28 | 0:33:29 | |
Let's give him a hand, shall we? | 0:33:29 | 0:33:32 | |
SIREN BLARES | 0:33:32 | 0:33:34 | |
Police! Put down your weapons. | 0:33:41 | 0:33:43 | |
She said she was on the pill! | 0:33:43 | 0:33:45 | |
I'm gonna kill you! | 0:33:45 | 0:33:47 | |
-Put that weapon down. -I'm gonna kill you! | 0:33:47 | 0:33:50 | |
-Put the weapon down and don't resist me. -Don't touch... | 0:33:50 | 0:33:53 | |
Yeah, yeah, yeah. He's been kicked in the balls. | 0:33:54 | 0:33:58 | |
That is it, you're coming with us! Put your weapon down. | 0:33:58 | 0:34:00 | |
Put your weapon down! Hands behind your back. Keep still. | 0:34:00 | 0:34:03 | |
He made my daughter pregnant. | 0:34:03 | 0:34:04 | |
That is a shame, | 0:34:04 | 0:34:06 | |
but I am still arresting you for assaulting a police officer, | 0:34:06 | 0:34:09 | |
suspicion of criminal damage, affray | 0:34:09 | 0:34:12 | |
and possession of an offensive weapon. | 0:34:12 | 0:34:14 | |
You do not have to say anything, but anything you do say... | 0:34:14 | 0:34:18 | |
Bet you didn't see that coming, eh? | 0:34:21 | 0:34:22 | |
Mad mum on a rampage! | 0:34:22 | 0:34:24 | |
People are maniacs when it comes to their kids. | 0:34:24 | 0:34:26 | |
He'll be lucky to have kids after that. | 0:34:26 | 0:34:29 | |
Cheers. | 0:34:29 | 0:34:31 | |
He's been at sea all day | 0:34:52 | 0:34:53 | |
and he hasn't towed a single boat into port. | 0:34:53 | 0:34:56 | |
So, what's he been doing out there? | 0:34:57 | 0:34:59 | |
I think he's got company. Black van? | 0:35:14 | 0:35:17 | |
Got it. | 0:35:18 | 0:35:19 | |
Can't make out the plates. | 0:35:19 | 0:35:21 | |
One of us'll have to go over there. | 0:35:21 | 0:35:23 | |
Do you mean me? | 0:35:25 | 0:35:26 | |
I'll keep an eye on this. | 0:35:26 | 0:35:28 | |
And this one's of a little duckling. | 0:35:41 | 0:35:44 | |
She rescued it last week. | 0:35:44 | 0:35:45 | |
A cat dragged it in and it's still alive. Look at that. | 0:35:45 | 0:35:48 | |
Look at its little feathers. | 0:35:48 | 0:35:49 | |
Mm. | 0:35:51 | 0:35:52 | |
Best job ever. | 0:35:52 | 0:35:53 | |
So what time you meeting her, then? | 0:35:55 | 0:35:56 | |
We said seven. | 0:35:56 | 0:35:58 | |
We did say seven. | 0:35:58 | 0:36:00 | |
Thing is, if I go back out there now, I could... | 0:36:01 | 0:36:04 | |
I could get dragged into all sorts | 0:36:04 | 0:36:06 | |
and who knows what time I'll finish. | 0:36:06 | 0:36:08 | |
And I don't want to be late for a first date. | 0:36:08 | 0:36:09 | |
That's just... It's bad manners, isn't it? | 0:36:09 | 0:36:13 | |
Yeah. | 0:36:13 | 0:36:14 | |
Don't suppose you've got anything you need help with round here, | 0:36:18 | 0:36:22 | |
have you, Mel? | 0:36:22 | 0:36:23 | |
Nope. Sorry. | 0:36:25 | 0:36:27 | |
(Thanks.) | 0:36:30 | 0:36:32 | |
MAN URINATES ON FLOOR | 0:36:34 | 0:36:36 | |
Although... | 0:36:39 | 0:36:40 | |
now you mention it. | 0:36:40 | 0:36:42 | |
HE SCOFFS | 0:36:42 | 0:36:44 | |
Could be worse. I'll get the mop. | 0:36:44 | 0:36:47 | |
Sarge? Sorry, I know you're studying | 0:36:53 | 0:36:55 | |
Only got another two hours to go, so if I don't know it by now... | 0:36:55 | 0:36:58 | |
We've tracked the IP address for Anthony Tovey. | 0:36:58 | 0:37:01 | |
-It's an account in Turkey. -Nice. | 0:37:01 | 0:37:03 | |
And look... | 0:37:03 | 0:37:06 | |
They're taken from a website that promotes Italian holidays. | 0:37:06 | 0:37:09 | |
Wow, so either this guy models on the side or... | 0:37:09 | 0:37:12 | |
It's fraud. | 0:37:12 | 0:37:13 | |
But I mean... | 0:37:13 | 0:37:16 | |
-Are you sure? -Positive. | 0:37:16 | 0:37:19 | |
We have cases with the same MO in Reading, Manchester... | 0:37:19 | 0:37:23 | |
A well-off businessman gains a victim's trust | 0:37:23 | 0:37:26 | |
and then manoeuvres a situation where the victim | 0:37:26 | 0:37:28 | |
-volunteers to loan him money. -Victim?! | 0:37:28 | 0:37:31 | |
I'm hardly some little old lady sat at home with a cat! | 0:37:31 | 0:37:35 | |
I spoke to Anthony every day. | 0:37:35 | 0:37:36 | |
There is no Anthony, Leila. | 0:37:36 | 0:37:39 | |
This is a highly organised gang at work. | 0:37:39 | 0:37:41 | |
They're very good at what they do | 0:37:41 | 0:37:42 | |
and they're very hard to catch, but we're monitoring this website. | 0:37:42 | 0:37:45 | |
-RINGTONE -Would you like to get that? | 0:37:45 | 0:37:48 | |
No, sorry. | 0:37:48 | 0:37:50 | |
It's just the office. | 0:37:50 | 0:37:51 | |
How could I be so stupid? | 0:37:57 | 0:37:58 | |
I'm an intelligent woman. | 0:37:59 | 0:38:02 | |
I'm a managing director. | 0:38:02 | 0:38:04 | |
People rely on me to make huge decisions every day. | 0:38:04 | 0:38:07 | |
I just wanted someone to share my life with. | 0:38:10 | 0:38:13 | |
I knew he was just a voice on the end of a phone... | 0:38:15 | 0:38:18 | |
..some texts... | 0:38:20 | 0:38:23 | |
but I've been on my own so long I thought... | 0:38:23 | 0:38:25 | |
Well, at least it's something. | 0:38:27 | 0:38:29 | |
Jo Moffat? | 0:38:29 | 0:38:31 | |
'Something's better than nothing, isn't it? | 0:38:38 | 0:38:40 | |
'When did I start believing I was worth so little?' | 0:38:44 | 0:38:47 | |
Are you ready? | 0:38:55 | 0:38:56 | |
What are you doing? | 0:39:01 | 0:39:02 | |
-Boss? -'Go ahead.' | 0:39:05 | 0:39:07 | |
The licence plates are false. | 0:39:07 | 0:39:09 | |
That doesn't surprise me. | 0:39:09 | 0:39:11 | |
Ooh. Hold on. | 0:39:18 | 0:39:20 | |
Yes, he's signalling. I think he is about to move off. | 0:39:24 | 0:39:27 | |
Hold where you are. | 0:39:27 | 0:39:28 | |
Get over to the boat. A diver's doing the pick up. | 0:39:37 | 0:39:40 | |
Move now! | 0:39:40 | 0:39:41 | |
Roger. | 0:39:41 | 0:39:42 | |
HE SIGHS | 0:39:42 | 0:39:45 | |
Police, stay where you are! | 0:39:49 | 0:39:51 | |
Control, this is DI Kane. I need backup to Shoreham Docks. | 0:39:56 | 0:39:59 | |
We have a suspected drugs exchange between a male on the dock | 0:39:59 | 0:40:01 | |
and a black transit van. | 0:40:01 | 0:40:03 | |
Stop! | 0:40:06 | 0:40:08 | |
The van is now exiting the quays heading west. | 0:40:16 | 0:40:20 | |
I'm pursuing the male with DC Hawkins. | 0:40:20 | 0:40:22 | |
HAWKINS GROANS | 0:40:27 | 0:40:29 | |
HE GROANS | 0:40:32 | 0:40:34 | |
Get in! | 0:40:41 | 0:40:43 | |
SCREECHING TYRES | 0:40:48 | 0:40:51 | |
SCREECHING TYRES | 0:40:58 | 0:41:01 | |
Control - DI Kane. | 0:41:35 | 0:41:37 | |
I need a talk-through with the attending unit. | 0:41:37 | 0:41:39 | |
Bravo India Four Eight Two. Go ahead. | 0:41:39 | 0:41:43 | |
Go to the coast road ASAP. | 0:41:43 | 0:41:44 | |
The male has gone over the security fence | 0:41:44 | 0:41:46 | |
towards the East Shoreham beach. | 0:41:46 | 0:41:48 | |
Received that, en route now. | 0:41:48 | 0:41:50 | |
SIRENS BLARE | 0:41:50 | 0:41:53 | |
There he is. | 0:42:00 | 0:42:01 | |
He's got nowhere to go. | 0:42:08 | 0:42:09 | |
Yeah. | 0:42:17 | 0:42:19 | |
Go, go, go! | 0:42:21 | 0:42:22 | |
Hands behind your back! Keep still! | 0:42:39 | 0:42:41 | |
-You got him? -Got him. Keep still. | 0:42:41 | 0:42:44 | |
Nice work. | 0:42:48 | 0:42:49 | |
Control - Kilo Two Three Zero. Show us State Nine. | 0:42:50 | 0:42:54 | |
We have the male in custody. | 0:42:54 | 0:42:56 | |
Can you make sure that DI Kane is aware, over? | 0:42:56 | 0:42:59 | |
Confirmed. Thank you. | 0:42:59 | 0:43:00 | |
Sorry, boss. | 0:43:06 | 0:43:09 | |
You said you were OK. | 0:43:09 | 0:43:11 | |
Yeah. Er... | 0:43:11 | 0:43:12 | |
It's...the stitches. I had the snip a few days ago | 0:43:16 | 0:43:19 | |
and it's taking some time to heal. | 0:43:19 | 0:43:21 | |
Are you saying you weren't fit for duty and you didn't tell me? | 0:43:24 | 0:43:28 | |
I couldn't tell anyone. | 0:43:28 | 0:43:30 | |
I haven't even told Sandy. This is a personal situation. | 0:43:30 | 0:43:32 | |
We all have personal situations, DC Hawkins, | 0:43:32 | 0:43:35 | |
but we do NOT bring them to work. | 0:43:35 | 0:43:38 | |
You could have cost us this entire operation. | 0:43:41 | 0:43:44 | |
-Sarge? -Yeah. -Look. | 0:43:49 | 0:43:51 | |
She sent it ten minutes ago. | 0:43:53 | 0:43:55 | |
Blimey, she's still in denial, isn't she? Poor thing. | 0:43:55 | 0:43:57 | |
She's an idiot, wasting her time. | 0:43:57 | 0:43:59 | |
If she was my sister, I'd give her a slap. | 0:43:59 | 0:44:02 | |
PHONE RINGS | 0:44:02 | 0:44:03 | |
Sorry, I've got to take this. | 0:44:03 | 0:44:06 | |
Hello? | 0:44:06 | 0:44:07 | |
'Can you come to my office, please? | 0:44:07 | 0:44:10 | |
'Now.' | 0:44:10 | 0:44:12 | |
Yeah, sure. I'll be right there. | 0:44:12 | 0:44:13 | |
Come in. | 0:44:30 | 0:44:32 | |
I've... | 0:44:42 | 0:44:44 | |
I've got some news for you... | 0:44:45 | 0:44:47 | |
Right. | 0:44:47 | 0:44:48 | |
Congratulations. | 0:44:51 | 0:44:53 | |
You passed. | 0:44:53 | 0:44:54 | |
Yes! | 0:44:54 | 0:44:56 | |
You are now officially Detective Sergeant Jo Moffat! | 0:44:58 | 0:45:02 | |
Yes! | 0:45:02 | 0:45:03 | |
Oh, my God. | 0:45:03 | 0:45:05 | |
Well done. I was really impressed in there. | 0:45:05 | 0:45:08 | |
You made all the right moves, said all the right things. | 0:45:08 | 0:45:11 | |
Well, I worked hard. | 0:45:11 | 0:45:13 | |
You got this on your own merit. | 0:45:14 | 0:45:16 | |
You deserve this, Jo. | 0:45:18 | 0:45:19 | |
Cheers. | 0:45:21 | 0:45:22 | |
You know what they say - | 0:45:25 | 0:45:27 | |
don't go higher than a DI. | 0:45:27 | 0:45:29 | |
SHE LAUGHS | 0:45:29 | 0:45:30 | |
Yeah, yeah, yeah, all right. | 0:45:30 | 0:45:32 | |
At least you can make a difference, huh? | 0:45:32 | 0:45:34 | |
You do make a difference. | 0:45:37 | 0:45:39 | |
Look, I... | 0:45:44 | 0:45:46 | |
I want to apologise. | 0:45:49 | 0:45:51 | |
You know, for the way that I've been acting recently. | 0:46:01 | 0:46:03 | |
I have been... | 0:46:04 | 0:46:06 | |
..unfair to you. | 0:46:08 | 0:46:10 | |
I was only trying to... | 0:46:13 | 0:46:15 | |
I know, you've had a lot on. I know that. | 0:46:15 | 0:46:17 | |
I've missed you, Jo. | 0:46:21 | 0:46:23 | |
What are you doing? | 0:46:23 | 0:46:24 | |
We can't do this any more. | 0:46:27 | 0:46:29 | |
I can't keep running round in circles, hoping that one day there | 0:46:31 | 0:46:35 | |
might be something in this for me. | 0:46:35 | 0:46:37 | |
I can't do it. | 0:46:37 | 0:46:38 | |
This is over. | 0:46:46 | 0:46:47 | |
We're over. | 0:46:49 | 0:46:50 | |
I think we should call it a night. | 0:46:53 | 0:46:55 | |
Evening, Mel. | 0:47:14 | 0:47:16 | |
PC Prager. What's he in for? | 0:47:16 | 0:47:18 | |
Suspicion of possession with the intent to supply illegal drugs. | 0:47:18 | 0:47:21 | |
Have you taken any drugs or consumed any alcohol in the last 24 hours? | 0:47:21 | 0:47:27 | |
I've never taken drugs in my life. | 0:47:27 | 0:47:29 | |
I hate the things. | 0:47:30 | 0:47:32 | |
They said it'd just be one pick up. | 0:47:36 | 0:47:38 | |
I'd take the boat out, | 0:47:41 | 0:47:44 | |
a diver would attach something... | 0:47:44 | 0:47:46 | |
..another'd collect. | 0:47:47 | 0:47:49 | |
I'd never even have to see it. | 0:47:52 | 0:47:53 | |
Except it wasn't just one, was it? | 0:47:59 | 0:48:01 | |
They kept coming back, making threats. | 0:48:02 | 0:48:05 | |
I told them I'd give them back the money. | 0:48:06 | 0:48:09 | |
I didn't want it no more. | 0:48:10 | 0:48:11 | |
But they said they'd hurt Maggie, so... | 0:48:15 | 0:48:17 | |
I've been a stupid bugger! | 0:48:26 | 0:48:28 | |
Ooh-hoo-hoo! Looking pretty slick for a man | 0:48:45 | 0:48:47 | |
who's about get his arse kicked on the spinning machine. | 0:48:47 | 0:48:50 | |
Didn't you get my text? I'm taking Orla out for dinner tonight. | 0:48:50 | 0:48:52 | |
Oh. OK. Great. | 0:48:52 | 0:48:55 | |
What's this, a hot date? | 0:48:57 | 0:48:58 | |
Yeah, might be. Might be. | 0:48:58 | 0:49:00 | |
Well, just a word of advice - | 0:49:00 | 0:49:02 | |
don't put any more of that stuff on. | 0:49:02 | 0:49:04 | |
You don't want to kill her. | 0:49:04 | 0:49:06 | |
-Molte grazie, tosser. -Good luck! | 0:49:07 | 0:49:09 | |
Yeah. Have fun. | 0:49:09 | 0:49:11 | |
So, you think Ryan'll be back tomorrow? | 0:49:20 | 0:49:23 | |
Hope not. | 0:49:23 | 0:49:24 | |
OK, spill it. | 0:49:25 | 0:49:28 | |
What the hell happened yesterday? | 0:49:28 | 0:49:30 | |
Jake. | 0:49:34 | 0:49:36 | |
Ryan caught Corey on the beach with another boy. | 0:49:43 | 0:49:46 | |
And he lost it. | 0:49:59 | 0:50:01 | |
I mean, he went completely crazy. | 0:50:02 | 0:50:04 | |
If I hadn't been there, he could have really hurt one of them. | 0:50:04 | 0:50:07 | |
Ryan? | 0:50:08 | 0:50:10 | |
Just when you think you know someone and... | 0:50:17 | 0:50:19 | |
SLAMS LOCKER | 0:50:19 | 0:50:21 | |
Ryan's not like that. | 0:50:23 | 0:50:24 | |
You could've fooled me. | 0:50:24 | 0:50:26 | |
Have you tried talking to him? | 0:50:28 | 0:50:30 | |
I don't even want to look at him. | 0:50:30 | 0:50:32 | |
I'm not making excuses for him, OK? | 0:50:34 | 0:50:36 | |
But I've known him five years. Ryan's not a homophobe. | 0:50:37 | 0:50:41 | |
And if he lost it yesterday... | 0:50:43 | 0:50:45 | |
Trust me, he's harder on himself than anyone else. | 0:50:45 | 0:50:48 | |
-Talk to him, Jake. -I just... | 0:50:51 | 0:50:53 | |
I don't want to think about it any more. | 0:50:53 | 0:50:55 | |
I just want to go home, relax | 0:50:55 | 0:50:57 | |
and have a quiet one with my boyfriend. | 0:50:57 | 0:51:00 | |
NOISY BAR HUBBUB | 0:51:04 | 0:51:07 | |
So... | 0:51:27 | 0:51:28 | |
-You're Simon's new Bobby, then? -Yeah. | 0:51:28 | 0:51:31 | |
You're just jealous, Benny, cos he's so young and handsome. | 0:51:31 | 0:51:35 | |
Look at this stomach - not an inch of flab on him. | 0:51:35 | 0:51:37 | |
-What are you doing? -Come on, where's your sense of humour? | 0:51:37 | 0:51:41 | |
He's a cop - hasn't got one. | 0:51:41 | 0:51:43 | |
That is not true. | 0:51:45 | 0:51:47 | |
Aw, I'm sure it's not true. | 0:51:47 | 0:51:49 | |
THEY LAUGH | 0:51:51 | 0:51:54 | |
-Is that what they do? -That's exactly right. | 0:51:54 | 0:51:57 | |
All right, yeah, I can do that. | 0:51:57 | 0:51:59 | |
-Oh... -Oh, no! | 0:51:59 | 0:52:01 | |
MUFFLED SPEECH | 0:52:04 | 0:52:06 | |
It's quite nice, isn't it? | 0:52:06 | 0:52:08 | |
You know, I'm going to take off. | 0:53:11 | 0:53:13 | |
What? Why? | 0:53:13 | 0:53:15 | |
I've got somewhere to be. | 0:53:17 | 0:53:18 | |
-Don't worry about him. Ignore him. -Yeah. | 0:53:27 | 0:53:29 | |
LAUGHTER | 0:53:49 | 0:53:52 | |
HE EXHALES DEEPLY | 0:54:11 | 0:54:13 | |
KNOCKS ON DOOR | 0:54:19 | 0:54:21 | |
Hey. Carmen, erm... | 0:54:30 | 0:54:33 | |
Is your dad here? | 0:54:33 | 0:54:35 | |
Carmen, who is it? | 0:54:35 | 0:54:37 | |
Go and sit down, babe. | 0:54:43 | 0:54:46 | |
How are you? | 0:54:56 | 0:54:58 | |
I've been better. | 0:55:01 | 0:55:02 | |
I'm... I'm not proud of myself for... | 0:55:19 | 0:55:24 | |
For what happened yesterday. | 0:55:24 | 0:55:25 | |
He's my son. | 0:55:33 | 0:55:34 | |
I love my son. | 0:55:39 | 0:55:41 | |
I just... I just... | 0:55:44 | 0:55:46 | |
Look, I know. | 0:55:46 | 0:55:47 | |
OK, I know. | 0:55:50 | 0:55:52 | |
Can I come in? | 0:56:01 | 0:56:02 | |
Come in, yeah. | 0:56:10 | 0:56:12 | |
You're not OK with your son being gay. | 0:56:25 | 0:56:27 | |
I'm not a homophobic or whatever, yeah? | 0:56:27 | 0:56:29 | |
I need urgent assistance now. | 0:56:31 | 0:56:33 | |
I am on the fourth... | 0:56:33 | 0:56:36 | |
Get down! Put your weapons down! | 0:56:36 | 0:56:37 | |
Drop your weapons! | 0:56:37 | 0:56:39 | |
-Get down on the ground! -ON THE GROUND! | 0:56:44 | 0:56:47 | |
STOP DOING THIS TO ME! | 0:56:47 | 0:56:48 | |
I HATE YOU! | 0:56:48 | 0:56:50 | |
You need to sort this out, boss. | 0:56:52 | 0:56:54 | |
You're going to be put forward for a Divisional Commander's Commendation. | 0:56:58 | 0:57:02 | |
-I don't know how much longer I can do this. -Alice? | 0:57:02 | 0:57:05 |