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POLICE RADIO: 'I will assign that to you. | 0:00:04 | 0:00:06 | |
'Just let me know when you are in state five.' | 0:00:06 | 0:00:09 | |
'Any patrols, please, for an immediate graded call to Buckland Parade. | 0:00:09 | 0:00:12 | |
'Reports that an ATM has been stolen.' | 0:00:12 | 0:00:14 | |
'Control, show us state six for that robbery, over.' | 0:00:14 | 0:00:17 | |
If you could just tell me what happened, that would be great. | 0:00:24 | 0:00:28 | |
Um, there were... Sorry. | 0:00:28 | 0:00:29 | |
It's all right, it's all right. Take your time. | 0:00:29 | 0:00:32 | |
There were three of them, I think. | 0:00:32 | 0:00:33 | |
Description? | 0:00:33 | 0:00:35 | |
They had those things, erm... Covering their... | 0:00:35 | 0:00:38 | |
Balaclavas? Yeah. | 0:00:38 | 0:00:39 | |
Control, this is Kilo Two Three Zero. | 0:00:39 | 0:00:42 | |
'We have arrived at Buckland Parade | 0:00:42 | 0:00:44 | |
'and can confirm an ATM has been stolen.' | 0:00:44 | 0:00:46 | |
Some witnesses say they saw a silver pick-up truck leaving the scene with an ATM, | 0:00:46 | 0:00:50 | |
with a partial index of Bravo Foxtrot Zero Eight. | 0:00:50 | 0:00:53 | |
Priority, this is Kilo Zero One. | 0:01:01 | 0:01:04 | |
'I'm behind the silver pick-up suspected of being involved in the ATM raid. | 0:01:04 | 0:01:08 | |
'I'm in an unmarked vehicle.' | 0:01:08 | 0:01:10 | |
The occupants are unaware that I am following. | 0:01:10 | 0:01:13 | |
Kilo Zero One, this is the Duty Inspector. | 0:01:13 | 0:01:16 | |
You have authority to follow the vehicle covertly. | 0:01:16 | 0:01:18 | |
'Other units will be sent to assist you.' | 0:01:18 | 0:01:21 | |
Down there. Reckoned he saw everything. | 0:01:21 | 0:01:23 | |
'All units, Kilo Zero One is following a silver pick-up | 0:01:23 | 0:01:25 | |
'believed to be involved in an ATM raid. | 0:01:25 | 0:01:27 | |
'Please make your way to Berrington Avenue | 0:01:27 | 0:01:30 | |
'and listen out for commentary.' | 0:01:30 | 0:01:31 | |
Is that the Chief Super? | 0:01:31 | 0:01:33 | |
The subject vehicle is now heading into Barscroft Road. | 0:01:40 | 0:01:42 | |
I need marked vehicles here immediately to get it stopped. | 0:01:42 | 0:01:47 | |
Received that, Kilo Zero One. | 0:01:47 | 0:01:49 | |
Any Kilo units, please provide an update on your location. Over. | 0:01:49 | 0:01:54 | |
Received that, boss. We are en route, ETA three minutes. | 0:01:54 | 0:01:57 | |
Suspect vehicle has turned into Croxford car park on Addlesham Road. | 0:02:10 | 0:02:14 | |
I suspect they're going to do a vehicle swap. | 0:02:14 | 0:02:16 | |
I intend to follow them in and keep obs on them. | 0:02:16 | 0:02:18 | |
I need tactical options available. | 0:02:18 | 0:02:20 | |
Ask Kilo Zero Three to arrange for a helicopter | 0:02:20 | 0:02:23 | |
and a stinger for when they get out. | 0:02:23 | 0:02:26 | |
This is Inspector Webb, South Sussex. Priority Call. | 0:02:26 | 0:02:29 | |
I request urgent NPAS. | 0:02:29 | 0:02:31 | |
'Kilo Zero One,' | 0:02:38 | 0:02:40 | |
due to other task, air support is | 0:02:40 | 0:02:41 | |
-'not available for another 20 minutes.' -Come on! | 0:02:41 | 0:02:44 | |
I've lost visual on the subject vehicle. | 0:03:07 | 0:03:09 | |
I need back up here NOW to apprehend them on the exit. | 0:03:09 | 0:03:12 | |
Kilo Zero One, I have been rammed by the subject vehicle. | 0:03:20 | 0:03:24 | |
My vehicle is severely damaged and I need urgent assistance now. | 0:03:24 | 0:03:28 | |
I am on the fourth floor by the ramp. | 0:03:28 | 0:03:31 | |
GET DOWN! Put your weapons down! | 0:03:31 | 0:03:33 | |
ON THE GROUND! On the ground now! | 0:03:33 | 0:03:36 | |
Put down your weapon! | 0:03:36 | 0:03:38 | |
Whoa, whoa, whoa, whoa! | 0:03:43 | 0:03:44 | |
OK, I'm putting it down. | 0:03:53 | 0:03:54 | |
Over there. | 0:04:01 | 0:04:02 | |
MOVE! | 0:04:03 | 0:04:05 | |
LIE DOWN! | 0:04:08 | 0:04:09 | |
Let him go! | 0:04:14 | 0:04:16 | |
-Now! -We're letting him go. | 0:04:18 | 0:04:20 | |
We're letting him go. | 0:04:21 | 0:04:23 | |
'On the ground. Hands behind your back.' | 0:04:25 | 0:04:28 | |
You move, you're dead. | 0:04:34 | 0:04:36 | |
This is Kilo Two Three Zero, Priority Call. | 0:05:03 | 0:05:06 | |
I'm requesting a Live Cell Trace. | 0:05:06 | 0:05:08 | |
SIRENS WAIL | 0:05:51 | 0:05:54 | |
'The force is throwing everything at this raid, so listen up.' | 0:06:11 | 0:06:14 | |
Donna's phone's been triangulated to one of these outbuildings. | 0:06:14 | 0:06:17 | |
It's a sprawling site, so it's going to be a nightmare to search. | 0:06:17 | 0:06:20 | |
Now, as we know, this gang are armed and well aware we're after them. | 0:06:20 | 0:06:24 | |
Firearms will go in first to capture the gang, secure the scene. | 0:06:24 | 0:06:27 | |
Then - and only then - the response teams go in. | 0:06:27 | 0:06:29 | |
Away we go. | 0:06:29 | 0:06:31 | |
Foxtrot Two to Foxtrot One. In position now. | 0:06:47 | 0:06:50 | |
We're just going to have to wait this one out. | 0:07:09 | 0:07:12 | |
Spoken to Corey yet? | 0:07:23 | 0:07:24 | |
Still at his gran's. | 0:07:27 | 0:07:30 | |
Hardly surprising. | 0:07:30 | 0:07:31 | |
No, don't do that. | 0:07:32 | 0:07:33 | |
I'm not a...homophobic or whatever, yeah. | 0:07:34 | 0:07:37 | |
I never had a problem with...you, Donna... | 0:07:37 | 0:07:41 | |
Don't like my boyfriend much. | 0:07:41 | 0:07:42 | |
That's cos he's a solicitor, not cos he's... | 0:07:42 | 0:07:45 | |
What? Say it! You can't catch it just cos you say it. | 0:07:45 | 0:07:49 | |
Look, this is different, all right? | 0:07:49 | 0:07:51 | |
Corey is young. He's confused. | 0:07:51 | 0:07:54 | |
He's had a lot to cope with. His mum died, all right? | 0:07:55 | 0:07:59 | |
It's probably just a phase, anyway. | 0:08:02 | 0:08:05 | |
A phase? | 0:08:05 | 0:08:06 | |
Ryan, just admit it. | 0:08:07 | 0:08:09 | |
You're not OK with your son being gay. | 0:08:09 | 0:08:11 | |
All right, I'm not. All right? | 0:08:11 | 0:08:13 | |
Good. Least you're being honest. | 0:08:13 | 0:08:16 | |
How did he react when you told him? | 0:08:19 | 0:08:21 | |
Wouldn't know. | 0:08:22 | 0:08:24 | |
My dad's never had a real emotion in his life. | 0:08:25 | 0:08:29 | |
All units, this is Kilo Zero Three. | 0:08:29 | 0:08:30 | |
Three subject males have left the building and are making off in subject vehicle. | 0:08:30 | 0:08:34 | |
All units - strike! Strike! Strike! | 0:08:34 | 0:08:36 | |
ARMED POLICE! On the ground! Face down! | 0:08:41 | 0:08:45 | |
Put your arms out! Put your arms out! | 0:08:45 | 0:08:48 | |
Put your arms out! Bring your hands towards your back! | 0:08:48 | 0:08:51 | |
Keep your hands STILL. | 0:08:51 | 0:08:52 | |
CLEAR! CLEAR! | 0:08:54 | 0:08:56 | |
POLICE SIRENS | 0:08:58 | 0:09:02 | |
Hello again. | 0:09:04 | 0:09:06 | |
Obviously the priority for CID | 0:09:24 | 0:09:26 | |
is to find evidence that links the gang to the thefts, | 0:09:26 | 0:09:28 | |
the ATM, money, tools, etc. | 0:09:28 | 0:09:31 | |
So split up, bag up anything you think relevant, | 0:09:31 | 0:09:34 | |
leave the rest to CSI, who are en route. | 0:09:34 | 0:09:36 | |
INFORMAL CHATTER | 0:09:48 | 0:09:50 | |
Oh, hey, guys! What's going on? | 0:09:50 | 0:09:53 | |
SHE CHUCKLES | 0:09:55 | 0:09:57 | |
We'd better get CSI down here, get some fingerprints off these... | 0:10:17 | 0:10:22 | |
RADIO BEEPS | 0:10:22 | 0:10:23 | |
Aargh... Dead spot. | 0:10:23 | 0:10:24 | |
Don't touch 'em. | 0:10:24 | 0:10:26 | |
BIRD FLAPS WINGS | 0:10:33 | 0:10:35 | |
THEY GRUNT | 0:10:43 | 0:10:44 | |
THEY GRUNT | 0:10:52 | 0:10:54 | |
HE SHRIEKS | 0:11:04 | 0:11:06 | |
-Come here! -Ah! | 0:11:12 | 0:11:14 | |
Oh, yeah. | 0:11:16 | 0:11:17 | |
HE CHUCKLES | 0:11:21 | 0:11:23 | |
-THEY PANT -Come here. | 0:11:23 | 0:11:25 | |
RADIO CHATTER | 0:11:32 | 0:11:33 | |
Should get that looked at. | 0:11:36 | 0:11:38 | |
Rumble in the jungle, eh? | 0:11:44 | 0:11:47 | |
Heard you landed a pretty good punch yourself. | 0:11:47 | 0:11:50 | |
Ah, well... | 0:11:50 | 0:11:52 | |
What I've lost in speed, I've made up for in accuracy. | 0:11:52 | 0:11:55 | |
Look, Jake, I understand your, erm... | 0:12:00 | 0:12:01 | |
No. | 0:12:01 | 0:12:04 | |
You don't. | 0:12:04 | 0:12:06 | |
How much cash is there in an ATM? | 0:12:08 | 0:12:10 | |
I don't know, 70, 80 grand? | 0:12:10 | 0:12:12 | |
A couple of those a week... | 0:12:12 | 0:12:13 | |
Exactly. A nice little earner. | 0:12:13 | 0:12:15 | |
-Do you fancy it? -Yeah, go on, then. | 0:12:15 | 0:12:17 | |
HE CHUCKLES | 0:12:17 | 0:12:18 | |
-DS Moffat. -Yes, sir? | 0:12:18 | 0:12:20 | |
I want you to be the SIO on this case. | 0:12:20 | 0:12:24 | |
If you're ready? | 0:12:24 | 0:12:25 | |
Er, yeah. Definitely ready, sir. Yeah. | 0:12:25 | 0:12:28 | |
CSI, evidence collection... Custody... Interview strategy. | 0:12:28 | 0:12:33 | |
All yours. | 0:12:33 | 0:12:35 | |
Thank you, sir. Thanks. | 0:12:35 | 0:12:37 | |
(Yes!) | 0:12:37 | 0:12:38 | |
CAMERA CLICKS | 0:12:53 | 0:12:55 | |
'And I'm telling you now that we have recovered | 0:13:03 | 0:13:05 | |
'DNA from the inside of this balaclava.' | 0:13:05 | 0:13:07 | |
We will be running it against the fingerprints you provided today, | 0:13:07 | 0:13:10 | |
and we'll have the test results back in a few days. | 0:13:10 | 0:13:12 | |
Are we going to find your DNA on this item? | 0:13:12 | 0:13:15 | |
No comment. | 0:13:15 | 0:13:16 | |
DC Hawkins, I believe you have another exhibit for us... | 0:13:17 | 0:13:20 | |
I do. | 0:13:20 | 0:13:21 | |
I am now showing the suspect Exhibit DP0002... | 0:13:21 | 0:13:24 | |
..a Glock...9mm pistol. | 0:13:26 | 0:13:29 | |
Can you see the gun? | 0:13:31 | 0:13:33 | |
No comment. | 0:13:33 | 0:13:34 | |
-But you can SEE the gun? There's nothing wrong with your eyesight? -Detective... | 0:13:35 | 0:13:40 | |
It's Detective Sergeant. | 0:13:40 | 0:13:41 | |
Are we going to find your fingerprints on this firearm? | 0:13:41 | 0:13:45 | |
What are you looking at your solicitor for? | 0:13:45 | 0:13:47 | |
It's a simple yes or no question. | 0:13:47 | 0:13:49 | |
No comment. | 0:13:52 | 0:13:53 | |
Is there any reason for you to have handled this firearm? | 0:13:54 | 0:13:58 | |
No...comment. | 0:14:00 | 0:14:02 | |
Officers have identified you from your clothing, as having been | 0:14:04 | 0:14:07 | |
present when police were threatened with a firearm at | 0:14:07 | 0:14:10 | |
the Croxford multistorey car park. | 0:14:10 | 0:14:12 | |
Were you there when this incident happened? | 0:14:12 | 0:14:14 | |
My client insists he wasn't present. | 0:14:14 | 0:14:16 | |
He's adamant this has nothing to do with him. | 0:14:16 | 0:14:18 | |
Adamant? He's adamant... | 0:14:20 | 0:14:22 | |
Yeah... | 0:14:22 | 0:14:24 | |
SHE INHALES | 0:14:24 | 0:14:25 | |
Right, well, we'll leave it there, then. | 0:14:25 | 0:14:27 | |
Interview terminated at 1700 hours. | 0:14:27 | 0:14:30 | |
I'm just going to make a quick phone call. | 0:14:30 | 0:14:33 | |
DOOR OPENS | 0:14:34 | 0:14:36 | |
DOOR CLOSES | 0:14:36 | 0:14:37 | |
That's fantastic! Thank you... | 0:14:37 | 0:14:41 | |
All right, will do. Cheers. | 0:14:41 | 0:14:42 | |
CPS happy to authorise all charges for all suspects. | 0:14:43 | 0:14:46 | |
Get in! | 0:14:46 | 0:14:48 | |
-Court in the morning, which means they will be remanded in custody and -I -will be very hungover. | 0:14:48 | 0:14:52 | |
-HE CHUCKLES -Right, I'm going to go and do the honours, you can | 0:14:52 | 0:14:55 | |
round up the troops for the pub. | 0:14:55 | 0:14:56 | |
Yeah, you might want to dial back a bit on that smug smile when you charge 'em? | 0:14:56 | 0:14:59 | |
Not a chance, I'm turning it up to 11. | 0:14:59 | 0:15:01 | |
Got to get your kicks while you can in this job. | 0:15:01 | 0:15:04 | |
And you're going to be put forward | 0:15:04 | 0:15:06 | |
for a Divisional Commander's Commendation. | 0:15:06 | 0:15:09 | |
SHE LAUGHS | 0:15:09 | 0:15:11 | |
-Cheers, boss. -Well deserved. | 0:15:11 | 0:15:13 | |
Without you, we wouldn't have four dangerous criminals in custody. | 0:15:13 | 0:15:16 | |
It was a team effort. | 0:15:16 | 0:15:18 | |
Initiated by YOUR quick thinking. | 0:15:18 | 0:15:20 | |
You'll get your formal letter in a week, with your invitation | 0:15:20 | 0:15:24 | |
to the next ceremony, so keep your eyes peeled... | 0:15:24 | 0:15:26 | |
I will. | 0:15:26 | 0:15:27 | |
You know this job... 80% a bureaucratic ball-ache. | 0:15:28 | 0:15:32 | |
But moments like this... | 0:15:32 | 0:15:34 | |
Are you decent? | 0:15:38 | 0:15:39 | |
CHEERING | 0:15:39 | 0:15:41 | |
-Tea and medals! -Well done. -Cheers. | 0:15:41 | 0:15:43 | |
How's your head? Still managed to fit it through the door? | 0:15:43 | 0:15:46 | |
Yeah. Yeah. Don't worry, | 0:15:46 | 0:15:47 | |
I'm not going to let it change me. | 0:15:47 | 0:15:49 | |
You're still going to talk to us little people, then, yeah? | 0:15:49 | 0:15:53 | |
-Yes. If I have time. -She's changed! | 0:15:53 | 0:15:55 | |
LAUGHTER Are you coming for a drink? | 0:15:55 | 0:15:58 | |
No. | 0:15:58 | 0:15:59 | |
OK. See you later, mate. | 0:16:01 | 0:16:03 | |
Shall we go? | 0:16:05 | 0:16:07 | |
Yeah. Yeah. Yeah. Yeah. | 0:16:07 | 0:16:08 | |
See you later, Ry... | 0:16:08 | 0:16:10 | |
Yes. | 0:16:10 | 0:16:12 | |
LAUGHTER AND CHATTERING | 0:16:14 | 0:16:15 | |
All set? Got your thirst on? | 0:16:15 | 0:16:16 | |
-Drinking arm at the ready. -Argh, I didn't realise that was the time. I promised I'd go home tonight... | 0:16:16 | 0:16:21 | |
-Oh, come on, you're just having a quick one. -Oh, hang on, do you reckon we should invite the boss? | 0:16:21 | 0:16:25 | |
-To the pub? -Yes. -Can do, but he'll never say yes. | 0:16:25 | 0:16:28 | |
Really? | 0:16:28 | 0:16:30 | |
Night, sir. | 0:16:30 | 0:16:31 | |
THEY CHATTER | 0:16:37 | 0:16:38 | |
-Are you OK? -Yeah. No. I'll tell you later. | 0:16:42 | 0:16:45 | |
Oh, look who it is. | 0:16:45 | 0:16:47 | |
-What's this? Travelling en masse? -Yes. | 0:16:47 | 0:16:49 | |
Just going out for a drink, celebrating the good result with the ATM gang... | 0:16:49 | 0:16:52 | |
Maybe I should tag along? | 0:16:52 | 0:16:54 | |
You want to come out with a load of cops who are celebrating | 0:16:54 | 0:16:57 | |
catching a gang... that you're defending? | 0:16:57 | 0:17:00 | |
Sounds fun. | 0:17:00 | 0:17:01 | |
HE SCOFFS | 0:17:02 | 0:17:03 | |
No. Nah, not a good idea. | 0:17:03 | 0:17:05 | |
I'll see you later. | 0:17:07 | 0:17:08 | |
-Right, come on, guys. -Let's go. | 0:17:11 | 0:17:14 | |
ALL JEER | 0:17:18 | 0:17:20 | |
-You going to give me a backie? -How old are you? | 0:17:21 | 0:17:28 | |
Hey... Does anyone want a lift? | 0:17:28 | 0:17:31 | |
Yeah! | 0:17:31 | 0:17:34 | |
Actually, you know what? I'm going to head home. | 0:17:34 | 0:17:37 | |
I'm going to be late. | 0:17:37 | 0:17:38 | |
Oh, come on, this is for you, this is. | 0:17:38 | 0:17:40 | |
Hi... | 0:17:40 | 0:17:41 | |
I can't. Alice is cooking. | 0:17:41 | 0:17:43 | |
-I want to tell her about today and... -BOO! | 0:17:43 | 0:17:46 | |
-Guys, actually, I am going to head home. -Oh, OK. | 0:17:46 | 0:17:49 | |
Have a good one tonight, OK. Behave yourselves! | 0:17:49 | 0:17:52 | |
-Take car, be safe. -See ya. | 0:17:52 | 0:17:54 | |
This is nice. | 0:17:54 | 0:17:55 | |
Watch your clothes. Had a Corgi in here earlier. | 0:17:58 | 0:18:01 | |
Shed like a bastard. | 0:18:01 | 0:18:02 | |
DOOR OPENS | 0:18:23 | 0:18:25 | |
Hi. How was your day? | 0:18:25 | 0:18:27 | |
-Really good. -Yeah? -Yeah. | 0:18:27 | 0:18:30 | |
Debbie? | 0:18:33 | 0:18:36 | |
Debbie? | 0:18:41 | 0:18:42 | |
And then it was like... I just didn't think. | 0:19:04 | 0:19:07 | |
I just chucked it over as they... As they drove off. | 0:19:07 | 0:19:09 | |
And it was only afterwards that I actually realised what I'd done...! | 0:19:09 | 0:19:13 | |
And I was shaking...after. My hand was going like this... | 0:19:13 | 0:19:16 | |
But it wasn't shock, like, erm... | 0:19:16 | 0:19:19 | |
Like after an RTC or, or something like that... It was... | 0:19:19 | 0:19:22 | |
It was adrenaline. It was a rush. | 0:19:22 | 0:19:24 | |
It was amazing. | 0:19:24 | 0:19:25 | |
Mm. Babe, this is delicious. Thank you so much. | 0:19:27 | 0:19:31 | |
You not eating anything? | 0:19:33 | 0:19:35 | |
I'm not hungry. | 0:19:36 | 0:19:37 | |
You all right? What's wrong? | 0:19:40 | 0:19:42 | |
You know, the fact that you have to ask, that's... | 0:19:45 | 0:19:48 | |
That's the most upsetting thing of all. | 0:19:48 | 0:19:50 | |
I've lost my appetite. And I... | 0:19:50 | 0:19:53 | |
I don't know whether I want to throw up, | 0:19:54 | 0:19:57 | |
or...cry... | 0:19:57 | 0:19:58 | |
-Are you sick? -No, I'm not. | 0:19:58 | 0:20:01 | |
Yeah, actually yes, yes, I am - I am sick. | 0:20:01 | 0:20:04 | |
I'm sick of worrying about you every time you go to work. | 0:20:04 | 0:20:07 | |
I'm sick of freaking out every time the phone rings | 0:20:07 | 0:20:10 | |
cos it might be the station, or... | 0:20:10 | 0:20:12 | |
-Or the hospital, saying something's happened to you... -Al, | 0:20:12 | 0:20:14 | |
I'm fine! | 0:20:14 | 0:20:16 | |
How can you say that after what happened to you today? | 0:20:16 | 0:20:18 | |
You had someone pull a gun on you! You nearly died... | 0:20:18 | 0:20:21 | |
-But I didn't. -But you could've done! | 0:20:21 | 0:20:24 | |
And you're sat there, talking about it like it's... | 0:20:24 | 0:20:27 | |
Like it's the most exciting thing in the world. Listen to yourself - | 0:20:27 | 0:20:30 | |
"the rush, the buzz..." | 0:20:30 | 0:20:33 | |
I don't think it's exciting that you nearly got killed. | 0:20:33 | 0:20:36 | |
-I'm really proud of what I did today. -No, that's not... I'm not... | 0:20:36 | 0:20:39 | |
Sorry. | 0:20:44 | 0:20:46 | |
I'm sorry... | 0:20:46 | 0:20:48 | |
I wasn't saying that to scare you. | 0:20:48 | 0:20:49 | |
Well, you have. | 0:20:49 | 0:20:51 | |
And I'm sorry if you wanted to have a lovely romantic evening | 0:20:55 | 0:20:58 | |
where you get to talk about staring down the barrel of a gun and the... | 0:20:58 | 0:21:02 | |
The thrill of the chase. But I'm going to bed. | 0:21:02 | 0:21:05 | |
Alice, come on... | 0:21:05 | 0:21:06 | |
I don't know how much longer I can do this. | 0:21:09 | 0:21:12 | |
Alice? | 0:21:13 | 0:21:15 | |
Alice, please don't do this. | 0:21:17 | 0:21:19 | |
Alice? | 0:21:19 | 0:21:20 | |
DOOR SHUTS | 0:21:21 | 0:21:23 | |
There we go... | 0:21:23 | 0:21:24 | |
CHEERING | 0:21:24 | 0:21:27 | |
LAUGHTER AND CHAT | 0:21:27 | 0:21:29 | |
SCORE OVER DIALOGUE | 0:21:42 | 0:21:47 | |
SCORE CONTINUES | 0:22:37 | 0:22:39 | |
Oh, like the shades. Heavy night? | 0:23:20 | 0:23:24 | |
What's the matter with you? | 0:23:24 | 0:23:26 | |
I really don't want to talk about it, mate. | 0:23:26 | 0:23:28 | |
Suit yourself. | 0:23:28 | 0:23:30 | |
I'll tell you something, though. | 0:23:30 | 0:23:32 | |
Everything you've ever been told about Irish girls in bed is true. | 0:23:32 | 0:23:36 | |
Wild. Mental. She tried to put her finger... | 0:23:36 | 0:23:39 | |
Lino...I cannot spend another day listening to you | 0:23:39 | 0:23:41 | |
blathering on about Orla. All right? | 0:23:41 | 0:23:44 | |
All right! Blimey. | 0:23:44 | 0:23:45 | |
Morning! Oh... | 0:23:45 | 0:23:46 | |
From the bleary eyes, it's clear to see that most of us | 0:23:46 | 0:23:49 | |
are still recovering from celebrating PC Prager's exceptional | 0:23:49 | 0:23:53 | |
police work - even if the woman herself couldn't make it... | 0:23:53 | 0:23:57 | |
Boss, good news - as expected, | 0:23:57 | 0:24:00 | |
all four suspects have been remanded in custody... | 0:24:00 | 0:24:02 | |
In addition, I'll be liaising with cross-border colleagues. | 0:24:02 | 0:24:05 | |
Early indications are this gang are responsible for numerous | 0:24:05 | 0:24:08 | |
violent robberies across the South. | 0:24:08 | 0:24:10 | |
It's a result that's going to keep on giving... Well done. | 0:24:10 | 0:24:13 | |
Well done. | 0:24:13 | 0:24:14 | |
Right... On that note... | 0:24:14 | 0:24:16 | |
MUSIC PLAYS: Turtle Power by Partners In Kryme | 0:24:17 | 0:24:19 | |
# In this day and age who could ask for more? | 0:24:19 | 0:24:21 | |
# The crimewave is high | 0:24:21 | 0:24:23 | |
# With muggings mysterious | 0:24:23 | 0:24:24 | |
# Our police and detectives are furious | 0:24:24 | 0:24:26 | |
# Cos they can't find the source Of this lethally evil force | 0:24:26 | 0:24:31 | |
# This is serious so give me a quarter | 0:24:31 | 0:24:33 | |
# I was a witness, get me a reporter | 0:24:33 | 0:24:35 | |
# Call April O'Neil in on this case | 0:24:35 | 0:24:37 | |
# And you'd better hurry up, there's no time to waste | 0:24:37 | 0:24:40 | |
# We need help, like quick On the double | 0:24:40 | 0:24:42 | |
# Have pity on the city... # | 0:24:42 | 0:24:44 | |
Come on. | 0:24:44 | 0:24:45 | |
Get off me. Oi. Oi, I haven't done anything wrong. | 0:24:51 | 0:24:55 | |
Let's see about that, shall we? | 0:24:55 | 0:24:58 | |
Control, this is Kilo Two Two Zero, we have four Ninja Turtles | 0:24:58 | 0:25:01 | |
under arrest for theft. | 0:25:01 | 0:25:03 | |
Request another unit for transport, as soon as possible, please. | 0:25:03 | 0:25:06 | |
Why are we getting nicked? | 0:25:06 | 0:25:08 | |
Donatello was the only one doing it. You've checked me. I'm clean! | 0:25:08 | 0:25:11 | |
You work together, don't you? | 0:25:11 | 0:25:13 | |
Distraction. You dance, he dips. | 0:25:13 | 0:25:15 | |
Hey. All for one...and one for all. | 0:25:15 | 0:25:20 | |
-Well done. -That's all right, isn't it? | 0:25:20 | 0:25:22 | |
And then put the little one... | 0:25:25 | 0:25:27 | |
That's Michelangelo, Sarge... | 0:25:27 | 0:25:29 | |
He's small, green and annoying. | 0:25:29 | 0:25:32 | |
I don't care what he's called, PC Vickers. | 0:25:32 | 0:25:34 | |
-Sarge. -Put him in four. | 0:25:34 | 0:25:36 | |
Right, I'm going to need you to re-interview the shop worker | 0:25:52 | 0:25:55 | |
from yesterday's ATM. | 0:25:55 | 0:25:56 | |
See if you can get any more details from her, all right? | 0:25:56 | 0:25:59 | |
Cheers, Anna, thanks. | 0:25:59 | 0:26:00 | |
HE SIGHS | 0:26:03 | 0:26:04 | |
SHE CHUCKLES: Oh, my goodness me. | 0:26:06 | 0:26:09 | |
Oh, I wondered when we'd see you. | 0:26:09 | 0:26:11 | |
Head. Guts. | 0:26:11 | 0:26:13 | |
And I swear my mouth feels like the inside of Madison's hamster cage. | 0:26:14 | 0:26:18 | |
Ah. | 0:26:18 | 0:26:20 | |
Oh, I don't want to see that. | 0:26:20 | 0:26:22 | |
HE SIGHS | 0:26:24 | 0:26:26 | |
Just going to...sit here quietly until the room stops spinning. | 0:26:26 | 0:26:30 | |
All right. | 0:26:30 | 0:26:32 | |
DC Hawkins, you're with me. | 0:26:32 | 0:26:35 | |
Oh, boss, I think... | 0:26:35 | 0:26:36 | |
Eva Price. Vulnerable, juvenile, female MISPER, needs chasing up now. | 0:26:36 | 0:26:41 | |
Let's go. | 0:26:42 | 0:26:43 | |
HE EXHALES | 0:26:43 | 0:26:44 | |
She's bright, in an academic sense, but... | 0:26:50 | 0:26:53 | |
She's had... | 0:26:53 | 0:26:54 | |
She HAS issues. | 0:26:56 | 0:26:58 | |
Er, anxiety...panic attacks, self-harm. | 0:26:58 | 0:27:02 | |
She has struggled for years and we try and help her, but... | 0:27:02 | 0:27:06 | |
How do you help someone who doesn't want to be helped? | 0:27:06 | 0:27:10 | |
And what does Eva do now? Is she still at school? | 0:27:10 | 0:27:12 | |
Just finished sixth form college | 0:27:12 | 0:27:14 | |
and we're waiting for her A-level results. | 0:27:14 | 0:27:16 | |
When did you last see your daughter? | 0:27:16 | 0:27:19 | |
We had a family birthday two weeks ago. | 0:27:19 | 0:27:21 | |
She walked out and we haven't seen her since. | 0:27:21 | 0:27:24 | |
I mean, we know... | 0:27:24 | 0:27:26 | |
We understand she's not a child any more, but... | 0:27:26 | 0:27:30 | |
even at 17... | 0:27:30 | 0:27:31 | |
She's still our little girl. | 0:27:31 | 0:27:33 | |
And you've no idea where she is now? | 0:27:36 | 0:27:38 | |
There's no other way to describe it. She's been brainwashed. | 0:27:39 | 0:27:43 | |
What do you mean? | 0:27:43 | 0:27:45 | |
The cafe owner where she works, he's a... | 0:27:45 | 0:27:47 | |
..charismatic, dangerous man. | 0:27:48 | 0:27:51 | |
Eva just seemed to spend more and more time with him, | 0:27:51 | 0:27:54 | |
and she...fell under his spell. | 0:27:54 | 0:27:57 | |
She's run away with him to live on his houseboat. | 0:27:57 | 0:28:00 | |
And we just want her home. | 0:28:02 | 0:28:03 | |
-Piers Trilby. -Boss? | 0:28:06 | 0:28:08 | |
The cafe owner. | 0:28:08 | 0:28:10 | |
I investigated a similar missing teenager case where he was involved. | 0:28:10 | 0:28:14 | |
-Another waitress. -Any charges? | 0:28:14 | 0:28:17 | |
No. But there's a pattern. They're always vulnerable. | 0:28:17 | 0:28:19 | |
Mental-health markers. | 0:28:19 | 0:28:21 | |
They move out from the family home. Cut off all contact. | 0:28:21 | 0:28:24 | |
Stay with him until he moves on to the next one. | 0:28:24 | 0:28:27 | |
Right. Let's go visit this nonce on a boat. | 0:28:27 | 0:28:30 | |
Just looking for few moments of your time, that's all... | 0:28:46 | 0:28:49 | |
Of course, yeah. | 0:28:49 | 0:28:50 | |
So, er... | 0:28:50 | 0:28:52 | |
we have some upset parents who are worried about their missing daughter. | 0:28:52 | 0:28:55 | |
We're just following up on their concerns... | 0:28:55 | 0:28:58 | |
Would either of you like a camomile tea? | 0:28:59 | 0:29:01 | |
Er, not for me. Boss...? | 0:29:02 | 0:29:05 | |
Camomile...? | 0:29:05 | 0:29:07 | |
No, thank you. | 0:29:07 | 0:29:09 | |
So, where is Eva now? | 0:29:12 | 0:29:13 | |
She went out for a walk. | 0:29:13 | 0:29:14 | |
Did she? Do you know where she went? | 0:29:14 | 0:29:17 | |
Er... I'm afraid not, no. | 0:29:18 | 0:29:20 | |
She likes to walk... | 0:29:20 | 0:29:22 | |
Watch the birds... | 0:29:22 | 0:29:23 | |
Look, I understand... | 0:29:30 | 0:29:33 | |
You've probably been sold | 0:29:33 | 0:29:34 | |
a particular narrative by Eva's parents, | 0:29:34 | 0:29:37 | |
but there really is nothing here for you to be concerned about. | 0:29:37 | 0:29:40 | |
I don't lure girls anywhere. | 0:29:47 | 0:29:50 | |
I PROVIDE them with a creative, | 0:29:50 | 0:29:53 | |
elemental environment where I can support them in their learning... | 0:29:53 | 0:29:57 | |
in the widest of senses. | 0:29:57 | 0:29:59 | |
But you can understand why people might think it's peculiar? | 0:30:01 | 0:30:05 | |
Middle-aged man with a queue of messed-up teenage girls? | 0:30:05 | 0:30:09 | |
Believe me, Eva is in every way my intellectual equal. | 0:30:09 | 0:30:12 | |
SIGHING: She was being stifled at home - here, now, she's free. | 0:30:14 | 0:30:19 | |
Yeah, so that's why she ran away, is it? | 0:30:19 | 0:30:21 | |
Just so she could read books with you? | 0:30:21 | 0:30:24 | |
Does she cook for you? Clean the boat? | 0:30:24 | 0:30:27 | |
We share our domestic lives. | 0:30:27 | 0:30:29 | |
DC Hawkins! | 0:30:32 | 0:30:34 | |
DRAMATIC SCORE | 0:30:41 | 0:30:44 | |
-EVA! -EVA! | 0:30:55 | 0:30:58 | |
EVA! STOP! | 0:30:58 | 0:31:00 | |
Please... Please, leave me alone... | 0:31:00 | 0:31:02 | |
THEY PANT | 0:31:02 | 0:31:04 | |
I'm not going to hurt you. | 0:31:04 | 0:31:06 | |
We just want to make sure you're all right... | 0:31:06 | 0:31:08 | |
Right. Come on. | 0:31:17 | 0:31:19 | |
-I'm sorry. -This way. | 0:31:21 | 0:31:23 | |
Control, this is DI Kane. | 0:31:25 | 0:31:27 | |
I need a female officer to Beach Green to search | 0:31:27 | 0:31:30 | |
and transport a prisoner soon as possible, please. | 0:31:30 | 0:31:33 | |
Don't let them do this, please. | 0:31:34 | 0:31:36 | |
Please don't let them take me... | 0:31:37 | 0:31:40 | |
I'm arresting you on suspicion of possession of a controlled drug. | 0:31:40 | 0:31:45 | |
You do not have to say anything. | 0:31:45 | 0:31:47 | |
But it may harm your defence if you do not mention, | 0:31:47 | 0:31:50 | |
when questioned, something which you later rely on in court. | 0:31:50 | 0:31:53 | |
SHE SNIFFLES | 0:31:55 | 0:31:57 | |
Anything you say may be given in evidence. | 0:32:06 | 0:32:10 | |
Oh, come on, surely we don't need to arrest anyone. | 0:32:10 | 0:32:12 | |
It's just a bit of weed. | 0:32:12 | 0:32:14 | |
I'm taking Eva into custody to protect her as | 0:32:14 | 0:32:16 | |
a vulnerable person. | 0:32:16 | 0:32:18 | |
My concern is to keep her safe. | 0:32:18 | 0:32:20 | |
And our driver, Duane... | 0:32:29 | 0:32:31 | |
-A very nice man... -A VERY, very nice man... | 0:32:31 | 0:32:34 | |
And HE told us that we'd got to be back on the bus in an hour, | 0:32:34 | 0:32:37 | |
so we thought... | 0:32:37 | 0:32:39 | |
Time for a quick one...! | 0:32:39 | 0:32:41 | |
LAUGHTER | 0:32:41 | 0:32:42 | |
Yeah. Or three! | 0:32:42 | 0:32:44 | |
So, we had some pear cider... | 0:32:44 | 0:32:48 | |
It were gorgeous. | 0:32:48 | 0:32:50 | |
And now we don't know who we are or where we're going! | 0:32:50 | 0:32:52 | |
Luckily, we know where you're going, | 0:32:52 | 0:32:54 | |
-because Duane reported you missing... -Oh! | 0:32:54 | 0:32:56 | |
Oops, steady... | 0:32:56 | 0:32:58 | |
Oh, he's gorgeous, in't he? | 0:32:58 | 0:33:02 | |
Small, but firm.... | 0:33:02 | 0:33:05 | |
I think you're barking up the wrong tree there, Elsie... | 0:33:05 | 0:33:09 | |
-Oh... Are you one of those? -How lovely! | 0:33:09 | 0:33:14 | |
They're everywhere in Brighton, aren't they? | 0:33:14 | 0:33:17 | |
Yeah. Not so many in Halifax, though, cos of the weather. | 0:33:17 | 0:33:20 | |
-Oooh! There's Duane...! -Duane! | 0:33:22 | 0:33:25 | |
Duane. Duane, we got lost in the lanes! | 0:33:27 | 0:33:29 | |
Sorry, Duane, we got... We got... | 0:33:29 | 0:33:31 | |
LAUGHTER | 0:33:31 | 0:33:34 | |
Come on, please. Mind your head...and your dress. | 0:33:36 | 0:33:39 | |
Where were you last night? | 0:33:41 | 0:33:43 | |
Missed a massive session. | 0:33:43 | 0:33:45 | |
Lino's bird did a brilliant Beyonce, didn't she? | 0:33:45 | 0:33:48 | |
-Oh, yeah. -Got us all free shots. | 0:33:48 | 0:33:51 | |
Single Ladies, my friend. Single Ladies. | 0:33:51 | 0:33:53 | |
Which is ironic, really. Cos she's not. | 0:33:53 | 0:33:55 | |
-Not any more, anyway. -Will you please stop crying? | 0:33:55 | 0:33:58 | |
Right. Are we going, or what? | 0:33:58 | 0:34:00 | |
-See you later. -See you later. | 0:34:01 | 0:34:04 | |
That guy's a creep. | 0:34:13 | 0:34:15 | |
He can wear hippie shirts, philosophise all you want... | 0:34:16 | 0:34:20 | |
He's still an abuser... | 0:34:20 | 0:34:22 | |
PHONE CHIMES | 0:34:22 | 0:34:24 | |
Yeah? | 0:34:24 | 0:34:26 | |
No, I can't. | 0:34:28 | 0:34:29 | |
I can't come now. I've told you, I'm at work. | 0:34:32 | 0:34:35 | |
Boss? | 0:34:36 | 0:34:38 | |
HE SIGHS | 0:34:40 | 0:34:42 | |
TYRES SQUEAL | 0:34:42 | 0:34:43 | |
Boss, where we going? | 0:34:43 | 0:34:45 | |
ENGINE REVS | 0:34:49 | 0:34:51 | |
Afternoon, Sarge. This is Eva, 17 years old. | 0:34:52 | 0:34:56 | |
She's been arrested on suspicion of being in possession of cannabis. | 0:34:56 | 0:35:00 | |
DI Kane and DC Hawkins witnessed her throwing this onto the ground. | 0:35:00 | 0:35:06 | |
17? | 0:35:06 | 0:35:08 | |
That case, I'm going to need to inform your parents that | 0:35:08 | 0:35:11 | |
you've been arrested. | 0:35:11 | 0:35:12 | |
Would you like to speak to your mum and dad? | 0:35:12 | 0:35:14 | |
I'm not going home. I'll suffocate. | 0:35:14 | 0:35:17 | |
I'll take that as a "no", then. | 0:35:17 | 0:35:19 | |
Could scan this young lady please, PC Prager. | 0:35:19 | 0:35:21 | |
Yeah, of course. | 0:35:21 | 0:35:23 | |
Can you put your arms out for me? Thank you. | 0:35:23 | 0:35:27 | |
DEVICE BEEPS | 0:35:27 | 0:35:29 | |
Parents' number and address, there. | 0:35:29 | 0:35:31 | |
DEVICE WHINES | 0:35:34 | 0:35:36 | |
Underwired bra? | 0:35:36 | 0:35:37 | |
OK, turn around for me. Your arms... | 0:35:37 | 0:35:40 | |
Thank you. | 0:35:40 | 0:35:41 | |
OK, clear, Sarge. | 0:35:45 | 0:35:48 | |
Put her in five, please, Donna. | 0:35:48 | 0:35:50 | |
Yeah, this way, Eva. | 0:35:50 | 0:35:53 | |
This is South Sussex Police, | 0:35:54 | 0:35:57 | |
your daughter's been arrested on possession of drugs. | 0:35:57 | 0:36:00 | |
She'll need to be interviewed by police officers. Mm-hm. | 0:36:00 | 0:36:04 | |
Would one of you like to be the appropriate adult? | 0:36:04 | 0:36:07 | |
DOOR BANGS | 0:36:10 | 0:36:12 | |
KEYS JINGLE | 0:36:16 | 0:36:18 | |
I'll be five minutes. | 0:36:30 | 0:36:32 | |
What are we doing? Where are we? | 0:36:32 | 0:36:34 | |
Just stay in the car. | 0:36:34 | 0:36:35 | |
Come on, mate, what are you doing? | 0:37:04 | 0:37:06 | |
HE SIGHS | 0:37:06 | 0:37:08 | |
MAN SHOUTING | 0:37:36 | 0:37:38 | |
I CAN'T BREATHE! | 0:37:42 | 0:37:45 | |
YOU'RE KILLING ME! | 0:37:45 | 0:37:47 | |
GET UP OFF THE FLOOR! | 0:37:47 | 0:37:49 | |
HE WHEEZES | 0:37:49 | 0:37:51 | |
STOP DOING THIS TO ME! | 0:37:51 | 0:37:52 | |
STOP! I HATE YOU! | 0:37:54 | 0:37:56 | |
DOOR OPENS | 0:37:56 | 0:37:58 | |
HE WHEEZES | 0:37:58 | 0:38:00 | |
HE WHIMPERS | 0:38:00 | 0:38:03 | |
Hey. Come here. Come here. | 0:38:07 | 0:38:11 | |
HE SOBS | 0:38:11 | 0:38:12 | |
It's all right, mate, it's all right, it's all right... | 0:38:12 | 0:38:15 | |
HE SOBS | 0:38:15 | 0:38:17 | |
Sh... It's OK. | 0:38:17 | 0:38:20 | |
Hey, sh, sh, sh... Sh.. | 0:38:22 | 0:38:25 | |
DOOR CLOSES | 0:38:25 | 0:38:27 | |
HE WHIMPERS | 0:38:29 | 0:38:31 | |
SHOUTING FROM OTHER CELLS | 0:38:45 | 0:38:47 | |
It's all right. | 0:39:16 | 0:39:19 | |
There we go. | 0:39:23 | 0:39:26 | |
This is a bit more comfortable, isn't it? | 0:39:26 | 0:39:29 | |
MEDIC! | 0:40:07 | 0:40:09 | |
ALARM BLARES | 0:40:09 | 0:40:12 | |
It's OK, Eva... It's all right. | 0:40:17 | 0:40:21 | |
Just let the nurse help you with those arms... | 0:40:21 | 0:40:23 | |
Can we call a paramedic in here, please, | 0:40:26 | 0:40:28 | |
and I need a sharps tube, now! | 0:40:28 | 0:40:31 | |
It's OK. It's OK. | 0:40:33 | 0:40:35 | |
That was my father. | 0:40:52 | 0:40:53 | |
He had a stroke two months ago. | 0:40:56 | 0:40:58 | |
He has left-sided brain damage, aphasia... | 0:41:00 | 0:41:03 | |
HE SIGHS | 0:41:04 | 0:41:06 | |
..coordination problems. | 0:41:06 | 0:41:07 | |
I moved in with him to take care of him. | 0:41:10 | 0:41:13 | |
Well, what I saw didn't look like care to me. | 0:41:15 | 0:41:18 | |
He lashed out at the nurse, fell out of bed. | 0:41:22 | 0:41:25 | |
I was trying to get him back into bed, | 0:41:25 | 0:41:27 | |
trying to help him... He attacked me. | 0:41:27 | 0:41:29 | |
Yeah. Then you lost it. | 0:41:29 | 0:41:31 | |
One of our prisoners concealed a weapon into her cell. | 0:41:46 | 0:41:49 | |
Harmed herself, | 0:41:49 | 0:41:51 | |
but the paramedics have seen and treated her. | 0:41:51 | 0:41:54 | |
So, all under control, then? | 0:41:54 | 0:41:56 | |
Yes, sir. | 0:41:56 | 0:41:57 | |
It seems like a prisoner managed to smuggle a weapon into custody. | 0:42:05 | 0:42:08 | |
Mind you, I'm sure your PR department would manage to | 0:42:08 | 0:42:11 | |
put a positive spin on that? | 0:42:11 | 0:42:13 | |
Right, where were we? | 0:42:13 | 0:42:15 | |
As I was saying, sir, obviously we're very | 0:42:15 | 0:42:17 | |
restricted in what we can release before any potential court case. | 0:42:17 | 0:42:21 | |
However, the Chief Constable's very keen to issue a press release | 0:42:21 | 0:42:24 | |
publicising the successful arrest of such a wanted gang... | 0:42:24 | 0:42:27 | |
-We were lucky, rather than successful. -I'm sorry? | 0:42:27 | 0:42:30 | |
We were lucky that a single, resourceful police officer | 0:42:30 | 0:42:33 | |
managed to throw her phone onto the back of a pick-up truck. | 0:42:33 | 0:42:35 | |
We were LUCKY that the gunman decided not to pull the trigger. | 0:42:35 | 0:42:38 | |
Otherwise, that would be a very different press release, wouldn't it? | 0:42:38 | 0:42:41 | |
One publicising the death of three police officers. | 0:42:41 | 0:42:44 | |
Sir, if we could just address the Chief's questions... | 0:42:44 | 0:42:46 | |
I'd like to address some questions of my own. | 0:42:46 | 0:42:50 | |
Why were the other units so far away? | 0:42:50 | 0:42:52 | |
Why are front-line police officers so thinly stretched? | 0:42:52 | 0:42:56 | |
Why are there never enough helicopters in the sky? | 0:42:56 | 0:42:59 | |
You know... | 0:43:03 | 0:43:04 | |
..I don't think I'm going to be able to help you | 0:43:05 | 0:43:08 | |
with your good-news story, | 0:43:08 | 0:43:09 | |
but I'll be certain to forward you a copy of the complaint about the lack | 0:43:09 | 0:43:12 | |
of tactical resources that I WILL be sending to the Chief Constable. | 0:43:12 | 0:43:15 | |
OK? Thank you. | 0:43:15 | 0:43:17 | |
WHO WAS RESPONSIBLE FOR SEARCHING THAT PRISONER? | 0:43:27 | 0:43:29 | |
Is this all we are now? Eva's appropriate adults? | 0:43:51 | 0:43:54 | |
Eva... | 0:43:58 | 0:44:01 | |
the Mental Health Crisis Team are on their way. | 0:44:01 | 0:44:04 | |
And because of concerns about your mental health, you're going | 0:44:05 | 0:44:09 | |
to be sectioned. | 0:44:09 | 0:44:11 | |
Taken to an appropriate in-patient facility. | 0:44:12 | 0:44:15 | |
Eva? | 0:44:19 | 0:44:20 | |
'So they'll keep Eva there?' | 0:44:23 | 0:44:25 | |
She won't be able to go back to the boat? | 0:44:25 | 0:44:28 | |
To that...awful man? | 0:44:28 | 0:44:30 | |
It's a safe, secure environment where Eva will get the support | 0:44:30 | 0:44:33 | |
she needs. | 0:44:33 | 0:44:34 | |
That's what we've ever wanted for her. | 0:44:34 | 0:44:36 | |
SHE SNIFFLES It's the right kind of help... | 0:44:36 | 0:44:39 | |
Just can't believe this has happened to Eva... To our family. | 0:44:40 | 0:44:44 | |
-We tried, we really did. -That's all you can do, you know. | 0:44:44 | 0:44:49 | |
Your daughter was vulnerable and someone took advantage of her. | 0:44:49 | 0:44:53 | |
She found herself in a relationship that she couldn't escape. | 0:44:53 | 0:44:56 | |
Abuse takes many forms. | 0:44:56 | 0:44:59 | |
Maybe it took this - a crisis - for you to get the help you needed? | 0:45:01 | 0:45:04 | |
Excuse me. | 0:45:04 | 0:45:06 | |
DOOR OPENS AND CLOSES | 0:45:10 | 0:45:12 | |
DOOR OPENS | 0:45:28 | 0:45:30 | |
You need to sort this out, boss. | 0:45:38 | 0:45:41 | |
Cos that situation, it's not good for your dad, and... | 0:45:41 | 0:45:44 | |
And it's definitely not good for you. | 0:45:45 | 0:45:47 | |
And as the officer responsible for searching the prisoner in custody... | 0:45:54 | 0:45:57 | |
..you're being suspended from duty, pending an investigation. | 0:45:58 | 0:46:02 | |
'You now need to leave the building immediately...' | 0:46:04 | 0:46:07 | |
(What's happened? What did he say?) | 0:46:07 | 0:46:09 | |
And you're not allowed to talk to anyone else involved. | 0:46:09 | 0:46:12 | |
SHE SNIFFLES | 0:46:35 | 0:46:36 | |
Do you want a lift? | 0:46:41 | 0:46:43 | |
Lino's called me. He's asked me to take you home. | 0:46:45 | 0:46:47 | |
I'm all right, thanks. | 0:46:47 | 0:46:49 | |
Just do me a favour, then, yeah? Keep him happy. Come on. Get in. | 0:46:49 | 0:46:52 | |
Sorry about the mess. You know what it's like. | 0:47:02 | 0:47:05 | |
A badly-behaved macaw. | 0:47:05 | 0:47:07 | |
Here you are. | 0:47:14 | 0:47:15 | |
Look, I know it's none of my business, but... | 0:47:18 | 0:47:21 | |
you might want to keep a bit of perspective. | 0:47:21 | 0:47:24 | |
Lino filled me in on everything | 0:47:24 | 0:47:26 | |
and it sounds like a bloody nightmare. | 0:47:26 | 0:47:30 | |
But it's only work. | 0:47:30 | 0:47:32 | |
I messed up my first marriage... | 0:47:37 | 0:47:39 | |
..gorgeous, he was. | 0:47:40 | 0:47:43 | |
Looked like Colin Farrell - don't tell Lino I told you that. | 0:47:43 | 0:47:46 | |
I got obsessed with the nine to five, ended up losing... | 0:47:48 | 0:47:52 | |
the job and the bloke. | 0:47:52 | 0:47:54 | |
Just forget about this suspension nonsense. | 0:47:56 | 0:48:00 | |
It'll blow over. | 0:48:00 | 0:48:01 | |
Or it won't. | 0:48:01 | 0:48:04 | |
Either way, Donna, you'll be all right. | 0:48:04 | 0:48:06 | |
You're a survivor. | 0:48:08 | 0:48:09 | |
Did you just quote Beyonce? | 0:48:12 | 0:48:13 | |
Destiny's Child, actually. | 0:48:13 | 0:48:15 | |
They were shite. | 0:48:17 | 0:48:19 | |
Look. Go home. | 0:48:21 | 0:48:24 | |
See your missus... | 0:48:24 | 0:48:25 | |
You're going to be fine. | 0:48:27 | 0:48:29 | |
Well, yeah, it certainly matches our gang's MO. | 0:48:35 | 0:48:38 | |
Mm-hm. | 0:48:38 | 0:48:41 | |
Right, I'll be in touch when we get the DNA results back, | 0:48:41 | 0:48:44 | |
but it's looking like more good news, though, right? | 0:48:44 | 0:48:47 | |
Excellent. All right. Cheers. Bye. | 0:48:47 | 0:48:49 | |
PHONE RINGS | 0:48:54 | 0:48:55 | |
DS Moffat. | 0:48:55 | 0:48:57 | |
Yeah, well, I worked that DV. | 0:49:00 | 0:49:02 | |
It's, er, Stacey Shawcross. | 0:49:02 | 0:49:04 | |
Uh-huh. | 0:49:06 | 0:49:07 | |
Why? What's he done to her this time? | 0:49:08 | 0:49:11 | |
All right, I'll be right there. Thanks. | 0:49:17 | 0:49:21 | |
Debbie? | 0:49:26 | 0:49:28 | |
HOSPITAL PA ANNOUNCEMENT: Please call X-ray on extension... | 0:49:46 | 0:49:50 | |
Yeah, yeah... | 0:49:56 | 0:49:57 | |
Apparently, the stress of the assault brought on early labour... | 0:50:00 | 0:50:03 | |
Jesus... | 0:50:03 | 0:50:04 | |
Apart from the obvious injuries... bruising, she's all right. | 0:50:04 | 0:50:08 | |
And as far as they can tell at this stage, the baby seems fine. | 0:50:08 | 0:50:12 | |
Could have been a lot worse. | 0:50:12 | 0:50:14 | |
So, where's Tyler? | 0:50:15 | 0:50:17 | |
-Her toddler? -Mm. -Already in care. | 0:50:17 | 0:50:20 | |
And as soon as that one's out, we'll slap a care order on it. | 0:50:20 | 0:50:23 | |
There's no way Stacey's taking that baby home. | 0:50:23 | 0:50:26 | |
Not unless she can get rid of Reece. | 0:50:26 | 0:50:29 | |
Well, you can say that, but I can't. | 0:50:29 | 0:50:32 | |
I tell Stacey to press charges in order to get her kids back, | 0:50:32 | 0:50:35 | |
his solicitor is going to have a field day in court. | 0:50:35 | 0:50:37 | |
-TOY SQUEAKS -OW! | 0:50:40 | 0:50:42 | |
-WOMAN SCREAMS -Jesus! Sand... | 0:50:42 | 0:50:44 | |
Look! Look! Can you believe it? | 0:50:44 | 0:50:47 | |
I did one, then I thought I must've imagined it, so I did another one. | 0:50:47 | 0:50:50 | |
Three times - same result. Aaaah! | 0:50:50 | 0:50:54 | |
-Oh, my God. That is, erm... -I know. | 0:50:54 | 0:50:56 | |
I mean, I thought I might be, cos my boobs were agony, | 0:50:56 | 0:50:59 | |
but then I thought it was cos I was about to come on, | 0:50:59 | 0:51:02 | |
-then I did the test this afternoon... -I can't believe this. | 0:51:02 | 0:51:05 | |
-It's, it's unbelievable. -I know. | 0:51:05 | 0:51:07 | |
I didn't know whether to call you at work, or just wait... | 0:51:07 | 0:51:10 | |
..but we did it! | 0:51:11 | 0:51:14 | |
-It's amazing. -Yeah! | 0:51:15 | 0:51:18 | |
Hey, come here. | 0:51:18 | 0:51:19 | |
Er... So, how, how, how many weeks are you? | 0:51:21 | 0:51:25 | |
-Erm, about three... -Three? Right. OK. | 0:51:25 | 0:51:29 | |
-What do you mean? -Eh? -Erm, "Right"? | 0:51:30 | 0:51:33 | |
No, no, no. I'm just trying to work out when it happened, that's all. | 0:51:33 | 0:51:37 | |
It's a bit of a surprise. | 0:51:37 | 0:51:40 | |
It can't be that much of a surprise, we've been trying for months. | 0:51:40 | 0:51:44 | |
No, I know, yeah. | 0:51:44 | 0:51:46 | |
Come here. Come here. Don't be silly. | 0:51:46 | 0:51:48 | |
-Erm... -What? | 0:51:50 | 0:51:52 | |
This is what we wanted, isn't it? | 0:51:58 | 0:52:00 | |
Isn't it? | 0:52:09 | 0:52:10 | |
Oh... | 0:52:20 | 0:52:21 | |
I don't believe this. | 0:52:24 | 0:52:27 | |
It's not like it's even a big deal these days, you know. I didn't have to go to hospital | 0:53:00 | 0:53:03 | |
or anything, it was just GP surgery. I just popped in and out. | 0:53:03 | 0:53:06 | |
-That's not the point, Carl. -Isn't it? -No! | 0:53:06 | 0:53:09 | |
You had a vasectomy. | 0:53:10 | 0:53:12 | |
In secret. | 0:53:12 | 0:53:14 | |
-Because you didn't want to have any more kids. -Yeah, but that was THEN. | 0:53:15 | 0:53:18 | |
-And what about now? -Now? | 0:53:18 | 0:53:20 | |
Now, it's out of our hands, isn't it? | 0:53:20 | 0:53:23 | |
You know, that's the great thing about it. It's just fate, isn't it? | 0:53:23 | 0:53:26 | |
And babe, listen, we put all this behind us and we roll with it. | 0:53:26 | 0:53:31 | |
Ah... For what? | 0:53:31 | 0:53:34 | |
What, the next 18 years? | 0:53:34 | 0:53:36 | |
18 years with a kid that you don't really want | 0:53:36 | 0:53:39 | |
and a wife that you're too frightened to tell the truth to? | 0:53:39 | 0:53:42 | |
Dad, why is there no hot water? | 0:53:42 | 0:53:44 | |
-Bethany, please. -It's freezing. It's like Syria here, or something. | 0:53:44 | 0:53:47 | |
You know what, Bethany? Do you know who might have some hot water? | 0:53:47 | 0:53:51 | |
-Your mum. -Dad! | 0:53:51 | 0:53:54 | |
-Not now. -Yes, not now, Bethany. | 0:53:54 | 0:53:57 | |
OK, your dad and I are trying to have a conversation, | 0:53:57 | 0:54:00 | |
a real conversation about something important. | 0:54:00 | 0:54:04 | |
-About whether we have a future together. -Come on... | 0:54:04 | 0:54:06 | |
Why are you letting her talk to me like that? | 0:54:06 | 0:54:08 | |
Please, just go to your room. | 0:54:08 | 0:54:10 | |
Because this is my house and I will talk however I want. | 0:54:10 | 0:54:13 | |
And if you don't like it - | 0:54:13 | 0:54:15 | |
there's the door. | 0:54:15 | 0:54:17 | |
MUSIC: Dead Things by Emiliana Torrini | 0:54:18 | 0:54:21 | |
# You're like me | 0:54:21 | 0:54:23 | |
# We're both alone | 0:54:24 | 0:54:26 | |
# What's the problem? | 0:54:28 | 0:54:30 | |
# I don't know | 0:54:32 | 0:54:33 | |
# We're the same height | 0:54:35 | 0:54:38 | |
# The same eyes | 0:54:39 | 0:54:41 | |
# But you can't borrow my clothes all the time | 0:54:43 | 0:54:47 | |
# Bad things | 0:54:50 | 0:54:52 | |
# Dead things... # | 0:54:53 | 0:54:55 | |
DOORBELL RINGS | 0:54:55 | 0:54:57 | |
# Sad things have to happen | 0:54:57 | 0:55:01 | |
# Sometimes | 0:55:02 | 0:55:08 | |
# Bad things | 0:55:11 | 0:55:15 | |
# Dead things | 0:55:15 | 0:55:18 | |
# Sad things have to happen... # | 0:55:19 | 0:55:22 | |
As long as Reece is in your house, it isn't safe. | 0:55:23 | 0:55:26 | |
Listen, you'd better sort this out, cos I'm not going back inside! | 0:55:26 | 0:55:29 | |
Sorry, mate. | 0:55:32 | 0:55:34 | |
OI! | 0:55:35 | 0:55:36 | |
You're putting some violent scum before me? | 0:55:37 | 0:55:41 | |
Don't do this to me. | 0:55:41 | 0:55:43 | |
-What have you done? -I've let you down. | 0:55:43 | 0:55:46 | |
Robert, I'm dealing with it! | 0:55:46 | 0:55:48 | |
HELLO? | 0:55:58 | 0:55:59 | |
-HE STRUGGLES -It's OK, mate. -Don't move! -It's all right. I'm not moving, mate! | 0:55:59 | 0:56:02 | |
I'll do what you want. | 0:56:02 | 0:56:03 | |
HE SCREAMS | 0:56:03 | 0:56:05 | |
DOOR SLAMS | 0:56:05 | 0:56:07 |